# Black Metal Zine - Album Reviews, Interviews & Live Reports
> Explore Black Metal Zine, for album reviews, band interviews, and live coverage from the black metal underground. Uncovering hidden gems since 2022.
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## Pages
### Privacy Policy of Black Metal Zine
URL: https://blackmetalzine.com/privacy-policy/
Last updated: 2026-08-05T10:57:35.000Z
**Last Updated: August 5, 2026**
Black Metal Zine ("we," "us," or "our") operates the website **https://blackmetalzine.com** (the "Service"). This page informs you of our policies regarding the collection, use, and disclosure of Personal Information when you use our Service and the choices you have associated with that data.
We use your data to provide and improve the Service. By using the Service, you agree to the collection and use of information in accordance with this policy.
## 1\. Information Collection and Use
We collect several different types of information for various purposes to provide and improve our Service to you.
### 1.1 Personal Data
While using our Service, we may ask you to provide us with certain personally identifiable information that can be used to contact or identify you ("Personal Data"). Personally identifiable information we collect includes:
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### 1.2 Usage Data
We also collect information about how the Service is accessed and used ("Usage Data"). This Usage Data may include information such as your computer's Internet Protocol address (IP address), browser type, browser version, the pages of our Service that you visit, the time and date of your visit, the time spent on those pages, unique device identifiers, and other diagnostic data.
### 1.3 Tracking & Usage Analysis
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**Usage Analysis (Non-Cookie Based):** We use the built-in analytics feature of the Ghost platform. This tool collects Usage Data (as described in Section 1.2) without relying on browser cookies for tracking, thus minimizing your privacy impact while allowing us to understand site performance.
## 2\. Use of Data
Black Metal Zine uses the collected data for various purposes:
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## 3\. Transfer and Disclosure of Data
Your information, including Personal Data, may be transferred to — and maintained on — computers located outside of your state, province, country, or other governmental jurisdiction where the data protection laws may differ from those of your jurisdiction.
### 3.1 Service Providers
We employ the following key third-party companies and individuals to facilitate our Service ("Service Providers"). These third parties have access to your Personal Data only to perform these tasks on our behalf and are obligated not to disclose or use it for any other purpose.
**Platform & Newsletter:** We utilize the Ghost platform to host our website and manage subscriber newsletters. Your email address and newsletter preferences are managed and stored by Ghost. You can review the Ghost privacy policy for more details on their data handling practices.
### 3.2 Legal Requirements
Black Metal Zine may disclose your Personal Data in the good faith belief that such action is necessary to:
- Comply with a legal obligation or court order.
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- Protect against legal liability.
## 4\. Security of Data
The security of your data is important to us. We strive to use commercially acceptable means to protect your Personal Data, including storing passwords in a hashed format. However, no method of transmission over the Internet or method of electronic storage is 100% secure. While we strive to use acceptable means to protect your Personal Data, we cannot guarantee its absolute security.
## 5\. Your Data Protection Rights
You have the right to access, update, or delete the information we have on you. Whenever possible, you can access, update, or request deletion of your Personal Data directly within your account settings. If you are unable to perform these actions yourself, please contact us to assist you.
You also have the right to:
- **Withdraw Consent:** You can opt-out of receiving our newsletters at any time via your account settings.
- **Request Deletion:** You have the right to request that we delete or remove Personal Data when there is no good reason for us to continue processing it.
## 6\. Children's Privacy
Our Service is not intended for use by anyone under the age of 13 ("Children"). We do not knowingly collect personally identifiable information from anyone under the age of 13\. If you are a parent or guardian and you are aware that your Child has provided us with Personal Data, please contact us. If we become aware that we have collected Personal Data from children without verification of parental consent, we take steps to remove that information from our servers.
## 7\. Changes to This Privacy Policy
We may update our Privacy Policy from time to time. We will notify you of any changes by posting the new Privacy Policy on this page and updating the "Last Updated" date at the top of this Privacy Policy.
## 8\. Contact Information
If you have any questions about this Privacy Policy, please contact us at info@blackmetalzine.com.
### Playlists: Black Metal Promotion
URL: https://blackmetalzine.com/playlists/
Last updated: 2025-11-11T19:30:53.000Z
All the video's/albums that get premiered on Black Metal Promotion are catalogued in a playlist. This website links to those playlists.
Currently, these are the Playlists sections available:
- [Genre](https://blackmetalzine.com/genre/)
- [Country](https://blackmetalzine.com/country/)
The new albums premiered on BMP's YouTube channel will be automatically added to the playlists. There are many videos available on Black Metal Promotions YouTube channel.
### French Black Metal
URL: https://blackmetalzine.com/french-black-metal/
Last updated: 2026-07-29T07:41:00.000Z
The French black metal scene did not take on the Norwegian formula. Instead, it began in damp cellars, abandoned rural halls, and on the fringes of cities. From the beginning of the 1990s, groups began to transform the music into something claustrophobic and underground.
During this period, there was an underground group of musicians who performed in various groups such as Mütiilation. These groups produced demos and exchanged them with tape trading groups. Their music was raw and full of despair, with the element of ‘decay’ evident in it.
In contrast to other scenes that had frosty environments in the background, the French version featured settings that revolved around collapsed buildings, rural areas, and spiritual degradation. The tone was more about lingering in despair rather than rapid thrills.
As the years passed on into the 2000s, the scene evolved. Some groups began incorporating folk influences, punk energy, regional accents. Some groups retained an unadulterated edge; others incorporated melody, texture, atmosphere. You’ll note these tendencies in later releases.
In this respect, this scene is important as it demonstrates that black metal has potential beyond frozen lands and traditional themes. Firstly, darkness exists somewhere besides frozen lands and traditional themes. It exists within areas that are unkempt and rundown, such as industrial areas. It exists within one’s mind. Underground music exists within one’s mind and follows no rules set by others. If you are interested in this area, explore some of the French underground releases on tape, and then move on to some bands who continued to break new ground. You'll see that there is a history that's perhaps less well-known but no less intense.
### YouTube Playlist:
### Atmospheric Black Metal
URL: https://blackmetalzine.com/atmospheric-black-metal/
Last updated: 2025-11-25T21:57:27.000Z
##### About the Genre
Atmospheric black metal is a subgenre of black metal that emphasizes the creation of a specific atmosphere or mood through the use of atmospheric elements such as ambiance and melody. This subgenre is characterized by its ethereal, dreamlike, and often melancholic soundscapes, as well as its incorporation of elements from ambient, shoegaze, and post-rock music.
Atmospheric black metal bands typically use unconventional song structures and unconventional instrumentation, such as the use of keyboards and clean vocals, to create a more atmospheric and emotional sound. The lyrics of atmospheric black metal bands frequently focus on nature, personal introspection, and existentialism.
The origins can be traced back to the mid-1990s, with the emergence of bands such as Burzum, Ulver, and Drudkh. These bands helped to establish the subgenre by incorporating atmospheric elements into their sound, and by experimenting with unconventional song structures and unconventional instrumentation.
Recently, atmospheric black metal has seen a significant rise in popularity and influence, with bands such as Deafheaven, Alcest, and Wolves in the Throne Room, receiving critical acclaim and a wider audience. This subgenre has also been able to attract fans from other genres such as post-rock, ambient, and shoegaze.
##### Videos
##### Links
YouTube: [Atmospheric Black Metal - YouTube](https://www.youtube.com/playlist?list=PLykNNMVjCDfV18spo8YlL0Ayu9MqVrxKx&ref=blackmetalzine.com)
### Playlists: By Genre
URL: https://blackmetalzine.com/genre/
Last updated: 2025-11-25T22:14:29.000Z
The Black Metal Promotion YouTube channel has a fast collection of black metal premieres. All of them are divided in their subgenre section. On this page, you'll find links to all those playlists, including some information about the genre.
- [Atmospheric Black Metal](https://blackmetalzine.com/atmospheric-black-metal/)
- [Depressive Black Metal](https://blackmetalzine.com/depressive-black-metal/)
- [Melodic Black Metal](https://blackmetalzine.com/melodic-black-metal/)
- [Melancholic Black Metal](https://blackmetalzine.com/melancholic-black-metal/)
- [Symphonic Black Metal](https://blackmetalzine.com/symphonic-black-metal/)
- [Pagan, Viking & Folk](https://blackmetalzine.com/pagan-viking-folk/)
- [Post Black Metal](https://blackmetalzine.com/post-black-metal/)
- [Progressive Black Metal](https://blackmetalzine.com/progressive-black-metal/)
## About the Black Metal genre
Black metal is a heavy metal music genre that is characterized by its fast tempos and, very often, raw and lo-fi production along with occult or Satanist lyrical subjects. There are many subgenres within the genre black metal, each defined by specific conventions, characteristics, and elements. The different subgenres of black metal include the following:
- Second wave black metal: This sub-genre originated in Norway during the early 1990s and is defined by its typically raw, lo-fi production, and its use of blast beats, tremolo picking, and harsh vocals. Bands such as Mayhem, Burzum, and Emperor are some of the more well-known second wave black metal bands.
- Melodic black metal: This is a more melodic subgenre of black metal, tending towards catchy riffs and memorable lead guitar lines, among others. Some notable bands viewed as pioneers of this genre include Dissection, Emperor, and Dimmu Borgir.
- Atmospheric black metal: By using ambient elements like ambiance, texture, and melody, this subgenre places its emphasis on creating a certain atmosphere or mood.
- Depressive Suicidal Black Metal (DSBM): This subgenre is characterized by its dark, melancholic, and introspective themes, combined with raw and lo-fi production. In the case of DSBM bands, many of the lyrics are related to depression, suicide, and personal suffering. Bands in this category include Xasthur and Leviathan.
- Blackened death metal is a subgenre that combines both death metal and black metal, characterizing fast tempos, blast beats, and guttural vocals. Bands like Behemoth, Watain, and Belphegor are also pioneers of this subgenre.
It should, however, be pointed out that such subgenres are not fixed, rigid categories but are liable to regularly overlap and change. The characteristics and conventions that define subgenres also change with the band and even the album in question.
### Playlists: By Country
URL: https://blackmetalzine.com/country/
Last updated: 2025-11-10T20:18:19.000Z
There are many countries that have terrific black metal scene, we all know the obvious one like Norwegian, Finnish or the Greek one. But the Danes have some great bands as well, and the same goes for Belgian black metal and Italian.
Below you will find a list with playlists sorted by country. These playlists are all available on Black Metal Promotions YouTube channel, we only show them in this format, to make it easier to find them per country. All the plays and views will still go towards the YouTube channel itself.
Please note, If you are looking for a specific band, you can try the search function on [Black Metal Promotion's YouTube ](https://www.youtube.com/c/bmpromotion?ref=blackmetalzine.com)channel.
- [Australian Black Metal](https://blackmetalzine.com/australian-black-metal/)
- [Austrian Black Metal](https://blackmetalzine.com/austrian-black-metal/)
- [Belgian Black Metal](https://blackmetalzine.com/belgian-black-metal/)
- [Brazilian Black Metal](https://blackmetalzine.com/brazilian-black-metal/)
- [Canadian Black Metal](https://blackmetalzine.com/canadian-black-metal/)
- [Danish Black Metal](https://blackmetalzine.com/danish-black-metal/)
- [Dutch Black Metal](https://blackmetalzine.com/dutch-black-metal/)
- [Finnish Black Metal](https://blackmetalzine.com/finnish-black-metal/)
- [French Black Metal](https://blackmetalzine.com/french-black-metal/)
- [German Black Metal](https://blackmetalzine.com/german-black-metal/)
- [Greek Black Metal](https://blackmetalzine.com/greek-black-metal/)
- [Hungarian Black Metal](https://blackmetalzine.com/hungarian-black-metal/)
- [Italian Black Metal](https://blackmetalzine.com/italian-black-metal/)
- [Norwegian Black Metal](https://blackmetalzine.com/norwegian-black-metal/)
- [Polish Black Metal](https://blackmetalzine.com/polish-black-metal/)
- [Russian Black Metal](https://blackmetalzine.com/russian-black-metal/)
- [Serbian Black Metal](https://blackmetalzine.com/serbian-black-metal/)
- [Spanish Black Metal](https://blackmetalzine.com/spanish-black-metal/)
- [Swedish Black Metal](https://blackmetalzine.com/swedish-black-metal/)
- [Swiss Black Metal](https://blackmetalzine.com/swiss-black-metal/)
- [U.S.A. Black Metal](https://blackmetalzine.com/u-s-a-black-metal/)
- [UK Black Metal](https://blackmetalzine.com/uk-black-metal/)
- [Ukrainian Black Metal](https://blackmetalzine.com/ukrainian-black-metal/)
### Melodic Black Metal
URL: https://blackmetalzine.com/melodic-black-metal/
Last updated: 2025-11-25T21:59:30.000Z
##### About the Genre
Melodic black metal is a subgenre of black metal that emphasizes the use of melodic elements, such as catchy guitar riffs and memorable lead guitar lines, to create a more accessible and memorable sound. This subgenre is characterized by its fast tempos, complex song structures, and its incorporation of elements from traditional heavy metal, power metal, and symphonic metal.
It originated in the early 1990s, with the emergence of bands such as Dissection, Emperor, and Dimmu Borgir, who helped to establish the subgenre by incorporating melodic elements into their sound. These bands, and others like them, began to push the boundaries of the genre and helped to establish melodic black metal as a distinct subgenre within the black metal scene.
These black metal bands often use clean vocals and symphonic elements, such as the use of orchestrations and choirs, to create a more epic and grandiose sound. The lyrics regularly focus on themes such as mythology, fantasy, and the occult.
Lately, a significant rise in popularity and influence, with bands such as Mgla, Gaahls Wyrd, and Nachtblut receiving critical acclaim and a wider audience. This subgenre has also been able to attract fans from other genres such as traditional heavy metal, power metal, and symphonic metal.
##### Videos
##### Links
YouTube: [Melodic Black Metal - YouTube](https://www.youtube.com/playlist?list=PLykNNMVjCDfWTLQqFMFHLNdNMWXEzfCRt&ref=blackmetalzine.com)
### Swiss Black Metal
URL: https://blackmetalzine.com/swiss-black-metal/
Last updated: 2025-11-10T12:19:53.000Z
\[embedyt\] https://www.youtube.com/embed?listType=playlist&list=PLykNNMVjCDfU5JLPASsuT8bJAsCip\_Vq-&layout=gallery\[/embedyt\]
### UK Black Metal
URL: https://blackmetalzine.com/uk-black-metal/
Last updated: 2025-11-11T19:28:11.000Z
_No content available._
### Belgian Black Metal
URL: https://blackmetalzine.com/belgian-black-metal/
Last updated: 2025-11-10T12:19:53.000Z
Black metal from Belgium includes Wiegedood, Serpents Oath and Transcending Rites for example. There are around 55 bands in this playlist, so there is enough to like!
\[embedyt\] https://www.youtube.com/embed?listType=playlist&list=PLykNNMVjCDfXWkLH0pnnYhVSTHsQ3RFqQ&layout=gallery\[/embedyt\]
### Greek Black Metal
URL: https://blackmetalzine.com/greek-black-metal/
Last updated: 2025-11-13T21:36:50.000Z
## Greek Black Metal: Fire Beneath Ancient Stone
Greek black metal didn't crawl from the ice-it roared from sun-scorched ruins. While Norway carved its legacy in frost, the Hellenic underground was crafting something just as potent, rooted in myth, paganism, and raw defiance.
The late ‘80s brought, from Athens, Rotting Christ, Varathron, and Necromantia names which still echo in the crypts of black metal history. They were not imitating the Norwegians either. They took heavy metal riffing, soaked it in occult atmosphere, and poured ancient Greek blood in every track.
The sound? Raw, yes but not chaotic for its own sake. It had weight. Groove. In many ways, it says it all that Necromantia used 8-string bass instead of rhythm guitar these bands weren't following any kind of blueprint, they were building their own.
Lyrically and visually, they looked inward back to Hellenic mythology, pagan rites, and forgotten gods. Their black metal wasn't about forests and snowstorms; it was about ruins, ritual, and the shadow of the past pressing in from behind cracked marble.
By the mid-‘90s, Greece had produced some of the most distinct black metal ever put to tape. Albums like Thy Mighty Contract, Crossing the Fiery Path, and Scarlet Evil Witching Black didn’t just age well they became cult scripture.
Today, whether it's legacy acts evolving or newer bands digging deeper into folk and esoteric territory, the Greek scene hasn't lost its teeth. It's proof that black metal thrives not just in cold winds but under ancient suns.
If you're still sleeping on Hellenic black metal, wake up. The fire's still burning and it smells like ritual smoke and scorched earth.
**Spotify Playlist**; This list is actively curated, so check back regular for new finds.
Greek Black Metal playlist curated by Black Metal Zine
### Melancholic Black Metal
URL: https://blackmetalzine.com/melancholic-black-metal/
Last updated: 2025-11-25T22:00:18.000Z
##### About the Genre
Melancholic Black Metal is a subgenre of Black Metal that emphasizes atmosphere and emotional depth over the aggression and speed typically associated with the genre. The music is characterized by a melancholic, introspective, and sometimes even mournful mood, often achieved through the use of slower tempos, melodic guitar lines, and atmospheric keyboards.
The lyrics often focus on themes of despair, isolation, and introspection, and may draw inspiration from literature, philosophy, and mythology. This form of black metal emerged in the mid-1990s and has since gained a dedicated following among fans of Black Metal and other related genres. Some of the most notable bands in the genre include Agalloch, Woods of Ypres, and Alcest.
This subgenre of black metal provides a unique listening experience that evokes a range of emotions and feelings, making it a captivating subgenre within the metal world.
##### Videos
##### Links
YouTube: [Melancholic Black Metal - YouTube](https://www.youtube.com/playlist?list=PLykNNMVjCDfVKfruimJtofLGX-tUGlhWT&ref=blackmetalzine.com)
### Swedish Black Metal
URL: https://blackmetalzine.com/swedish-black-metal/
Last updated: 2025-11-10T12:19:53.000Z
\[embedyt\] https://www.youtube.com/embed?listType=playlist&list=PLykNNMVjCDfW6kmo4Io16o9eCpsR1fe7R&layout=gallery\[/embedyt\]
### Italian Black Metal
URL: https://blackmetalzine.com/italian-black-metal/
Last updated: 2025-11-10T12:19:53.000Z
\[embedyt\] https://www.youtube.com/embed?listType=playlist&list=PLykNNMVjCDfWmlKgInvh5t6QzmAMmkJQu&v=xS7eabXG1Fw&layout=gallery\[/embedyt\]
### Norwegian Black Metal
URL: https://blackmetalzine.com/norwegian-black-metal/
Last updated: 2025-11-10T12:19:53.000Z
\[embedyt\] https://www.youtube.com/embed?listType=playlist&list=PLykNNMVjCDfXjYUvYqzvQLVPFMSFTUabS&v=PQvyynYbesM&layout=gallery\[/embedyt\]
### Avantgarde Black Metal
URL: https://blackmetalzine.com/avantgarde-music/
Last updated: 2022-07-06T12:43:54.000Z
### About the Genre
Avantgarde black metal is a sub-genre of black metal that pushes the boundaries of traditional black metal music by incorporating elements of experimental and Avantgarde music. This sub-genre is known for its unconventional approach to songwriting and its willingness to explore new sounds and styles.
Unlike traditional black metal, which is known for its raw and abrasive sound, this style often incorporates elements of other genres, such as jazz, classical music, and electronic music, into its sound. This blending of genres creates a unique and diverse listening experience that is not found in other types of metal music.
Avantgarde black metal is also known for its use of unconventional song structures and instrumentation. It often features complex arrangements, unusual time signatures, and the use of non-traditional instruments, such as saxophones and keyboards. This experimental approach to music-making has earned Avantgarde black metal a dedicated following among fans of metal music who are looking for something different and challenging.
### Videos
\[embedyt\] https://www.youtube.com/embed?listType=playlist&list=PLykNNMVjCDfUB1RJOUUq\_Za4kKeToEmsA&layout=gallery\[/embedyt\]
### Links
YouTube: [Moonlight Sorcery - In Coldest Embrace (Official Music/Lyric Video) - YouTube](https://www.youtube.com/watch?v=WZ%5FcE0bub-Y&list=PLykNNMVjCDfUB1RJOUUq%5FZa4kKeToEmsA&ref=blackmetalzine.com)
### Symphonic Black Metal
URL: https://blackmetalzine.com/symphonic-black-metal/
Last updated: 2025-11-25T22:01:56.000Z
### About the Genre
Symphonic Black Metal is a subgenre of Black Metal that incorporates elements of classical music, such as orchestral arrangements and choirs, into the traditional harsh and aggressive sound of Black Metal. The genre emerged in the mid-1990s and has since gained a dedicated following among fans of extreme metal.
Symphonic Black Metal bands often employ a grandiose and theatrical approach to their music, with epic compositions and elaborate stage shows. Despite the use of classical elements, the music remains dark and heavy, with lyrics often focusing on themes of darkness, occultism, and anti-religion. Some of the most notable bands in the genre include Dimmu Borgir and Cradle of Filth
### Videos
### Links
YouTube: [Symphonic Black Metal - YouTube](https://www.youtube.com/playlist?list=PLykNNMVjCDfWLSZlBqixP54DoTrrPPn%5FF&ref=blackmetalzine.com)
### Dutch Black Metal
URL: https://blackmetalzine.com/dutch-black-metal/
Last updated: 2025-11-25T20:10:59.000Z
On this page, you will find the Dutch Black metal bands that premiered on Black Metal Promotions YouTube. This includes Helleruin, Wrang, Walg and many more!
### Finnish Black Metal
URL: https://blackmetalzine.com/finnish-black-metal/
Last updated: 2025-11-10T12:19:53.000Z
\[embedyt\] https://www.youtube.com/embed?listType=playlist&list=PLykNNMVjCDfVbG03H0pw72T623z4rSXmb&layout=gallery\[/embedyt\]
### Polish Black Metal
URL: https://blackmetalzine.com/polish-black-metal/
Last updated: 2025-11-10T12:19:53.000Z
\[embedyt\] https://www.youtube.com/embed?listType=playlist&list=PLykNNMVjCDfWHT\_OQmnnkj3FnwTR5xYtk&layout=gallery\[/embedyt\]
## Posts
### Interview: Niveous
URL: https://blackmetalzine.com/interview-niveous/
Last updated: 2026-08-17T13:01:58.000Z
## Introduction
The black metal band Niveous from the United States just released their first debut album (review link at the end of the interview). So this will be a good time to ask them some questions.
So, thanks to the guys in Niveous for taking the time to answer some questions for us!
## The interview
**This is a genuinely dense mythology for a debut album. A monolith from deep space, an entity called the Void Star, an extinct race called the Sorn, and a resistance leader who happens to be the last of a dying people. Where did this whole universe come from, and how much of it lives in your heads beyond what made it onto these six songs?**
Vokar: The idea for the universe came after we discussed the potential of doing a concept album about a 2nd ice age. I just took the ball and ran with it. With a lifetime of reading and watching scifi the ideas just flowed out of me. The Void Star mythos/universe is constantly on my mind with different ideas to continue the story.
**You named the album after the cult, the antagonists, rather than after Cala Garin or the Ice Tribes, who seem to be who we're actually rooting for. What drew you to that choice?**
Nortaath: As we are the main characters in this universe by nature, we wanted to ensure the story had an equally engaging counterpart character-wise. Vokar wrote an incredible protagonist, Cala, who really helped balance out the story and give dynamic to the intense conflict that is taking place.
Photo Credit: Justin Waite @notesfromadeadman
**Will we see this concept and the story expanded in future release's? (Personally, I really hope so)**
Nortaath: We’ve built a pretty big universe, which is both great and daunting. In what way we haven’t fully determined yet - but I can say that Cult of the Void Star is only a beginning chapter in exploring this world and story further.
**Away from black metal itself, what fed into this world? What inspired it? Books, films, anything outside of music that shaped the story or the atmosphere you were chasing?**
Vokar: As I touched on in an earlier question, I have been a life long scifi fan. From books, I drew a lot of inspiration from *At the Mountains of Madness* and the *Hyperion* series. For films/shows/games, there are many storylines from the Star Trek and Warhammer 40k universes that have influenced me most.
Nortaath: I’m an avid cinaphile and definitely draw influence—both in storytelling and in visual aesthetic—from a multitude of films across multiple genres. I lean towards arthouse cinema and more avante garde surrealism (Jodorowsky, Cosmotos) within the horror and sci-fi genres, but unquestionably anything I do will probably be in some way influenced by the art and exploration of films like The Thing, Alien, and Blade Runner. I also feel like there hasn’t been a good apocalypse story told in a while, and naturally the collective aesthetics of black metal music itself and the cold music helped shape the rest.
**When you were writing this album, what was the process like of applying this lore to the music? Does the story point the way, or does the music come first?**
Nortaath: When we landed on doing a concept record, fleshing out the universe and story really provided purpose and depth to the flow of the album as a whole, as the story unravels in chapters alongside the tracks. Over the course of the writing process we continued to evolve and build on the core story concept, with Vokar authoring the narrative, characters and story. At some point early in the band we came to the creative decision that the worldbuilding and lore of Niveous would include us, Zygrath, Vokar, and Nortaath who are the main antagonists featured in *Cult of the Void Star*.
**Nortaath, you painted the cover yourself, and your father contributed artwork to the booklet (All of which is absolutely stunning). How did the album's visual side come together, and what was it like translating that story and the music into something you can look at?**
Nortaath: Thank you! Early in the music writing phase, the scope of the story started to take shape. I wanted the cover to have a good, eye-catching visual that really encompassed both the scope and atmosphere of the record. As for the booklet—once we decided on the 16-panel booklet, I prototyped out some ideas and layouts on paper to see what kind of text vs original artwork volume to shoot for. I brought on board my Dad, who’s a seasoned artist, he can really put out some insane quality and quick production speed as well, he really took the vision and rolled with it. Once the tracks were finished, it worked out perfectly having 6 songs, an A-side/B-side, with 3 tracks each.
**You tracked this one at Electrical Audio, a studio that carries a lot of history with it. What was that experience like, and how did it factor into your approach on this record?**
Zygrath: It was a great experience. While not traditionally known for tracking many extreme metal records, let alone black metal records, the experience of their staff combined with our engineer’s expertise captured the exact sound we wanted. The entire facility was built with sound and recording optimization in mind.
Also, The opportunity to record in such a renowned studio was really something special.
**As a whole, or individually, who are some of your prime influences or favorite bands? How do you think that contributes to the band's sound? As I've said before, you guys definitely have a second wave/Scandinavian sound, which is a bit different from what you typically get with usbm.**
Zygrath: you’re correct - when writing riffs for the band, a lot of influence is drawn from the classic second wave and what it spawned. Some personal influences are Craft, Sacramentum, Dawn, and of course Darkthrone.
Much of what is going on in the Icelandic black metal scene is very inspiring to me as well. I’ve long admired how those bands incorporate avant garde elements while still adhering to the ‘traditional’ black metal sound and aesthetic. (Mispyrming, Forsman, Vafurlogi, etc.)
All of this plays into the creative process for Niveous.
**There was a surprise extra member on stage with you at the release show. Who was that, and how did that come together?**
Kraetor: That was me, we’ve been discussing the addition for a few months. A lot of the material, especially the new tracks, really benefit from having a second guitar to fill out the sound and I’m very fortunate that the guys thought I would be a good fit.
Photo Credit: Justin Waite @notesfromadeadman
**How are you feeling about the state of USBM right now, and where do you see yourselves in it a couple years from now?**
Zygrath: The USBM scene as a whole isn’t nearly as strong now as it was 10–15 years ago, although many bands that gained traction during that time remain active and prolific.
Our focus now is to continue writing for the next album (which is already in progress) and expand our live presence here in the states and beyond.
**You clearly put a lot of care into the physical side of this release. From the booklet, the packaging, and even the vinyl colors. What does that tactile, hold-it-in-your-hands part of things mean to you, in a world where most people are just streaming it?**
Nortaath: I think physical media, live performance - and being physically *present* with a piece of music, is more important now than it has ever been. You can create a much more immersive listener experience. One of the aspects I enjoyed most in the layout was designing each part of the physical releases with the unsleeving/opening presentation in mind, and the vivid vinyl colourations actually surpassed my expectations. As the physical format is a true to life extension of the music, streaming will always be a separate experience, but in designing and painting the cover artwork, I definitely had in mind that for most listeners, the artwork would be thumbnail sized if seen often at all. Regardless, even knowing the initial run of deluxe vinyls would be very small, we wanted to create the most complete package for the record possible.
Photo Credit: Justin Waite @notesfromadeadman
### Reviews from Niveous work
[Review: Niveous - Cult of the Void Star (2026)Niveous - Cult of the Void Star (9.5/10), the chilling 2026 full-length debut album from Milwaukee atmospheric black metal trio Niveous. This concept-driven cosmic black metal masterpiece blends raw second-wave aggression with a sprawling, sub-zero sci-fi mythology. Read more!Black Metal Zine - Album Reviews, Interviews & Live ReportsMichael](https://blackmetalzine.com/review-niveous-cult-of-the-void-star-2026/)
[Review: Niveous - Endless SnowfallNiveous’ Endless Snowfall (8.5/10). This cold, atmospheric Black Metal album delivers vast soundscapes steeped in winter melancholy. Read the full review!Black Metal Zine - Album Reviews, Interviews & Live ReportsMichael](https://blackmetalzine.com/review-niveous-endless-snowfall/)
### Signup to our newsletter and Social Media
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### The Infernal Records: Week 33
URL: https://blackmetalzine.com/the-infernal-records-week-33/
Last updated: 2026-08-17T13:00:15.000Z
The Infernal Records: Week 33 is out! Have a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band:Agnets
Album:S/T (EP)
Country:Russia Genre:Post-Black Metal Release Date:August 11, 2026
[Bandcamp](https://agnets.bandcamp.com/album/agnets-ep?ref=blackmetalzine.com)
Band:Anken
Album:There is no Beauty Left Here
Country:UK / USA Genre:Atmospheric DSBM Release Date:August 11, 2026
[Bandcamp](https://ankenbm.bandcamp.com/album/there-is-no-beauty-left-here?ref=blackmetalzine.com)
Band:Arctheus Kat
Album:In Bracchiis Tenebrarum
Country:Czechia Genre:Symphonic Black Metal Release Date:August 10, 2026
[Bandcamp](https://arctheuskat.bandcamp.com/album/in-bracchiis-tenebrarum?ref=blackmetalzine.com)
Band:Bjes
Album:Propastí
Country:Czechia Genre:Post-Black Metal Release Date:August 10, 2026
[Bandcamp](https://bjes.bandcamp.com/album/propast?ref=blackmetalzine.com)
Band:Bloodgargling
Album:Mørk
Country:Germany Genre:Black Metal Release Date:August 8, 2026
[Bandcamp](https://bloodgargling.bandcamp.com/album/m-rk?ref=blackmetalzine.com)
Band:Death. Void. Terror.
Album:To The Great Monolith 2.5 (EP)
Country:Switzerland Genre:Black/Doom Metal Release Date:August 14, 2026
[Bandcamp](https://deathvoidterror.bandcamp.com/album/to-the-great-monolith-25?ref=blackmetalzine.com)
Band:Dismal Lumentis
Album:Voidpulse Ascendant (EP)
Country:Austria Genre:Melodic Black/Death Metal Release Date:August 15, 2026
[Bandcamp](https://dismallumentisofficial.bandcamp.com/album/voidpulse-ascendant?ref=blackmetalzine.com)
Band:Emperor Of Myself
Album:The Mourning Seasons - Disintegration
Country:Greece Genre:Atmospheric Black/Gothic Metal Release Date:August 14, 2026
[Bandcamp](https://emperorofmyself.bandcamp.com/album/the-mourning-seasons-disintegration-2?ref=blackmetalzine.com)
Band:Eternal Ice
Album:Components of the Ice (Compilation)
Country:Japan Genre:Raw Black Metal Release Date:August 12, 2026
[Bandcamp](https://menschenfeindpropaganda.bandcamp.com/album/components-of-the-ice?ref=blackmetalzine.com)
Band:Evig Mørke
Album:Grand Rebellion
Country:Brazil Genre:Atmospheric Black Metal Release Date:August 13, 2026
[Bandcamp](https://morkeevig.bandcamp.com/album/grand-rebellion?ref=blackmetalzine.com)
Band:Gleichmacher
Album:Exil
Country:Germany Genre:Black Metal Release Date:August 14, 2026
[Bandcamp](https://gleichmacher.bandcamp.com/album/exil?ref=blackmetalzine.com)
Band:Gravplåga
Album:Veneration of Chaos
Country:Sweden Genre:Black Metal Release Date:August 9, 2026
[Bandcamp](https://gravplaga.bandcamp.com/album/veneration-of-chaos?ref=blackmetalzine.com)
Band:Hungry Wölf
Album:Low Motivation (Live Album)
Country:Russia Genre:Thrash/Black Metal/Punk Release Date:August 13, 2026
[Bandcamp](https://hungrywolf666.bandcamp.com/album/low-motivation?ref=blackmetalzine.com)
Band:Ihloosuhree
Album:Slaven Der Ontbinding
Country:Belgium Genre:Experimental Black Metal Release Date:August 12, 2026
[Bandcamp](https://ihloosuhree.bandcamp.com/album/slaven-der-ontbinding?ref=blackmetalzine.com)
Band:Imlad Morgul
Album:Existential Journey to the Black Beyond
Country:USA Genre:Black Metal Release Date:August 13, 2026
[Bandcamp](https://oldkeepproductions.bandcamp.com/album/existential-journey-to-the-black-beyond?ref=blackmetalzine.com)
Band:Kholstomer
Album:Elegy
Country:Poland / USA Genre:Black Metal Release Date:August 15, 2026
[Bandcamp](https://satanath.bandcamp.com/album/sat427-kholstomer-elegy-2026?ref=blackmetalzine.com)
Band:Moonlit Tower
Album:Concrete Wasteland (Demo)
Country:Germany Genre:Atmospheric Black Metal Release Date:August 11, 2026
[Bandcamp](https://moonlittower.bandcamp.com/album/concrete-wasteland-demo-i?ref=blackmetalzine.com)
Band:Nyhylys
Album:Le Mal du Siècle
Country:Québec Genre:Folk Black Metal Release Date:August 8, 2026
[Bandcamp](https://nyhylys.bandcamp.com/album/le-mal-du-si-cle?ref=blackmetalzine.com)
Band:Somber Malaise
Album:S/T (EP)
Country:Greece Genre:Black Metal Release Date:August 10, 2026
[Bandcamp](https://driftwoodmonoliths.bandcamp.com/album/somber-malaise?ref=blackmetalzine.com)
Band:Staota
Album:Auringonlaskija
Country:Finland Genre:Black Metal/DSBM Release Date:August 9, 2026
[Bandcamp](https://staota.bandcamp.com/album/auringonlaskija?ref=blackmetalzine.com)
Band:Thorns Of Ruins
Album:Stellar Reverence
Country:Norway Genre:Black Metal Release Date:August 13, 2026
[Bandcamp](https://satanath.bandcamp.com/album/sat426-thorns-of-ruins-stellar-reverence-2026?ref=blackmetalzine.com)
Band:UltraTvmba
Album:Night Worship
Country:Mexico Genre:Thrash/Black Metal Release Date:August 11, 2026
[Bandcamp](https://ultratvmba.bandcamp.com/album/night-worship?ref=blackmetalzine.com)
Band:Valdrague
Album:Par la houle et par les vents
Country:Québec Genre:Folk Black Metal Release Date:August 15, 2026
[Bandcamp](https://valdrague.bandcamp.com/album/par-la-houle-et-par-les-vents?ref=blackmetalzine.com)
Band:Vvarg / Malgeist
Album:Malgeist / VVARG (Split)
Country:Québec Genre:Black Metal Release Date:August 10, 2026
[Bandcamp](https://scarlet-kross-qc.bandcamp.com/album/malgeist-vvarg-split?ref=blackmetalzine.com)
Band:Withering Emptiness
Album:Fimbulvetr (EP)
Country:Finland Genre:Black Metal Release Date:August 15, 2026
[Bandcamp](https://witheringemptiness.bandcamp.com/album/fimbulvetr?ref=blackmetalzine.com)
## Signup to our newsletter and Social Media
Below you can sign up to our newsletter(s) one of those is The Infernal Records, a weekly newsletter where Fractal our dedicated researcher finds new releases of the previous week that are worth your time. You can sign up here:
## Unleashing the Darkness Within
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Subscribe
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### Maria of Copper Mountains - Interview
URL: https://blackmetalzine.com/maria-of-copper-mountains-interview/
Last updated: 2026-08-16T13:10:21.000Z
## Introduction
Maria of Copper Mountains released her debut album, "*Into the Black Whirlpools* (*В чёрны омуты*)", on April 16, 2026\. I had the pleasure of reviewing the record and really enjoyed it, which led to a few questions, read our full conversation below.
## The Interview
**First of all, hello and thank you for doing this interview!**
Maria: Thank you for inviting me! The attention to the project gives me the strength to keep creating, I’ll be glad to talk about my music.
**The name Maria of Copper Mountains immediately evokes something folkloric and almost mythical. Where does the name come from?**
Maria: You’re right, this name was inspired by the tales of Pavel Bazhov, which are an integral part of the Ural identity (Ural is the region I’m from). Although these tales are the author’s own material, not genuine folklore, they symbolize the Ural as they are based on elements of Ural distinctiveness - mountains, mining, and the abundance of minerals. One of Bazhov’s tales, “The Mistress of the Copper Mountain,” tells the story of a mythical spirit-mistress of the Ural Mountains. She is the owner of the earth’s riches, the keeper of the secrets of beauty. This is where the project’s name comes from - as a symbol of local identity.
**The album "Into the Black Whirlpools" is a blend of atmospheric black metal, dark ambient, folk, and blackgaze. Do you think about genres while composing, or do those labels come afterward?**
Maria: Initially, I didn’t have an intention to write black metal. I wanted to create atmospheric, immersive music with folk motifs, relying more on rock music. It quickly became clear that black metal and its expressive means suited these purposes very well. Now the palette of genres has become more or less established, and I would like to continue adhering to it. I like what it gives and what can be achieved with its help.
**Your vocals are probably the first element that pops off, your range and, at times, sounding almost ethereal. How did you develop your style, and what are your influences?**
Maria: Thank you for the compliment! I think the main influence here is the angelic vocals of Sharon den Adel. As a teenager, I constantly tried to imitate her singing. Then I entered a music school, where I studied folk vocal techniques, and I began to sing differently - densely, loudly (actually I mean so-called “chest voice”). This kind of singing is characteristic of the Ural song tradition. Nevertheless, my love for falsetto singing never went away, so now I really enjoy mixing the falsetto pop sound with elements of folk techniques.
**Still on influences, which metal or non-metal bands, projects, artists etc are an inspiration to you?**
Maria: Anna Von Hausswolff. Within Temptation, Asenssia, Lana Del Rey, Srub. Beautiful music always inspires creativity, no matter what genre it is.
**You collaborated with Nikita Sapogov for the album. How is it for you to have a second person contributing ideas, helping compose the songs, etc?**
Maria: This is wonderful! I love our creative symbiosis with Nikita, it's easy for us to create together, although of course, there are some conflicts sometimes, haha. I'm more conservative in my music production, and his suggestions are usually more experimental and innovative, so we rein each other in and complement each other.
**After completing "Into the Black Whirlpools", is there anything about the album, or about yourself as an artist, that you understand differently now than when you first began writing it?**
Maria: The album gave me a more cohesive understanding and image of what we represent, and I really liked it. Now we’re in the process of writing new material, and now we have a reference - "Into the Black Whirlpools." At the moment, for me, it's the benchmark for the Maria of Copper Mountains sound, and I plan to continue to adhere to it. I see that the album received good reviews both in Russia and abroad, so I breathed a sigh of relief when I realized that people like our work, and we haven't received a ton of hateful comments. Doubt and fear gave way to confidence. So, we need to keep going!
**As a last question, anything you want to add, is there anything you’d like to say? Final words are yours! :)**
Maria: I’m happy that the album has finally been released and that it’s generating interest among listeners. We are not going to stop!
### Review of the album
[Review: Maria of the Copper Mountain - Into the Black Whirlpools (2026)Maria of the Copper Mountain - Into the Black Whirlpools) (8/10) a one-woman atmospheric black metal/Folk from Russia. Read More!Black Metal Zine - Album Reviews, Interviews & Live ReportsWastrel](https://blackmetalzine.com/review-maria-of-the-copper-mountain-into-the-black-whirlpools-2026/)
## Signup to our newsletter and Social Media
Below you can sign up to our newsletter(s) one of those is The Infernal Records, a weekly newsletter where Fractal our dedicated researcher finds new releases of the previous week that are worth your time. You can sign up here:
## Unleashing the Darkness Within
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### Review: Hanternoz - A Hed an Noz, a Noz, a Noz (2026)
URL: https://blackmetalzine.com/review-hanternoz-a-hed-an-noz-a-noz-a-noz-2026/
Last updated: 2026-08-14T13:00:10.000Z
**Band:** Hanternoz
**Album:** A hed an noz, a noz, a noz
**Genre:** Black Metal
**Country:** France
**Label:** Antiq Records
**Released:** August 3rd, 2026
## Introduction
The folk/black metal duo Hanternoz comes back with its 3rd full length titled *“A Hed an Noz, a Noz, a Noz”*; a concept album with songs telling the story of creatures of the Breton folklore, and how they can take many shapes during sleepless nights.
## A Hed an Noz, a Noz, a Noz
Tracklist:
1. Sur le Chemin des Fées (On the Fairies’ Path)
2. La Lessive des Trépassés (The Laundry of the Dead)
3. Le Diable de Quimper - Corentin (The Devil of Quimper - Corentin)
4. La Peste à Limoges (The Plague in Limoges)
5. Pe Trouz War an Douar (What Noise Upon the Earth)
6. Jean-du-Feu (John-of-the-Fire)
7. Quand j'ai Tué le Roi de la Forêt (When I Killed the King of the Forest)
This album delivers consistency even before you hit play: Even the artwork of the cover is a story in itself, depicting an Ankou, a creature that is both representing death itself and the fear of death. It sets a mood for a great album, felt right at the start of "*Sur le Chemin des Fées";* a single then two guitars setting a soundscape, that to me, felt like watching the carriage go, slowly, with the figure of the cover disappearing in the distance. Then, around four minutes in, when it “hits”, it feels like we’re finally where the title of the song: The path of the fairies. One commentary is needed here, the vocals throughout the album are fantastic, delivering emotions, aggression, anguish and more.
*"La Lessive des Trépassés"* starts with a riff that brought me back, that feeling of stopping in your tracks and enjoying. It’s catchy, I dare say this song even reminded me of acts like Kampfar, with the catchy riffs under the extreme vocals. Now we’re not on the path of the fairies any more, now we’re where they wash the cloaks of the dead, and as the deeds of a person are never forgotten, not even in death; now the truth appears bright as they wash it. The choir of voices is a great addition, and the drumming is exceptional in this track and the album itself.
The next song, "*Le Diable de Quimper - Corentin",* starts with again the exceptional vocals of Hyvermor, in a kind of unexpected aggression that goes on then stops, into a beautiful acoustic passage that feels like reflecting on the aggression that just happened.
The song is about a devil atop the cathedral of Quimper, watching the humans below fight the fire, and feeling lonely and sad with what he’s watching, and this section felt exactly like being there and watching the creature watch the chaos below.
*"La Peste à Limoges"* is a long song that has one of the things I love the most in well-composed and produced black metal albums: An audible, present bass line. This song is a slower tempo, a more heavy feeling, very well complemented by the vocals and the repetition. Then a section with moments of pure silence with just a guitar sounding, then back to this sort of heavy feeling, which is perfect, as the song’s lyrics talk about a plague outburst in the city of Limoges. The next song, "*Pe Trouz War an Douar",* is a traditional folk song, from the times of December in Bretagne, a perfect interlude before "*Jean-Du-Feu"* starts, which is my favourite song off the album. The song is about a creature that holds fire in its hands, but here (mentioned by the artist), interpreted as everything that haunts you when you walk your path. One stand-out point for me in this song was a bit that dragged me in to a point I had to repeat it: the whole composition, the fast drumming, then the harsh vocals with the clean vocals intertwined, in a counterpoint of voices to then again bring me back to acts like Kampfar.
The last song, "*Quand j'ai Tué le Roi de la Forêt",* hits us right at the beginning with hypnotic repetitions, small details that are added until the vocals hit. It all opens, like a forest that was dense, then you find a spot to look up to the moon. The song is about meeting, following and then killing the King of the Forest, and not knowing if the king ever pardoned our protagonist. The composition here feels like a mix of adventure and guilt, and the vocals translate this in an incredible manner.
## Conclusion
If you’re into folk/black, this is a must-listen. The compositions, the themes, the consistency and how the artists managed to put it all together are enough reasons for me to recommend this album to anyone with a heart for metal in general, and as an opinion, black metal sung in French feels different. The album isn’t short at all, but it goes by superfast for how good the compositions are and how they are arranged.
BZM Rating: 9/10
Support the band here:
[A Hed an Noz, a Noz, a Noz, by Hanternoz7 track albumAntiqbmurator](https://antiqofficial.bandcamp.com/album/a-hed-an-noz-a-noz-a-noz?ref=blackmetalzine.com)
## Signup to our newsletter and Social Media
Below you can sign up to our newsletter(s) one of those is The Infernal Records, a weekly newsletter where Fractal our dedicated researcher finds new releases of the previous week that are worth your time. You can sign up here:
## Unleashing the Darkness Within
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### Review: Hulder - Verbolgen (2026)
URL: https://blackmetalzine.com/review-hulder-verbolgen-2026/
Last updated: 2026-08-13T13:00:46.000Z
**Band:** Hulder
**Album:** Verbolgen
**Genre:** Atmospheric Black Metal
**Country:** United States
**Label:** 20 Buck Spin
**Released:** August 7, 2026
## Introduction
Since 2018, the Washington-based project Hulder has carved out one of the most distinctive corners of American black metal. Built by Belgian-born multi-instrumentalist Marliese as a solitary vessel for the folklore and old-world dread of her childhood, Hulders first full length 2021's “Godslastering: Hymns of a Forlorn Peasantry” established a foundation, then sharpening its melodic edge on 2024's “Verses in Oath”. Along with a few EP's in between, the project shed its one woman origins for the stage, and one of its longtime session players, Necreon, has now been formally welcomed as co-conspirator.
## Verbolgen
Track Listing:
1. Drie Raven (Intro)
2. The Crowning
3. Thy Binding Oath
4. Verbolgen
5. ...and We Shall Aing
6. In Blood and Earth
7. Den nacht zijn lied
8. View from Nemeton
9. The Glow of Dawn
“Verbolgen”, Dutch for “enraged”, is the product of that partnership: Hulder's third full-length, and its most collaborative yet.
Released August 7th through 20 Buck Spin and Season of Mist, “Verbolgen 's” nine tracks open with “Drie Raven,” a hurdy-gurdy overture courtesy of guest Keld, of Majesties and Obsequiae, that plays like a summons before the storm breaks. “The Crowning” and “Thy Binding Oath” answer with the record's strongest opening salvo, welding tremolo fury to unmistakably medieval melody. The title track and “View From Nemeton” hit hardest, all double-kick and serrated riffing with little patience for subtlety, while “In Blood and In Earth” and “Den Nacht Zijn Lied” stretch past seven minutes apiece without losing their bite, twisting between violence and something closer to reverence. Ianuaria's flute haunts the record's quieter corners, and drums split between Vapula and Vrolok give each half its own distinct pulse. There's nothing contemporary in the record's subject, just ravens, oaths, and forest ritual, the same old countryside myth-cycles Hulder has mined since the start. Which gives the fury here a rooted, almost liturgical quality rather than pure aggression. The result leans closer to the frost bound, Immortal-and-Satyricon-indebted spirit of black metal's second wave than to the naturalistic sprawl of Hulder's Pacific Northwest peers, a record more interested in deepening its own mythology than reinventing it.
## Conclusion
“Verbolgen” doesn't reach for reinvention, and it doesn't need to; this is a band tightening its grip rather than loosening it. The back half asks more patience than the opening tracks promise, and momentum occasionally slackens where the record could bite harder. But the atmosphere never cracks, and the songwriting rarely falters. For anyone who found “Verses in Oath” essential, “Verbolgen” is a worthy, wrathful continuation. Less a new chapter than a deeper carving into the same ancient wood. ⚔️
BMZ Rating: 8.5/10
### Previous reviews
[Review: Hulder — Verses in OathHulder released their second album on the 9th of February, we are a bit late to the party with a review, but here are our thoughts on this album.Black Metal Zine - Album Reviews, Interviews & Live ReportsRoberto](https://blackmetalzine.com/review-hulder-verses-in-oath/)
### Signup to our newsletter and Social Media
Below you can sign up to our newsletter(s) one of those is The Infernal Records, a weekly newsletter where Fractal our dedicated researcher finds new releases of the previous week that are worth your time. You can sign up here:
## Unleashing the Darkness Within
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Subscribe
Email sent! Check your inbox to complete your signup.
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### Interview: Namu
URL: https://blackmetalzine.com/interview-namu/
Last updated: 2026-08-12T10:00:35.000Z
## Introduction
On the 18th of July, Namu released its debut album "*Wretched Spawns of Iniquitous Orders".* review for more on that check out the review I wrote for that (it's linked at the end), I Was very impressed with it. Below is an interview with the sole member of the band.
## In Conversation with Namu
**Hey Namu! Thanks for doing this interview.**
**Namu:** No problem, thanks for having me.
**How did Namu start as a project?**
**Namu:** It started as its own entity around two and a half years ago when I had lots of leftover demos that I’d written and produced from previous projects. I was listening through them and had an overwhelming compulsion to finish and release them. They needed a lot of re-recording and reworking, and Namu was ultimately born of my desire to finish this music, and explore a part of my creative mind that kept rearing its head whenever I went to write something new.
**The name Namu sounds very alien/scifi. Where did you get the name from?**
**Namu:** It’s actually a play on the spelling of part of my name. It used to be my stage name from a previous band too. It now represents a whole other side to me, a side that enables me to effectively channel a vein of cosmic creativity.
**What first drew you to black metal, and how did that evolve from being a listener into creating your own music?**
**Namu:** I’ve always been more into progressive rock and metal. Black metal was something I got into while studying music at college and university. At the time, I was playing drums (and then later, guitar) in a band that originally played a more traditional second-wave style of black metal, so I had to really immerse myself in all the nuances of the genre to fully understand it and be able to write and perform it proficiently. Since then, there’s really only a few black metal/extreme metal bands that stuck with me, like Winterfylleth, Coldworld, and Portal.
**What have been your biggest creative influences over the years? Are they mostly other bands, or have books, films, philosophy, or other forms of media also shaped your songwriting and the themes behind your music?**
**Namu:** Over the years, it’s been mostly other bands and artists. There have been many (too many to count), but if I had to name a few that have influenced me, it would be bands like Rush, Fredrik Thordendal of Meshuggah, and Steven Wilson. I’ve always been obsessed with science fiction and all things space-related anyway, from extraterrestrial concepts to cosmic horror, and those interests/experiences all play a huge part in the imagery and themes that I try to convey through my music and lyrics.
**Are you working on some new music, any other projects or a new Namu album?**
**Namu:** *Wretched Spawns of Iniquitous Orders* took nearly five years to create in total, including a considerable hiatus from music. I consider it a major relief and weight off my shoulders now that it's out, as it frees me up mentally to start working on new music for Namu. I always want the writing and production process to be as natural as possible, which, for me, means not rushing it. I plan to release two or three tracks towards the end of this year, or the beginning of next, to keep the momentum going.
**I’m a musician so this is sort of a personal musician to musician question: how do you approach getting inspired to compose a new song? Plug a guitar and play until something comes, listen to stuff you like, what inspires you?**
**Namu:** Inspiration comes in waves. I can go for months without writing anything, and then all of a sudden I’ll start something and get really caught up in it, to the point where it’s my sole focus. I’ve skipped meals and completely obliterated my sleep schedule on many occasions just because I’ve been so in the groove of writing and producing, and completely hellbent on finishing it.
When I am feeling inspired, I’ve noticed that my sporadic bursts of inspiration can come from more or less anything, including a melodic motif in a film, a new piece of gear, or a freshly restrung guitar. I am constantly experimenting with equipment and effects to try and achieve what I consider to be “alien” sounds. To me, that’s what it's all about: creating something I consider to be new and totally unheard of, to the point where it’s either beautiful and galactic or totally unnerving. That kind of thing inspires me.
**Your Bandcamp has the phrase "a collection of deeply personal experiences recounting the brutal and torturous abductions by beings not of this planet." Would you be willing to elaborate on what you meant by that? Were you speaking literally, metaphorically, or leaving it open to interpretation?**
**Namu:** I’ll leave that open to the listener’s interpretation.
**To wrap up the interview, do you have any final words?**
**Namu:** I want to again thank you for interviewing me, and want to express my gratitude to all the people who have purchased and listened to the album. I still can’t quite believe the response I’ve had to it so far - I wasn’t expecting it at all. I’ve had a lot of messages asking about CDs and vinyl, and as such I’ve decided to put out some physicals in the very near future. As I don’t have any social media, I will keep my followers on Bandcamp apprised of any updates with regards to physical media.
**We would like to thank Namu for it's time and answers, you can find the review of the album Wretched Spawns of Iniquitous Orders here:**
[Review: Namu - Wretched Spawns of Iniquitous Orders (2026)Namu – Wretched Spawns of Iniquitous Orders (9/10) Progressive Black Metal from the UK. A cosmic solo effort blending aggression and synths.Black Metal Zine - Album Reviews, Interviews & Live ReportsWastrel](https://blackmetalzine.com/review-namu-wretched-spawns-of-iniquitous-orders-2026/)
### Signup to our newsletter and Social Media
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### Tolkien and Black Metal: (Part 2)
URL: https://blackmetalzine.com/tolkien-and-black-metal-part-2/
Last updated: 2026-08-10T13:00:11.000Z
## Part 2: The Second Wave
By the early 90s, the Norwegian black metal scene had centered itself around Oslo's "Helvete" record shop. Bergen's rehearsal spaces needed names for bands, members, and albums that sounded suitably ancient, cold, and evil. Tolkien's invented languages, as Part 1 of this article discussed, solved this problem with unreasonable efficiency: Black Speech and Sindarin already sounded archaic, and better yet, came pre-loaded with villainous connotations.
## Burzum
Kristian "Varg" Vikernes is the clearest, and most troubling, example. His teenage thrash band was named “Uruk-Hai”, after Saruman's hybrid orc-soldiers, created at Isengard by cross-breeding orcs with men in one of Middle-earth's more literal acts of corruption. When Vikernes needed a stage name, he took “Grishnákh”, after a minor, treacherous orc captain from “The Two Towers”, notably not a hero, not even a memorable villain, but a squabbling, opportunistic creature who dies ignobly, crushed under a Rohirric horse while trying to make off with the captive hobbits for his own gain. Seems befitting in retrospect. When he needed a project name, he found it in the Ring-inscription itself: "One Ring to rule them all... and in the darkness bind them." “Burzum” is Tolkien's Black Speech word for darkness itself, lifted from Sauron's own curse and repurposed as a band name.
Varg
It is worth noting that these earlier examples of Tolkien appearing in black metal differ greatly from later bands. They adopted names but not so much the lore. Vikernes may be the one exception this early on and its not exactly making use of lore but rather an adaptation of a poem.
In the song "Erblicket die Töchter des Firmaments" off of Burzum's 1996 album "Filosofem" Varg draws directly from Tolkien's poem "Bilbo's Song", better known by its first line, "I Sit Beside the Fire and Think." It's the song Bilbo sings quietly in Rivendell on the night before the Fellowship sets out, after gifting Frodo his mithril-coat and Sting.
*Tolkien's Original Lines*: *I sit beside the fire and think / of how the world will be / when winter comes without a spring / that I shall ever see.*
*Burzum Lyrics: I wonder how winter will be / With a spring that I shall never see / I wonder how night will be / With a day that I shall never see...*
When it comes to black metal, separating the art from the artist is almost a necessity in certain cases. Burzum absolutely being one of them. But because this is important to what we are discussing, it needs to be said. Vikernes murdered Mayhem guitarist Øystein "Euronymous" Aarseth in 1994, was convicted of three church arsons, and later associated himself with a neo-Nazi organization from prison. He's been accused of "terrorism" and has been banned from just about every platform he has ever had for some form of hate speech or another.
Everything Vikernes has ever done is antithetical to the source material. Tolkien despised the Nazi misuse of Northern European mythology during his own lifetime, and his books are, at a structural level, meditations on the corrupting appeal of power and the necessity of mercy toward even the least deserving. Tolkien would have never endorsed any of these ideologies held by Varg or Black metal as a whole. The relationship seems absolutely contradictory. But somehow the darkness would take hold and this trend would linger.
## Gorgoroth
Formed in 1992 by guitarist Infernus (Roger Tiegs), “Gorgoroth” took its name from the ash-choked, fume-blackened plateau in northern Mordor. Sindarin for something close to "dreadful valley," the ground Frodo and Sam must finally cross on foot toward Mount Doom once the Black Gate itself proves unpassable. Unlike Summoning, whom we will discuss next week, Gorgoroth never published their lyrics and, as far as public record shows, never built a sustained Tolkien narrative around the name. The plateau supplied atmosphere and menace; the band supplied Satanic theater, live-show controversy, and a long-running internal legal dispute over ownership of the name itself between Infernus and former members Gaahl and King ov Hell, fought out in Norwegian courts across the 2010s until Infernus retained sole rights. Gorgoroth is the clearest example in this whole history of Tolkien-as-word-only: the plateau's fictional geography does none of the album's actual imaginative work, and the years-long legal battle over who even gets to keep using the word is, in its own way, a strange coda to a story about who gets to claim a piece of someone else's invented world.
Gorgoroth
## Isengard
“Isengard”, founded in 1989 by Darkthrone drummer Fenriz (Gylve Nagell) as a solo outlet for material that didn't fit his main band, took its name from Saruman's fortress of stone and industry. The ring of rock at the foot of the Misty Mountains that the wizard corrupts into a proto-industrial forge of war, complete with what Tolkien's own text all but calls a factory floor of pits and furnaces, the clearest single image of despoiled nature anywhere in the legendarium. Isengard's logo depicted Thuringwethil, the vampire-messenger of “The Silmarillion”, copied from an old tabletop game called Middle-earth Role Playing. Across three full-lengths, “Spectres Over Gorgoroth” (1993, its own title borrowing the same Mordor plateau Infernus's band would make its own name), “Vinterskugge” (1994), and “Høstmørke” (1995). Isengard wandered through black metal and folk-tinged experimentalism without ever settling into a Middle-earth narrative; much like Gorgoroth, the name did atmospheric work that the lyrics didn't follow up on.
Isengard Logo
## Nargaroth
Not every apparent Tolkien connection survives scrutiny, and it's worth including one as a caution against over-reading. The German black metal band “Nargaroth”, founded by René "Kanwulf" Wagner, shares its name with “Nargothrond”, the underground elven stronghold. Named for the river beside it, the hidden city Finrod Felagund builds and Túrin Turambar later helps destroy through pride and concealed identity, is one of the bleakest single narrative threads in the entire legendarium. The band's own statement, however, is hat "Nargaroth" derives from a word meaning "nature." Whether this is a deliberate distancing from an obvious Tolkien reading, an independent coincidence, or folk etymology asserted after the fact is genuinely unclear. The lesson: a Tolkien-shaped echo in a black metal band name is not automatically a Tolkien reference, and the genre's own mythologizing about itself is not always reliable.
There are a few other examples this early on but mostly just subtle nods towards the legendarium, none that would commit thematically beyond borrowing the names of places and characters, though. For that, the genre needed a very different kind of band, one that treated Tolkien not as a name bank to mine but rather as a world to actually inhabit.
### Previous Articles
[Tolkien and Black Metal: A History (Part 1)Tolkien and Black Metal: A History (Part 1) explores the origins and deep links between Middle-earth’s darkness and black metal’s worldview.Black Metal Zine - Album Reviews, Interviews & Live ReportsMichael](https://blackmetalzine.com/tolkien-and-blackmetal-a-history-part-1/)
### Signup to our newsletter and Social Media
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### Review: Cairiss - Wilderness (2026)
URL: https://blackmetalzine.com/review-cairiss-wilderness-2026/
Last updated: 2026-08-10T13:30:58.000Z
**Band:** Cairiss
**Album:** Wilderness
**Genre:** Atmospheric Black Metal
**Country:** United Kingdom
**Label:** Unsigned/Independent
**Released:** 31st of July, 2026
## Introduction
Cairiss is an Atmospheric Black Metal Band from Southampton, UK. Founded in 2013, they went on a hiatus for the last ten years due to life being life. Coming back with Wilderness this year landed them on my radar. The record grew with every single release more and more on list of favourites and why? Let me tell you why.
## Wilderness
Track list:
1. Nervosa
2. The Guide
3. Integrate
4. Dissociate
5. Retrace
6. Wildfire
“Nervosa” the first track off the release starts with a real post rock'esque feeling sound, like my favourite non-metal band “If these trees could talk” and then blends it into great Black Metal with screams reminiscent of “Harakiri for the Sky”. Furthermore, one thing really worth mentioning are the clean vocals from Lydia. Overall, the song is just a masterpiece in my opinion.
The Guide continues that direction with such a great mix of Post Rock and Black Metal and even steps up even more with the choir singing by Freya, Lydia, Martin, and Ethan. The guitar work is just mesmerizing, blending harshness with a dreamy feeling and a solo that could also be on a “Fusion” or “Plini” record.
But enough of a song by song approach. The whole album is a pure eargasm if you are into dreamy Black Metal. It does not feel like a \~50 min compilation of songs but more like a journey through the minds of the band members. When I listen to it, I imagine walking through a forest of pure joy and relief, while also encountering some sadness or darkness while traversing cliffs. Think of it like the journey of the fellowship, bright and joyful moments in Rivendell while accompanied by the choir of elves and then transcending over the Caradhras plagued by a storm while Saruman collapses the mountain over you. That's how I feel while listening to this record, would be interested in how anybody else feels while enjoying it.
## Conclusion
A masterpiece in itself, if you are into storytelling Black Metal, please give it a listen. For me, it's already the Album of the year. My personal rating is a clear 10/10\. While you are into the review, feel free to check out the Interview I did with Freya. Have fun listening to it, and please support Cairiss.
BMZ Rating: 10/10
[Interview: CairissInterview with Cairiss on their new album Wilderness, returning after a 10-year hiatus, and blending atmospheric black metal with blackgaze.Black Metal Zine - Album Reviews, Interviews & Live ReportsKili Schauer](https://blackmetalzine.com/interview-cairiss/)
[Wilderness, by Cairiss6 track albumCairissmoipoi](https://cairiss.bandcamp.com/album/wilderness?ref=blackmetalzine.com)
[CairissCairiss are a blackgaze/post-black metal band based in the south of England. They were founded in 2013 by songwriter and guitarist Ethan Bishop; vocalist, lyricist and artist Freya Brown and drummer Connor Frapwell. They were later joined by songwriter, guitarist and vocalist Martin Williams; bassist Alex Taylor and vocalist Lydia Williams. In February 2014, they released their first demo track Disgraced, which gained significant attention within the blackgaze scene. This was followed by their debut EP Fall in 2016\. Cairiss now returns in 2026 with their album ‘Wilderness’ Cairiss base their conceptual world-building around introspection and emotional turmoil. Cairiss combines black-metal inspired harsh vocals with crushing guitars, orchestral harmonies and ethereal choral arrangements to create a sound that’s rich in atmosphere and emotional depth. They pair layered dynamic shifts with open, emotive concepts to reflect a personal exploration of vulnerability and human resilience.YouTube](https://www.youtube.com/channel/UC86YFVcvKZqKIynslKRknjQ?ref=blackmetalzine.com)
Homepage: [https://linktr.ee/cairiss](https://linktr.ee/cairiss?ref=blackmetalzine.com)
## Signup to our newsletter and Social Media
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### The Infernal Records: Week 32
URL: https://blackmetalzine.com/the-infernal-records-week-32/
Last updated: 2026-08-10T11:00:08.000Z
The Infernal Records: Week 32 is out! Have a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band:Antumbra
Album:Architecture of Extinction
Country:Romania Genre:Atmospheric BlacK Metal Release Date:August 4, 2026
[Bandcamp](https://antumbra-official.bandcamp.com/album/architecture-of-extinction?ref=blackmetalzine.com)
Band:Apocalyptic Leaders
Album:Misanthropic Beast (EP)
Country:Greece Genre:Black Metal Release Date:August 7, 2026
[Bandcamp](https://apocalypticleaders.bandcamp.com/album/misanthropic-beast?ref=blackmetalzine.com)
Band:Aspen Sanctum
Album:To Withhold the Need to Conquer
Country:USA Genre:Atmospheric Black Metal Release Date:August 7, 2026
[Bandcamp](https://aspensanctum.bandcamp.com/album/to-withhold-the-need-to-conquer?ref=blackmetalzine.com)
Band:Cryptic Wintermoon
Album:Doomdark
Country:Germany Genre:Melodic Black Metal Release Date:August 2, 2026
[Spotify](https://open.spotify.com/album/4bOP3hL0vLwefyAdRZvB6X?ref=blackmetalzine.com)
Band:Dark Plague
Album:Masquerade
Country:France Genre:Black Metal Release Date:August 7, 2026
[Bandcamp](https://darkplague.bandcamp.com/album/masquerade?ref=blackmetalzine.com)
Band:Disvair
Album:What We Left Behind (Demo)
Country:Indonesia Genre:Post-Black Metal Release Date:August 3, 2026
[Bandcamp](https://disvair.bandcamp.com/album/what-we-left-behind?ref=blackmetalzine.com)
Band:Dymna Lotva
Album:Vyraj
Country:Belarus Genre:Post-Black/Doom Metal Release Date:August 7, 2026
[Bandcamp](https://dymnalotva.bandcamp.com/album/vyraj?ref=blackmetalzine.com)
Band:E'ak
Album:Aged Comforts
Country:Canada Genre:Black Metal Release Date:August 6, 2026
[Bandcamp](https://eakmusic.bandcamp.com/album/aged-comforts?ref=blackmetalzine.com)
Band:Flagrifer
Album:Upon the Sacrilege of Awakening (EP)
Country:Chile Genre:Black Metal Release Date:August 6, 2026
[Bandcamp](https://flagrifer.bandcamp.com/album/upon-the-sacrilege-of-awakening-2?ref=blackmetalzine.com)
Band:Gallowgate
Album:Nightmares Abound in Flesh and Mist (EP)
Country:USA / UK Genre:Raw Black Metal Release Date:August 4, 2026
[Bandcamp](https://gallowgate-bm.bandcamp.com/album/nightmares-abound-in-flesh-and-mist?ref=blackmetalzine.com)
Band:Graf
Album:Call of the Blood
Country:Netherlands Genre:Black Metal Release Date:August 1, 2026
[Spotify](https://open.spotify.com/album/38oJQFezMdO0t4my2Dpu79?ref=blackmetalzine.com)
Band:Hanternoz
Album:A Hed an Noz, a Noz, a Noz
Country:France Genre:Folk/Black Metal Release Date:August 3, 2026
[Bandcamp](https://antiqofficial.bandcamp.com/album/a-hed-an-noz-a-noz-a-noz?ref=blackmetalzine.com)
Band:Hermóðr
Album:The Pathfinder (EP)
Country:Sweden Genre:Atmospheric Black Metal Release Date:August 7, 2026
[Bandcamp](https://hermodr.bandcamp.com/album/the-pathfinder-ep?ref=blackmetalzine.com)
Band:Hulder
Album:Verbolgen
Country:USA Genre:Black Metal Release Date:August 7, 2026
[Bandcamp](https://hulder.bandcamp.com/album/verbolgen?ref=blackmetalzine.com)
Band:Kaikkivaltias
Album:YXI
Country:Finland Genre:Melodic Black/Heavy Metal Release Date:July 31st, 2026
[Bandcamp](https://kaikkivaltias.bandcamp.com/album/yxi?ref=blackmetalzine.com)
Band:Kuiskaus Menneistä...
Album:S/T
Country:Finland Genre:Atmospheric Black Metal Release Date:August 6th, 2026
[Spotify](https://open.spotify.com/album/1Yg8Hig2AtvqSjCcjIIDxk?ref=blackmetalzine.com)
Band:Lammoth
Album:Onward
Country:USA Genre:Experimental/Melodic Black Metal/Blackgaze Release Date:August 7, 2026
[Bandcamp](https://lammothofficial.bandcamp.com/album/onward?ref=blackmetalzine.com)
Band:Marana
Album:Lamentos de un dolor que persiste (EP)
Country:Paraguay Genre:DSBM Release Date:August 8, 2026
[Bandcamp](https://maranapy.bandcamp.com/album/lamentos-de-un-dolor-que-persiste?ref=blackmetalzine.com)
Band:Maȟpíya Lúta
Album:Wówalitake
Country:Unknown Genre:Black Metal Release Date:August 7, 2026
[Bandcamp](https://mahpiyaluta.bandcamp.com/album/w-walitake?ref=blackmetalzine.com)
Band:Orias
Album:From The Ashes
Country:Colombia Genre:Thrash/Black Metal Release Date:August 8, 2026
[Bandcamp](https://oriasabyssmalmessengers.bandcamp.com/album/from-the-ashes?ref=blackmetalzine.com)
Band:Pull the Strings
Album:Griefbloom
Country:USA Genre:Experimental/Depressive Post-Black Metal Release Date:August 7, 2026
[Bandcamp](https://pullthestrings.bandcamp.com/album/griefbloom?ref=blackmetalzine.com)
Band:Rakta Tṛtīya Netra
Album:Through the Veil of Maya
Country:Austria Genre:Raw Atmospheric Black Metal/Ambient Release Date:August 7, 2026
[Bandcamp](https://raktanetra.bandcamp.com/album/through-the-veil-of-maya?ref=blackmetalzine.com)
Band:Rämealttari
Album:Kutsu luontoyhteyden juurille (EP)
Country:Finland Genre:Black Metal/Ambient Release Date:August 1, 2026
[Bandcamp](https://ramealttarijkl.bandcamp.com/album/kutsu-luontoyhteyden-juurille?ref=blackmetalzine.com)
Band:Sammorra Shadow
Album:Grotesque Reverly in Mortal Sin
Country:Ukraine Genre:Blackened Death Metal Release Date:August 7th, 2026
[Spotify](https://open.spotify.com/album/40dYhv7wxcRTi4lB2cZi9u?ref=blackmetalzine.com)
Band:Saqraruna
Album:Yupychay (EP)
Country:Peru Genre:Atmospheric Black Metal Release Date:August 3, 2026
[Spotify](https://open.spotify.com/album/5GznrQC3ZO2e9wQU5KNa31?ref=blackmetalzine.com)
Band:Shadowmoor
Album:Чертоги Ночные
Country:Russia Genre:Black Metal Release Date:August 6, 2026
[Bandcamp](https://shadowmoor.bandcamp.com/album/2026?ui%5Fcontext=results%5Fgrid?ref=blackmetalzine.com&ref=blackmetalzine.com)
Band:Skorm
Album:Tales of Wonder & Terror
Country:UK Genre:Black Metal Release Date:August 7, 2026
[Bandcamp](https://chapelofskorm.bandcamp.com/album/tales-of-wonder-terror?ref=blackmetalzine.com)
Band:Sliced Neck
Album:Rose Of Jericho (EP)
Country:Chile Genre:Folk/Depressive Post-Black Metal Release Date:August 4, 2026
[Bandcamp](https://slicedneck.bandcamp.com/album/rose-of-jericho-single?ref=blackmetalzine.com)
Band:Spectre
Album:A Procession of the Dead
Country:Spain Genre:Black Metal Release Date:August 7, 2026
[Bandcamp](https://spectrebm.bandcamp.com/album/a-procession-of-the-dead?ref=blackmetalzine.com)
Band:Tower Of God
Album:Lycanthropic Gnosis
Country:USA Genre:Black Metal Release Date:August 7, 2026
[Bandcamp](https://towerofgod.bandcamp.com/album/lycanthropic-gnosis?ref=blackmetalzine.com)
Band:Vajra
Album:Perennial
Country:Indonesia Genre:Atmospheric Black Metal Release Date:August 8, 2026
[Bandcamp](https://vajramantram.bandcamp.com/album/perennial-atmosblackversion?ref=blackmetalzine.com)
Band:Velléités Noires
Album:L'Orba Lutz (Demo)
Country:France Genre:Black Metal Release Date:August 4, 2026
[Bandcamp](https://velleitesnoires.bandcamp.com/album/lorba-lutz?ref=blackmetalzine.com)
Band:Vendanges
Album:S/T (Demo)
Country:France Genre:Folk Black Metal Release Date:August 6, 2026
[Bandcamp](https://vendanges.bandcamp.com/album/vendanges-vendanges-1st-demo?ref=blackmetalzine.com)
Band:Wallfahrer
Album:Knochenkabinett
Country:Germany Genre:Black Metal Release Date:August 7, 2026
[Bandcamp](https://wallfahrer.bandcamp.com/album/knochenkabinett?ref=blackmetalzine.com)
Band:Winter Winds
Album:So Falls The Winter...
Country:Brazil Genre:Black Metal Release Date:August 6, 2026
[Bandcamp](https://moonritesproductions.bandcamp.com/album/so-falls-the-winter?ref=blackmetalzine.com)
Band:Wolvenfrost
Album:The Last of All Calamities
Country:Germany Genre:Black Metal Release Date:August 3, 2026
[Bandcamp](https://wolvenfrost.bandcamp.com/album/the-last-of-all-calamities?ref=blackmetalzine.com)
Band:Wormwood
Album:Å (EP)
Country:Sweden Genre:Melodic Black Metal Release Date:August 7, 2026
[Bandcamp](https://wormwood-official.bandcamp.com/album/-?ref=blackmetalzine.com)
## Signup to our newsletter and Social Media
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### Review: Zørza - Twilight of The Golden Star (2026)
URL: https://blackmetalzine.com/review-zorza-twilight-of-the-golden-star-2026/
Last updated: 2026-08-10T13:00:47.000Z
**Band:** Zørza
**Album:** Twilight of the Golden Star
**Genre:** Post Black Metal
**Country:** Poland
**Label:** Godz of War
**Released:** June 2026
## **Introduction**
Today’s review sees us looking at the newest release from big up and comers from Poland, Zørza, with their hard hitting sophomore LP "Twilight of the Golden Star".
**Twilight of the Golden Star**
**Tracklist:**
1\. Twilight of the Golden Star
2\. My Wounds
3\. Death III
4\. Against Theocracy
5\. Stormspell
6\. Zørza III
7\. The Devil Wears Well
## **Rumination**
Zørza's first album "**Hellven"** was pretty strongly acclaimed when it came out for bringing a fresh mix of their brand of post black metal with some truly ferocious old school songwriting. With their 2nd album "Twilight of The Golden Star" it is obvious from the first couple tracks the band is trying to double down and make a bigger album for their sophomore release.
In terms of this release it’s interesting, the songs are well put together, and the production is great. The only thing I would possibly say I’m not huge on is having two guest vocalist songs because I generally don't think that adds much to albums, but that's just me. To their credit, JJ from Karg/Harakiri For The Sky sounds solid enough on both tracks.
For me, the highlight is more towards the middle and end of the album, where it feels more classic Zørza. The final track in particular "The Devil Wears Well" is very sick, almost sounding like old Carpathian Forest vibes but in that Zørza way.
The songwriting really has improved. They're definitely trying to position themselves as a big festival black metal band with some of these songs in terms of writing catchy tunes to smash into other people too.
## **Conclusion**
Zørza has tried to up the ante since their debut LP and overall, it works pretty well. Fans of a big hi-fi black metal sound like Spectral Wound will likely get a lot out of this.
BMZ Rating: 7.5/10
Support the band here:
[Twilight of the Golden Star, by ZØRZA7 track albumZØRZAArghbeast](https://zorzapbm.bandcamp.com/album/twilight-of-the-golden-star?ref=blackmetalzine.com)
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### Black Metal: Mapping the First Wave
URL: https://blackmetalzine.com/black-metal-mapping-the-first-wave/
Last updated: 2026-08-09T16:15:27.000Z
Ask ten metal heads to define “first wave black metal,” aside from the obvious few bands, you’ll likely receive many different answers. Unlike the second wave, which developed a more recognizable musical and aesthetic identity in the early 1990s, the first wave was not a unified movement. It was a turbulent period of experimentation during the mid and late 1980s. Bands from around the world began pushing heavy metal toward something darker, harsher, and more extreme.
Root - The Trial Demo, 1989 (Photo from Jcard)
This series will explore that formative era through the lens of regional scenes. Rather than focusing solely on the most famous names, it will examine how different parts of the world interpreted the emerging extreme metal sound and, in doing so, helped shape what would eventually become modern black metal.
Treblinka - The Sign of the Pentagram Demo, 1989 (Photo from Jcard)
One of the greatest misconceptions surrounding the first wave is that it can be neatly separated from thrash metal or the earliest forms of speed and death metal. In reality, those boundaries were often nonexistent or unknown. During the 1980s, the extreme metal underground was still taking shape, and musicians were drawing inspiration from the same pool of influences: NWOBHM, hardcore punk, and goth rock/post punk. As a result, many first wave bands comfortably occupied the space within black, thrash, speed, and death metal.
This overlap is not a flaw in classification, it is precisely what makes the first wave so fascinating. A band might be remembered today as a thrash act while embracing lyrical themes, imagery, and atmosphere that would become hallmarks of black metal. Others leaned heavily into primitive death metal, while retaining the raw occult spirit that defined the era. Genre boundaries that seem obvious in hindsight simply did not exist in the underground of the 1980s.
Vulcano promo photo used 1985-1987, photographer unknown
For that reason, this series adopts a broad historical perspective. Bands are included not because they conform to modern definitions of black metal, but because they contributed to its evolution. If a band helped establish the sound, imagery, attitude, or ideology that later generations expanded upon, they deserve a place in its history.
Each article examines a different region of the world, highlighting the bands, recordings, and local scenes that developed their own interpretations of extreme metal. Some regions produced chaotic blackened thrash. Others emphasized occult atmosphere, primitive production, or increasingly aggressive songwriting. Together, these scenes formed a worldwide underground network connected through tape trading, fanzines, and an unwavering desire to push metal beyond its established limits.
Sabbat promo picture from 87/89, photographer unknown
The first wave was never confined to a single country or defined by one sound. It was an international movement of innovators, laying the foundation for everything that followed. To understand black metal as it exists today, one must first understand the diverse, chaotic, and often overlooked origins that gave birth to the genre.
This series will be an exploration of those origins.
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### Review: Taake - En Skog av Nidstang
URL: https://blackmetalzine.com/review-taake-en-skog-av-nidstang/
Last updated: 2026-08-06T13:00:55.000Z
**Band:** Taake
**Album:** En Skog Av Nidstang
**Genre:** Black Metal
**Country:** Norway
**Label:** Dark Essence Records
**Released:** 31st July 2026
## Introduction
Longtime legends of the Norwegian black metal scene since 1995, Taake really don’t need an introduction. Hoest is back with a brand new album, three years after *Et Hav Av Avstand* which was yet another stellar entry into the immaculate discography.
## En Skog av Nidstang
**Tracklisting:**
1. Einstoeingen og Eg
2. Et Dyr tok min Hud
3. Engler
4. Av Guds ville Naade
Clocking in at just over 36 minutes long it feels like there is no time to waste on this album as we are thrown into the beautiful tremolo riffs of *Einstoeingen og Eg*. A 10 minute long behemoth that doesn’t hold back, incorporating elements from the best of black metal blending together all sorts of different styles.
Deathspell Omega style discordant guitars, Khold style grooviness and nineties-era Darkthrone rawness amalgamate into one powerful harmonious tune in true Taake fashion. Hoest is back, and he wants you to know it.
There’s a bit towards the end of the first track where the distorted guitar maintains the grittiness to it whilst the clean notes serve as undertones peaking their way through the muddiness, with subtle reverb to help them pierce through. Then over it all, a guitar solo finishes us off, fading out to only tease us of what could have gone on for much longer without overstaying its welcome.
Engler may just be my favourite track off this album, it is deeply atmospheric, championing a certain coldness to it all. The drums pound away with a heavy force but breakthrough but bleak and frosty blend that is the vocals in guitars.
Though it does appear to have an homage to the Addams family theme during it, no subtlety about it with the accompanying recognisable finger snaps. So I suppose you could fairly call that section creepy and kooky (or mysterious and spooky).
I also can’t not mention Bjørnar Nilsen (Vulture Industries, Black Hole Generator) is back once again behind the mixing desk, recording and producing this album which always means you’re in for a good time. His clean vocals also so very briefly shine through on *Engler*, emanating a melody similar to *Tyrants Weep Alone* off the last Vulture Industries album - not the first time he’s had a guest appearance over the microphone on a Taake album.
Speaking of vocal work, Hoest barks through the commotion with such ferocity and his howls remain so strong, enduring even thirty years into the band's longevity.
The final track is just hypnotic, the guitars mantra like repetitiveness mesmerise you feeling like you could be taken off to a different plane of existence as it envelops you. Broken up with the heart-wrenching screams and groans in the left channel whilst the enthralling notes keep going to drown it out, commanding a presence as to not be disrupted.
## Conclusion
Taake has managed to maintain a fresh sounding black metal album, whilst retreading a lot of the same familiar territory that you may be used to from prior albums. It’s a reason this band is a staple of the genre, every album has Hoest’s recognisable habitual flair to it but never feels boring or too mundane.
**BMZ Rating: 8.5/10**
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### Review: Namu - Wretched Spawns of Iniquitous Orders (2026)
URL: https://blackmetalzine.com/review-namu-wretched-spawns-of-iniquitous-orders-2026/
Last updated: 2026-08-05T10:00:51.000Z
**Band:** Namu
**Album:** Wretched Spawns of Iniquitous Orders
**Genre:** Progressive Black Metal
**Country:** United Kingdom
**Label:** Independent
**Released:** July 18th, 2026
# Introduction
Namu is a London-based solo project. Its only album, "Wretched Spawns of Iniquitous Orders", is progressive black metal with sci-fi and cosmic themes that will lead you through aggressive black metal, universe-exploring ambiences and synths, and all sorts of prog metal bits you can expect.
# Wretched Spawns of Iniquitous Orders
Tracklist:
1. Catharsis in Stasis
2. Edict of Absolution
3. Ineffable Constructs
4. A Fold's Gather
5. The Fibre Prismatic
6. Aberration of Light
7. Triptych
Some bands have that thing that they grab the bones of a subgenre, and experiment with it to a level it becomes its own thing; and that’s exactly what Namu did with black metal, in a rather impressive fashion since it’s a one-man project. The compositions, synths, the way the songs lead you into the depths of the universe, are truly remarkable work. A side note, all harsh vocals are credited to ICanBeFree, who’s the only other performer other than Namu himself.
The starting track, *"Catharsis in Stasis"*, already delivers what you should expect from the album: it starts calm with a synth that leads into a heavy, percussive break and then a wall of sound of tremolos, harsh vocals and more synths, that present this beautiful yet brutal sound Namu creates.
As expected from a prog influenced band, the songs shift, jump in and out of aggression, even in shorter songs like "*Edict of Absolution"*, the idea is consistent. And, in this second song, Namu shows us he can really sing, and since it’s a prog-influenced album, I not only expected some clean vocals but when they appeared, I really liked the placement of them.
The next two songs, "*Ineffable Constructs"* and "*A Fold's Gather"* continue with the theme. The former, "*Ineffable Constructs",* have some more modern riffs, some galloping, even during the atmospheric section it has, with some dissonant bits, while "*A Fold’s Gather"* ending brings in a sort of mix of clean guitars + ambiences and long reverbs with some basic yet well-placed bass underneath.
*"The Fibre Prismatic",* the slower tempo song and my favourite of the album (which I, by the way, listened to back-to-back like 5 times by now), starts seamlessly from the ending of the previous song, brings in the aggression back but then, throws us into a free-fall through the universe, with electronic noises, synths, a bass that marks the tempo, to then lead into a head-banging, heavy riff that matches the aggression of the lyrics sung, in awesome fashion.
Also, "*A Fold’s Gather"* and "*The Fibre Prismatic",* to me, felt like at one point, were one giant twelve-almost-thirteen minutes long song, that was split into two.
Next we can hear Namu sing again in "*Aberration of Light",* a song that once again keeps the theme going, the changes, the ambiences, the aggression and the clean vocals, all there.
Then, "*Triptych"*, the last song, comes along. To me, this song could both be the first and the last song of the album, as it marks really, really well what Namu is capable of. The long, atmospheric intro, the heavy modern riffs coming after, the vocals of ICanBeFree coming in tearing through, and Namu’s own vocals once again showing how good of a singer he also is.
# Conclusion:
The album feels like a sort of sci-fi horror movie, that alternates between action, brutal and bloody scenes with beautiful scenes of the characters contemplating the beauty of the universe, seeing stars, constellations, nebulas and such, in dream-like atmospheric passages, electronic noises, acoustic bits, and Namu’s incredible singing too.
Overall, it’s a must-listen to fans of bands like Lumnos, Alrakis, Labyrinthus Stellarum and such, and for those who love some prog into their black metal, like I do.
BMZ Rating: 9/10
You can support the band here:
[Wretched Spawns of Iniquitous Orders, by Namu7 track albumNamuhuelk](https://namurtus.bandcamp.com/album/wretched-spawns-of-iniquitous-orders?ref=blackmetalzine.com)
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### The Infernal Records: Week 31
URL: https://blackmetalzine.com/the-infernal-records-week-31/
Last updated: 2026-08-06T10:06:51.000Z
The Infernal Records: Week 31 is out! Have a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band:Akãky'ath
Album:Songs of Despair (EP)
Country:Brazil Genre:Raw Black Metal Release Date:July 31, 2026
[Bandcamp](https://akakyath.bandcamp.com/album/songs-of-despair?ref=blackmetalzine.com)
Band:Arrokoth
Album:1177
Country:Northern Ireland Genre:Atmospheric Black Metal Release Date:July 31st, 2026
[Bandcamp](https://arrokothofficialuk.bandcamp.com/album/1177-2?ref=blackmetalzine.com)
Band:Buran
Album:Burevestnik
Country:Germany Genre:Post-Black Metal Release Date:July 27, 2026
[Bandcamp](https://buranscapes.bandcamp.com/album/burevestnik?ref=blackmetalzine.com)
Band:Cairiss
Album:Wilderness
Country:UK Genre:Atmospheric Black Metal/Shoegaze Release Date:July 31st, 2026
[Bandcamp](https://cairiss.bandcamp.com/album/wilderness?ref=blackmetalzine.com)
Band:Ceremonial Worship
Album:Between Sleep and Death
Country:Greece Genre:Black Metal Release Date:July 31, 2026
[Bandcamp](https://eternaldeath.bandcamp.com/album/between-sleep-and-death?ref=blackmetalzine.com)
Band:Chamber Of Unlight
Album:Avernus
Country:Finland Genre:Black Metal Release Date:July 31st, 2026
[Spotify](https://open.spotify.com/album/1X9Ns1daLJVMWMZjO12FIb?ref=blackmetalzine.com)
Band:Daskra
Album:Mountains Bleed in Autumn's Fire
Country:Lebanon Genre:Atmospheric Black Metal Release Date:July 26th, 2026
[Spotify](https://open.spotify.com/album/1sG6EHu3Dsom3OsO239dL7?ref=blackmetalzine.com)
Band:Finsterforst
Album:Still
Country:Germany Genre:Folk/Viking Metal Release Date:July 31st, 2026
[Bandcamp](https://artofpropaganda.bandcamp.com/album/still?ref=blackmetalzine.com)
Band:Grouse
Album:Jackals of Eden
Country:USA Genre:Atmospheric Blackened Death/Black Metal Release Date:July 29, 2026
[Bandcamp](https://grousemt.bandcamp.com/album/jackals-of-eden?ref=blackmetalzine.com)
Band:Götterkrieg
Album:Mortífera Volúpia Ancestral
Country:Brazil Genre:Symphonic Black Metal Release Date:July 26th, 2026
[YouTube](https://youtu.be/NeD-9njhbs4?ref=blackmetalzine.com)
Band:Huboba
Album:Priče iz crnine
Country:Croatia Genre:Black Metal Release Date:August 1, 2026
[Bandcamp](https://hudoba.bandcamp.com/album/pri-e-iz-crnine?ref=blackmetalzine.com)
Band:Imlad Morgul
Album:In Thy Final Day (EP)
Country:USA Genre:Black Metal Release Date:July 26, 2026
[Bandcamp](https://oldkeepproductions.bandcamp.com/album/in-thy-final-day?ref=blackmetalzine.com)
Band:Kaltgraum
Album:Kaltgraum : Legacy
Country:Romania Genre:Black Metal Release Date:August 1, 2026
[Bandcamp](https://kaltgraum.bandcamp.com/album/kaltgraum-legacy?ref=blackmetalzine.com)
Band:Malum Incarnatum
Album:Þe Zeue Heauedes of þe Beste
Country:Denmark Genre:Symphonic Black Metal Release Date:July 31, 2026
[Bandcamp](https://kunstkammerproductions.bandcamp.com/album/e-zeue-heauedes-of-e-beste?ref=blackmetalzine.com)
Band:Matavitatau
Album:Taeda Inversa (EP)
Country:Belgium Genre:Black Metal Release Date:July 31st, 2026
[Bandcamp](https://matavitatau.bandcamp.com/album/taeda-inversa?ref=blackmetalzine.com)
Band:Mízgaro
Album:Embraced by Death
Country:Spain Genre:Black Metal Release Date:July 27, 2026
[Bandcamp](https://miizgaroniiscalo.bandcamp.com/album/embraced-by-death?ref=blackmetalzine.com)
Band:Na Samrti
Album:Umbra
Country:Croatia Genre:Black Metal Release Date:July 29, 2026
[Bandcamp](https://nasamrti.bandcamp.com/album/umbra?ref=blackmetalzine.com)
Band:Nefastus Sanguis
Album:Adveniat Regnum Meum (EP)
Country:Italy Genre:Black Metal Release Date:August 1st, 2026
[Bandcamp](https://nefastussanguis.bandcamp.com/album/adveniat-regnum-meum?ref=blackmetalzine.com)
Band:Nostos
Album:Seeds of Doom
Country:Colombia Genre:Black Metal Release Date:July 30th, 2026
[Bandcamp](https://nostoscol.bandcamp.com/album/seeds-of-doom?ref=blackmetalzine.com)
Band:Sang de Saturne
Album:To Megalithic Astral Tombs
Country:Brazil Genre:Lo-fi/Raw Black Metal Release Date:July 31, 2026
[Bandcamp](https://forbiddenfilesrecords.bandcamp.com/album/to-megalithic-astral-tombs?ref=blackmetalzine.com)
Band:Taake
Album:En skog av nidstang
Country:Norway Genre:Black Metal Release Date:July 31st, 2026
[Spotify](https://open.spotify.com/album/3IjzWVHzG642qjVH4hbwpa?ref=blackmetalzine.com)
Band:Tabernakel
Album:Scheintaufe
Country:Germany Genre:Black Metal Release Date:July 31st, 2026
[Bandcamp](https://iconoclasmconquest.bandcamp.com/album/tabernakel-scheintaufe?ref=blackmetalzine.com)
Band:Uhripuu
Album:Night Cremation
Country:Finland Genre:Black Metal Release Date:July 31, 2026
[Bandcamp](https://uhripuu.bandcamp.com/album/night-cremation?ref=blackmetalzine.com)
Band:Veil of Visions
Album:Empty Forms
Country:Ukraine Genre:Atmospheric Black Metal Release Date:July 27th, 2026
[Bandcamp](https://veilofvisions.bandcamp.com/album/empty-forms?ref=blackmetalzine.com)
Band:Viande
Album:Monument aux morts
Country:France Genre:Blackened Death Metal Release Date:July 31, 2026
[Bandcamp](https://viandeband.bandcamp.com/album/monument-aux-morts?ref=blackmetalzine.com)
Band:Vor
Album:Beyond the Final Shore (Demo)
Country:Argentina Genre:Melodic Black Metal (Instrumental) Release Date:July 30, 2026
[Bandcamp](https://vor2023.bandcamp.com/album/beyond-the-final-shore-studio-version?ref=blackmetalzine.com)
Band:Vvail
Album:Gratulationes Diabolis!
Country:USA Genre:Raw Black Metal, Crust Release Date:July 31, 2026
[Bandcamp](https://vvail.bandcamp.com/album/gratulationes-diabolis-2?ref=blackmetalzine.com)
Band:Ænigmatum
Album:Infinitude's Passage
Country:USA Genre:Black/Death Metal Release Date:July 31, 2026
[Bandcamp](https://20buckspin.bandcamp.com/album/infinitudes-passage?ref=blackmetalzine.com)
Band:Капкан (Kapkan)
Album:Волчий Билет
Country:Russia Genre:Black Metal Release Date:August 1, 2026
[Bandcamp](https://obscurantvisions.bandcamp.com/album/--8?ref=blackmetalzine.com)
Band:Skurðgoð
Album:S/T
Country:Iceland Genre:Melodic Black Metal Release Date:May 29, 2026
[Bandcamp](https://skurdgod.bandcamp.com/album/skur-go?ref=blackmetalzine.com)
## Signup to our newsletter and Social Media
Below you can sign up to our newsletter(s) one of those is The Infernal Records, a weekly newsletter where Fractal our dedicated researcher finds new releases of the previous week that are worth your time. You can sign up here:
## Unleashing the Darkness Within
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Subscribe
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### Review: ECHO ZERO - EO (2026)
URL: https://blackmetalzine.com/review-echo-zero-eo-2026/
Last updated: 2026-08-03T10:00:35.000Z
**Band:** ECHO ZERO
**Album:** E0
**Genre:** Experimental Black Metal
**Country:** Poland
**Label:** Pest Productions
**Released:** 2026
## **Introduction**
Colossal waves of blissful death emanate on the stunning debut from Polish outfit ECHO ZERO.
## **EO**
**Tracklisting:**
1. La Forêt
2. Antena
3. Nie dla wiernych
4. Góra dół
5. Pierwszy szczebel
6. Przypłyną z wszystkich mórz
7. Do syren
8. Zorza
9. Obce stworzenie
## **Rumination**
So as a fan of weird European black metal (in particular Polish outfits like Furia and Veles). I am straight up f\*cking stoked on this debut.
Talking about the instrumentation or the vibe is a moot point with this album, it doesn’t sound like anything else. There's weird rocky elements and mathy avant-garde elements and just so much I couldn’t even try to explain if tried.
The personality and vibe on this record is so unique and honestly the amount of just amazing interesting riffs and segues on this record is wild. What really sets this record apart from others like it is how coherent it all still feels.
Some records have a vibe to them where you can tell the makers truly don't give a f\*ck about anything other than communicating their alien visions to the world. The ideas are so crystallized and so fearless that you genuinely do not know what to make of it at first. Think of the first time someone heard Ved Buens Ende or FAS by Deathspell Omega.
It's the sort of album that you revisit over and over and slowly piece together what's going on by virtue of deciphering this bizarre transmission. The next thing you know, you’re in a forum with other weirdos 5 to 10 years later talking about how sick that album is with a bunch of people who went on the same deep dive as you with that record.
You’re now basically your own little weird alien community because you all understand this secret language hidden in the record and are all on the same wavelength. This is 100 percent one of those bands,
Shoutout to Pest Productions for having the courage to release a new band like this because the result is seriously unreal.
## **Conclusion**
This record was an absolute blast to get through. The fact it's a debut and is so well-defined already is just nuts. This project blows most other “weird black metal” out of the water. Listen to it asap.
BMZ Rating : 9 out of 10
Support the band here:
[E0, by ECHO ZERO8 track albumPest ProductionsMichael Bowman](https://pestproductions.bandcamp.com/album/e0?ref=blackmetalzine.com)
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### Interview: Cairiss
URL: https://blackmetalzine.com/interview-cairiss/
Last updated: 2026-08-02T16:26:42.000Z
## Intro
On the 31st of July, Cairiss released their first full-album with the title Wilderness. The album is a mix of atmospheric black metal and shoegaze. Below, you read the interview I had with the band.
## Into the Wilderness
**Hello and thanks for the Interview!**
Cairiss: Hello to you too! Thanks so much for having us!
**Wilderness is out soon, can you describe what led to the creation of the Album?**
Cairiss: After our 2016 EP Fall attracted quite a lot of underground attention, our own personal lives became quite complicated. Over the last 10 years, we all experienced quite a number of life-changing experiences, for better or worse. Because of this, we were just unable to commit the time to creating an album that we would all be happy with. In a way, though, this was a bit of a blessing in disguise. Cairiss has always been a deeply personal project for us. We have been told our music is emotionally raw, and that's because it truly is an honest reflection of the turmoil we all experienced. Wilderness grew with us through that decade. All that grief and pain was transmuted into the album you hear today. The album has seen so many versions of us as people, and truly reflected the complex emotional landscapes we were navigating. So, in a way, I am glad it took us 10 years, even though it's not what any of us planned.
**What are the main aspects on why the record is different from other post black metal releases?**
Cairiss: I don't know if we are especially different. Music and art is so subjective. We make music we love, inspired by other bands and people we love, and we aren't trying to escape an ecosystem of similar bands that have created beautiful albums for us all to enjoy. What I will say, though, is that our journey through life is unique to us as people. No one person has had the same, sequential experiences as you. So what you put into your band is your own unique cocktail of all those experiences, and that can create a specific emotional landscape or sound. I really like trying to work out the unique fingerprints people weave into their music. I'm sure Cairiss has some! We also create all our own art and animated our own music video etc, which I guess is nice. But lots of other talented bands do this too!
**There are ten years in between the Fall EP and wilderness. Why the long break?**
Cairiss: As above, really. Life was very difficult for some of us, and we just weren't in the place to properly commit to the band and the vision. We are all very particular about what we like/want for our vision, and that level of intricacy and commitment just wasn't something we were able to do at the time. Obviously, the landscape has now shifted for us, and we feel more ready than ever to fully embrace this project moving forward. Obviously, you can never predict what life will throw at you, but we hope Wilderness is just the start!
**Speaking of releases, what are your main influences?**
Cairiss: I think there are just so many, and it truly depends on who you ask. I know that Ethan and Martin (guitarists and songwriters + vocals) are greatly influenced by progressive metal, such as Opeth. Obviously, Alcest and other blackgaze acts created the foundation we stand on, too. I know Ethan and Alex (bass) are also very into their old school black metal. I (Freya) tend to get extremely attached to very particular artists. For the last year or so, I've had a pretty massive obsession with Ethel Cain. It's not really "metal" as such, but I think anyone who is into heavily atmospheric/emotional music should give Preacher's Daughter a spin. She also did a more ambient album called Perverts that is just so dark and raw. She's more black metal than any of us to be honest, lol.
**Your Artworks are hand drawn, I really like them. Will there be merch with the same design?**
Cairiss: Thank you so much! That means a lot! We have a couple of t-shirts and a long sleeve with my designs on in our Bandcamp store! We are always open to more in the future, too. I'm not short on art designs for Cairiss. I've created quite a lot of art alongside the album over the years that I'd love to get out there soon! And finally, even with a ten-year break period, you gained quite the momentum.
**Are you happy with what you achieved so far, or do you have even bigger goals set for the future?**
Cairiss: We are definitely really happy, yeah. When I look back at us recording Disgraced in our bedroom at uni all those years ago (13 years now), it's crazy to think this is what it's developed into. Just yesterday, our album was featured on the front page of Bandcamp after it was picked out by an editor. That's just crazy to us! We used to think that maybe our mums and a couple of friends would give us a polite listen and that would be that. We are very grateful. We would love to keep progressing and growing and just seeing where this takes us. I've always struggled with confidence and feeling "good enough", to the point where I've often struggled to shoot for the stars for fear of failure. But Cairiss is truly pushing me beyond my comfort zone in that respect, and I'm glad!
**Thanks for accepting the interview, and I'm looking forward to the release!**
Cairiss: You're so welcome! Thank you for having us, and we really hope you enjoy it
You can buy support Cairiss here:
[Wilderness, by Cairiss6 track albumCairissLeanderSeelenPuls](https://cairiss.bandcamp.com/album/wilderness?ref=blackmetalzine.com)
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### Review: Plaguepreacher - Abyssol (2026)
URL: https://blackmetalzine.com/review-plaguepreacher-abyssol-2026/
Last updated: 2026-08-01T10:00:51.000Z
**Band:** Plaguepreacher
**Album:** Abyssol
**Genre:** Black Metal
**Country:** Austria
**Label:** Independent
**Released:** June 6, 2026
## Introduction
Plaguepreacher is a band I have followed since the release of their EP "Terracide" in 2021\. I have seen them live several times and I really enjoyed this band of filthy f\*cks. I was naturally curious if their madness was sufficient for a full-length album.
## Abyssol
Track Listing:
1. Dawnfall
2. Valravn I
3. Misanthropic Terror Squad
4. De Letzte Sun
5. Abyssol
6. Black Witcher
7. Plaguepreacher
8. Valravn II
The album begins with the atmospheric intro "Dawnfall" and goes directly into a very aggressive track. The first thing I notice is that the production is excellent on this album. Surprisingly, good actually. What I really enjoy about Plaguepreacher is that they understand black metal. They are dirty, filthy people soaked in blood and guts. I feel this element is missing from a lot of “modern” black metal.
This band appeals to me on many levels. The sparse use of keyboards are tasty. Not overdone at all. I really enjoy the fuzzy bass. The angry guitars and the vocals are really fitting for the music style. The album is well produced from beginning to end, and it has a rich variety of moods and tempos. This is a well-crafted album of old school black metal that never gets boring. It is true black metal, just the way I like it.
Are they original? Not really, and I suspect they’re not trying to be either. What you hear is what you get here. No surprises. Just a very well-made album from start to finish.
## Conclusion
The Austrians have crafted a really enjoyable album. I have listened through it many times the past month and I would say this is an album that grows on you. I keep returning to it and I enjoy playing it for my old school black metal friends, who also seem to enjoy it a lot. There is not much to say really, except - If you are into old school black metal, you should definitely check them out. It’s really nice to see that some people from this generation actually understand black metal and keep the black flame burning.
BMZ Rating: 8/10
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### Review: Torver - Witching Hour (2026)
URL: https://blackmetalzine.com/review-torver-witching-hour-2026/
Last updated: 2026-07-31T13:00:49.000Z
**Band:** Torver
**Album:** Witching Hour
**Genre:** Symphonic Black Metal
**Country:** England, UK
**Label:** Wulfhere Productions
**Released:** 1st May 2026
## Introduction
The new album from **Torver** has been on my mind for a couple of months now since it's release in May, and I realised I really ought to get my disorganised mind into some coherent words.
Formed in 2013, Torver are a black metal act from Cumbria, northern England who released various demos and splits through the 2010’s totaling seven songs across them. After six years of silence, they have graced us with their debut full-length album.
Completely gone is the raw black metal approach of their early work, and in comes some black metal with quality production and melodic elements, building on what they had with their track *Naked in the Wilderness*.
Vocalist and violin player Nicholas Millar contributes a lot to those melodic moments, weaving intricate violin lines and powerful clean vocals to accompany the harsh music. If you've ever listened to the now disbanded project **Aklash** of which he was doing the same with you'll get an idea of what to expect here. (Side note: listen to their 2024 album *Reincarnation*, one of my favourite releases of that year).
## Witching Hour
**Tracklisting:**
1. Prelude to Nightfall (Intro)
2. Nocturnal Serenade
3. Apotheosis
4. Witching Hour
5. Reformation of the Trinity
6. Gardens of Ithaca
7. Where Angels Fear to Tread and Walk Alone
8. Good and Ill Are Naught But Hollow Empty Shards
9. A Shield of Polished Silver
10. Coda (Outro)
The thunder roars, the violin gently constructs a symphony accompanied with horns, strings, and choir vocals. Then after over half a decade in the shadows the first song bursts through the silence. Erupting into bombastic blast beats accompanied by the sweeps of a violin, it builds up the astounding assembly that is this album.
*Nocturnal Serenade*, our first track after the intro is downright melodic to a tee, and utterly seeped in emotion beyond the clattering drum fills and heavily distorted guitars. Ending in clean chorus vocals evolving into wolven howls (that set my cats on edge every time it happens).
Many different vocal styles are approached on this album, spoken word, powerful clean singing, and traditional harsh black metal growls to perfectly fit the mood each time. The basslines throughout are noticeable clear and well structured, such as on *Reformation of the Trinity.*
There’s a decent amount of environmental storytelling with the likes of thunder and the bells tolling, it all adds so much character to this album. Clean guitar picking peacefully cutting through the harsh riffs such as on *Apotheosis*, a shining standout of the album that is gorgeous.
*Gardens of Ithaca* provides a point of respite amongst the foreboding and storm-battered landscapes that this album conjures up in your mind before it is stripped away rapidly by *Where Angels Fear to Tread and Walk Alone*.
The fantastic eight minute composition *A Shield of Polished Silver* incorporates all the elements that came before it, and is such a great closer. Synth keys, simple striking notes, and the violin rounds off this album, it doesn’t feel like fifty minutes have passed and yet it reaches its conclusion almost effortlessly.
## Conclusion
This album astounded me when I first listened to it on release day, in fact, the first *single* impressed me so much that I blind bought the vinyl purely based on that one track.
If you’re a fan of the nineties black metal scene with some symphonic and melodic flair to it, then this is the new album you need to go and check out. With no weak filler tracks, it is thoroughly enjoyable front to back that leaves you appropriately spellbound.
I really hope that this project stays revived and continues to craft such wonderful tracks of classical harmonies and bleak frosty black metal intertwined.
BMZ Rating: 9/10
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### Review: Faustian - Parable of the Sewer (2026)
URL: https://blackmetalzine.com/review-faustian-parable-of-the-sewer-2026/
Last updated: 2026-07-30T10:00:13.000Z
**Band:** Faustian
**Album:** Parable of the Sewer
**Genre:** Black Metal
**Country:** Australia
**Label:** Apocalyptic Witchcraft Recordings
**Released:** July 24, 2026
## Introduction
Faustian is a blackened death metal project formed by members of the band Werewolves in Melbourne, Australia. The album follows the first EP (which is reported on Metallum as being mistakenly titled an EP and being, in fact, a full-length album) “We Come as Angels”, and expands on its sound.
## Parable of the Sewer
Track Listing:
1. I Curse You
2. Broken Better
3. I Want the Ride to Begin Again
4. Immaculate
5. Cephalophore
6. We Do Not Use Names Here
7. Tenements (Only the Wicked Walk in Circles)
8. The Rot Shall Inherit the Earth
The initial feeling I got from this album with the first track, “I Curse You”, was that it was sort of for fans of a very “riffy” black metal, almost like Gorgoroth, Wormwitch, Taake and such bands, and I’m glad to say there's so much more to this album and the band.
Second track “Broken Better” starts with a sort of dissonant ringing guitar, growls, screams and desperate voices permeating and setting an even darker scene, to then be brought down with a cutting riff that rages through and brings back the aggression, to then double down on it with voices and screams and a wall of sound.
This third track brings things back to the “riffy” black metal, high tempo, but even then, the song goes into some more cavernous, more swampy passages, with voices rather than screams, sounds that circle around you, to then bring it back and pass on the torch to “Immaculate”, which is my favourite of the album; this song walks you through many feelings, to darker soundscapes to then bring you to a section with a choir, heavy drums and guitar, and a high-pitch tremolo riff that create an atmosphere around you.
The song seamlessly transitions into the next, “Cephalophore” (which means “head carrier”, by the way), which once again, delivers aggression, voices and atmospheric passages that trap you, with sections that feel very different from one another, but that blend in so well they feel almost like a ritual, and you’re right in the middle. The trend continues with “We Do Not Use Names Here”, which goes from pure aggression to slower aggression, like even when the tempo goes down, the aggression stays there, which for me is a huge quality. The next track, “Tenements (Only the Wicked Walk in Circles)” to me felt a lot like Mgla, Taake and such; plenty of repetitions marked by drums that felt almost like a metronome - the kind of drumming you follow with your head, heavy, marked, intense.
The last track, “The Rot Shall Inherit the Earth” brings in a slower start, to then pick up with paired tremolo riffs, harmonizing and then delivering us to a song that gets more and more chaotic, to then end with a desperate voice, metal sounds that reverb through, almost as if we're in a damp corridor, hearing someone desperate in the distance.
## Conclusion
It’s an album that grew on me. I liked it on the first listen, more on the second and loved it on the third listen. It’s a strong black metal album, with great riffs, drums, the vocals are perfect and more importantly, with some unsettling passages that feel as if you were able to translate the sort of agony one feels watching a horror movie into black metal compositions.
BMZ Rating: 8/10
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### Tolkien and Black Metal: A History (Part 1)
URL: https://blackmetalzine.com/tolkien-and-blackmetal-a-history-part-1/
Last updated: 2026-07-31T20:10:27.000Z
First of all, I want to give some preface to this article, I am neither an expert on Tolkien or Black metal, just a guy who really loves both. That being said with it I hope to cover the history of how two of my favorite subjects became entwined to create one of metal's greatest subgenres. Each week we will take a close look at the bands that helped create "Tolkien Black Metal" and how it evolved into what it is today.
## Part 1: Origins
J.R.R. Tolkien died in 1973, a devout Catholic philologist who spent decades building an invented mythology out of grief, faith, and a scholar's love of dead languages. Fueled by his belief that his beloved England lacked its own uniquely “English” mythology, Tolkien spent most of his adult life crafting the larger tapestry we know today as "The Silmarillion". Unfortunately this wouldn't be published until after Tolkien's death, but it served as the background for his other works, "The Hobbit" and eventually "The Lord of the Rings". Tolkien would more than likely have been baffled, possibly even horrified, to learn that within just a few short decades of his passing, his invented language "Black Speech" would supply a stage name for a convicted murderer, and that his entire geography of evil would become the single most-raided proper-noun bank in an entire genre of music. This article is an attempt to explain how that happened, and why black metal specifically is the genre that did it.
Manfred Kielnhofer - "Wächter der Zeit"
Tolkien was already metal's favorite author long before black metal existed. Black Sabbath, Led Zeppelin, and Rush had all reached for Middle-earth by the early 1970s, and heavier bands kept doing the same throughout the '80s. Mostly as filler, a fantasy flourish alongside swords, sorcery, and Norse gods, with no particular ideology attached. None of that early borrowing had black metal's later hunger. No fixation on Sauron specifically, no interest in the invented languages, no sense that Tolkien's darkness was something to actually inhabit rather than decorate a song with. That hunger needed a colder, more specific set of conditions, and those conditions arrived in Norway in the early hours of the 1990s. That's where this article truly begins.
Mordor, a name we all recognize. The ever watching eye, wreathed in flame atop a black tower and the desolate waste that surrounds it. Its inspiration didn't come entirely from its creator's own imagination. Tolkien served as a signal officer at the Battle of the Somme in 1916 and watched two of his closest friends die there. He was notoriously guarded about drawing straight lines between his life and his fiction and wasn't shy about his extreme dislike of allegory either. But later on im years he made one exception, confirming in Letter # 226 (The Letters of J.R.R. Tolkien) that the Dead Marshes and the desolate approach to the Black Gate “owe something to Northern France after the Battle of the Somme”. Corpses half-sunk in flooded ground, poisonous fumes, a landscape stripped of everything living, the terrain Frodo and Sam stumble through on their way into Sauron's realm reads, on this account, less like invented fantasy evil than a war translated into myth. That single sentence is about as close as anyone gets to a parallel for Mordor's atmosphere, and it matters here because it means the black metal bands who later mined that atmosphere were borrowing something built out of real horror, not decoration invented from nothing. Black metal has always claimed a kind of privileged access to real darkness rather than mere theatrical menace; without quite knowing it, the genre reached for a source that had made the same claim first.
J. R. R. Tolkien (aged 24) in army uniform, photograph taken in 1916.
Tolkien was also, by profession, an expert in exactly the kind of pre-Christian Northern European heroism black metal keeps circling back to. He spent his academic career studying Old English and Old Norse poetry. A mythology built around a single hard idea: that true courage means standing fast against certain defeat, with no promise of victory and no reward waiting on the other side. Even the gods are eventually doomed to die. Middle-earth runs on a version of that same ethic. Galadriel names it directly in “The Fellowship of the Ring”, describing the Elves' whole struggle against time and loss as "the long defeat", a phrase that could double as a creed for black metal's entire worldview. The bleakest expression of it sits in “The Silmarillion”'s account of the House of Húrin: cursed by the fallen Vala Morgoth to watch his family be destroyed piece by piece, Húrin's children Túrin and Nienor are driven, through no real fault of their own, toward incest, dragon-slaying, and eventual suicide, a story with none of the last-minute rescue that softens the ending of “The Lord of the Rings”. It's not hard to see why a genre this fixated on bleak, cosmic pessimism would recognize its own worldview already fully built inside Tolkien's darkest First Age narrative, decades before the genre existed. Black metal has rarely borrowed the hopeful half of Tolkien's story, rather its tragedy, despair and Desolation.
There's a third connection, closer to home for a genre defined as much by its sound as by its lyrics, and it comes from the very beginning of Tolkien's invented cosmology. In the “Ainulindalë”, the creation myth that opens “The Silmarillion”, the world isn't spoken into being, it's “sung”. Ilúvatar's Ainur (angel like beings) perform a great "Music", and evil enters creation the moment the mightiest of them, Melkor, starts weaving in themes of his own: loud, discordant, and endlessly repeated, clashing against the harmony around it until it drowns out everything nearby. Evil, in Tolkien's own cosmology, is quite literally noise that won't resolve, a corruption of something that was originally whole, rather than an independent force in its own right. It's a strange, almost eerie thing for a genre defined by dissonance, distorted tremolo, and shrieked vocals arranged to sound like an assault on conventional harmony to find its source material's own founding myth already describing evil in exactly those terms. It's a connection at least one band would eventually make explicit: we will discuss that in a later portion of this article.
That same instinct, corruption as the shape evil takes, carries directly into Tolkien's constructed languages, and it's why one of them in particular became black metal's favorite. Black Speech, the language of Mordor, was built by Tolkien specifically to sound harsh, guttural, and repellent. Hard consonants and ugly clusters, designed to feel like a corruption of language itself, fitting for a tongue engineered by Sauron, who (like his own master Melkor) could only twist what already existed rather than create anything new. A genre obsessed with raw, ugly vocal delivery gravitating specifically toward the one Tolkien language built from the ground up to sound cruel isn't really a coincidence.
Stay tuned for Part 2.
Meanwhile, check out these albums:
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### Review: Pusta Noc - Funus Vampyri (2026)
URL: https://blackmetalzine.com/review-pusta-noc-funus-vampyri-2026/
Last updated: 2026-07-28T10:00:13.000Z
**Band:** Pusta Noc
**Album:** Funus Vampyri
**Genre:** Atmospheric Black Metal
**Country:** Poland
**Label:** Independent
**Released:** March 6, 2026
## Introduction
Hailing from the dark underbelly of Eastern Europe, Polish black metal entity Pusta Noc derives its name from the Slavic ritual of the "Empty Night", the mournful vigil kept over a corpse before burial. Having released an EP in 2024 and their debut full length "Speculo Magicas" in 2025, that band has returned with their sophomore offering.
## Funus Vampyri
Track Listing:
1. Exordium
2. Laudatio
3. Comploratio
4. Consolatio
The album’s narrative hinges on the infamous 2022 discovery in Pień, Poland: a 17th-century woman unearthed with a sickle across her throat and a padlock on her toe to prevent her return. Pusta Noc uses this historical relic to weave a tale of ancient paranoia, posing a simple, terrifying question: what if the wards fail?
Musically, "Funus Vampyri" abandons frantic blast beats for mid-tempo, hypnotic dread. Shimmering, melancholic guitar riffs echo the biting cold of a Polish winter, weaving atmospheric folk horror directly into the music. The production strikes an ideal balance, raw enough to smell the turning soil, yet clear enough for the melodic leadwork to slice through like rusted iron. Over this bleak backdrop, harsh, throat-shredding vocals act as the village narrator, delivering a performance steeped in genuine despair rather than theatrical camp. It is a suffocating atmosphere that fits the lyrical theme perfectly.
## Conclusion
By fusing genuine historical folk horror with atmospheric black metal, Pusta Noc has crafted a bleak, compelling masterpiece. It stands as a chilling reminder that while flesh rots and iron rusts, the fear of what lies beneath the earth and beyond the grave never truly fades.
[Funus Vampyri, by Pusta Noc4 track albumPusta NocPusta Noc](https://pustanoc.bandcamp.com/album/funus-vampyri?ref=blackmetalzine.com)
BMZ Rating: 7.5/10
## Your thoughts on this review.
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### The Infernal Records: Week 30
URL: https://blackmetalzine.com/the-infernal-records-week-30/
Last updated: 2026-07-27T12:21:18.000Z
The Infernal Records: Week 30 is out! Have a look at our curated list of essential Black Metal releases from the past week. See the full list!
For the 30th release of this, we switched to a new layout. This will make sure that the information is more readable to the reader and a better overview. It also will help with the length of the mails, so it shouldn't cut off any more, but there is always a chance your mail client will.
***So with no further ado, here is the 30th edition of The Infernal Records.***
---
Band:Blood Vessel
Album:The Sorcery of Her Presence
Country:Poland Genre:Black Metal Release Date:July 20, 2026
[Bandcamp](https://bloodvesselpoland.bandcamp.com/album/the-sorcery-of-her-presence?ref=blackmetalzine.com)
Band:Ereshkigal
Album:Wolfen Offerings
Country:Mexico Genre:Black Metal Release Date:July 20th, 2026
[Spotify](https://open.spotify.com/album/5dXuukk1Igqdfpa6qOwJvr?ref=blackmetalzine.com)
Band:Faustian
Album:Parable of the Sewer
Country:Australia Genre:Black Metal Release Date:July 24, 2026
[Bandcamp](https://faustian666.bandcamp.com/album/parable-of-the-sewer?ref=blackmetalzine.com)
Band:Firecult
Album:Embers of Rebellion
Country:Canada Genre:Melodic Black Metal Release Date:July 20, 2026
[Bandcamp](https://firecultmw.bandcamp.com/album/embers-of-rebellion?ref=blackmetalzine.com)
Band:Freddo Cosmo
Album:Saltus Marcius (EP)
Country:Italy Genre:Black Metal Release Date:July 19, 2026
[Bandcamp](https://vuotoluceproduzioni.bandcamp.com/album/saltus-marcius?ref=blackmetalzine.com)
Band:Gravhymne
Album:Kulde
Country:Norway Genre:Black Metal Release Date:July 21st, 2026
[Bandcamp](https://gravhymne.bandcamp.com/album/kulde?ref=blackmetalzine.com)
Band:Gormoth
Album:The Man Who Became The Universe (EP)
Country:Hungary Genre:Atmospheric Black Metal Release Date:July 24th, 2026
[Bandcamp](https://gormoth1219.bandcamp.com/album/the-man-who-became-the-universe?ref=blackmetalzine.com)
Band:Heretic Cult Redeemer
Album:In Oculum Chaos
Country:Greece Genre:Black Metal Release Date:July 24, 2026
[Bandcamp](https://hereticcultredeemer.bandcamp.com/album/in-oculum-chaos?ref=blackmetalzine.com)
Band:Kalmismua
Album:The Sky Became Black as the Earth
Country:Russia Genre:Post-Black Metal Release Date:July 24th, 2026
[Spotify](https://open.spotify.com/album/5dkAvykYYbCuPVidAjgFyL?ref=blackmetalzine.com)
Band:Katharnum (China)
Album:Annals of the Preternatural 妖异志 (EP)
Country:China Genre:Raw Black Metal Release Date:July 20, 2026
[YouTube](https://youtu.be/B4lJSdTU5bg?si=20uHoUOopjC2zQ1Z&ref=blackmetalzine.com)
Band:Khaos Aura
Album:Dødemark (Demo)
Country:Norway Genre:Raw Black Metal Release Date:July 24, 2026
[Bandcamp](https://khaosaura.bandcamp.com/album/d-demark-demo?ref=blackmetalzine.com)
Band:Litosth
Album:Dreaming
Country:Brazil Genre:Black Metal Release Date:July 24, 2026
[Bandcamp](https://litosth.bandcamp.com/album/dreaming-full-album-2026?ref=blackmetalzine.com)
Band:Mørkt Tre
Album:Карпатські Містерії
Country:Ukraine Genre:Atmospheric Black Metal Release Date:July 16, 2026
[Bandcamp](https://mrkttre.bandcamp.com/album/--5?ref=blackmetalzine.com)
Band:Nigde
Album:Siberian Darkness
Country:Unknown Genre:Raw Black Metal Release Date:July 22, 2026
[Bandcamp](https://nigd.bandcamp.com/album/siberian-darkness?ref=blackmetalzine.com)
Band:Pox
Album::BKW: (Brass Knuckles Witchcraft)
Country:Belgium Genre:Black Metal Release Date:July 23, 2026
[Bandcamp](https://voidwandererproductions.bandcamp.com/album/bkw-brass-knuckles-witchcraft?ref=blackmetalzine.com)
Band:Profane Burial
Album:Desolate Echoes of Turmoil
Country:Norway Genre:Symphonic Black Metal Release Date:July 24, 2026
[Bandcamp](https://profaneburial.bandcamp.com/album/desolate-echoes-of-turmoil?ref=blackmetalzine.com)
Band:Sad
Album:Submit to Grimness (Compilation)
Country:Greece Genre:Black Metal Release Date:July 22, 2026
[Bandcamp](https://obsidianbladerecords.bandcamp.com/album/sad-submit-to-grimness?ref=blackmetalzine.com)
Band:Silurian
Album:Paratethys (EP)
Country:USA Genre:Blackened Technical Death Metal Release Date:July 22, 2026
[Bandcamp](https://siluriandeath.bandcamp.com/album/paratethys?ref=blackmetalzine.com)
Band:天殛 (Divina Vindicta)
Album:行詔籌 (Circulation of the Divine Edict Tallies) (EP)
Country:China Genre:Black Metal Release Date:July 23rd, 2026
[Bandcamp](https://divinavindicta.bandcamp.com/album/circulation-of-the-divine-edict-tallies?ref=blackmetalzine.com)
Band:Stoflong
Album:Zwarte Aarde (EP)
Country:Netherlands Genre:Post-Black Metal Release Date:July 24, 2026
[Bandcamp](https://stoflong.bandcamp.com/album/zwarte-aarde?ref=blackmetalzine.com)
Band:Tenebroso / Lunares Tenebris
Album:O Fim do Falsário / Hymns from The Dark Times (Split)
Country:Brazil Genre:Black Metal Release Date:July 25, 2024
[YouTube](https://youtu.be/sL3eHoRDGmM?si=D5pEJ6M1f8xs2ht7&ref=blackmetalzine.com)
Band:Torpor
Album:Ɖungeon Ɖescent
Country:Poland Genre:Black/Heavy Metal Release Date:July 24, 2026
[Bandcamp](https://dyingvictimsproductions.bandcamp.com/album/ungeon-escent?ref=blackmetalzine.com)
Band:Twilight Stronghold
Album:The Heights of Dreams (EP)
Country:France Genre:Raw Black Metal Release Date:July 18, 2026
[Bandcamp](https://lilastarless.bandcamp.com/album/the-heights-of-dreams-ep?ref=blackmetalzine.com)
Band:Vokkr
Album:Golden Forest
Country:Poland Genre:Black/Folk Metal Release Date:July 23, 2026
Band:Wampyric Rites / Oath Of Malignancy
Album:The Oath (Split)
Country:Ecuador Genre:Raw Black Metal Release Date:July 21, 2026
[Bandcamp](https://wampyricrites1.bandcamp.com/album/the-oath?ref=blackmetalzine.com)
Band:Welkin
Album:正氣歌 · 其一 / Song of Righteous Spirit – Part I (Demo)
Country:Singapore Genre:Epic Black Metal Release Date:July 20, 2026
[Bandcamp](https://welkin.bandcamp.com/track/song-of-righteous-spirit-part-i-demo?ref=blackmetalzine.com)
Band:Wormquizitor
Album:Esthetic Of Fear
Country:Belarus Genre:Black/Death Metal Release Date:July 21, 2026
[Bandcamp](https://grimmdistribution.bandcamp.com/album/092gd-wormquizitor-esthetic-of-fear-2026?ref=blackmetalzine.com)
## Your thoughts on this newsletter.
We love to hear your opinion about this newsletter. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### 10 Atmospheric Black Metal Albums you need to hear.
URL: https://blackmetalzine.com/10-atmospheric-black-metal-albums-you-need-to-hear/
Last updated: 2026-07-25T10:00:25.000Z
## *Introduction*
With more than 35 years of history behind it, black metal has given birth to countless timeless classics. But for anyone just discovering the genre, the modern digital landscape can be overwhelming. Between Spotify, YouTube, and Bandcamp, we have access to a virtually limitless library, and while convenience is great, finding the real gems in a sea of endless releases is easier said than done.
That’s where we come in. Whether you’re a newcomer looking for a roadmap or a seasoned listener searching for underrated records, this list cuts through the noise. Here are 10 incredible atmospheric black metal albums that deserve your full attention.
## *The Albums*
### *Burzum - Filosofem (1996)*
**Genre:** Atmospheric Black Metal
**Country:** Norway
**Label:** Misanthropy Records
**Released:** January 31, 1996
We start this list out with one that's probably obvious but (in my opinion) probably one of the most important albums when discussing atmospheric black metal. Burzum’s “Filosofem”. Love him or hate him, Varg helped create the blueprint for atmospheric black metal, and dungeon-synth. As well as help introduced Tolkien’s legendarium into the world of black metal. With its abysmal production, droning guitars, and 20 minute long synth interludes, it's a masterpiece and a cornerstone of the genre.
### Summoning - Stronghold (1999)
**Genre:** Atmospheric Black Metal
**Country:** Austria
**Label:** Napalm Records
**Released:** May 11, 1999
Now that we've discussed a band that helped shape the genre, I want to have a look at a band that has perfected it. One of my all-time favorite bands, Summoning. 1999's "Stronghold" is a shining example of what atmospheric black metal evolved into at the tail end of the second wave. The Austrian duo pioneered the Tolkien black metal subgenre by trading in blast beats for programmed mid-tempo drum marches, massive synth arrangements, and sweeping guitar riffs. All while letting the poems and other collected works of J.R.R Tolkien’s legendarium serve as lyrical inspiration.
### Se Lusiferin Kannel - Valtakunta (2017)
**Genre:** Atmospheric Black Metal
**Country:** Finland
**Label:** Independent
**Released:** October 13th, 2017
*Sam*: As random as the band name is (translated as That Lusifer's Kannel), Valtakunta brings the suffocating raw atmospheric sound wall to keep you on your toes for 4 songs lasting a bit over an hour. The album starts as prelude to the end of the world as a warning or a celebration and how becomes an annihilating storm to sweep the curse of humanity away and let the Sun's dominion rule over the desolate land.
[Valtakunta, by SE LUSIFERIN KANEL4 track albumSe Lusiferin Kannelbjornvegan](https://selusiferinkannel.bandcamp.com/album/valtakunta-2?ref=blackmetalzine.com)
### *Isen - Zaklínání poslední zimy (Summoning the Last Winter) (2025)*
**Genre:** Atmospheric Black Metal
**Country:** Poland
**Label:** Independent
**Released:** September 2025
*Anthony*: Isens debut "Zaklínání poslední zimy (Summoning the Last Winter)" is the perfect example of an atmospheric black metal record that trades in any vague notions of fantasy realms to depict the reality of a cold, unforgiving land.
This hidden gem of a record is set to stand the test of time as one of the best atmospheric black metal records of recent years.
[Zaklínání poslední zimy (Summoning the Last Winter), by Isen7 track albumIsenJana](https://isen-northernsilence.bandcamp.com/album/zakl-n-n-posledn-zimy-summoning-the-last-winter?ref=blackmetalzine.com)
### *Schauer - Abschied (2024)*
Country: Austria
Label: Kvlt und Kaos Productions
Released: March 15, 2024
**Genre:** Atmospheric Black Metal
**Country:** Austria
**Label:** Kvlt und Kaos Productions
**Released:** March 15, 2024
Born from deep personal grief, Schauer’s "Abschied" elevates atmospheric black metal beyond standard genre tropes. Written during a period of intense loss and professionally mastered by Deep Pressure Studios, the album pairs raw, cathartic emotion with top-tier production. Lyrically, "Abschied" delves into despair, heartache, and the overwhelming atmosphere of a modern world in turmoil.
### *Selvans - Lupercalia (2015)*
**Genre:** Atmospheric Black Metal
**Country:** Italy
**Label:** Avantgarde Music
**Released:** October 19, 2015
*Fractal*: Selvans has officially retired as a project, but this album above all others is one of the most wicked examples of Atmospheric Folk Black Metal I know of. This was the first release after the death of their drummer Jonny Morelli (RIP 2014) to the year before Lupercalia was unleashed, and the band was a duo by the time this album came out.
The Atmospheric Black Metal components are just as noteworthy in my view. My favorite song, Scurtchìn is like a rollercoaster you might find yourself wanting to ride again and again, especially once you arrive to one of the most original moments of sound fx incorporation that I've ever heard in the entirety of the genre. This album was a master class in innovative experimentation that binds these cohesive compositions in such a way that it really feels like this record takes you places. Lupercalia was pressed in a special A5 digipack twice now, and it's not difficult for me to see why. It's like a locomotive that can't be stopped, no matter how hard the brakes are engaged.
### *Agalloch - The Mantle (2002)*
**Genre:** Atmospheric Black Metal
**Country:** United States
**Label:** The End Records
**Released:** August 13, 2002
You can't discuss atmospheric black metal without mentioning Agalloch. Their second full-length album (and another personal favorite of mine), “The Mantle”, remains a quintessential masterpiece of Pacific Northwest atmospheric black metal. Blending icy black metal vocals with intricate neofolk acoustic passages, melancholic doom, and sprawling post-rock arrangements, the album captures the unmistakable sense of bleak winter isolation. It's undoubtedly one of the finest pieces of atmospheric black metal ever put to tape, and helped spawn the entire “Cascadian” Black Metal scene in the United States.
### *Wolves in the Throne Room - Two Hunters (2007)*
**Genre:** Atmospheric Black Metal
**Country:** United States
**Label:** Southern Lord Recordings
**Released:** September 27, 2007
Which brings me to my recommendation, Wolves in the Throne Room. Their 2007 album, “Two Hunters”, fundamentally redefined black metal by laying another cornerstone in the Cascadian black metal scene. Moving away from European satanic tropes, corpse paint, and Norwegian blizzards, the Weaver brothers grounded the genre in the damp, moss-laden wilderness, radical environmentalism, and nature-worshipping mysticism of the Pacific Northwest.
What makes “Two Hunters” an absolute masterpiece is its breathtaking dynamic range and emotional weight; recorded analog with producer Randall Dunn, the album builds an immersive wall of sound that feels as vast and untamed as the forests that inspired it.
### *Drudkh - Autumn Aurora (2004)*
**Genre:** Atmospheric Black Metal
**Country:** Ukraine
**Label:** Sueprnal Music
**Released:** February 1, 2004
Few records capture the quiet, ache-inducing transition between decay and dormancy quite like Drudkh’s sophomore triumph, “Autumn Aurora”. Standing as a pillar of Ukrainian atmospheric black metal, the album weaves hypnotic, droning guitars with subtle, melancholic synth lines and crisp acoustic textures that bleed seamlessly into the harshness of the distortion. Few bands capture the essence of Atmospheric Black Metal the way Drudkh does and Autumn Aurora is the perfect starting point to explore one of the greatest atmospheric black metal bands of all time.
### *Caladan Brood - Echoes of Battle (2013)*
**Genre:** Atmospheric Black Metal
**Country:** United States
**Label:** Northern Silence Productions
**Released:** February 15, 2013
Do you like epic battles with lots of lore and a soundtrack to match? Then this album is just what you’re looking for... Caladan Brood’s 2013 masterwork, "Echoes of Battle", stands as a towering monument in epic atmospheric black metal, effortlessly translating the dense, tragic world of Steven Erikson’s Malazan Book of the Fallen into vast sonic landscapes. Blending heavy tremolo riffs, deep growls, and sweeping dungeon-synth melodies, the record moves with the slow, deliberate weight of marching armies.
## Your thoughts on this article.
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### 10 Underrated Black Metal Albums
URL: https://blackmetalzine.com/the-infernal-archives-10-underrated-black-metal-albums/
Last updated: 2026-07-22T18:14:03.000Z
## Intro
Black metal has been around for a long time (at least 35 years), and in that time a lot of what we now see as the "classic" albums of the genre have been produced. But for those that have just started listening to (in our opinion) the best music genre there is, it can be a bit overwhelming. These days it's easier to find new bands and albums than it was back in the 90s, but the fact that it's much easier now can also be overwhelming because of the seemingly endless stream of new and old releases. With the current platforms available (Spotify, Tidal, YouTube and Bandcamp) you have an almost unending library of records.
So to help you the reader around that vast sea of black metal releases we made this curated list of older (and some newer) black metal albums that deserve the spotlight and in our opinion are underrated these days.
Lists are always biased, and it's our opinion, doesn't mean it's right also doesn't mean it's wrong. But we are always open for suggestions of albums you think deserve the spotlight. So if you have any, feel free to sign up (it's free) and comment below.
[Signup ](#/portal/signup/)
## The albums
### **Troll - Drep de Kristne (1996)**
**Genre:** Black Metal
**Country:** Norway
**Label:** Damnation Records
**Released:** 1996
We start the list off with one of my (Roberto's) favorite albums from when I was younger, and that is "**Drep de Kristne"** from the Norwegian black metal band **Troll**.
Released in 1996, and the moment I listened to this album I knew it was something special, at least it was for me. That feeling is still there every time I give this album a spin. The entire album still feels great, and track after track, the music just keeps giving. So if you like your black metal fast with great vocals (by Nagash), you should give this album a spin.
### **Ragnarok - Nattferd (1995)**
**Genre:** Black metal
**Country:** Norway
**Label:** Head not found
**Released:** 1995
Ragnarok, a staple of the Norwegian black metal scene, released this masterpiece (well, in our opinion) 30 years ago. The band is well known, but for new listeners, the older albums can get lost in the overwhelming number of releases. As said in the Intro, there is a massive library of black metal releases, so give this a try and listen to one of the albums that belongs in the hall of fame.
### **Art Inferno - Abyssvs Abyssvm Invocat (1999)**
**Genre:** Symphonic Black Metal
**Country:** Italy
**Label:** Scarlet Records
**Released:** 1999
This Italian beauty was released in 1999, and I remember buying it solely by looking at the artwork. There weren't any previews back then, so the attention spent on album covers said a lot about the band, at least it did according to me.
And boy was I right; for me, this is still one of the better symphonic black metal albums out there. So if you are a fan of [Vargrav](https://blackmetalzine.com/review-vargrav-the-nighthold/), [Covenant](https://blackmetalzine.com/vault-review-covenant-nexus-polaris/), or similar bands alike, give this a spin.
### **Carpe Tenebrum - Mirrored Hate Painting (1999)**
**Genre:** Melodic Black Metal
**Country:** Norway
**Label:** Hammerheart Records
**Released:** 1999
This album is or was a bit of a weird one, especially when listening to this for the first time when it was released. But younger me really liked the idea behind it when I bought it in 99\. Carpe Tenebrum is the brainchild of Astennu (Covenant, Dimmu Borgir) and Nagash (Covenant, Troll, Dimmu Borgir).
The music is mixed with a story that talks about satanic rituals, and it gives the entire album a specific vibe. Sadly, the album isn't on the known music platforms, but you can find it on YouTube, so go and try that one out.
### **Stillhet - Gjemt I Skyggene (2004)**
**Genre:** Black Metal
**Country:** Norway
**Label:** Northern Silence
**Released:** 2004
Fractal, our dedicated album researcher, has a demo from Stillhet that everybody needs to listen to in his words; Stillhet's 2004 demo is a classic in my book, and clearly Northern Silence must have thought highly of it as well to release it on CD and vinyl. It almost sounds like a precursor to DSBM, but the soul and heartbeat of the album is pure Black Metal.
I've spent a lot of time listening to individual songs on repeat for hours. The vocals are aggressive and hideous, and the riffs play like love letters to the Graybeards of the genre and are forever cemented in my memory as a true Black Metal Classic in their own right.
[Gjemt I Skyggene by Stillhet](https://stillhet-northernsilence.bandcamp.com/album/gjemt-i-skyggene?ref=blackmetalzine.com)
### Amestigon - Sun of all Suns (2010)
**Genre:** Black Metal
**Country:** Austria
**Label:** Hau Ruck!
**Released:** 2010
Amestigon’s 2010 debut full-length, “Sun of All Suns” is an album that I would consider a mostly unknown masterpiece within the genre. It bridges the gap between raw, traditional black metal and a more sophisticated, avant-garde approach to atmosphere.
Not to mention, the group consists of members of Summoning, Abigor, and Dargaard. The title track off the album has hands down one of the catchiest riffs I've ever heard in a black metal song. If you are a fan of second-wave black metal but want something that feels modernized without losing its bite, this album is a masterclass.
### Kvist - For kunsten maa vi evig vike (1995)
**Genre:** Atmospheric Black Metal
**Country:** Norway
**Label:** Avantgarde Music
**Released:** 1995
If you want to understand where the melodic, atmospheric side of Norwegian black metal peaked in the mid-90s, look no further than Kvist. "*For kunsskap skal du ete"* is the only album this trio ever released, and it is a masterpiece. This album was released around the time that bands were focussing on raw black metal sound of moving more to a more symphonic/melodic style. But this album, by Kvist, is smack down in the middle of it.
### Setherial - Nord (1996)
**Genre:** Atmospheric black metal
**Country:** Sweden
**Label:** Napalm Records
**Released:** 1996
Sweden’s mid-90s output is legendary, but while Marduk and Dark Funeral were soaking up most of the spotlight for sheer speed, Setherial quietly dropped an absolute monster with "*Nord"*. If you want the freezing, hyper-aggressive Swedish sound blended with massive, sweeping atmosphere, this album is mandatory listening.
### Moonblood - Blut & Krieg (1997)
**Genre:** Raw Black Metal
**Country:** Germany
**Label:** Majestic Union
**Released:** 1997
"Blut & Krieg" from Moonblood is one of the staples of German raw black metal. This recording was made with primitive means, and it shows well; it shows you can hear it. But for me, this adds to the overall aesthetics of the album. The vocals are nasty and cold, just as they should be, and it has some very nice riffs. If you haven't heard this band and album, go check it out.
### Sorhin - I det glimrande mörkrets djup (1997)
**Genre:** Black metal
**Country:** Norway
**Label:** Near Dark Productions
**Released:** 1997
The Swedish band Sorhin released "*I det glimrande mörkrets djup"* in 1997 and since that release, it's been a staple of the Swedish black metal scene. The vocals are sharp, and it has some very nice riffs. The album itself is more melodic, with heavy metal influences clearly present.
## Your thoughts on this article.
We love to hear your opinion about this article. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Subscribe
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Umbría - Descent into the Forgotten Core (2026)
URL: https://blackmetalzine.com/review-umbria-descent-into-the-forgotten-core-2026/
Last updated: 2026-07-21T18:16:08.000Z
**Band:** Umbría
**Album:** Descent into the Forgotten Core
**Genre:** Black Metal
**Country:** Chile
**Label:** Independent
**Released:** January 20th, 2026
## Introduction
Umbría is a raging, independent black metal one-man band from Ñuble, Chile, which released a demo in 2024 called *Hierofanía del Disgregado* (Hierophany of the Disintegrated) and now, their first album, *Descenso al núcleo olvidado* (Descent into the Forgotten Core). The sole member, Nisus, is credited for all instruments and vocals on both the demo and this album.
## Descenso al núcleo olvidado (Descent into the Forgotten Core)
Tracklist:
1. Sabiduría De La Podredumbre (Wisdom of Rot)
2. Turbias Aguas Proféticas (Murky Prophetic Waters)
3. Gran Ente De La Melancolía (Great Entity of Melancholy)
4. Onírica Visión De La Abisal Caverna (Dreamlike Vision of the Abyssal Cavern)
5. Descenso Al Núcleo Olvidado (Descent to the Forgotten Core)
If you mixed Haimad’s Majestic EP orchestration and Ragnarok’s Arising Realm aggressiveness, you’d get pretty close to what I felt when I was listening to this album for the first time during its premiere.
I saw some Emperor parallels, early Enslaved, Arcturus, and a few others. So if you’re in for this flavour of atmospheric yet aggressive black metal, *Descenso Al Núcleo Olvidado* is something you’ll have to repeat.
The album opens with a 10-minute grandiose S*abiduría De La Podredumbre (Wisdom of Rot)*, followed by *Turbias Aguas Proféticas (Murky Prophetic Waters)* in a powerful start, that feels like it came straight out of a classic black metal album you haven't listened to yet.
The album continues with *Gran Ente De La Melancolía (Great Entity of Melancholy)*, which is my favourite track of the album too, with some great bass work, and with a short acoustic break that feels… South American, feels truthful, and for me, gave the song so much character.
In the last two songs, *Onírica Visión De La Abisal Caverna (Dreamlike Vision of the Abyssal Cavern)*, is the longest song of the album clocking twelve minutes, in which Nisus starts by dragging you down a cave with a long ambient/intro for three minutes, to then hit you with some very, very competent black metal composition, that expands with, again, some wonderful bass work and synths.
The last track that gives the album its name, *Descenso Al Núcleo Olvidado (Descent to the Forgotten Core)*, is the second-longest song of the album, clocking twelve minutes too, and opens with a wall of sound, a cutting tremolo pick riff, and ambience that follows it, which to me solidified the Emperor parallel. The song, as the others, directs us into the next section smoothly, breaks when it has to, and brings back the aggression as needed.
## Conclusion:
It’s a solid album, easily one of the best releases I (will eventually) put my hands on this year. It feels like classic black metal, despite being released on July 16, 2026\. The mix is great; you can listen to all instruments, the ambiances are haunting, and sometimes, you just feel like what Nisus wanted them to feel: like dragging you down a cave, or the cave of your own mind.
Also, something that always stood out for me is when black metal bands care about the bass, and this band definitely does care about it.
BZM Rating: 9/10
More info about the band here:
[Umbria - Descenso Al Núcleo Olvidado, by Umbria5 track albumKuyen ProduccionesBandcamp New & Notable Jul 19, 2026](https://kuyenprodchile.bandcamp.com/album/umbria-descenso-al-n-cleo-olvidado?ref=blackmetalzine.com)
## Your thoughts on this review.
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### The Infernal Records: Week 29
URL: https://blackmetalzine.com/the-infernal-records-week-29/
Last updated: 2026-07-20T12:00:32.000Z
The Infernal Records: Week 29 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Ambrotos
Album: Atrocious Chants
Country: Greece
Genre: Black Metal
Date: July 13, 2026
[Atrocious Chants, by Ambrotos11 track albumAmbrotosBandcamp New & Notable Jun 16, 2025](https://ambrotos.bandcamp.com/album/atrocious-chants?ref=blackmetalzine.com)
Band: Anakhai
Album: Eçim Apam
Country: Turkey
Genre: Pagan/Raw Black Metal
Date: July 18, 2026
[Eçim Apam, by Anakhai9 track albumAnakhai](https://anakhai.bandcamp.com/album/e-im-apam?ref=blackmetalzine.com)
Band: Axe
Album: Autogeddon
Country: UK
Genre: Black/Speed Metal
Date: July 17, 2026
[Autogeddon, by ÄXE8 track albumCaligari Recordshedies23](https://caligarirecords.bandcamp.com/album/autogeddon?ref=blackmetalzine.com)
Band: Blótskål
Album: Afloat the Nocturnal Current
Country: Netherlands
Genre: Black Metal
Date: July 12, 2026
[Afloat the Nocturnal Current, by Blótskål6 track albumBlótskålporcelainheart-](https://blotskal.bandcamp.com/album/afloat-the-nocturnal-current?ref=blackmetalzine.com)
Band: Cipherscourge
Album: The Path of the Flaming Sword
Country: USA
Genre: Black Metal
Date: July 15th, 2026
[The Path of the Flaming Sword, by Cipherscourge14 track albumCipherscourgefruitbythepunch](https://cipherscourge.bandcamp.com/album/the-path-of-the-flaming-sword?ref=blackmetalzine.com)
Band: Denevér
Album: III. Hívogat a vér
Country: Hungary
Genre: Black Metal
Date: July 12, 2026
[DENEVÉR: “Hívogat a vér”, by DENEVÉR12 track albumMetal Ör Die Rex](https://metalordierex.bandcamp.com/album/denev-r-h-vogat-a-v-r?ref=blackmetalzine.com)
Band: Dødelig
Album: In the Ruins of Lost Antiquity
Country: Canada
Genre: Pagan Black Metal
Date: July 17, 2026
[In the Ruins of Lost Antiquity, by Dødelig7 track albumDødelig](https://dodelig.bandcamp.com/album/in-the-ruins-of-lost-antiquity?ref=blackmetalzine.com)
Band: Ethereal Rot
Album: S/T
Country: USA
Genre: Blackened Technical Death Metal
Date: July 17, 2026
[Ethereal Rot, by Ethereal Rot6 track albumEthereal RotAndrew Parker](https://etherealrot.bandcamp.com/album/ethereal-rot?ref=blackmetalzine.com)
Band: Himberg
Album: Twisted Visions of a Shattered Mind (EP)
Country: Italy
Genre: Atmospheric Black Metal
Date: July 15, 2026
[Twisted Visions of a Shattered Mind, by Himberg4 track albumHimberg](https://himberg.bandcamp.com/album/twisted-visions-of-a-shattered-mind?ref=blackmetalzine.com)
Band: Inferno
Album: The Anthropic Sophisms (On the Heights of Despair)
Country: Czechia
Genre: Black Metal
Date: July 17, 2026
[The Anthropic Sophisms (On The Heights of Despair), by Inferno4 track albumInfernoIppocalyptica](https://pureinferno.bandcamp.com/album/the-anthropic-sophisms-on-the-heights-of-despair?ref=blackmetalzine.com)
Band: Karnyx
Album: Sankwagaldraz (Demo)
Country: Germany
Genre: Black Metal
Date: July 15, 2026
[Sankwagaldraz, by Karnyx7 track albumKarnyxBandcamp New & Notable Jan 8, 2018](https://karnyx.bandcamp.com/album/sankwagaldraz?ref=blackmetalzine.com)
Band: Łatanu
Album: Pryvidy minułaha (EP)
Country: Belarus
Genre: Black Metal
Date: July 12, 2026
[](https://youtu.be/XqOI7Qbp%5FGc?ref=blackmetalzine.com)
YouTube Link
Band: Lighthouse
Album: New England Folk Tales
Country: Germany
Genre: Black Metal
Date: July 17, 2026
[New England Folk Tales, by Lighthouse8 track albumLighthouseBandcamp New & Notable Jun 29, 2017](https://lighthouseofficial.bandcamp.com/album/new-england-folk-tales?ref=blackmetalzine.com)
Band: Maquahuitl
Album: Anecuyotl
Country: USA
Genre: Black Metal
Date: July 14th, 2026
[](https://open.spotify.com/album/2Z5QAyfiEARtRiqNm9Iv5h?ref=blackmetalzine.com)
Spotify Link
Band: Necroligion
Album: S/T (EP)
Country: UK
Genre: Black Metal
Date: July 16, 2026
[Wulfhere ProductionsUnderground Black Metal label based in Cumbria (U.K) Please only contact via email or Facebook. wulfhereproductions@hotmail.com Please avoid direct message via bandcamp.Wulfhere Productions](https://wulfhereproductions.bandcamp.com/?ref=blackmetalzine.com)
Band: Nightpath
Album: The Night's Path
Country: Mexico
Genre: Melodic Black Metal
Date: July 13, 2026
[The Night’s Path, by Nightpath6 track albumNightpathAJ](https://nightpathofficial.bandcamp.com/album/the-nights-path?ref=blackmetalzine.com)
Band: Niveous
Album: Cult of the Void Star
Country: USA
Genre: Black Metal
Date: July 17, 2026
[Cult of the Void Star, by Niveous6 track albumNiveousLaurieR77](https://niveous-blackmetal.bandcamp.com/album/cult-of-the-void-star?ref=blackmetalzine.com)
Band: Nocturnal Enchantment
Album: Timefall (EP)
Country: Unknown
Genre: Raw Black Metal
Date: July 12, 2026
[Timefall, by Nocturnal Enchantment5 track albumNocturnal Enchantmentdanquebec](https://nctrnlenchntmnt.bandcamp.com/album/timefall?ref=blackmetalzine.com)
Band: Radogost
Album: Dziedzictwo ognia
Country: Poland
Genre: Folk Metal
Date: July 17, 2026
[](https://open.spotify.com/album/6lUIVyhMsOQ53Filc1vuIT?ref=blackmetalzine.com)
Spotify Link
Band: Sin Sloana
Album: Cacophonous Harrowings (Demo)
Country: USA
Genre: Post-Black Metal
Date: July 19, 2026
[Sin Sloana - Cacophonous Harrowings (Demo I), by Sin Sloana/Black Circle Sorcery12 track albumSin Sloana/Black Circle Sorcerysamstera](https://sinsloanabcs.bandcamp.com/album/sin-sloana-cacophonous-harrowings-demo-i?ref=blackmetalzine.com)
Band: Skjult
Album: A Perfect Devouring Light
Country: Cuba
Genre: Black Metal
Date: July 17, 2026
[SAT425: Skjult - A Perfect Devouring Light (2026), by Satanath Records7 track albumSatanath RecordsUrso X](https://satanath.bandcamp.com/album/sat425-skjult-a-perfect-devouring-light-2026?ref=blackmetalzine.com)
Band: Spellhammer
Album: Death By...
Country: USA
Genre: Melodic Black Metal
Date: July 17, 2026
[Death by…, by SpellHammer4 track albumSpellHammerBandcamp New & Notable May 19, 2024](https://deathbyspellhammer.bandcamp.com/album/death-by?ref=blackmetalzine.com)
Band: Труп Колдуна (Warlock Corpse)
Album: Under The Cold Moon
Country: Kazakhstan
Genre: Black Metal / Dungeon Synth
Date: July 10, 2026
[Under The Cold Moon, by Warlock Corpse9 track albumТруп Колдуна / Warlock Corpseunmutual76](https://warlockcorpse.bandcamp.com/album/under-the-cold-moon?ref=blackmetalzine.com)
Band: Umbria
Album: Descenso Al Núcleo Olvidado
Country: Chile
Genre: Black Metal
Date: July 18, 2026
[Umbria - Descenso Al Núcleo Olvidado, by Umbria5 track albumKuyen Producciones](https://kuyenprodchile.bandcamp.com/album/umbria-descenso-al-n-cleo-olvidado?ref=blackmetalzine.com)
Band: Vihameditaatio
Album: Aistiharhojen puutarhassa
Country: Finland
Genre: Experimental Black Metal
Date: July 15th, 2026
[Aistiharhojen puutarhassa, by Vihameditaatio7 track albumVihameditaatioSugammadex](https://vihameditaatio.bandcamp.com/album/aistiharhojen-puutarhassa?ref=blackmetalzine.com)
Band: Wehmut
Album: IV: Sommer
Country: Germany
Genre: Depressive Black Metal
Date: July 17, 2026
[IV: Sommer, by Wehmut6 track albumWehmutNorthwoodsBrewer502](https://wehmutbm.bandcamp.com/album/iv-sommer?ref=blackmetalzine.com)
## Your thoughts on this newsletter.
We love to hear your opinion about this newsletter. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Grabunhold - Frostheim (2026)
URL: https://blackmetalzine.com/review-grabunhold-frostheim-2026/
Last updated: 2026-07-20T11:47:24.000Z
**Band:** Grabunhold
**Album:** Frostheim
**Genre:** Black Metal
**Country:** Germany
**Label:** Iron Bonehead Productions
**Released:** June 5th, 2026
## Introduction
Within the subgenre of Tolkienian black metal, a recurring challenge is the tendency to reduce the complex mythology of Arda to surface-level escapism. Dortmund’s Grabunhold has consistently resisted this trend. Deriving their moniker from the German translation of barrow-wight, the trio’s 2021 debut “Heldentod” established a framework rooted in the tragic, historical weight of J.R.R. Tolkien’s legendarium. With their sophomore release, “Frostheim”, Grabunhold deepens this approach. They deliver a conceptually cohesive work that explores the bleak, northern expanses of Eriador, emphasizing the overarching thematic currents of decay, lost nobility, and historical grief that define Tolkien's writing.
## "Frostheim"
Track Listing:
1. Der Tod wohnt in Carn Dûm
2. Grambergs Fluch
3. Der Mondturm
4. Rerirs blauer Schatten
5. Über Grat und kalten Gipfel
6. Schreckenszauber
7. In Mordor, wo die Schatten drohn
8. Eärnurs Verderben
”Frostheim” operates as an atmospheric study of the northern wastes, utilizing the sonic vocabulary of classic second-wave black metal to evoke a sense of desolate geography. The opening track, "Der Tod wohnt in Carn Dûm," initiates this journey with a delicate, somber acoustic prelude. This brief moment of contemplation is abruptly shattered by a torrent of freezing tremolo picking and harsh, raspy vocals, aurally reconstructing the rise of the Witch-king of Angmar.
Rather than relying on generic fantasy tropes, the band’s lyricism and composition demonstrate a sophisticated engagement with the deeper layers of the mythos. "Rerirs blauer Schatten" references Mount Rerir, a First-Age landmark in Thargelion that was ultimately desolated during the Dagor Bragollach. The track translates this transition from ancient peace to absolute ruin through stark, acoustic-led dynamics, allowing the listener to experience the narrative’s historical transition.
The album’s narrative ambition culminates in the monumental closer, "Eärnurs Verderben" (The Doom of Eärnur). This track serves as a musical thesis on the tragic pride of the last King of Gondor, who famously disappeared after accepting a duel from the Lord of the Nazgûl. Structurally, the composition mirrors this historical descent. It shifts from defiant, triumphant d-beats to hollow, clean-plucked movements, capturing the transformation of a proud ruler into a forgotten captive fading within the dungeons of Minas Morgul. The production throughout the record supports this narrative depth: it is appropriately unpolished, retaining a dusty, ancient atmosphere without sacrificing the clarity of the intricate dual-guitar harmonies.
## Conclusion
“Frostheim” is an incredible sophomore album. Not only does it perfectly encapsulate the second-wave, but also because Grabunhold understands that the core of Tolkien’s philosophy is “lacrimae rerum”, the inherent sorrow of a fading world. With this release, Grabunhold firmly solidifies their status as one of the absolute best black metal bands emerging from Germany today. Alongside USBM contemporaries. One of Nine, Grabunhold currently represents the absolute vanguard of modern Tolkienian black metal. Where others falter into caricature, these two projects treat the mythos with the solemnity and intellectual rigor it demands.
[Frostheim, by Grabunhold8 track albumGrabunholdsashavonkarl74](https://grabunhold.bandcamp.com/album/frostheim?ref=blackmetalzine.com)
BMZ Rating: 9/10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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### Review: Maria of the Copper Mountain - Into the Black Whirlpools (2026)
URL: https://blackmetalzine.com/review-maria-of-the-copper-mountain-into-the-black-whirlpools-2026/
Last updated: 2026-07-18T12:00:30.000Z
**Band:** Maria of the Copper Mountain
**Album:** Into the Black Whirlpools
**Genre:** Atmospheric Black Metal
**Country:** Russia
**Label:** Satanath Records
**Released:** April 16, 2026
## Introduction
Maria of the Copper Mountain is a one woman atmospheric black/folk metal/ambient band from Chelyabinsk, Russia, since 2022\. Maria Azanova, the single member, is responsible for everything in all five singles, the demo, and now for the full album, В чёрны омуты (Into the Black Whirlpools), she had the guest musician Nikita Sapogov contribute vocals and songwriting.
## Into the Black Whirlpools
Track Listing:
1. Ой, не кукушечка (Oh, Not a Cuckoo)
2. Святки (Sviatki)
3. Белой пташечкой (White Birdie)
4. Улетай (Fly Away)
5. На той стороне (On the Other Side)
6. Океан - море синее (Ocean - Blue Sea)
7. Колыбельная (Lullaby)
If you’re a fan of bands like Suldusk, Sylvaine, Myrkur and such, you’ll find gold here. The opening track, “Oh not a cuckoo” is a beautiful blend of aggressiveness, beauty, and atmosphere. As stated by the artist herself, “The sound canvas is permeated with contrasts, striving to reconcile beauty and tenderness with madness and grief”, and all that is perfectly achieved right on the opening track.
The album itself follows this statement pretty well, mixing long, atmospheric passages with traditional black metal riffs and drums, lots of tremolo picking for us who love it, and blending her clean singing with very well mixed growls, screams, I dare say even some catchy bits and sections, which after one listen, stick with you in a very good way.
## Conclusion
All songs direct you to where the artist wanted you to be: angry passages followed by traditional folk instrumentation, beautiful singing over chaotic riffs and drums, all very well mixed and organized. It’s not a wall of sound for the sake of being a wall of sound; the ideas are very clear, and it was sculpted to be exactly what she wanted.
BMZ Rating: 8/10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Mossystone - Paysages Tristes (2026)
URL: https://blackmetalzine.com/review-mossystone-paysages-tristes-2026/
Last updated: 2026-07-17T11:20:00.000Z
**Band:** Mossystone
**Album:** Paysages Tristes
**Genre:** Atmospheric Black Metal
**Country:** France
**Label:** Pest Productions
**Released:** June 2026
## **Introduction**
In the absence of a naive joy, we arrive at the dual offerings of an unburdened solitude. This is the basic premise of Jean-Baptiste-Camille Corot’s famous Solitude painting and of the 2026 release "Paysages Tristes" by French Black Metaller Mossystone.
## **"Paysages Tristes"**
**Tracklist:**
1\. Unfulfilled Desire
2\. The Passenger
3\. Silence of the Void
4\. The Owls
5\. Paysages Tristes
## **Rumination**
For this debut LP, Wilhelm of one man project Mossystone has put together a solidly harsh atmospheric black release consisting of 5 longer tracks (7 minutes+).
Songwriting-wise, it's what you would want from a release like this. Just cold French atmospheric black metal full of blast beats and solid riffs. Everything sounds on point here.
I will give special credit to the main guy Wilhelm's voice on these tracks. It works really well for these songs. Just a very harsh, low growling vibe that reinforces the toughness of what is being proposed here.
In terms of the vibe, it matches the artwork perfectly. Just lonely atmospheric black metal that trudges through the world determined not to be broken by it.
During listening, the phrase ‘pain of truth’ comes to mind a lot when listening to this album. There is a real sense of contentment in this album. It is a very affirming and positive release in its own way. It seems to attest to the facing of realities of the world around us.
Odds are if you’re a black metal fan, you probably spend a fair bit of time alone in your own little world just listening to this stuff isolated from everything. I think this album really captures that part of the human condition in 2026\. It's a soundtrack to the same lonely walk through life we all go through once we cast away childish bullsh\* *t and see the world for what it is. There’s a real no bullsh*\*t quality to this music that comes out across each song.
Albums like this really are just the best soundtrack for cold winter days when you’re out walking through the world and feeling totally not fucking into it. It reminds you of the quiet place you can find in yourself wherever you go.
## **Conclusion**
Mossystone is sick, and this debut is exactly what you’d hope for something like this. I get the vibe that if this project is already this good it’s probably only going to get better with time. The only debuts i can think of recently that were this good were the debuts from bands like Zorza and Aldheorte. If any of that appeals to you or you’ve just flogged every glaciation album too many times. Check out these guys.
BMZ Rating: 8.5/10
**Support the band here**
[Mossystone, by Mossystone3 track albumMossystoneJosh Buckley](https://mossystone.bandcamp.com/album/mossystone?ref=blackmetalzine.com)
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Imladris - Kings of Forgotten Lore (2026)
URL: https://blackmetalzine.com/review-imladris-kings-of-forgotten-lore-2026/
Last updated: 2026-07-16T17:15:38.000Z
**Band:** Imladris
**Album:** Kings of Forgotten Lore
**Genre:** Atmospheric Black Metal
**Country:** United Kingdom
**Label:** Independent
**Released:** July 5, 2026
## Introduction
Imladris is a new musical project created by Abghul, the musician and creative mastermind behind the UK black metal project Ghül. Once again drawing inspiration from Tolkien's legendarium, Imladris sees Abghul step away from the blast-driven rawness of Ghül, into the cinematic, synth-driven world of the likes of Summoning.
## "Kings of Forgotten Lore"
Track Listing:
1. As Immortals Sing Their Name
2. Oathbound
3. Tinuviel
4. Lord of Dark Lore
5. Summoned by Wrath
I was recommended Imladris by another member of our Discord server under the pretense that it was inspired by Summoning. To say the least I had pretty high expectations going in, and Imladris didn't disappoint me. In fact I was actually pretty blown away by just how well done this album is.
I'm constantly searching for Tolkien-themed bands; call it a guilty pleasure or an obsession; regardless, most of them aren't great. Summoning has occupied a unique niche within Black Metal almost entirely on their own since their beginnings, and with a few exceptions, most just come across as cheap imitations or miss the point altogether. While Imladris is most certainly “summoning worship,” it doesn't hide what it is. This is a man paying homage to one of the greatest black metal bands of all time.
Spanning 5 tracks and just shy of 40 minutes of run time, Abghul manages to perfectly capture what makes Summoning so unique and so special within black metal as a whole, all the while still building upon that foundation in a unique and captivating way. Flourishing synth arrangements and cinematic strings, accompany layers of distant howls and reverb laden guitars. It's both beautiful, and haunting.
Almost all of the album's 5 tracks are nearly 10 minutes long, but none of them feel overdone, or grow stale. It's a masterclass in composition and a shining example of how “Summoning-Worship” should be done. Honestly I would be incredibly disappointed if this project ended with this.
## Conclusion
It's synth-heavy, Tolkien-themed black metal from the United Kingdom. What's not to love? Not to mention the album artwork and overall layout is gorgeous. I sincerely hope to hear more of this project in the future, and while I do enjoy Abghul's other project, Ghül, Imladris really stands apart from that significantly. This is quite possibly his best work to date and one of the best debut albums I've heard this year.
[Kings of Forgotten Lore, by Imladris5 track albumImladrisAimfri](https://imladrisbm.bandcamp.com/album/kings-of-forgotten-lore?ref=blackmetalzine.com)
BMZ Rating: 9.5/10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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### The Infernal Records: Week 28
URL: https://blackmetalzine.com/the-infernal-records-week-28/
Last updated: 2026-07-15T09:06:30.000Z
The Infernal Records: Week 28 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Ad Finem Omnia
Album: Senectus Viae
Country: Chile
Genre: Black Metal
Date: July 6, 2026
[Senectus Viae, by Ad Finem Omnia8 track albumAd Finem OmniaYomaBarr](https://adfinemomnia.bandcamp.com/album/senectus-viae?ref=blackmetalzine.com)
Band: 압록 (Amnok)
Album: 붉은 하늘아래 (Demo)
Country: Unknown (Probably South Korea)
Genre: Atmospheric Black Metal
Date: July 6, 2026
[붉은 하늘 아래, by 압록3 track album압록Bandcamp New & Notable Jul 8, 2023](https://amnoknkbm.bandcamp.com/album/-?ref=blackmetalzine.com)
Band: Black Witchcraft
Album: Ex Ossibus Templum Ei Erigemus
Country: Poland
Genre: Black Metal
Date: July 11, 2026
[Ex Ossibus Templum Ei Erigemus, by Black Witchcraft6 track albumBlack Witchcraft](https://blackwitchcraft.bandcamp.com/album/ex-ossibus-templum-ei-erigemus?ref=blackmetalzine.com)
Band: Buried Asunder
Album: S/T
Country: USA
Genre: Psychedelic Black Metal
Date: July 6th, 2026
[Buried Asunder, by Buried Asunder6 track albumBuried AsunderBandcamp Album of the Day Oct 16, 2024](https://buriedasunder.bandcamp.com/album/buried-asunder?ref=blackmetalzine.com)
Band: Chthonic Thorn
Album: Crimson Snow (EP)
Country: USA
Genre: Raw Black Metal
Date: July 6, 2026
[Crimson Snow, by Chthonic Thorn5 track albumChthonic Thorn](https://chthonicthorn.bandcamp.com/album/crimson-snow?ref=blackmetalzine.com)
Band: Cult ov Void
Album: Enter the Void (EP)
Country: Germany
Genre: Death/Black Metal
Date: July 5, 2026
[](https://open.spotify.com/album/2XEkM7YCDoWURRr9E2uejw?ref=blackmetalzine.com)
Band: Downfall
Album: Ad nauseam: A tribute to Mgła
Country: Vietnam
Genre: Black Metal
Date: July 7, 2026
[Ad nauseam: A tribute to Mgła, by Downfall9 track albumDownfallBandcamp New & Notable Apr 15, 2023](https://thydownfall.bandcamp.com/album/ad-nauseam-a-tribute-to-mg-a?ref=blackmetalzine.com)
Band: Escumergamënt
Album: Apparebat Eidolon Senex
Country: Sweden
Genre: Black Metal
Date: July 10, 2026
[Apparebat Eidolon Senex, by Escumergamënt7 track albumAvantgarde MusicTerastios4x4](https://avantgardemusic.bandcamp.com/album/apparebat-eidolon-senex?ref=blackmetalzine.com)
Band: Imladris
Album: Kings of Forgotten Lore
Country: UK
Genre: Epic Black Metal
Date: July 5, 2026
[Kings of Forgotten Lore, by Imladris5 track albumImladrisAimfri](https://imladrisbm.bandcamp.com/album/kings-of-forgotten-lore?ref=blackmetalzine.com)
Band: Inferno
Album: The Anthropic Sophisms (On the Heights of Despair)
Country: Czechia
Genre: Black Metal
Date: July 10, 2026
[The Anthropic Sophisms (On The Heights of Despair), by Inferno4 track albumInfernoIppocalyptica](https://pureinferno.bandcamp.com/album/the-anthropic-sophisms-on-the-heights-of-despair?ref=blackmetalzine.com)
Band: Keygen Church
Album: Oscuro Domine (EP)
Country: Italy
Genre: Neoclassical (Baroque-inspired) Electronic Metal
Date: July 7, 2026
[Oscuro Domine, by KEYGEN CHURCH2 track albumKEYGEN CHURCHDefeat](https://keygenchurch.bandcamp.com/album/oscuro-domine?ref=blackmetalzine.com)
Band: Manitish
Album: Cakrawala Mandala
Country: Indonesia
Genre: Raw Black Metal
Date: July 9, 2026
[Cakrawala Mandala, by MANITISH6 track albumMANITISH](https://manitish.bandcamp.com/album/cakrawala-mandala?ref=blackmetalzine.com)
Band: Métely
Album: Felemelkedés
Country: Hungary
Genre: Raw Black Metal (EP)
Date: July 8, 2026
[Felemelkedés, by Métely5 track albumDEATH'S OVATIONSBandcamp New & Notable Aug 5, 2023](https://deathsovations.bandcamp.com/album/felemelked-s?ref=blackmetalzine.com)
Band: Mizoteist
Album: В первородном пламени (In The Primordial Flame)
Country: Russia
Genre: Black Metal
Date: July 7, 2026
[SAT423: Mizoteist - В первородном пламени (In The Primordial Flame) (2026), by Satanath Records8 track albumSatanath Recordsbmurator](https://satanath.bandcamp.com/album/sat423-mizoteist-in-the-primordial-flame-2026?ref=blackmetalzine.com)
Band: Molh
Album: Dream of the Mounds
Country: Ukraine
Genre: Atmospheric Black Metal
Date: July 10, 2026
[Dream of the Mounds, by Molh8 track albumMolhRJ](https://molh.bandcamp.com/album/dream-of-the-mounds?ref=blackmetalzine.com)
Band: Monolith Rex
Album: To reach for the hopeless stars (EP)
Country: USA
Genre: Black/Doom/Death Metal
Date: July 10, 2026
[To reach for the hopeless stars, by Monolith Rex6 track albumMonolith RexBandcamp New & Notable Feb 2, 2019](https://monolithrex.bandcamp.com/album/to-reach-for-the-hopeless-stars?ref=blackmetalzine.com)
Band: Mordhell
Album: Nekro Desecration
Country: Poland
Genre: Black Metal
Date: July 7, 2026
[Nekro Desecration, by Mordhell13 track albumMordhell](https://mordhell.bandcamp.com/album/nekro-desecration?ref=blackmetalzine.com)
Band: Mourir
Album: Nous, le venin
Country: France
Genre: Black Metal
Date: July 10th, 2026
[Nous, le venin, by Mourir6 track albumMourirJDMP](https://movrir.bandcamp.com/album/nous-le-venin?ref=blackmetalzine.com)
Band: Niveous
Album: Endless Snowfall (EP)
Country: USA
Genre: Black Metal
Date: July 5, 2026
[Endless Snowfall, by Niveous4 track albumHypnotic Dirge RecordsRoberto La Rana](https://hypnoticdirgerecords.bandcamp.com/album/endless-snowfall?ref=blackmetalzine.com)
Band: No Safe Harbor
Album: S/T
Country: USA
Genre: Black Metal/Blackgaze
Date: July 8, 2026
[No Safe Harbor, by No Safe Harbor5 track albumNo Safe HarborSerious Rex](https://nosafeharbor.bandcamp.com/album/no-safe-harbor?ref=blackmetalzine.com)
Band: Obliquatur
Album: Dalisay
Country: Philippines
Genre: Black Metal
Date: July 10, 2026
[Dalisay, by Obliquatur6 track albumObliquaturBandcamp Album of the Day Apr 30, 2026](https://obliquatur.bandcamp.com/album/dalisay?ref=blackmetalzine.com)
Band: Othalan
Album: For Victory! For Speed!
Country: USA
Genre: Black/Pagan Metal
Date: July 10, 2026
[For Victory! For Speed!, by Othalan10 track albumOthalanBandcamp New & Notable Nov 6, 2023](https://othalankvlt.bandcamp.com/album/for-victory-for-speed?ref=blackmetalzine.com)
Band: Rakta Tṛtīya Netra
Album: Aqua Regia Baptism (EP)
Country: Austria
Genre: Raw Atmospheric Black Metal/Ambient
Date: July 10, 2026
[Aqua Regia Baptism, by Rakta Tṛtīya Netra2 track albumRakta Tṛtīya NetraUrso X](https://raktanetra.bandcamp.com/album/aqua-regia-baptism?ref=blackmetalzine.com)
Band: Rapture Aeturnum
Album: Demo MMXXVI (Demo)
Country: USA
Genre: Raw Black Metal
Date: July 9, 2026
[Demo MMXXVI, by Rapture Aeturnum4 track albumRapture AeturnumBandcamp Album of the Day Oct 9, 2025](https://raptureaeturnum.bandcamp.com/album/demo-mmxxvi?ref=blackmetalzine.com)
Band: Ruinstorm
Album: Maelstrom Eclipse (EP)
Country: USA
Genre: Raw Black Metal
Date: July 5, 2026
[Maelstrom Eclipse, by Ruinstorm5 track albumRuinstormkrisztian09](https://ruinstorm.bandcamp.com/album/maelstrom-eclipse?ref=blackmetalzine.com)
Band: Seuqram
Album: The Everlasting Blizzard (EP)
Country: Taiwan
Genre: Atmospheric Black Metal
Date: July 8th, 2026
[The Everlasting Blizzard, by Seuqram3 track albumSeuqramBandcamp New & Notable Aug 22, 2021](https://seuqram.bandcamp.com/album/the-everlasting-blizzard?ref=blackmetalzine.com)
Band: Snorlax
Album: Toxic Current
Country: Australia
Genre: Blackened Death Doom Metal / Blackened Death Metal
Date: July 10th, 2026
[Toxic Current, by Snorlax12 track albumSnorlaxBandcamp New & Notable Mar 6, 2017](https://snorlaxbm.bandcamp.com/album/toxic-current?ref=blackmetalzine.com)
Band: Sojourner
Album: Gateways
Country: New Zealand / Sweden
Genre: Epic/Atmospheric Black/Doom Metal
Date: July 10, 2026
[Gateways, by Sojourner7 track albumSojournerzombieater](https://sojournermetal.bandcamp.com/album/gateways?ref=blackmetalzine.com)
Band: Ungebannt
Album: Prideful Romantic Wrath (Compilation)
Country: Austria
Genre: Raw Black Metal
Date: July 8, 2026
[Prideful Romantic Wrath, by Ungebannt16 track albumFeral Sanctuarydanquebec](https://feralsanctuary.bandcamp.com/album/prideful-romantic-wrath?ref=blackmetalzine.com)
Band: Utedasset
Album: Dunklets hemligheter
Country: Sweden
Genre: Atmospheric Black Metal
Date: July 7, 2026
[dunklets hemligheter, by Utedasset6 track albumUtedasset](https://utedasset.bandcamp.com/album/dunklets-hemligheter?ref=blackmetalzine.com)
Band: Weltgeist / Maironn
Album: Alliance Under a Black Flame (Split)
Country: Finland
Genre: Black Metal
Date: July 10, 2026
[Alliance under a black flame, by WELTGEIST / MAIRONN7 track albumSignal RexMichael Hojjatie](https://signalrex.bandcamp.com/album/alliance-under-a-black-flame?ref=blackmetalzine.com)
Band: Zamhareer
Album: Thawra Al Shaytan (EP)
Country: Iraq
Genre: Black Metal
Date: July 9, 2026
[Thawra Al Shaytan, by Zamhareer6 track albumZamhareer](https://zamhareer.bandcamp.com/album/thawra-al-shaytan?ref=blackmetalzine.com)
### Review: Automaton – Labyrinth (2026)
URL: https://blackmetalzine.com/review-automaton-labyrinth-2026/
Last updated: 2026-07-15T17:22:54.000Z
**Band:** Automaton
**Album:** Labyrinth
**Genre:** Blackened Doom Metal
**Country:** Greece
**Label:** Sound Effect Records
**Released:** April 3, 2026
## Introduction
Automaton is a band from Athens. Through the years, they have experimented a lot with doom, black, and stoner metal. They own an important place in the Greek underground scene and have also played abroad, with two appearances at Inferno Metal Festival. This already says a lot about the sound and the path of this band. Here, we look at their second full length and very recent release, Labyrinth.
Track Listing
1. Rebirth
2. Minotaur
3. Ariadne
4. Black Sails
5. Your Bull Nature Clouds Your Human Self
6. Battle in the Labyrinth
## Labyrinth
This is Automaton’s darkest work so far. The album goes deep into the band’s Cretan roots and takes us into a mythological dead end, connected to a civilization destroyed by a volcano.
The album is based on Minoan mythology, with Minotaur as the main figure. Through Minotaur, the band creates a very dark story. From the beginning, the album is full of heavy riffs. Track by track, we follow the life cycle of the beast. We move from anger to sorrow, and finally to the inner strength and grief that the main character hides.
This is not an album made to sound catchy or easy. It is a journey through one of the darkest parts of Greek mythology, both in sound and in lyrics. From track to track, the album changes. It starts with a strong doom feeling, then slowly becomes heavier and ends up moving into black metal paths. The transitions are done very well, with excellent instrumental and post-metal parts.For me, the highlight of the album is Ariadne. The finest blend of sounds that fits perfectly inside the album.
## Conclusion
This album clearly deserves a high rating. It is more than worth listening to, especially with attention to the lyrics. It has excellent compositions, and Automaton may be in their best creative period so far.
BMZ Rating: 9/10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
become a member of Black Metal Zine
Subscribe
Email sent! Check your inbox to complete your signup.
No spam. Unsubscribe anytime.
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### The Infernal Records: Week 27
URL: https://blackmetalzine.com/the-infernal-records-week-27/
Last updated: 2026-07-15T07:21:31.000Z
The Infernal Records: Week 27 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Demiurgo / Noctum
Album: Doctrines of the Self-Crowned Shadow (Split)
Country: Peru
Genre: Avant-Garde Black Metal | Black/Thrash Metal
Date: June 30, 2026
[](https://open.spotify.com/album/6mrim4LvtaVXqojfRgnJFQ?ref=blackmetalzine.com)
Spotify Link
Band: Divine Sovereign
Album: Autaxia Chronicles: A House Divided
Country: Poland
Genre: Atmospheric/Melodic Black/Doom Metal
Date: July 3, 2026
[Autaxia Chronicles: A House Divided, by Divine Sovereign5 track albumDivine SovereignBandcamp New & Notable Aug 10, 2025](https://divinesovereign.bandcamp.com/album/autaxia-chronicles-a-house-divided?ref=blackmetalzine.com)
Band: Epikoros
Album: Black Sun Eclipse
Country: USA
Genre: Black Metal
Date: July 1, 2026
[Black Sun Eclipse (Album), by Epikoros9 track albumEpikorossakrifilth](https://epikoros.bandcamp.com/album/black-sun-eclipse-album?ref=blackmetalzine.com)
Band: Ersatz
Album: S/T
Country: Russia
Genre: Raw Black Metal
Date: June 28, 2026
[Ersatz - Ersatz, by Ersatz3 track albumOBSCURANT VISIONSKrypt Fog](https://obscurantvisions.bandcamp.com/album/ersatz-ersatz?ref=blackmetalzine.com)
Band: Flesh Chalice
Album: Stileta
Country: USA
Genre: Black Metal
Date: July 1, 2026
[Stileta, by Flesh Chalice9 track albumFlesh Chalice](https://fleshchalice.bandcamp.com/album/stileta?ref=blackmetalzine.com)
Band: Grieve
Album: S/T
Country: UK
Genre: Instrumental Black Metal
Date: June 29, 2026
[Grieve, by Grieve5 track albumGrieveBandcamp New & Notable Apr 22, 2024](https://grievebm.bandcamp.com/album/grieve?ref=blackmetalzine.com)
Band: Grimorium
Album:Black Emperors of the False Millennium
Country: Australia
Genre: Raw Black Metal
Date: June 30, 2026
[](https://open.spotify.com/album/6N0tRG7AzFVrlwL7OEfgPN?ref=blackmetalzine.com)
Spotify Link
Band: Hermitage
Album: Culling
Country: UK
Genre: Black Metal
Date: June 30, 2026
[Culling, by Hermitage2 track albumHermitage](https://bm-hermitage.bandcamp.com/album/culling?ref=blackmetalzine.com)
Band: Lander
Album: Acid Jungle
Country: USA
Genre: Black Metal / Black/Death
Date: July 3rd, 2026
[Acid Jungle, by Lander4 track albumWERGILDIppocalyptica](https://wergild.bandcamp.com/album/acid-jungle?ref=blackmetalzine.com)
Band: Sinzlkopf
Album: Tiefenbach
Country: Québec
Genre: Raw Black Metal
Date: June 28, 2026
[Tiefenbach, by Sinzlkopf4 track albumSinzlkopfDer Brecher](https://sinzlkopf.bandcamp.com/album/tiefenbach?ref=blackmetalzine.com)
Band: Sol Sistere
Album: Adrift from Reason (EP)
Country: Chile
Genre: Atmospheric Black Metal
Date: June 29th, 2026
[Adrift From Reason- EP, by Released independently by Sol Sistere2 track albumSol Sisterelimblr](https://solsistere.bandcamp.com/album/adrift-from-reason-ep?ref=blackmetalzine.com)
Band: Spear of Teuta / Ouroboric Deity
Album: Götterdämmerung (Split)
Country: Croatia
Genre: Raw Black Metal/Post-Punk | Experimental Black Metal/Post-Punk
Date: June 29th, 2026
[GÖTTERDÄMMERUNG, by Ouroboric Deity and Spear of Teuta2 track albumSpear of TeutaBandcamp New & Notable Jan 29, 2022](https://spearofteuta.bandcamp.com/album/g-tterd-mmerung?ref=blackmetalzine.com)
### Live Review: Darkness Over Edinburgh (June 2026)
URL: https://blackmetalzine.com/live-review-darkness-over-edinburgh-june-2026/
Last updated: 2026-07-14T21:44:59.000Z
## Intro
During a heatwave causing some of Britain's highest temperatures on record, where else would you rather be on a Friday night than at a sold out show held in a haunted pub's basement? That’s exactly what I got up to on the 26th of June for Darkness Over Edinburgh, a gig hosted by Wulfhere Productions.
Originally meant to be a two day festival with the likes of Abduction, Old Corpse Road, and other contenders of the British black metal scene, it unfortunately got downgraded to just a single nights show due to logistic issues with the prior venue. Less of “Darkness Over Edinburgh” and more “Some shade over Edinburgh” but nonetheless I went along looking forward to our lineup featuring four acts of the UK scene.
Back in the familiar maze of The Banshee Labyrinth in the Old Town area, I grabbed a drink and prepared for the night to begin.
## SoulGrief
Opening up for the show was SoulGrief, a relatively new band on the British scene from West Yorkshire with only a few songs under their belt so far. This was their Scottish debut, which as the singer/bassist happily pointed out now made them an international act!
This three piece delivered crushingly fast extreme metal, beautifully intertwined with strong melodies - evocative of post-black metal at times they sounded fantastic.
A brand new song was played for us due to be released soon, Misosophist - a song focusing on the topic of ignorance, something there’s far too much of going about these days.
As they finished with *The Pale Wanderer* off their 2025 EP *Hope Dies* the guitarist flung his pick into the crowd, only to immediately be mortified worried he hit someone in the face (thankfully he didn’t!).
Great act to open up with, and looking forward to seeing more of them as they showed a lot of promise.
## Úlfarr
It wouldn’t be a Wulfhere show without Paul stepping up from running the event and onto the stage. Cloaked and covered in corpse paint, this was black metal with plenty of “oeugh”.
Kicking off with *Spit in the Face of God* the rapid distorted riffs and thick bass sound possessed the small venue in true black metal form. Some slight eagerness from the drummer as he went to continue the blast beats during the more mellow sections, but a subtle finger wag told him to hold back each time.
Their five song setlist ended with *Black Flame,* and it was all over incredibly quickly - surprising even the sound crew. “We play fast” replied Hrafn down the microphone after being told they still had a lot of time left on their set.
Means more time for another drink and a catch up with those in attendance.
## Ruadh
Our first of the Caledonian bands for the evening, Ruadh incorporate more atmospheric and folk elements into their music weaving tales of Scottish history and mythology.
Melodic as f\*ck. That’s the one liner I’ll give for this performance, absolutely gorgeous instrumentation work combined with strong vocals. This was especially noticeable in the clean sections where this vocal work delivered a strong emotional punch to juxtapose the harsh blackened metal that filled the rest of the act.
Crowd interaction was also a strong element of their set as they asked us to chant along in a pagan heritage style. *The Wheel* from their 2021 album *Eternal* was included, much to the pride of lead singer/guitarist Tom who described it as one of their greatest pieces - before coming to an end with the instrumental backing track bookending their show with some folk music of a local flair.
## Cnoc An Tursa
Kilted and booted, our headliner took to the stage ready to show off their prowess - having recently released *A Cry for the Slain* their first album in nearly a decade (and one of my favourite albums of 2026 so far).
This was the second time I’ve seen them this year, having also been at the Wulfhere festival *A Weekend of Darkness* in early May - and it’s no wonder these guys are being put down for many shows this year. As they kicked off with *Winter A Dirge* they could have been playing to ten people or to a thousand people, their performance was impeccable.
Melodic tremolo riffs that were meticulously clean, sensational basslines and on-point drumming this band was on fire tonight and dominated the gig. Their set encompassed the bands full discography, a greatest hits of Scottish folk metal including my favourite song off their new album *Am Fear Liath Mòr* which is as catchy as it is headbang worthy.
With *The Lion of Scotland* as their grand finisher, the band thanked the crowd and got a group photo with everyone to commemorate the night, and the gig came to a close.
## Conclusion
All four bands played to peak performance, and despite being a small basement venue the sound was very impressive throughout the evening so hats off to the sound tech crew. A shame that the two-day festival fell through, but that was out of anyone’s control and it was great to see that the single evening show remained sold out and fully attended with such a supportive scene.
Spending time afterwards with the bands and the attendees, everyone seemed to be in great spirits and enjoyed the evening thoroughly.
In less than two weeks I’ll be at the next Wulfhere festival - The Woods, with the likes of Lunar Spells, Fuath, Winter Eternal and Old Corpse Road appearing among many other amazing acts. Their ongoing series of A Night of British Black Metal is also set to return this November in Banshee Labyrinth so keep an eye out for a review of that too. No rest for the wicked.
## Your thoughts on this live review.
We love to hear your opinion about this concert review. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
become a member of Black Metal Zine
Subscribe
Email sent! Check your inbox to complete your signup.
No spam. Unsubscribe anytime.
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### The Infernal Records: Week 26
URL: https://blackmetalzine.com/the-infernal-records-week-26/
Last updated: 2026-06-29T10:00:29.000Z
The Infernal Records: Week 26 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Agonysm
Album: Litany of Uncreation
Country: USA
Genre: Black/Death Metal
Date: June 24, 2026
[Litany of Uncreation, by Agonysm6 track albumAgonysmBandcamp New & Notable Jul 28, 2025](https://agonysm.bandcamp.com/album/litany-of-uncreation?ref=blackmetalzine.com)
Band: Alkuharmonian Kantaja
Album: Melas Khole
Country: Finland
Genre: Avant-garde Post-Black Metal
Date: June 26, 2026
[Melas Khole, by Alkuharmonian Kantaja9 track albumAlkuharmonian KantajaDavid Fischer](https://alkuharmoniankantaja.bandcamp.com/album/melas-khole?ref=blackmetalzine.com)
Band: Anchoret
Album: Dedication & Perseverance
Country: Serbia
Genre: Black Metal
Date: June 22, 2026
[Dedication & Perseverance, by Anchoret1 track albumAnchoretpositronicping](https://anchoret666.bandcamp.com/album/dedication-perseverance?ref=blackmetalzine.com)
Band: Angest
Album: Perpetual Anguish
Country: Austria / Belgium / France / Canada
Genre: Atmospheric Black/Doom Metal
Date: June 26, 2026
[Perpetual Anguish, by ANGEST5 track albumANGESTObsidian One](https://angest.bandcamp.com/album/perpetual-anguish?ref=blackmetalzine.com)
Band: Arckanum
Album: Motestandarin (EP)
Country: Sweden
Genre: Black Metal
Date: June 22, 2026
[Motestandarin, by Arckanum2 track albumArckanumRicardo Cristof](https://arckanumdarknessshallrise.bandcamp.com/album/motestandarin?ref=blackmetalzine.com)
Band: Astral Alchemy
Album: Weaving Chilling Magical Dreamworlds
Country: USA
Genre: Black Metal / Experimental Black Metal
Date: June 26, 2026
[Weaving Chilling Magical Dreamworlds, by Astral Alchemy5 track albumAstral AlchemyWez Barber](https://astralalchemybm.bandcamp.com/album/weaving-chilling-magical-dreamworlds-2?ref=blackmetalzine.com)
Band: Azels Mountain
Album: Echa Krwi
Country: Poland
Genre: Pagan Black Metal
Date: June 26, 2026
[Echa Krwi, by AZELS MOUNTAIN10 track albumPagan RecordsBandcamp New & Notable Jun 12, 2018](https://paganrecords.bandcamp.com/album/echa-krwi?ref=blackmetalzine.com)
Band: Duir
Album: Catarsi
Country: Italy
Genre: Atmospheric Folk/Black Metal
Date: June 26, 2026
[Catarsi, by DUIR6 track albumDUIRallthegoodnamesgone](https://duir.bandcamp.com/album/catarsi?ref=blackmetalzine.com)
Band: Eternal Ice / The Sea Of Sorrow
Album: Receding Desires (Split)
Country: Japan / Brazil
Genre: Raw Black Metal / Post-Black/Doom Metal
Date: June 22, 2026
[Receding Desires, by A Clockwork Apple Production4 track albumA Clockwork Apple ProductionBandcamp New & Notable May 9, 2025](https://aclockworkappleproduction.bandcamp.com/album/receding-desires?ref=blackmetalzine.com)
Band: Far From The Light
Album: Echoes Of The Inner Void (EP)
Country: USA
Genre: Black Metal
Date: June 23, 2026
[Echoes Of The Inner Void, by Far From The Light4 track albumFar From The LightBandcamp New & Notable Mar 6, 2017](https://farfromthelight.bandcamp.com/album/echoes-of-the-inner-void?ref=blackmetalzine.com)
Band: Feralia
Album: Ultima Requies
Country: Italy / Sweden
Genre: Black Metal
Date: June 26, 2026
[FeraliaAncestral Black Metal from Sweden/Italy. Erymanthon Seth - Vocals, Guitars Raijinous - Guitars Krhura - Bass Guitar Contact: feraliablackmetal@gmail.comFeralia](https://feraliablackmetal.bandcamp.com/music?ref=blackmetalzine.com)
Band: Forsmán
Album: Brenndar rústir & fuðrandi fjörur
Country: Iceland
Genre: Black Metal
Date: June 26th, 2026
[Brenndar Rústir & Fuðrandi Fjörur, by Forsmán8 track albumForsmánChimplord](https://forsman.bandcamp.com/album/brenndar-r-stir-fu-randi-fj-rur?ref=blackmetalzine.com)
Band: Gmork
Album: Lex CCXX II:72 (EP)
Country: Russia
Genre: Black Metal
Date: June 21, 2026
[Gmork - Lex CCXX II:72, by Gmork5 track albumDark East Productionsbmurator](https://darkeastproductions.bandcamp.com/album/gmork-lex-ccxx-ii-72?ref=blackmetalzine.com)
Band: Halo Of Teeth
Album: Meditations On Dying
Country: Australia
Genre: Post-Black Metal
Date: June 21, 2026
[Meditations On Dying, by Halo of Teeth4 track albumHalo of TeethUrso X](https://haloofteeth.bandcamp.com/album/meditations-on-dying?ref=blackmetalzine.com)
Band: Hevongaard
Album: Airs de l'Ancien Monde
Country: Québec
Genre: Atmospheric Black Metal/Neofolk
Date: June 24, 2026
[Saisons Oubliées, by Hevongaard8 track albumHevongaardBandcamp New & Notable Aug 5, 2018](https://hevongaard.bandcamp.com/album/saisons-oubli-es?ref=blackmetalzine.com)
Band: Ill Tidings
Album: Seeds of True Rebirth
Country: Austria
Genre: Black Metal
Date: June 26, 2026
[Seeds of True Rebirth, by Ill Tidings7 track albumIll TidingsTomL](https://illtidings.bandcamp.com/album/seeds-of-true-rebirth?ref=blackmetalzine.com)
Band: Kurjuus / Xulux
Album: Ei täällä ennenkään ole Kristusta tarvittu ja Pedon Leima
Country: Finland
Genre: Raw Punk Black Metal
Date: June 26, 2026
[Ei täällä ennenkään ole Kristusta tarvittu ja Pedon Leima, by Kurjuus & Xulux8 track albumKurjuus](https://kurjuusjkl.bandcamp.com/album/ei-t-ll-ennenk-n-ole-kristusta-tarvittu-ja-pedon-leima?ref=blackmetalzine.com)
Band: Molok
Album: Cosmogonía Infernal
Country: Argentina
Genre: Black Metal
Date: June 25, 2026
[Cosmogonía Infernal, by Molok10 track albumMolokBandcamp New & Notable Jul 28, 2025](https://molok21.bandcamp.com/album/cosmogon-a-infernal?ref=blackmetalzine.com)
Band: Morgal
Album: The Seventh Circle
Country: Finland
Genre: Black Metal
Date: June 26, 2026
[](https://open.spotify.com/album/6PLDI8W4WNFy41MQy2pzLA?ref=blackmetalzine.com)
Spotify Link
Band: Navarkotah
Album: Silence in Eternal Thirst (EP)
Country: Mexico
Genre: Death/Black Metal
Date: June 22, 2026
[](https://open.spotify.com/album/5UiVLD7OfHkUUt8y0j4nLj?ref=blackmetalzine.com)
Spotify Link
Band: Nargaroth
Album: Apocalyptic Steel
Country: Germany
Genre: Black Metal
Date: June 25, 2026
[Apocalyptic Steel, by Nargaroth9 track albumNargaroththeantilife](https://nargaroth.bandcamp.com/album/apocalyptic-steel?ref=blackmetalzine.com)
Band: Nuée Ardente
Album: Jadis le Monde des Rêves
Country: Canada
Genre: Ambient/Atmospheric Black Metal
Date: June 26, 2026
[Jadis le Monde des Rêves, by Nuée Ardente11 track albumNuée ArdenteBandcamp Album of the Day Apr 30, 2026](https://nuee-ardente.bandcamp.com/album/jadis-le-monde-des-r-ves?ref=blackmetalzine.com)
Band: Nunslaughter
Album: Satanic Chaos Legions
Country: USA
Genre: Death/Black/Thrash Metal
Date: June 26, 2026
[](https://open.spotify.com/album/4DtzlwWpfl5KKPXMd62VD9?ref=blackmetalzine.com)
Spotify Link
Band: Psicorragia
Album: Nekromanthra
Country: Peru
Genre: Symphonic Black Metal
Date: June 23, 2026
[SAT422: Psicorragia - Nekromanthra (2026), by Satanath Records6 track albumSatanath RecordsSlug.](https://satanath.bandcamp.com/album/sat422-psicorragia-nekromanthra-2026?ref=blackmetalzine.com)
Band: Temple ov Ahriman
Album: Heretics of Consensual Reality
Country: USA
Genre: Black Metal
Date: June 26, 2026
[Heretics of Consensual Reality, by Temple ov Ahriman8 track albumTemple ov Ahriman](https://templeovahriman.bandcamp.com/album/heretics-of-consensual-reality?ref=blackmetalzine.com)
Band: Udazken
Album: The Heart of Anboto (EP)
Country: Spain
Genre: Atmospheric Black Metal
Date: June 25, 2026
[The Heart Of Anboto, by Alias3 track albumudazkenBandcamp Album of the Day Mar 23, 2021](https://udazkenband1.bandcamp.com/album/the-heart-of-anboto?ref=blackmetalzine.com)
Band: Vaelravyn
Album: Kindling (EP)
Country: USA
Genre: Atmospheric Black Metal
Date: June 26, 2026
[Kindling, by Vaelravyn4 track albumVaelravynBandcamp New & Notable Nov 4, 2015](https://vaelravyn.bandcamp.com/album/kindling?ref=blackmetalzine.com)
Band: Valosta Varjoon
Album: Blut, Stahl und Leid
Country: Germany
Genre: Black Metal
Date: June 26, 2026
[Blut, Stahl und Leid, by Valosta Varjoon7 track albumValosta VarjoonJohn Chaos Alexander](https://valostavarjoon.bandcamp.com/album/blut-stahl-und-leid?ref=blackmetalzine.com)
Band: Vechnotma
Album: Utrata (EP)
Country: Russia
Genre: Black/Death Metal
Date: June 23, 2026
[Utrata, by Vechnotma3 track albumVechnotma](https://vechnotmaklg.bandcamp.com/album/utrata?ref=blackmetalzine.com)
Band: Verdun
Album: Abyssal Wound
Country: France
Genre: Sludge/Black/Doom Metal
Date: June 26, 2026
[ABYSSAL WOMB, by VERDUN7 track albumVERDUNBandcamp New & Notable Sep 4, 2025](https://verdun.bandcamp.com/album/abyssal-womb-3?ref=blackmetalzine.com)
Band: Walg
Album: VI
Country: Netherlands
Genre: Melodic Black Metal
Date: June 26, 2026
[VI, by Walg8 track albumWalgRoberto La Rana](https://walg.bandcamp.com/album/vi?ref=blackmetalzine.com)
Band: Zørza
Album: Twilight of the Golden Star
Country: Poland
Genre: Post-Black Metal
Date: June 26, 2026
[Twilight of the Golden Star, by ZØRZA7 track album𝔊𝔬𝔡𝔷 𝔒𝔳 𝔚𝔞𝔯 𝔓𝔯𝔬𝔡𝔲𝔠𝔱𝔦𝔬𝔫𝔰bmurator](https://godzovwarproductions.bandcamp.com/album/twilight-of-the-golden-star?ref=blackmetalzine.com)
### Review: Walg - VI (2026)
URL: https://blackmetalzine.com/review-walg-vi-2026/
Last updated: 2026-07-17T13:32:09.000Z
**Band:** Walg
**Album:** VI
**Genre:** Melodic Black Metal
**Country:** Netherlands
**Label:** Independent
**Released:** June 26, 2026
## Introduction
Few bands in the contemporary underground match the terrifyingly prolific work ethic of the Dutch melodic black metal duo Walg. Hailing from Groningen, Netherlands, composer Robert Koning and vocalist Yorick Keijzer have unleashed a full-length album every single year since their 2021 debut. Meaning "disgust" or "loathing" in Dutch, Walg channels human frailty, existential despair, and a profound misanthropy into a signature storm of sound. Relying heavily on the harsh, aggressive phonetics of their native tongue, they have carved a unique path through European extreme music. Now, arriving exactly on schedule, their 2026 offering, VI, represents both a culmination of their signature style and a deeper plunge into the sonic abyss.
## VI
Track Listing:
1. Nevel
2. 1597
3. De eenlonkster
4. De beul, de lafaard
5. Stil geboren
6. Het klooster van Ter Apel
7. De nacht behoort ons allen toe
8. Erfvloek
***Roberto:*** As said, there isn't a Dutch black metal band with the same work ethos as Walg (in our opinion), but the thing that stands out for me the most is the quality they seem to deliver with each album. The same goes for this latest album VI. From the first note until the last one, you hear that they thought about this production very well (as they did with the previous 5).
I wrote reviews for the albums III, IV, and V so for me this is just an annual exercise, but not a bad one to be doing. The quality of the albums is constant and with V, the conclusion was that they are still improving the albums and the quality, and that also goes for this latest installment, VI.
What stands out for me on this album are the arangements of the songs, but also the clean singing parts. Normally i'm not really a fan of those because lets be honest a lot of black metal vocalists can't sing very well. But as with the previous albums, the clean bits on the album are very well executed, which in my book is a plus, because it won't be the first time I stop playing an album because of the clean vocals.
Of all the albums this is one is on the same level as V which I gave a 9\. The songs are very well written, the lyrics are great (if you understand them that is), and the topics (witches, existential dread, etc.) fit the style of the music very well.
The songs that stand out for me are the *Eenlonkster* the entire compesition of the song is great, the vocals (clean and harsh), the guitars and the lyrics are just very well done. If I read correctly on the internet, this song was written by Robert's dad just before he passed away. So this has an very emotional charge to it and you can feel that in this song.
But overall this is simply a great album again and kudos to both of them for maintiing this level because to me that doesnt seem like a easy job.
***Strider:*** From the opening notes of "Nevel", VI establishes itself as a masterclass in modern melodic black metal. Walg has always excelled at balancing raw, biting aggression with soaring, melancholic atmospheres, but VI sharpens those contrasts to a razor's edge. Koning's composition is brilliantly dynamic; the guitars trade tremolo-picked fury for devastating, mid-tempo riffs that lock into a dense, suffocating rhythm. What truly sets this record apart for me is the sophisticated vocal performance from Keijzer. His feral, throat-shredding shrieks capture a pure, existential panic, while the perfectly placed clean vocal sections offer a haunting reprieve.
## Conclusion
VI is a staggering achievement for a band that refuses to slow down. While lesser acts burn out or become repetitive under the weight of an annual release cycle, Walg only grows more potent, using their momentum to refine their bleak artistic vision. The album offers zero comfort, yet its absolute bleakness is precisely what makes it a stellar, immersive experience.
BMZ Rating: 9/10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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### Interview: Svarttjern
URL: https://blackmetalzine.com/interview-svarttjern/
Last updated: 2026-07-15T07:15:59.000Z
Welcome, Hans, and thank you for taking some time to answer our questions. Svarttjern has remained a pillar in the black metal scene while others have come and faded away.
***With that in mind, how do you look at the current black metal scene and its current state? Does it still hold true to the underground feeling it had in the 90s and early 00s, or did it change (for the better or worse)?***
**Fyrste**: For the worse. Today we have multiple skinny jeansed 'mr. know it all', instead of one - who actually did define and evolve the artform I pursue. People often ask questions referring to the Norwegian scene. There is no scene. There are alot of individual opinions.
***As we spun Misanthropic Path of Madness for the first time as it was released, we (Roberto and Jakob) were blown away by its furious sound and, of course, the famous cover of that album.***
***I've been wondering for a long time now if the band still has any contact with that girl, and if so, how does she look back at that iconic artwork?***
**Fyrste**: Didn't see that one c(u)m(m)ing, haha! Almost 20 (!!) years ago - thanks for making me feel old as hell! The model was a close friend of mine at the time. Close.. Life happens for all of us and she has pursued paths of her own. I doubt I'll ever get the opportunity to tie her leg up to a sewage pipe any time soon.
***All the album covers have some great artworks on them. In the AI era we are living in now, how important is it for the band and yourself that artwork and/or the music is made by an actual artist?***
**Fyrste:** Walking away from pursuing artistic reflection, curiosity, and outlet equals crawling back into your cocoon. With that said, I'm sure there are elements of growth in understanding and learning from the AI generation. The artistic freedom Svarttjern represents to me stands monumental. Wounds open, heal or not. Hard work is supposed to hurt and leave marks there after. Perhaps the AI-generation and I should share a drink followed by some back alley violence to truly get under each other's skin? I'm still learning.
***I (Jakob) have been to Wacken Open Air 3 times (2012, 2013, and 2014), and year after year the festival gets more expensive and bloated without adding any value to it (for me).***
***Svarttjern played the legendary festival in 2025\. Can you tell us a bit about your experience with the festival?***
***Are there any bands on the "I wish I could play a festival or show with list"? If so, which band(s) would be on that imaginary list?***
**Fyrste**: Enormous machineries like W:O:A keep expanding in unbelievable proportions. But at this one I have to disagree. Had a festival like W:O:A not pushed forward as they do, Svarttjern would not have been invited. Expanding in mainstream metal that pays the bills open for bands such as ourselves to be invited. Yes, we had tremendous success at W:O:A - but it's a gamble even for a festival of this size. Svarttjern's experience with W:O:A was 110% professionality on both their end and ours. Just the way we expect it to be.
Sharing a stage on big festivals quickly become impersonal, bands are in and out, on the job. For the future there are several bands I would like to tour with, obviously taking realism into perspective. At this point looking forward we will be sharing a stage with several of them.
***Sadly, Jakob missed the 2025 show at Wacken, but I did enjoy the livestream of it very much. Those live streams are becoming more and more a thing. What is your opinion on that trend?***
***Are you more of a boots-on-the-ground guy, and do you need to see a show for yourself, or will a stream be okay?***
**Fyrste**: Never seen a live streamed concert, so no opinion regarding it.
***You and the band have been on the tours many times so far; does it still feel the same as the first time? What changed over the last 20 years?***
**Fyrste**: Bedtime... Hehe. Obviously plenty has changed over 20 years, for better and worse. One thing that has not changed is being a unit. A unit also outside the band members, if other bands fit in. We take care of our own. In my opinion the biggest change is with gear and professionality. Seeing the success of my brother's hard work evolving to endorsements opening possibilities to turn our live sound into 'our own sound' humbles me every sound check. Today we're in control in ways not possible back in the days. A combination of digital evolvent, extremely hard work and experience.
***Vetle noticed that you are a very entertaining and interactive frontman on the stage. Where do you get the inspiration from?***
**Fyrste**: Not from, Vetle. Hehe, just kidding. Don't know. Breakfast?
***Speaking of tours and shows, are there any shows and festivals planned? And if so, a small request from Jakob: could you add logo back patches and pins to your merchandise catalogue? 😉***
**Fyrste**: As a veteran hooker probably would reply; show me the money! But, yes. We have finally professionalized our merch catalogue and are working hard to re-invest in new designs++. We'll bring a smile to Vetle's face, for better or for worse.
***Moving on to the albums: Between Dødsskrik, Shame Is Just a Word, and Draw Blood was a gap of 4 years every time. By that logic, do we have to wait until 2028 for a new Svarttjern album, or is there something brewing already? And if there is, would you mind telling us (and the reader) something about it?***
**Fyrste**: We work towards a new release in 2027 supported by extensive touring and concerts. We look forward to sharing this in detail when the time is ready.
***We want to thank you again for taking the time to answer our questions, Hans, and are looking forward to new shows and music. Do you have any words for the fans and readers?***
**Fyrste**: Yes, I do. I thank you for your time invested in reading this interview showing respect for Svarttjern and Black Metal Zine. If you're at a gig buy me a beer. Thanks.
## Your thoughts on this Interview.
We love to hear your opinion about this interview. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Live Review: Worm, Ancient Death, The Oracle (2026)
URL: https://blackmetalzine.com/live-review-worm-ancient-death-the-oracle-2026/
Last updated: 2026-07-15T07:20:29.000Z
CONCERT REVIEW WORM + ANCIENT DEATH + THE ORACLE Photos and review by Will Quigley
On June 18, I embarked on a nearly three-hour journey to the Palladium Upstairs in Worcester, MA, for an evening of black metal-inspired darkness. As I arrived at the venue, I received a tornado alert on my phone, and within minutes the clouds opened up, leaving me caught outside in an epic downpour. This only foreshadowed the storm that was about to be unleashed inside the venue.
Opening the evening was The Oracle, who graciously provided me with a photo pass so I could document what would prove to be a tremendous show. The Oracle emerged from behind the stage and transformed the venue from a concert space into something resembling a liturgical chamber.
Cloaked beneath a hood and illuminated by blood-red light, the Worcester-based ritual electronics project delivered a set that felt less like a performance and more like an invocation. Dark ambient textures, mixed with the atmospheric sensibilities of black metal, created soundscapes that sent shivers down my spine as I roamed the venue capturing the performance. The Oracle set a fitting tone for the night’s offerings and is an act not to be missed.
Next up was Ancient Death, a band more firmly rooted in old-school death metal with tremendous stage presence. Almost immediately, the pit opened up and echoes of progressive death metal reverberated throughout the venue as the band ripped through their set. Maneuvering through the chaos to grab photos whenever I could proved challenging at times, but Ancient Death delivered a blistering performance that never let up and was over far too soon.
By the time Worm took the stage, the venue had become engulfed in a dense veil of fog that transformed the performance into something far more immersive than a typical concert. The band emerged and disappeared throughout the haze as they unleashed their cavernous sound.
Worm delivers a style that harkens back to early symphonic black metal while incorporating touches of doom and death metal. Performed beneath a near-constant curtain of fog, the show took on an almost cinematic quality, transforming the venue into what felt like a haunted catacomb.
I was taken aback by just how massive and technically masterful the band sounded live, and it was incredible to witness such a commanding performance in an intimate venue. Few contemporary bands understand atmosphere as completely as Worm, and their live performance was truly remarkable.
Worm
Ancient Death and The Oracle
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
become a member of Black Metal Zine
Subscribe
Email sent! Check your inbox to complete your signup.
No spam. Unsubscribe anytime.
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### The Infernal Records: Week 25
URL: https://blackmetalzine.com/the-infernal-records-week-25/
Last updated: 2026-06-25T11:00:27.000Z
The Infernal Records: Week 25 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Anno Basilisk ( Formerly known as Basilisk (UK) )
Album: Blood Mass
Country: UK
Genre: Black Metal
Date: June 19, 2026
[BLOOD MASS, by Anno Basilisk4 track albumAnno Basiliskarmagreth](https://annobasilisk.bandcamp.com/album/blood-mass?ref=blackmetalzine.com)
Band: Arrogant Destruktor
Album: The Old Spirit Remains
Country: UK
Genre: Black Metal
Date: June 19, 2026
[SAT420: Arrogant Destruktor - The Old Spirit Remains (2026), by Satanath Records8 track albumSatanath Recordsbmurator](https://satanath.bandcamp.com/album/sat420-arrogant-destruktor-the-old-spirit-remains-2026?ref=blackmetalzine.com)
Band: Days ov Yore
Album: The Tale of Vlad Țepeș part 1
Country: Finland
Genre: Melodic Black Metal
Date: June 17, 2026
[The Tale of Vlad Țepeș part 1, by Days ov Yore8 track albumDays ov YoreAlice M.](https://daysovyore.bandcamp.com/album/the-tale-of-vlad-epe-part-1?ref=blackmetalzine.com)
Band: Einherjer
Album: Lifeblood
Country: Norway
Genre: Viking Metal
Date: June 19, 2026
[Lifeblood, by Einherjer8 track albumEinherjerBraxius](https://einherjer.bandcamp.com/album/lifeblood?ref=blackmetalzine.com)
Band: Elegý
Album: Уходи
Country: Russia
Genre: Black Metal
Date: June 19, 2026
[Уходи, by Elegý7 track albumElegýBandcamp New & Notable Sep 7, 2025](https://blackelegy.bandcamp.com/album/-?ref=blackmetalzine.com)
Band: Flykt
Album: Sinister Strain
Country: Sweden
Genre: Black Metal
Date: June 19, 2026
[Sinister Strain, by Flykt9 track albumFlyktzreenco](https://flykt.bandcamp.com/album/sinister-strain?ref=blackmetalzine.com)
Band: Fogos
Album: Of Wyrm And Men
Country: Spain
Genre: Black Metal
Date: June 20, 2026
[SAT421: Fogos - Of Wyrm And Men (2026), by Satanath Records9 track albumSatanath RecordsUrso X](https://satanath.bandcamp.com/album/sat421-fogos-of-wyrm-and-men-2026?ref=blackmetalzine.com)
Band: Heart of the Serpent
Album: Unraveling
Country: USA
Genre: Black Metal
Date: June 19, 2026
[Unraveling, by Heart of the Serpent7 track albumHeart of the Serpentandreronco](https://heartoftheserpent.bandcamp.com/album/unraveling?ref=blackmetalzine.com)
Band: Hermóðr
Album: Winter Soul (EP)
Country: Sweden
Genre: Atmospheric Black Metal
Date: June 18, 2026
[Winter Soul (EP), by Hermóðr2 track albumHermóðrporcelainheart-](https://hermodr.bandcamp.com/album/winter-soul-ep?ref=blackmetalzine.com)
Band: Inherits the Void
Album: The Silent Abscission
Country: France
Genre: Melodic Black Metal
Date: June 19, 202
[The Silent Abscission, by Inherits The Void8 track albumInherits The VoidRicardo Cristof](https://inheritsthevoid.bandcamp.com/?ref=blackmetalzine.com)
Band: Kaikkivaltias
Album: Tähtihämär (Compilation)
Country: Finland
Genre: Melodic Black/Heavy Metal
Date: June 19, 2026
[Tähtihämär, by Kaikkivaltias4 track albumKaikkivaltiasKaikkivaltias](https://kaikkivaltias.bandcamp.com/album/t-htih-m-r?ref=blackmetalzine.com)
Band: Ковенум
Album: З проклятих підземель
Country: Ukraine
Genre: Black Metal
Date: June 15, 2026
[З проклятих підземель, by Ковенум5 track albumКовенум](https://kovenum.bandcamp.com/album/-?ref=blackmetalzine.com)
Band: Lindworm
Album: Thousand Faces of Darkness
Country: Hungary
Genre: Symphonic Black Metal
Date: June 20, 2026
[](https://open.spotify.com/album/73vcITukUCbgEIZXDNeECP?ref=blackmetalzine.com)
Spotify Link
Band: Lumen ad Mortem
Album: A Grave Ascent
Country: Australia
Genre: Black Metal
Date: June 19, 2026
[A Grave Ascent, by Lumen Ad Mortem7 track albumLumen Ad MortemGrungeCutter](https://lumenadmortem.bandcamp.com/album/a-grave-ascent?ref=blackmetalzine.com)
Band: Mork
Album: Monolitt
Country: Norway
Genre: Black Metal
Date: June 19, 2026
[Monolitt, by Mork9 track albumPeacevilleRADEMASSAKER](https://peaceville.bandcamp.com/album/monolitt?ref=blackmetalzine.com)
Band: Mossystone
Album: Paysages Tristes
Country: France
Genre: Atmospheric Black Metal
Date: June 15, 2026
[Paysages Tristes, by Mossystone5 track albumPest ProductionsBen Perry](https://pestproductions.bandcamp.com/album/paysages-tristes?ref=blackmetalzine.com)
Band: Myrkviði
Album: Harmur (EP)
Country: Iceland
Genre: Black Metal
Date: June 19, 2026
[](https://open.spotify.com/album/0m8Vo2XgCydLbbdHCxus2l?ref=blackmetalzine.com)
Spotify Link
Band: Navalum
Album: Sunforged Sentinel (EP)
Country: Indonesia
Genre: Raw Black Metal
Date: June 15, 2026
[Sunforged Sentinel, by Navalum4 track albumNavalumUrso X](https://navalum.bandcamp.com/album/sunforged-sentinel?ref=blackmetalzine.com)
Band: Primordial Gate
Album: Silence of the Slumbering Landscape (demo)
Country: Finland
Genre: Raw Black Metal
Date: June 19, 2026
[Silence of the Slumbering Landscape, by Forest Gloom6 track albumForest Gloom](https://forestgloom.bandcamp.com/album/silence-of-the-slumbering-landscape?ref=blackmetalzine.com)
Band: Psevdanor
Album: House of Skin and Bone (EP)
Country: North Macedonia
Genre: Black Metal
Date: June 19, 2026
[House of Skin and Bone, by Psevdanor4 track albumPsevdanorPsevdanor](https://psevdanor.bandcamp.com/album/house-of-skin-and-bone?ref=blackmetalzine.com)
Band: Saidan
Album: Fangdriller: Scars Beneath Memory's Wrist
Country: USA
Genre: Melodic Black Metal
Date: June 19, 2026
[FANGDRILLER: Scars Beneath Memory’s Wrist, by Saidan10 track albumSaidanmetal\_eye](https://saidan.bandcamp.com/album/fangdriller-scars-beneath-memorys-wrist?ref=blackmetalzine.com)
Band: Serpentian
Album: Ghosts of Aeon
Country: USA
Genre: Black/Death Metal
Date: June 20, 2026
[Ghosts of Aeon, by Serpentian7 track albumGoat Throne RecordsBandcamp New & Notable Jul 28, 2025](https://goatthronerecords.bandcamp.com/album/ghosts-of-aeon?ref=blackmetalzine.com)
Band: Spellhammer
Album: Jahrzehnt der Tränen (EP)
Country: Finland
Genre: Raw Black Metal
Date: June 19, 2026
[Jahrzehnt der Tränen, by SPELLHAMMER2 track albumSPELLHAMMER](https://spellhammer.bandcamp.com/album/jahrzehnt-der-tr-nen?ref=blackmetalzine.com)
Band: Teñvalded
Album: S/T (Demo)
Country: Unknown
Genre: Raw Black Metal/Dark Ambient
Date: June 19th, 2026
[Teñvalded, by Teñvalded5 track albumTeñvaldedBandcamp New & Notable Oct 13, 2025](https://tenvalded.bandcamp.com/album/te-valded-3?ref=blackmetalzine.com)
Band: Tylangir
Album: Där Totutanz
Country: Switzerland
Genre: Black/Folk Metal
Date: June 20th, 2026
[](https://open.spotify.com/album/4a8unxvaTr1NvVNs71qx4M?ref=blackmetalzine.com)
Spotify Link
Band: Unbeholden
Album: Ruminations (EP)
Country: USA
Genre: Black Metal
Date: June 19, 2026
[Ruminations, by Unbeholden4 track albumUnbeholdenUnbeholden](https://unbeholden.bandcamp.com/album/ruminations?ref=blackmetalzine.com)
Band: Vafurlogi
Album: Gneisti Af Eldi Guðs
Country: Iceland
Genre: Black Metal
Date: June 19, 2026
[Gneisti af eldi Guðs, by Vafurlogi7 track albumVafurlogiCaizoe](https://vafurlogi.bandcamp.com/album/gneisti-af-eldi-gu-s?ref=blackmetalzine.com)
Band: Vampyric Shadows
Album: Beyond the Gate of Darkness (demo)
Country: France
Genre: Raw Black Metal
Date: June 19, 2026
[Beyond the Gate of Darkness, by Vampyric Shadows6 track albumVampyric Shadows](https://vampyricshadows.bandcamp.com/album/beyond-the-gate-of-darkness?ref=blackmetalzine.com)
Band: Zyraeth
Album: Daughter Of Lilith (EP)
Country: Netherlands
Genre: Black Metal
Date: June 13, 2026
[Daughter Of Lilith, by Zyraeth4 track albumZyraethbmurator](https://zyraeth.bandcamp.com/album/daughter-of-lilith?ref=blackmetalzine.com)
## Your thoughts on this newsletter.
We love to hear your opinion about this newsletter. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Murk - Battlefields of Destiny
URL: https://blackmetalzine.com/review-murk-battlefields-of-destiny/
Last updated: 2026-07-15T17:12:40.000Z
**Band:** Murk
**Album:** Battlefields of Destiny
**Genre:** Black Metal
**Country:** Italy
**Label:** Unsigned
**Released:** March 21st 2026
## Introduction
Murk is a one man Black Metal Band hailing from Florence, Italy. The band was created in 2007 amongst the ruins of Abracadabra by Lorenzo Bellia. Since then Lorenzo kept himself busy with "Battlefields of Destiny" being the 4th full lenghth record for Murk, among other bands he worked on.
## Battlefields of Destiny
Tracklist:
1. Lunar Spear
2. Battlefields of Destiny
3. I Conquer My Soul
4. Poisoning Realities
5. Iron Faith
6. Eternal Glory
7. I Will Return
"Lunar Spear" is a really great start to the Album with Vocals pushed to the max with pure aggression. Even withe the aggression behind it , the music itself is really nice and melodic with pretty great riffing , reminesent of Venom with some Immortal harmonies. Being the first song it really does its job and got me hooked for more.
The title track is one of the best on this LP. Groovy triplets with awesome lead playing. Same uncompromised vocals and pure madness.
"I conquer my souls" is my personal favourite. Personally i really like if the verses rhyme with each other. For reference , when i listened to it the second time, i already remembered the lyrics.
The last song is the perfect closing track for an Album like that, melancholic leads open the song befor that harmony turns into tremolo picking induced speed metal riffing. The best part ... it ends with I will return and I'am excited for that return.
## Conclusion
A really solid record from a band that i have not heard of before but one that turned me into a fan. Cretive riffing, great compositions and really solid vocals. Outstanding Job Lorenzo!
BMZ Rating: 8/10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Live Review: Fortress Festival 2026
URL: https://blackmetalzine.com/live-review-fortress-festival-2026/
Last updated: 2026-07-16T17:15:39.000Z
## Introduction
The sun, the sea, the sand. That’s right, I’m back in the seaside town of Scarborough for another Fortress Festival - one of the UK’s leading black metal festivals which is hosted by Reaper Agency.
This is my fourth year in a row attending, and it’s always a highlight of my year that I look forward to. We certainly had the weather to suit the start of summer too, with it being one of the warmest weekends of the year so far.
Joining me this year as well as my usual friends in the UKBM scene were a bunch of lovely members from the BlackMetalPromotion discord server who I managed to coerce to fly over from all over Europe to experience this fantastic festival (and the killer lineup helped persuade them too).
There was a pre-show at The Cask and Keg Inn on Friday evening, just a short walk away from Scarborough Spa itself. Blood Countess, Andracca and Wode were playing in the warmest basement known to mankind underneath the pub. Whilst we did get there early to enjoy plenty of Fortress IPA (a tie in with Anarchy Brewery ahead of the Tynebound festival later this year) the queue quickly grew around us as we kept sampling this fantastic beer and so only popped in briefly to catch a little bit of the show.
It was mostly a night of catching up with everyone who had travelled from all over the UK and indeed the world to be here in this quaint Victorian resort town for a weekend of pure black metal. So, let's begin shall we?
## Day One
## Groza / Black Cilice
After a slight hangover and a much needed full English breakfast we made our way to catch this years opening act: Groza. This German black metal band is one I've been a fan of since they hit the scene in 2018 with *Unified in Void* and had yet to see live. I was delighted that they delivered exactly what I hoped for, a perfect start to the festival.
Their impressive sound absolutely filled the main hall which was packed with attendees. Meticulous blast beats and incredibly clean tremolo riffs soaring out to the crowd were accompanied by matching visuals on the on-stage screens it made for a great stage show. These screens were just one of the upgrades made to the festival this year along with the lighting and noticeable sound quality.
I caught a little bit of Black Cilice in the Ocean Room, however it was an absolute furnace in there as it was filled to capacity. Thick smoke and red lights doused the stage, I can only assume there were some musicians in there somewhere but I could not make anything out among the thick fog. Their raw instrumentation and dissonant vocals screamed out to ensure their presence was known nonetheless.
## Mesarthim
Now this was one of my most anticipated bands of the entire weekend, and I had hyped myself up for their show. I’m a huge fan of their entire discography, the atmospheric cosmic black metal hits just right, and with the elements of trance and keys in the mix they capture something special in my heart.
It seemed my anticipation was for good reason, they absolutely delivered with their massive sound and although I may be a bit biased it was headliner energy in my eyes. Their synthwork and heavy drums mesmerised me throughout the full setlist starting with *Osteopenia* and finishing with *The Great Filter*.
Their set may have only been five songs, but it covered such amazing compositions that made you feel absolutely lost in the vast cosmos. I could have enjoyed their set all day long, and hope to see them again - especially if their performance can include more songs no matter how long they are.
## Whoredom Rife
Another top performance of the day for me, their volatile energy was off the charts and had the entire crowd headbanging and moshing along to their high-octane set.
It’s the first time I’ve seen a mic stand thrown like a javelin at the barrier, the singer perhaps training for the Olympics just decided it was unneeded as he spent the rest of the set between the stage and the barrier chanting into the crowd, his reverberating vocals echoing out over our heads.
I was pressed right against the barrier for much of this set, and his full on crowd interaction was enthralling. I feared my heartrate would never slow down after their relentless set as I left the boiling hot Ocean Room for the last time that day.
## Wrap up of Day One
I did catch some of Old Man’s Child, our headliner for Sunday - but I’ll be honest they’re not a band that’s particularly interesting to me (or my friends I was staying with) so we left early to go back to our airbnb and chill to catch up on our thoughts for the day.
There were many other bands that played today of course that I saw but just didn’t take many notes on. Such as the howling vocals of **Ossaert**who were also fantastic to see, the groovy riffs and raw vocal quality of **Totenwache** who were another highlight of my Saturday. I also saw some of **Akercocke** who’s click drums in particular reminded me heavily of Fear Factory of all bands, as their set incorporated sound of progressive death, djent, black, and a bunch of other styles all at once which wasn’t entirely my cup of tea (or cup of IPA, many were drank that day).
## Day Two
Sunday’s lineup was absolutely stacked with must-see’s for me with very little chance of having a break. So another big breakfast to fuel us up we headed back to the Spa for our opening act.
## A Forest of Stars / Abigail Williams
**A Forest of Stars** began us off, touring their new mouthful of an album *Stack Overflow in Corpse Pile Interface*. Catchy. Their hypnotic background visuals depicting the weird surrealist art was very fitting to accompany their playing, which also included some beautiful violin and synth work. I’ll be seeing them again later this year when they tour with Fellwarden, Nemorous, and Andracca on the *Twitching Out to the Binary* tour - so I used this opportunity to hit the merch stalls again, just because my bank account doesn’t hate me enough already.
Their set finished, but just like last year after Abduction played, the crowd did not disperse. Our 2027 headliner was about to be announced on the big screen and we waited in anticipation.
The flaming motif of Fortress 2027 appeared on the screen - which by the way I absolutely called when predicting with my friends - and then a very familiar logo appeared on the screen. Emperor. The crowd burst with cheers and applauding, it seemed this was a very popular choice (and who can blame us, the mighty Emperor were amazing last time I saw them play Glasgow and are an all-time iconic act).
I caught a little bit of **Abigail Williams** although I admittedly knew I wouldn’t be staying for too long having checked them out ahead of the festival. Their long piano intro was heavily juxtaposed as they plunged straight into death-like screams, the heavy chugging riffs along with thick bass lines filled the room, with pounding drums bouncing off the walls you could feel it reverberate within your very bones.
## Darkenhöld / Antrisch
Now here we go, the first couple of bands that I was very excited for on this day, and first up were the French medieval-themed act Darkenhöld. Absolutely classic black metal with profoundly melodic qualities, they were a delight to watch - and it seemed we were a delight to play for as the singer was constantly being thankful to the crowd and including some good chat between each song. Their set was laden with guitar solos, possibly the most I’ve ever heard in a single set at a black metal festival, and each one was played gorgeously to perfection.
Following them up in the Ocean Room were the German explorers **Antrisch**, emerging into the scene in 2021 they are a relatively new band but quickly made waves with their concept albums each based on historical expeditions.
Wow. I really don’t know what else I can say, but their set was bloody incredible. Such a demanding stage presence, and an expertly delivered performance. Their singer could absolutely howl out a note, as their music played to the beat of a marching army. There was even a quick costume change as our set changed from their *Die Passage* album back to their debut EP *Dissonanzgrat* which did unfortunately lead into a slight technical error where the microphone had turned off whilst he got changed. A few verses into the song and it got fixed, resulting in a huge cheer erupting amongst the crowd.
## Vespéral
Another band I could not wait to see, though I was completely unfamiliar with them until their announcement for the festival. But upon checking them out, I fell in love - who doesn’t love a bit of Quebecois black metal, especially if it features a little bit of delightful synthwork to supplement the harsh themes of loneliness and mental illness that this band writes about.
All members of the band stood fully cloaked and completely obscured in black clothing as they geared up for the performance, so it was quite a shock as the lead singer came out on stage shirtless but with his cloak on. After a couple songs, he threw his cloak away- now whether this was for the performance, because of the heat in the room, or to fully show off his inked up body (after all he is also a tattoo artist) I’ll let you decide.
Nonetheless, his performance was insanely high energy, with his vocals reminiscent of DSBM at times as he poured all of his heart and soul into screaming along with this oppressive black metal sound, stomping all over the stage, leaning into the crowd, and falling to his knees to put on such a rich and dramatic recital.
My only qualm was that the synths could have been a bit louder, they were buried in the mix unfortunately. But they did close out with my favourite song of theirs: *Souvenirs Labyrinthiques* from their split with Conifère - a band consisting of basically the same lineup. The bells in that track are just utterly hypnotic and get me smiling every time I hear it.
## Gallowbraid
Here we go, our headliner for Sunday and finishing off the entire festival - absolutely the most special announcement made in Fortress history was that this Utah based melodic/folk/atmospheric black metal band would be playing their debut show right here, sixteen years after their only release of *Ashen Eidolon*.
Now, a band with only one EP lasting forty minutes headlining a festival may be a bit confusing for those unfamiliar with them, but their EP is pretty legendary as are Jake’s other projects Caladan Brood and Visigoth. Their set time was also over an hour, so speculation began early about what else would they play - would it be Caladan Brood material, would it be brand new songs, would it just be some chat in-between each track as after all he doesn’t play live often. I got to the room early, pressed up to the barrier eagerly anticipating their performance.
Well they took to the stage and began with the titular track *Ashen Eidolon*, and I was giddy with excitement at hearing this perfect song played live for the first time in the world - it was truly a magical experience as the crowd sang along in unison.
Some issues did occur, such as with the flute in *Autumn I* falling to the floor and seemingly losing tune because of it, and their stage show was not a well oiled and slick performance it has to be admitted there were some issues that popped up. I can imagine if you weren’t a fan or familiar with them you would possibly wonder why these guys are playing the headliner set at such a big festival.
The time came for what some of us knew was about to happen; two brand new songs. Leaf Dance, and Stormcloud Memories were debuted to the crowd and I did happen to spot a couple teary eyes in the crowd as these new compositions were gracefully presented before us.
*Oak and Aspen* and *Stone of Remembrance* followed suit, and it was simply amazing. I caught a guitar pick that was thrown into the crowd - with the Gallowbraid logo printed on it which shall become a treasured item of mine and with that, Fortress came to a close.
## End of the Festival and Conclusion
So the weekend was over, but I was not immediately departing for once. I finally visited Scarborough Castle, four years in the making and I finally went - and Jake from Gallowbraid also happened to be there at the same time so we all had a good chat about music, video games, history, and got some photos together which was wonderful. A day trip to Whitby and York for some tourism, and then all of the BMP crew dispersed on our separate ways.
Naturally I had got the first wave of early bird tickets for **Fortress Festival 2027** on Monday morning, with or without the **Emperor** announcement I would have been there for it. No other black metal festival quite hits the same, and I look forward to five years of Fortress and seeing what else Reaper Agency has to offer for this anniversary event.
Broke from merch stands, tired from days of standing and walking, and eager to return to my cats and my own comfy bed I spent the 250 mile drive reflecting on such a wonderful weekend. Every member of Reaper Crew worked their arse off and the full weekend flew by flawlessly without a hitch.
Whilst Fortress Festival may be another year away, I’ve got Tynebound Festival in September at Newcastle for another round of black metal hosted by Reaper Agency, so stay tuned to see how that goes.
In the meantime, join the discord below! Having now been to two festivals with members of BMP I can attest that it is such a wonderful community of dedicated black metal fans who are also just really chill and friendly.
Bring on Fortress Festival 2027, see you there.
## Your thoughts on this review.
We love to hear your opinion about this festival. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### The Infernal Records: Week 24
URL: https://blackmetalzine.com/the-infernal-records-week-24/
Last updated: 2026-06-25T12:36:13.000Z
The Infernal Records: Week 24 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Antithetic
Album: Kadath
Country: USA
Genre: Black Metal
Date: June 12, 2026
[Kadath, by Antithetic7 track albumAntithetic](https://antithetic.bandcamp.com/album/kadath?ref=blackmetalzine.com)
Band: Boreal Atrophy
Album: ...And The Heavens Are Scoured by Scarlet
Country: UK
Genre: Post-Black Metal/Blackgaze
Date: June 13, 2026
[...And The Heavens Are Scoured by Scarlet, by Boreal Atrophy6 track albumBoreal AtrophyBandcamp New & Notable Oct 11, 2023](https://borealatrophy.bandcamp.com/album/and-the-heavens-are-scoured-by-scarlet?ref=blackmetalzine.com)
Band: Dala Jini
Album: The Great Silence of Tengri
Country: Kazakhstan
Genre: Raw Black Metal
Date: June 8, 2026
[The Great Silence of Tengri, by Dala Jini8 track albumDala JiniIppocalyptica](https://dalajini.bandcamp.com/album/the-great-silence-of-tengri?ref=blackmetalzine.com)
Band: Dark Nazarian
Album: Аңки Айңам
Country: Russia
Genre: Raw Black Metal
Date: June 13, 2026
[Аңки Айңам, by Dark Nazarian7 track albumDark Nazarian](https://darknazarian.bandcamp.com/album/--4?ref=blackmetalzine.com)
Band: Deadlife
Album: Bleak
Country: Sweden
Genre: DSBM
Date: June 10, 2026
[Bleak (Album), by Deadlife8 track albumDeadlifeonyxokie](https://officialdeadlife.bandcamp.com/album/bleak-album?ref=blackmetalzine.com)
Band: Drunemeton
Album: Dweller Of Carcosa
Country: Serbia
Genre: Pagan/Black Metal
Date: June 8, 2026
[Dweller Of Carcosa, by Drunemeton11 track albumDrunemetonBandcamp New & Notable Jun 9, 2026](https://drunemetonex-thesacredgrove.bandcamp.com/album/dweller-of-carcosa?ref=blackmetalzine.com)
Band: Død spell
Album: Lion's Grave
Country: Belarus
Genre: Black Metal
Date: June 11, 2026
[Lion’s Grave, by Død spell10 track albumDød Spell](https://dodspell.bandcamp.com/album/lions-grave?ref=blackmetalzine.com)
Band: Dzunukwa
Album: Forest of Eternity (demo)
Country: Unknown
Genre: Black Metal
Date: June 12, 2026
[Forest of Eternity, by Dzunukwa4 track albumDamien Recordssungazer333](https://damienrecords666.bandcamp.com/album/forest-of-eternity?ref=blackmetalzine.com)
Band: Finsmoonth
Album: Chrysalis of Astral Tears
Country: Indonesia
Genre: Atmospheric Black Metal
Date: June 13, 2026
[Chrysalis of Astral Tears, by Finsmoonth6 track albumFinsmoonthtiernan ^▿^](https://finsmoonth.bandcamp.com/album/chrysalis-of-astral-tears?ref=blackmetalzine.com)
Band: Fyrnask
Album: Íosir
Country: Germany
Genre: Black Metal
Date: June 12, 2026
[Íosir, by Fyrnask10 track albumFyrnaskTomL](https://fyrnask.bandcamp.com/album/osir-2?ref=blackmetalzine.com)
Band: Harifa
Album: Alexithymia (EP)
Country: UK
Genre: Atmospheric Black Metal
Date: June 12, 2026
[Alexithymia, by Harifa6 track albumHarifaquelana](https://harifa.bandcamp.com/album/alexithymia?ref=blackmetalzine.com)
Band: Hecate
Album: Comment est la nuit ?
Country: France
Genre: Black Metal
Date: June 12th, 2026
[Comment est la nuit ?, by Hecate9 track albumHecateAlice M.](https://hecate2.bandcamp.com/album/comment-est-la-nuit?ref=blackmetalzine.com)
Band: Hor
Album: III
Country: Greece
Genre: Black Metal
Date: July 13, 2026
[III, by HOR6 track albumHORsashavonkarl74](https://horblackmetal.bandcamp.com/album/iii?ref=blackmetalzine.com)
Band: Ifri
Album: Broken
Country: Tunisia
Genre: Symphonic Black Metal
Date: June 10, 2026
[Broken, by ifri7 track albumifriBandcamp New & Notable Jul 31, 2023](https://ifri.bandcamp.com/album/broken?ref=blackmetalzine.com)
Band: Immortuus
Album: Shadow over Wisborg
Country: Chile
Genre: Raw Black Metal
Date: July 12, 2026
[Shadow over Wisborg, by Immortuus9 track albumImmortuusBandcamp New & Notable Jun 16, 2025](https://immortuus.bandcamp.com/album/shadow-over-wisborg?ref=blackmetalzine.com)
Band: Larve
Album: Noise From Beyond
Country: France
Genre: Black Metal
Date: July 7, 2026
[Noise From Beyond, by Larve7 track albumLarve](https://larvefrenchblackmetal.bandcamp.com/album/noise-from-beyond?ref=blackmetalzine.com)
Band: Ljuset
Album: S/T
Country: Sweden
Genre: Black Metal/Post-Punk
Date: June 12th, 2026
[Ljuset, by Ljuset8 track albumLjusetBandcamp New & Notable Sep 14, 2022](https://ljuset-official.bandcamp.com/album/ljuset?ref=blackmetalzine.com)
Band: Malist
Album: Eternal Echo of the Fall
Country: Russia
Genre: Black Metal
Date: June 12, 2026
[Eternal Echo of the Fall, by Malist8 track albumFlowing DownwardIvan Satanov](https://flowingdownward.bandcamp.com/album/eternal-echo-of-the-fall?ref=blackmetalzine.com)
Band: Myrkblot
Album: Marks below the frostbound
Country: Hungary / Norway
Genre: Black Metal
Date: June 11, 2026
[Marks below the frostbound, by Myrkblot7 track albumMyrkblotacaDamien](https://myrkblot.bandcamp.com/album/marks-below-the-frostbound?ref=blackmetalzine.com)
Band: Numen
Album: Erre
Country: Spain
Genre: Black Metal
Date: June 12th, 2026
[Erre, by Numen5 track albumLes Acteurs de L'Ombre ProductionsLaurieR77](https://ladlo.bandcamp.com/album/erre?ref=blackmetalzine.com)
Band: Rot
Album: World Chaos
Country: Vietnam
Genre: Black Metal
Date: June 12, 2026
Spotify Link
Band: Saħħar
Album: Migja ta Mohh Mignun
Country: Malta
Genre: Black Metal
Date: June 12, 2026
[Migja ta Mohh Mignun, by Saħħar7 track albumSaħħarSaħħar](https://sahhar.bandcamp.com/album/migja-ta-mohh-mignun?ref=blackmetalzine.com)
Band: Sår
Album: Жилищный вопрос (EP)
Country: Russia
Genre: DSBM/Black Metal
Date: June 7, 2026
[Жилищный вопрос, by Sår3 track albumSår...](https://fortvivlad.bandcamp.com/album/--2?ref=blackmetalzine.com)
Band: Sombres Souvenirs
Album: Vagabond (EP)
Country: Belgium
Genre: DSBM
Date: June 12, 2026
[Vagabond, by Sombres Souvenirs4 track albumSombres SouvenirsBandcamp New & Notable May 9, 2025](https://sombressouvenirs.bandcamp.com/album/vagabond?ref=blackmetalzine.com)
Band: Stilte
Album: Zingende Ellende
Country: Netherlands
Genre: Black Metal
Date: June 10th, 2026
Spotify Link
Band: Stormkeep
Album: The Nocturnes Of Iswylm
Country: USA
Genre: Melodic Black Metal
Date: June 12, 2026
[The Nocturnes Of Iswylm, by Stormkeep7 track albumStormkeepAbyssius Murkraken](https://stormkeep-odl.bandcamp.com/album/the-nocturnes-of-iswylm-2?ref=blackmetalzine.com)
Band: Termogaunt
Album: Black Metal Hematofagia
Country: Spain
Genre: Thrash/Black Metal
Date: June 12, 2026
[Black Metal Hematofagia, by Termogaunt4 track albumTermogauntBandcamp New & Notable Jan 5, 2022](https://termogaunt.bandcamp.com/album/black-metal-hematofagia?ref=blackmetalzine.com)
Band: Valegur
Album: Chalice Ritual (EP)
Country: Canada
Genre: Melodic Black Metal
Date: June 13, 2026
[Chalice Ritual, by Valegur5 track albumValegur](https://valegur.bandcamp.com/album/chalice-ritual?ref=blackmetalzine.com)
Band: Vasari
Album: Frozen in Velvet Decay
Country: Finland
Genre: Symphonic/Melodic Extreme/Black Metal
Date: June 12, 2026
[](https://open.spotify.com/album/1SVYb3TWsYIdyPAL0DI0R3?ref=blackmetalzine.com)
Spotify Link
Band: Véhémence
Album: Assiégé Pour l'Éternité
Country: France
Genre: Black Metal
Date: June 10, 2023
[Assiégé Pour l’Éternité, by Véhémence7 track albumAntiqsashavonkarl74](https://antiqofficial.bandcamp.com/album/assi-g-pour-l-ternit?ref=blackmetalzine.com)
Band: Woewarden
Album: The Roots of My Neglect
Country: Australia
Genre: Atmospheric/Depressive Black Metal
Date: June 12, 2026
[The Roots Of My Neglect, by Woewarden10 track albumDusktonebmurator](https://dusktone.bandcamp.com/album/the-roots-of-my-neglect?ref=blackmetalzine.com)
Band: Zothique
Album: Abominations of Yondo
Country: USA
Genre: Black Metal
Date: June 12, 2026
[Abominations of Yondo, by Zothique5 track albumDodsrune Records](https://dodsrunerecords.bandcamp.com/album/abominations-of-yondo?ref=blackmetalzine.com)
### Review: Stormkeep - The Nocturnes of Iswylm
URL: https://blackmetalzine.com/review-stormkeep-the-nocturnes-of-iswylm/
Last updated: 2026-07-15T17:15:57.000Z
**Band:** Stormkeep
**Album:** The Nocturnes of Iswylm
**Genre:** Symphonic Black Metal
**Country:** United States
**Label:** Vesperian
**Released:** June 12, 2026
Introduction
Five years ago, Denver’s Stormkeep emerged from the Colorado wilderness to conquer the underground with "Tales of Othertime". Melding the heroic bombast of 90's Dissection with the keyboard-drenched splendor of early Emperor and Dimmu Borgir, the quartet proved that symphonic black metal could still possess teeth, grit, and genuine malice. Armed with members from heavyweights like Blood Incantation and Wayfarer, Stormkeep has never treated dark fantasy as a mere gimmick. Instead, they treat it as an immersive, narrative art form. Now, the gates of the obsidian citadel swing open once more to reveal their highly anticipated second full-length effort, "The Nocturnes of Iswylm", released via Vesperian.
The Nocturnes of Iswylm
Track Listing:
1. The Taste of Immortal Blood
2. The Black Dragons of Iswylm
3. Saccharine Subjugation
4. Imperious Sanguine Eroticism
5. Echoes in the Vasts of Sequestration
6. Carnal Tapestries of Nailtorn Flesh
7. Ballad of a Fallen Star
"The Nocturnes of Iswylm" marks a deliberate, fascinating evolution in the band's mythological landscape. Where the debut album galloped through vast, wintry mountains with triumphant dungeon synth interludes, this new chapter plunges into a much darker, psychological abyss. The narrative shifts focus toward isolation, immortality, and carnal decay within the dangerous world of Iswylm.
The transition is immediately apparent on the grand opener, "The Taste of Immortal Blood." Swirling, dramatic orchestrations surround a barrage of blistering blast beats and intricate, spider-webbed guitar lines that immediately evoke the golden age of 1990's Norwegian majesty. However, the prominent dungeon synth textures of their past have been stripped back, replaced by a much fiercer, heavier gothic-symphonic framework. Tracks like "Carnal Tapestries of Nailtorn Flesh" highlight this shift, balancing sheer auditory violence with haunting, theatrical clean vocals and progressive basslines that slither underneath a massive guitar groove.
The production, handled by Michael Zech alongside the band, gives the record a warm, organic depth that lets the dense compositions breathe. Every dynamic shift feels purposeful. This culminates beautifully in the staggering ten-minute closer, "Ballad of A Fallen Star," where tragic acoustic guitars and mourning synths masterfully collide with ravenous black metal shrieks.
Conclusion
With "The Nocturnes of Iswylm", Stormkeep avoids the sophomore trap of simply repeating a successful formula. They have delivered a bolder, meaner, and more atmospheric odyssey that deepens their fictional universe while honoring the timeless spirit of classic symphonic black metal. It is a triumphant, world-building masterclass that secures Stormkeep's position at the absolute forefront of the modern underground landscape. This is essential listening for any devotee of pure, grandiose darkness and a top contender for my AOTY list.
BMZ Rating: 9/10
Your thoughts on this review.
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## Unleashing the Darkness Within
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### Review: De l'Abîme Naît l'Aube - Rituel : Initiation (2026)
URL: https://blackmetalzine.com/review-de-labime-nait-laube-rituel-initiation-2026/
Last updated: 2026-07-15T17:15:58.000Z
#
**Band:** De l'Abîme Naît l'Aube
**Album:** Rituel : Initiation
**Genre:** Atmospheric Black Metal / Post Metal
**Country:** Switzerland
**Label:** Hypnotic Dirge Records
**Released:** Febuary 13, 2026
## **Introduction**
If you were obsessed with the movie Holy Mountain or just like wearing white robes all the time then you’re in for a treat. Today’s review sees us checking out *Rituel : Initiation,* the debut from swiss occult outfit De l'Abîme Naît l'Aube.
**Rituel : Initiation**
**Tracklist:**
1\. Une pleine absence
2\. Un sanctuaire de cendres
3\. Le vertige d'une descendance
4\. Une première épiphanie
5\. Une absolue présence
## **Rumination**
Across 5 tracks the band covers a lot of ground sonically on Rituel : Initiation. The best way I could describe this release is if you took the melodic vocals of alcest, added in some atmospheric black vibes and then threw in a bunch of ISIS style post metal. You’d be getting sort of close to the sound.
Production wise the album's solid, the guitar tone in particular has a good crunchy dryness to it that works well for the post metal vibe of it all.
Theme wise this band seems to lean into the holy mountain transcendental cult vibe which is fun. It honestly reminds me of Esoctrilihum in terms of being deeply informed by some kind of personal occultism/spirituality. It’s one of those things that if I tried to explain it I would sound like a retard but if you listen/look at the artwork you’d get what it's saying and doing.
I honestly wasn’t thinking about that aspect much when listening to this, what really stood out here is that this album is full of some deeply impressive songwriting. Everything is well put together and appeals to a lot of the sort of stuff I like.
I’m sure if i did a deep enough dive on this band that the whole album would reveal itself to be even cooler than it seems now, but as it is I’ve spun this album enough times to want to buy the cd. I dont really have much I can say beyond its just a really well put together release that I enjoyed from start to finish.
Also I have to credit this band with how they do the ancient pagan chanting stuff. I legit can't stand shit like Heilung but this band does the whole traditional chant vibe in a way that works well and doesn't feel like the Lion King soundtrack.
## **Conclusion**
If you’re in the mood for something unique vibe-wise that has a lot of personality to it, I would give this band a listen.
BMZ Rating: 7.5/10
Support the band here
https://hypnoticdirgerecords.bandcamp.com/album/rituel-initiation
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### Review: Véhémence - Assiégé pour l'éternité (2026)
URL: https://blackmetalzine.com/review-vehemence-assiege-pour-leternite-2026/
Last updated: 2026-07-15T17:15:58.000Z
**Band:** Véhémence
**Album:** Assiégé pour l'éternité
**Genre:** Black Metal
**Country:** France
**Label:** Antiq Records
**Released:** June 10, 2026
Introduction
Few modern black metal forces capture the dust, blood, and soaring romanticism of the Middle Ages quite like France’s Véhémence. Emerging as a crown jewel of the Antiq records roster, this collective has spent over a decade perfecting a style widely hailed as "Medieval Black Metal." Instead of relying on the typical lo-fi frost or synthesized orchestrations that define the genre, Véhémence builds concrete, flesh-and-blood tapestries of sound. They blend traditional francophone lyricism and historical instrumentation with blistering, melodic extreme metal. For their 2026 offering, Assiégé pour l'éternité, the band pulls off a daring maneuver: rather than a simple nostalgic cash-in, they have entirely reimagined and reconstructed their foundational 2014 debut album Assiégé, transforming older raw concepts through a masterfully matured musical lens.
Assiégé pour l'éternité
Track Listing:
1. De célestes cavalcades
2. Assiégé pour l'éternité
3. Le sang respire encore
4. En quête du Graal
5. Chant d'honneur
6. Par sombres forêts et vastes plaines
From the first moments of the opening track "De Célestes Cavalcades," it is crystal clear that Assiégé pour l'éternité is a roaring triumph of execution over cliché. The album breathes with a massive, vibrant production that the band simply could not afford twelve years ago. Tracks like the sprawling nine-minute title cut and the staggering "Le Sang Respire Encore" showcase an incredible level of focus; the songs are long and structurally complex, yet they never collapse into self-indulgence.
The melodic integration here is breathtaking, trading cold atmospheric repetition for the aggressive, rhythmic hooks of Swedish melodic death metal, and pairing it seamlessly with epic black metal. The traditional folk melodies do not feel tacked-on or cheesy; instead, they function as the narrative heartbeat of the music.
The vocals feature astonishingly clear French enunciation that cuts cleanly through the thunderous percussion and driving riffs, adding a theatrical, poetic urgency to the material. While the epic, triumphant hooks of the album's first half initially steal the show, the second half, particularly the brilliant "En Quête du Graal", unfolds with a darker, more nuanced progression.
Conclusion
Ultimately, Assiégé pour l'éternité achieves a rare feat in the metal landscape: it proves that looking backward does not mean stalling out. By breathing fresh production, rewritten arrangements, and sharpened technical skills into their debut, Véhémence has delivered a jaw-dropping record that stands on its own. It is an intense, incredibly fun, and deeply engaging ride that satisfies both the battle-worn black metal purist and the epic folk enthusiast. Turn it up, pick up your sword, and lose yourself in the fray.
BMZ Rating: 8/10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### The Infernal Records: Week 23
URL: https://blackmetalzine.com/the-infernal-records-week-23/
Last updated: 2026-06-25T12:36:32.000Z
The Infernal Records: Week 23 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Arvo
Album: Viasna
Country: Belarus
Genre: Atmospheric Raw Black Metal
Date: May 31, 2026
[Viasna, by ARVO7 track albumARVObloodthirst](https://arvo666.bandcamp.com/album/viasna-2?ref=blackmetalzine.com)
Band: Astar
Album: Journey Beyond the Ages
Country: Italy
Genre: Melodic Black Metal
Date: May 31, 2026
[Journey Beyond the Ages, by Astar9 track albumAstarNocturnal Egg (Jordan)](https://astarblackmetal.bandcamp.com/album/journey-beyond-the-ages?ref=blackmetalzine.com)
Band: Edoma
Album: Гимны Ледяного Царства
Country: Russia
Genre: Black Metal
Date: June 5, 2026
[Гимны Ледяного Царства, by Edoma8 track albumEdoma](https://edoma.bandcamp.com/album/--2?ref=blackmetalzine.com)
Band: Enevelde / Gjendød
Album: Elegier fra Avgrunnen (Split)
Country: Norway
Genre: Black Metal
Date: June 4, 2026
[Elegier fra avgrunnen, by Enevelde & Gjendød8 track albumTERRATUR POSSESSIONSsashavonkarl74](https://terraturpossessions.bandcamp.com/album/elegier-fra-avgrunnen?ref=blackmetalzine.com)
Band: Enoid
Album: Enrtant Tant de Souffrance
Country: Switzerland
Genre: Black Metal
Date: June 6, 2026
[Entrant tant de souffrance…, by enoid9 track albumenoidBandcamp New & Notable May 9, 2025](https://enoid.bandcamp.com/album/entrant-tant-de-souffrance?ref=blackmetalzine.com)
Band: Eternal Mysteries
Album: In the Ancient Ruins of the Enchanted Fortress
Country: Italy
Genre: Raw Black Metal
Date: June 6, 2026
[Eternal Mysteries - In the Ancient Ruins of the Enchanted Fortress, by Kold Cave Production10 track albumKold Cave Production](https://koldcaveproduction.bandcamp.com/album/eternal-mysteries-in-the-ancient-ruins-of-the-enchanted-fortress?ref=blackmetalzine.com)
Band: Forevercold
Album: Bitterness of Life
Country: Hungary
Genre: DSBM/Atmospheric Black Metal
Date: June 3, 2026
[Bitterness of Life, by Forevercold4 track albumForevercoldLlysywen](https://forevercold.bandcamp.com/album/bitterness-of-life?ref=blackmetalzine.com)
Band: Grabunhold
Album: Frostheim
Country: Germany
Genre: Black Metal
Date: June 5, 2026
[Frostheim, by Grabunhold8 track albumGrabunholdRJ](https://grabunhold.bandcamp.com/album/frostheim?ref=blackmetalzine.com)
Band: Gravvålnad
Album: Dreams of Evernight
Country: Sweden
Genre: Atmospheric Black Metal
Date: June 5th, 2026
[Dreams of Evernight, by Gravvålnad7 track albumGravvålnadRockladyLenka](https://gravvalnad-northernsilence.bandcamp.com/album/dreams-of-evernight?ref=blackmetalzine.com)
Band: Grimveil
Album: Beneath the Veil of Silent Woods
Country: Sweden / Germany
Genre: Atmospheric Black/Folk Metal
Date: June 1, 2026
[Grimveil - Beneath the Veil of Silent Woods, by Tårfödd8 track albumTårföddNebelkind](https://trfdd.bandcamp.com/album/grimveil-beneath-the-veil-of-silent-woods?ref=blackmetalzine.com)
Band: Horn
Album: Apokalyps 1618
Country: Germany
Genre: Pagan Black Metal
Date: June 4, 2026
[Apokalyps 1618, by Horn8 track albumHornH.L.](https://horn-northernsilence.bandcamp.com/album/apokalyps-1618?ref=blackmetalzine.com)
Band: Khara Ojuun
Album: Shamanic Visions (EP)
Country: Germany / Russia
Genre: Atmospheric/Pagan Black Metal
Date: May 31, 2026
[SAT417: Khara Ojuun - Shamanic Visions \[ep\] (2026), by Satanath Records5 track albumSatanath RecordsДоберман Сатз](https://satanath.bandcamp.com/album/sat417-khara-ojuun-shamanic-visions-ep-2026?ref=blackmetalzine.com)
Band: Lakma Otho
Album: S/T
Country: Turkey
Genre: Black Metal
Date: June 3, 2026
[Lakma Otho, by Lakma Otho11 track albumLakma OthoBandcamp Album of the Day Jul 25, 2016](https://lakmaotho.bandcamp.com/album/lakma-otho?ref=blackmetalzine.com)
Band: Maladist
Album: The Gate Of Parthenon
Country: France
Genre: Black/Death Metal
Date: June 3, 2026
[The Gate Of Parthenon, by Maladist8 track albumMaladistBandcamp New & Notable Jul 28, 2025](https://maladistband.bandcamp.com/album/the-gate-of-parthenon?ref=blackmetalzine.com)
Band: Nachtheem
Album: Waan van de leegte
Country: The Netherlands
Genre: Atmospheric Black Metal
Date: June 6, 2026
[Waan van de leegte, by Nachtheem5 track albumNachtheemacaDamien](https://nachtheem.bandcamp.com/album/waan-van-de-leegte?ref=blackmetalzine.com)
Band: Nathair
Album: The Fanged Deceiver
Country: USA
Genre: Raw Black Metal
Date: June 3, 2026
[The Fanged Deceiver, by Nathair8 track albumNathairDeadNightMoonlight](https://nathair.bandcamp.com/album/the-fanged-deceiver?ref=blackmetalzine.com)
Band: Nathir
Album: S/T
Country: Argentina
Genre: Black Metal
Date: June 1, 2026
[Nathir, by Nathir6 track albumNathirBandcamp Album of the Day Mar 23, 2021](https://nathir.bandcamp.com/album/nathir?ref=blackmetalzine.com)
Band: Nigromante
Album: Nganga
Country: Mexico
Genre: Thrash/Black Metal
Date: June 6, 2026
[Nganga, by Nigromante7 track albumNigromante](https://nigromante1.bandcamp.com/album/nganga?ref=blackmetalzine.com)
Band: Nocturnal Enchantment
Album: As darkness retreat
Country: Unknown
Genre: Raw Atmospheric Black Metal
Date: May 31, 2026
[As darkness retreat, by Nocturnal Enchantment7 track albumNocturnal Enchantment𝕽𝖔𝖓𝖓𝖎𝖊 𝕿𝖍𝖊 𝕳𝖔𝖗𝖓𝖊𝖉](https://nctrnlenchntmnt.bandcamp.com/album/as-darkness-retreat?ref=blackmetalzine.com)
Band: Primal Cult
Album: Dark Passage
Country: Greece
Genre: Black Metal
Date: June 5, 2026
[In Timeless Paths, by Primal Cult5 track albumPrimal Cultpor](https://primalcult.bandcamp.com/album/in-timeless-paths?ref=blackmetalzine.com)
Band: Raat
Album: Abstraction (EP)
Country: India
Genre: Post-Rock/Shoegaze/Post-Black Metal
Date: June 4, 2026
[Abstraction, by Raat4 track albumRaatmathieu lavoie](https://raat.bandcamp.com/album/abstraction?ref=blackmetalzine.com)
Band: Rimruna
Album: Wenn droben nachts der Frostmond thront
Country: Germany
Genre: Atmospheric Black Metal
Date: June 5, 2026
[Wenn droben nachts der Frostmond thront, by Rimruna6 track albumRimrunacitizen666](https://rimruna.bandcamp.com/album/wenn-droben-nachts-der-frostmond-thront?ref=blackmetalzine.com)
Band: Ruins Beheld
Album: Jamjam cinis eris aut nuda ossa
Country: UK
Genre: Atmospheric Black/Post-Metal
Date: May 31st, 2026
[Jamjam cinis eris aut nuda ossa, by RUINS BEHELD4 track albumRUINS BEHELDYomaBarr](https://ruinsbeheld.bandcamp.com/album/jamjam-cinis-eris-aut-nuda-ossa-2?ref=blackmetalzine.com)
Band: Стужа (Stuzha)
Album: Зов полярной звезды
Country: Russia
Genre: Atmospheric Black Metal
Date: June 1st, 2026
[](https://open.spotify.com/album/6daDM9N5nqFTizIPxLjIID?ref=blackmetalzine.com)
Spotify Link
Band: The Conquering
Album: Guillotine
Country: USA
Genre: Viking/Folk/Black Metal
Date: June 6, 2026
[Guillotine, by The Conquering10 track albumThe ConqueringBandcamp New & Notable Oct 11, 2023](https://theconquering.bandcamp.com/album/guillotine?ref=blackmetalzine.com)
Band: The Dwellers of the Forgotten Forest
Album: Forged Spring Days (demo)
Country: Ukraine
Genre: Black Metal
Date: June 1, 2026
[Forged Spring Days, by The Dwellers of the Forgotten Forest6 track albumThe Dwellers of the Forgotten Forest](https://ernvl.bandcamp.com/album/forged-spring-days?ref=blackmetalzine.com)
Band: Tårfödd
Album: Skyfall (EP)
Country: Sweden
Genre: Post-Black/Progressive Metal
Date: June 5, 2026
[Skyfall, by Tårfödd4 track albumTårföddBandcamp New & Notable Jul 17, 2025](https://trfdd.bandcamp.com/album/skyfall?ref=blackmetalzine.com)
Band: Totenlegion
Album: Einschlag
Country: Germany
Genre: Black Metal
Date: May 31, 2026
[Einschlag, by Totenlegion10 track albumTotenlegion](https://totenlegion.bandcamp.com/album/einschlag?ref=blackmetalzine.com)
Band: Ulvhedner
Album: Berg Øde
Country: Norway
Genre: Black Metal
Date: May 31, 2026
[Berg Øde, by Ulvhedner9 track albumUlvhednerUlvhedner](https://ulvhedner.bandcamp.com/album/berg-de?ref=blackmetalzine.com)
Band: Urkraft
Album: Naturens Skrik
Country: Norway
Genre: Black Metal
Date: June 5, 2026
[Naturens Skrik, by Urkraft9 track albumDusktoneLuke](https://dusktone.bandcamp.com/album/naturens-skrik-2?ref=blackmetalzine.com)
Band: VA Compilation
Album: Gloomy & Grim: A Tribute To Agathon
Country: Finland
Genre: Black Metal
Date: June 5, 2026
[SAT418: Various Artists - Gloomy & Grim: A Tribute To Agathon \[compilation\] (2026), by Satanath Records11 track albumSatanath Recordsbmurator](https://satanath.bandcamp.com/album/sat418-various-artists-gloomy-grim-a-tribute-to-agathon-compilation-2026?ref=blackmetalzine.com)
Band: Vithial
Album: Awakened Ancient Spirits
Country: USA
Genre: Melodic Black Metal
Date: June 5th, 2026
[Awakened Ancient Spirits, by Vithial6 track albumVithialMoonBath](https://vithial.bandcamp.com/album/awakened-ancient-spirits?ref=blackmetalzine.com)
Band: Wylk
Album: Archaica
Country: Germany
Genre: Atmospheric Black Metal
Date: June 5, 2026
[Archaica, by Wylk5 track albumWylkmz11](https://wylk.bandcamp.com/album/archaica?ref=blackmetalzine.com)
### Review: Niveous - Cult of the Void Star (2026)
URL: https://blackmetalzine.com/review-niveous-cult-of-the-void-star-2026/
Last updated: 2026-07-15T17:22:02.000Z
**Band:** Niveous
**Album:** Cult of the Void Star
**Genre:** Black Metal
**Country:** United States
**Label:** Hypnotic Dirge Records
**Released:** July 17, 2026
**Introduction**
Emerging from the frozen wastes of the American mid-west (Milwaukee, Wisconsin) the black metal trio Niveous has quietly spent the last two years sharpening their weapons. Formed in 2024 by Zygrath (Guitars), Vokar (Bass/Vocals), and Nortaath (Drums/Vocals), the latter of which contributed the absolutely stunning album artwork once again. The band made waves with their 2025 debut EP, “Endless Snowfall”, released via Transylvanian Recordings. That brief, 20-minute burst of icy metal hinted at a band with lofty ambitions and a healthy appreciation for the first and second wave of black metal.
Now, Niveous has taken a monumental leap forward. Jointly released on vinyl and CD by Europe’s Hypnotic Dirge Records and North America’s Void Star Productions, their 2026 debut full-length album, “Cult of the Void Star”, is a stunning triumph. It is not just an aggressive collection of riffs; it is the opening chapter of a sprawling, deeply imaginative cosmic narrative that cements the trio as a band to keep your sights on.
**Cult of the Void Star**
Track Listing:
1. Harbinger of the Void Star
2. Servants of the Monolith
3. Frostborne Resistance
4. Baptism of Shadows
5. Northbound
6. Boreal Stronghold
"Cult of the Void Star" behaves less like a traditional black metal record and more like a hostile, sub-zero cinematic universe. The album functions as a bleak concept piece tracking a global catastrophe: a massive extraterrestrial monolith crashes into Earth, plunging the planet into a devastating new ice age. This narrative sets the fanatical, cosmic-worshipping titular cult against the desperate Ice Tribes, human survivors led by Cala Garin, the last living descendant of an ancient race known as the Sorn.
Musically, Niveous translates this apocalyptic struggle into a seamless hybrid of first-wave urgency and second-wave atmospheric grandiosity across six monolithic tracks. The record blasts open with the sprawling, seven-and-a-half-minute "Harbinger of the Void Star," setting a suffocating, celestial tone before cascading into the piercing tremolo lines of the lead single, "Servants of the Monolith." What stands out most on this track is the brilliant, cyclical rhythm structure; Nortaath’s percussion mimics the unrelenting drive of a pitch-black blizzard, yet consistently leaves breathing room for dense, melodic melancholy.
The middle section of the album showcases the band's incredible narrative pacing. "Frostborne Resistance" features guest vocals by Jake Rogers of Gallowbraid (my personal favorite off of the album) and "Baptism of Shadows" are driven by Zygrath's layered, icy guitar melodies, capturing the vast, isolating despair of the frozen wastes. Zygrath’s vocals on "Baptism of Shadows" are venomous, sounding less like human screams and more like the howling northern winds of a dying world.
As the story shifts to the northern frontier on "Northbound" and closes with the crushing weight of "Boreal Stronghold," the band utilizes brilliant tempo shifts to evoke a sense of physical travel through the tundra. The production, which leaves a layer of raw grime over the mix without burying the intricate instrumental interplay, perfectly complements the album's visual presentation.
**Conclusion**
With “Cult of the Void Star”, Niveous has crafted one of the most compelling, conceptually rich black metal records of 2026 thus far. They have successfully bridged the gap between raw, primitive aggression and expansive, lore-driven storytelling without ever succumbing to pretentious filler. It is a triumphant, freezing declaration of war from the Midwest underground that sets up a highly anticipated live debut at their official album release show at Milwaukee's X-Ray Arcade on July 18\. If you want to experience the absolute zenith of modern, atmospheric cosmic terror, I highly recommend checking this album out.
For a taste of the album's unrelenting atmosphere and complex rhythmic drive, you can listen to the band's first single from the album, “Servants of the Monolith”.
[NiveousFrozen black metal exploring dark mythologies and cosmic evil entities. Wrought in ice 2024.Niveous](https://niveous-blackmetal.bandcamp.com/?ref=blackmetalzine.com)
BMZ Rating: 9.5/10
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### Review: Ulvhedner - Berg Øde (2026)
URL: https://blackmetalzine.com/review-ulvhedner-b-2026/
Last updated: 2026-07-17T11:29:53.000Z
**Band:** Ulvhedner
**Album:** Berg Øde
**Genre:** Black Metal
**Country:** Norway
**Label:** Independent
**Released:** 30/5-2026
**Introduction**
At the very end of a snow-white fjord, lays a small town called Sauda, where the band Ulvhedner hails from. Ulvhedner plays their own take of the sognametal which Windir were the godfathers of. The six piece band fuses alot of the local Sauda stories, nature and traditions into their music.
Ulvhedner has previously released three full-length albums and two EP's, that all gathered good reviews. They were formerly on the Hellstain Productions roster but have recently dropped out and released this new album Berg Øde independently. Ulvhedner also shares some band members with the other Sauda band, Blodørn (Solistitium Records).
**Berg Øde:**
1. Der Draumar Våknar
2. Dødsmelodi
3. Inn i Elden
4. Det Syng i Kvist og Kved i Kvam
5. Snøen Danser i Vintersol
6. Opp på Stølen
7. Kveldingsblå
It's safe to say I was highly anticipating this album, still listening to their 2023 release "Fjosmetall" weekly, and older tracks "Solnedgang" and "Ein Krigar Fallen til Jord" being among my most played tracks.
Ulvhedner has a way of telling you a story with their music. Svein Terje, who writes most of the music, has a talent to incorporate old radio and TV samples as intros and outros. Combining that with the folk melodies that's created by the guitar leads and other instrumentation, and traditional chanting, solidifies the elements and gives it soul. "Dødsmelodi" is a great example of the traditional folk tunes that Ulvhedner translates into great riffs. The track also has an alluring jaw harp part that showcases their creativity.
Berg Øde feels like a storyline told throughout all the tracks. The songs transition swiftly from one to the next, takin us onwards on their journey. With both Bjørnar and Svein Terje working together on vocals, one growling, the other choiring, adds another layer to the tale, just as on "Snøen Danser i Vintersol". The two vocalists and their layering are more distinct ut to me on Berg Øde than on most of their previous output.
What I like so much about Ulvhedner's music is their way of bringing the music to life. Melodic black metal at its base with folk elements in both guitars, jaw harps, synths, strings and sampling. Intense, rawer sections with beautiful lyrics, and a way to always bring the groove back, just as they portray in "Kveldingsblå".
**Conclusion**
Ulvhedner is highly unique in the black metal landscape of today. Berg Øde is a testament of what Ulvhedner stands for, homage to the rural Norwegian tradition and lifestyle, keeping the melodic sognametal style alive draped in knitted sweaters.
**BMZ Rating: 10 out of 10**
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### Review: Svrm - Мертвий край EP (2026)
URL: https://blackmetalzine.com/review-svrm-mertvii-krai-ep-2026/
Last updated: 2026-07-15T17:22:02.000Z
**Band:** Svrm
**Album:** Мертвий край
**Genre:** Atmospheric Black Metal
**Country:** Ukraine
**Label:** Vendetta Records
**Released:** May 1, 2026
Introduction
Since 2015, Sergey Tkachenko has been quietly running Svrm out of Kharkiv, Ukraine, turning it into one of the most reliable names in atmospheric black metal. He doesn't do the usual gimmickry, no grand songs about fantasy folklore or ancient forests. Instead, Svrm’s music is completely grounded in human grief and real-world trauma. Over a steady stream of EPs and 3 full-length albums, Tkachenko has perfected a sound that blends the blistering, raw tremolo of black metal with the heavy, melodic ache of post-rock. On May 1, 2026, Svrm dropped "Мертвий край" ("Dead Land") via Vendetta Records, and it is easily his most suffocatingly sad and powerful release to date.
Мертвий край
Track Listing:
1. Упала ніч
2. Останнє світло
3. Мертвий край
4. Попіл
5. Рана
With an almost thirty minute run time, this five-track EP is a masterclass in converting pure despair into melody. Tkachenko has a knack for finding a specific, bittersweet sweet spot in his production. The guitars are raw and flatly mixed, but they never lose their emotional depth.
The tracks "Мертвий край" and "Останнє світло" ("The Last Light") are the obvious standouts here, and they highlight why Svrm is widely considered the absolute pinnacle of Drudkh worship in the modern underground. While dozens of bands try to copy the hypnotic, wall-of-sound formula pioneered by Roman Saenko on Drudkh's classic albums like "Autumn Aurora" or "Blood in Our Wells", most fall short because they lack the genuine emotional weight. Svrm doesn't just copy the blueprint; Tkachenko embraces it. The frantic blast beats that suddenly collapse into driving, mid-tempo rhythms and the cascading, melancholic guitar leads feel directly descended from the classic Ukrainian black metal sound.
The translated lyrics to "Останнє світло" tell you everything you need to know about the headspace of this record, capturing that same poetic, regional sorrow Drudkh is famous for:
"The final light will fade away
In empty windows, cold and bare.
No one will ever, come what may,
Return to find a welcome there."
Tkachenko’s vocals are entirely in Ukrainian, sounding like a desperate, agonizing shriek buried just beneath the sonic storm. By the time the final track, Рана ("Wound"), rings out, the EP leaves you feeling completely drained, matching the bleak reality its title promises.
Conclusion
Мертвий край is a stark reminder of why Svrm is a mandatory listen for anyone into atmospheric black metal. Tkachenko isn't trying to show off with complex arrangements or cheap aggression; he is transmuting real, heavy cultural grief into brilliant art. For fans of Drudkh, Afsky, or anyone who appreciates atmospheric black metal, this EP is an absolute must-listen. It is a monument built out of pure sorrow.
BMZ Rating: 9/10
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### The Infernal Records: Week 22
URL: https://blackmetalzine.com/the-infernal-records-week-22/
Last updated: 2026-06-25T12:36:46.000Z
The Infernal Records: Week 22 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: 630
Album: The Will of Sva
Country: Ukraine
Genre: Black Metal
Date: May 26, 2026
[The Will of Sva, by 6309 track albumChorna Rada Northern SynodBandcamp New & Notable Feb 3, 2026](https://chornaradanorthernsynod.bandcamp.com/album/the-will-of-sva?ref=blackmetalzine.com)
Band: Azaghal
Album: Nekrohelios
Country: Finland
Genre: Black Metal
Date: May 29th, 2026
[Nekrohelios, by Azaghal11 track albumImmortal Frost Productionssashavonkarl74](https://immortalfrostproductions1.bandcamp.com/album/nekrohelios?ref=blackmetalzine.com)
Band: Ater Era
Album: Sinistria
Country: Slovenia
Genre: Black Metal (with doom & death elements)
Date: May 29, 2026
[SINISTRIA, by Ater Era5 track albumAter EraYomaBarr](https://ater-era.bandcamp.com/album/sinistria?ref=blackmetalzine.com)
Band: Avolia
Album: Old Times of Freyr (EP)
Country: Brazil
Genre: Black Metal
Date: May 25, 2026
Spotify Link
Band: Dauþuz
Album: Todeswerk: Uranium II
Country: Germany
Genre: Black Metal
Date: May 28, 2026
[Todeswerk: Uranium II, by Dauþuz8 track albumDauþuzsstokell](https://dauthuzbm.bandcamp.com/album/todeswerk-uranium-ii?ref=blackmetalzine.com)
Band: Deus Sabaoth
Album: Distortion of Lies
Country: Ukraine
Genre: Black Metal / Symphonic Black Metal
Date: May 29, 2026
[Distortion of Lies, by Deus Sabaoth7 track albumDeus SabaothTimothy Carr](https://deussabaoth.bandcamp.com/album/distortion-of-lies?ref=blackmetalzine.com)
Band: Dräals
Album: Endless Winter
Country: Switzerland
Genre: Black/Speed Metal
Date: May 27, 2026
[Endless Winter, by Dräals7 track albumDräalsBandcamp Album of the Day Jul 15, 2020](https://draals.bandcamp.com/album/endless-winter?ref=blackmetalzine.com)
Band: Fields of Agony
Album: S/T (EP)
Country: UK
Genre: Raw Black Metal
Date: May 27, 2026
[s/t, by Fields of Agony6 track albumFields of AgonyMatthew](https://fieldsofagony-iec.bandcamp.com/album/s-t?ref=blackmetalzine.com)
Band: Gormoth
Album: Ash Grey Horizon (EP)
Country: Hungary
Genre: Atmospheric Black Metal
Date: May 26, 2026
[Ash Grey Horizon, by Gormoth3 track albumGormothGormoth](https://gormoth1219.bandcamp.com/album/ash-grey-horizon?ref=blackmetalzine.com)
Band: Grave Pilgrim
Album: The Pungent Wine of Pride
Country: USA
Genre: Melodic/Raw Black Metal
Date: May 29, 2026
[The Pungent Wine of Pride, by Grave Pilgrim8 track albumGrave PilgrimGauntlet](https://gravepilgrim.bandcamp.com/album/the-pungent-wine-of-pride?ref=blackmetalzine.com)
Band: Gravespawn
Album: Sword Hand Path
Country: USA
Genre: Black Metal
Date: May 26, 2026
[Sword Hand Path, by Gravespawn10 track albumGravespawnsashavonkarl74](https://gravespawn.bandcamp.com/album/sword-hand-path?ref=blackmetalzine.com)
Band: Griis
Album: Demo 2026
Country: Netherlands
Genre: Black Metal
Date: May 27, 2026
[Demo 2026, by GRIIS3 track albumGRIIS](https://griisbm.bandcamp.com/album/demo-2026?ref=blackmetalzine.com)
Band: Hainsang
Album: S/T (EP)
Country: Germany
Genre: Melodic Black Metal
Date: May 29, 2026
Spotify Link
Band: Illithocyte / Marcheur de Nuit
Album: Mort aux rois
Country: Québec, Canada
Genre: Atmospheric/Raw Black Metal/Dungeon Synth
Date: March 28, 2025
[Mort Aux Rois, by Illithocyte / Marcheur de Nuit6 track albumNightwalker](https://nightwalkersk.bandcamp.com/album/mort-aux-rois?ref=blackmetalzine.com)
Band: Immolagoat
Album: Embrace the Truth and Doom
Country: China
Genre: Black Metal
Date: May 24, 2026
[Embrace the Truth and Doom, by Immolagoat8 track albumImmolagoat](https://immolagoat.bandcamp.com/album/embrace-the-truth-and-doom?ref=blackmetalzine.com)
Band: Immortal Hammer
Album: V Srdci Severskej Temnoty
Country: Slovakia
Genre: Black Metal
Date: May 25th, 2026
[V Srdci Severskej Temnoty, by Immortal Hammer7 track albumHexencavesashavonkarl74](https://hexencave.bandcamp.com/album/v-srdci-severskej-temnoty?ref=blackmetalzine.com)
Band: Infernus Presence
Album: Thy Restlessness That Follows
Country: Russia
Genre: Atmospheric Black Metal/Ambient
Date: May 29, 2026
[Thy Restlessness That Follows, by Infernus Presence8 track albumInfernus PresenceBandcamp Album of the Day Mar 23, 2021](https://infernuspresence.bandcamp.com/album/thy-restlessness-that-follows?ref=blackmetalzine.com)
Band: Iku-Turso
Album: As The Funeral Winds Gather (EP)
Country: Finland / Netherlands
Genre: Black Metal
Date: May 27, 2026
[As The Funeral Winds Gather, by Iku-Turso8 track albumIku-TursoIku-Turso](https://iku-turso.bandcamp.com/album/as-the-funeral-winds-gather?ref=blackmetalzine.com)
Band: Malebeste
Album: Monestherou
Country: France
Genre: Black Metal
Date: May 25, 2026
[Monestherou, by Malebeste9 track albumMalebesteBandcamp New & Notable Jun 7, 2023](https://malebeste.bandcamp.com/album/monestherou?ref=blackmetalzine.com)
Band: Mohyla
Album: Nulla Salus
Country: Poland / Ukraine
Genre: Black Metal
Date: May 25, 2026
[Nulla Salus, by Mohyla7 track albumMohylabago](https://mohylabm.bandcamp.com/album/nulla-salus?ref=blackmetalzine.com)
Band: Musta Suru
Album: Viimeinen viilto
Country: Finland
Genre: Black Metal/DSBM
Date: May 29, 2026
[Viimeinen viilto, by Musta Suru9 track albumDownfall RecordsBandcamp New & Notable Apr 1, 2024](https://downfallrecords.bandcamp.com/album/viimeinen-viilto?ref=blackmetalzine.com)
Band: Nachtigal
Album: Perdition's Rest
Country: USA
Genre: Black Metal / Blackened Death Metal
Date: May 27th, 2026
[Perdition’s Rest, by Nachtigal8 track albumNachtigalBandcamp New & Notable Jun 3, 2023](https://nachtigalmusic.bandcamp.com/album/perditions-rest?ref=blackmetalzine.com)
Band: Nazgash
Album: Eternal Cycle of Death
Country: Spain
Genre: Black Metal
Date: May 26, 2026
[Eternal cycle of death, by Nazgash11 track albumNazgash](https://nazgash.bandcamp.com/album/eternal-cycle-of-death?ref=blackmetalzine.com)
Band: Pit of Corruption
Album: Pure Spiritual Darkness (EP)
Country: UK
Genre: Raw Black Metal
Date: May 24, 2026
[Pure Spiritual Darkness, by Pit Of Corruption4 track albumPit Of Corruptiondanquebec](https://pitofcorruption.bandcamp.com/album/pure-spiritual-darkness?ref=blackmetalzine.com)
Band: Quaetdoender
Album: Quaet Opset
Country: Belgium
Genre: Black Metal
Date: May 26, 2026
[Quaet opset, by Quaetdoender8 track albumQuaetdoenderMarco](https://quaetdoender.bandcamp.com/album/quaet-opset?ref=blackmetalzine.com)
Band: Ritualistic Heretical Abyss
Album: S/T (demo)
Country: Indonesia
Genre: Raw Black Metal
Date: May 27, 2026
[Ritualistic Heretical Abyss, by R.H.A5 track albumRitualistic Heretical AbyssDeadNightMoonlight](https://ritualistichereticalabyss.bandcamp.com/album/ritualistic-heretical-abyss?ref=blackmetalzine.com)
Band: Rimruna
Album: Wenn droben nachts der Frostmond thront
Country: Germany
Genre: Black Metal
Date: May 30, 2026
[Wenn droben nachts der Frostmond thront, by Rimruna6 track albumRimrunacitizen666](https://rimruna.bandcamp.com/album/wenn-droben-nachts-der-frostmond-thront?ref=blackmetalzine.com)
Band: Sandalphon
Album: Sacerdotium
Country: Unknown
Genre: Symphonic/Atmospheric Black Metal
Date: May 25, 2026
[Sacerdotium, by Sandalphon6 track albumSandalphonBandcamp New & Notable Jan 5, 2022](https://sandalphonblack.bandcamp.com/album/sacerdotium?ref=blackmetalzine.com)
Band: Serpent Lord
Album: The Once Forgotten Ways of Old
Country: USA
Genre: Pagan Black Metal
Date: May 29, 2026
[The Once Forgotten Ways of Old, by SERPENT LORD6 track albumSERPENT LORDYomaBarr](https://serpentlordusa.bandcamp.com/album/the-once-forgotten-ways-of-old?ref=blackmetalzine.com)
Band: Somnia Finem
Album: Desassossego
Country: Portugal
Genre: Black Metal
Date: May 29, 2026
[Desassossego, by Somnia Finem6 track albumsomniafinemBandcamp New & Notable Aug 10, 2025](https://somniafinem.bandcamp.com/album/desassossego?ref=blackmetalzine.com)
Band: Trelldom
Album: ...By the Word...
Country: Norway
Genre: Avant-Garde Black Metal
Date: May 29, 2026
[...By the Word..., by Trelldom7 track albumTrelldomdominic38](https://trelldom.bandcamp.com/album/by-the-word?ref=blackmetalzine.com)
Band: Tuonela
Album: The Residue of Existence (EP)
Country: Sweden
Genre: Black Metal
Date: May 28, 2026
[The Residue of Existence, by Tuonela2 track albumTuonelaTuonela](https://tuonelablackmetal.bandcamp.com/album/the-residue-of-existence-2?ref=blackmetalzine.com)
Band: Varn
Album: Total Disärtillery
Country: Turkey
Genre: Atmospheric Black Metal
Date: May 25, 2026
[Total Disärtillery, by Voidhymn Records8 track albumVarnBandcamp Album of the Day Apr 30, 2026](https://varnband666.bandcamp.com/album/total-dis-rtillery?ref=blackmetalzine.com)
Band: Verzauber
Album: Dire Garden of the Ages
Country: Iceland
Genre: Black Metal
Date: May 29, 2026
[Dire Garden of the Ages, by Verzauber11 track albumVerzauberbmurator](https://verzauber.bandcamp.com/album/dire-garden-of-the-ages?ref=blackmetalzine.com)
Band: Vimbulnatt
Album: Der dunklen Tugenden. Echos
Country: Germany
Genre: Black Metal
Date: May 28, 2026
[Der dunklen Tugenden. Echos, by Vimbulnatt9 track albumVimbulnattBandcamp Album of the Day Apr 30, 2026](https://vimbulnatt.bandcamp.com/album/der-dunklen-tugenden-echos?ref=blackmetalzine.com)
Band: Windswept
Album: Howling in Baptismal Filth
Country: New Zealand
Genre: Black Metal
Date: May 29, 2026
[Howling in Baptismal Filth, by Windswept8 track albumWindsweptRicardo Cristof](https://windsweptband.bandcamp.com/album/howling-in-baptismal-filth?ref=blackmetalzine.com)
### Live Review: Karmøygeddon Metal Festival (2026)
URL: https://blackmetalzine.com/live-review-karmoygeddon-metal-festival-2026/
Last updated: 2026-05-30T18:43:14.000Z
May has arrived in all its glory which means the local metal festival Karmøygeddon will take place! I, ofcourse had to participate and once again by the will of the good folks at Karmøygeddon was granted a photo pass!
For those unfamiliar with the festival, please check out my previous festival reviews which contain more detailed info about the festival itself.
**Sigtyr:** My first black metal gig of the festival happend to be by Sigtyr. The band plays "Sognametal" or Windir sounding black metal. Their concert was highly melodic and alot of eager fans had gathered to catch their performance. Highly recomend to check them out!
**Old Mans Child:** Old Man's Child was the star of the first festival day for me. The reasoning for that is that OMC was one of my Gateway bands into black metal (from their split with Dimmu Borgir) and seeing them in my own home town was amazing. I was also very excited to photograph this gig as my previous shoot of then at Inferno Metal Festival was less sucessful due to harsh conditions, haha. Galder has a great stage presence and I really enjoy him on the vocals. The rest of the band were also greatly interactive, which makes for a good show!
**Dark Tranquility:** This is a band that I havent realy gotten into but I was gonna give them a chance and listen to some songs before heading home. To my surprise I found them rather amusing live and ended up staying for the whole duration of their set. Frontman probably had the best mood of all at the festival. Whatever he takes, I want two of!
**Uburen**: Theres nothing like waking up to some black metal, and Uburen served exactly that at 12.15 PM to start the day. I've wanted to see this band for a while as they are somewhat local but I have never managed to do so. I took the opportunity this time however and I was not disappointed. Agressive and groovy black metal was roaring through the halls of Karnøygeddon, still sticky of spilled beer from the night before. I will make sure to see Uburen again when they play localy.
**Havukruunu:** Another band that I enjoy on the roster. Previously I've seen Havukruunu at my second home in Belgium at the great festival Thronefest. This time around I found their gig to be even better, filled with medieval melodies, haunting atmosphere and blazing riffs. Alot of people in the audience for this gig to be the best of all at this years Karmøygeddon.
**Vintersorg:** The veterans of Vintersorg delivered a very nice set. I was not too familiar with their music before hand but their live set and presence was very attention grabbing. I will have to dwell more into their releases.
**Septicflesh**: Once again I get to see the greek legends Septicflesh. They opened hard with Portrait of a headless man and didnt let go of the pace a secound since that. This gig was so heavy and I could feel the bass drums in my chest ths entire time. Also thank f\*ck for investing more money into even better speakers Karmøygeddon! The crowd also went hard for this show and this would serve only as a small taste of what they had in them for Abbath the following day. Moshpits, circle pits, wall of death and more surfing than on a hot summer day in Hawaii.
**Accept:** Was headlining the 2nd day and drew alot of older metalheads to the front rows. Accept is a very important band historicaly for alot of people and brings alot of nostalgia with them. The first half of concert consisted of newer material and the crowd seemed to be awaiting the good old stuff from their youth. Accept complied and played their bangers "Fast as a Shark" "Son of a Bitch" and "Balls to the Wall" to name a few. A fun ending for this featival day!
**Thron:** German black metalers Thron performed an intense show for a packed venue on the last day of the fest. With corpsepainted faces and spiked attire the band delievered crushing cold riffs with nasty vocals to the crowd. Despite lacking their bassist who was stuck at home due to an accident shortly before their travel, they managed to pack a good punch.
**Kvaen:** The Swedish Kvaen is a band ive been eager to check out. With inverted crosses hanging around their necks I knew I had arrived at the right place. Swedish black metal filled the venue and clensed my ears from the days power metal. Raw energy and emotion on stage that puts pride in one's eart. Alot of fellow black metal musicians took time off their busy schedule to witness kvaen from the side of the stage!
**Throne of Katarsis**: My most anticipated gig for tonight was Throne of Katarsis! The local black metal band who hadnt played a live show in over 10 years was finaly back. Tore Grindheim (their manager) kindly let me shoot their entire gig, and let me know the bands pyro plans the night before. Throne of Katarsis plays true Norwegian black metal and holds their image true. With lengthy songs the band had a setlist of 5 tracks which tranformed the venue into a blaze with candles, spikes and chains harshly decorating the room. Some of the band members are also known from other projects such as Evig Natt, and Gehenna.
**Abbath:** The mighty Abbath was headlining the last day of the festival with the Doom Occulta show of Immortal songs. He opened with maybe my favourite track of theirs "The call of the wintermoon". Abbath was in great shape, crabwalking and blashrykthin here and there throughout the gig. The Karmøygeddon crowd seem to really love the Immortal set and was more active than I had ever seen before. Energetic moshpits and rapid circle pits were throwing metalheads left and right, and the crowdsurfers were f\*cking wild. Security worked non-stop catching people flying over the fence, literally as the 1-rowers used what energy they had left to throw them over! Speaking of rowers, there was a big section of metalheads partaking in a Viking Abbath raid in the crowd too.This amazing crowd is something I havent found the likes of elsewhere in Norway, the only other festival that can somewhat keep up is the biggest one in Norway, Tons of Rock. Tons of Rock however could only dream of dwelling in the shadows of Karmøygeddon which is truly the best festival in Norway.
Wrapping up this festival review I would give a special thanks to Johnny Angelund, Leif Neverdahl, Oddbjørn Broshaug and Gunnlaug Broshaug for always being welcoming and awesome. You lot and your festival means alot more than you might imagine to us in the metal community!
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## Your thoughts on this live review.
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### Review: Via ad Mortem (2026)
URL: https://blackmetalzine.com/review-via-ad-mortem-2026/
Last updated: 2026-07-15T17:22:55.000Z
**Band:** Via ad Mortem
**Album:** Requiem I: Through the Path, over the Ruins
**Genre:** Black Metal
**Country:** Italy
**Label:** Northern Darkness Records
**Released:** May 15, 2026
Introduction
The underground has a new name to reckon with. Coming out of Italy, Via ad Mortem (Latin for “The way to death”) is a fresh new black metal project that also marks the explosive return of the resurrected Northern Darkness Records. The lineup features the combined forces of Hiems Silens on guitars and bass, alongside the vocal assault and keyboards of Santamuertero Sinister and Gibil on drums. Instead of playing catch-up with safe, modern extreme metal trends, this trio looks backwards towards the second wave especially and inwards towards the roots of what black metal was meant to stand for.
Requiem I: Through the Path, over the Ruins
Track Listing:
1. The First Steps Towards the Unkown
2. Through the Path...
3. Worshipper of Death
4. Muchita - Night in Lima
5. Into the Bardo
6. Voragine di Luce
7. ...Over the Ruins
8. Rib for a Rib
9. The Grace of Gnosis
Their debut full-length, Requiem I: Through the Path, over the Ruins, is a massive, 9-track journey that pulls off a difficult balancing act. Musically, it bridges the gap between the chaotic, primordial fury of classic Italian act Spite Extreme Wing and the sweeping, atmospheric melancholy of Drudkh.
The record kicks off with the eerie drone of "The First Steps Towards the Unknown" before launching into a storm of relentless tremolo lines and sharp blasting. What makes the album work so well is its pacing. It doesn’t just hammer you into submission; it knows when to breathe. "Worshipper of Death" acts as a great showcase for their blistering, traditional style, while tracks like "Muchita, Night in Lima" inject a distinct, ritualistic atmosphere into the mix.
The production leaves plenty of room for cavernous vocals and dense basslines to cut through, especially on the title movements and mid-album standouts like "Into the Bardo" and "Voragine di Luce." Lyrically, the album focuses on necromancy, esoteric traditions, and a total rejection of modern materialism, matching the bleakness of the music perfectly
Conclusion
Requiem I: Through the Path, over the Ruins is an incredibly strong debut. Via ad Mortem has delivered a record that feels genuinely alive, grounded in the roots of traditional black metal but elevated by its deep philosophical weight. It avoids trendy gimmicks and stands tall as a dark, uncompromising piece of art.
BMZ Rating: 8.5/10
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### Review: Panopticon - Det hjemsøkte hjertet (2026)
URL: https://blackmetalzine.com/review-panopticon-det-hjemsokte-hjertet-2026/
Last updated: 2026-07-15T17:22:03.000Z
**Band:** Panopticon
**Album:** Det hjemsøkte hjertet
**Genre:** Atmospheric Black Metal
**Country:** United States
**Label:** Nordvis Produxtions
**Released:** May 8, 2026
Introduction:
For nearly two decades, Austin Lunn has operated as the primary architect of Panopticon, a project that redefined atmospheric black metal by bleeding it into the soil of the American landscape. From the coal mines of Kentucky to the frost-shattered forests of Minnesota, Lunn’s work has always been a visceral intersection of heritage, environmental eulogy, and Appalachian folk. Following the sprawling Laurentian releases of 2025, Lunn has returned n 2026 with Det Hjemsøkte Hjertet ("The Haunted Heart"). This record marks the profound closing of the Laurentian Trilogy, shifting the focus from the personal lamentations of "…And Again into the Light" and the ideological climate-crisis of "The Rime of Memory" toward a narrative exploration of memory, cultural erosion, and the aching rhythm of a life nearing its final breath.
Det Hjemsøkte Hjertet
Track Listing:
1. Woodland Caribou
2. The Great Silence, Extinct
3. Blood and Fur Upon the Melting Snow
4. The White Cedars
5. A Culture of Wilderness
6. Lyset
7. Ghost Eyes in the Firelight
Det Hjemsøkte Hjertet is a conceptually dense masterwork that follows a central character, an elderly hermit reflecting on a life defined by the rugged landscapes of Minnesota’s Arrowhead region. The music mirrors this narrative transition, blending raw ferocity with cinematic patience. The twelve-minute opener, "Woodland Caribou," sets the stage by using the disappearance of the caribou as a metaphor for the fading Scandinavian immigrant culture of the North. Much like the caribou were outcompeted by deer, Lunn suggests our ancestral traditions are being outcompeted by a "synthetic" modern world. The track begins with the somber crackle of a woodstove and mournful strings before descending into a blizzard of tremolo picking and blast beats, evoking the crystalline gestation of a winter night.
Lunn’s songwriting has never felt more purposeful, grounded in months of historical research to ensure the authenticity of the protagonist's journey, from a 1906 birth in Duluth to the logging camps of the 1920s. In "The Great Silence, Extinct," the integration of banjo and folk elements acts as a rhythmic skeleton against a frantic black metal assault. Here, Lunn critiques the synthetic glow of modernity, suggesting that our constant connectivity has made the true silence of the wild a thing of the past. The production strikes a delicate balance; it possesses a rugged grit, yet the folk instrumentation feels fully integrated into the warped reality of the character’s memories.
In tracks like "Blood and Fur Upon the Melting Snow" and "The White Cedars," the album explores the "stoicism as virtue" mentality of the character’s Lutheran upbringing and the parasitic nature of the lumber industry. The lyrics grapple with the resentful regret of a life spent in isolation, questioning if the wilderness will remember the deeds of man. The music reflects this tension, alternating between soaring, melodic passages and suffocating, dissonant sections that mirror the charred black spires of a forest after a wildfire. By the time we reach the instrumental "Lyset," the listener is granted a brief moment of calm, a flickering candle in a drafty cabin, before the final descent.
The album reaches its emotional climax with "Ghost Eyes in the Firelight," a thirteen-minute finale that finds the protagonist laying down upon the melting snow, finally free of his mortal coil. It is a devastatingly beautiful conclusion that reinforces Lunn’s central warning: we are the sum of our parts, yet we are losing our culture and heritage to the noise of the modern age.
Conclusion
Det Hjemsøkte Hjertet serves as a meticulously crafted eulogy for a world that is no longer ours. By sifting through the ashes of the past, Panopticon has delivered an intellectually and emotionally resonant experience, a reminder to gaze into the embers and keep the inner fire burning before the clock expires.
BMZ Rating: 9/10
## Your thoughts on this review.
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### The Infernal Records: Week 21
URL: https://blackmetalzine.com/the-infernal-records-week-21/
Last updated: 2026-05-25T10:00:07.000Z
The Infernal Records: Week 21 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Anchoret
Album: Incassum I
Country: Serbia
Genre: Black Metal
Date: May 20, 2026
[Incassum I, by Anchoret4 track albumAnchoret](https://anchoret666.bandcamp.com/album/incassum-i?ref=blackmetalzine.com)
Band: Ancient Heresy
Album: The Abyss of my Dreams
Country: Québec, Canada
Genre: Black Metal
Date: May 20, 2026
[The Abyss of my Dreams, by Ancient Heresy7 track albumAncient Heresy](https://ancientheresy.bandcamp.com/album/the-abyss-of-my-dreams?ref=blackmetalzine.com)
Band: Ammanas
Album: Anthems from the Ancient Tales
Country: Russia
Genre: Epic/Atmospheric Black Metal
Date: May 22, 2026
[Anthems from the Ancient Tales, by Ammanas7 track albumAmmanasAmmanas](https://ammanas.bandcamp.com/album/anthems-from-the-ancient-tales?ref=blackmetalzine.com)
Band: Barren Canyon
Album: A Virulent Steam
Country: Canada
Genre: Depressive/Atmospheric Black Metal
Date: May 22, 2026
[A Virulent Steam, by Barren Canyon5 track albumAvantgarde MusicDave Aftandilian](https://avantgardemusic.bandcamp.com/album/a-virulent-steam?ref=blackmetalzine.com)
Band: Devil's Chasm
Album: 3 Track Demo (demo)
Country: USA
Genre: Raw Black Metal/DSBM
Date: May 18, 2026
[3 Track Demo, by Devils Chasm3 track albumDevils ChasmBandcamp New & Notable May 9, 2025](https://devilschasm.bandcamp.com/album/3-track-demo?ref=blackmetalzine.com)
Band: Dimmu Borgir
Album: Grand Serpent Rising
Country: Norway
Genre: Symphonic Black Metal
Date: May 22, 2026
[Grand Serpent Rising, by Dimmu Borgir13 track albumDimmu BorgirOpethian](https://dimmuborgir.bandcamp.com/album/grand-serpent-rising?ref=blackmetalzine.com)
Band: Downfall Of Nur
Album: And the Firmament will Burn to Quench the Pain of this Earth
Country: Argentina
Genre: Atmospheric Folk/Black Metal
Date: May 22nd, 2026
[And the Firmament will Burn to Quench the Pain of this Earth, by Downfall Of Nur7 track albumAvantgarde MusicDave Aftandilian](https://avantgardemusic.bandcamp.com/album/and-the-firmament-will-burn-to-quench-the-pain-of-this-earth?ref=blackmetalzine.com)
Band: Ellende
Album: Verborgenes inneres Leiden (EP)
Country: Austria
Genre: Post-Black Metal
Date: May 20, 2026
[Verborgenes inneres Leiden, by Ellende2 track albumEllendedonslyfollower3](https://ellende.bandcamp.com/album/verborgenes-inneres-leiden?ref=blackmetalzine.com)
Band: Grimheart
Album: A Beast Of Ancient Memory
Country: Germany
Genre: Symphonic Black Metal
Date: May 22, 2026
[A Beast Of Ancient Memory, by Grimheart7 track albumGrimheartGrimheart](https://agrimheart.bandcamp.com/album/a-beast-of-ancient-memory?ref=blackmetalzine.com)
Band: Haemoth
Album: Black Dust
Country: France
Genre: Black Metal
Date: May 22, 2026
[Black Dust, by Haemoth11 track albumAgonia RecordsIDE](https://agoniarecords.bandcamp.com/album/black-dust?ref=blackmetalzine.com)
Band: Hexenaltar
Album: Descending Curse
Country: Poland
Genre: Black/Thrash Metal
Date: May 22, 2026
[Descending Curse, by HEXENALTAR10 track album𝔊𝔬𝔡𝔷 𝔒𝔳 𝔚𝔞𝔯 𝔓𝔯𝔬𝔡𝔲𝔠𝔱𝔦𝔬𝔫𝔰locknar](https://godzovwarproductions.bandcamp.com/album/descending-curse?ref=blackmetalzine.com)
Band: Hísemtuks Hími•n
Album: Steptoe
Country: USA
Genre: Symphonic/Melodic Black Metal
Date: May 23, 2026
[Steptoe, by Hísemtuks Hími•n7 track albumHísemtuks Hími•nBandcamp New & Notable Jan 5, 2022](https://hisemtukshimin.bandcamp.com/album/steptoe?ref=blackmetalzine.com)
Band: Immortal
Album: To the North and Into Eternal Winter - Live in Darkness 1993-1995
Country: Norway
Genre: Black Metal
Date: May 22, 2026
[To the North and Into Eternal Winter - Live in Darkness 1993-1995, by Immortal15 track albumImmortalazagthoth05](https://immortaldarknessshallrise.bandcamp.com/album/to-the-north-and-into-eternal-winter-live-in-darkness-1993-1995?ref=blackmetalzine.com)
Band: Krv
Album: Princip
Country: Bosnia and Herzegovina
Genre: Black Metal
Date: May 20, 2026
[Princip, by KRV7 track albumKRVBandcamp Album of the Day Oct 9, 2025](https://krvpropaganda.bandcamp.com/album/princip?ref=blackmetalzine.com)
Band: Kur•Nu•Gi•A
Album: Carmina Inferorum
Country: Poland
Genre: Avant-Garde Black/Death Metal
Date: May 22, 2026
[Carmina Inferorum, by KUR•NU•GI•A8 track album𝔊𝔬𝔡𝔷 𝔒𝔳 𝔚𝔞𝔯 𝔓𝔯𝔬𝔡𝔲𝔠𝔱𝔦𝔬𝔫𝔰BoboDupla](https://godzovwarproductions.bandcamp.com/album/carmina-inferorum?ref=blackmetalzine.com)
Band: 구룡 (Kuryong) / 압록 (Amnok)
Album: 합작음반 (split)
Country: Unknown (Almost certainly not from NK)
Genre: Raw Black Metal
Date: May 23, 2026
[합작음반, by 구룡, 압록5 track album구룡](https://kuryongdprk.bandcamp.com/album/--4?ref=blackmetalzine.com)
Band: La Poule Noire
Album: Non Sancto
Country: Mexico
Genre: Black Metal
Date: May 21, 2026
[Non Sancto, by La Poule Noire5 track albumLa Poule Noire](https://lapoulenoire.bandcamp.com/album/non-sancto?ref=blackmetalzine.com)
Band: Lore
Album: Psychotic Trance Of The Black Nights
Country: UK
Genre: Black Metal
Date: May 22, 2026
[Psychotic Trance Of The Black Nights, by Lore4 track albumDeath Prayer RecordsNocturnal Egg (Jordan)](https://deathprayerrecords.bandcamp.com/album/psychotic-trance-of-the-black-nights?ref=blackmetalzine.com)
Band: Ludus Umbrarum
Album: Ascensus Cadentium
Country: Serbia
Genre: Symphonic Black Metal
Date: May 22, 2026
[Ascensus Cadentium, by Ludus Umbrarum9 track albumLudus UmbrarumBandcamp New & Notable Jul 6, 2023](https://ludusumbrarum.bandcamp.com/album/ascensus-cadentium?ref=blackmetalzine.com)
Band: Mansvara
Album: Sable Odes to Nihility
Country: Poland
Genre: Death/Black Metal
Date: May 22, 2026
[Sable Odes to Nihility, by MANSVARA8 track album𝔊𝔬𝔡𝔷 𝔒𝔳 𝔚𝔞𝔯 𝔓𝔯𝔬𝔡𝔲𝔠𝔱𝔦𝔬𝔫𝔰Metallurgical Fire](https://godzovwarproductions.bandcamp.com/album/sable-odes-to-nihility?ref=blackmetalzine.com)
Band: Masca
Album: Maskerie Filia Diaboli
Country: Italy
Genre: Black/Death Metal
Date: May 22, 2026
[SAT415: Masca - Maskerie Filia Diaboli (2026), by Satanath Records8 track albumSatanath Recordsbmurator](https://satanath.bandcamp.com/album/sat415-masca-maskerie-filia-diaboli-2026?ref=blackmetalzine.com)
Band: Mécréant
Album: Déchéance
Country: France
Genre: Black Metal
Date: May 22, 2026
[Déchéance, by Mécréant10 track albumMécréantdp1418](https://mecreant.bandcamp.com/album/d-ch-ance?ref=blackmetalzine.com)
Band: Noituma
Album: Yhdeksän sairautta
Country: Finland
Genre: Folk/Pagan Black Metal
Date: May 22nd, 2026
[Yhdeksän sairautta, by Noituma9 track albumNoitumaBandcamp New & Notable Mar 19, 2018](https://noituma.bandcamp.com/album/yhdeks-n-sairautta?ref=blackmetalzine.com)
Band: Noxulifer
Album: Black Light Renaissance (EP)
Country: Greece
Genre: Black Metal
Date: May 22, 2026
[Black Light Renaissance, by Noxulifer3 track albumNoxulifer](https://noxulifer2.bandcamp.com/album/black-light-renaissance?ref=blackmetalzine.com)
Band: Opera IX
Album: Veneficium
Country: Italy
Genre: Symphonic Black Metal
Date: May 22, 2026
[Veneficium, by Opera IX11 track albumEdged Circle ProductionsRicardo Cristof](https://edgedcircleproductions.bandcamp.com/album/veneficium?ref=blackmetalzine.com)
Band: Only Smile
Album: Damn Sad Joy (EP)
Country: Russia
Genre: DSBM/Rock
Date: May 20, 2026
[Damn Sad Joy, by Only Smile5 track albumOnly Smilemybodyisnotwhole](https://onlysmile.bandcamp.com/album/damn-sad-joy?ref=blackmetalzine.com)
Band: Piołun
Album: Exolvuntur
Country: Poland
Genre: Black Metal
Date:May 22, 2026
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Band: Remor
Album: Purple Skies (demo)
Country: UK
Genre: Black Metal/Dungeon Synth
Date: May 18, 2026
[Purple Skies, by Remor6 track albumREMOR](https://remor-dungeon.bandcamp.com/album/purple-skies?ref=blackmetalzine.com)
Band: Solipsism
Album: Pedagogy for the Existentially Exhausted
Country: Slovakia
Genre: Black Metal
Date: May 23, 2026
[Pedagogy for the Existentially Exhausted, by Solipsism9 track albumsunandmoonrecordsBandcamp New & Notable May 9, 2025](https://sunandmoonrecords.bandcamp.com/album/pedagogy-for-the-existentially-exhausted?ref=blackmetalzine.com)
Band: Sylve
Album: L'exil
Country: Belgium
Genre: Raw Atmospheric Black Metal
Date: May 18, 2026
[L’exil, by Sylve8 track albumSylveBandcamp Album of the Day Apr 30, 2026](https://sylve.bandcamp.com/album/lexil?ref=blackmetalzine.com)
Band: Tearless 無淚
Album: 我請求一場有效的死亡 Please an Effective Death.
Country: China
Genre: Atmospheric Black Metal/DSBM
Date:May 21, 2026
[我請求一場有效的死亡Please an Effective Death., by TEARLESS 無淚6 track albumTEARLESSBandcamp New & Notable May 9, 2025](https://tearlesss.bandcamp.com/album/please-an-effective-death?ref=blackmetalzine.com)
Band: The Circle of the Elect
Album: Kaoskarma
Country: Ukraine
Genre: Atmospheric Black Metal
Date: May 21, 2026
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Band: Vanskapth
Album: II: I Krig Mot Mig Själv
Country: Sweden
Genre: DSBM
Date: May 23, 2026
[VanskapthStockholm MelancholiaVanskapth](https://vanskapth.bandcamp.com/?ref=blackmetalzine.com)
Band: Witching Hour
Album: Descending … Where Time Has Ceased To Exist
Country: Germany
Genre: Black/Thrash/Heavy Metal
Date: May 22, 2026
[Descending … Where Time Has Ceased To Exist, by Witching Hour6 track albumDying Victims ProductionsDomingo](https://dyingvictimsproductions.bandcamp.com/album/descending-where-time-has-ceased-to-exist?ref=blackmetalzine.com)
Band: Wruen
Album: The Endless Night (EP)
Country: Finland
Genre: Black Metal
Date: May 22, 2026
[The Endless Night EP, by Wruen4 track albumWruenHevitiainen](https://wruen.bandcamp.com/album/the-endless-night-ep?ref=blackmetalzine.com)
Band: Yfel1710
Album: Live 2026 a.y.p.s. (live album)
Country: Poland
Genre: Black Metal
Date: May 23, 2026
[LIVE 2026 a.y.p.s., by YFEL171010 track albumYFEL1710Bandcamp New & Notable Apr 15, 2023](https://yfel1710.bandcamp.com/album/live-2026-a-y-p-s?ref=blackmetalzine.com)
### Review: Gemynd Beadu - Obsolete Human Machine (2026)
URL: https://blackmetalzine.com/review-gemynd-beadu-obsolete-human-machine-2026/
Last updated: 2026-07-15T17:22:04.000Z
**Band:** Gemynd Beadu
**Album:** Obsolete Human Machine
**Genre:** Atmospheric/Depressive Black Metal
**Country:** Australia
**Label:** Schaden Collective
**Released:** May 2026
## **Introduction**
So we’re back with another psychotic one man hellscape today with ‘Obsolete Human Machine’ by Australian project Gemynd Beadu.
**Obsolete Human Machine**
**Tracklist:**
1. Blood And Rebar On Concrete
2. Lymphonodus
3. Convulsing Soma Deity
4. The Guilt Of Being
5. Involuntary Transhumanism
6. Giving In & Letting Go
## **Rumination**
On Obsolete Human Machine, recent (and newly recommended to me) project Gemynd Beadu presents a paranoid nightmare world where zealot elites have imposed technology onto all mankind in order to strip them of any humanity. An album that seems to meditate on the hopelessness of being a small man in a world where evil forces are constantly trying to destroy them.
I think a big appeal of this to me is the sound and technofuturist theme. For me I never liked industrial black metal, but this album seems to ruminate on the oncoming technology based existential dread everyone faces in a really unique and interesting way without getting into late 90s eurocringe territory. It’s just a genuinely cold depressing album.
Outside of this, the songwriting and production on the album invokes the same feeling that I used to get from Endless Dismal Moan records. Some of the sounds are so f\*cked and weird (drums and vocal effects in particular and some weird noises i can’t make out) that it just oozes a sort of dread thats hard to fake. It also helps that the song and riffs are honestly pretty solid but it just has this thing to it that feels more like a visceral experience rather than a fun horns up metal album you can detach from.
## **Conclusion**
So anyone who reads the sort of stuff i review can see I pretty consistently cover a a lot of post black/atmospheric bands, but I have so much love for one man weirdo bands, It’s like one of the truest purest forms of black metal to me. The feeling of agonising despair and hatred on this album is so tangible you could almost reach out and grab it . It’s a totally undiluted form of singular expression of which Gemynd seems to have a strong, early grasp on.
If you like f*cked sh*\*t check this out.
BMZ Rating: 8/10
Support the band here
https://schadencollective.bandcamp.com/album/obsolete-human-machine
## Your thoughts on this review.
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### Review: Drudkh - Thaw EP (2026)
URL: https://blackmetalzine.com/review-drudkh-thaw-ep-2026/
Last updated: 2026-07-15T17:22:05.000Z
**Band:** Drudkh
**Album:** Thaw
**Genre:** Atmospheric Black Metal
**Country:** Ukraine
**Label:** Season of Mist
**Released:** April 24, 2026
Introduction
Few names in the atmospheric black metal pantheon carry as much weight as Drudkh. Emerging from the fertile, blood-soaked soil of Ukraine in the early 2000s, led by Roman Saenko, the project has spent over two decades defining the "Slavic" sound: a blend of hypnotic repetition, nationalist folklore, and a deep, aching reverence for the natural world. From the sprawling, sun-drenched fields of Autumn Aurora to the gritty cinematic scope of 2025’s Shadow Play, Drudkh has remained the crowned king of atmospheric black metal. Eschewing interviews and the modern digital circus, they let the music serve as a conduit. Their latest offering, the three-track EP Thaw, arrives as a spiritual post-script to their most recent full-length, capturing the fragile transition between a frozen past and an uncertain future.
Thaw
Track Listing:
1. Memory
2. Somewhere, Sometime
3. A Moment in Eternity
Clocking in at roughly twenty minutes, Thaw is a masterclass in atmosphere. The EP functions as a framed composition, opening and closing with the familiar, sweeping black metal grandeur Drudkh is known for. The opener, "Memory," is a seven-minute meditation that feels like a direct descendant of Shadow Play and yet it is very reminiscent of earlier works. It relies on a deliberate, mid-tempo pace and a guitar tone that feels thick and melodious, a signature Drudkh warmth that contrasts against the biting chill of the percussion.
"Somewhere, Sometime" is a haunting departure into meloncholy. The nearly 6 minute instrumental track provides a moment of quiet instability that perfectly encapsulates the EP's title and also a hallmark of Drudkh's sound.
The final track, "A Moment in Eternity," returns to the blackened fray, offering a bitter, melodic crescendo that never quite grants the listener the relief of a clean resolution, instead fading into a ghostly, wind-swept silence.
Conclusion
Thaw is not an entry point for the uninitiated, nor is it a grand reinvention. Instead, it is a poignant appendix, a collection of shadows that didn't quite fit the light of the previous album. For the longtime fan the EP beautifully bridges the gap between classic albums and modern Drudkh all the while retaining the crushing melancholy that is their birthright.
BMZ Rating: 10/10
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### The Infernal Records: Week 20
URL: https://blackmetalzine.com/the-infernal-records-week-20/
Last updated: 2026-06-25T17:36:56.000Z
The Infernal Records: Week 20 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Aneeiun
Album: AN.KI.KUR
Country: Colombia
Genre: May 16, 2026
Date: May 16, 2026
[AN.KI.KUR, by ANEEIUN8 track albumANEEIUNsashavonkarl74](https://aneeiun.bandcamp.com/album/an-ki-kur?ref=blackmetalzine.com)
Band: Ancestrum
Album: Auster
Country: Argentina
Genre: Black Metal
Date: May 12, 2026
[Auster, by Ancestrum9 track albumAncestrumAncestrum](https://ancestrum.bandcamp.com/album/auster?ref=blackmetalzine.com)
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Album: Hohe Tannen
Country: Austria
Genre: Black Metal
Date: May 11, 2026
[Hohe Tannen, by Ara7 track albumAraMatthew](https://ara-iec.bandcamp.com/album/hohe-tannen?ref=blackmetalzine.com)
Band: Archaic Blood
Album: Reclaiming the Ancient Spirit (demo)
Country: France
Genre: Black Metal
Date: May 14, 2026
[Reclaiming the Ancient Spirit, by Archaic Blood7 track albumArchaic Bloodgrahamy](https://archaicblood.bandcamp.com/album/reclaiming-the-ancient-spirit?ref=blackmetalzine.com)
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Album: Death Doom Punks
Country: Germany
Genre: Black/Death Metal
Date: May 15, 2026
[Death Doom Punks, by Arroganz9 track albumArroganzdonslyfollower3](https://arroganz.bandcamp.com/album/death-doom-punks?ref=blackmetalzine.com)
Band: Änglalik
Album: Stoft (EP)
Country: Sweden
Genre: Black Metal
Date: May 14, 2026
[Stoft, by Änglalik5 track albumÄnglaliksylvainfollow](https://anglalikmusik.bandcamp.com/album/stoft?ref=blackmetalzine.com)
Band: Bál
Album: Csapás
Country: Hungary
Genre: Atmospheric/Post-Black Metal
Date: May 15th, 2026
[Csapás (Full-lenght), by BÁL13 track albumBÁLbmurator](https://valentbaal.bandcamp.com/album/csap-s-full-lenght?ref=blackmetalzine.com)
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Album: Spirits of the Swamp
Country: Blegium
Genre: Black/Doom Metal
Date: May 13, 2026
[Spirits of the Swamp, by Bockreiter10 track albumBockreiterBockreiter](https://bockreiter.bandcamp.com/album/spirits-of-the-swamp?ref=blackmetalzine.com)
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Album: I look for you everywhere
Country: Québec, Canada
Genre: Atmospheric/Raw Black Metal/Ambient, Various
Date: May 15th, 2026
[i look for you everywhere, by coffret de bijoux4 track albumcoffret de bijouxacaDamien](https://coffretdebijoux.bandcamp.com/album/i-look-for-you-everywhere?ref=blackmetalzine.com)
Band: Couvent Noir
Album: Ultime Dévotion (EP)
Country: France
Genre: Black Metal
Date: May 13, 2026
[Ultime Dévotion (EP), by Couvent Noir3 track albumLila StarlessIppocalyptica](https://lilastarless.bandcamp.com/album/ultime-d-votion-ep?ref=blackmetalzine.com)
Band: Desiccation
Album: Legatum Mortuorum
Country: USA
Genre: Black/Doom Metal
Date: May 15, 2026
[Legatum Mortuorum, by Desiccation6 track albumDesiccationRicardo Cristof](https://desiccation666.bandcamp.com/album/legatum-mortuorum?ref=blackmetalzine.com)
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Album: A Field of Black Roses and Empty Shadows
Country: USA
Genre: Raw Black Metal/Dungeon Synth
Date: May 15, 2026
[A Field of Black Roses and Empty Shadows, by Extispex8 track albumExtispexporcelainheart-](https://extispex.bandcamp.com/album/a-field-of-black-roses-and-empty-shadows?ref=blackmetalzine.com)
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Album: S/T
Country: Sweden
Genre: Raw Black Metal
Date: May 16, 2026
[Hasturizm-Hasturizm, by Hasturizm14 track albumHolk](https://holk.bandcamp.com/album/hasturizm-hasturizm?ref=blackmetalzine.com)
Band: Hydre
Album: Démo 2026 (demo)
Country: France
Genre: Black Metal
Date: May 15, 2026
[Démo 2026, by Hydre4 track albumHydreBandcamp Album of the Day Apr 30, 2026](https://hydreblackmetal.bandcamp.com/album/d-mo-2026?ref=blackmetalzine.com)
Band: Illusion
Album: S/T
Country: Italy
Genre: DSBM / Ambient
Date: May 11th, 2026
[IIIusion, by IIIusion9 track albumIIIusionBandcamp New & Notable May 9, 2025](https://iiiusion.bandcamp.com/album/iiiusion?ref=blackmetalzine.com)
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Album: S/T
Country: Belarus
Genre: Black Metal
Date: May 15, 2026
[Split, by SACRILEGIOUS PROFANITY / INTHUUL4 track albumHANDFUL OF HATE](https://h-o-h.bandcamp.com/album/split?ref=blackmetalzine.com)
Band: Junon
Album: The Golden Citadel of the Astral Sphere
Country: Germany
Genre: Psychedelic Black Metal
Date: May 15th, 2026
[The Golden Citadel of the Astral Sphere, by JUNON4 track albumI, Voidhanger Recordsbmurator](https://i-voidhangerrecords.bandcamp.com/album/the-golden-citadel-of-the-astral-sphere?ref=blackmetalzine.com)
Band: Kraina Cienia
Album: S/T
Country: Poland
Genre: Instrumental Black Metal
Date: May 12, 2026
[Kraina Cienia, by Kraina Cienia3 track albumKraina CieniaBandcamp Album of the Day Apr 30, 2026](https://krainacienia.bandcamp.com/album/kraina-cienia?ref=blackmetalzine.com)
Band: Kriyul
Album: Awaken
Country: USA
Genre: Black Metal
Date: May 17, 2026
[Awaken, by Kriyul8 track albumKriyulBandcamp New & Notable May 9, 2025](https://kriyul.bandcamp.com/album/awaken?ref=blackmetalzine.com)
Band: Lorn
Album: Searing Blood
Country: Italy
Genre: Black Metal
Date: May 15, 2026
[Searing Blood, by Lorn6 track albumLornBandcamp Album of the Day Mar 23, 2021](https://lorn21.bandcamp.com/album/searing-blood?ref=blackmetalzine.com)
Band: Lunares Tenebris
Album: The Last Fight for Eternal Glory (demo)
Country: Brazil
Genre: Black Metal
Date: May 16, 2026
[The Last Fight for Eternal Glory, by Lunares Tenebris5 track albumMoon Rites ProductionsBandcamp New & Notable Sep 14, 2022](https://moonritesproductions.bandcamp.com/album/the-last-fight-for-eternal-glory?ref=blackmetalzine.com)
Band: Maahiset
Album: Muistorunoja
Country: Finland
Genre: Melodic Black Metal
Date: May 15th, 2026
[](https://open.spotify.com/album/2rsqZgCr3ic3YTtDdiJgQs?ref=blackmetalzine.com)
Spotify Link
Band: Midnight Odyssey
Album: A Mass of Fallen Stars (Live Album)
Country: Australia
Genre: Ambient Black Metal, Ambient
Date: May 15, 2026
[A Mass Of Fallen Stars, by MIDNIGHT ODYSSEY7 track albumI, Voidhanger Recordsobscure](https://i-voidhangerrecords.bandcamp.com/album/a-mass-of-fallen-stars?ref=blackmetalzine.com)
Band: Мракобес (Mrakobes)
Album: Опустошение | Devastation
Country: Bulgaria
Genre: Folk Black Metal
Date: May 15, 2026
[Опустошение (Devastation), by Mrakobes8 track albumMrakobesUmbriel](https://mrakobes-bg.bandcamp.com/album/devastation?ref=blackmetalzine.com)
Band: Muqali 木华黎
Album: Marching Under the Moon's Wisdom, Triumphant in the Golden Sunset
Country: China
Genre: Black Metal
Date: May 11, 2026
[Marching Under the Moon’s Wisdom, Triumphant in the Golden Sunset, by MUQALI 木华黎8 track albummuqaliMatthew](https://muqali.bandcamp.com/album/marching-under-the-moons-wisdom-triumphant-in-the-golden-sunset?ref=blackmetalzine.com)
Band: Немеречь (Nemerech)
Album: Темь
Country: Russia
Genre: Black Metal
Date: May 13th, 2026
[](https://open.spotify.com/album/2zYsYvwnQy91OCkzJpWVKP?ref=blackmetalzine.com)
Spotify Link
Album: Song of the Forest
Country: Finland
Genre: Pagan Black Metal
Date: May 15, 2026
[Song of the Forest, by Nocturnal Reveries7 track albumNocturnal Reveriesdavid0202](https://nocturnalreveries.bandcamp.com/album/song-of-the-forest?ref=blackmetalzine.com)
Band: Primordial Black
Album: Heterotopia
Country: Tunisia
Genre: Black/Heavy/Groove Metal
Date: May 15th, 2026
[Heterotopia, by Primordial Black8 track albumPrimordial BlackBandcamp New & Notable Apr 17, 2022](https://primordialblackband.bandcamp.com/album/heterotopia?ref=blackmetalzine.com)
Band: Sangkal
Album: Niskalafana
Country: Indonesia
Genre: Post-Black Metal / Blackgaze
Date: May 15th, 2026
[Niskalafana, by Sangkal7 track albumSANGKALBandcamp New & Notable Apr 11, 2020](https://sangkal.bandcamp.com/album/niskalafana?ref=blackmetalzine.com)
Band: Tyrannus
Album: Mournhold
Country: UK
Genre: Death/Black/Thrash Metal
Date: May 13, 2026
[Mournhold, by Tyrannus7 track albumTyrannussashavonkarl74](https://tyrannus.bandcamp.com/album/mournhold?ref=blackmetalzine.com)
Band: Via ad Mortem
Album: Requiem I: Through the Path, Over the Ruins
Country: Italy
Genre: Black Metal
Date: May 15, 2026
[Requiem I: Through the Path, Over the Ruins, by Via ad Mortem9 track albumVia ad MortemBandcamp Album of the Day Apr 30, 2026](https://viaadmortem.bandcamp.com/album/requiem-i-through-the-path-over-the-ruins?ref=blackmetalzine.com)
Band: Verba Serpentis
Album: Torchbearers
Country: Austria
Genre: Black Metal
Date: May 15, 2026
[Torchbearers, by Verba Serpentis5 track albumVerba SerpentisMiddle Earth](https://verbaserpentis.bandcamp.com/album/torchbearers?ref=blackmetalzine.com)
Band: Ymberophilia
Album: Végletek (EP)
Country: Hungary
Genre: Black/Death Metal
Date: May 16, 2026
[Végletek, by Ymberophilia5 track albumYmberophiliasteeve boissonneault](https://ymberophilia.bandcamp.com/album/v-gletek?ref=blackmetalzine.com)
### Review: Bosse-De-Nage - Hidden Fires Burn Hottest (2026)
URL: https://blackmetalzine.com/review-bosse-de-nage-hidden-fires-burn-hottest-2026/
Last updated: 2026-07-15T17:22:06.000Z
#
**Band:** Bosse-De-Nage
**Album:** Hidden FIres Burn Hottest
**Genre:** Black Metal/Post Hardcore
**Country:** USA
**Label:** The Flenser
**Released:** 2026
## **Introduction**
Today’s review is a very special one as we have an album 8 years in the making, Hidden Fires Burn Hottest from American weird black metal legends Bosse-De-Nage.
**Hidden Fires Burn Hottest**
**Tracklist:**
1\. Where to Now?
2\. Mementos
3\. In the Name of the Moth
4\. With a Shrug
5\. No Such Place
6\. Triangular Dream
7\. Underwater
8\. Frenzy
9\. Immortality Project
10\. Leviathan
## **Rumination**
With 8 years away between releases Bosse De nage has come back with hands down their greatest release. For those uninitiated, since the early 2010s Bosse-De-Nage has been making some of the most uniquely profound black metal (infused with post hardcore and all sorts of other weird vibes).
Bosse is a band that to me was
1) tarnished by the cringe cultural warfare of being lumped in with post black metal early on
2) never really granted the recognition they deserved for being so innovative.
Bosse-De-Nage is the epitome of doing whatever and not caring about how it looks. The music they write speaks directly to the era/pathway of music i’m into so it honestly just feels made for me (if you came up early on with bands like Slint or Orchid or Paleshorse you get what I mean).
On this album the band really seems to have landed at the perfect balance point of their earlier more f\*cked up stuff and their previous release further still (which was a concerted effort the band to be more catchy). I seriously can’t explain how this band managed to go back to being weirder than before but also has evolved into being the best version of themselves. Start to finish there's no dull tracks on this.
One thing the band has always tapped into is this very visceral understanding of the loneliness that connects everyone and the nature of people thats either repulsive with hints of beauty, beauty with hints of repulsion, repulsion trying to cope with its own disgusting nature as beauty or something similar. It just nails a part of the human condition down to its core in a way that I've never felt from other bands. Which in a strange way kinda makes things feel more connected and authentic.
I think the reason people gravitate towards this band is because if being black metal was being authentic and true to yourself, then that would likely generate sympathy from similarly wired people, and no band has ever channeled this feeling in a way that feels so directly and unabashedly targeted toward them.
## **Conclusion**
So unless something miraculous happens i don’t think anything will top this for album of the year. I’m biased because this has been one of my favourite bands forever, but the fact they came back after such a long hiatus with what is objectively their best release to date really doesn’t seem like much else will stack up to this.
BMZ Rating: 10/10
Support the band here
https://bosse-de-nage.bandcamp.com/album/hidden-fires-burn-hottest
https://www.youtube.com/watch?v=vPPWfaJqAnU&list=RDvPPWfaJqAnU&start\_radio=1
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### Review: Jötunheimar - Ravens of the Heathen Sun (2025)
URL: https://blackmetalzine.com/review-jotunheimar-ravens-of-the-heathen-sun-2025/
Last updated: 2026-07-15T17:22:56.000Z
**Band:** Jötunheimar
**Album:** Ravens of the Heathen Sun
**Genre:** Symphonic Black Metal
**Country:** UK
**Label:** Cursed Crown
**Released:** 10th August 2025
## Introduction
Going through releases I missed through 2025, *Ravens of the Heathen Sun* stood out to me as one to delve a little into. This is the debut EP from British symphonic black metal band Jötunheimar who embrace Norse mythology to weave a tapestry of harmonic and atmospheric tales.
## Heathens of the Raven Sun
**Tracklisting:**
1. Go Forth as Hel Hath Bade
2. Ravens of the Heathen Sun
3. Blackened Fires of Eternal Vengeance
4. By Naglfar Carried
A symphonic introduction gently guides us into this four track EP, with choirs, strings and piano work this orchestration sets a grand precedent for what is to come.
Though it doesn't quite seamlessly blend into the titular track, the general theme does carry on. Layered underneath blast beat drums and distorted tremolo guitars, the bold compositions establish a clear statement that this is indeed symphonic black metal as you expect it.
The distant vocals yell through the storm of furious melodies throughout this album, not completely obfuscated but enough that they have a sense of dread and mild despair in them.
*Blackened Flames of Eternal Vengeance* is the standout track of the three full songs we get. A short environmental introduction of aforementioned flames crackling in and we are straight into a storm that surges with a strong current, bringing forth this dark hymn where religion and betrayal form a twisted tale.
The melodic guitars harmonised with the symphonic elements powerfully sway back and forth, the drums are rolling, and we get a short spoken word section with elements of grief and vengeance against the church in an almost apocalyptic fashion.
Crescendoing in grand form with “the witch shall rise”, the song is bookended by the crackling flames, and the song dies out to the final piece.
*By Nagelfar Carried* swells with bombastic orchestration and has an opulent charm to it. Though the short introduction has an eerie element, it is quickly crushed by the regency this track carries.
My biggest issue with this release, and one I hope to see rectified as the band continues is how everything is muted and compressed. The drums don't feel like they have an impact, and the guitars are muddied in the mix. The elements are all there, it just lacks depth and at times melds into one.
If this was standard black metal, I could forgive the mix as a stylistic choice - but with the symphonic sub-genre it feels like you need that production quality to be much more polished, for all the elements to be crystal clear and emphasised to a greater degree.
## Conclusion
This debut EP if anything shows promise for the future of this band. The songs are well written, the blend of symphonic elements weaved into the bleak black metal works wonderfully, and the instrumentation is absolutely solid.
Symphonic black metal is such a hit or miss sometimes whether the band can carry the harshness of black metal without losing it to the more upbeat melodic elements and it becoming too cheesy.
Jötunheimar have managed to carefully tread the line and achieve a very solid debut EP here that maintains an essence of bleakness to it. Though short at only 18 minutes long (cut down to 15 minutes without the introduction piece), it definitely is a genre where the flow often needs time to breathe and with an album I believe they could do just that. Certainly a band to keep an eye on and see what awaits us in the future.
BMZ Rating: 7/10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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### Review: Hädangången - Vädjan (2026)
URL: https://blackmetalzine.com/review-hadangangen-vadjan-2026/
Last updated: 2026-07-15T17:22:56.000Z
**Band:** Hädangången
**Album:** Vädjan
**Genre:** Black Metal
**Country:** Sweden
**Label:** Independent
**Released:** March 28, 2026
Introduction
Hädangången, a name that translates to "the passing away" has never been a project concerned with the vain aggression that often clutters modern black metal. Since emerging from the Swedish underground with the stark Likfärd EP (2023) and the hollowed-out brilliance of 2024’s Tomhet, mastermind Vindsval (of the band Mara) has continued to refine the project's sound, crafting an authentic and often haunting atmosphere.
This is "Raw Nature Black Metal" in its truest form: a sonic manifestation of the unforgiving Scandinavian landscape, filtered through the melancholic lens of 18th and 19th-century nature romanticism. With his latest offering, Vädjan (The Plea), Vindsval deepens this connection to the soil, delivering an album that is as much a historical haunting as it is a black metal record.
Vädjan
Track Listing:
1. Svält
2. En vals till döden
3. Dekadens
4. September
5. Vid skuggors rand
6. Jordens sista suck
7. Granskog
Vädjan is a departure from the frantic blast beats that has become synonimis with the genre, opting instead for a rhythmic structure that feels surprisingly... civil. The standout characteristic of this album is the prominent use of the waltz. Songs like "Dekadens" and "En vals till döden" utilize a haunting 3/4 time signature that mimics the slow, swaying dance of a funeral procession. The guitars, recorded at Oblivion Studio in Göteborg, balance a biting, icy tremolo with melodies that feel ancient and sorrow-laden. Vindsval’s vocal performance, recorded across forest locations in Västra Götaland, Sweden, is particularly agonizing here; he doesn't just scream. He sounds as if he is physically unraveling. The lyrics, performed entirely in Swedish, add a layer of authenticity that bridges the gap between the listener and the primitive forests he describes. There is an illuminated quality to the despair found in tracks like "En vals till döden," where the melody suggests a nostalgic warmth, a memory of a world before decay, only to be crushed by the inevitable weight of mortality. The production is raw enough to satisfy purists but possesses enough atmospheric depth to make the listener feel the cold bite of extreme winters.
Conclusion
In a year that has already seen several high-profile releases, Vädjan stands out for its sheer emotional honesty. It is not an album for a casual afternoon; it is a ritual of isolation. Hädangången has successfully captured the tension between the beauty of nature and the horror of its indifference. By grounding the music in European cultural heritage and the inevitable rhythm of the waltz, Vindsval has created a masterpiece of atmospheric gloom. If you are prepared to confront the emptiness within, let the forest take you. Highly recommend.
BMZ Rating: 8.5/10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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### Review: Non Est Deus - Blessings and Curses (2026)
URL: https://blackmetalzine.com/review-non-est-deus-blessings-and-curses-2026/
Last updated: 2026-07-15T17:22:57.000Z
**Band:** Non Est Deus
**Album:** Blessings and Curses
**Genre:** Black Metal
**Country:** Germany
**Label:** Noisebringer Records
**Released:** 3rd April 2026
## Introduction
German blasphemous black metal band Non Est Deus return with their fifth album, Blessings and Curses. This one man band is a project from the talented musician and multi-instrumentalist Noise along with his other passion projects Kanonenfieber and Leiþa.
As the name unsubtly suggests this band deals with religion, or rather, Christianity. The philosophy behind it all and stripping it all down to a finely tuned yet fierce melodic art of someone vehemently against it all.
The structure of this album follows a devotee to Christianity, pledging himself as a vessel of pure sanctity free from all sin and seeking guidance in life. Yet unsurprisingly, prayers fall on deaf ears and so faith is lost and that is where our path diverges from humbled righteousness into disobedience of the church.
## Blessings and Curses
**Tracklisting:**
1. Prayer I
2. Show Mercy
3. Forgive Me
4. My Lord
5. The Forsaken
6. Prayer II
7. Transgression
8. Kora
9. The Sacrifice
10. The Indulgence
11. Prayer III
Church bells and an organ perfectly set the mood as we are welcomed into church to confess to the almighty G-Dog himself in our introduction *Prayer I.*
Forgiveness and mercy is the name of the game here, and a recurring theme for the first half of this album. Looking for God to show his benevolence in the titular *Blessings* part of the album, it is unmistakable in its approach but handled rather well.
The lead single *Show Mercy* properly kicks this album off, with its more hard-rock anthem approach with verse, chorus, verse structures and chord driven guitars that accompany the more spoken word style verses.
At times the first half of this album in particular leans towards a more black ‘n’ roll approach. That style really feels like the motif of the album, a more crowd friendly style of black metal, ironically sanctified to be easier to consume.
No Noise album is complete without his speeches, and rest assured he does not skimp on them on this album as the feature on every single track. This time, passages from the bible are read out from Deuteronomy, Matthew, Thessalonians, Isaiah, amongst others. To reference Reverend Lovejoy from *The Simpsons* “oh it’s all good” in a half-hearted fashion and exaggerated roll of the eyes. It does feel overdone, where Noise is almost becoming a parody of himself with slightly killing the momentum of each song to include the mandatory dictation.
Something I immediately noticed as well (and I know I am not alone in this) is that *My Lord* seems very reminiscent of another of Noise's songs, *Waffenbrüder* from Kanonenfieber in terms of structure.
Great tremolo riffs adorn the songs *Forgive Me, Kora*, and *The Forsaken* in particular, with a heavier tone to them compared to the slightly more rock approach that we get with other songs. The latter also marks the point in the album where our protagonist is losing faith, their prayers lay unanswered and despite their relentless devotion “No answer ever came”.
*Prayer II* is our intermission for the album featuring a grand choir and organ in order to set an ominous tone as we descend into the depths of the second half like an angel cast out from heaven. Our religious figure who has been crying out for forgiveness has now lost his way, falling into the *Curses* half of the album.
As the name suggests, *Transgression* sets this darker mood, conjuring visions of burning in eternal hellfire. Giving in to desire, heading towards sin, and through this discordant-toned song damnation awaits.
*Kora* and *The Sacrifice* continue this theme of betraying God and being cast aside from divinity that sporadically breaks out into a more blackened death metal approach, especially noticeable in the heavy chugging of *The Indulgence.* The most interesting part I found here was actually some synth work that joins in at the 02:38 mark of that final song, and something I would have loved to have heard more of.
## Conclusion
This album sits somewhere between the vein of their previous albums *Impious* and *There Is No God*, ironically leaving the legacy of *Legacy* behind. I know that album caught some flak from people for being too Mgła-esque (which honestly I never thought was anything worth complaining about) but this album returns to the classic style that has worked well in the past.
It definitely feels more built to live performances, much akin to how he wrote Kanonenfieber - *Die Urkatastrophe*. Geared towards moments of spectacle and crowd participation back and forth chants which I'm sure makes for fantastic moments when you're watching them on stage.
The speeches through his songs make this album feel like you're attending a sermon in a church, with Noise himself being the Priest that preaches this story of a fallen sheep of God, lecturing the flock into conforming lest they fall into the same downfall.
Ultimately, it is a Noise album stripped down to the essentials. Nothing about this album feels bad, it’s well written, it’s powerful, it is enjoyable to listen to. But, and it’s a big but (I cannot lie), this album has no real standouts and is entirely too safe. It’s like the criticisms of *Legacy* were taken too harshly and he’s completely recoiled in the wrong direction and rather than exploring the band in a new direction it has returned to the shallows where it is safe and familiar.
BMZ Rating: 7/10
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### The Infernal Records: Week 19
URL: https://blackmetalzine.com/the-infernal-records-week-19/
Last updated: 2026-06-25T17:37:06.000Z
The Infernal Records: Week 19 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
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### Review: Beleriand - Rituals of Winter (2026)
URL: https://blackmetalzine.com/review-beleriand-rituals-of-winter-2026/
Last updated: 2026-07-15T17:22:58.000Z
**Band:** Beleriand
**Album:** Rituals of Winter
**Genre:** Atmospheric Black Metal
**Country:** Norway
**Label:** Wolfspell Records
**Released:** April 5, 2026
Introduction
Since the project’s inception in 2019, the Norwegian solo act Beleriand has been a stalwart of the atmospheric and epic black metal underground. Masterminded by the multi-instrumentalist Víðarr, the project has consistently bridged the gap between the lo-fi nostalgia of early 90s dungeon synth and the sweeping, frost-bitten majesty of Tolkien-inspired black metal. Following a string of acclaimed releases like "Far Over Wood and Mountain Tall" and the 2021 breakout "February", Beleriand has spent the last few years refining its sound. Now, in 2026, we are presented with "Rituals of Winter", a cold, uncompromising journey into the heart of a never-ending night.
Rituals of Winter
Track Listing:
1. Mystery of the Night (Intro)
2. In Frozen Silence
3. Rituals of Winter
4. Fox-Queen of Shadowed Lands
5. The Ravens (Bathory Cover)
6. Reign of Utter Death
7. Steel and Flame
8. Morgoth
The songwriting on this record marks a deliberate and successful return to Beleriand’s melodic black metal roots. While 2025’s “The Tempest” experimented with more chaotic, dissonant textures, “Rituals of Winter” strips away the excess to focus on the freezing, memorable riffs that defined the project’s earlier days. It is a marked improvement over its predecessor; where “The Tempest” occasionally felt cluttered or thin, this album feels far more intentional and cohesive. The production is still raw and cold, but it finally has the clarity needed to let the melodies breathe.
The influence of Summoning remains a cornerstone of the sound, especially in the way Víðarr uses keyboards to build a cinematic atmosphere. However, Beleriand leans harder into the black metal side of things than many other Tolkien-inspired acts. After the ambient opening of "Mystery Of The Night (Intro)," tracks like "In Frozen Silence" and the title track, "Rituals Of Winter," deliver a relentless frostbitten energy.
The songwriting also feels more mature. "Fox-Queen Of Shadowed Lands" introduces a slower, more deliberate rhythm that works perfectly with the album's theme, while the cover of Bathory’s "The Ravens" is a great nod to the genre's origins. The album builds toward a massive finish with "Reign Of Utter Death" and "Steel And Flame," eventually ending on the crushing weight of "Morgoth." This final track captures the dread of Middle-earth’s greatest villain through heavy, atmospheric layers that linger long after the song ends.
Conclusion
"Rituals of Winter" is easily Beleriand’s best work to date. By tightening up the production and focusing on stronger, more melodic structures, Víðarr has created an album that feels both classic and fresh. It honors the genre of black metal flawlessly aswell as the grim beauty of Tolkien’s First Age without getting lost in over-the-top symphonics. For fans of epic, atmosphere-heavy metal, this is a must-listen. It’s a straightforward, punishingly cold record and a massive return to form for Beleriand.
BMZ Rating: 9/10
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### Review: Yoth Iria - Gone with the Devil (2026)
URL: https://blackmetalzine.com/review-yoth-iria-gone-with-the-devil-2026/
Last updated: 2026-07-15T17:22:59.000Z
**Band:** Yoth Iria
**Album:** Gone with the Devil
**Genre:** Black Metal
**Country:** Greece
**Label:** Metal Blade Records
**Released:** May 8, 2026
Introduction
In the pantheon of Greek black metal, few names carry as much weight as Jim Mutilator. As a founding member of both Rotting Christ and Varathron, his DNA is woven into the very fabric of the "Hellenic sound", that distinct blend of staccato riffing, occult atmosphere, and melodic grandiosity. Yoth Iria, his latest vessel, was never meant to be a mere nostalgia trip. After the success of "As the Flame Withers" (2021) and "Blazing Inferno" (2024), the band has returned in 2026 with their third full-length opus, "Gone with the Devil." Released via Metal Blade Records, this album finds the band evolving from a cult project into a definitive powerhouse, proving the old guard still holds the keys to the temple.
Gone with the Devil
Track Listing:
1. Dare to Rebel
2. Woven Spells of a Demon
3. The Blind Eye of Antichrist
4. I, Totem
5. 3am
6. Give em my Beautiful Hell
7. Once in a Blue Moon
8. Blessed Be He Who Enters
9. The End of the Known Civilization
10. Harut, Government, Fallen
"Gone with the Devil" is a masterclass in balance, standing firmly at the intersection of traditional heavy metal and blistering black metal. The album opens with "Dare to Rebel," a track that signals a shift toward rock-steady rhythms and dueling guitar harmonies reminiscent of classic Iron Maiden, yet draped in a shroud of sulfurous darkness. The songwriting is undeniably sharp; tracks like "I, Totem" and "The Blind Eye of Antichrist" utilize Mediterranean folk cadences and operatic flourishes to create a cinematic sense of world-building.
However, this ambition comes with a caveat. While the production is modern, it often veers into the territory of over-sanitization. In the pursuit of a massive, professional sound, the mix falls victim to a "wall of sound" compression that occasionally flattens the album's dynamic range. The "dirt" and organic hiss that defined the Hellenic spirit are replaced by a mirror-shine polish that makes the experience feel one-dimensional at times. When every blastbeat and tremolo riff is leveled to the same peak volume, the music loses the human element ssential to extreme metal. It is an impressive piece of architecture, but one that feels a bit like a museum: beautiful to look at, but perhaps too sterile to truly touch.
Conclusion
Despite the glossy veneer that threatens to stifle its blackened soul, "Gone with the Devil" remains a formidable release. Jim Mutilator has penned some of the most emotionally resonant riffs of his career, successfully moving beyond the shadow of his legendary past. Yoth Iria has created a sonic identity that is entirely their own, one that is as much a tribute to the 90s underground as it is a bold, if slightly too clean, step into the future. This is an essential listen, even if you find yourself wishing for a bit more grit beneath the fingernails of this otherwise majestic beast.
BMZ Rating: 7.5/10
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### Review: Forlorn Citadel - An Oath Undone (2026)
URL: https://blackmetalzine.com/review-forlorn-citadel-an-oath-undone-2026/
Last updated: 2026-07-15T17:23:00.000Z
**Band:** Forlorn Citadel
**Album:** An Oath Undone
**Genre:** Atmospheric Black Metal
**Country:** Australia
**Label:** Northern Silence Productions
**Released:** April 3, 2026
Introduction
Since emerging from the Australian wilderness in 2017, Forlorn Citadel, the visionary solo project of multi-instrumentalist Solace, has carved a unique niche within black metal. Blending the high-fantasy grandiosity of Summoning with a distinctly melancholic dungeon synth backbone, Solace has spent nearly a decade building a sonic fortress centered on medieval lore and the weight of history. While 2020’s Ashen Dirge of Kingslain established the project’s mastery of epic scale, the arrival of 2026 finds Forlorn Citadel at a crossroads. With a new album and the announcement of a transition into a live entity, the project is no longer a silent sentinel; it is a force actively carving its throne.
An Oath Undone
Track Listing:
1. Ironclad
2. Ascend into the Mist
3. The Return
4. Torchlit Granite Leads the Way
5. Rusted Steel (An Oath Undone)
Forlorn Citadel's sophomore full-length album, An Oath Undone, is a haunting departure from the triumphant fanfares of the past. Where the previous releases have felt like the building of an empire, this record is the sound of its slow, inevitable collapse. The album opens with "Ironclad," a track that balances jagged, frost-bitten riffs with sweeping synthesizer melodies that feel like cold wind howling through a ruined keep.
What sets An Oath Undone apart is its intentional restraint. Solace avoids the trap of over-layering, allowing the atmosphere to take center stage. Tracks like "Ascend into the Mist" and "Torchlit Granite Leads the Way" lean heavily into the project’s dungeon synth roots, using analog textures to evoke a sense of weary travel. The climax arrives with the title track, "Rusted Steel (An Oath Undone)," where the production feels particularly gritty. Here, the "epic" elements are buried under a layer of sonic grime, mirroring the album’s central theme: the erosion of purpose and the hollow weight of broken promises. It is a work of high-fidelity misery, where every tremolo-picked passage feels like a desperate attempt to remember a glory that has already faded.
Conclusion
An Oath Undone is a masterful evolution for Forlorn Citadel. It is less a celebration of fantasy and more a meditation on the debris left behind once the battle is over. Solace has managed to craft an album that is simultaneously vast and claustrophobic, a rare feat in the modern atmospheric black metal scene. For those who seek solace in the shadows of crumbling ramparts, this record is an essential companion. As Forlorn Citadel prepares to bring these sounds to the stage for the first time, one thing is certain: the oath may be undone, but the legend is only just beginning.
BMZ Rating: 7.5/10
## Your thoughts on this review.
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### The Infernal Records: Week 18
URL: https://blackmetalzine.com/the-infernal-records-week-18/
Last updated: 2026-06-25T17:37:19.000Z
The Infernal Records: Week 18 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Æonik
Album: The Roamer of Heaven and Hell
Country: Luxembourg
Genre: Melodic Black/Death Metal
Date: April 30, 2026
[ÆoniK - The Roamer of Heaven and Hell, by Fetzner Death Records9 track albumFetzner Death Recordssknhdwup](https://fetznerdeathrecords.bandcamp.com/album/onik-the-roamer-of-heaven-and-hell?ref=blackmetalzine.com)
Band: Aftoktonia
Album: Drifting: Through the Endless Architecture of Voidborn Lunacy
Country: Norway
Genre: Black Metal
Date: May 1, 2026
[Drifting: Through the Endless Architecture of Voidborn Lunacy, by Aftoktonia3 track albumAftoktoniaAftoktonia](https://aftoktonia.bandcamp.com/album/drifting-through-the-endless-architecture-of-voidborn-lunacy?ref=blackmetalzine.com)
Band: Atronos
Album: Gram
Country: Germany
Genre: Black Metal
Date: April 30, 2026
[Gram, by Atronos10 track albumAtronossashavonkarl74](https://atronos.bandcamp.com/album/gram?ref=blackmetalzine.com)
Band: Bataille
Album: Stardome
Country: France
Genre: Epic Black Metal, Dungeon Synth
Date: May 1, 2026
[Stardome, by Bataille7 track albumBataillejäätikkö](https://bataillefrance.bandcamp.com/album/stardome?ref=blackmetalzine.com)
Band: Burnt Lodge / Veytik
Album: Anchors Plunged Off Helluland (Split)
Country: USA
Genre: Melodic Black Metal | Melodic Death/Black Metal
Date: April 29, 2026
[Anchors Plunged Off Helluland (Split), by Burnt Lodge7 track albumBurnt LodgeBurnt Lodge](https://burntlodge.bandcamp.com/album/anchors-plunged-off-helluland-split?ref=blackmetalzine.com)
Band: Celestial Deconstruction
Album: Transcosmic Spillover
Country: Germany
Genre: Black Metal
Date: May 1, 2026
[Transcosmic Spillover, by Celestial Deconstruction6 track albumCelestial DeconstructionDavid Fischer](https://celestialdeconstruction.bandcamp.com/album/transcosmic-spillover?ref=blackmetalzine.com)
Bands: Død Spell / Frukostblod / Sammorra Shadow / Slow Melancholy / The Vortex of Agony / Zapovit / Damn Incarnation / Cuts
Album: Devouring with Tongues the Souls of Those Spewing Death (Split (VA Comp))
Countries: Various
Genre: Atmospheric/Depressive Black Metal/Black Metal/DSBM
Date: May 1, 2026
[](https://open.spotify.com/album/1nchldOPPRGjZ8P4p04Uk0?ref=blackmetalzine.com)
Spotify Link
Band: Fyrdsman
Album: The Free Man
Country: UK
Genre: Atmospheric/Post-Black Metal
Date: May 1, 2026
[The Free Man, by Fyrdsman8 track albumFyrdsmanFyrdsman](https://fyrdsman.bandcamp.com/album/the-free-man?ref=blackmetalzine.com)
Band: Gormoth / BÁL / Ymberophilia / Jégzivatar / Urachel / Dagsetr / Az Utolsó Mosoly
Album: Songs for the Death I. (VA Comp)
Country: Hungary
Genre: Black Metal
Date: May 1, 2026
[Songs for the Death I., by Gormoth / BÁL / Ymberophilia / Jégzivatar / Urachel / Dagsetr / Az Utolsó Mosoly7 track albumGormothGormoth](https://gormoth1219.bandcamp.com/album/songs-for-the-death-i?ref=blackmetalzine.com)
Band: Grhol
Album: EP (EP)
Country: Argentina
Genre: Atmospheric Black Metal
Date: April 28, 2026
[EP, by Grhol7 track albumGrholBandcamp New & Notable Sep 30, 2019](https://grhol.bandcamp.com/album/ep?ref=blackmetalzine.com)
Band: Grievance
Album: Lúgubres Devaneios De Abismos E Sombras
Country: Portugal
Genre: Black Metal
Date: April 28, 2026
[Lúgubres Devaneios De Abismos E Sombras, by Grievance7 track albumGrievanceBandcamp New & Notable Mar 11, 2023](https://grievanceblackmetal.bandcamp.com/album/l-gubres-devaneios-de-abismos-e-sombras?ref=blackmetalzine.com)
Band: Hajduk
Album: Хвърковата чета
Country: Bulgaria
Genre: Black Metal
Date: April 30, 2026
[Хвърковата чета, by Hajduk6 track albumHajdukMetallurgical Fire](https://hajduk.bandcamp.com/album/--6?ref=blackmetalzine.com)
Band: Hermóðr
Album: On This Road (EP)
Country: Sweden
Genre: Atmospheric Black Metal
Date: May 1, 2026
[On This Road (EP), by Hermóðr1 track albumHermóðrRicardo Cristof](https://hermodr.bandcamp.com/album/on-this-road-ep?ref=blackmetalzine.com)
Band: Kâhin
Album: Kader Savaşçısı (EP)
Country: Turkey
Genre: Black Metal
Date: April 25, 2026
[Kader Savaşçısı, by Kâhin4 track albumKâhinBandcamp Album of the Day Apr 30, 2026](https://kahin666.bandcamp.com/album/kader-sava-s?ref=blackmetalzine.com)
Band: Łatanu
Album: U imia Chaosu
Country: Belarus
Genre: Black Metal
Date: May 1, 2026
[U imia Chaosu, by LATANU6 track albumHANDFUL OF HATE](https://h-o-h.bandcamp.com/album/u-imia-chaosu?ref=blackmetalzine.com)
Band: Luna Pythonissam
Album: Ausencia (EP)
Country: Mexico / Australia
Genre: Depressive Post-Black Metal / Blackgaze
Date: April 28, 2026
[Ausencia, by Luna Pythonissam5 track albumV.C.H.Harold N’Hiver](https://aiaa7.bandcamp.com/album/ausencia?ref=blackmetalzine.com)
Band: Malhkebre
Album: B.A.M.N.
Country: France
Genre: Black Metal
Date: April 30, 2026
[B.A.M.N., by MALHKEBRE7 track albumMALHKEBREpier79](https://malhkebre.bandcamp.com/album/b-a-m-n?ref=blackmetalzine.com)
Band: Meresin
Album: Anthems of Hatred
Country: Poland
Genre: Black/Death Metal
Date: May 1, 2026
[Anthems of Hatred, by MERESIN10 track albumVia NocturnaBandcamp Album of the Day Apr 30, 2026](https://vianocturna.bandcamp.com/album/anthems-of-hatred?ref=blackmetalzine.com)
Band: Midwest Dweller
Album: Urban Nightmare
Country: USA
Genre: Black Metal
Date: May 2, 2026
[Urban Nightmare, by Midwest Dweller7 track albumMidwest DwellerBandcamp New & Notable Mar 23, 2025](https://midwestdweller.bandcamp.com/album/urban-nightmare?ref=blackmetalzine.com)
Band: Nourishment
Album: No Longer A Corpse
Country: USA
Genre: Raw Black Metal/Raw Blackend Post-Punk
Date: April 29, 2026
[No Longer A Corpse, by Nourishment10 track albumNourishmentDeadNightMoonlight](https://nourishment.bandcamp.com/album/no-longer-a-corpse?ref=blackmetalzine.com)
Band: Oldowan Gash
Album: 1000 Dreams of War
Country: USA
Genre: Black Metal
Date: April 30, 2026
[1000 Dreams of War, by Oldowan Gash5 track albumOldowan GashPauline Zipser](https://oldowangash.bandcamp.com/album/1000-dreams-of-war-2?ref=blackmetalzine.com)
Band: Orbis Daemonium
Album: Onirógrafo
Country: Brazil
Genre: Black Metal
Date: April 29, 2026
[](https://open.spotify.com/album/0qvLpS1QjSkzqnATMBlzNt?ref=blackmetalzine.com)
Spotify Link
Band: Rakta Tṛtīya Netra
Album: Demo (Demo)
Country: Austria
Genre: Raw Atmospheric Black
Date: April 29, 2026
[Demo, by Rakta Tṛtīya Netra6 track albumRakta Tṛtīya NetraManny](https://raktanetra.bandcamp.com/album/demo?ref=blackmetalzine.com)
Band: Salz
Album: Allein (EP)
Country: Germany
Genre: Black Metal / Black Metal/Punk
Date: May 1, 2026
[Allein, by SALZ4 track albumSALZBandcamp New & Notable Mar 23, 2025](https://salz.bandcamp.com/album/allein?ref=blackmetalzine.com)
Band: Seeds of Tyranny
Album: Before the Law | У Врат Закона (EP)
Country: Russia
Genre: Blackened Death/Post-Black Metal
Date: May 1, 2026
[Before the Law | У Врат Закона, by Seeds of Tyranny4 track albumSeeds of TyrannyBandcamp New & Notable Nov 6, 2023](https://seedsoftyranny.bandcamp.com/album/before-the-law?ref=blackmetalzine.com)
Band: Serpent Antique
Album: Les Cendres du Firmament
Country: Belgium
Genre: Black Metal
Date: May 2, 2026
[Les Cendres du Firmament, by Serpent Antique9 track albumSerpent AntiqueUrso X](https://serpentantique.bandcamp.com/album/les-cendres-du-firmament?ref=blackmetalzine.com)
Band: Sorcières
Album: La Nuit des Temps
Country: France
Genre: Folk Black Metal
Date: April 30, 2026
[La Nuit des Temps, by Sorcières10 track albumL'Ordalie Noire](https://lordalienoire.bandcamp.com/album/la-nuit-des-temps?ref=blackmetalzine.com)
Band: Strega
Album: Mors Mortiys Morte (EP)
Country: Italy
Genre: Blackened Heavy Metal
Date: April 30th, 2026
[Stryx Strega Strygae, by Strega3 track albumMasked Dead RecordsChristoph Wagner](https://maskedeadrecords.bandcamp.com/album/stryx-strega-strygae?ref=blackmetalzine.com)
Band: Sturmvorhut
Album: S/T
Country: Brazil
Genre: Raw/Symphonic/Melodic Black Metal
Date: April 28, 2026
[Sturmvorhut, by STURMVORHUT7 track albumSTURMVORHUTBandcamp New & Notable Jan 5, 2022](https://sturmvorhut1.bandcamp.com/album/sturmvorhut?ref=blackmetalzine.com)
Band: Svrm
Album: Мертвий край (EP)
Country: Ukraine
Genre: Atmospheric/Melancholic Black Metal
Date: May 1, 2026
[Мертвий край, by SVRM11 track albumVendetta Recordsarmadalider](https://vendetta-records.bandcamp.com/album/--6?ref=blackmetalzine.com)
Band: Synthre
Album: Thus Burns the House of the Sun (EP)
Country: Finland
Genre: Avant-Garde Black Metal
Date: April 28th, 2026
[Thus Burns the House of the Sun, by Synthre5 track albumSynthre](https://synthre.bandcamp.com/album/thus-burns-the-house-of-the-sun?ref=blackmetalzine.com)
Band: Torver
Album: Witching HOur
Country: UK
Genre: Black Metal
Date: May 1, 2026
[Witching Hour, by Torver10 track albumWulfhere Productionsaa-ren](https://wulfhereproductions.bandcamp.com/album/witching-hour?ref=blackmetalzine.com)
Band: Vihurienkeli
Album: S/T
Country: USA
Genre: Black Metal
Date: April 28, 2026
[Vihurienkeli, by VIHURIENKELI5 track albumVIHURIENKELIYomaBarr](https://vihurienkeli.bandcamp.com/album/vihurienkeli-2?ref=blackmetalzine.com)
Band: Wandar
Album: Tiefe Erde
Country: Germany
Genre: Atmospheric Black Metal
Date: May 1, 2026
[Tiefe Erde, by Wandar9 track albumVendetta Recordsdoive](https://vendetta-records.bandcamp.com/album/tiefe-erde?ref=blackmetalzine.com)
Band: Wooden Shadow
Album: Age of Tree (EP)
Country: Finland
Genre: Melodic Black/Viking Metal
Date: April 29th, 2026
[Age of Tree, by Wooden Shadow5 track albumWooden Shadow](https://woodenshadow.bandcamp.com/album/age-of-tree?ref=blackmetalzine.com)
Band: Ysbrydnos
Album: Welsh Mythical Darkness
Country: UK
Genre: Raw Black Metal, Dungeon Synth
Date: May 1, 2026
[Welsh Mythical Darkness, by Ysbrydnos7 track albumYsbrydnospersona\_ingrata](https://ysbrydnos.bandcamp.com/album/welsh-mythical-darkness?ref=blackmetalzine.com)
### Echoes from the Crypt: I
URL: https://blackmetalzine.com/echoes-from-the-crypt-week-1/
Last updated: 2026-07-15T17:23:01.000Z
Welcome to Echoes from the Crypt: a brand-new review series dedicated to the world of Dungeon Synth. Where each week we'll be stepping away from the blast-beats in exchange for some lo-fi lore. We’ll hand-pick three essential Dungeon Synth treasures, old and new, and pull them from the shadows to shine a little torch-light on for you.
**Band:** Baard
**Album:** Beneath the Weeping Mountain
**Country:** United States
**Label:** Sokol Keep
**Released:** February 27, 2026
Baard's "Beneath the Weeping Mountain", is a masterclass in somber, narrative-driven dungeon synth that feels like a weathered tome unearthed from a frost-covered ruin. Dropped early on in 2026, the record eschews the whimsical nature of "comfy synth" in favor of sweeping, melancholic pads and percussive echoes that evoke the crushing weight of stone and ancient grief.
Given that the project features members of the black metal entity One of Nine, the transition into these darker textures feels entirely natural, a shadowy extension of that band’s atmospheric DNA woven into a purely electronic tapestry. The synthesis remains remarkably organic, utilizing woodwind-adjacent leads that flutter like dying embers against a backdrop of cavernous reverb. It is a hauntingly beautiful exploration of subterranean isolation, perfectly capturing the descent from the light of high peaks into the eternal, weeping silence of the deep. For those seeking a bridge between lo-fi fantasy aesthetics and the cold intensity of the black metal underground, Baard has crafted an essential piece of winter-borne lore.
Rating: 8.5/10
Band: Frostgard
Album: Valaquenta I
Country: Spain
Label: Out of Season
Released: December 21, 2021
Frostgard’s "Valaquenta I" serves as a profound sonic translation of Tolkien’s cosmogony. Rather than merely referencing Middle-earth, this release immerses itself in the Silmarillion, specifically the Account of the Valar. As the first installment of a two-part epic, it lays the foundational mythos that the project would eventually conclude in its successor, creating a monumental duology of high-fantasy synthesis.
While many dungeon synth projects dwell in the grit of the old school, Frostgard opts for a crystalline, orchestral clarity that feels as vast as the Halls of Mandos. The album translates the birth of the Ainur into shimmering pads and triumphant, medieval melodies. Each track acts as a frozen vignette of the Powers of Arda, ethereal flutes and choral layers evoke the Great Music before the marring of Melkor. It avoids the claustrophobia of the dungeon, instead seeking the starlit heights of Taniquetil. For those seeking a soundtrack for world-building or solitary reflection, this is essential listening. It is a work of reverent myth-making, capturing the precise moment when the Ainulindalë vibrated into the void, turning divine thought into the very stone and light of a nascent world.
Rating: 10/10
Band: Depressive Silence
Album: I
Country: Germany
Label: Northern Silence Productions
Release: January 1, 2024 (Re-release)
The 2024 re-release of "I" by German legends Depressive Silence via Northern Silence Productions isn't just a repress, it’s a restoration of a cornerstone in the dungeon synth pantheon. Originally appearing on their 1995 split with Mightiest, the 3 tracks "Medieval Demons," "Dark Side," and "Düsterwald" represent the genre’s shift from raw black metal ambiance into a high-fantasy, synth-driven majesty.
While many archival releases can feel like dusty relics, "I" remains strikingly vital. The 2024 vinyl and digipak editions provide a crystalline clarity to the Roland JV-30 melodies, stripping away none of the original cassette’s nostalgic fog while highlighting the duo's uncanny ability to weave melancholic melodies. This specific re-release serves as a gateway to the project’s broader 1990’s output, reminding listeners why RAL and B.S. are considered the gold standard of the style. The artwork, often featuring the iconic David Thiérée illustrations, perfectly mirrors the music: a melancholic trek through moonlit forests and crumbling keeps.
Rating: 10/10
## Your thoughts on these reviews.
We love to hear your opinion about these albums. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Live Review: Sunken & Panopticon Laurentian Echoes Tour (2026)
URL: https://blackmetalzine.com/live-review-sunken-panopticon-laurentian-echoes-tour-2026/
Last updated: 2026-05-04T09:09:17.000Z
Bands: Sunken & Panopticon
Genre: Atmospheric Black Metal
Venue: Stereo, Glasgow, Scotland, UK
Date: 01/04/26
## Introduction
The second this tour got announced I got it in my calendar and secured a ticket. Two phenomenal bands of atmospheric black metal coming to Glasgow together to put on what will be a stellar show. Count me in.
Both are bands I've seen before thanks to Reaper Agency having them on the lineup for previous Fortress Festivals, with Panopticon headlining 2023 and 2024, and Sunken opening 2024\.
My admiration for these two bands has only grown since then, with these bands weaving wonderful tales of the elements and environment through the art that is their music.
*As luck would have it, our editor, Boenna, also witnessed this billing in Paris two days later; his musings can be read at the end of the article.*
## Sunken
I first properly became aware of Sunken at Fortress Festival 2024 where they opened up the weekend from the Grand Hall, and within moments I think I fell in love with their sound. I've since become a huge fan of them, and Lykke ended up among my top albums of 2025 so I was very much looking forward to seeing them live once again in a more intimate venue.
And from the opening notes of *Din Røst Malede Farver I Luften* I was entranced, being crushed by these deep depths of despair. The quality of their sound is indescribable, they sounded akin to the studio album itself with perfect precision and dominated the soundscape.
The entire stage was dense with thick plumes of smoke, I could not have told you where the drummer was (let alone the reveal after the end that they had a banner up!). Combined with heavy use of strobe lighting it was a visually obscured show yet established such a strong and oppressive atmosphere.
Joining them for this tour, Andreas Tagmose Grønkjær who was the original bassist back on their *The Crackling of Embers* demo in 2014 and played with them in the early years before their debut album *Departure*. Chatting with them afterwards I did mention that the demo deserves a vinyl repress much to the delight of Andreas, as it's the only one missing from my collection.
Sunken were absolutely magnificent, I was truly in awe the entire time I watched them and could have happily heard them play for an entire evening. Their set only consisted of four songs (two from *Lykke* and two from *Livslede*) but when each track averages just over ten minutes long it's understandable.
By the sounds of it they'll be back to the UK soon and I cannot wait for that to be revealed.
## Panopticon
We were in for a treat tonight, with being told ahead of time that three new songs off the latest album *Det Hjemsøkte Hjertet* would be premiered to the Glasgow crowd and played live for the first time ever.
A lengthy set up due to power issues which impacted their playback, but the crowd was not bored or without entertainment. A composition for us consisting of clean guitar, violin, and gentle vocals was jammed, and it was genuinely beautiful and a delight to us all I'm sure.
With the problem fixed, the introduction over, and *Winter's Ghost Part II: Hjemløs* kicked off their set for the evening.
The vocals for this show can not be understated. From gorgeous harmonised vocal work throughout the clean sections, to Austin screaming away from his mic over the heads of the crowd demonstrating the raw power behind his voice. Every word was carrying tremendous weight, weaving poetry for our ears.
*The Great Silence, Extinct* led into *Blood and Fur Upon the Melting Snow* for two back to back live debuts of the new songs, then *Woodland Carrion* was the final of the new tracks they played for us, and it was a highlight of the night for me.
A track of two halves, it was absolutely hypnotic and drenched with despair as this slow paced piece gently swayed. Juxtaposed by the second half however, as we were thrown into blast beat pace, with the stabbing notes of the violin giving ominous notes and a general unease to this piece.
Closing with *Into the North Woods*, it was a perfect conclusion to such an amazing show. As the last note of Austin's guitar rang out, he leaned forwards and passed me his pick! Genuinely giddy when that happened, and will join my concert treasures and memorabilia collection.
## Conclusion
I don't think there could have been a person in the audience who wasn't blown away by these two performances from the incredible atmospheric duo.
It was an early night too, finishing around 22:00 (I did see *Autumn Eternal* was on the bottom of Panopticons setlist as an optional encore song but we apparently did not have time for it).
Perhaps a slightly longer night with a support act could have been nice, many local acts I can think of that would have perfectly fit the bill, as long as it meant not taking away from either bands sets.
But I really cannot complain can I? Seeing these two giants of the atmospheric black metal world sharing the stage with such elegance, they were outstanding and no doubt will go down as one of my favourite shows of the year.
**Boennas impressions:** My vacation in Paris happened to coincide with Sunken and Panopticon's gig, which was merely a hundred meters up the street from my hotel—in the same building as the Moulin Rouge, nonetheless. It was an easy decision to attend.
The local opening act, Midsummer Blaze, caught me by surprise. The band consisted of a guitarist and a bassist, but the focal point was an enigmatic woman singing and screaming, demanding the audience's attention. I quickly let go of my disappointment of not being able to spot a drummer through the clouds of smoke and was captivated by their soundscape and performance, even though they relied heavily on a backing track.
This was my first time witnessing the Danish quartet, Sunken. It seemed they arrived the venue a bit late, as they had to soundcheck during the changeover the moment the opening act stepped off the stage. However, as soon as they got going, they delivered an engulfing experience; the smoke was so thick you had to stare intently just to catch a glimpse of the performers. Overall, they delivered a great set.
Then it was time for the headliners. Parisian traffic had caused delays for them as well. I originally thought it was strange that they were loading their gear into the back of the venue while Sunken was playing, but it made sense once they had to do their soundcheck on the fly and start their set immediately to stay somewhat on schedule.
Panopticon is atmospheric in a much different way than Sunken. While Sunken draws you in with almost droning, captivating riffs, Panopticon builds a soundscape with layers of melodic guitar lines, fiddles, and synth effects. Some of this comes from backing tracks, but the majority of the performance is produced by the musicians on stage. The most impressive member was the fiddle player, who also handled various other instruments, like the synth, while performing backing vocals. I thoroughly enjoyed their set; since it was my first time seeing them live—and knowing they didn't have time to set up their extra visuals—I really look forward to catching them again when the opportunity arises.
## Your thoughts on this live review.
We love to hear your opinion on this live review. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
become a member of Black Metal Zine
Subscribe
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### The Infernal Records: Week 17
URL: https://blackmetalzine.com/the-infernal-records-week-17/
Last updated: 2026-06-25T17:43:52.000Z
The Infernal Records: Week 17 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Amissa Anima
Album: Buried Under the Sea
Country: Czechia
Genre: Depressive/Post-Black Metal (Clean Vocals)
Date: April 20, 2026
[BURIED UNDER THE SEA, by Amissa Anima6 track albumAmissa AnimaBandcamp New & Notable May 9, 2025](https://amissaanima.bandcamp.com/album/buried-under-the-sea?ref=blackmetalzine.com)
Band: Asenheim
Album: Elbenblut
Country: Germany
Genre: Epic Black Metal
Date: April 24th, 2026
[Elbenblut, by Asenheim11 track albumDominance of Darkness RecordsBandcamp New & Notable Jan 8, 2018](https://dod-records.bandcamp.com/album/elbenblut?ref=blackmetalzine.com)
Band: Atlantic Ridge
Album: S/T
Country: Italy
Genre: Atmospheric Doom/Black Metal
Date: April 24, 2026
[Atlantic Ridge, by Atlantic Ridge6 track albumAtlantic RidgePeggy Clark](https://atlanticridge.bandcamp.com/album/atlantic-ridge?ref=blackmetalzine.com)
Band: Aversio Humanitatis
Album: To Become the Endless Static
Country: Spain
Genre: Black/Death Metal
Date: April 24, 2026
[To Become the Endless Static, by Aversio Humanitatis6 track albumAversio HumanitatisUrso X](https://aversiohumanitatis.bandcamp.com/album/to-become-the-endless-static?ref=blackmetalzine.com)
Band: Belialed
Album: The Echoless Chasm
Country: Melodic Black Metal
Genre: Melodic Black Metal
Date: April 24, 2026
[The Echoless Chasm, by Belialed8 track albumBelialed](https://belialedofficial.bandcamp.com/album/the-echoless-chasm?ref=blackmetalzine.com)
Band: Bewitched
Album: Diabolical Death Mass
Country: Sweden
Genre: Black/Thrash/Heavy Metal
Date: April 24, 2026
[Diabolical Death Mass, by BEWITCHED11 track albumOsmose ProductionsOWNED BY 2 CHIHUAHUA’S](https://osmoseproductions.bandcamp.com/album/diabolical-death-mass?ref=blackmetalzine.com)
Band: Bringers of Disease
Album: Sulphur
Country: USA
Genre: Black Metal
Date: April 24, 2026
[SULPHUR, by Bringers Of Disease7 track albumBringers Of DiseaseRich Kinman](https://bringersofdiseaseoh.bandcamp.com/album/sulphur?ref=blackmetalzine.com)
Band: Cnoc An Tursa
Album: A Cry For The Slain
Country: UK
Genre: Black/Folk Metal
Date: April 24, 2026
[A Cry For The Slain, by Cnoc An Tursa8 track albumApocalyptic Witchcraft RecordingsRicardo Cristof](https://apocalypticwitchcraft.bandcamp.com/album/a-cry-for-the-slain?ref=blackmetalzine.com)
Band: Coldfall
Album: Dregs of the Scythe (Demo)
Country: UK
Genre: Black Metal
Date: April 24th, 2026
[COLDFALL - Dregs of the Scythe, by FORBIDDEN KEEP RECORDS6 track albumFORBIDDEN KEEP RECORDSWheels of Mercury](https://forbiddenkeep.bandcamp.com/album/coldfall-dregs-of-the-scythe?ref=blackmetalzine.com)
Band: Coven Of The Swamp
Album: The Veil
Country: Germany
Genre: Folk Black Metal/Blackgrass
Date: April 22, 2026
[The Veil, by Coven Of The Swamp3 track albumCoven Of The SwampBandcamp New & Notable Jun 28, 2018](https://covenoftheswamp.bandcamp.com/album/the-veil?ref=blackmetalzine.com)
Band: Delictii
Album: Irrupción en las puertas del creador (EP)
Country: Colombia
Genre: Black Metal
Date: April 23rd, 2026
[Irrupción en las puertas del creador, by Delictii6 track albumEnclave Magico Indomito](https://enclavemagicoindomito.bandcamp.com/album/irrupci-n-en-las-puertas-del-creador?ref=blackmetalzine.com)
Band: Drakon
Album: Таилища Русской Земли
Country: Russia
Genre: Pagan Black Metal / Pagan Black/Death
Date: April 21, 2026
[Таилища Русской Земли ※ Sacraries of Russian Land, by Drakon8 track albumDrakonBandcamp New & Notable Jul 28, 2025](https://drakonblackmetal.bandcamp.com/album/sacraries-of-russian-land?ref=blackmetalzine.com)
Band: Drudkh
Album: Thaw (EP)
Country: Ukraine
Genre: Black Metal
Date: April 24, 2026
[Thaw, by Drudkh3 track albumDrudkhSaffron Robe](https://drudkh.bandcamp.com/album/thaw?ref=blackmetalzine.com)
Band: Earth Is Eternal
Album: Trash on Everest (EP)
Country: France
Genre: Atmospheric Black Metal
Date: April 22nd, 2026
[Trash on Everest, by Earth is Eternal7 track albumEarth is EternalBandcamp New & Notable Dec 13, 2021](https://eartheternal.bandcamp.com/album/trash-on-everest?ref=blackmetalzine.com)
Band: Efflore
Album: Elegies of the Island 島嶼冤歌
Country: Taiwan
Genre: Symphonic/Oriental Black Metal
Date: April 24, 2026
[Elegies of the Island 島嶼冤歌, by Efflore 白華8 track albumEfflore 白華Bandcamp New & Notable Jan 5, 2022](https://effloretw.bandcamp.com/album/elegies-of-the-island?ref=blackmetalzine.com)
Band: Emergenz
Album: Becoming None
Country: Germany
Genre: Melodic Black/Death Metal
Date: April 24th, 2026
[becoming none, by Emergenz10 track albumEmergenznika](https://emergenz.bandcamp.com/album/becoming-none?ref=blackmetalzine.com)
Band: Firmament
Album: Reveries of a Forgotten Spirit
Country: Germany
Genre: Atmospheric/Ambient Black Metal
Date: April 24th, 2026
[Reveries of a Forgotten Spirit, by Firmament7 track albumFirmamentMetalmanni](https://firmamentnp.bandcamp.com/album/reveries-of-a-forgotten-spirit?ref=blackmetalzine.com)
Band: Grave Circles
Album: Live at Howls of Winter XIII (Live Album)
Country: Ukraine/Slovenia
Genre: Black Metal
Date: April 20, 2026
[Live at Howls of Winter XIII, by Grave Circles6 track albumGrave Circlesbmurator](https://gravecircles.bandcamp.com/album/live-at-howls-of-winter-xiii?ref=blackmetalzine.com)
Band: Infernal Angels
Album: As the First Blood Fell...
Country: Italy
Genre: Melodic Black Metal
Date: April 24, 2026
[As the First Blood Fell..., by Infernal Angels6 track albumImmortal Frost Productions](https://immortalfrostproductions1.bandcamp.com/album/as-the-first-blood-fell?ref=blackmetalzine.com)
Band: Kaatayra
Album: Caminhos de Água
Country: Brazil
Genre: Atmospheric Folk/Black Metal, Experimental Folk
Date: April 24th, 2026
[Caminhos de Água, by Kaatayra7 track albumKaatayraall your gardening needs](https://kaatayra.bandcamp.com/album/caminhos-de-gua?ref=blackmetalzine.com)
Band: Kõdu
Album: Kirjad Sõgedate Külast
Country: Estonia
Genre: Black Metal
Date: April 20, 2026
[Kirjad Sõgedate Külast, by Kõdu7 track albumAntiqBandcamp New & Notable Aug 5, 2023](https://antiqofficial.bandcamp.com/album/kirjad-s-gedate-k-last?ref=blackmetalzine.com)
Band: Luciferian
Album: Where Rivers of Sorrow Flow
Country: Colombia
Genre: Black Metal
Date: April 21, 2026
[Where Rivers of Sorrow Flow, by Luciferian9 track albumLuciferianBandcamp New & Notable Dec 12, 2025](https://luciferian.bandcamp.com/album/where-rivers-of-sorrow-flow?ref=blackmetalzine.com)
Band: Lune
Album: Empyrean Harvest
Country: Austria
Genre: Atmospheric Black Metal
Date: April 20, 2026
[Empyrean Harvest, by Lune4 track albumLunegileadean](https://luneblackmetal.bandcamp.com/album/empyrean-harvest?ref=blackmetalzine.com)
Band: Mesnada
Album: Forgotten Pathway
Country: Spain
Genre: Raw Black Metal
Date: April 22nd, 2026
[Forgotten Pathway of Dark Ages, by Mesnada6 track albumMesnadaBandcamp New & Notable Oct 3, 2020](https://tuireann.bandcamp.com/album/forgotten-pathway-of-dark-ages?ref=blackmetalzine.com)
Band: Nagött
Album: Tenebrae Ultra Ferrum
Country: Italy
Genre: Black Metal
Date: April 22nd, 2026
[Tenebrae Ultra Ferrum, by Nagött5 track albumNagöttObsidian One](https://nagott.bandcamp.com/album/tenebrae-ultra-ferrum?ref=blackmetalzine.com)
Band: Oscura Metrica
Album: Obnubilatio Psychasthenica
Country: Italy
Genre: Black Metal
Date: April 25, 2026
[Obnubilatio Psychasthenica, by Oscura Metrica7 track albumOscura MetricaOscura Metrica](https://oscurametrica.bandcamp.com/album/obnubilatio-psychasthenica?ref=blackmetalzine.com)
Band: Pure Wrath
Album: Bleak Days Ahead
Country: Indonesia
Genre: Atmospheric Black Metal
Date: April 24, 2026
[Bleak Days Ahead, by Pure Wrath5 track albumPure WrathBoboDupla](https://purewrath.bandcamp.com/album/bleak-days-ahead?ref=blackmetalzine.com)
Band: Riverflame
Album: Lunar Crusades
Country: Greece
Genre: Epic/Melodic Black Metal
Date: April 23, 2026
[Lunar Crusades, by Riverflame5 track albumRiverflameBrett (Lascaille’s Shroud / Soulmass)](https://riverflame.bandcamp.com/album/lunar-crusades?ref=blackmetalzine.com)
Band: Ruins Beheld
Album: Nullus portus nisi mortis est (Demo)
Country: UK
Genre: Atmospheric Black/Post-Metal
Date: April 19th, 2026
[Nullus portus nisi mortis est, by RUINS BEHELD3 track albumRUINS BEHELDRUINS BEHELD](https://ruinsbeheld.bandcamp.com/album/nullus-portus-nisi-mortis-est-2?ref=blackmetalzine.com)
Band: Sanglot
Album: Le néant de la pensée (EP)
Country: Québec, Canada
Genre: Depressive/Post-Black Metal
Date: April 23rd, 2026
[Le néant de la pensée, by Sanglot4 track albumSanglotBandcamp Album of the Day Apr 23, 2026](https://sanglot.bandcamp.com/album/le-n-ant-de-la-pens-e?ref=blackmetalzine.com)
Band: Saule Noir
Album: Ars Moriendi (EP)
Country: Québec, Canada
Genre: Black Metal
Date: April 23rd, 2026
[Ars Moriendi, by Saule Noir6 track albumSaule Noir](https://saulenoir.bandcamp.com/album/ars-moriendi?ref=blackmetalzine.com)
Band: Scimitar
Album: Scimitarium II
Country: Denmark
Genre: Blackened Heavy Metal
Date: April 24, 2026
[Scimitarium II, by Scimitar6 track albumCrypt of the WizardBrett (Lascaille’s Shroud / Soulmass)](https://cryptofthewizard.bandcamp.com/album/scimitarium-ii?ref=blackmetalzine.com)
Band: Шум в Голове (Shum v Holove)
Album: Месть из могилы (EP)
Country: Ukraine
Genre: Black 'n' Roll/Thrash Metal
Date: April 23rd, 2026
[Умер и Воскрес, by Шум в Голове5 track albumШум в Голове](https://shumvgolove.bandcamp.com/album/-?ref=blackmetalzine.com)
Band: The Eternal Dusk
Album: Letter Beyond Lightyears 光年之外的遗书
Country: China
Genre: Atmospheric Black Metal
Date: April 25, 2026
[Letter Beyond Lightyears 光年之外的遗书, by The Eternal Dusk4 track albumThe Eternal DuskAndy](https://theeternaldusk.bandcamp.com/album/letter-beyond-lightyears?ref=blackmetalzine.com)
Band: Thy Sanatorium
Album: S/T
Country: UK
Genre: Symphonic Black Metal
Date: April 24, 2026
[Thy Sanatorium, by Thy Sanatorium8 track albumThy SanatoriumBandcamp New & Notable Nov 5, 2023](https://thysanatorium.bandcamp.com/album/thy-sanatorium?ref=blackmetalzine.com)
Band: Volcandra
Album: Beyond the Will of Mortals
Country: USA
Genre: Melodic Black/Death Metal
Date: April 24th, 2026
[Beyond The Will Of Mortals, by Volcandra9 track albumVolcandraChristoph Wagner](https://volcandra.bandcamp.com/album/beyond-the-will-of-mortals?ref=blackmetalzine.com)
Band: Wrang
Album: Verwording
Country: Netherlands
Genre: Black Metal
Date: April 24th, 2026
[Verwording, by Wrang6 track albumWrangYomaBarr](https://wrang.bandcamp.com/album/verwording?ref=blackmetalzine.com)
Band: Xaemora
Album: Carnivores in Heaven Chapter II: Judas Quest (EP)
Country: USA
Genre: Black Metal
Date: April 21, 2026
[Carnivores in Heaven Chapter II: Judas Quest, by Xaemora2 track albumXaemoraDustin Wall](https://xaemora.bandcamp.com/album/carnivores-in-heaven-chapter-ii-judas-quest?ref=blackmetalzine.com)
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### Live Review: Inferno Metal Festival (2026)
URL: https://blackmetalzine.com/live-review-inferno-metal-festival-2026/
Last updated: 2026-05-04T09:09:32.000Z
You know the drill legions, another easter has come and gone and I spent it blackened in Oslo for the Inferno Metal Festival! A black metal blast within the halls of Rockefeller and John Dee every easter in Oslo.
With my camera in hand and merch money in pocket I pointed my nose towards Oslo. If you want to read a more in-depth review of the festival and how it operates, check out my previous Inferno reviews from 2024 and 2025\. If not enjoy the band reviews below, lets get into it!
1914: The Ukrainian blackened death metal warlords were the first band to play the Rockefeller venue at this years festival. 1914 is a well renowned band that plays WW1 themed songs. I have been a long time fan and hold their album "Eschatology of War" close to heart, so I was excited to finaly experience them live. 1914 has previously had to cancel their apperance at the festival 4 times i believe, so it was well over due. Their set consisted of the new album "Viribus Unitis" and included multiple small political commentaries to the audience from their vocalist. 1914's concert held a serious undertone and the sounds of war rang in everyones ears.
Forsmán: Icelandic Forsmán were up next. The band shares members with Múr and Misþrming, so I had to check this one out. Darkened harsh riffs filled the room like only the Icelandics know how to do. A cold tone in the tunes, combined with enraged vocals is exactly what I like. Will definently listen to this band more.
Svarttjern: One of the best concerts of this year's festival belongs to Svarttjern. Hans Fyrste on vocals rules the stage with a terrific romance between silliness and brutality. He is accompanied by fellow Norwegian black metal heavy hitters and together they littered Rockefeller with sexualized black metal. Will see again.
Hulder: The Belgian (later United States of American) black metal musician "Marz Riesterer's" band Hulder was set to play at John Dee. The venue was filled to the brim with metalheads who wanted a glimpse of the folky yet raw black metal witch. The venue was darklit and the stage and props were decorated in ivy. Icy high-pitched vocals with swift and catchy melodies got alot of heads to bang. A nice gig overall.
Møl: Tried to go see them, this concert was beeing held at one of the Inferno club venues. I went 15 minutes before their playtime and the line in to the club was already long. While the rain was pounding the queue, I turned my nose back towards Rockefeller. I hope to catch them another time.
Tormentor: The Hungarian legends of Tormentor fronted by Mayhem's Attila put on a show for Inferno. Attila had some really cool low-gritted gnarly vocals during this show and was a real menace on stage. He roamed left and right on stage and terrorized his bandmates, whipping them hard as they play. Reminding me somewhat of Christoph Schneider with Rammstein on their live set of Buck Dich.
Automaton: My first club concert at this Inferno went to the greek blackened doom band Automaton. I saw them two years ago at the same festival, in the same club and enjoyed it enough for a second time now. This time around I was also accompanied by my good friend and now fellow BMZ collague Sotiris (@vfor5) and had a great time.
We also went to get food after this gig and accidently found the best kebab in Oslo. A small Turkish restaurant in the same street as Brewgata and Vaterland called Izgara, make sure to try this fantastic food if you are in Oslo.
Der Weg Einer Freiheit: My first time experiencing this band live after listening on and off for a couple years. A beautiful set stage with a good amount of smoke in the air. Rockefeller was packed as the band took to the stage. Beautiful haunting melodies and heartfelt vocals were delivered. Some tears fell amoung some of the audience during the duration of their set.
Groza: Another hooded black metal band, think amoung the lines of MGLA, and Midnight. Fast paced black metal filled the crowded venue with energy and Groza held the audience attention in their grip. A very fun, high energy gig.
Mayhem: Mayhem as always gathered a massive crowd when they headlined the 2nd day of Inferno. Rockefeller was stacked with metalheads in various stages of alcohol intoxication and the room was hot as f\*ck. Mayhem was greeted with great applause from the Inferno crowd. Arriving to the stage right from the street was Teloch, Hellhammer, Necrobutcher and Ghul meanwhile Attila came from a theater wardrobe. The whole band in streetwear with capses and T-shirts except for Attila in full corpse-paint and a pope costume. What the f\*ck. Musicly though, the concert was good, but Mayhem has to decide what to do about their clothing.
Hevn III: I started my morning with a beer in the shower while listening to a playlist of the days bands. A raw and energetic black metal track started grinding my ears, to my great amusement. I checked on my phone to see what band it was, and it said Hevn III. I looked up the schedule and saw that they were gonna play in Brewgata in just 40 minutes. I threw some food in my face and walked down to Brewgata and grabbed a beer with my friend Emanuel Salgado (ex-Iskald) that I found a good tone with in the Rockefeller queue, two years prior. We went inside to see Hevn III and had a great time. Raw, high energy black metal done in the lo-fi way. Check them out!
Angell: A set of young Norwegian teenagers who play well, Norwegian black metal. I havent heard of this band until some days prior when I saw Beyond the Gates announcing them for the Beyoung concerts they hold. The younglings played a great gig which alot of people had come to witness. I suppose every old black metal head is interested in seeing the youth carrying the torch further. Very well done concert, will definently check them out again. Support the youth, support the underground!
Hierophant: Watch out for the vocalist, he spits! Caught some right in my hair, a bit extra hairwax i suppose.. Spitting or not, Hierophant delivered high energy and volatile riffs. John Dee was warmer than the cheese in a gas station hot dog when Hierophant was done playing. I recomend seeing them, but bring a face shield because he did not only target photographers.
Kanonenfieber: This was my first time seeing the german hype tank Kanonenfieber and I had alot of fun. I saw them last year as Non est Deus at the same festival but now they brought the big guns and played the big stage. With pyrotechnics comfortably warming the crowd the band played hit after hit. The Sabaton of black metal if you will did deliver entertainment and showmanship. It acted abit like a refreshing shower between the more "trve" bands.
Bizarrekult: A great Norwegian band fronted by Roman who moved from Russia to Norway some years ago. High energy delivery from Roman on the vocals accompanied by rabid string musicians and drummer. Intense, up-close and personal gig with special guest Vicotnik (Dødheimsgard) towards the ending of the gig.
Mork: The word went around that Mork had a special gig planned for us this time as they played the big stage for the first time in Rockefeller. Inferno metal festival was in flames by Mork's impressive pyro's that put Kanonenfieber's to shame. Dressed alike, with "modern" corpse paint in face and their polished sound, Mork opened the 3rd day. A massive crowd had shown up for their gig and the band seemed to have a great time on stage which is always lovely to see. A much better show than what I witnessed from their side band Udåd here last year.
Primordial: The Irish black metallers Primordial always put on a good show. You know what you get with this band, great muicianship, fantastic performance from Alan and overall great atmosphere. Listen to Primodial, and if you are a vocalist of a band, take some notes from Alan!
Perchta: I wanted to like this band. Folk-black from Austria which is female fronted by a witchy character, supposedly. With the venue dimmed darker than your 75 year old uncle's humor, one could barely see the faces of the band on stage. Except for their melody-shaman (srry I have no idea what your instrument is called) in the very center of the stage who had a big ass reading light in his face, glowing him up like he was the sun. The vocals we're kind of alright, but threw my attention to much away from the music and made it sound too messy. Not my cup of tea.
Old Man's Child: Propobly should have been headlining the final day of the festival judging by the masses of people leaving after they were done playing before Deicide were set to take the stage. Old Man's Child were great, a good follow-up to when I saw them last summer at Tons of Rock with Hoest on vocals. This time around Galder took care of both guitars and vocals and did so greatly. A worthy black metal band to finish off the black metal gigs this time at Inferno.
Firespawn: A honrouble mention to the death metal band Firespawn who put on what I thought to be the best gig at this years Inferno festival. High energy, violent, deep gutted growls and drums hammering you down to your knees. Exactly the recipe on how to get a room full of metalheads to mosh. I enjoyed this alot, and they were much better live than what they can show to be when streaming it.
There were alot of other good black metal band's at this year's festival aswell but my editor will murder me if I write any more, and most of them I've covered before, that's why I've cut them from this review.
Honrouble mention: Myr, Sovereign, Mur, Nihilvm, The Kovenant, Darvaza, Whoredom Rife, Samael, Enslaved, Abhorration, Audn, and Malum.
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### The Infernal Records: Week 16
URL: https://blackmetalzine.com/the-infernal-records-week-16/
Last updated: 2026-06-25T17:44:02.000Z
The Infernal Records: Week 16 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Aran Angmar
Album: Demo MMXX
Country: Greece / Netherlands / Italy
Genre: Black Metal
Date: April 13, 2026
[Demo MMXX, by Aran Angmar2 track albumAran Angmar](https://aranangmar.bandcamp.com/album/demo-mmxx?ref=blackmetalzine.com)
Band: Agrat
Album: Agrat Bat Mahlat
Country: Denmark
Genre: Black/Death Metal
Date: April 9th, 2026
[AGRAT BAT MAHLAT, by Agrat9 track albumAgrat](https://agratofficial.bandcamp.com/album/agrat-bat-mahlat?ref=blackmetalzine.com)
Band: اهریمانی (Ahrimani)
Album: رگبار گلولههای کفاره / Strike of Atonement
Country: Afghanistan
Genre: Raw Black Metal
Date: April 15, 2026
[رگبار گلولههای کفاره/Strike of Atonement, by اهریمانی3 track albumاهریمانی](https://ahrimanibmkh.bandcamp.com/album/strike-of-atonement?ref=blackmetalzine.com)
Band: Amimia
Album: Inhale/Exhale (EP)
Country: Germany
Genre: DSBM / Blackgaze
Date: April 17, 2026
[Inhale/Exhale, by Amimia3 track albumAmimiaUrso X](https://amimia.bandcamp.com/album/inhale-exhale?ref=blackmetalzine.com)
Band: Aversio Humanitatis
Album: To Become the Endless Static
Country: Spain
Genre: Atmospheric Black/Death Metal
Date: April 14, 2026
[To Become the Endless Static, by Aversio Humanitatis6 track albumAversio HumanitatisUrso X](https://aversiohumanitatis.bandcamp.com/album/to-become-the-endless-static?ref=blackmetalzine.com)
Band: Coffret De Bijoux, Aftoktonia
Album: S/T (Split)
Country: Québec, Canada / Norway
Genre: Atmospheric/Raw Black Metal/Ambient, Various | Black Metal
Date: April 16, 2026
[coffret de bijoux / Aftoktonia, by coffret de bijoux, Aftoktonia2 track albumAftoktoniaAftoktonia](https://aftoktonia.bandcamp.com/album/coffret-de-bijoux-aftoktonia?ref=blackmetalzine.com)
Band: Doodswens
Album: S/T
Country: Netherlands
Genre: Black Metal
Date: April 17, 2026
[Doodswens, by Doodswens7 track albumDoodswensRADEMASSAKER](https://doodswensband.bandcamp.com/album/doodswens?ref=blackmetalzine.com)
Band: Drang
Album: De Doorbraak
Country: Netherlands
Genre: Black Metal
Date: April 17, 2026
[De Doorbraak, by Drang7 track albumDrangBandcamp New & Notable Mar 23, 2025](https://drangofficial.bandcamp.com/album/de-doorbraak?ref=blackmetalzine.com)
Band: Forgotten Heritage
Album: The Ominous Future of Humanity Part II (Demo)
Country: Unknown
Genre: Raw Black Metal
Date: April 17, 2026
[The Ominous Future of Humanity Part II, by Forgotten Heritage2 track albumForgotten HeritageBandcamp New & Notable Oct 3, 2020](https://forgottenheritage.bandcamp.com/album/the-ominous-future-of-humanity-part-ii?ref=blackmetalzine.com)
Band: Ill Ghost
Album: Love Wants me Dead
Country: USA
Genre: Black Metal
Date: April 13, 2026
[Love Wants me Dead, by ILL Ghost7 track albumILL GhostBandcamp New & Notable May 9, 2025](https://illghost.bandcamp.com/album/love-wants-me-dead?ref=blackmetalzine.com)
Band: Ildfar
Album: Der ligger et land
Country: Norway
Genre: Raw Black Metal
Date: April 12, 2026
[Der ligger et land, by ILDFAR12 track albumILDFARBandcamp New & Notable Sep 7, 2017](https://ildfar.bandcamp.com/album/der-ligger-et-land?ref=blackmetalzine.com)
Band: Kalmansurma
Album: Sysimaa (EP)
Country: Finland
Genre: Black/Doom Metal
Date: April 16, 2026
[Sysimaa EP, by Kalmansurma2 track albumKalmansurmaBandcamp New & Notable Jul 20, 2018](https://kalmansurma.bandcamp.com/album/sysimaa-ep?ref=blackmetalzine.com)
Band: Kaarnekorpi
Album: Muinaiset voimat
Country: Finland
Genre: Black/Viking/Folk Metal
Date: April 18, 2026
[Tales from Drangleic, by Primordial Serpent6 track albumPrimordial SerpentBandcamp New & Notable May 17, 2018](https://primordialserpent.bandcamp.com/album/tales-from-drangleic?ref=blackmetalzine.com)
Band: Maria Of Copper Mountains
Album: В чёрны омуты (Into The Black Whirlpools)
Country: Russia
Genre: Atmospheric Black/Folk Metal/Ambient
Date: April 16th, 2026
[SAT413: Maria Of Copper Mountains - В чёрны омуты (Into The Black Whirlpools) (2026), by Satanath Records7 track albumSatanath Recordsbmurator](https://satanath.bandcamp.com/album/sat413-maria-of-copper-mountains-into-the-black-whirlpools-2026?ref=blackmetalzine.com)
Band: Maestitia Gehennalis
Album: Unsanctified Land of Ephemerality
Country: Romania
Genre: Melodic Black Metal
Date: April 15, 2026
[Unsanctified Land of Ephemerality, by Maestitia Gehennalis5 track albumMaestitia Gehennalis](https://maestitiagehennalis.bandcamp.com/album/unsanctified-land-of-ephemerality?ref=blackmetalzine.com)
Band: Northern Graves
Album: Derelict Heart
Country: USA
Genre: Black/Doom Metal
Date: April 17, 2026
[Northern Graves - Derelict Heart | MMR073, by Northern Graves7 track albumMeuse Music RecordsBandcamp New & Notable Jun 19, 2017](https://meusemusicrecords.bandcamp.com/album/northern-graves-derelict-heart-mmr073?ref=blackmetalzine.com)
Band: Nourishment
Album: Cerebral (EP)
Country: USA
Genre: Raw Black Metal/Raw Blackend Post-Punk
Date: April 16, 2026
[Cerebral EP, by Nourishment5 track albumNourishmentDeadNightMoonlight](https://nourishment.bandcamp.com/album/cerebral-ep?ref=blackmetalzine.com)
Band: Orang Bunian
Album: She Became the Withered Flowers
Country: USA
Genre: Atmospheric Black Metal
Date: April 13, 2026
[She Became the Withered Flowers, by Orang Bunian10 track albumOrang BunianBandcamp New & Notable Mar 11, 2023](https://orangbunian.bandcamp.com/album/she-became-the-withered-flowers?ref=blackmetalzine.com)
Band: Primordial Serpent
Album: Tales from Drangleic
Country: Canada
Genre: Black Metal
Date: April 18, 2026
[Tales from Drangleic, by Primordial Serpent6 track albumPrimordial SerpentBandcamp New & Notable May 17, 2018](https://primordialserpent.bandcamp.com/album/tales-from-drangleic?ref=blackmetalzine.com)
Band: Regent Death
Album: Hermetic Vibrations of the Cosmos - A Void\_s Strain
Country: Spain
Genre: Black Metal
Date: April 12th, 2026
[Hermetic Vibrations of the Cosmos - A Void\_s Strain, by Regent Death8 track albumMARA Production](https://maraproductions.bandcamp.com/album/hermetic-vibrations-of-the-cosmos-a-void-s-strain?ref=blackmetalzine.com)
Band: Shut
Album: Perception Of Cecity
Country: India
Genre: Black Metal
Date: April 17th, 2026
[Perception Of Cecity, by SHUT7 track albumSHUTBandcamp New & Notable May 9, 2025](https://shutmusic.bandcamp.com/album/perception-of-cecity?ref=blackmetalzine.com)
Band: The Fals
Album: Where Cold Steel Gleams
Country: Germany
Genre: Heavy/Black Metal
Date: April 17, 2026
[Where Cold Steel Gleams, by THE FALS8 track albumTHE FALS](https://thefals.bandcamp.com/album/where-cold-steel-gleams?ref=blackmetalzine.com)
Band: The Sea Of Sorrow
Album: Cold Night's Embrace
Country: Brazil
Genre: Post-Black/Doom Metal / DSBM
Date: April 17, 2026
[Cold Night’s Embrace, by The Sea Of Sorrow8 track albumPale Vein ProductionsBandcamp New & Notable May 9, 2025](https://paleveinproductions.bandcamp.com/album/cold-nights-embrace?ref=blackmetalzine.com)
Band: Vague à Lame
Album: Par-delà l'horizon
Country: France
Genre: Raw Black Metal/Dungeon Synth
Date: April 12th, 2026
[Par-delà l’horizon, by Naecis7 track albumVague à Lame](https://vague-a-lame.bandcamp.com/album/par-del-lhorizon?ref=blackmetalzine.com)
Band: Voidrium
Album: Aquae Inferis
Country: USA
Genre: Raw Black Metal
Date: April 17, 2026
[Aquae Inferis, by Voidrium10 track albumVoidrium](https://voidrium.bandcamp.com/album/aquae-inferis?ref=blackmetalzine.com)
Band: Zercon
Album: Absolute Power
Country: USA
Genre: Black Metal
Date: April 17, 2026
[Absolute Power, by Zercon10 track albumZercon](https://zercon.bandcamp.com/album/absolute-power?ref=blackmetalzine.com)
### Review: Blood Countess - Imperatrix Sanguinis (2026)
URL: https://blackmetalzine.com/review-blood-countess-imperatrix-sanguinis-2026/
Last updated: 2026-07-15T17:23:02.000Z
**Band:** Blood Countess
**Album:** Imperatrix Sanguinis
**Genre:** Black Metal
**Country:** England, UK
**Label:** Dominance of Darkness Records
**Released:** 24th April 2026
## Introduction:
Somewhere in the dark depths of northern England in a town blanketed in thick fog you'll hear rumours of the Blood Countess. Whispers among young peasants being abducted under nightfall, brought to grim dungeons that reek of decay where they are subjected to black metal.
This second album of macabre tales from the crimson streaked band very much takes what they created with their debut album *Occulta Tenebris* released in 2022 and builds upon it. The songwriting weaves rich tapestries of the tales and legends of Elizabeth Bathory, melodically splattered in wine-dark gore.
## Imperatrix Sanguinis
**Tracklisting:**
1. Chains of Misdeed
2. Sadistic Marchioness
3. A Humiliating Plea for the Glorification of Erotic Suffering
4. The Scavenger's Daughter
5. Shackles of Sin
6. Purge of Trencin
7. Schadenfreude
8. Anna Nádasdy
As the clattering of chains sets the haunting atmosphere, an almighty scream kicks us off into merciless blast-beat filled fury. *Chains of Misdeed* was the lead single from this album released online ahead and one I heard live a couple times and it’s easy to see why this hypnotic track was picked.
With a blend of sinister riffs and elegant waltz-like melodies of measured grace are the backbone for the guitar work of this track, and indeed form the soundscape of this album. They are a genuine delight to listen to, creating a nightmarish and discordant atmosphere akin to a haunted carnival.
Nina ‘The Cuntess’ once again proves that her cold and scathing vocals hold an unyielding presence. Her shrieks and growls are like a knife cutting through the abyssal black metal where every wraithlike note sung is sharp and unmistakable.
The technical drumming filled with blastbeats and subtle fills such as on *A Humiliating Plea for the Glorification of Erotic Suffering* blends in with the melodic guitars to create a groovy black metal presence that is just fun to listen to as the ghoulish lyrics paint vividly morbid imagery in your mind.
This album maintains a blisteringly frantic pace throughout seven of the eight tracks, with *Shackles of Sin* being reserved for despair-filled storytelling in the form of chains, whimpers, and a bone-chilling scream combined with some beautifully haunting synths.
## Conclusion:
Just under forty minutes in length, it is full of old school black metal that is steeped in darkness and a harrowing experience that is shrouded in menace, and I mean that in the most positive fashion.
This album nails the aesthetic that Blood Countess are aiming for, ticks every single box of what you expect from them and delivers it expertly so without a single out of place moment. It’s unforgiving, broodingly noir, and highly memorable. Sinking its hooks deep within you with catchy melodic riffs and seductively bleak vocal work that makes it irresistible.
Blood Countess are a band that have managed to impress me greatly every time I’ve seen them live due to the unshakeable and commanding stage presence of The Cuntess herself. With this new album in their repertoire I expect they’ll be enthralling audiences further and leaving strong impressions with new fans.
I’m excited to see what they have in store for us in the future, and will be catching them live at least once later this year at Tynebound Festival hosted by Reaper Agency.
BMZ Rating: 9/10
## Your thoughts on this review.
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### Festival Review: Dark Easter Metal Meeting (2026)
URL: https://blackmetalzine.com/festival-review-dark-easter-metal-meeting-2026/
Last updated: 2026-07-16T17:15:40.000Z
Dark Easter Metal Meeting in Munich, Germany is one of those festivals that always catches my eye with the fantastic lineups and has remained a temptation over the years. This year it was finally time for me to join in, as there were several bands I just could not miss.
## Day One
Pre-festival we had a fair amount of time, so we wandered the Old Town area seeing the sights and filling up on hearty Bavarian cuisine and quality beers which I’m pretty sure is a legal requirement when visiting the area.
Fueled up on pork and helles, we headed onwards to the venue Backstage - a slightly maze like jungle where the acts would be split across three different rooms with food and drinks vendors aplenty to ensure you won’t be famished.
## **Koldbrann & Urgehal**
Norwegian black metal legends Koldbrann wasted no time in getting our energy up with *Ingen Skånsel*. With a great stage presence delivered to the decent turnup of a crowd, everyone was amped up for the day ahead. Amongst the setlist was their self titled demo track from 2002 and *Kaosmanifest* off their debut album to incorporate tracks from across their nearly 25 year career.
Urgehal were another early in the day from the Norwegian scene whose arrival to the stage was heralded by the bells tolling. The room was packed for them, with their relentless blast beat pace of classic black metal - including the unsubtly titled track *Satanic Black Metal in Hell* to prove what they’re all about.
These two early on in the fest really got everyone in the mood for the brutal weekend ahead of us that would leave our necks sore from all the headbanging.
## Kyi
Sandwiched in between these two well established black metal acts was Kyi, a recent formation that released their debut EP *Vagrant Circle* last year. This was in fact their live debut, and at one of the larger metal festivals in the area… no pressure then!
Taking to the stage this Austrian/German mixed band first had a bouzouki being played to establish a chill atmosphere, an unusual instrument to see normally, let alone in the black metal scene. With candelabras and tea lights across the stage, the mise-en-scene was set ready for their act to properly begin.
The five piece squeezed onto the smallest stage of the festival, and their fast paced black metal began. Strong lead vocals from Ynoxia were very impressive, unfortunately I could quite say the same for the questionable back up vocals which broke up the groove of their music and took me out of the moment every time - even more so than the cowbell action which never fails to be amusing in any music scene thanks to a famous SNL skit from 2000 establishing it as a piece of pop culture.
This band did also employ some theatrics into their set, where about halfway through a girl wearing nipple covers was led onto the stage in chains, where Ynoxia picked up her flask of blood, poured it into a goblet, and then poured it over the imprisoned girl who just stood there as it happened.
The rest of the band lightly jammed throughout this ceremony, as wax dripping took place and then she was made to kneel. Without addressing any of this, the band then went back to their set, playing a couple more songs whilst this girl sat there dripping in wax and blood, absolutely still like a statue. Slightly odd, like they wanted to incorporate some theatrical elements but did not quite have the full plan ready - still, I guess it got people talking (and me writing) about it so it worked.
## Sakis Tolis
The man, the myth, the legend.
This was by far the toughest decision of the festival for me, as on the other stage at the same time was Misere Luminis who have recently released a particularly spectacular album that is right up my alley.
However. Rotting Christ are one of my favourite bands, and I've been listening to the melodic black metal legends for a long while. When Sakis started his solo career i was immediately on board with Among the Fires of Hell being a perfect blend of A Dead Poem and The Heretics style RC with his own flair accompanying each album under his name.
A third of the set consisted of songs from that album, combined with a couple from his new album, and even two Rotting Christ songs thrown in; *Tou Thanatou* and *Holy Mountain*. It was amazing, I’m really not sure what else I can say.
It was high energy, crowd pumping, and everyone there seemed to be having a great time as Sakis played his hellenic melodic tunes. I’m not gonna lie, I was slightly fangirling a little bit as song after song was played - so imagine my delight when Sakis fist-bumped me mid song unprompted, then gave me his pick at the end and I got a setlist. Joy doesn’t even begin to express the 45 minutes I experienced here.
Unfortunately we ran out of time so *Non Serviam* was cut from their set, a shame as that would have been a perfect closer - but we did close with *Nocturnal Hekate*, a *Daemonia Nymphe* cover that featured on his *Among the Fires of Hell* album which was still a great choice.
---
I caught a little bit of **Vinterland** here, who had impressively flawless drumming and such a great sound. However I will be seeing them at Fortress Festival at the end of May, and alas I was quite hungry. So exploring my options I settled on the convenient choice of a shawarma wrap and caught up with the other friends I was with to see how they were enjoying the day so far before we moved on to the next band.
## Auðn
Icelandic atmospheric black metal, a phrase that conjures up such vivid imagery in the mind, and a band that are pretty well established with their melancholic vibes.
The six took to the stage in their business smart attire, blazers and all - and much like their clothes depicted they were an absolute class act from their arrival through to the respectful bows at the end of their performance.
The highlight here was the absolutely scathing vocal work from Hjalti Sveinsson that were filled with a sorrowful angst that absolutely blew me away. The bass lines were incredibly rich, the three guitars were all headbanging along in perfect synchronicity, and the entire room was just dripping with atmosphere.
They may have been fairly high up in my list for the festival ahead of attendance, but having seen them live they surpassed all my expectations and among the top highlights of the full weekend.
## Schammasch, TodoMal, & Blackbraid
In this trio is one band I love, one I'm sort of familiar with, and one band I've never heard of until this. For the clash of Schammasch and TodoMal, a friend I was attending with highly recommended the latter so I split my time between the two acts so I could experience both.
**Schammasch** took to the stage cloaked and masked, establishing an occultish eerieness from the first moments. C.S.R.s vocals endlessly reverberated around the hall, absolutely filling it with his coarse howls.
I only stuck around for a couple of songs from the surrealist Swiss black metal band, and moving through to the club for **TodoMal** was a hell of a tonal shift which I was all for.
The atmospheric doom metal band from Spain were in the midst of a more ballady tune with clean vocals when we walked in, so after recovering from the characteristic whiplash I found a spot on the balcony to comfortably experience this new-to-me act.
The slow heavy riffs were glimmering with gloominess, with every note lingering on as the clean vocal work unfolded over the dread. It was different, and perhaps a much needed change of pace for the day as lord knows I was starting to suffer from too much fast paced headbanging.
I think the greatest thing of this show was the drummer absolutely beating the shit out of his drum kit, such heavy handed force as he struck each drum and cymbal like a sledgehammer coming down. A stick breaks, he throws it over his shoulder and grabs a new one in one flawless move without breaking the beat.
Although **Blackbraid** are a band I love, I would not be sticking around for their full set for two main reasons. The first is I would be seeing them in less than a week in a more intimate venue, and secondly I desperately wanted to secure a good spot for the next act.
Kicking off with *Celestial Bloodlust* they played expertly in an incredibly tight performance - I was back to headbanging along at blastbeast pace again, neck pain be damned. Songs from all three self-titled studio albums were what filled the rest of the set for the rapid-paced Native American atmospheric black metal act. I only saw half of the full show, but I’ve seen them before at Fortress and now I was even more excited to see them again in Glasgow.
## Secrets of the Moon
And here it is. The main reason I am here in Germany is to finally see one of my favourite bands live, a band that broke up years ago and reformed this year to celebrate two decades of Antithesis. An album I got out the vault recently to air my thoughts on it, and here I am in person ready to here it played in full from the stage - and I was right at the front, prepared.
From the opening intro of *Nowhere (11:18)* that led into *Versus* through to the final note of *Lucifer Speaks* I was giddy with excitement to finally witness them. Pure catharsis is the only way I can accurately describe the feeling, it was everything I wanted it to be.
The vocal work shone through, the guitars, the bass, the drums - maybe it’s a bit of bias considering they are one of my favourite bands of all time - but it seemed perfect. Accompanying them for *Lucifer Speaks* was C.S.R. from Schammasch to chant along with this spiritual song.
The setlist itself of course contained no surprises, leaving only *Exit* off from the album. They instead chose to depart the stage with feedback deafening the crowd, ringing out for minutes until a crew member came out to turn off the amps. I nabbed the setlist laying in front of me, and took a couple moments to come down from cloud nine before leaving the hall.
And with that, my first day drew to a close.
## Day Two
It was Easter Sunday, the story of the J-dog son of god, rabbits, and one of them giving birth to eggs… .or something like that I kinda forget the plot as it always seemed a bit farfetched to me anyway.
22 degrees on this bliss spring morning and whilst I was in a beer garden enjoying more Bavarian food and beer, the UK was being hit by a storm and it was snowing in Scotland. Seemed I picked the perfect weekend for a trip away.
I caught a little of Lik, the Swedish death metal band just to give myself a wake up call with their heavy thrashing action - but I skipped most of their set much like Firespawn the previous day as death metal has just never been my jam.
## Schreigarm
Though established in 2020 with two albums under their belt, this was the debut performance of Schreigarm from Neuss, Germany. They’re listed as atmospheric black metal, but I also got some heavy post-black metal gives from them in the vein of early Chrome Waves or Waning with the styles of dirging riffs that came in at times.
There was no bass for this act, so the backing track stepped in to fill that role of this normally two piece act who had enlisted a drummer to form a trio for their performance today. I suppose I could say four piece, and I’ll get into that shortly…
Musically, the band were very strong. Nice tremolo riffs, guitar solo laden, and both front-men Ingvarr and Styrr shared the guitar and vocal work evenly throughout their songs with solid form. They also kept going for some crowd interaction which was good to see, getting them chanting along or to participate a little, they were not shy of being on stage for the first time.
As for the fourth member I mentioned, before the other three even played a single note there was another person dancing along to backing music on the stage, and at first I had assumed they were going to be the singer. However once the music started they left and weren’t seen again until halfway through for another ceremony piece. The two front-men chanted, as she dramatically presented a skull to the crowd, and pretended to stab near a voodoo doll, then left again.
As it is Easter of course, they included the traditional greeting of “f\*\*\* jesus” as they led into *Nine Days on the Gallows Tree*, and the girl joined on stage once again sans-mask, dancing along to the music like Bez, or perhaps Tony from that Nirvana - Live at Reading performance.
A Ukrainian flag was raised in the crowd, and the bands final words were “F\*\*\* Putin, Slava Ukraini” before getting a photo to commemorate their first time on stage.
## Ruïm
The other difficult clash for me. Whilst I did absolutely have to see Ruïm, I felt bad for ditching Cwfen - the gothic doom from Glasgow which would have provided a taste of home. Highly recommend checking out Cwfen, fantastic music with otherworldly live shows.
On the other hand, Ruïm who made one of the best black metal albums of the past decade, and absolutely blew me away at Fortress Festival 2025\. As they opened with *Blood. Sacrifice. Enthronement.* I knew I was in the right place, ready to be absolutely melted away.
The flawless and effortless guitar playing of Blasphemer was pure spectacle as I stood right at the front of the crowd, as incredible riff after riff was played in songs like *Black Royal Spiritism* or *Evig Dissonans*.
He talked about his time in Mayhem, joking that he’s “not even sure if they’re a band anymore” before being joined by Nornagest from Enthroned who would perform vocals for the two Mayhem covers *I Am Thy Labyrinth* and *Fall of Seraphs*. The set was absolutely top tier, and high up among the highlights of the festival.
## 1914
War in. Ukrainian legends of WWI themed black metal entered to the stage, with Dmytro solemnly clutching onto the flag of his country before breaking out into *FN .380 ACP#19074*.
Another band that has become a favourite of mine since I was introduced to them with *The Blind Leading the Blind* back in 2018 and it was humbling seeing them on the stage, even the microphone giving off some awful feedback during the first song.
Between *Vimy Ridge* and *Easter Battle for the Swinin Ridge* Dmytro addressed the Russian invasion of Ukraine, calling for support towards Ukraine to stop the war spreading further across Europe. Cheers from the crowd, and the couple I saw with the flag earlier on today raised it up high once again in moral support.
A couple more tracks off their latest album *Viribus Unitis* and Dmytro went to give another speech, but his microphone apparently decided to stop working entirely. Never mind, the band continued by playing the introduction to *Passchenhell*, where Dmytro started to unassumingly creep around the crowd, sneaking up behind unsuspecting members of the crowd to yell the lyrics in them. The friend I was standing with even got "baptised" in the mud across his face.
Their set was fairly short, I could have easily enjoyed more from them but regardless it was a fantastic performance and hopefully I see them again in the near future.
## Hail Spirit Noir
This Greek black metal band with experimental and psychedelic qualities were another main draw for me and a big reason I flew out for the festival.
I got in to the club early during soundcheck, ready for my final performance of the weekend and just from hearing fleeting riffs from songs I knew and loved I was excited for their performance.
This is the first time with their new singer Arne Vandenhoeck who hails from Belgium, joining the Greeks on the stage. He had the voice, and he brought the energy - even playing air guitar and pretending to drum along to the music at times where his vocals weren't required which added an extra layer of entertainment.
They really embraced the quirky side at times, leaning into the feedback and odd notes they could get from the guitar and keys to add a subtle enhancement of oddity.
##
Conclusion
With that all over, my weekend in Munich drew to a close. I prepared myself for the flight back to Scotland, the dread of going back to work, but the excitement of being reunited with my kittens who I had missed and were being spoiled by someone else in my absence.
Dark Easter Metal Meeting is absolutely a festival I would recommend visiting, and one I will keep a close eye on for lineup announcements going ahead. The venue was great with each stage having fantastic sound, everyone I met was so lovely and genuine, and the vibes were just perfect the full weekend.
## Your thoughts on this festival review.
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### Review: Herztod - III (2026)
URL: https://blackmetalzine.com/review-herztod-iii-2026/
Last updated: 2026-07-16T17:15:41.000Z
**Band:** Herztod
**Album:** III
**Genre:** Atmospheric Black Metal
**Country:** Austria
**Label:** Independent
**Released:** March 6, 2026
## Introduction:
Since emerging from the Austrian underground in 2020, Herztod has been a project defined by isolation and an unwavering devotion to the "Wald-und-Wiesen" (forest and meadow) aesthetic of atmospheric black metal. Led by the enigmatic multi-instrumentalist BS, the project has spent the last six years carving out a niche that eschews modern "post-black" polish in favor of something more primordial. Following the freezing foundations of Herztod S/T (2020) and the suffocating density of II (2022), the arrival of their third full-length, simply titled III, feels like the final movement in a trilogy of terrestrial decay. While many of their Austrian contemporaries have drifted toward avant-garde experimentation, Herztod remains firmly rooted in the soil, delivering a sound that is as much a field recording of a dying ecosystem as it is a metal album.
Track Listing:
1. Waldstille
2. Waldsterben
3. Waldinneres
4. Waldschrat
5. Waldarmee
## III:
III is a monumental trek across five sprawling tracks, clocking in at nearly 50 minutes of sustained tension. The album opens with "Waldstille," a track that lures the listener in with deceptively calm ambient textures before erupting into a whirlwind of tremolo-picked nihilism. Unlike the previous records, there is a newfound depth to the production here; the drums sound massive yet organic, providing a rhythmic skeleton that supports BS’s harrowing, reverb-drenched shrieks.
The centerpiece of the record, the 13-minute odyssey "Waldinneres," showcases the band’s mastery of the slow-burn. It transitions seamlessly from hypnotic, repetitive riffs that border on the psychedelic to explosive blast beats that mimic the frantic energy of a forest fire. What makes III stand out in a crowded genre is its refusal to rely on cheap "epic" synth swells. Instead, the atmosphere is built through the layering of guitars weaving together melodies that feel ancient and sorrowful. Tracks like "Waldschrat" lean into a more aggressive, almost primitive black metal style, proving that despite their atmospheric leanings, Herztod hasn't lost their ability to draw blood. The closing track, "Waldarmee," acts as a funeral march, leaving the listener in a state of hollowed-out catharsis.
## Conclusion:
With III, BS has managed to refine the Herztod sound without losing the raw, bleeding heart that made the project’s early demos so compelling. In a year already crowded with high-profile releases, III stands as a grim reminder that sometimes the most powerful statements are made in the dark, far from the light of the mainstream. For fans of Paysage d’Hiver or the early Cascadian scene, this is an essential addition to the collection.
BMZ Rating: 7.5/10
## Your thoughts on this review.
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### The Infernal Records: Week 15
URL: https://blackmetalzine.com/the-infernal-records-week-15/
Last updated: 2026-06-25T17:44:13.000Z
The Infernal Records: Week 15 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Adumbrall
Album: Remote Tales
Country: Brazil
Genre: Black Metal
Date: April 6, 2026
[Remote Tales, by Adumbrall6 track albumAdumbrallBandcamp New & Notable Jul 28, 2025](https://adumbrall.bandcamp.com/album/remote-tales?ref=blackmetalzine.com)
Band: Altar in Darkness
Album: Pure Black
Country: Ukraine
Genre: Black Metal
Date: April 6, 2026
[Pure Black, by Altar In Darkness8 track albumAltar In DarknessAltar In Darkness](https://altarindarkness.bandcamp.com/album/pure-black?ref=blackmetalzine.com)
Band: Anifernyen
Album: Ex Tenebris Lux
Country: Portugal
Genre: Melodic Black/Death Metal
Date: April 9, 2026
[Ex Tenebris Lux, by Anifernyen9 track albumAnifernyenBandcamp New & Notable Jul 28, 2025](https://anifernyen.bandcamp.com/album/ex-tenebris-lux?ref=blackmetalzine.com)
Band: Astral Chalice
Album: Pathway to Darkness
Country: USA
Genre: Black Metal
Date: April 7th, 2026
[Pathway to Darkness, by Astral Chalice8 track albumAstral Chalice](https://astralchalice.bandcamp.com/album/pathway-to-darkness?ref=blackmetalzine.com)
Band: Beleriand
Album: Rituals Of Winter
Country: Norway
Genre: Epic/Atmospheric Black Metal
Date: April 5, 2026
[Rituals Of Winter, by Beleriand8 track albumBeleriandsashavonkarl74](https://beleriandband.bandcamp.com/album/rituals-of-winter?ref=blackmetalzine.com)
Band: Devorzhum
Album: O królestwie, którego nigdy nie było (EP)
Country: Poland
Genre: Black Metal
Date: April 10th, 2026
[O królestwie, którego nigdy nie było..., by DEVORZHUM5 track albumVia Nocturna](https://vianocturna.bandcamp.com/album/o-kr-lestwie-kt-rego-nigdy-nie-by-o?ref=blackmetalzine.com)
Band: Devouring Famine
Album: Industria Mortis
Country: USA
Genre: Black Metal
Date: April 10, 2026
[Industria Mortis, by Devouring Famine7 track albumDevouring FamineYomaBarr](https://devouringfamine.bandcamp.com/album/industria-mortis?ref=blackmetalzine.com)
Band: Doedsvangr
Album: Within the Flesh
Country: Norway / Finland / France
Genre: Black Metal
Date: April 10th, 2026
[Within The Flesh, by Doedsvangr7 track albumSoulseller RecordsObsidian One](https://soulsellerrecords.bandcamp.com/album/within-the-flesh?ref=blackmetalzine.com)
Band: Feu de Saint-Antoine
Album: Le château des illusions
Country: France
Genre: Raw Black Metal/Keller Synth
Date: April 9, 2026
[Le château des illusions, by Feu de Saint-Antoine9 track albumFeu de Saint-Antoine - Potion MystiqueFeu de Saint-Antoine - Potion Mystique](https://feudesaintantoine.bandcamp.com/album/le-ch-teau-des-illusions?ref=blackmetalzine.com)
Band: Final Eclipse
Album: The Darkest Era
Country: USA
Genre: Black Metal
Date: April 7, 2026
[The Darkest Era, by Final Eclipse6 track albumFinal Eclipse\_oyasumi\_](https://finaleclipseband.bandcamp.com/album/the-darkest-era?ref=blackmetalzine.com)
Band: Forevercold
Album: Letargia (EP)
Country: Hungary
Genre: Atmospheric/Depressive Black Metal
Date: April 10, 2026
[Letargia, by Forevercold4 track albumForevercoldForevercold](https://forevercold.bandcamp.com/album/letargia?ref=blackmetalzine.com)
Band: Karmantic
Album: Шунамал
Country: Mongolia
Genre: Depressive/Post-Black Metal
Date: April 8th, 2026
[ШУНАМАЛ (Full Album), by Karmantic10 track albumKarmanticBandcamp New & Notable May 9, 2025](https://karmantic.bandcamp.com/album/full-album?ref=blackmetalzine.com)
Band: L'Horreur D'Exister
Album: A Perpetual Cycle of Lament & Sorrow (EP)
Country: Québec, Canada
Genre: Atmospheric/Depressive/Experimental Black Metal
Date: April 11th, 2026
[a perpetual cycle of lament & sorrow, by L’Horreur D’Exister7 track albumL'Horreur D'ExisterAlex](https://lhorreurdexister.bandcamp.com/album/a-perpetual-cycle-of-lament-sorrow?ref=blackmetalzine.com)
Band: Life Demise
Album: Transcender
Country: Germany
Genre: Black/Death Metal
Date: April 11, 2026
[Transcender, by Life Demise8 track albumLife DemiseBandcamp New & Notable Jul 28, 2025](https://lifedemise1.bandcamp.com/album/transcender?ref=blackmetalzine.com)
Band: Paisaunt
Album: Life and Other Horrors
Country: Finland
Genre: Atmospheric Black Metal
Date: April 10th, 2026
[Life and Other Horrors, by Paisaunt7 track albumPaisaunteduardbruno](https://paisaunt.bandcamp.com/album/life-and-other-horrors?ref=blackmetalzine.com)
Band: Rohgarr
Album: Less People
Country: Germany
Genre: Black Metal/Blackened Crust
Date: April 9, 2026
[Less People, by Rohgarr8 track albumRohgarr](https://rohgarr.bandcamp.com/album/less-people?ref=blackmetalzine.com)
Band: Rtęć
Album: Martwimy (EP)
Country: Poland
Genre: Black Metal
Date: April 9, 2026
[Martwimy, by Rtęć9 track albumRtęć](https://rtecbm.bandcamp.com/album/martwimy?ref=blackmetalzine.com)
Band: Ruiny Vekov
Album: 1815 ĽVŠ 1856
Country: Slovakia
Genre: Black Metal
Date: April 8, 2026
[1815 ĽVŠ 1856, by Ruiny Vekov3 track albumRuiny Vekov](https://ruinyvekov.bandcamp.com/album/1815-v-1856?ref=blackmetalzine.com)
Band: Scythe of Mephisto
Album: Till Life do Us part (EP)
Country: Italy
Genre: Melodic Black Metal
Date: April 10, 2026
[Till Life do Us part, by Scythe of Mephisto4 track albumMasked Dead Recordszapat3ro](https://maskedeadrecords.bandcamp.com/album/till-life-do-us-part?ref=blackmetalzine.com)
Band: Sentier
Album: Usures
Country: Québec, Canada
Genre: Post-Black Metal
Date: April 4th, 2026
[Usures, by Sentier4 track albumSentierSentier](https://sentier1.bandcamp.com/album/usures?ref=blackmetalzine.com)
Band: Sicarius
Album: Nex
Country: USA
Genre: Black Metal
Date: April 10th, 2026
[Nex, by Sicarius10 track albumAdirondack Black MassRicardo Cristof](https://adirondackblackmass.bandcamp.com/album/nex?ref=blackmetalzine.com)
Band: Silaera
Album: An Aberration of the Void
Country: USA
Genre: Atmospheric Black/Post-Metal
Date: April 10, 2026
[An Aberration of the Void, by Silaera5 track albumSilaeraIppocalyptica](https://silaera.bandcamp.com/album/an-aberration-of-the-void?ref=blackmetalzine.com)
Band: Skaphos
Album: The Descent
Country: France
Genre: Black/Death Metal
Date: April 10, 2026
[The Descent, by Skaphos8 track albumLes Acteurs de L'Ombre Productionsssmertin](https://ladlo.bandcamp.com/album/the-descent?ref=blackmetalzine.com)
Band: Smorna
Album: Preziraju tebe (EP)
Country: Czechia
Genre: Black Metal
Date: April 6, 2026
[Preziraju Tebe, by Smorna3 track albumSmorna](https://smorna.bandcamp.com/album/preziraju-tebe?ref=blackmetalzine.com)
Band: Strahor
Album: Sjaj Poslednje Vatre (EP)
Country: Serbia
Genre: Pagan Black Metal
Date: April 9, 2026
[Sjaj Poslednje Vatre, by Strahor4 track albumStrahorStrahor](https://strahor.bandcamp.com/album/sjaj-poslednje-vatre?ref=blackmetalzine.com)
Band: Sutura
Album: Voraz
Country: Mexico
Genre: Blackened Death/Blackened Crust
Date: April 8, 2026
[Voraz, by Suturamx6 track albumSuturaBandcamp New & Notable Jun 30, 2024](https://sutura666.bandcamp.com/album/voraz-2?ref=blackmetalzine.com)
Band: Swordsman
Album: Na Túru k Duchu Hor III (EP)
Country: Czechia
Genre: Punk Black Metal
Date: April 11, 2026
[Na Túru k Duchu Hor III, by Swordsman7 track albumSWORDSMANSWORDSMAN](https://swordsman1.bandcamp.com/album/na-t-ru-k-duchu-hor-iii?ref=blackmetalzine.com)
Band: Tarask
Album: Sitra Ahra
Country: France
Genre: Black Metal
Date: April 7, 2026
[Sitra Ahra, by Tarask6 track albumAntiq200lbgoblin](https://antiqofficial.bandcamp.com/album/sitra-ahra?ref=blackmetalzine.com)
Band: Tenebroso
Album: Nossas Eternas Guerras
Country: Brazil
Genre: Black Metal
Date: April 6, 2026
[Nossas Eternas Guerras, by Tenebroso10 track albumTenebrosoObsidian One](https://tenebroso98.bandcamp.com/album/nossas-eternas-guerras?ref=blackmetalzine.com)
Band: Uada
Album: Interwoven
Country: USA
Genre: Melodic Black Metal
Date: April 10, 2026
[Interwoven, by UADA6 track albumUADAwackabi](https://uada.bandcamp.com/album/interwoven?ref=blackmetalzine.com)
Band: Vertige
Album: Prenez les restes, faut pas gâcher! (EP)
Country: France
Genre: Depressive/Atmospheric Black Metal
Date: April 6, 2026
[Prenez les restes, faut pas gâcher !, by Transcendance3 track albumTranscendanceTimothy Carr](https://transcendance-bm.bandcamp.com/album/prenez-les-restes-faut-pas-g-cher?ref=blackmetalzine.com)
Band: Vinterstov
Album: Where Light Drowns
Country: Russia
Genre: Atmospheric Black Metal
Date: April 9, 2026
[Where Light Drowns, by Vinterstov8 track albumVinterstovVinterstov](https://vinterstov.bandcamp.com/album/where-light-drowns?ref=blackmetalzine.com)
Band: Wyrblod
Album: Celestial Mantle
Country: USA
Genre: Raw Black Metal
Date: April 10, 2026
[Celestial Mantle, by Wyrblod4 track albumWyrblodBandcamp New & Notable Oct 3, 2020](https://wyrblod.bandcamp.com/album/celestial-mantle?ref=blackmetalzine.com)
Band: Yngrvíd / Púca
Album: Nocturnal Ascendencies (Split)
Country: USA / Slovakia
Genre: Raw Black Metal | Punk Black Metal/Ambient
Date: April 10, 2026
[Nocturnal Ascendencies, by Yngrvíd / Púca6 track albumMoonworshipper Recordskamixa](https://moonworshipper.bandcamp.com/album/nocturnal-ascendencies?ref=blackmetalzine.com)
### Review: Blodørn - Det Finnes Ingen Trone (2026)
URL: https://blackmetalzine.com/review-blodorn-det-finnes-ingen-trone-2026/
Last updated: 2026-07-15T17:23:04.000Z
**Band:** Blodørn
**Album:** Det Finnes Ingen Trone
**Genre:** Black Metal / Viking Metal
**Country:** Norway
**Label:** Solistitium Records
**Released:** February 27th, 2026
## Introduction
Blodørn is a Black Metal Band hailing from deep within the fjords of Norway. I decided to wait a bit with the review since I had the opportunity to see them live in their hometown and wanted to get a true feeling for their music and new record, so here are my thoughts.
## Det Finnes Ingen Trone
Tracklist:
1. Det Finnes Ingen Trone
2. Knokkelklang
3. Blodslit For Lit
4. Kast Din Krone
5. Svarte Djuv, Kast Dem Ned
6. Grav Din Egen Grav
7. Vandrar av Rang
Det Finnes Ingen Krone is exactly what you would expect from a band hailing from the deep fjords of Norway: dark, melodic and brutal at the same time. The guitar work is crazy and definetly a bit Windir inspired but with a harder, harsher approach to it, leaving nothing to be desired. The vocals are relentless and feels like a bloodthirsty angry and wounded viking is yelling at you from his deathbed. The production is bleak and intentionally DIY, not the modern Nuclear Blast polish, which adds another layer of quality too it. It takes a lot for an underground band like Blodørn to write and record a masterpiece like this. Now on to the experience of experiencing them live at Heimfall Metallkraft in their hometown.
Where should I start, the show was really amazing and I'm very happy to have waited with the writing of this review because as expected for musicians of their quality, it really added another layer of context on their music which made this experience even better and solidified my opinion on the guys of being really hard working and solid musicians who managed to put out a fantastic album.
## Conclusion
Blodørn delivered one hell of a performance with this album and definetly kept me hooked for more. Do yourself a favor and listen to this masterpiece.
**BMZ Rating: 9 out of 10**
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### Review: Winterfylleth - The Unyielding Season (2026)
URL: https://blackmetalzine.com/review-winterfylleth-the-unyielding-season-2026/
Last updated: 2026-07-16T17:15:42.000Z
**Band:** Winterfylleth
**Album:** The Unyielding Season
**Genre:** Atmospheric Black Metal
**Country:** United Kingdom
**Label:** Napalm Records
**Released:** March 27, 2026
## Introduction:
Since their inception in 2007, Manchester’s Winterfylleth have stood as the premier architects of English Heritage Black Metal. While many of their peers looked to Scandinavian forests for inspiration, Winterfylleth looked inward towards the rolling hills of the Peak District, the ancient poetry of the Anglo-Saxons, and the shifting political landscape of the British Isles. Over eight previous albums, they have perfected a sound that is both ferociously aggressive and deeply melancholic. Following 2024’s The Imperious Horizon, which felt like a cold, distant warning, 2026 marks a massive turning point for the band. Celebrating 20 years of existence with a move to Napalm Records and a slight lineup shift, Winterfylleth has returned with their ninth full-length, The Unyielding Season. If their previous work was the gathering storm, this is the wildfire.
## The Unyielding Season:
Track Listing:
1. Heros of a Hundred Fields
2. Echoes in the After
3. A Hollow Existence
4. Perdition's Flame
5. The Unyielding Season
6. Unspoken Elegy
7. In Ashen Wake
8. Towards Elysium
9. Where Demons Once Grew
10. Enchantment (Paradise Lost Cover)
The Unyielding Season is a visceral, hour-long journey that trades the icy detachment of its predecessor for a burning intensity. The production, handled by Chris Fielding at Foel Studio, is massive. Thick with atmosphere, yet sharp enough to let every tremolo-picked melody cut through the fog.
The album opens with "Heroes of a Hundred Fields," a track that immediately re-establishes the band’s dominance. It’s a classic Winterfylleth anthem, blending soaring, triumphant leads with Simon Lucas’s relentless blast beats. However, the emotional core of the record lies in "Echoes in the After." Inspired by the tragic felling of the Sycamore Gap tree, the track serves as a grieving social commentary on the destruction of heritage and nature. The way the guitars transition from a mourning dirge into a furious, blackened crescendo is nothing short of masterful.
The title track, "The Unyielding Season," is the album’s centerpiece, an eight-minute epic that showcases their evolution. It’s more rhythmic and technical than we’ve seen them in years, featuring a bouncy drum groove that provides a surprising hook before collapsing back into a wall of sound. For those who love the band’s softer side, "Unspoken Elegy" provides a breathtaking acoustic reprieve, proving that their folk sensibilities remain as sharp as their riffs.
The record concludes with a surprising bonus: a cover of Paradise Lost’s "Enchantment." By infusing the gothic doom classic with their signature atmospheric black metal style, Winterfylleth pays homage to their UK metal forefathers while making the song entirely their own.
**Emma:** The world is on fire around us, both politically and environmentally and Winterfylleth are here to channel that ferocity and angst through this album. The album cover perfectly reflecting the fiery passion that lies within these tracks, flickering with powerful riffs and lyrics alike. Chris Naughton's vocals here are infernal as he practically roars throughout cutting through the harsh bleakness of the instrumentation.
The outro of *Where Dreams Once Grew* is so bittersweet, delicately drifting between the beauty of quiet hopefulness fighting against an undercurrent of lingering sorrow.
The Manchester lads are unrelenting in this release, and absolutely going to remain a high contender for albums of 2026 and one that I will be recommending everyone to check out. Cannot wait to hear these songs played on the stage soon when they play Glasgow joined by Noctem and Blackbraid.
## Conclusion:
The Unyielding Season is a monumental achievement. It manages to feel like a "best of" compilation of the band's stylistic hallmarks, the folk interludes, the blistering speed, and the grand, soaring melodies, all the while pushing into more aggressive, socially conscious territory. In a year of big changes for the band, they have proven that their fire isn't just staying lit; it's spreading. This isn't just another black metal release; it’s a definitive statement on the resilience of the human spirit and the natural world.
BMZ Rating: 10/10
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### Review: Hellripper - Coronach (2026)
URL: https://blackmetalzine.com/reveiw-hellripper-coronach-2026/
Last updated: 2026-07-16T17:15:42.000Z
Band: Hellripper
Album: Coronach
Genre: Black/Speed Metal
Country: United Kingdom
Label: Century Media Records
Released: March 27, 2026
## Introduction:
Since 2014, James McBain, the singular architect behind Hellripper, has been on a relentless upward trajectory, transforming from a bedroom-project curiosity into Scotland’s undisputed king of the "arcane mosh." Following the massive success of 2023’s Warlock's Grim & Withered Hags, the anticipation for a successor was reaching a fever pitch. Hellripper has always occupied a unique sonic space where the primitive filth of Venom and Darkthrone collides with the razor-sharp precision of Megadeth and the rock ‘n’ roll swagger of Motörhead. With the release of their fourth full-length effort, Coronach, McBain proves that he isn't just maintaining the throne; he is expanding the borders of his kingdom, incorporating a more sophisticated sense of atmosphere and Scottish heritage into his signature high-octane formula.
## Coronach:
Track Listing:
1. Hunderprest
2. Kinchyle (Goatkraft and Granite)
3. The Art of Resurrection
4. Baobhan Sith (Waltz of the Damned)
5. Blakk Satanik Fvkkstorm
6. Sculptor's Cave
7. Mortercheyn
8. Coronach
The title Coronach refers to a traditional Highland funeral lament, and while the album is steeped in the dark folklore and history of McBain’s homeland, the music is anything but somber. Opening track Hundeprest sets a blistering pace, immediately showcasing a more adventurous songwriting style. The riffs remain serrated and frantic, but they are now layered with keyboards and melodic guitar harmonies reminiscent of Iron Maiden, providing a symphonic depth that feels new for the project.
McBain handles every instrument on the recording, and his growth as a composer is evident in the album’s pacing. Tracks like Baobhan Sith (Waltz of the Damned) offer a masterclass in blackened thrash, twisting through eerie nursery-rhyme motifs and demonic speed. Meanwhile, Mortercheyn, a conceptual sequel to The Nuckelavee, utilizes an Arabian scale and symphonic undertones to evoke a sense of creeping, historical disease.
The production on Coronach is arguably the best in the band’s catalog. It manages to sound massive and professional without sacrificing the grit essential to the genre. The technicality has also been dialed up; the solos are more intricate, and the drumming is more nuanced, moving beyond simple D-beats into more progressive territory. Yet, the heart of Hellripper remains the "black ‘n’ roll" spirit. Even at its most complex, the album never loses sight of the hook, ensuring these songs are destined to become staples of the live circuit.
## Conclusion:
Coronach is a Blackened thrash masterpiece. The sound of a musician operating at the absolute peak of his powers. By blending the raw aggression of his early EPs with the thematic depth of Scottish folklore and a newfound experimental streak, James McBain has crafted what is likely the definitive Hellripper album. It is a record that respects its primitive roots while refusing to be limited by them. For those who value speed, conviction, and a touch of the macabre, Coronach is an essential listen and a strong contender to be one of the best metal release of 2026\. The goat has been hailed once again.
BMZ Rating: 10/10
## Your thoughts on this review.
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### Live Review: Heimfall Metallkraft 2026
URL: https://blackmetalzine.com/live-review-heimfall-metallkraft-2026/
Last updated: 2026-04-09T12:55:18.000Z
After learning about Heimfall through the fantastic promotion of Ulvhedner, my wife and I decided to head up north again for a festival. This time Heimfall instead of Karmøygeddon where we are basically regulars at this point. The decision to come here was pretty straight forward as some of our favourites played and we took the opportunity to meet some friends again after a long time. The best part was that the festival lasted for two days this year not just one, so join me in walking you through the experience.
## Friday
Kili:
Well for us Friday started with a 2 and half hour boat ride from Stavanger to the beautiful Sauda and we made it in time for dinner at the venue. As both my wife and I were also working at the festival , we got our roles and tasks assigned and headed to see the first show which was the concert for youth, as under 18's wasn't allowed to join the main festival starting a few hours later. That was basically 2 songs from every local band (Ulvhedner,Blodørn, Bråtsverk and the youth band) which was crazy. On the last song of Bråtsverk a 14 year old girl joined and delivered one hell of a cover of Sepulturas Roots Bloody Roots. It was simply amazing.
Next up on the list was Bråtsverk who play a mix of Doom Metal / Rock and Death Metal. Being the local Metal Clubs Band, The audience was amazing and everyone was cheering them on and enjoyed the show.
After Bråtsverk it was Blodørns turn and as said in my review of their latest album, they crushed the show. Walking out to candles on stage and delivering a sonic annihilation that was probably heard all the way back to Stavanger.
Then it was time for the band I was inticipating the most - Avertia. Knowing the band for roughly 10 years already after Kristoffer, their vocalist sent me a link to their debut album through Instagram. Since then he became my best friend and came to Austria to attend me and my wifes wedding so we were looking forward to this as you as you can guess by now. What should I tell you, I've never sang that much along to a band and felt the whole experience more than this. The whole show was simply amazing, the music, Kristoffer's stage antics and the reaction by the audience. All that made me come to the conclusion that Avertia was my personal headliner for Friday,...sorry Hypermass.
The last band was Hypermass, which I personally missed as I was occupied backstage and went home a bit earlier for a calm evening with Bjørnar from Ulvhedner which turned into an after party that lasted until 4 in the morning.
Vetle:
I watched Hypermass alone with my camera as seen above as my colleague Kilian abandoned me... Alone in the dark photopit i stood with lens aloft, Hypermass brought high energy, bright smiles and technical riffs to deafen the crowd that had gathered for the headlining act. This was my first time hearing Hypermass after missing them at Karmøygeddon some time prior. Their music is not something I would put on by myself but worked wonders in a live setting!
## Saturday
For the second and final day I came a bit tired and bad people would say a bit hungover from the previous day. Nonetheless the first band to play was Mahten who played their first ever show that evening. They played an interesting mix of alternativ rock/grunge and regular metal. Being this was their first gig, I would say they delivered.
Utflod, the second band this day was really overwhelming in a good way. Being a female fronted Hardcore Punk / Grindcore band, the audience simply went crazy. One moshpit after the other, jumping, dancing and partying and the best part? My wife in the middle of all of that. She definitely found her new favourite band with Utflod.
Then came the second band I was really looking forward to seeing, Jordsjuk. After picking their debut Naglet til Livet, my album of the year, I had high hopes for them to deliver an awesome show and they did not dissapoint. Fast and aggressive black metal for 45 minutes while Mannevond, their vocalist, screamed into your face was really truly ecstatic.
Directly after that, some omnious woodworkers and farmers appeared out of the woods and on to the stage. The local Matadores Ulvhedner. For roughly 50 minutes they accompined the audience through a journey of their catalogue and let everyone experience their melodic form of Black Metal they call Fjosmetall. A show without any second guessing or bad feelings, simply pure greatness in the form of farmers with beer in their backpacks. Looking forward to seeing them for a 3rd time when I get the chance.
Kili:
Then came Metal Militia, Norway's best Metallica cover band, they where Saturdays headliner but was followed by Takras, the local maniacs, but we missed both of them as we were pretty occupied backstage with making new connections and friends as this was also the last evening for us before starting the journey back to Austria.
Vetle:
Metal Militia was my final act for the night, sadly skipping the local party band Takras to instead start my 2 hour long drive on the narrow coast-road through Sauda's fjords heading homewards. Metal Militia is sharing two band members with Jordsjuk, both on the string instruments. They play Metallica covers and sound absolutely fantastic, maintaining the energy that Metallica once also portrayed both on record and live.
## Conclusion
If you have the chance, join us all next year for a local festival that you will not forget so fast. Definitely worth checking out and come experience the tightly knit community of Sauda for yourself. Cheers !
## Your thoughts on this review.
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### Review: Tjaktjadálvve - Encompassing Nothingness (2026)
URL: https://blackmetalzine.com/review-tjaktjadalvve-encompassing-nothingness-2026/
Last updated: 2026-07-15T17:23:05.000Z
**Band:** Tjaktjadálvve
**Album:** Encompassing Nothingness
**Genre:** Atmospheric Black Metal
**Country:** Sweden
**Label:** Flowing DownwardReleased: Febuary 15, 2026
## Introduction
Easter as time of year reminds us of whats truly most important in life. Music that makes you feel like you’re trudging through the forest on your way to kill every motherf\*\*\*er you can before the earth swallows you hole. For this reason, I am glad to have an excuse to talk about the latest release from Tjaktjadálvve.
## Encompassing Nothingness
Tracklist:
1. The Solitude of Abject Darkness
2. Norrsken
3. Longing
4. Encompassing Nothingness
## Rumination
So if you’ve been following underground black metal for enough years, the name Matt Bell should be pretty well known to you, from his countless projects (Autumn’s Dawn/Skuggor/Forlorn Citadel to name a few). Amongst these are the very Burzum worshippey sounds of Tjaktjadálvve. One thing that makes Tjaktjadálvve unique is how it takes the roughness of a similar project like skuggor but focuses it solely on morose atmospheric black metal. With this latest release Encompassing Nothingness (the third release) the project delivers 4 tracks of solid atmospheric BM.
I really have to highlight how good the vocals are on this one. The production has them come through just perfectly and the guy has the right voice for this stuff.
More or less, if you like Filosofem or Bilskirnir and everything that came after it, you’ll like this. The core of this album doesn’t reinvent the wheel in any way but if (like me) you just really enjoy this sound, its a really easy release to get lost in.
On the flipside though, one thing that really is a trip on this album has to be the last track. It seems to take the concept of that blip tone sinewave synth thats all over early atmospheric black metal and then he tries to combine that basic idea with the ravey cosmic synths of stuff like Mesarthim.
Honestly i’m not even mad about, I actually really appreciate that someone would try and do that. It’s an idea thats lost on me because I was never into Mesarthim but I really like hearing people try and take an idea and impose it in another place, it usually produces some pretty cool results.
## Conclusion
Overall this 3rd effort from Tjaktjadálvve manages to spend 75 percent of its time doing a pretty good job of its core sound and the last 25 percent trying to push that sound into new territory. I think it’s very easy for people who have a ton of projects to release a lot of “who the f\*\*k cares” material, but honestly this isn’t the case with Tjaktjadálvve. If you like this sort of sound you should take half an hour to check this one out.
BMZ Rating: 7/10
Support the band here:
[Flowing DownwardWebshop - Save your money! https://flowingdownward.com/ We bring Atmospheric Black Metal to the next evolution. Home of Trhä, Sadness, Abstract Void and many other visionaries. For submissions contact us at: promo.flowingdownward@gmail.comFlowing Downward](https://flowingdownward.bandcamp.com/?ref=blackmetalzine.com)
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### The Infernal Records: Week 14
URL: https://blackmetalzine.com/the-infernal-records-week-14/
Last updated: 2026-04-06T11:00:52.000Z
The Infernal Records: Week 14 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Adversaria
Album: Blutreich
Country: Costa Rica
Genre: Black Metal
Date: April 1, 2026
[Blutreich, by Adversaria6 track albumAdversariaAbyssius Murkraken](https://adversaria.bandcamp.com/album/blutreich?ref=blackmetalzine.com)
Band: Aeonus
Album: Омикрон Эридана
Country: Russia
Genre: Atmospheric Black Metal with Progressive Influences
Date: April 3, 2026
[Омикрон Эридана, by Aeonus4 track albumAeonusAeonus](https://projectaeonus.bandcamp.com/album/-?ref=blackmetalzine.com)
Band: Ain Sof Aur
Album: Theos-Vel-Samael
Country: Brazil
Genre: Avant-Garde Black/Death Metal
Date: April 3rd, 2026
[Theos-Vel-Samael, by AIN SOF AUR3 track albumI, Voidhanger RecordsLily Casablancas](https://i-voidhangerrecords.bandcamp.com/album/theos-vel-samael?ref=blackmetalzine.com)
Band: Angr
Album: The Darkness of Primordial Nonexistence
Country: Russia / Belarus
Genre: Black Metal
Date: March 30th, 2026
[The Darkness of Primordial Nonexistence, by ANGR7 track albumANGRevmcgreg](https://angrbc.bandcamp.com/album/the-darkness-of-primordial-nonexistence?ref=blackmetalzine.com)
Band: Apolaustic
Album: No Plenitude Without Suffering
Country: Switzerland
Genre: Melodic Black/Death Metal
Date: April 2, 2026
[No Plenitude Without Suffering, by APOLAUSTIC8 track albumApolausticApolaustic](https://apolaustic-label.bandcamp.com/album/no-plenitude-without-suffering?ref=blackmetalzine.com)
Band: Auszaat
Album: Trümmerethik
Country: Austria
Genre: Post-Black/Sludge Metal
Date: April 1, 2026
[Trümmerethik, by auszaat5 track albumauszaatBandcamp Album of the Day Apr 26, 2024](https://auszaat.bandcamp.com/album/tr-mmerethik?ref=blackmetalzine.com)
Band: Årӕdygg
Album: Occulta Poetica
Country: Germany
Genre: Atmospheric Black Metal
Date: April 3rd, 2026
[Occulta Poetica, by Årӕdygg10 track albumÅrӕdygg](https://araedygg.bandcamp.com/album/occulta-poetica?ref=blackmetalzine.com)
Band: Boloria Freija
Album: Insides of an Illness
Country: Ukraine / Slovakia
Genre: Post-Black Metal
Date: March 31st, 2026
[INSIDES OF AN ILLNESS, by Boloria Freija2 track albumBoloria FreijaBandcamp New & Notable May 9, 2025](https://boloriafreija.bandcamp.com/album/insides-of-an-illness?ref=blackmetalzine.com)
Band: Blood Aeon
Album: Fall of Man (EP)
Country: Greece
Genre: Black Metal
Date: March 30th, 2026
[Fall of Man, by Blood Aeon4 track albumBlood Aeon](https://bloodaeon.bandcamp.com/album/fall-of-man?ref=blackmetalzine.com)
Band: Bloody Valkyria
Album: Requiem - Reveries Of The Dying
Country: Finland
Genre: Epic/Melodic Black Metal
Date: April 3rd, 2026
[Requiem - Reveries Of The Dying, by Bloody Valkyria7 track albumBloody Valkyriafather\_gascoine](https://bloodyvalkyria.bandcamp.com/album/requiem-reveries-of-the-dying?ref=blackmetalzine.com)
Band: Eternal Dissonance
Album: Winds of Melancholy MMXXVI
Country: Spain
Genre: Instrumental Atmospheric Black Metal
Date: March 31, 2026
[Winds of Melancholy (Remixed and Remastered), by Eternal Dissonance5 track albumEternal DissonanceBandcamp New & Notable Apr 15, 2023](https://eternaldissonance.bandcamp.com/album/winds-of-melancholy-remixed-and-remastered?ref=blackmetalzine.com)
Band: Fathomless
Album: II: Thy Desolation
Country: USA
Genre: Progressive Black Metal
Date: April 3rd, 2026
[II: Thy Desolation, by Fathomless7 track albumFathomlessDemokritus Jorik](https://fathomlessmetal.bandcamp.com/album/ii-thy-desolation?ref=blackmetalzine.com)
Band: Firbholg
Album: Dawn of the golden hammer
Country: Italy
Genre: Epic Black Metal with Folk influences
Date: April 3, 2026
[Dawn of the golden hammer, by Firbholg9 track albumFirbholgBandcamp New & Notable Dec 13, 2021](https://firbholg.bandcamp.com/album/dawn-of-the-golden-hammer?ref=blackmetalzine.com)
Band: Forlorn Citadel
Album: An Oath Undone
Country: Australia
Genre: Epic/Atmospheric Black Metal/Ambient
Date: April 3rd, 2026
[An Oath Undone, by Forlorn Citadel5 track albumForlorn CitadelBandcamp New & Notable Aug 21, 2015](https://forlorncitadel.bandcamp.com/album/an-oath-undone?ref=blackmetalzine.com)
Band: Grotesque & Grandeur
Album: To Wither, To Become
Country: Russia
Genre: Post-Black Metal
Date: April 3, 2026
[To Wither, To Become, by Grotesque & Grandeur7 track albumGrotesque & GrandeurBandcamp New & Notable May 9, 2025](https://grotesquegrandeur.bandcamp.com/album/to-wither-to-become?ref=blackmetalzine.com)
Band: Harlinger
Album: Teufelsmühle
Country: Germany
Genre: Raw Black Metal
Date: April 4, 2026
[Teufelsmühle, by Harlinger9 track albumHarlingerDaniel Nielsen](https://harlinger.bandcamp.com/album/teufelsm-hle?ref=blackmetalzine.com)
Band: Heavenborn Lunacÿ
Album: When Heaven Was Torn Apart
Country: German
Genre: Symphonic Black Metal
Date: April 3, 2026
[When heaven was torn apart, by Heavenborn Lunacy7 track albumHeavenborn Lunacy](https://heavenbornlunacy.bandcamp.com/album/when-heaven-was-torn-apart?ref=blackmetalzine.com)
Band: Hexcastle
Album: Cantus Vampyrorum (EP)
Country: Mexico
Genre: Raw Black Metal, Ambient
Date: April 1st, 2026
[Cantus Vampyrorum, by Hexcastle4 track albumHexcastlesellmeagod](https://hexcastle.bandcamp.com/album/cantus-vampyrorum?ref=blackmetalzine.com)
Band: Hubris
Album: Acts of Sedition
Country: USA
Genre: Black Metal
Date: April 3rd, 2026
[Acts of Sedition, by Hubris9 track albumHubrispwangler0521](https://truehubris.bandcamp.com/album/acts-of-sedition?ref=blackmetalzine.com)
Band: Inchiuvatu
Album: Crucifissu
Country: Italy
Genre: Symphonic Black Metal
Date: April 3, 2026
[Crucifissu (1994/2026), by INCH Productions10 track albumINCH ProductionsBandcamp New & Notable Jan 23, 2022](https://inchproductions.bandcamp.com/album/crucifissu-1994-2026?ref=blackmetalzine.com)
Band: Infèren
Album: Tanatologie
Country: Italy
Genre: Black Metal
Date: April 3, 2026
[Tanatologie, by Infèren9 track albumInfèrenBandcamp New & Notable Mar 6, 2017](https://inferen-official.bandcamp.com/album/tanatologie?ref=blackmetalzine.com)
Band: Klovn
Album: Grimaldi (EP)
Country: USA
Genre: Instrumental DSBM/Black Metal
Date: March 31, 2026
[Grimaldi EP, by Klovn7 track albumDragged by Misery RecordsBandcamp New & Notable May 9, 2025](https://draggedbymiseryrecords.bandcamp.com/album/grimaldi-ep?ref=blackmetalzine.com)
Band: Livergga
Album: Life is Murder... Murder is Life (EP)
Country: Slovenia
Genre: Raw Black Metal
Date: April 4, 2026
[Life is Murder... Murder is Life, by Livergga5 track albumLivergga](https://livergga.bandcamp.com/album/life-is-murder-murder-is-life?ref=blackmetalzine.com)
Band: Malauriu
Album: The Third Nail
Country: UK
Genre: Punk Black Metal
Date: April 3, 2026
[The Third Nail, by Malauriu9 track albumMalauriuBandcamp New & Notable Dec 30, 2017](https://malauriu.bandcamp.com/album/the-third-nail?ref=blackmetalzine.com)
Band: Modericht
Album: Minor Injuries
Country: Russia
Genre: Instrumental Black Metal
Date: April 3, 2026
[Minor Injuries, by Modericht6 track albumModericht](https://modericht.bandcamp.com/album/minor-injuries?ref=blackmetalzine.com)
Band: Mtvare
Album: Wintergrey (EP)
Country: Germany
Genre: Atmospheric Black Metal
Date: March 31st, 2026
[Wintergrey (Old Demos 2016), by Mtvare2 track albumMtvareBandcamp New & Notable May 9, 2025](https://mtvarebm.bandcamp.com/album/wintergrey-old-demos-2016?ref=blackmetalzine.com)
Band: Mythark
Album: Analgésie (EP)
Country: France
Genre: Symphonic Death/Black Metal
Date: April 1, 2026
[Analgesie, by MYTHARK3 track albumMYTHARK](https://mythark.bandcamp.com/album/analgesie?ref=blackmetalzine.com)
Band: Náttharja
Album: Lux Ex Tenebris
Country: Russia
Genre: Atmospheric Black Metal
Date: March 30, 2026
[Lux Ex Tenebris, by Náttharja4 track albumNáttharja](https://nattharja.bandcamp.com/album/lux-ex-tenebris?ref=blackmetalzine.com)
Band: Nature Morte
Album: Still Life
Country: France
Genre: Post-Black Metal
Date: April 3, 2026
[STILL LIFE, by Nature Morte8 track albumNature MorteacaDamien](https://ntrmrt.bandcamp.com/album/still-life-2?ref=blackmetalzine.com)
Band: Non Est Deus
Album: Blessings and Curses
Country: Germany
Genre: Black Metal
Date: April 3, 2026
[Blessings and Curses, by Non Est Deus11 track albumNoisebringerNoisebringer](https://noisebringer-records.bandcamp.com/album/blessings-and-curses?ref=blackmetalzine.com)
Band: Orathania
Album: Гомін Волі
Country: Ukraine
Genre: Atmospheric Blackened Folk Metal
Date: April 3, 2026
[Гомін Волі, by Orathania10 track albumOrathaniaBandcamp New & Notable Oct 11, 2023](https://orathania.bandcamp.com/album/-?ref=blackmetalzine.com)
Band: Philéas
Album: Chapitre 1 : la chute
Country: France
Genre: Black Metal
Date: March 29, 2026
[CHAPITRE 1 : la chute, by PHILEAS9 track albumphileas](https://foggphileas.bandcamp.com/album/chapitre-1-la-chute?ref=blackmetalzine.com)
Band: Pilvilinnat
Album: Ei Tuuli Vaihda Suuntaa
Country: Finland
Genre: Post-Black Metal
Date: March 30, 2026
[Ei Tuuli Vaihda Suuntaa, by Pilvilinnat4 track albumPilvilinnatBandcamp New & Notable May 9, 2025](https://pilvilinnat.bandcamp.com/album/ei-tuuli-vaihda-suuntaa?ref=blackmetalzine.com)
Band: Schattenvald
Album: Alle Hernach
Country: Germany
Genre: Black Metal
Date: April 3, 2026
[Alle Hernach, by Schattenvald7 track albumSchattenvaldLord Ilendhir](https://schattenvald.bandcamp.com/album/alle-hernach?ref=blackmetalzine.com)
Band: Sisyphean
Album: Divergence
Country: Lithuania
Genre: Atmospheric Black/Death Metal
Date: April 3, 2026
[Divergence, by Sisyphean8 track albumSisypheanBandcamp New & Notable Oct 23, 2021](https://sisyphean.bandcamp.com/album/divergence?ref=blackmetalzine.com)
Band: Starer
Album: Skeleton Claim His Being (EP)
Country: USA
Genre: Symphonic Black Metal with Doom/Folk elements
Date: April 3, 2026
[Skeleton Claim His Being, by Starer4 track albumStarerbmurator](https://starer.bandcamp.com/album/skeleton-claim-his-being?ref=blackmetalzine.com)
Band: Terror and Despair
Album: S/T
Country: Greece
Genre: Black Metal
Date: March 30, 2026
[Terror and Despair, by Terror and Despair8 track albumTerror and Despairdvntylr](https://terroranddespair.bandcamp.com/album/terror-and-despair?ref=blackmetalzine.com)
Band: Throne of Evil
Album: La Noche Más Oscura
Country: Chile
Genre: Melodic Black Metal
Date: April 3, 2026
Note: See No Gleaming Light YouTube to stream full album
[THRONE OF EVIL (CHL) - “La Noche Más Oscura”, by Schattenkult Produktionen1 track albumSchattenkult ProduktionenBandcamp New & Notable Jan 5, 2022](https://schattenkultproduktionen.bandcamp.com/album/throne-of-evil-chl-la-noche-m-s-oscura?ref=blackmetalzine.com)
Band: Totenwache
Album: Der Thron der Uralten
Country: Germany
Genre: Melodic Black Metal
Date: April 4, 2026
[Der Thron der Uralten, by Totenwache10 track albumTotenwacheStrengthWithin](https://totenwache.bandcamp.com/album/der-thron-der-uralten?ref=blackmetalzine.com)
Band: Trnje
Album: Demo I (2026\. Demo I)
Country: Croatia
Genre: Raw Black Metal
Date: April 4, 2026
[Demo I \[2026\. Demo I\], by Trnje3 track albumTrnje](https://trnjebm.bandcamp.com/album/demo-i-2026-demo-i?ref=blackmetalzine.com)
Band: Tünböri
Album: Güneş Tuğ Ol, Gök Kurıkan
Country: Turkey
Genre: Black Metal
Date: April 4, 2026
[Güneş Tuğ Ol, Gök Kurıkan, by Tünböri10 track albumUKEM RecordsBandcamp New & Notable Jul 3, 2019](https://ukemrecords.bandcamp.com/album/g-ne-tu-ol-g-k-kur-kan?ref=blackmetalzine.com)
Band: Ultha
Album: A Light So Dim
Country: Germany
Genre: Black Metal
Date: April 2, 2026
[A Light So Dim, by ULTHA10 track albumULTHAULTHA](https://ultha.bandcamp.com/album/a-light-so-dim?ref=blackmetalzine.com)
Band: Urus
Album: IV
Country: Italy
Genre: Black Metal
Date: April 4, 2026
[IV, by URUS4 track albumURUSBandcamp New & Notable Jan 29, 2022](https://urusband.bandcamp.com/album/iv?ref=blackmetalzine.com)
Band: Veins
Album: Stasis In Liminal
Country: Nicaragua
Genre: Post-Black Metal
Date: April 4th, 2026
[Stasis In Liminal, by Veins6 track albumVeins](https://veins6.bandcamp.com/album/stasis-in-liminal?ref=blackmetalzine.com)
Band: Veneficium
Album: Eye for an Eye
Country: Australia
Genre: Black Metal
Date: April 2, 2026
[Eye for an Eye, by Veneficium9 track albumVeneficiumBandcamp New & Notable May 9, 2025](https://veneficiumaus.bandcamp.com/album/eye-for-an-eye-2?ref=blackmetalzine.com)
Band: Verletzen
Album: Usurping the Throne Under the Crown of Blasphemy
Country: UK
Genre: Black Metal
Date: April 3, 2026
[Usurping The Throne Under The Crown of Blasphemy, by Verletzen10 track albumWulfhere Productionsgoldgun959](https://wulfhereproductions.bandcamp.com/album/usurping-the-throne-under-the-crown-of-blasphemy?ref=blackmetalzine.com)
Band: Vintergata
Album: Зверобой
Country: Russia / Finland
Genre: Symphonic Black Metal
Date: April 3, 2026
[Зверобой, by VintergatA8 track albumVintergatABandcamp New & Notable Jul 31, 2023](https://vintergata.bandcamp.com/album/--6?ref=blackmetalzine.com)
Band: Wampyric Bloodcult
Album: Manifestation of Morbid Visions (Demo)
Country: Greece
Genre: Black Metal
Date: March 31st, 2026
[Manifestation of Morbid Visions, by Wampyric Bloodcult2 track albumWampyric Bloodcult](https://wampyricbloodcult.bandcamp.com/album/manifestation-of-morbid-visions?ref=blackmetalzine.com)
## Your thoughts on this newsletter.
We love to hear your opinion about this newsletter. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
become a member of Black Metal Zine
Subscribe
Email sent! Check your inbox to complete your signup.
No spam. Unsubscribe anytime.
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Vintregal - Towards the Last Dawn (2026 EP)
URL: https://blackmetalzine.com/review-vintregal-2026/
Last updated: 2026-07-18T22:02:46.000Z
**Band:** Vintregal
**Album:** Назустріч Останньому Світанку (Towards the Last Dawn) (EP)
**Genre:** Pagan Black Metal
**Country:** Ukraine
**Label:** Independent
**Released:** March 5th, 2026
## Introduction:
Emerging from the frost-bitten landscapes of the Ukrainian underground, Vintregal delivers a chilling manifesto with their latest offering, Назустріч Останньому Світанку (Towards the Last Dawn). This isn’t just another exercise in genre tropes; it is a sprawling, atmospheric descent into the void that balances raw ferocity with a poignant sense of melodic grief.
Track Listing:
1. Вовче Серце (Wolf's Heart)
2. Непохитність! (Steadfastness!)
3. Після Сонця... (After the Sun...)
4. І Стоїть Земля! (And the Land Stands!)
5. Сини Зими (Sons of Winter)
## Album:
This EP in my opinion captures the essence of many late 2nd/early third-wave melodic/folk Black Metal styles in ways that remarkably parallel the originality of early Black Metal "classics" with stunning resolution. Vintregal simultaneously forges their unique, distinctly Ukrainian Black Metal identity, distinguished by culturally relavent themes & lyricism in their native tongue. These original compositions also invoke what feels like simulated nostalgia with Pagan/Black Metal classics from back in the day, reflecting features expanding far beyond narrow scope of traditional Slavic Pagan Black Metal motiffs, (like Scandanavian/Viking styles), without sounding unoriginal.
The most remarkable feature of this EP in my view is that it actually sounds like it's more than 20 years old. The record sounds like it was mixed with immaculately seasoned engineering skills tailored to capture that late-2nd/early-3rd wave Pagan/Black Metal "sound," and perfect it. I'm extremely impressed by how this band managed to completely mask digital-sterility in this modern age & dial in these ultra-specific characteristics in a modern Black Metal mix. It sounds distinctly classic in ways that feel comparable to the classicality of Stormblåst, or Dawn's '94-'98 releases (to name a few), in the sense it almost tricks my mind int0 it feeling correct to misidentify this 2026 EP in my memory like some missing counterpart from that era, when Vintregal is a brand new project.
## Conclusion:
If you have a taste for pagan/folk-adjacent Black Metal ingredients that remind you of the genre's greats, Vintregal's debut EP invokes a lot of rarely concurrent ingredients late-90's—early-2000's Black Metal nostalgia is made of. They sound like an amazing Pagan UABM project that never existed 20+ years ago, like a staple in the genre you never heard of that isn't that old at all, but sounds completely new. It's a 27:19 minute EP that unfolds brilliantly throughout 5 original, atmosphere-rich, memorable compositions. I get lost in every song; including the interludes, which is very rare for my taste; and not an exaggeration.
BMZ Rating 10/10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
become a member of Black Metal Zine
Subscribe
Email sent! Check your inbox to complete your signup.
No spam. Unsubscribe anytime.
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Wolfbastard - Satanic Scum Punks (2026)
URL: https://blackmetalzine.com/wolfbastard-satanic-scum-punks-2026/
Last updated: 2026-07-19T07:51:43.000Z
**Band:** Wolfbastard
**Album:** Satanic Scum Punks
**Genre:** Black Metal/Crust Punk
**Country:** England, UK
**Label:** Apocalyptic Witchcraft Recordings
**Released:** 13th March 2026
## Introduction
The wonderful Wolfbastard were a new introduction to me last October when they played at A Night of British Black Metal in Edinburgh - and their charmingly humorous lyrics and jovial yet heavy experience made them hard not to enjoy.
*Satanic Scum Punks* is their latest release, fourth in their delightful discography and one that I was eager to hear in full having experienced some of the songs live last year and with each single in the leadup being thoroughly electrifying.
## Satanic Scum Punks
**Tracklisting:**
1. It's Fucking Dark
2. Satanic Scum Punks
3. Let the Bastards Burn
4. Hail Satan Kurwa
5. F.O.T.D.
6. Blood on Steel
7. Drink for Hell
8. Fuck the Bastards
9. Manic Street Creatures
10. You Fucking Rat
11. B.I.F.F.O.
Don’t let the sluggish & doomy atmosphere filled chugs of the first 40 seconds from *It’s Fucking Dark* fool you, this album quickly changes to a non-stop thrash filled storm of high energy ferocity that begins with a yell of “Fuck off!”.
Their titular track ultimately sums up what you’re going to experience for the full half hour, the blistering blast beats and crust punk paced riffs are a headbangers delight. At four minutes long, some may consider it long-winded in comparison to the rest of the album as well.
*Hail Satan Kurwa* is absolutely my highlight here, the aggressive punk tone combined with thoroughly tongue in cheek lyrics are on display in full glory in this Polish themed track. When they played it last year the full crowd was chanting the chorus “hail satan kurwa” along and it’s hard not to even as I sit at home writing this review with the cats curiously staring at me. Absolutely a crowd pleaser and I can imagine will be a mainstay in their live sets.
The album isn’t one note however, with the gallop of *Blood on Steel* being a standout - the rapid tremolo riff intertwined with the power chords makes for a hell of an earworm. *Manic Street Creatures* takes no prisoners as this fantastically pun-titled song rampages out of the gates and portrays their exhilarating audial violence distilled into a minute and a half worth of madness.
*B.I.F.F.O.* closes us out and the relentless speed that has filled our ears for the last half hour is abruptly stopped in an anger filled “Fuck off!” which perfectly bookends the album perfectly.
## Conclusion
The furious hostility of the eleven tracks is exactly what you’d expect from Wolfbastard, and you’ll know quite quickly if this is your cup of tea or not. If one track doesn’t get you excited, then it’s unlikely any of them will, but on this album they’ve absolutely nailed their aesthetic, beefed it up, and it has become a fine tuned album of delinquent joy.
**BMZ Rating: 8.5/10**
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### Review: Bloody Valkyria - Requiem: Reveries of the Dying (2026)
URL: https://blackmetalzine.com/review-bloody-valkyria-requiem-reveries-of-the-dying-2026/
Last updated: 2026-07-17T21:27:54.000Z
**Band:** Bloody Valkyria
**Album:** Requiem: Reveries of the Dead
**Genre:** Melodic Black Metal
**Country:** Finland
**Label:** Northern Silence Productions
**Released:** April 3, 2026
## Introduction:
Since its inception, the Finnish solo project Bloody Valkyria has been a bastion of world-building within the melodic black metal underground. Mastermind Jere Kervinen first captured the scene’s attention with 2024’s Kingdom in Fire, a sprawling tribute to J.R.R. Tolkien’s The Silmarillion, followed swiftly by the Elden Ring-inspired grandiosity of 2025’s In Our Home, Across the Fog. Kervinen has built a reputation for being remarkably prolific, delivering cinematic epic metal that prioritizes soaring melodies and narrative depth over raw, lo-fi abrasion.
However, with the arrival of the 2026 full-length, Requiem: Reveries of the Dying, released via Northern Silence Productions, the project takes a sharp turn away from the external mythologies of Middle-earth and the Lands Between. Instead, Kervinen has turned his gaze inward. This album is a conceptual departure, trading the clash of steel and ancient gods for a personal, harrowing exploration of the human transition from life to death. It is a work of mourning, framed not by legends, but by the quiet, cold reality of the end.
## Requiem: Reveries for the Dead:
Track Listing:
1. Symphony of Silence
2. Life's Worth
3. Always
4. Mending Through Suffering
5. When Everything Feels Like Nothing
6. Longing
7. My Beloved North
Requiem: Reveries for the Dead is a sprawling, 55-minute journey that balances the blistering aggression of melodic black metal with the funereal elegance of a gothic mass. Where the previous albums felt like a charge across a sun-drenched battlefield, Requiem is the cold, misty silence that follows.
The album opens with a haunting instrumental arrangement that bleeds seamlessly into the heart of Symphony of Silence, a track that perfectly encapsulates Kervinen's prowess as songwriter and composer. It's a 14 minute long masterclass in epic, melodic black metal.
As with the previous two releases, Kervinen’s guitar work remains the highlight of this album for me. Soaring, melodic leads that often skirt the edges of power metal, tempered by a layer of melancholic synth-work that adds a weightier, more symphonic texture. The production is noticeably more cavernous than on In Our Home, but equally as pristine.
The core of the album lies in its ability to balance brutality with vulnerability. Life's Worth and Always showcase Kervinen’s growth as a songwriter, utilizing neoclassical structures to create a sense of yearning that transcends standard black metal tropes. The standout centerpiece, Mending Through Suffering, is perhaps the most aggressive offering, featuring blistering drum work and desperate, strained rasps that perfectly mirror the lyrical themes of endurance through pain.
As the record progresses into When Everything Feels Like Nothing and the instrumental-leaning Longing, the influence of Atmospheric/DSBM becomes more apparent, though it is filtered through Kervinen’s signature melodic sensibility. The closing track, My Beloved North, serves as a poignant finale. It brings the listener back to the project’s Finnish roots, blending meloncholic synth passages with a soaring, atmospheric crescendo that feels like a final goodbye to the physical world.
## Conclusion:
With Requiem: Reveries for the Dead, Bloody Valkyria has transcended the "fantasy metal" label to create something deeply resonant and atmospheric. Jere Kervinen has managed to maintain his staggering release pace without sacrificing the quality of his compositions. This album is a bridge between the heroic and the horrific, a perfect listen for those who find solace in the intersection of Saor’s grandiosity and the icy precision of Moonlight Sorcery.
It is a rare feat for an artist to release three major works in such short succession and have each feel like a necessary chapter of a larger story. Requiem is not just a collection of songs; it is an experience of mourning captured in amber. For fans of epic, melodic black metal, this is an essential addition to the 2026 canon. Bloody Valkyria has once again claimed the throne of the Finnish underground, and the view from the top is as beautiful as it is bleak.
BMZ Rating: 10/10
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### Review: 遠人之歌（Sounds of Alienation) - 天問 (Tianwen) (2026)
URL: https://blackmetalzine.com/review-yuan-ren-zhi-ge-sounds-of-alienation-tian-wen-tianwen-2026/
Last updated: 2026-07-16T17:15:44.000Z
**Band:** 遠人之歌 (Sounds of Alienation)
**Album:** 天問 (Tianwen)
**Genre:** Post-Black Metal
**Country:** China
**Label:** Pest Productions
**Released:** March 2, 2026
## Introduction:
This new Beijing Post-Black Metal quartet 远人之歌 (Sounds of Alienation) just unleashed their first Full-Length record 天問 (Tianwen) a few days before writing this. This is a very cold, dense, murky, melodically and rhythmically dynamic, truly innovative take on post-Black Metal, arriving with a refreshing blend of familiar and unique flavors of Black Metal that I'm excited to talk about.
Track Listing:
1. 萬千落木 “Myriad fallen trees.”
2. 鑿石見火 “Chiseling stone to see fire.”
3. 烏金覆身 “Black gold covering the body.”
4. 卷土歸山 “Rolling earth back to the mountain.”
5. 水浮走骨 “Drifting bones floating on water”
6. 無垢無傷 “Without stain, without injury.”
## The Album:
This album weaves dark harmonies, rhythmic complexity, and occasional dissonant forms of melodic experimentation fluidly throughout long, captivating, minor chord-dominant musical passages. It sounds like this band is thoroughly acquainted with studying and playing countless black metal styles I'm reminded of. The vocals remind me the most of lower-pitched, hard-hitting East Slavic Black Metal vocal styles, but since these lyrics are written in (I'm assuming) Mandarin, this obviously has its own unique linguistic/phonetic features, and for this reason, sounds distinguished. In any case, the vocals mix perfectly with this style.
Overall, this is a great example of a Post-Black Metal band that stays true to the genre's roots and manages to be authentic. This album explores captivating, evolving, original ideas, nested within a delicately preserved traditional black metal scaffolding, such as muiti-disciplined stylistic permutations like occasional swing grooves, and momentary contrast created by triplet/dotted note polyrhythms. Elements like these are extremely rare for the genre and really stuck out favorably.
## Conclusion:
This is a notably impressive record; however, one point of criticism that kept me from rating this another half-point higher was the 3rd track. In short, it disrupts the flow of an otherwise knockout album in my honest opinion. It's not bad; it's just a bit of a pothole on a gold-paved road, where things like that are going to stick out more. However, that song is only a little over 2 minutes, and the rest of the album (including the 2 very long songs) are songs that make me want to hear them on repeat. It's a very impressive first entry that's a solid 9/10, and I'm excited to hear more from this band in the future.
BMZ Rating: 9/10
## Your thoughts on this review.
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### The Infernal Records: Week 13
URL: https://blackmetalzine.com/the-infernal-records-week-13/
Last updated: 2026-03-31T07:28:53.000Z
The Infernal Records: Week 13 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Abkehr
Album: ...dem Willen zur Macht und dem Vergessen
Country: Germany
Genre: Black Metal / Ambient
Date: March 27th, 2026
[... dem Willen zur Macht und dem Vergessen., by ABKEHR6 track albumVendetta RecordsStrengthWithin](https://vendetta-records.bandcamp.com/album/dem-willen-zur-macht-und-dem-vergessen?ref=blackmetalzine.com)
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Album: Daimon
Country: Italy
Genre: Black Metal
Date: March 28th, 2026
[Daimon, by Adversam9 track albumMasked Dead Recordsbmurator](https://maskedeadrecords.bandcamp.com/album/daimon?ref=blackmetalzine.com)
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Album: I
Country: Unknown
Genre: Black Metal
Date: March 23rd, 2026
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Album: The Wild Divine
Country: USA
Genre: Black Metal
Date: March 27, 2026
[The Wild Divine, by Aldheorte7 track albumAldheortedoive](https://aldheorte.bandcamp.com/album/the-wild-divine?ref=blackmetalzine.com)
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Album: Expedition III : Renitenzpfad
Country: Germany
Genre: Atmospheric Black Metal
Date: March 26, 2026
[EXPEDITION III : Renitenzpfad, by Antrisch7 track albumAntrischStrengthWithin](https://antrisch.bandcamp.com/album/expedition-iii-renitenzpfad?ref=blackmetalzine.com)
Band: Apocalyptic Leaders
Album: Tenebris Nox Immortuae
Country: Greece
Genre: Black Metal
Date: March 27, 2026
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Album: Season One (EP)
Country: Brazil
Genre: Melodic Black/Death Metal
Date: March 26th, 2026
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Album: Tschechen Schweine (4 Way Split)
Country: Czechia / Slovakia
Genre: Black Metal / Punk Black Metal
Date: March 23, 2026
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Album: Stiller Abschied
Country: Switzerland
Genre: Black Metal
Date: March 27th, 2026
[Stiller Abschied, by Bedrängnis7 track albumBedrängnisLord Ilendhir](https://bedraengnis.bandcamp.com/album/stiller-abschied?ref=blackmetalzine.com)
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Album: Depravatus Christianis Sacris
Country: Chile
Genre: Black Metal
Date: March 28, 2026
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Album: Darkness Is My Crown
Country: Denmark
Genre: Symphonic Black/Gothic Metal
Date: March 27, 2026
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Album: The Pestilence That Stalks In The Dark
Country: Costa Rica
Genre: Black Metal
Date: March 24, 2026
[The Pestilence That Stalks In The Dark, by Enfleshed9 track albumEnfleshedBandcamp New & Notable Nov 12, 2022](https://enfleshedcr.bandcamp.com/album/the-pestilence-that-stalks-in-the-dark?ref=blackmetalzine.com)
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Album: Autumn Embrace
Country: Italy
Genre: Atmospheric Post-Black Metal/Ambient / Blackgaze
Date: March 23, 2026
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Band: Fade Dreams
Album: Unfinished Human
Country: Ukraine
Genre: Atmospheric Black Metal
Date: March 27th, 2026
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Band: Falnama (فالنامه)
Album: Al-Ghayb (الغيب) (Demo)
Country: USA
Genre: Raw Melodic Black Metal
Date: March 28, 2026
[Al-Ghayb (الغيب), by Falnama (فالنامه)3 track albumRandori SoundsBandcamp New & Notable Aug 10, 2025](https://randorisounds.bandcamp.com/album/al-ghayb?ref=blackmetalzine.com)
Band: Hädangången
Album: Vädjan
Country: Sweden
Genre: Black Metal
Date: March 28th, 2026
[Vädjan, by Hädangången7 track albumHädangångenpor](https://hadangangen.bandcamp.com/album/v-djan?ref=blackmetalzine.com)
Band: Häxenmyst
Album: ...and a Pale Horse Appeared
Country: Netherlands
Genre: Symphonic/Melodic Black Metal
Date: March 25th, 2026
[...And a Pale Horse Appeared, by Häxenmyst7 track albumHäxenmystBandcamp New & Notable Jul 31, 2023](https://haxenmyst.bandcamp.com/album/and-a-pale-horse-appeared-2?ref=blackmetalzine.com)
Band: Hegeroth
Album: Soaked In Rot
Country: Poland
Genre: Melodic Black Metal
Date: March 25, 2026
[Soaked In Rot, by hegeroth9 track albumhegerothRich Kinman](https://hegeroth.bandcamp.com/album/soaked-in-rot?ref=blackmetalzine.com)
Band: Helgafell
Album: Chronicles
Country: UK
Genre: Atmospheric Black Metal
Date: March 27, 2026
[Chronicles, by Helgafell4 track albumHelgafellstefan85](https://helgafellnp.bandcamp.com/album/chronicles?ref=blackmetalzine.com)
Band: Hellripper
Album: Coronach
Country: UK
Genre: Black/Speed Metal
Date: March 27, 2026
[Coronach (24-bit HD audio), by Hellripper8 track albumHellripperHellripper](https://hellripper.bandcamp.com/album/coronach-24-bit-hd-audio?ref=blackmetalzine.com)
Band: 旭日章 (Kyokujitsu-shō)
Album: 衰え行く心の中で ( In The Midst Of A Declining Heart)
Country: Brazil
Genre: Raw Black Metal
Date: March 23, 2026
[衰え行く心の中で ( In The Midst Of A Declining Heart), by 黒龍 - Dragão Negro5 track album黒龍 - Dragão NegroObsidian One](https://kokuryudragaonegro.bandcamp.com/album/in-the-midst-of-a-declining-heart?ref=blackmetalzine.com)
Band: Off Grief
Album: The Grief Tapes (EP)
Country: Germany
Genre: Melodic Black/Death Metal
Date: March 26, 2026
[The Grief Tapes, by Off Grief4 track albumOFF GRIEFBandcamp New & Notable Nov 6, 2023](https://offgrief.bandcamp.com/album/the-grief-tapes-2?ref=blackmetalzine.com)
Band: Paterna Spirituum
Album: Pieśni Pogardy
Country: Poland
Genre: Black Metal
Date: March 26, 2026
[Pieśni Pogardy, by Paterna Spirituum6 track albumPaterna Spirituum](https://paternaspirituum.bandcamp.com/album/pie-ni-pogardy?ref=blackmetalzine.com)
Band: Pauldron
Album: Too Ancient to Be Holy
Country: Norway
Genre: Dungeon Synth, Dungeon Synth/Black Metal
Date: March 27th, 2026
[Too ancient to be holy, by Pauldron9 track albumPauldron200lbgoblin](https://pauldronds.bandcamp.com/album/too-ancient-to-be-holy?ref=blackmetalzine.com)
Band: Petricor
Album: Corona Ignis: Triumphus et Gloria Flammae Gnosticae
Country: Chile
Genre: Atmospheric Black Metal/Ambient
Date: March 27th, 2026
[Corona Ignis: Triumphus et Gloria Flammae Gnosticae, by PETRICOR7 track albumPetricor - Australis Black MetalPetricor - Australis Black Metal](https://petricormetal.bandcamp.com/album/corona-ignis-triumphus-et-gloria-flammae-gnosticae-2?ref=blackmetalzine.com)
Band: 폐허 (Pyha)
Album: Winterbound
Country: South Korea
Genre: Atmospheric Black Metal
Date: March 28th, 2026
[Winterbound / 겨우살이, by Pyha / 폐허8 track albumPyha / 폐허Bandcamp New & Notable Jan 14, 2026](https://pyha.bandcamp.com/album/winterbound?ref=blackmetalzine.com)
Band: Реснота (Resnota)
Album: До Гіркого Кінця (To The Bitter End)
Country: Ukraine
Genre: Raw Black Metal
Date: March 27, 2026
[До Гіркого Кінця (To The Bitter End), by Реснота5 track albumРеснотаBandcamp New & Notable Aug 10, 2025](https://resnota.bandcamp.com/album/to-the-bitter-end?ref=blackmetalzine.com)
Band: Tårfödd
Album: Mörker täcker livets ljus
Country: Sweden
Genre: Atmospheric/Depressive Black Metal
Date: March 28th, 2026
[Mörker Täcker Livets Ljus, by Tårfödd9 track albumTårföddBandcamp New & Notable Jul 17, 2025](https://trfdd.bandcamp.com/album/m-rker-t-cker-livets-ljus?ref=blackmetalzine.com)
Band: Tulus
Album: Morbid Desires
Country: Norway
Genre: Black Metal / Black 'n' Roll
Date: March 27, 2026
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Band: Urschwur
Album: To Receive The Adamantine Heart
Country: Italy
Genre: Black Metal
Date: March 23, 2026
[“To Receive The Adamantine Heart”, by URSCHWUR9 track albumREMOTE RADIANCE RECORDSYomaBarr](https://remoteradiancerecords.bandcamp.com/album/to-receive-the-adamantine-heart?ref=blackmetalzine.com)
Band: Varmia
Album: Lauks
Country: Poland
Genre: Folk Black Metal
Date: March 27, 2026
[lauks, by varmia8 track albumvarmiazmacdonald](https://varmiaband.bandcamp.com/album/lauks?ref=blackmetalzine.com)
Band: Velorium
Album: O Limiar do Desconhecido
Country: Brazil
Genre: Black Metal
Date: March 25, 2026
[O Limiar do Desconhecido, by Velorium5 track albumVeloriumBandcamp New & Notable Aug 10, 2025](https://veloriumpostblackmetal.bandcamp.com/album/o-limiar-do-desconhecido?ref=blackmetalzine.com)
Band: Weltenasche
Album: Schmerz (EP)
Country: Austria
Genre: Atmospheric Black Metal / Blackgaze
Date: March 27, 2026
[Schmerz, by Weltenasche5 track albumWeltenascheBandcamp New & Notable May 9, 2025](https://weltenasche.bandcamp.com/album/schmerz?ref=blackmetalzine.com)
Band: Weltenbrecher
Album: Karthasis
Country: Austria
Genre: Atmospheric Black Metal
Date: March 28th, 2026
[Karthasis, by Weltenbrecher8 track albumWeltenbrecherBandcamp New & Notable Jul 28, 2025](https://weltenbrecherofficial.bandcamp.com/album/karthasis?ref=blackmetalzine.com)
Band: Winterfylleth
Album: The Unyielding Season
Country: UK
Genre: Black Metal
Date: March 27, 2026
[The Unyielding Season, by Winterfylleth10 track albumWinterfyllethWinterfylleth](https://winterfylleth.bandcamp.com/album/the-unyielding-season?ref=blackmetalzine.com)
## Your thoughts on this newsletter.
We love to hear your opinion about this newsletter. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
become a member of Black Metal Zine
Subscribe
Email sent! Check your inbox to complete your signup.
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: The Magus - Daemonosophia (2026)
URL: https://blackmetalzine.com/review-the-magus-daemonosophia-2026/
Last updated: 2026-07-16T17:15:44.000Z
**Band:** The Magus
**Album:** Daemonosophia
**Genre:** Black Metal
**Country:** Greece
**Label:** The Circle Music
**Released:** 20th of February 2026
## Introduction
The Magus doesn't need an introduction if we are honest; he's been around since the dawn of black metal and left his mark on the Greek black metal scene. But for those that don't know, here we go… just kidding, you can look that up on Metal Archives. Just know that The Magus is, for me at least, one of the pillars of the Greek black metal scene, and when he releases a new album, I listen.
## Daemonosophia
The new album, Daemonosophia,was released on the 20th of February via the label The Circle Music. It features 10 songs, with the 5th song being a Thou Art Lord cover.
**Tracklisting:**
1. Pater Noster
2. Pseudoprophetae
3. Daemonosophia
4. The Six in Three Is All One
5. The Era of Lucifer Rising (Thou Art Lord cover)
6. Magia Obscura
7. Amelia
8. The Chapel of Iniquities
9. The Pact
10. La Llorona Negra
The album starts with Pater Noster, which is an intro in the form of a prayer. Prayers give me the ick, but I must say it's a good intro for the rest of the album because Pseudoprophetae starts off fast and furious and is really the opposite of the first track.
The previous album was great, but this album, for me, is even better; it's more to the point, and there are more numbers that just go from start to finish. Of those tracks, the 8th one is *The Chapel of Iniquities.*
It starts off great, with pummeling drums, some screams, and guitars that build up atmosphere, and for me, this is what this entire album is about. And if I could only pick one track to convince you, as the reader, to listen to this album, it would be this one.
## Conclusion
I could go on and on about this album and The Magus, but this album is just a continuation of the previous album, and in a good way; for me, it's even a step up. If you like The Magus, Necromantia or Greek black metal in general, you won't be disappointed by giving this a spin.
BMZ rating: 8.5 out of 10
Review previous album:
[Review: The Magus – Βυσσοδομώντας (Vissodomontas)The Magus’ Vissodomontas (7.5/10). This Greek Black Metal opus from the Necromantia legend delivers an atmospheric, Luciferian journey. Read more!Black Metal ZineRoberto](https://blackmetalzine.com/review-the-magus-vissodomontas/)
## Your thoughts on this review.
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### Review: Mek Na Ver - Noctivaga (2026)
URL: https://blackmetalzine.com/review-mek-na-ver-noctivaga-2026/
Last updated: 2026-07-16T17:15:45.000Z
**Band:** Mek Na Ver
**Album:** Noctivaga
**Genre:** Atmospheric Black Metal
**Country:** Italy
**Label:** Masked Dead Records
**Released:** February 27, 2026
## Introduction:
From the depths of the Italian underground, Mek Na Ver formed in Rome in 2006\. The band features a lineup of seasoned musicians, including members of Opera IX and Aborym. Their debut, Heresy, established them as a force in the atmospheric black metal scene, but the band went silent for over a decade. Now, in 2026, they have finally returned with their second full-length album, Noctivaga. This release sees the band refining their sound, moving away from pure aggression toward a more nuanced atmosphere that feels deeply rooted in Italian occultism and nature.
Track Listing:
1. Silenzio d'incanto e Fiele
2. Strix - Elegia Lunae
3. Strige - Alter of Unspoken Vows
4. Strigae - Canticum Nihilitatis (il Canto del Nulla)
5. Strigoi - In Nihilum
6. Ascensio Astrae (tra le Stelle)
7. Sabbat - Vespera Ultima
## Noctivaga:
Noctivaga is a lean, focused record that clocks in at roughly 35 minutes. It avoids the bloat common in modern atmospheric metal, opting instead for a tight, evocative structure. The album’s sound is defined by the interplay between cold, traditional black metal riffing and expansive, melancholic melodies.
The standout element of the record is the vocal performance. Serena Mastracco (Dipsas Dianara) delivers a versatile performance that anchors the album's shifting moods. On tracks like "Silenzio d'Incanto e Fiele," her harsh rasps provide the necessary grit, while her clean, melodic passages add a layer of tragic beauty. The production is a highlight as well; it’s clear enough to hear the intricate bass lines and synth textures, but it retains a raw, organic edge that prevents the music from feeling over-polished.
Musically, the band leans into mid-tempo grooves and sweeping tremolo picking. Strigae Canticum Nihilitatis is a prime example of their ability to build tension, using repetitive, hypnotic riffs to create a sense of dread before exploding into faster, blast-beat-driven sections. The inclusion of subtle keyboards provides a "midnight forest" vibe that never feels cheesily symphonic, but rather serves to thicken the atmosphere of tracks like Strix - Elegia Lunae. While the album doesn't reinvent the genre, it executes the atmospheric label with more sincerity and better songwriting than many of its contemporaries.
## Conclusion:
With Noctivaga, Mek Na Ver has proven that they still have plenty to say after their long hiatus. It is a solid, professional, and emotionally resonant black metal album that balances the old school Italian spirit with modern atmospheric sensibilities. It’s a rewarding listen for anyone who prefers their metal to have a bit of poetic depth and a dark, nocturnal atmosphere. If you appreciate the darker side of the Italian scene, this is a record that deserves a spot in your collection.
BMZ Rating: 8.5/10
## Your thoughts on this review.
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### Review: Kaosophia - Beyond the Black Horizon (2025)
URL: https://blackmetalzine.com/review-kaosophia-beyond-the-black-horizon-2025/
Last updated: 2026-07-16T17:15:45.000Z
**Band:** Kaosophia
**Album:** Beyond the Black Horizon
**Genre:** Black Metal
**Country:** Ukraine
**Label:** Serpent Sun Records
**Released:** December 12, 2025
> Introduction:
Since emerging from the Ukrainian underground in 2011, Kaosophia has remained one of the most consistent and uncompromising practitioners of orthodox black metal. While many of their contemporaries drifted into post-metal experimentation or folk-laden nostalgia, this Kyiv-based quintet chose a path of total, unconditional worship. Following their 2017 landmark "Serpenti Vortex", which cemented their status in the upper echelons of the genre with its abyssal depth and Dávid Glomba’s haunting visual aesthetic, the band entered a long period of silence. That silence was finally shattered in late 2025 with the release of their third full-length opus, "Beyond the Black Horizon." Released via Serpent Sun Records, the album marks a triumphant, if harrowing, return for a band that has clearly spent their hiatus refining their craft into a razor-sharp tool of existential destruction.
Track Listing:
1. Ніктелій
2. Катарсис віри
3. Катабазис
4. Літанія руїни
5. Funeral of the Gods
6. Журба
7. Відлуння небуття
8. Обрій небуття
## Beyond the Black Horizon:
Beyond the Black Horizon is not an album for the faint of heart or the casual listener seeking background atmosphere. From the opening moments of Ніктелій, it is clear that Kaosophia has reached a new level of maturity. The production is crystalline yet suffocating, allowing the intricate, dissonant guitar work of IK and SI to weave a sonic tapestry that feels both tyrannical and magisterial.
The album’s centerpiece, Funeral of the Gods, serves as a masterclass in modern orthodox black metal. It opens with unsettling, bell-like chimes that quickly give way to a ferocious battery of drums by DB. The vocal performance by DR is nothing short of terrifying; his screams carry a visceral weight that transcends mere performance, sounding more like the desperate evocations of a soul witnessing the collapse of reality.
Throughout the eight-track journey, the band explores themes of Satanic orthodoxy, existential dread, and the cognition of pain. Tracks like Катарсис віри (Catharsis of Faith) and Відлуння небуття (Echoes of Non-existence) showcase a brilliant use of shivering chords and soaring, bonfire-like melodies that burn with a cold, blue flame. The transition between the high-speed blasting of Катабазис and the more measured, doom-shrouded passages of Журба demonstrates a band in total control of their tempo and emotional arc. This is music that demands your full attention, pulling you into a mind-twisting psychosis where the only escape is further into the void.
## Conclusion:
With Beyond the Black Horizon, Kaosophia has delivered their most potent and professional work to date. It is a rare example of an album that manages to be technically proficient without losing the raw, primal energy that defines the genre. By blending the relentless aggression of Antaeus with the atmospheric sophistication of Ascension, Kaosophia has reaffirmed their place as one of Ukraine’s most formidable black metal acts. If Serpenti Vortex was a descent into the pit, Beyond the Black Horizon is the final, irreversible crossing of the threshold. It is a dark, malevolent masterpiece.
BMZ Rating: 9/10
## Your thoughts on this review.
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### Review: Hierophany - Tenebrario (2025)
URL: https://blackmetalzine.com/review-hierophany-tenebrario-2025/
Last updated: 2026-07-16T17:15:46.000Z
**Band:** Hierophany
**Album:** Tenebrario
**Genre:** Black Metal
**Country:** Mexico
**Label:** Serpent Sun Records
**Released:** December 12, 2025
## Introduction:
The Mexican black metal scene has long been a bastion of the raw and the unyielding, but few entities have undergone a transformation as profound as Hierophany. Emerging from the ashes of the well-regarded act Black Hate, the project rebranded in early 2025 to better reflect a shift toward high-concept, ritualistic art. Helmed by the multi-instrumentalist B.G. Ikanunna, Hierophany has distanced itself from the depressive roots of its predecessor, opting instead to explore the intersection of Spanish mysticism and abrasive, avant-garde extreme metal. With the addition of Magister Faust on lyrics and concept, the band has successfully cultivated an aura of genuine esoteric dread that feels less like a performance and more like a liturgical offering.
Track Listing:
1. Ars Moriendi
2. Beyond the Sacred
3. Communio Mortis
4. Vigilae Mortuorum
5. Oficio de Tinieblas
6. Tenebrario
## Tenebario:
Released via Serpent Sun Records, the debut full-length Tenebrario is a masterclass in atmospheric tension. From the opening moments of Ars Moriendi, it is clear that this is not standard "drums-go-brrrr" fare. While the percussion, handled by the formidable Robin Stone, is undeniably relentless, it serves a higher purpose than mere speed. The album’s production, handled by Simón Da Silva at The Empty Hall Studio, preserves a jagged, dissonant edge while allowing for a cinematic breadth that many raw projects lack.
The tracks are structured as a series of movements within a dark ceremony. Vigilae Mortuorum, arguably the album’s standout track, showcases B.G. Ikanunna’s ability to weave hypnotic, swirling guitar leads through a wall of oppressive sound. There is a tangible weight to the music, bolstered by the orchestral contributions of Sebastián Giuliano, which add a layer of Baroque grandeur without veering into the symphonic clichés that often dilute the genre’s bite. The mixture of English, Spanish, and Latin lyrics further enhances the old-world feeling of the record, making the listener feel like a trespasser in a forbidden cathedral.
The mid-album shifts, particularly on Oficio de Tinieblas, highlight a willingness to experiment with tempo and space. Here, the band moves between feral, high-whipping speeds and slower, sluggish movements that glower with a classic sort of groove. It is an exhausting listen in the best way possible. A dense, 45-minute portal to a world where the boundary between the flesh and the spirit is violently dissolved.
## Conclusion:
With Tenebrario, Hierophany has managed to capture the special sort of menacing magic that many occult bands strive for but few achieve. By balancing technical proficiency with a raw, spiritual intensity, they have crafted an incredibly authentic and ritualistic feeling album. It is a terrifying, layered, and ultimately captivating hymn to the darkness.
BMZ Rating: 8/10
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### The Infernal Records: Week 12
URL: https://blackmetalzine.com/the-infernal-records-week-12/
Last updated: 2026-03-23T11:47:10.000Z
The Infernal Records: Week 12 is out! Take a look at our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: A.H.P.
Album: Alltid Imot Deg
Country: Norway
Genre: Black Metal/Ambient
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Genre: Black Metal
Date: March 16, 2026
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Date: March 20, 2026
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Country: Finland
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Album: A Quiet Undoing (Demo)
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Genre: Black Metal
Date: March 20th, 2026
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Country: UK
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## Your thoughts on this newsletter.
We love to hear your opinion about this newsletter. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### From the Vault: Secrets of the Moon - Antithesis (2006)
URL: https://blackmetalzine.com/from-the-vault-secrets-of-the-moon-antithesis-2006/
Last updated: 2026-03-22T14:00:41.000Z
Band: Secrets of the Moon
Album: Antithesis
Genre: Black Metal
Country: Germany
Label: Lupus Lounge
Released: 15th September 2006
## Preamble & Introduction
Whenever people talk about favourite black metal bands I have always listed Secrets of the Moon among the top. I'm usually met with the response of "oh I don't know them", but when someone does know them it's always an immediate "oh hell yeah, those guys are amazing". They're seemingly a band that snuck under the radar for a lot of the scene, but those who do know them are dedicated in their admiration.
Nicknamed the chameleons of black metal, their ability to seamlessly change their sound from album to album creating broad strokes of versatility always meant each album sounded fresh and unique. They did depart from this genre towards the last two albums as they changed to a more gothic metal/rock with grunge elements during *Sun* and *Black House* \- which if anything really does show off their talented adaptability.
I was gutted when they disbanded in 2022, as even with their change of genre I remained a fan until the end and they've remained a band I listen to very often.
Sadly, despite my deep admiration of this band I never got a chance to see them live. Imagine my delight when they announced a reunion tour for the 20th anniversary of *Antithesis.* I couldn't miss this.
*Antithesis* released in 2006, and had the impossible task of following up *Carved in Stigmata Wounds* (2004) which in my opinion is a pure 10/10 and their magnum opus (perhaps I'll do a vault review in the future for that). So let's dive in.
## Antithesis
**Tracklisting:**
1. Nowhere (11.18)
2. Versus
3. Ordinance
4. Confessions
5. Metamorphoses
6. Ghost
7. Seraphim is Dead
8. Lucifer Speaks
9. Exit
So here we are, two decades on and it’s time to see how this album holds up.
A fuzzy bassy intro and some light cymbal work open us off to this magnificent album that is ready to gradually unfold over the course of an hour. The subtly simple guitar chords of *Nowhere (11:18)* resonate and give us a taste of this albums unassuming character.
Straight off the bat, this album has definitely got a noticeably cleaner or more polished tone compared to their previous entry of *Carved in Stigmata Wounds* which had a more eerie feel to it and almost experimental at times. The guitars are punchy with solid fast riffs dominating the soundscape, the basslines are rich and full to perfectly compliment them, and the drumming is full of beautiful cymbal work.
The tempo of this album is a mid-tempo trudge to a devastating doomy effect but ebbs and flows to have such emotional influence upon each piece. Occasionally slower riffs echo through with serenity such as during *Versus* and the creeping introduction of *Ordinance* as glimpses of respite. These moments are but fleeting and not something that lasts as each time we are thrown into an acceleration of a frenzied pace with striking impacts.
Their lyrical themes of the existentialism intertwined with the occult are at some of their strongest on this album, and beautifully compliment the darker inflection that this album holds. Divine indifference and the destructive side of the human nature are on full display through symbolic language, and I can’t not mention the whispered vocals of *Metamorphoses* which is entirely in Latin taken from the epic poem of the same name by Roman poet Ovid dated 8CE.
Brooding in nature, songs like *Ghost* and *Seraphim is Dead* are enveloped in a deceivingly melancholic accent, but match the ominous melodies that strengthen this album. Well balanced is the name of the game here, it establishes the doomy aesthetic and excels at seamlessly blending this into the fierce black metal that they are known for from previous releases.
And as *Exit* appropriately closes this album, it gives you a moment to reflect on what you just heard.
A sharply written album which manages to embed hooks deep within you with chugging headbanging riffs, enthralling hypnotic verses, and captivating choruses that you can’t help but want to chant along to.
## Conclusion
This album portrays a deep commitment of mastering their craft, and is evident through such finely forged song writing.
It was an album that grew on me through time, when I discovered Secrets of the Moon during lead up to *Seven Bells* (2012) I unfortunately did not give enough attention to *Antithesis* or *Privilegium* as they didn’t have the more Deathspell Omega-esque approach that *Carved in Stigmata Wounds* did, nor the more grand choir-like Keep of Kalessin approach that *Seven Bells* did. Yet now I couldn’t imagine ever wanting to skip a single track in these quietly complex experiences.
I'll be travelling to Munich for Dark Easter Metal Meeting, which has an incredible lineup already but seeing Secrets of the Moon for the first time (and potentially my only time) could not be passed up and was the deciding factor on my ticket purchase.
BMZ Rating: 9/10
## Your thoughts on this review.
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### Review: Mossystone - Mossystone (EP) (2026)
URL: https://blackmetalzine.com/mossystone-mossystone/
Last updated: 2026-07-19T07:51:14.000Z
**Band:** Mossystone
**Album:** Mossystone
**Genre:** Atmospheric Black Metal
**Country:** France
**Label:** None (Independent)
**Released:** 21st February 2026
## **Introduction**
A new contender in the realm of atmospheric black metal solo projects arrived to the scene late February 2026\. Wilhelm Osoba hails from southern France and is experienced in solo music creation with his other project *Trimarkisia*, a melodic black/doom band that released an EP around the same time last year.
So let’s see how his first foray into a black metal style that generally requires more grandeur and an emotional experience goes.
## **Mossystone**
**Tracklisting:**
1. Unfulfilled Desire
2. The Passenger
3. Silence of the Void
No hesitation or buildup for this debut as we are thrown right into the midst of blastbeats and malicious screams, *Unfulfilled Desire* is an intense force of destruction. The pace does not let up until the calming outro of reverberated clean guitar notes gently bringing our first track to a close, sharply contrasted with the furious introduction of the second track *The Passenger*.
Introspective lyrics appear to call critique upon social conditioning and identity, as well as some existential reflection on our place in the universe. The sort of stuff you may lay awake at night thinking about, or as you gaze up at the stars on a clear night and think about our true insignificance amongst the cosmos. It’s dour, but with a slight hint of optimism that things can improve - a good mindset to have in our world.
The serene artwork also reflects this, *Solitude* by Jean-Baptiste-Camille Corot (1796-1875), this tranquil piece perfectly coheres to the poetic nature of these meandering compositions of pure atmosphere.
The guitars throughout this EP are slightly buried in the mix with the drums overpowering them, but the synths are wonderfully bombastic when they come in such as on *The Passenger* and have such a great presence in the mix. The vocals remain sharp and clear with their bitter tones growling through the barrage of bleak black metal.
Overall it seems incredibly well mixed and though the three tracks are a pure sonic assault of aggressive intensity it is polished enough that keeps every element powerful and well defined.
*Silence of the Void* is our final track which unfolds with a less hurried pace, with beautiful layered guitar work and underlying synth work that broods an immersive atmosphere. The whole piece swells with contrasting tempos, sweeping melodies and creates such interwoven textures. It probably is my favourite off the EP and a perfect way to conclude this debut journey.
## **Conclusion**
Just shy of 25 minutes, this compelling debut EP gives you a strong sense of potential, with hopefully greater things to come in the future. It’s always a delight to hear new material in the atmospheric black metal world, a genre that manages to emotionally grab me and demand my full attention, and Mossystone has proved promising of that. May we hear more from this tantalizing project in the future.
**BMZ Rating: 8 out of 10**
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### Review: Blackbraid - Nocturnal Womb (2026)
URL: https://blackmetalzine.com/reblackbraid-nocturnal-womb/
Last updated: 2026-07-15T17:23:12.000Z
**Band:** Blackbraid
**Album:** Nocturnal Womb
**Genre:** Atmospheric Black Metal
**Country:** United States of America
**Label:** Wolf Mountain Productions
**Released:** 6th March 2026
## Introduction
A brand new EP from the Native American atmospheric black metal band arrives less than a year after their third album aptly titled *Blackbraid III*, an album I really enjoyed a lot and ultimately secured its spot amongst my top albums of 2025.
Three tracks of greatly varying styles await us on this 20 minute long release, so let’s just dive in and go track by track to see what Sgah'gahsowáh has in store for us in this slightly unpredictable and stylistically diverse EP.
## Nocturnal Womb
**Tracklisting:**
1. Nocturnal Womb
2. Celestial Bloodlust
3. Barefoot Ghost Dance on Blood Soaked Soil (Acoustic)
The titular track starts us off with a greatly atmospheric presence and it is a truly phenomenal piece of well drawn out black metal. It’s less Bathory-inspired riff heavy than a lot of other Blackbraid material and the gradual introduction prepares us for an onslaught of a triumphant composition that swells with an almost cinematic atmosphere.
It suffocates you with tremolo guitars and a steady drumbeat creating an immense sonic landscape. The distant and compressed vocals drift through the bleakness like incantations screaming through the storm. This is something really quite special, and just shy of nine minutes long it sits amongst the lengthier Blackbraid tracks which are the ones I generally prefer.
The oppressively lingering ambience of the previous track is sharply contrasted by the thrashing pace of *Celestial Bloodlust*. Right from the opening drum hit this piece demands you headbang along as it is bursting with relentless riffs and a surge of raw frantic energy that doesn’t give up.
Sgah'gahsowáh’s reverberated vocals yell into the breakneck momentum of instrumentation with pure intensity. A short bridge lets you briefly catch your breath before being thrown full throttle into the ferocious speed of this track that is erupting with a volatile force. A flashy drum fill closes us out and once again we are juxtaposed with something of a vastly different style.
Our final track is an acoustic version of *Barefoot Ghost Dance on Blood Soaked Soil*, which was the first single Blackbraid ever released back in 2022 ahead of the debut album. The beautiful guitarwork gently unfolds throughout the six and a half minute duration (thirty seconds longer than the original version of the track).
This piece really speaks for itself, with the acoustic guitar work shining with a warm confidence, and whilst it may be a rather simple track to include it is highly evocative and draws in the listener with an understated beauty.
I really want to highlight a part during this composition starting at 03:14 which is wonderfully weaved from the slightly faster picking to the harmonious calmness following which gets accompanied by our acoustic tremolo riffs sans distortion that manage to work without turning into surf rock.
However I do wonder how this could have done with some vocals, not necessarily harsh growls like a standard black metal affair. I’m thinking it could pair nicely with some clean vocals or even hushed whispers of the paganistic lyrics akin to *Saor - Unplugged in Belgium (2019)*.
## Conclusion
Twenty minutes have passed by in a flash, and the diverse palette of musical styles were expertly blended together into a dynamic and cohesive EP. Ambitious perhaps, but all three tracks are very well crafted sadly leaving me wanting more.
I'll be catching Blackbraid live at Dark Easter Metal Meeting in Munich, Germany, as well as on their UK headlining tour supported by the fantastic Winterfylleth.
**BMZ Rating: 7.5 out of 10**
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### Review: Drawn Into Descent - Onrust (2026)
URL: https://blackmetalzine.com/review-drawn-into-descent-onrust-2026/
Last updated: 2026-07-15T17:23:12.000Z
**Band:** Drawn Into Descent
**Album:** Onrust
**Genre:** Atmospheric Black Metal
**Country:** Belgium
**Label:** Immortal Frost Productions
**Released:** February 2026
## **Introduction**
Today's review sees us gazing into an industrial sludge filled nightmare courtesy of Belgium’s angriest new atmospheric black metal band. Drawn Into Descent.
**Rumination**
On Onrust, the Belgian outfit's 3rd LP, Drawn Into Descent, they take their sound into weirder and darker territory. Less emphasis is given to the more melodic side of things to present music that's as bleak and harrowing as the album cover.
**Tracklist:**
1\. Teloorgang
2\. Drenkeling
3\. Onrust
4\. Ogen
So this is honestly a pretty unique album the further you go. The opening has this kind of unique stomp metal vibe with sad riffs (overall pretty fun; the drums get a bit too disco for me, but yeah).
But Track 2 and onwards seems to get into almost Furia territory, with this really unique swaggering riff/drum combo that goes into a really sick blast section. The track really hits the spot for me overall.
One thing about this album and band is (and this probably equally comes from watching the video for the 3rd track, Onrust). But they actually seem like they aren’t scared of taking risks with the sh\*t they make.
The video for track 3 is a type of artsy I very much appreciate, and the song that goes along with it is really solid, especially where it sits on the track order. It’s just expansive and sad in a way that offers a unique counterpoint to the noxious misery of the other tracks.
Album wise when this band takes a shot at doing something different and it pays off, it is really f\*cking good. Genuine artistry on display, honestly. I have to give special credit to the vocal performance; the singer (B?) is truly feral sounding in a way that I like, and the way the voice works in this context is really sick.
One final note I will make is, as someone who lives in a big smog covered city, outside of something maybe like White Ward, I really cant think of many black metal bands have tackled just how claustrophobic and and depressing that feeling is as accurately as Drawn Into Descent does on this album.
## **Conclusion**
In a sea of bands all rushing to push out more and more “trad worship” nostalgia throwbacks in 2026, anything that tries to do something unique is deeply appreciated. This record is a great example of that, and I look forward to seeing where Drawn goes from here on out.
If you f\*ck with the weirder side of atmospheric black metal that brings in post hardcore or sludge. I thoroughly recommend this album.
BMZ Rating: 8.5/10
Support Drawn Into Descent here:
[Onrust, by Drawn Into Descent4 track albumImmortal Frost Productions](https://immortalfrostproductions1.bandcamp.com/album/onrust?ref=blackmetalzine.com)
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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### The Infernal Records: Weeks 10 & 11
URL: https://blackmetalzine.com/the-infernal-records-weeks-10-11/
Last updated: 2026-03-16T15:00:36.000Z
The Infernal Records: Weeks 10 & 11 are out! We wanted to get caught up so we bundled weeks 10 and 11 together (especially since springtime arrived with a deluge of new releases). See our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: A Somber Funeral
Album: Since You Left These Shores
Country: Germany
Genre: Atmospheric Post-Black Metal
Date: March 13, 2026
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Genre: Atmospheric Raw Black Metal
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Genre: Melodic Thrash/Black Metal
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Genre: Atmospheric Black Metal
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Country: Belgium
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Date: March 7th, 2026
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Country: Italy
Genre: Black Metal
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Genre: Atmospheric Black Metal
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Genre: Black Metal
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Country: Finland
Genre: Black/Death Metal
Date: March 6th, 2026
[Veripellot, by Karelian Warcry9 track albumKarelian WarcryKarelian Warcry](https://karelianwarcry.bandcamp.com/album/veripellot?ref=blackmetalzine.com)
Band: Lord Ketil
Album: Ødeleggelse
Country: France
Genre: Black Metal
Date: March 13th, 2026
[Ødeleggelse, by LORD KETIL9 track albumMALPERMESITABandcamp Album of the Day Oct 9, 2025](https://malpermesita.bandcamp.com/album/deleggelse?ref=blackmetalzine.com)
Band: Krigsvard
Album: Celestial Redemption (EP)
Country: Greece
Genre: Atmospheric Black Metal
Date: March 6th, 2026
[Celestial Redemption, by Krigsvard3 track albumKrigsvardBandcamp New & Notable Nov 12, 2013](https://krigsvard.bandcamp.com/album/celestial-redemption?ref=blackmetalzine.com)
Band: Lightlorn
Album: The Ebb and Flow of Galactic Tides
Country: Sweden
Genre: Atmospheric/Post-Black Metal
Date: March 6, 2026
[The Ebb and Flow of Galactic Tides, by Lightlorn6 track albumLightlorndcdirkzwager](https://lightlorn.bandcamp.com/album/the-ebb-and-flow-of-galactic-tides?ref=blackmetalzine.com)
Band: Lömsk
Album: Act II - Of Iron and Blood
Country: Sweden
Genre: Black metal
Date: March 6th, 2026
[Act II - Of Iron and Blood, by Lömsk9 track albumLömskRicardo Cristof](https://lmsk.bandcamp.com/album/act-ii-of-iron-and-blood?ref=blackmetalzine.com)
Band: Miserere Luminis
Album: Sidera
Country: Candada
Genre: Atmospheric Black Metal
Date: March 6th, 2026
[Sidera, by Miserere Luminis5 track albumMiserere Luminisadam](https://miserereluminis.bandcamp.com/album/sidera?ref=blackmetalzine.com)
Band: Nachtblut
Album: Vanitas (Bonus Material)
Country: Germany
Genre: Extreme Symphonic Gothic Metal
Date: March 3, 2026
[Vanitas (Bonus Material), by Nachtblut8 track albumNachtblutsashavonkarl74](https://nachtblut.bandcamp.com/album/vanitas-bonus-material?ref=blackmetalzine.com)
Band: Nordlys
Album: Lichterglanz Finsternis
Country: Germany
Genre: Black Metal
Date: March 13th, 2026
[Lichterglanz Finsternis, by NORDLYS8 track albumNORDLYSF̲̜̲̂ṷ̖͒̔t̨͉̠͒u̼̟͑ͅr̷̫̝̍e̶̲͔̐ ̖͔͌͜E̯͕̕͝y̢̪̟͞ē̛̙͞s̡̰͛̄](https://nordlysblackmetal.bandcamp.com/album/lichterglanz-finsternis?ref=blackmetalzine.com)
Band: Osmium Gate
Album: Cannibal Galaxy
Country: USA
Genre: Atmospheric Black Metal (Instrumental)
Date: March 13, 2026
[Cannibal Galaxy, by Osmium Gate8 track albumOsmium GateOsmium Gate](https://osmiumgate.bandcamp.com/album/cannibal-galaxy?ref=blackmetalzine.com)
Band: Ozark Shaman
Album: A Traitor Is Worse Than an Enemy
Country: USA
Genre: Folk Black Metal
Date: February 28, 2026
[A Traitor Is Worse Than an Enemy, by Ozark Shaman7 track albumOzark Shaman](https://ozarkshaman.bandcamp.com/album/a-traitor-is-worse-than-an-enemy?ref=blackmetalzine.com)
Band: Pusta Noc
Album: Funus Vampyri
Country: Poland
Genre: Atmospheric Black Metal
Date: March 6, 2026
[Funus Vampyri, by Pusta Noc4 track albumPusta NocPusta Noc](https://pustanoc.bandcamp.com/album/funus-vampyri?ref=blackmetalzine.com)
Band: Raat
Album: Like Light Dissolved (EP)
Country: India
Genre: Post-Rock/Shoegaze/Post-Black Metal
Date: March 12th, 2026
[Like Light Dissolved, by Raat3 track albumRaatporcelainheart-](https://raat.bandcamp.com/album/like-light-dissolved-2?ref=blackmetalzine.com)
Band: Rhinderpest
Album: S/T
Country: USA
Genre: Black Metal
Date: March 3, 2026
[Rhinderpest, by Rhinderpest11 track albumRhinderpestBandcamp Album of the Day Feb 13, 2026](https://rhinderpest.bandcamp.com/album/rhinderpest?ref=blackmetalzine.com)
Band: Sangue Velho
Album: Cinza e Sangue
Country: Portugal
Genre: Raw Black Metal
Date: March 2, 2026
[Cinza e Sangue, by Sangue Velho8 track albumSangue VelhoBandcamp Album of the Day Feb 13, 2026](https://sanguevelho.bandcamp.com/album/cinza-e-sangue?ref=blackmetalzine.com)
Band: Signs Of The Evil
Album: Calling the Ancient Legions Under the Red Moon
Country: Peru / USA
Genre: Black Metal
Date: March 2, 2026
[Calling the Ancient Legions Under the Red Moon, by Signs Of The Evil12 track albumSIGNS OF THE EVIL](https://signsoftheevil666.bandcamp.com/album/calling-the-ancient-legions-under-the-red-moon?ref=blackmetalzine.com)
Band: Skeltima
Album: Soul Keeper's Eternal Longing (EP)
Country: USA
Genre: Black/Heavy Metal
Date: March 13, 2026
[Soul Keeper’s Eternal Longing, by Skeltima4 track albumSkeltima (and friends)Skeltima (and friends)](https://skeletalworks.bandcamp.com/album/soul-keepers-eternal-longing?ref=blackmetalzine.com)
Band: Sna Ik'al K'ak'al
Album: S/T (Demo)
Country: Mexico
Genre: Melodic Raw Black Metal
Date: March 13, 2026
[Sna Ik’al K’ak’al, by Sna Ik’al K’ak’al2 track albumSna Ik'al K'ak'alBandcamp Album of the Day Feb 13, 2026](https://snaikalkakal.bandcamp.com/album/sna-ikal-kakal?ref=blackmetalzine.com)
Band: 遠人之歌 (Sounds of Alienation)
Album: 天問 Tianwen
Country: China
Genre: Post-Black Metal
Date: March 2, 2026
[天問 Tianwen, by 遠人之歌（Sounds of Alienation)6 track album遠人之歌Nocturnal Egg (Jordan)](https://yrzg.bandcamp.com/album/tianwen?ref=blackmetalzine.com)
Band: Soul Meanders
Album: Abysm of Time (EP)
Country: Italy
Genre: Atmospheric Black/Doom Metal
Date: March 6th, 2026
[Abysm of Time, by Soul Meanders4 track albumSoul Meanders](https://soulmeanders.bandcamp.com/album/abysm-of-time?ref=blackmetalzine.com)
Band: Suuri Talvi
Album: Echoes of the Forest
Country: Russia
Genre: Pagan/Raw Black Metal
Date: March 3, 2026
[Suuri Talvi - Echoes Of The Forest, by By Barastyr Productions10 track albumBarastyr Productions](https://barastyrproductions1.bandcamp.com/album/suuri-talvi-echoes-of-the-forest?ref=blackmetalzine.com)
Band: Throat
Album: Beyond the Devil's Shroud (EP)
Country: Poland / Finland
Genre: Black Metal
Date: March 13, 2026
[Beyond the Devil’s Shroud, by Throat5 track albumPrimitive ReactionBandcamp Album of the Day Feb 13, 2026](https://primitivereaction.bandcamp.com/album/beyond-the-devils-shroud?ref=blackmetalzine.com)
Band: Transilvania
Album: Magia Posthuma
Country: Austria
Genre: Black/Thrash Metal
Date: March 13, 2026
[Magia Posthuma, by Transilvania9 track albumTransilvaniaBandcamp Album of the Day Jun 14, 2024](https://transilvania.bandcamp.com/album/magia-posthuma?ref=blackmetalzine.com)
Band: Totensturm / Alkemisti
Album: Teufelspakt / Perkeleen Tie (Split)
Country: Germany / Finland
Genre: Black Metal
Date: March 10, 2026
[Teufelspakt / Perkeleen Tie, by Totensturm / Alkemisti6 track albumDominance of Darkness RecordsBandcamp New & Notable Jan 8, 2018](https://dod-records.bandcamp.com/album/teufelspakt-perkeleen-tie?ref=blackmetalzine.com)
Band: Veloryum
Album: Despertar de la Agonía Perpetua
Country: Chile
Genre: Melodic Raw Black Metal
Date: March 12, 2026
[Despertar de la Agonía Perpetua, by Veloryum6 track albumVeloryum](https://veloryum.bandcamp.com/album/despertar-de-la-agon-a-perpetua?ref=blackmetalzine.com)
Band: Verfall
Album: Ferfroren wo ich zurückgelassen wurde
Country: USA
Genre: DSBM
Date: March 1, 2026
[erfroren wo ich zurückgelassen wurde, by Verfall10 track albumVerfallBandcamp New & Notable May 9, 2025](https://verfallbm.bandcamp.com/album/erfroren-wo-ich-zur-ckgelassen-wurde?ref=blackmetalzine.com)
Band: Vintregal
Album: Назустріч Останньому Світанку (Towards the Last Dawn) (EP)
Country: Ukraine
Genre: Pagan Black Metal
Date: March 5, 2026
[Назустріч Останньому Світанку | Towards the Last Dawn, by Vintregal5 track albumVintregalZerbrochen](https://vintregal.bandcamp.com/album/towards-the-last-dawn?ref=blackmetalzine.com)
Band: Voidstar Nocturnal
Album: Nexus Teleport Fracture
Country: Costa Rica
Genre: Progressive Black/Death Metal
Date: March 13, 2026
[Nexus Teleport Fracture, by VOIDSTAR NOCTURNAL8 track album𝔊𝔬𝔡𝔷 𝔒𝔳 𝔚𝔞𝔯 𝔓𝔯𝔬𝔡𝔲𝔠𝔱𝔦𝔬𝔫𝔰Kaphin](https://godzovwarproductions.bandcamp.com/album/nexus-teleport-fracture?ref=blackmetalzine.com)
Band: Vorago
Album: Morulus
Country: Mexico / Germany
Genre: Black Metal (Black/Death)
Date: March 5, 2026
[Vorago - Morulus, by Amor Fati Productions8 track albumAmor Fati Productionsdisforma](https://amorfatiproductions.bandcamp.com/album/vorago-morulus?ref=blackmetalzine.com)
Band: Werelight
Album: Shattering Rays
Country: Italy
Genre: Black Metal
Date: March 11, 2026
[Shattering Rays, by Werelight5 track albumCentrale AtmosfericaPeggy Clark](https://centraleatmosferica.bandcamp.com/album/shattering-rays?ref=blackmetalzine.com)
Band: White Dawn
Album: Dawn Of Death
Country: Sweden
Genre: Black Metal
Date: March 6, 2026
[Dawn Of Death, by White Dawn9 track albumWhite Dawn](https://whitedawn.bandcamp.com/album/dawn-of-death?ref=blackmetalzine.com)
Band: Wolfbastard
Album: Satanic Scum Punks
Country: UK
Genre: Black Metal/Crust
Date: March 13th, 2026
[Satanic Scum Punks, by Wolfbastard11 track albumApocalyptic Witchcraft RecordingsObsidian One](https://apocalypticwitchcraft.bandcamp.com/album/satanic-scum-punks?ref=blackmetalzine.com)
Band: Занепад (Zanepad)
Album: Епілог
Country: Ukraine
Genre: Atmospheric Black Metal
Date: March 5, 2026
[Епілог, by Занепад8 track albumЗанепадBandcamp New & Notable May 9, 2025](https://zanepad.bandcamp.com/album/--2?ref=blackmetalzine.com)
### Vault Review: Burzum - Filosfem (1996)
URL: https://blackmetalzine.com/vault-review-burzum-filosfem/
Last updated: 2026-07-16T17:15:46.000Z
**Band:** Burzum
**Album:** Filosfem
**Genre:** Atmospheric Black Metal
**Country:** Norway
**Label:** Misanthropy Records
**Released:** January 31, 1996
## Introduction:
To understand the landscape of modern atmospheric black metal, one must first look toward the solitary, polarizing shadow of Burzum. Formed in 1991 as the solo project of Varg Vikernes, Burzum emerged from the epicenter of the Norwegian Second Wave. While peers like Mayhem and Darkthrone leaned into chaotic violence and necro-punk aesthetics, Burzum prioritized a chilling, folk-inspired minimalism. This culminated in 1996 with the release of Filosofem, an album recorded years prior, just before Vikernes’ incarceration which fundamentally shifted the genre’s DNA from outward aggression to inward introspection. Regardless of how you feel about it's creator, Filosfem's influence on atmospheric black metal cannot be understated.
Track Listing:
1. Dunkelheit
2. Jesus' Tod
3. Erblicket die Töchter des Firmaments
4. Gebrechlichkeit I
5. Rundgang um die transzendentale Säule der Singularität
6. Gebrechlichkeit II
## Filosofem:
Filosofem is a landmark of lo-fi philosophy. Rejecting the burgeoning trend of professional studio production, Vikernes intentionally utilized the lowest-quality equipment available at the time, notably ncluding a headset microphone. This choice wasn't merely rebellious; it was transformative. The resulting "fuzz" serves as a textural layer of white noise, blurring the lines between the instruments and the atmosphere.
In this sonic space, the guitar is no longer a melodic lead but a rhythmic drone. The opening track, "Dunkelheit," exemplifies this shift. Its tempo is unusually sluggish for black metal, built upon a simplistic, cyclical synthesizer melody that feels ancient rather than artificial. The distortion acts as a veil, demanding that the listener look past the abrasive surface to find the melancholic beauty underneath.
The importance of Filosofem within the genre lies in its mastery of repetition. Track two, "Jesus' Tod," strips black metal down to its skeleton. By repeating a singular, hypnotic tremolo riff for over eight minutes with minimal variation, Burzum pioneered the droning guitar riff style that would later define the Cascadian and DSBM subgenres. This technique mirrors the concept of the "sublime" in Romantic art, a sense of overwhelming vastness that is both terrifying and beautiful.
Lyrically Filosofem moved black metal away from the Satanic tropes and toward a more profound, existential exploration of nature, darkness, and time.
Perhaps the album’s most daring contribution however is its departure into pure ambient territory. The twenty-five-minute centerpiece, "Rundtgåing av den dunkle hiddens tåke," eschews metal entirely. This long-form, repetitive synth piece bridged the gap between the harshness of the underground and the meditative qualities of dungeon synth. It established that black metal was defined not by the presence of distorted guitars, but by an underlying spirit of isolation.
## Conclusion:
Today, Filosofem remains one of the genre’s most influential paradoxes: it is an album of immense scale created with the most meager of tools. It taught a generation of bedroom musicians that atmosphere is a product of vision, not gear. While the creator’s personal history remains inextricably linked to the work’s infamy, the musical architecture of Filosofem continues to serve as the foundational blueprint for any artist seeking to capture the sound of the void. Its a masterpiece and a fundemental cornerstone of atmospheric black metal.
BMZ Rating: 10/10
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### Review: Winter Eternal - Unveiled Nightsky (2026)
URL: https://blackmetalzine.com/review-winter-eternal-unveiled-nightsky-2026/
Last updated: 2026-07-15T17:23:14.000Z
**Band:** Winter Eternal
**Album:** Unveiled Nightsky
**Genre:** Melodic Black Metal
**Country:** Greece, currently based in Scotland
**Label:** Hells Headbangers Records
**Released:** 13th February 2026
## Introduction
The Greek one man band, brainchild of Stelios Makris, is back again less than two years after the release of *Echoes of Primordial Gnosis* in the summer of 2024.
**Tracklisting:**
1. Born of Winter's Breath
2. Omen of the Cosmic Order
3. Nurtured by the Night
4. Unveiled Nightsky
5. Descent into Hades Embrace
6. The Deceiver's Tale
7. Echoes of a Fallen Crown
8. Drifting into the Depths of Oblivion
## Unveiled Nightsky
No time is wasted as we are plunged into the icy depths of this cold hearted black metal album, immediately starting off with beautiful tremolo riffs, harsh bleak vocals, and impeccably tight drumming performed by Vagelis Felonis. *Born of Winter’s Breath* perfectly sets up the bitter and intense landscape that this album forms.
Each track on this album is more condensed in a short and sweet style. With the two longest tracks not even reaching five minutes long it deliberately delivers just enough blast beats and furious guitars in an old school black metal style it harkens to the days of the early 90s classics.
The full length runs at half an hour long fitting nicely into their discography and letting you comfortably headbang along without letting the frostbitten ambience overstay its welcome. The runtime mirrors the intensity of the music itself, rapid and full of fury it doesn’t waste any time with filler and repetitiveness.
Amidst the relentless surge, we do have some moments of solace. The bridge of *Nurtured by the Night* particularly stands out, as the slower pace of a more gentle guitar melody accompanied by a deep and resonant bassline breaks up the pace. A short spoken word passage, and we are thrown back into the depths of non-stop blast beats and sharp vocals screaming out into a cavernous and intense atmosphere.
Likewise the somber acoustic guitar introduction to *Descent Into Hades Embrace* echo out into near silence, luring you into a false sense of melancholia. Without warning, this facade suddenly drops and the calm is shattered as we welcome back the drums and distortion erupting into a pure storm of frantic fury.
Absolutely a special shoutout as well to Dimitris Charisis and Varvara Tsotra who play the violin and cello respectively on the outro track *Drifting into the Depths of Oblivion*, a brief glimpse of gorgeousness that brings the bold album to a more placid and pleasant close.
## Conclusion
I have criticised albums in the past for being too short and not letting songs embrace their full potential, but this album truly shows love for where our scene started and takes full advantage of these characteristics. The full half hour is almost comforting in a way that revitalises an admiration for channeling this raw spirit in a higher production quality.
I’ll be catching Winter Eternal this July at The Woods 2026, a black metal festival taking place in Fell Foot Woods, Cumbria - so keep an eye out for my thoughts on their live performance.
**Rating: 8.5 / 10**
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### Review: Ensanguinate - Death Saturnalia (With Temples Below) (2026)
URL: https://blackmetalzine.com/review-ensanguinate-death-saturnalia-with-temples-below-2026/
Last updated: 2026-07-16T17:15:47.000Z
**Band:** Ensanguinate
**Album:** Death Saturnalia (With Temples Below)
**Genre:** Black/Death Metal
**Country:** Slovenia
**Label:** Soulseller Records
**Released:** February 6, 2026
## Introduction:
Slovenian black metal occultists, *Ensanguinate* are back at it again with a blasphemous new release, Death Saturnalia (With Temples Below) on Soulseller Records.
## Ensanguinate
It is always fun to discover a new band that I've never heard of yet and decide to give them a try. It reminds me of the good old days when I would go to the record store, pick up a random album of a band, and try it out just because the album art looked awesome. With *Ensanguinate*, I am glad I made this decision. It exceeded my expectations, and I have had it in constant rotation since my first listen, delving ever deeper into the music and the band.
**Tracklisting:**
- Lámia
- Angel of a Thousand Poisons
- On Wings of Bone
- Rooted in Accursed Ground
- Savage Hunger Far Beyond
- Gloaming
- The Whip and the Pendulum
- Daughter to Cain
The album starts out with a beautiful piece, **Lámia** and then, shifting gears, starts ripping the soul apart with reverb-saturated guitar riffs and blast-beating manifestos of **Angel of a Thousand Poisons.** It is definitely an onslaught from here on out, showing no sense of mercy for the listener to take a break.
*Ensanguinate* crafts black and death metal wonderfully with this album as a whole. The production was fairly mixed, and the instruments are all shined throughout its entirety. My favorite part of this album is the guitar tone and how it sounds throughout. Jake and Andrej show their thrash metal roots in this album with the thrashy melodic riffs and blistering solos. The sound of their guitars are literally from the pits of Hell with just the right amount of reverb.
Going into my favorite tracks on this album, **Angel of a Thousand Poisons, Rooted in Accursed Ground, Savage Hunger Far Beyond,** and **The Whip and the Pendulum** all showcase the savage blast beats and ravaging guitar hooks I crave in blackened death metal making the sound of this album unique and not overbearing.
## Conclusion:
I look forward to more material from *Ensanguinate* as time marches forward. They have a unique sound and that's what drew me into listening to this band from the start. There are so many blackened death metal bands that *Ensanguinate* are akin to, but if you ask this me, for any of you that like early *Morbid Angel*, early *Deicide*, or even early *Behemoth* as they were crossing from traditional black metal to death metal, this is surely the band for you!
BMZ Rating: 8/10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### The Infernal Records: Week 9
URL: https://blackmetalzine.com/the-infernal-records-week-9/
Last updated: 2026-03-09T20:22:57.000Z
The Infernal Records: Week 9 is out! Check out our curated list of essential Black Metal releases from the past week. See the full list!
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Ashes
Album: Into the Woodlands (EP)
Country: Poland
Genre: Atmospheric Black Metal / Dungeon Synth
Date: February 27, 2026
[Into the Woodlands, by Ashes2 track albumashesbmpl.bandcamp.comBandcamp Album of the Day Feb 13, 2026](https://ashesbmpl.bandcamp.com/album/into-the-woodlands?ref=blackmetalzine.com)
Band: Auriel's Bow
Album: Equilibrium (EP)
Country: Bulgaria
Genre: Raw Black Metal
Date: February 25, 2026
[Equilibrium, by Auriel’s Bow4 track albumAuriel's Bow](https://aurielsbow.bandcamp.com/album/equilibrium?ref=blackmetalzine.com)
Band: Autumn Strife
Album: Romance
Country: USA
Genre: Black Metal
Date: February 28, 2026
[Autumn Strife - Romance, by Autumn Strife8 track albumOBSCURANT VISIONSBandcamp New & Notable Oct 3, 2020](https://obscurantvisions.bandcamp.com/album/autumn-strife-romance?ref=blackmetalzine.com)
Band: Bagoth
Album: Duplessis Martyrs
Country: Canada
Genre: Black Metal
Date: February 27, 2026
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Band: Blodørn
Album: Det Finnes Ingen Trone
Country: Norway
Genre: Black Metal
Date: February 27, 2026
[Det Finnes Ingen Trone, by Blodørn7 track albumBlodørnBlodørn](https://blodornnorway.bandcamp.com/album/det-finnes-ingen-trone?ref=blackmetalzine.com)
Band: Darker Mysteria
Album: Emisarios de la majestuosa noche
Country: Argentina
Genre: Atmospheric/Symphonic Black Metal
Date: February 26th, 2026
[Emisarios de la majestuosa noche, by Darker Mysteria11 track albumDarker MysteriaBandcamp Album of the Day Feb 13, 2026](https://darkermysteriaofficial.bandcamp.com/album/emisarios-de-la-majestuosa-noche?ref=blackmetalzine.com)
Band: Dioivo
Album: Que Soe o Trono
Country: Spain
Genre: Melodic Black Metal
Date: February 23, 2026
[Que Soe o Trono, by Dioivo14 track albumDioivo](https://dioivo.bandcamp.com/album/que-soe-o-trono?ref=blackmetalzine.com)
Band: Drawn Into Descent
Album: Onrust
Country: Belgium
Genre: Black Metal
Date: February 27th, 2026
[Onrust, by Drawn Into Descent4 track albumDrawn Into DescentBandcamp New & Notable Jan 5, 2022](https://drawnintodescent.bandcamp.com/album/onrust?ref=blackmetalzine.com)
Band: Echoes of the Moon
Album: Extract
Country: USA
Genre: Atmospheric Post-Black Metal
Date: February 27, 2026
[Extract, by Echoes of the Moon5 track albumEchoes of the MoonEchoes of the Moon](https://echoesofthemoon.bandcamp.com/album/extract?ref=blackmetalzine.com)
Band: Euclidean
Album: Outworn (EP)
Country: Switzerland
Genre: Post-Black Metal
Date: February 27th, 2026
[Outworn, by Euclidean3 track albumEuclideanBandcamp New & Notable Jan 14, 2026](https://euclidean.bandcamp.com/album/outworn?ref=blackmetalzine.com)
Band: Faland
Album: Narbenvolk
Country: Germany
Genre: Black/Death/Doom Metal
Date: February 28th, 2026
[Narbenvolk, by Faland7 track albumFaland](https://faland666.bandcamp.com/album/narbenvolk-2?ref=blackmetalzine.com)
Band: Gewürm
Album: Black Hole Redemption (EP)
Country: Germany
Genre: Black Metal
Date: February 27th, 2026
[Black Hole Redemption, by Gewürm3 track albumCirsium KollektivetBandcamp New & Notable Jul 28, 2025](https://cirsiumkollektivet.bandcamp.com/album/black-hole-redemption?ref=blackmetalzine.com)
Band: Gladium Regis
Album: Quest
Country: UK
Genre: Epic Folk Black Metal
Date: February 27, 2026
[Quest, by Gladium Regis9 track albumDusktoneDeath & Ecstasy](https://dusktone.bandcamp.com/album/quest?ref=blackmetalzine.com)
Band: Hemlokk
Album: Letter to the Buried
Country: UK
Genre: Atmospheric Black Metal, Neofolk
Date: February 27, 2026
[Letter to the Buried, by HEMLOKK7 track albumHEMLOKKagnusmcfife](https://hemlokk.bandcamp.com/album/letter-to-the-buried?ref=blackmetalzine.com)
Band: Imbolc
Album: Sette Cornici di Purificazione
Country: Italy
Genre: Ambient Black Metal
Date: February 27th, 2026
[Sette Cornici di Purificazione, by Imbolc7 track albumMasked Dead Records](https://maskedeadrecords.bandcamp.com/album/sette-cornici-di-purificazione?ref=blackmetalzine.com)
Band: Kommodus
Album: Dreams Of Blossoming Rust
Country: Australia
Genre: Raw Black Metal / Experimental Depressive Raw Black Metal (this release)
Date: February 27, 2026
[Dreams Of Blossoming Rust, by Kommodus6 track albumKommodus𝖒𝖆𝖗𝖗𝖓𝖆](https://kommodus.bandcamp.com/album/dreams-of-blossoming-rust?ref=blackmetalzine.com)
Band: Mek Na Ver
Album: Noctivaga
Country: Italy
Genre: Atmospheric Black Metal
Date: February 27th, 2026
[Noctivaga, by Mek Na Ver7 track albumMasked Dead RecordsWaldmark](https://maskedeadrecords.bandcamp.com/album/noctivaga?ref=blackmetalzine.com)
Band: Necrofier
Album: Transcend into Oblivion
Country: USA
Genre: Melodic Black Metal
Date: February 27th, 2026
[Transcend into Oblivion, by Necrofier12 track albumNecrofierNecrofier](https://necrofier.bandcamp.com/album/transcend-into-oblivion?ref=blackmetalzine.com)
Band: Nocturnal Enchantment
Album: In Her Name I Shall Rise (EP)
Country: Unknown
Genre: Raw Atmospheric Black Metal
Date: February 23rd, 2026
[in her name i shall rise, by Nocturnal Enchantment3 track albumNocturnal EnchantmentacaDamien](https://nctrnlenchntmnt.bandcamp.com/album/in-her-name-i-shall-rise?ref=blackmetalzine.com)
Band: Olhava
Album: Memorial
Country: Russia
Genre: Atmospheric/Post-Black Metal
Date: February 27, 2026
[Memorial, by Olhava8 track albumOlhavaOlhava](https://olhava.bandcamp.com/album/memorial?ref=blackmetalzine.com)
Band: Silver Wings
Album: Hanging Star in the West (Demo)
Country: USA
Genre: Black Metal
Date: February 27th, 2026
[Hanging Star in the West, by Silver Wings3 track albumSilver Wingsolomauc](https://silverwings.bandcamp.com/album/hanging-star-in-the-west?ref=blackmetalzine.com)
Band: Slagmaur
Album: Hulders Ritual
Country: Norway
Genre: Black Metal
Date: February 27, 2026
[Hulders Ritual, by Slagmaur6 track albumSlagmauracaDamien](https://slagmaur-no.bandcamp.com/album/hulders-ritual?ref=blackmetalzine.com)
Band: Tanin'iver
Album: Save The Rest For The Wicked
Country: Australia
Genre: Black/Death
Date: February 25, 2026
[Save The Rest For The Wicked, by Tanin’iver10 track albumTanin'iverBandcamp New & Notable Jul 28, 2025](https://taniniver.bandcamp.com/album/save-the-rest-for-the-wicked?ref=blackmetalzine.com)
Band: Vallananastaja
Album: Noitatulet
Country: Finland
Genre: Black Metal
Date: February 23rd, 2026
[Noitatulet, by VALLANANASTAJA11 track albumVALLANANASTAJABandcamp New & Notable Mar 23, 2025](https://vallananastaja.bandcamp.com/album/noitatulet?ref=blackmetalzine.com)
Band: Vide
Album: Aux Enfants des Ruines
Country: France
Genre: Black Metal
Date: February 27, 2026
[Aux Enfants des Ruines, by Antiq7 track albumAntiqNocturnal Egg (Jordan)](https://antiqofficial.bandcamp.com/album/aux-enfants-des-ruines?ref=blackmetalzine.com)
## Your thoughts on this newsletter.
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## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Wruen - Waves (2026)
URL: https://blackmetalzine.com/review-wruen-waves-2026/
Last updated: 2026-07-16T17:15:47.000Z
**Band:** Wruen
**Album:** Waves
**Genre:** Black Metal / Atmospheric Black Metal
**Country:** Finland
**Label:** Independent
## Introduction:
Emerging from the frozen landscapes of Jyväskylä, Wruen is a one-man black metal project that recently pierced the underground with its debut full-length, Waves. While the identity behind the project remains largely shrouded in the cold Finnish mist, the music speaks with a terrifying clarity.
Track Listing:
1. Alkoi aikansa
2. Messiah of Madness
3. Varjossa porttien
4. Winter's Breath
5. Tuhkankulkija
6. Waves
## The Album:
Wruen’s debut, Waves, is a wretched exploration of disharmonic shreddery. While the chord structures evoke the evil atmosphere of early Tenebrae in Perpetuum, the architectural complexity here is far more advanced. Unlike that Italian influence, Waves keeps the spirit of traditional Finnish Black Metal front and center. It is a masterclass in movement, mostly confined to narrow ranges that rely on nasty, dissonant chord resolutions and half-step alterations to build and release tension like a strobe light. To visualize this sound, imagine extracting the DSBM elements from Afsky’s Ofte jeg drømmer mig død, cranking up the tempo, and making it darker and more melodic without sacrificing atmosphere. Packaged in a hideous onslaught of Finland’s signature chromatic riffing and cyclical minor chords, the result is designed to rip the listener’s feet off the ground and engulf them in a tornadic hailstorm. Waves is a pleasant reminder of how new music can feel familiar yet entirely original. The vocals bear a striking resemblance to the tortured delivery on the aforementioned Afsky record (or perhaps the harshness of Paara), but the songwriting moves at a significantly faster pace. The drumming and overall composition are equally impressive, providing a constant barrage of unforgiving battery. It would be inaccurate to call this record "heavy." Instead, the first word that comes to mind is hideous in all the right ways. Listening to Waves is like exposing one's consciousness to a rotating column of granulated hailstones. It elevates the emotions like a wind-sail gracefully ripped from the earth, only to be shredded by a blizzardly cataclysm. The opening track, and my personal favorite, "Alkoi aikansa," perfectly captures this aesthetic. There is no room for traditional headbanging here; the music demands a rhythmic, lateral movement that follows the stampede of snare hits, feeling less like a groove and more like being electrocuted. The contrast between the guitars, drums, and vocals is exceptional. It packs every necessary ingredient to justify raising a "kvlt claw" toward the sky. Wruen has delivered a deluge of particles, a tree-shredder of an album that consumes everything in its path.
## Conclusion:
Each time I put this record on, I find it to be a euphoric, thrilling ride. While the introduction is incredibly strong, the energy eventually tapers off into a more atmospheric style of Black Metal. Though it still captures the mood, much of the album offers less cathartic intensity than the opening track, feeling more "soothing" in the way faster-paced atmospheric metal tends to be. That said, my second favorite song, "Varjossa porttien," is easily one of the strongest tracks. It features several head-turning moments that rival the grip of the first song, staying relentless until the clean guitar break. The shift in intensity isn't a negative; the entire record remains thoroughly captivating. It is perfect for horror-themed drawing and writing, or simply for listening on repeat. I give this an 8.5/10\. The first song has timeless replay value, and I have frequently found myself looping the entire album since its release.
BMZ Rating: 8.5/10
## Your thoughts on this review.
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### Review: Darklore - The Great Elven War (2026)
URL: https://blackmetalzine.com/review-darklore-the-great-elven-war-2026/
Last updated: 2026-07-16T17:15:48.000Z
**Band:** Darklore
**Album:** The Great Elven War
**Genre:** Symphonic Black Metal
**Country:** Australia
**Label:** Independent
**Released:** February 20, 2026
## Introduction:
Hailing from the humid shadows of Brisbane, Australia, Darklore has spent the last decade carving out a niche as the southern hemisphere’s premier purveyors of Blackened Fantasy Metal. Since their 2013 formation, the trio composed of Raiven Dark (Guitar/Vocals), Hargoth (Bass/Vocals), and Luna (Guitar), has evolved from a raw, underground entity into a symphonic powerhouse. After making waves with their 2019 debut, The Evil of Man, and supporting heavyweights like Insomnium on tour, the band has finally unleashed their most ambitious work to date: The Great Elven War, a seventy-minute, high-fantasy odyssey.
Track Listing:
1. The Hunting Grounds
2. Descendants of the Pale Moon
3. The Beast of Beauclair
4. Servants of Sauron
5. The North Remembers
6. Horns of the Buffira
7. The Great Elven War
8. Wrath of the High Heavens
## The Album:
While the band’s foundation is clearly rooted in the early hours of 90s symphonic black metal, think Enthrone Darkness Triumphant-era Dimmu Borgir or the gothic flair of early Cradle of Filth, Darklore leans harder into world-building than their predecessors. The album functions as a sprawling anthology of high-fantasy lore. "Servants of Sauron" is a mid-tempo, martial anthem that captures the crushing inevitability of the Nazgûl, featuring a commanding narration that would make Tolkien proud. Meanwhile, "The Beast of Beauclair" dives into the world of The Witcher, shifting from aggressive, frostbitten riffs to haunting melodic passages that reflect the duality of Geralt’s world. What truly elevates this record is the interplay between Luna’s soaring guitar leads and the dense, orchestral arrangements. The ten-minute centerpiece, "The Great Elven War," showcases a band that has mastered the art of the long-form narrative, weaving motifs that feel more like chapters in a novel than standard song structures. The finale, "Wrath of the High Heavens," based on Blizzard’s Diablo universe, ends the journey with a blistering display of blast beats and apocalyptic atmosphere.
## Conclusion:
Admittedly, a 70-minute runtime is a big bite to chew for the casual listener, but for fans of Bal-Sagoth or Summoning who crave a cinematic experience, it is an essential listen. Darklore hasn’t just made an album; they’ve built a world. It is a triumphant, uncompromising statement that proves Brisbane is home to one of the most creative forces in modern extreme metal.
BMZ Rating: 9.5/10
## Your thoughts on this review.
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### Review: Ulvehyrde - Dødsdømt (2025)
URL: https://blackmetalzine.com/review-ulvehyrde-dodsdomt-2025/
Last updated: 2026-07-16T17:15:49.000Z
**Band:** Ulvehyrde
**Album:** “Dødsdømt”
**Genre:** Black Metal
**Country:** Norway
**Label:** Solistitium Records
**Released:** October 31st, 2025
## Introduction
“Dødsdømt” is Ulvehyrde’s 2nd full-length and 1st via the newly returned german label, Solistitium Records. This is Norwegian black metal at its finest, from musicians that grew-up in this special environment, that breathe the atmosphere and influence. If you, like me, believe that there is no Black Metal like Norwegian Black Metal, this one is for you.
Track list:
1\. Merraflåer
2\. Jammerdalen
3\. Dødsdømt
4\. Dårekisten
5\. Barnedrap
6\. Fanitullen
7\. Morder
8\. Rekviem
## The Album
Norwegian Black Metal is a special type of Black Metal. It has its own… structure and atmosphere, d’you know what I mean?! It is hard not to appreciate whatever comes out from the Norwegian scene, and this album is no exception. Beastcraft, Vulture Lord, Urgehal, Den Saakaldte, etc., are some of the bands that “lent” their musicians so that we could have this piece of musical nightmare… a good one. I would not call it a supergroup, but at least a selective-group-of-friends could suit the sound, right?
Musically speaking, it has Norwegian DNA, no doubt about it. It has this atmosphere, this almost avant-garde sound! Nonetheless, it sounds Norwegian; that is a bloody fact. “Rekviem,” however, has a rock and roll soul. Pace-wise, the band opted for a mid-pace Black Metal sound, different from the aggressive attitude we have—had? In Urgehal, where the vocals go from growls to almost shamanic invocations. “Merrafl” is the perfect introduction to this record, as it sets the mood for the majority of the tunes: mid- to slow-paced black metal, dark atmosphere, dragging vocals, and cutting riffs.
The album has a “true Norwegian Black Metal” sound, focusing on dark atmosphere, chilling riffs, and a “primitive” yet well-produced tone. It is not considered groundbreaking, but rather a masterclass in the genre's fundamentals. The production is organic, clear, and powerful, avoiding the overtly lo-fi sound for a more professional yet cold atmosphere. Vocals are harsh, with sparse, effective use of female vocals. There is an overall scent of Death, and Closure, that spreads throughout the 8-tracks that compose the band’s release, and the listener is invited to walk side-by-side with Mortality and The End of all things. An almost apocalyptic perspective, right?!
## Conclusion
As stated earlier, “Dødsdømt” is an excellent release, “branded” by experienced musicians that proudly carry the sound of the one true Black Metal birthplace (hate me for that). I am certain we will hear more, and even better, from this Norwegian entity. Ulvehyrde has come to stay.
BMZ Rating 7/10
## Your thoughts on this review.
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### Review: Woe Bather - Swallowed by the Chains of Spirit Loss (2025)
URL: https://blackmetalzine.com/review-woe-bather-swallowed-by-the-chains-of-spirit-loss-2025/
Last updated: 2026-07-16T17:15:49.000Z
**Band:** Woe Bather
**Album:** Swallowed by Chains of Spirit Loss
**Genre:** Atmospheric Black Metal
**Country:** United States
**Label:** Independent
**Released:** April 30, 2025
## Introduction:
The American black metal underground has a habit of producing projects that feel like they belong to the soil they sprout from. For The Hermit, the mastermind behind Texas-based Woe Bather, that soil is a mixture of sun-scorched earth and ancient, spectral folklore. Since the project’s inception, Woe Bather has toyed with the boundaries of Depressive Atmospheric Black Metal, but their 2025 offering, Swallowed by the Chains of Spirit Loss, is the moment the training wheels are burned to ash. This isn't just a collection of songs; it’s a 70-minute excavation of the soul, a sprawling, cinematic descent into the kind of loneliness that feels both cosmic and claustrophobic.
Track Listing:
1. Swallowed by the Chains of Spirit Loss
2. Witching Meloncholic Majesty
3. La Llorana Howl to Me
4. Amidst the Fog of La Lechuza's Dawn
5. As the Hermit Weeps Alongside the Resaca
6. Wound Worship: A Moonlight Brujeria
7. Una Offenda a tu Nombre
## The Album:
Sonically, Swallowed by the Chains of Spirit Loss bridges the gap between the raw, lo-fi urgency of early 2000s USBM and the grandiose, melodic sweep of the Quebecois scene. The production on this record marks a significant evolution from earlier releases. It retains a layer of frost and grime, but the drums now possess a cavernous depth that anchors the swirling, frostbitten guitars. The title track opens the floodgates with a twelve-minute movement of mournful tremolo picking and a vocal performance that sounds like a man being dragged through gravel. However, it’s the album's middle section where this album truly shines. Tracks like “La Llorona Howl to Me” integrate haunting, non-traditional elements, sparse accordion passages, and whispered Spanish incantations that elevate the record beyond simple genre tropes. The Hermit’s songwriting thrives on repetition and gradual shifts. Each track is an endurance test; the riffs don't just play, they haunt, cycling through minor-key melodies until the listener is fully submerged. By the time you reach the closing opus, “Una Ofrenda A Tu Nombre,” the aggression of the blast beats has melted away into a hollow, acoustic-led melancholy, leaving you standing in the middle of a desolate, spiritual wasteland. It is a record that demands you sit with your ghosts, offering no easy exits or upbeat crescendos.
## Conclusion:
With this release, Woe Bather has transcended the one-man project stigma. Swallowed by the Chains of Spirit Loss is an ambitious, punishing, and surprisingly beautiful achievement in atmospheric black metal. It is a testament to the idea that true black metal doesn't just need to be fast or “evil”, it needs to be honest. This is a cold, starving record that will likely stand as a landmark for the genre as a whole. For those who find comfort in the shadows, these chains are a welcome burden.
BMZ Rating: 9/10
## Your thoughts on this review.
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### The Infernal Records: Week 08
URL: https://blackmetalzine.com/the-infernal-records-week-08/
Last updated: 2026-03-02T15:15:22.000Z
The Infernal Records: Week 08 is out! Dive into our curated list of essential Black Metal releases from the last week.
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Ædel Fetich
Album: S/T
Country: Denmark
Genre: Avant-Garde Black Metal / Black/Punk
Date: February 20, 2026
[Ædel Fetich, by Ædel Fetich8 track albumÆdel Fetichmattpikesnippel](https://aedelfetich.bandcamp.com/album/del-fetich?ref=blackmetalzine.com)
Band: Bizarrekult
Album: Alt som finnes
Country: Norway
Genre: Black Metal
Date: February 20th, 2026
[Alt Som Finnes, by Bizarrekult8 track albumBizarrekultJesus Popcornius](https://bizarrekult.bandcamp.com/album/alt-som-finnes?ref=blackmetalzine.com)
Band: Daidalos
Album: Dante
Country: Germany
Genre: Symphonic Black Metal / Symphonic Black/Death
Date: February 20, 2026
[Dante, by Daidalos13 track albumDaidalosBandcamp Album of the Day Feb 14, 2019](https://daidalosmusic.bandcamp.com/album/dante?ref=blackmetalzine.com)
Band: Darklore
Album: The Great Elven War
Country: Australia
Genre: Symphonic Black Metal / Symphonic Blackened Death
Date: February 20, 2026
[The Great Elven War, by Darklore8 track albumDarkloreBandcamp New & Notable Jul 6, 2023](https://darklore.bandcamp.com/album/the-great-elven-war?ref=blackmetalzine.com)
Band: Diabolus, Mecum Semperterne!
Album: S/T
Country: Norway
Genre: Atmospheric Black Metal
Date: February 20th, 2026
[Gratias agamus domino infero deo nostro, by Diabolus, mecum Semperternetrack by Diabolus, mecum SemperterneTERRATUR POSSESSIONS0x5041594f](https://terraturpossessions.bandcamp.com/track/gratias-agamus-domino-infero-deo-nostro?ref=blackmetalzine.com)
Band: Domhain
Album: In Perfect Stillness
Country: UK
Genre: Atmospheric Post-Black Metal / Shoegaze
Date: February 20, 2026
[In Perfect Stillness, by Domhain5 track albumDomhainbmurator](https://domhain-band.bandcamp.com/album/in-perfect-stillness?ref=blackmetalzine.com)
Band: Dystopia
Album: Geen Weg Uit
Country: Netherlands
Genre: Black Metal
Date: February 20, 2026
[Geen Weg Uit, by Dystopia8 track albumDystopiaMetallurgical Fire](https://dystopianl.bandcamp.com/album/geen-weg-uit?ref=blackmetalzine.com)
Band: Dusk
Album: Bunker
Country: Costa Rica
Genre: Industrial Black Metal, Industrial
Date: February 20th, 2026
[BUNKER, by Dusk7 track albumDuskBandcamp New & Notable Feb 23, 2025](https://duskvt.bandcamp.com/album/bunker?ref=blackmetalzine.com)
Band: Galibot
Album: Euch’Mau Noir bis
Country: France
Genre: Black Metal
Date: February 20th, 2026
[Euch’Mau Noir bis, by Galibot8 track albumGalibot](https://galibot.bandcamp.com/album/euchmau-noir-bis?ref=blackmetalzine.com)
Band: Heidnir
Album: Der kosmische Tanz
Country: Austria
Genre: Black Metal with Folk Influence
Date: February 21, 2026
[Der kosmische Tanz, by Heidnir10 track albumHeidnirBandcamp Album of the Day Feb 13, 2026](https://dunkelheitblackmetal.bandcamp.com/album/der-kosmische-tanz?ref=blackmetalzine.com)
Band: Incandescence
Album: Hors temps
Country: Canada
Genre: Black Metal
Date: February 20th, 2026
[Hors Temps, by INCANDESCENCE7 track albumIncandescencegoldgun959](https://incandescenceband.bandcamp.com/album/hors-temps?ref=blackmetalzine.com)
Band: Irrseele
Album: Sorge & Sehnsucht (EP)
Country: Atmospheric Black Metal
Genre: Black Metal
Date: February 22nd, 2026
[Sorge & Sehnsucht, by Irrseele4 track albumIrrseeleMilo Bloom](https://irrseele.bandcamp.com/album/sorge-sehnsucht?ref=blackmetalzine.com)
Band: Lokabrenna
Album: Acephalic Apocrypha
Country: Iceland
Genre: Black Metal
Date: February 22th, 2026
[Acephalic Apocrypha, by Lokabrenna4 track albumLokabrennaBandcamp New & Notable Mar 6, 2017](https://lokabrenna.bandcamp.com/album/acephalic-apocrypha?ref=blackmetalzine.com)
Band: Merculistarya
Album: Áradó fájdalom a tűnődés medrében
Country: Hungary
Genre: Black Metal
Date: February 20, 2026
[MERCULISTARYA: ”Áradó fájdalom a tűnődés medrében”, by MERCULISTARYA7 track albumMetal Ör Die Rex](https://metalordierex.bandcamp.com/album/merculistarya-rad-f-jdalom-a-t-n-d-s-medr-ben?ref=blackmetalzine.com)
Band: Misotheist
Album: De Pinte
Country: Norway
Genre: Black Metal / Black/Death
Date: February 20, 2026
[De Pinte, by Misotheist4 track albumTERRATUR POSSESSIONSObsidian One](https://terraturpossessions.bandcamp.com/album/de-pinte?ref=blackmetalzine.com)
Band: Mortis Mutilati
Album: Death Worshipers
Country: France
Genre: Black Metal
Date: February 21th, 2026
[Death Worshippers, by Mortis Mutilati9 track albumMortis MutilatiBandcamp New & Notable May 9, 2025](https://mortismutilati.bandcamp.com/album/death-worshippers?ref=blackmetalzine.com)
Band: Nazghor
Album: A World Ablaze
Country: Sweden
Genre: Black Metal
Date: February 20th, 2026
[A World Ablaze, by Nazghor9 track albumNazghorhellawaits123433](https://nazghor.bandcamp.com/album/a-world-ablaze?ref=blackmetalzine.com)
Band: Nelagodnost
Album: Seelenflucht (EP)
Country: Austria
Genre: Black Metal
Date: February 20th, 2026
[Seelenflucht, by Nelagodnost2 track albumNelagodnostBandcamp Album of the Day Feb 13, 2026](https://nelagodnost.bandcamp.com/album/seelenflucht?ref=blackmetalzine.com)
Band: Philosophy of Misanthropy
Album: Demonstration Against Humanity (EP)
Country: Brazil / Austria
Genre: Black Metal
Date: February 16th, 2026
[Demonstration Against Humanity, by Philosophy Of Misanthropy4 track albumPhilosophy Of Misanthropy](https://philosophyofmisanthropy.bandcamp.com/album/demonstration-against-humanity?ref=blackmetalzine.com)
Band: The Magus
Album: Daemonosophia
Country: Greece
Genre: Black/Heavy Metal
Date: February 20th, 2026
[Daemonosophia, by THE MAGUS10 track albumNECROMANTIA / THE MAGUSBandcamp Album of the Day Feb 13, 2026](https://necromantiathemagus.bandcamp.com/album/daemonosophia?ref=blackmetalzine.com)
Band: Trespasser
Album: יְהִי אוֹר
Country: Sweden
Genre: Black Metal / Epic/Folk Black Metal
Date: February 20, 2026
[יְהִי אוֹר, by TRESPASSER7 track albumPest ProductionsBandcamp New & Notable Jun 3, 2023](https://pestproductions.bandcamp.com/album/--22?ref=blackmetalzine.com)
Band: Unmother
Album: State Dependent Memory
Country: UK
Genre: Post-Black Metal
Date: February 20, 2026
[State Dependent Memory, by Unmother6 track albumUnmotheracaDamien](https://unmother.bandcamp.com/album/state-dependent-memory?ref=blackmetalzine.com)
Band: Уводь (Uvod)
Album: Делириум
Country: Russia
Genre: Atmospheric Black Metal
Date: February 20, 2026
[Делириум, by Уводь9 track albumУводьBandcamp Album of the Day Feb 13, 2026](https://uvod.bandcamp.com/album/--4?ref=blackmetalzine.com)
Band: W.E.B.
Album: Darkness Alive (Live Album)
Country: Greece
Genre: Symphonic Black Metal
Date: February 20th, 2026
[Darkness Alive, by W.E.B.9 track albumW.E.B.Bandcamp New & Notable Mar 29, 2016](https://webdarkmetal.bandcamp.com/album/darkness-alive?ref=blackmetalzine.com)
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### Review: Nordlys - Lichterglanz Finsternis (2026)
URL: https://blackmetalzine.com/review-nordlys-lichterglanz-finsternis-2026/
Last updated: 2026-07-16T17:15:50.000Z
**Band:** Nordlys
**Album:** Lichterglanz Finsternis
**Genre:** Black Metal
**Country:** Germany
**Label:** Solistitium Records
**Released:** 27th of February 2026
## Introduction
**NORDLYS** is a German black metal band from the first wave of black metal in Germany. The band was founded in 1994\. After striking a record deal with renowned German label Solistitium Records, the album 'Lichterglanz Finsternis' will be released on LP (vinyl), Digi-CD, and digitally on the 27th of February 2026\. Two pre-singles are done, backed up by videos (Solistitium Records).
## Lichterglanz Finsternis
Tracklist:
1. Heimgang
2. Wolf
3. Wilde Natur
4. Night!
5. Monument der Tränen
6. Totenweihe
7. Disobey the One
8. Northern Lights
## The album
Lichterglanz Finsternis starts with Heimgang, immediately transporting the listener back to the golden era of German Black Metal. The atmosphere is thick with a melancholic gloom, driven by the kind of mournful riffing and subtle synth layering that defined early Nargaroth. It’s a moody, well-crafted introduction that sets a high bar for the rest of the record. The momentum shifts with the second track, a standout piece that masterfully bridges the gap between blistering tremolo-picked assaults and haunting, slow-tempo interludes. What truly elevates the experience, however, is the vocal delivery. Eschewing the typical high-pitched shrieks for a deeper, more resonant growl, the performance feels grounded and powerful, a refreshing change of pace for those of us who prefer grit over histrionics. While the album’s DNA is clearly intertwined with the legacy of Nargaroth, to the point where certain riffs feel like a direct nod to “Seven Tears are Flowing to the River” it never feels like a cheap imitation. Instead, it serves as a high-caliber tribute to a specific lineage of Teutonic darkness. In an era where the genre is increasingly diluted by “post-Black” experimentation and shoegaze sensibilities, Lichterglanz Finsternisis a defiant return to form. There are no gimmicks here; just straight-up, emotionally charged black metal that respects the old guard's song structures. A top-tier recommendation for the purists.
## Conclusion
If you enjoy early- to mid-nineties German sound, this album will definitely pick you up. Great songwriting and great riffs. However, if you like a more modern approach or sound, it's not going to be for you, I think. As a last remark, I really love the artwork.
BMZ Rating: 7.5/10
### Live Review: Reaper Festival (2026)
URL: https://blackmetalzine.com/live-review-reaper-festival-2026/
Last updated: 2026-02-27T15:13:28.000Z
## Introduction
Manchester, a city symbolised by the bee. Well for this weekend it was a different kind of B; blast beats, beer, and non stop black metal. Honestly, what better way could there possibly be to spend Valentine’s weekend?
Whilst the mostly back-lighting and heavy use of smoke meant my photos left a little to be desired - I barely saw a drummer or a kit all weekend due to these conditions. Fortunately the quality of my photographs does not represent the quality of this amazing festival, with 15 superb acts lined up for a memorable weekend at Rebellion, Manchester.
## Day One
The first day consisted mostly of unfamiliar bands to myself, so I chose to dive in blind and skipped checking out those I didn’t know ahead of time so I could fully embrace and experience them without knowing what to expect and just enjoy the pure discovery element that comes with festivals.
Whilst I was mildly hungover from the Friday night pre-fest drinks session a dozen coffees and some hearty food set me up ready for the festival to begin.
## Vestia
Vestia took to the stage and wasted no time blasting away the hangover and kicking off the festival.
A relatively new band to the scene, based in London they lend themselves to the themes of Greek mythology - always a great topic to explore and create art from.
With a couple guitar solo laden tracks and brilliantly performed harsh vocals they got the whole crowd awake and headbanging along. A truly spectacular opener that impressed me right off the bat and set the bar high for the rest of the weekend.
Their set was interspersed with a couple slower paced sections with spoken word and clean vocals which were captivating and showed great versatility in their musical ability.
## Lunar Mantra
The stage was bathed in pale blue light as the backing track played some ambience with an air of mystery.
Immediately this was juxtaposed by the Glaswegian act as a dense wall of muddy and oppressive sound - with harsh deep vocals cutting through like a sharp razor. The occasional throat singing that was incorporated was such an interesting touch.
The six string bass being finger plucked to the pace of the blast beats was a sight to behold, and you could feel the result rattling through your bones.
Watching this performance felt akin to a weight crushing you down into the floor. It was intense and did not let up throughout the entire set.
## Swords of Dis
The first of our special performances for Reaper Festival this weekend was the live debut of Swords of Dis - a blackened doom band from Birmingham.
A font of blood, a set of skull topped scales for some mise-en-scène, with the heavy scent of incense and thick smoke they were completely bathed in red light to establish their thematic presence. It was an atmosphere that demanded attention, and from looking around at the audience they absolutely achieved that.
The ethereal vocals were mesmerising but unfortunately getting lost in the mix of the chugging guitars from where I was standing. I would have certainly liked to hear them more clearly, however it gave me a great reason to go and check out their work.
Towards the end of the set the singer drenched herself in the blood of the font, a macabre spectacle that capped off their enchanting theatrical performance.
## Imperial Demonic
A melodic black metal band that I am very familiar with, Imperial Demonic hail from Belfast, Northern Ireland and wear their Dark Funeral influences on their sleeves. I’ve seen these guys a couple times and they’ve always been a delight in the past, and this was no exception.
Whilst there was no bass this time and instead we had a backing track filling the spot, it was a non stop high energy performance dominated by great stage presence. Andy on vocals was on top of his game as he went all out on crowd interaction, leaning out into the crowd to scream at their faces and crawling over the stage it was a delight to watch.
The full band played amazingly with a very tight set, and it was a huge amount of fun to watch. Finishing with The Furnace, their fiery performance glowed with passion and as a result it remained a highlight of the weekend.
## Äera
Our first international act, Äera are an atmospheric black metal act from Germany who brought with them a great expertise. Between the venomously sharp vocals and the clear, strong instrumentation, their set was expertly played.
Featuring a great blend between a more languid pace at times with changes to incorporate headbanging moments with deliberate speed - the performance ebbs and flows between pace so naturally like a gentle stream of water picking up pace to create a treacherous set of rapids.
## Naxen
Our second set of Germans set up on the stage, but with an entirely different energy. Their relentless bombardment of beats had the full crowd headbanging along in perfect synchronicity.
Melancholic tones of a funerary dirge combined with a whirlwind of pure fury made for a highly enjoyable performance full of high energy, and was another favourite of the day that left me speechless.
## Barshasketh
A band that should need no introduction after their fantastic album *Antinomian Asceticism* released at the start of last year. As expected they carried a strong and impressive presence on stage with an incredibly heavy and rich sounding set.
The abyssal vocals reverberated around the venue leaving the sonic scourge ringing through the crowds ears. Combined with solid riffs and nigh on relentless blast beats, they did not give the audience even a moment of silence going as far as letting the feedback loudly hum through the amps between songs.
## Krypts
Our headliner for day one is Lovecraft inspired Finnish death/doom band Krypts.
Though their sound check did take longer than anyone else's (leaving a member of the crowd to cheekily yell the pun “are you Finnished yet”) they eventually got started.
Delivering a slow and oppressively heavy soundscape, it had an immense sense of doom as the low tuned crushing riffs loudly dominated the scene, shaking the venue with each gradual strum.
Unfortunately their harsh death style vocals, whilst impressive did not do much for me as it is never a style I’ve been able to get to grips with. I will however of course assign them the mandatory bonus points for the Ibanez Iceman guitar, as I always do.
---
And with that, day one was over. A nightcap and some fried chicken finished our group off for the night, being wary that we didn’t want to be too hungover for the impressive lineup of day two.
---
## Day Two
For me this was a fully stacked lineup for the day where there would be no respite. There wasn’t a single band that I didn’t want to catch, and was familiar with all of them ahead of the announcement so after a good nights sleep, a clear mind, and another dozen coffees in me, I was ready to go.
## Evil Dungeon Crawler
The caped crusader who has a goal of introducing black metal to a new generation stepped up to the stage to welcome us all to a second day of pure black metal.
I wasn’t sure what to expect from them, with the slightly meme-like name and the demo-like raw quality of released content I’ve heard previously I went in morbidly curious, and I was pleasantly surprised with a solid act of enthralling black metal who even played a great tribute to Bathory.
A solid opener to get the crowd ready - though perhaps their repeated attempts at crowd interaction fell on slightly hungover and still waking up minds - by the end of their set it paid off as the crowd fist pumped along on their final song and had everyone eager.
I do admit that there was something mildly amusing about hearing "we are from Newcastle upon Tyne” growled out in a black metal style, but nonetheless a great show from them.
## Dreich
A band I am incredibly familiar with of course, having covered them multiple times with BlackMetalZine - this DSMB band from Aberdeen are a rising name in the British Black Metal scene who just toured Poland.
However, there is a noticeable difference today for those familiar with Dreich, as they booted out their singer following the Poland tour and have yet to find a full time replacement.
As a result, their set was reliant on backing vocals from both guitarists which consisted of just growls of pure anguish - which if anything only added to their themes of despair and loneliness and really fitted their DSBM vibes. I bet if you didn't know Dreich prior the first half of their act probably just made sense as they were and this was their thing.
Their lack of vocals also portrayed just how solid their instrumentation was, with the rest of the band ensuring their altered performance went as smooth as butter.
For the final two tracks we were treated to lead vocals returning, as Elegy, the singer from Vestia joined on stage to a great response from the crowd and put on an amazing show and portrayed a great performance as a temporary front man for the remainder of the set.
With an abrupt and sudden ending, their set was over and the background music started once again as I readied myself for another band I was incredibly familiar with.
## Ofnus
“Emma, has it really been two weeks already?” yelled Alyn as they prepared for their set. This Welsh delight that I travelled 300 miles to see just a fortnight ago was back on the stage in front of me and I was eager for more.
Opening with *Burned by the Soul of the Moon*, right from the get go their incredible performance had the whole crowd encaptured with their dulcet melancholia. I couldn’t help but look around to see the whole crowd headbanging and being enthralled as their more aggressive and wrath filled track *Throes of Agony* was executed to a ferocious pace.
The bass lines really shone through even when Richard was practically punching them out in a vicious manner, not to mention the as always impeccable drumming**.**
The new song I mentioned in my last review, *Lamentation for a Life Regrettable* was performed again, however under the new name - *Beddgelert* better fitting the tragic tale that the song is based upon.
Wrapping up with *Grains of Sand* and the ever impressive *Zenith Delour*, Ofnus absolutely nailed their set that blew past all expectations and proved their confidence upon the stage with Brendan now full time on vocal duty.
## Blood Countess
Taking to the stage and all facing the back wall in absolute silence the crowd waited with baited breath for a performance of high expectations. The illusion was slightly shattered as guitarist István turned around to yell "INTRO!" to prompt the sound guy causing some laughs from the band and crowd.
Whilst drenched in sanguine light, they began with the lead single *Chains of Misdeed* off their upcoming album *Imperatrix Sanguinis.* Nina The Cuntess made herself known with savagely demonic vocals and a strong domineering stage presence.
Tearing through the set at breakneck speed, the band were locked in with blistering guitar work and effortless technical drumming.
## Hecate Enthroned
The Melodic/Symphonic legends of the British scene were up next, having just celebrated 30 years of black metal last year and on the verge of their first album in 7 years.
They maintained their highly melodic sound even without a keyboardist who apparently was off on holiday somewhere. The dual vocal styles of deep growls and higher shrieks were incredibly impressive to behold, switching so effortlessly between them.
Speaking of vocals, we were also graced with the presence of their former singer Dean who joined on stage to sing *Perjurer* off their 1999 album *Kings of Chaos*, culminating in big hugs from the band as he left the stage to a thunderous round of applause.
Another band debuting live songs as *Deathless in the Dryad Glade* was an exclusive live debut for Reaper Fest off their new album *The Corpse of a Titan, A Lament Long Buried* releasing at the end of May.
This new song slowly built up tension before crashing in with the unstoppable force of a freight train, it was unyielding and brimming with raw fury.
They closed out with *The Pagan Swords of Legend* and overall I was thoroughly impressed with their performance, it truly established why they’ve remained firmly in the scene for three decades.
## Abduction
This was the show I anticipated the most out of the entire festival, and let me tell you right now, it did not disappoint. A ten year anniversary set of deep cuts and rarities from their back catalogue, many of which had never been performed before.
Not only was the setlist of this a thing to behold, but the entire show was a pure spectacle that reminded you why Abduction are at the top of the UKBM scene right now.
Throughout their set, Abduction were a vicious sound evil incarnate. The heavily compressed and reverberated vocals of AV were like a corruption coursing through your veins. However he was not without respect for the audience themselves, as he humbly stopped to praise the full crowd that stood before him.
As for stage theatrics, we had the return of the skull being brought out for a song Hamlet style, but we also got a sword drawn and dramatically pointed over the crowds head and energetically plunged down into the stage to lean against.
Elegy from Vestia also joined once more as a guest singer, truly proving his upcoming place in the black metal scene as both him and AV cloaked in black shared vocal duty - ending their duet with high mutual respect from one another.
I’ll be completely honest here - this should have been the finale as even at the time I had no idea how this incredible act was to be followed up.
## The Spirit
Our finale for the weekend was also a fly in act also from Germany, perhaps there was a discount on the flights to the UK that weekend. As they set up (and even asked for front lighting, the only band of the weekend to do so!) the crowd eagerly awaited the headline act to top off this fantastic festival.
The guitar talent shone throughout with solid riffs and solos, and the rest of the band were like a well oiled machine as everything sounded as if it was off a studio album.
Their singer, MT highlighted how he prefers these club level shows in comparison to playing larger festivals such as Bloodstock last year - something I think most musicians and fans alike would agree on, as it’s such a great level of intimacy that you get in smaller venues.
They rattled through songs off all four albums, with *Illuminate the Night Sky* being a personal highlight not only to hear but for the atmosphere of the crowd as it fully energised the room.
They finished off with *The Clouds of Damnation*, profusely thanked the crowd, and with that departed the stage as the crowd dispersed to the streets of Manchester - just in time for the heavens to open and for us to get absolutely soaked. Classic Britain.
## Conclusion
As my first Reaper Fest, this was a true delight and it’s a shame I couldn’t make it down to Manchester on previous years for it as the dates just never quite lined up for me.
From the absolutely flawless running of the event by the crew, to each band that played a superb show, and of course to every member of the crowd - it was just such a great vibe for the entire weekend and I wouldn’t have changed a thing.
Of course I’ll be at future Reaper Agency shows, such as Fortress Festival in Scarborough in May - something that has remained a highlight every year since it began in 2023\.
Also just announced is the Tynebound festival taking place in Newcastle in September, whilst only four bands have been announced so far (Moonlight Sorcery, Inferno, Cnoc An Tursa, & Aristarchos) I had no hesitation in getting a ticket ready for what I’m sure will be just as good or even better than this weekend was.
## Your thoughts on this live review.
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## Unleashing the Darkness Within
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### Interview: Bizarrekult (2026)
URL: https://blackmetalzine.com/interview-bizarrekult-2026/
Last updated: 2026-08-03T07:10:12.000Z
**Latest album:** Alt Som Finnes
**Genre:** Black Metal
**Country:** Norway
**Label:** Season of Mist Productions
**Released:** February 20th, 2026
**Hey mate! thanks heaps for joining me today, whereabout’s are you in the world right now?**
Thanks! Just came back home, it is a beautiful snowy day in Trondheim. All good.
**How did Bizarrekult as a project start back in the day, I'm curious where the name comes from?**
Right. It was autumn 2005 when I decided that I was to start my own project (I have been in bands with others before that) and the name was just the idea I had in mind, partially based on the internet nickname that I had used for some years back then (Bizarre)
**How has the project changed since you started alone back in the early 2000s? I’d have to imagine the full line up aspect would have changed it yeah?**
I haven’t been very active in the first years. Two demo records in early 2006 and 2007, and then I got a line-up in Bergen in 2009, but we did not make it to recording or playing live. Life has been too demanding to do music at that time. So I haven’t done anything music related for roughly 10 years! And still, it was a home-based project until I got a live band at the end of 2021 already after the first LP “Vi Overlevde” came out, and we have been playing in different cities in Norway and abroad since then!
**What can fans expect from your new release in terms of sound/vibe? The couple of tracks that have been released so far sound great**
Thank you! I think the new album is more “black metal” than the previous one. Faster tracks, some cool guitar riffs, raging vocals. But of course with my personal approach - art (and music is art) has to be beautiful, regardless of what shape it takes. So there are quite many emotional moments, very personal.
**How did you tee up the guest vocals from dodheimsgard/predatory void? Are these bands you’d played with or was this just you making friends with people online? And eitherway how do you feel about the collaboration that happens more often nowadays with guest vocalists/guitarists popping up on albums?**
Yusaf from DHG and Kim from MØL I know personally and met a number of times, but with Lina from Predatory Void I have only been interacting online. I think it is all about organic interaction. For me it has to feel right and appropriate. I can’t really comment on other bands, some do it with friends, some probably with commercial aims in mind, but I guess it is anyway easier to make something with someone you have never met in real life these days thanks to the internet and so on.
**What are you trying to achieve with new albums do you think? In terms of pushing boundaries of your writing or trying to nail down your sound. What goals did you have going into this latest album?**
To be honest I had no goals. It just had to sound right. I had to be done because words have to be said and things have to happen. I am not writing for a purpose and don’t have any plan for X amount of songs or gigs per year. It has to be at the right moment of time when it feels good.
**Whats your take on the landscape of black metal (and music in general) in 2026?**
Oh, I think there are many bands that make interesting music, but of course the number of releases is overwhelming.
**One thing i really like about your project is that it seems way more invested in self discovery and reflecting on how fucked people are rather than just dealing in cliches. How do you find it trying to strike the balance between being authentic vs paying homage to the black metal that came before you?**
There is no trying. As long as you want to be your true self everything would be authentic and organic. Homage could be present in terms of sound or atmosphere, but when it comes to lyrics I am not sure why I should copy something or someone because I would like to express myself first and foremost. So there is no struggle at all. And if I am crafting music and feel that something sounds too close to another band I discard it. But then…the world is much larger than “black metal” so for sure there is something that could be “inspired” by something else, be it classic music or a folkish melody, old literature or modern day philosophy. Humans are very good at processing information and make improvements, developments to already existing things.
**What are your guys plans after the new album drops? Do you have much touring planned?**
At the moment we are booked for two large festivals - Inferno in Norway and Summer Breeze in Germany. We would love to go on tour again, but no specific plans yet, unfortunately.
**Thanks heaps for your time today , as a last question, have you guys been listening to anything cool lately you want to recommend?**
Yellow Eyes had an album a few months ago and this made me dive back into their discography, so their “Immersion Trench Reverie” from 2017 has been on rotation. Otherwise Mass IV from Amenra and great death/grind from Terror Corpse.
**Purchase tickets for Inferno and Summer Breeze Fest here:**
[Inferno 2026 - April 2-5thApril 2-5th](https://www.infernofestival.net/no/Festival/News.aspx?ref=blackmetalzine.com)
[Tickets und Gutscheine - Summer Breeze OnlineshopTickets und GutscheineSummer Breeze](https://www.sbtix.de/kategorien/tickets?ref=blackmetalzine.com)
**Join the Bizarrekult here:**
[Alt Som Finnes, by Bizarrekult8 track albumBizarrekultJesus Popcornius](https://bizarrekult.bandcamp.com/album/alt-som-finnes?ref=blackmetalzine.com)
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### Review: Archvile King (2026)
URL: https://blackmetalzine.com/review-archvile-king-2026/
Last updated: 2026-07-16T17:15:50.000Z
**Band:** Archvile King
**Album:** Aux Heures Désespérées
**Genre:** Atmospheric Black Metal
**Country:** France
**Label:** Les Acteurs de l'Ombre Productions
**Released:** January 23, 2026
## Introduction:
In the fertile soil of the French black metal underground, few entities have cultivated a mythos as grimly evocative as Archvile King. Since its inception in Nantes by the multi-instrumentalist Baurus, the project has undergone a profound metamorphosis. What began as a primitive, thrash-inflected homage to digital carnage has ascended into a sophisticated exploration of medieval fantasy and nihilism. With the release of his latest opus, Aux Heures Désespérées, Baurus transcends the genre’s tropes, positioning himself not merely as a musician, but as a chronicler of a decaying, high-fantasy civilization. This album marks the zenith of a trilogy dedicated to the inevitable triumph of rot over righteousness.
Track Listing:
1. Riposte
2. Le Chant Des Braves
3. L'excuse
4. Le Carneval Du Roi Des Vers
5. Sepulture
6. Aux Heures Desesperees
7. A Ces Batailles Abandonnees
8. ...Et Aux Hommes Miserables
## The Album:
Aux Heures Désespérées functions as a sonic illumination of a manuscript long lost to time. It is a concept piece that abandons the frenetic pace of modern life for the tragedy of a kingdom under siege by the “Roi des Vers” (The Worm King). From the opening movements of “Riposte,” it is clear that the project has embraced a more grandiloquent and melodic architecture. The composition utilizes soaring, neoclassical lead guitars that act as a counterpoint to the dissonant, iron-on-shield percussion.
The centerpiece of the record, “Le Carneval du Roi des Vers,” is a masterclass in atmospheric tension. Here, Baurus explores the juxtaposition of beauty and grotesque horror; the melody lines evoke a sense of medieval nobility, while the vocal delivery, a harrowing, cavernous rasp. reminds the listener of the filth beneath the throne. The lore is not merely lyrical; it is woven into the very timbre of the instruments. The production avoids the sterile clarity of contemporary metal, opting instead for a cold, liminal space that feels like a stone cathedral at dusk.
Tracks such as “L’Excusé” demonstrate a keen understanding of rhythmic fatality, where the mid-tempo gallop suggests the relentless march of an undead legion. This is black metal as a memento mori, a sophisticated reminder that all empires, regardless of their height, are destined for the vermin's embrace. The album concludes with “…Et aux hommes misérables,” a funeral dirge that utilizes somber textures to signal the total collapse of the human spirit, leaving only the silence of the grave.
## Conclusion:
**Aux Heures Désespérées** is a towering achievement that cements Archvile King’s legacy within the pantheon of French black metal. By trading the digital grit of his early work for a majestic, medieval gloom, Baurus has crafted an immersive experience that is as intellectually rewarding as it is sonically devastating. It is a rare record that manages to feel both ancient and innovative, capturing the precise moment where chivalry dies and the maggots begin their feast.
BMZ Rating: 9/10
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### The Infernal Records: Week 7
URL: https://blackmetalzine.com/the-infernal-records-week-7/
Last updated: 2026-06-25T11:02:36.000Z
The Infernal Records: Week 07 is out! Dive into our curated list of essential Black Metal releases from the last week. We are switching to a weekly newsletter to give you an overview of releases we think are worth your attention. It certainly is not the complete list, but it's our curated one.
***Because we like to share as many bands with you as possible, there is a possibility your email client will cut off the message and show a view entire message button. Just click it to read the entire email, or read it on our website.***
---
Band: Apostle Of Satan
Album: Depravity of reality
Country: Norway
Genre: Experimental/Depressive Black Metal
Date: February 13, 2026
[Depravity of reality, by Apostle Of Satan9 track albumApostle Of SatanBandcamp Album of the Day Feb 13, 2026](https://apostleofsatan.bandcamp.com/album/depravity-of-reality?ref=blackmetalzine.com)
Band: Avolia
Album: S/T (EP)
Country: Brazil
Genre: Black Metal
Date: February 16, 2026
[Avolia, by Avolia5 track albumAvoliaBandcamp Album of the Day Feb 13, 2026](https://avolia.bandcamp.com/album/avolia?ref=blackmetalzine.com)
Band: Dạ Xoa
Album: Ác Ma Đông Kinh (Demo)
Country: Vietnam
Genre: Raw Black Metal
Date: February 13, 2026
[Ác Ma Đông Kinh, by Dạ Xoa3 track albumDạ Xoablackflag132](https://daxoa.bandcamp.com/album/c-ma-ng-kinh?ref=blackmetalzine.com)
Band: Drudensang
Album: Watzmannsage (EP)
Country: Germany
Genre: Black Metal
Date: February 13th, 2026
[Watzmannsage, by DRUDENSANG6 track albumFolter RecordsDmitry Nevozhay](https://folterrecords.bandcamp.com/album/watzmannsage?ref=blackmetalzine.com)
Band: Frozen Ocean
Album: Askdrömmar
Country: Russia
Genre: Atmospheric Black Metal
Date: February 13, 2026
[Askdrömmar, by Frozen Ocean9 track albumFrozen OceanBandcamp New & Notable Feb 15, 2026](https://frozenoceanrus.bandcamp.com/album/askdr-mmar?ref=blackmetalzine.com)
Band: Gormoth
Album: The Forest Dreams (Compilation)
Country: Hungary
Genre: Atmospheric Black Metal/Ambient
Date: February 11, 2026
[The Forest Dreams, by Gormoth59 track albumGormothGormoth](https://gormoth1219.bandcamp.com/album/the-forest-dreams?ref=blackmetalzine.com)
Band: Midnight Odyssey, Serpent Ascending, Swords of Dis, Ôros Kaù
Album: From the Waters of Death (Split)
Country: Australia / Finland / UK / Belgium
Genre: Black Metal
Date: February 13, 2026
[From The Waters Of Death, by MIDNIGHT ODYSSEY, SWORDS OF DIS, ÔROS KAÙ, SERPENT ASCENDING5 track albumI, Voidhanger Recordsronlinfect](https://i-voidhangerrecords.bandcamp.com/album/from-the-waters-of-death?ref=blackmetalzine.com)
Band: Nerraka
Album: The Warriors
Country: Singapore
Genre: Black/Death
Date: February 14, 2026
[The Warriors, by Nerraka9 track albumNerrakaBandcamp Album of the Day Feb 13, 2026](https://nerraka.bandcamp.com/album/the-warriors?ref=blackmetalzine.com)
Band: Oaks Cave
Album: Eternal Dwellings
Country: Russia
Genre: Black Metal (Instrumental)
Date: February 10, 2026
[Eternal Dwellings, by Oaks Cave6 track albumOaks CaveBandcamp New & Notable Jan 14, 2026](https://oakscave.bandcamp.com/album/eternal-dwellings?ref=blackmetalzine.com)
Band: Pacto Negro
Album: Ventre das Cinzas (EP)
Country: Portugal
Genre: Raw Black Metal
Date: February 7, 2026
[Ventre das Cinzas, by Pacto Negro5 track albumPacto NegroBandcamp New & Notable Oct 3, 2020](https://pactonegro.bandcamp.com/album/ventre-das-cinzas?ref=blackmetalzine.com)
Band: Temple of Decay
Album: Profanus
Country: Poland
Genre: Black/Death
Date: February 13, 2026
[TEMPLE OF DECAY “Profanus”, by Temple Of Decay6 track albumOld TempleObsidian One](https://oldtemple.bandcamp.com/album/temple-of-decay-profanus?ref=blackmetalzine.com)
Band: The Day of the Beast
Album: Nightspawn Descendants
Country: USA
Genre: Black/Thrash
Date: February 13, 2026
[Nightspawn Descendants, by The Day of the Beast10 track albumThe Day of the BeastBandcamp New & Notable Jun 12, 2018](https://thedayofthebeast.bandcamp.com/album/nightspawn-descendants?ref=blackmetalzine.com)
Band: Wazzara
Album: Arbor
Country: Switzerland
Genre: Atmospheric Doom/Black Metal / Blackgaze
Date: February 13, 2026
[Arbor, by wazzara8 track albumwazzaraObsidian One](https://wazzara.bandcamp.com/album/arbor?ref=blackmetalzine.com)
Band: Worm
Album: Necropalace
Country: USA
Genre: Black/Death/Doom Metal
Date: February 13, 2026
[Necropalace (24-bit HD audio), by Worm7 track albumWormfulci\_lives86](https://wormgloom.bandcamp.com/album/necropalace-24-bit-hd-audio?ref=blackmetalzine.com)
Band: Wruen
Album: Waves
Country: Finland
Genre: Black Metal
Date: February 13, 2026
[Waves, by Wruen6 track albumWruenBandcamp Album of the Day Feb 13, 2026](https://wruen.bandcamp.com/album/waves?ref=blackmetalzine.com)
Band: Yaldabaoth
Album: Profane Shadow
Country: USA
Genre: Dissonant Avant-garde Black/Death Metal
Date: February 10, 2026
[Profane Shadow, by Yaldabaoth8 track albumYaldabaothnachosatanizado](https://yaldabaoth616.bandcamp.com/album/profane-shadow?ref=blackmetalzine.com)
## Your thoughts on this newsletter.
We love to hear your opinion about this newsletter. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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Subscribe
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Fordæðuskapr - Hræflóð Markar Fjalla
URL: https://blackmetalzine.com/fordaeduskapr-hraeflod-markar-fjalla/
Last updated: 2026-07-16T17:15:51.000Z
**Band:** Fordæðuskapr
**Album:** Hræflóð Markar Fjalla
**Genre:** Athmospheric Black Metal
**Country:** Norway
**Label:** Ván Records
**Released:** 24th of October 2025
## Introduction:
Fordæðuskapr is a relatively new Band founded 2022 in Bergen, Norway by none other than the mastermind behind [Árstíðir Lífsins](https://www.metal-archives.com/bands/%C3%81rst%C3%AD%C3%B0ir%5FL%C3%ADfsins/3540315587?ref=blackmetalzine.com#band%5Ftab%5Fmembers), Stefán Drechsler (known professionally as S.D.). Having released the debut full-length album late last year I somehow over looked it upon its release. But better late than never and this album fully deserves a review.
## My Thoughts:
Being the first Album of the Band its always exciting to hear the songwriting style as opposed to having a few records under their belt for example like Megadeth...you hear the first few lines and instantly recognize that thats Dave Mustaine.
Fordæðuskapr is going to be like this, after going thro*ugh t*he whole album their sound is just mesmerizing and definetly got me hooked. For instance its a rather distinctive guitar sound, rather bass heavy so it already pushes your emotions into some darker heavier territories while the lead guitars change between letting you breathe for a moment and enjoy a slight feeling of calmness like watching a storm inside a mountain cabin to completely blowing said cabins roof off and letting you sit in the rain frustrated and cold.
The vocals are just peak BM shrieks and remind a bit of early Carpathian Forest and suit the music really well. A nice atmospheric touch is also definetly added by the synths in the backround.
## Conclusion:
Overall, it's definitely one of the best debut releases I've heard so far, and it's going to be played a lot. I'm very excited for the future of the band and wish them the best and hope the creativity stays that high. For me it's absolutely a 9/10 on the scoreboard, so check it out if you're not deaf and enjoy great atmospheric black metal.
BMZ rating: 9 out of 10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
become a member of Black Metal Zine
Subscribe
Email sent! Check your inbox to complete your signup.
No spam. Unsubscribe anytime.
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
##
### The Infernal Records: Week 04, 05, & 06
URL: https://blackmetalzine.com/the-infernal-records-week-04-05/
Last updated: 2026-02-16T17:15:39.000Z
It's been a while, but we are back with a new newsletter. Fractal dove into the releases of the last few weeks and listened to the ones that are worth listening to. Without further ado, here is the entire list.
Band: Aftoktonia/αυτοκτονία
Album: Through Nebulae of the Empyrean Aether
Country: Norway
Genre: Black Metal
Date: January 21, 2026
[Through Nebulae of the Empyrean Aether, by Aftoktonia/αυτοκτονία4 track albumAftoktonia/αυτοκτονίαAftoktonia/αυτοκτονία](https://aftoktonia.bandcamp.com/album/through-nebulae-of-the-empyrean-aether?ref=blackmetalzine.com)
Band: Aghar
Album: Cellar of the Castle
Country: Italy
Genre: Black Metal
Date: January 30, 2026
[Cellar of the Castle, by Aghar7 track albumUlvBandcamp Album of the Day Feb 13, 2026](https://nordstev.bandcamp.com/album/cellar-of-the-castle?ref=blackmetalzine.com)
Band: Almach
Album: The Raven
Country: Unknown
Genre: Epic/Folk/Atmospheric Black Metal
Date: January 25, 2026
[The Raven, by Almach9 track albumAlmachᚾᚨᛏᚢᚱᚨ](https://almach.bandcamp.com/album/the-raven?ref=blackmetalzine.com)
Band: Archvile King
Album: Aux heures désespérées
Country: France
Genre: Melodic Black Metal
Date: January 23, 2026
[Aux Heures Désespérées, by ARCHVILE KING8 track albumARCHVILE KINGdiamondjoe](https://archvileking.bandcamp.com/album/aux-heures-d-sesp-r-es?ref=blackmetalzine.com)
Band: Asaru
Album: V.O.I.D.
Country: Germany
Genre: Melodic Black Metal
Date: January 23, 2026
[V.O.I.D., by Asaru9 track albumSchwarzdorn ProductionBandcamp Album of the Day Jun 21, 2017](https://schwarzdornproduction.bandcamp.com/album/v-o-i-d?ref=blackmetalzine.com)
Band: Cult Of The Moon
Album: Lunar Eclipse
Country: USA / India
Genre: Melodic Black Metal
Date: January 23, 2026
[Lunar Eclipse, by Cult Of The Moon9 track albumCult Of The MoonRicardo Cristof](https://cultofthemoon.bandcamp.com/album/lunar-eclipse?ref=blackmetalzine.com)
Band: Diatrekhon Aster
Album: Metroglodyte
Country: Greece
Genre: Black Metal/DSBM
Date: February 6, 2026
[Metroglodyte, by Diatrekhon Aster8 track albumDiatrekhon AsterBandcamp New & Notable May 9, 2025](https://diatrekhonaster.bandcamp.com/album/metroglodyte?ref=blackmetalzine.com)
Band: Дом Смирения (Dom Smireniya)
Album: Лимб
Country: Russia
Genre: Black Metal
Date: February 4, 2026
[Лимб, by Дом Смирения7 track albumДом СмиренияJDMP](https://houseofhumility.bandcamp.com/album/--7?ref=blackmetalzine.com)
Band: Dusk Lurker
Album: Celestial Fantasies In The Mind Of A Lunatic
Country: UK
Genre: Black Metal
Date: February 7, 2026
[Celestial Fantasies In The Mind Of A Lunatic, by Dusk Lurker8 track albumDusk Lurkersashavonkarl74](https://dusklurker.bandcamp.com/album/celestial-fantasies-in-the-mind-of-a-lunatic?ref=blackmetalzine.com)
Band: Ensanguinate
Album: Death Saturnalia (with temples below)
Country: Slovenia
Genre: Black/Death
Date: February 6, 2026
[Death Saturnalia (with temples below), by Ensanguinate8 track albumSoulseller RecordsRicardo Cristof](https://soulsellerrecords.bandcamp.com/album/death-saturnalia-with-temples-below?ref=blackmetalzine.com)
Band: Final Dose
Album: Endless Woe (EP)
Country: UK
Genre:Black Metal/Punk
Date: January 28, 2026
[Endless Woe, by Final Dose5 track albumWolves of HadesBürli](https://wolvesofhades.bandcamp.com/album/endless-woe?ref=blackmetalzine.com)
Band: Handful of Hate
Album: Soulless Abominations
Country: Italy
Genre: Black Metal
Date: January 23, 2026
[Soulless Abominations, by Handful of Hate8 track albumDusktoneLorenzo](https://dusktone.bandcamp.com/album/soulless-abominations?ref=blackmetalzine.com)
Band: Hautaveri
Album: Hänen kylmän myrskynsä airut (Demo)
Country: Finland
Genre: Black Metal
Date: January 25, 2026
[DIS-070 - Hautaveri - Hänen kylmän myrskynsä airut, by Rat Covenant4 track albumRat CovenantBandcamp New & Notable Oct 16, 2024](https://ratcovenant.bandcamp.com/album/dis-070-hautaveri-h-nen-kylm-n-myrskyns-airut?ref=blackmetalzine.com)
Band: Hieron
Album: From the Temple to the Grave
Country: Germany
Genre: Black Metal
Date: January 30, 2026
[From the Temple to the Grave, by HIERON6 track albumHIERONhellawaits123433](https://hieron.bandcamp.com/album/from-the-temple-to-the-grave?ref=blackmetalzine.com)
Band: Infaust
Album: Entseelt
Country: Germany
Genre: Black Metal
Date: January 25, 2026
[Entseelt, by INFAUST7 track albumINFAUSThellawaits123433](https://infaust.bandcamp.com/album/entseelt?ref=blackmetalzine.com)
Band: Истребление (Istreblenie)
Album: Нетленность
Country: Russia
Genre: Black Metal
Date: February 2, 2026
[Нетленность, by Истребление6 track albumslowsnow recordsBertrand Marchal](https://slowsnowrecords.bandcamp.com/album/--31?ref=blackmetalzine.com)
Band: Mascharat
Album: Ars Aurea Mortis
Country: Italy
Genre: Black Metal
Date: January 31, 2026
[Ars Aurea Mortis, by Mascharat9 track albumMascharatRicardo Cristof](https://mascharat.bandcamp.com/album/ars-aurea-mortis?ref=blackmetalzine.com)
Band: Mossgiver
Album: Renewer
Country: Slovenia
Genre: Atmospheric/Epic Black Metal
Date: February 4, 2026
[The Song Among Branches, by Mossgiver4 track albumSij MusicArtObsidian One](https://sijmusicart.bandcamp.com/album/the-song-among-branches?ref=blackmetalzine.com)
Band: Nea Selini
Album: Crime et châtiment
Country: France
Genre: Post-Black Metal
Date: January 23, 2026
[Crime et Châtiment, by nea selini9 track albumnea seliniBürli](https://neaselini.bandcamp.com/album/crime-et-ch-timent?ref=blackmetalzine.com)
Band: Old Sorcery
Album: The Outsider
Country: Finland
Genre: Black Metal/Dungeon Synth
Date: January 30, 2026
[The Outsider, by Old Sorcery6 track albumOld Sorcerydesertgoby](https://oldsorcery.bandcamp.com/album/the-outsider?ref=blackmetalzine.com)
Band: Oppressive Descent
Album: Timeless Passage (EP)
Country: USA
Genre: Black Metal
Date: January 25, 2026
[Timeless Passage, by Oppressive Descent3 track albumOppressive DescentBrutalist\_Receptacle](https://oppressivedescent.bandcamp.com/album/timeless-passage?ref=blackmetalzine.com)
Band: Orgg
Album: Indomita
Country: Italy
Genre: Black Metal
Date: January 27, 2026
[Indomita, by Orgg8 track albumOrgg](https://orgg.bandcamp.com/album/indomita?ref=blackmetalzine.com)
Band: Profane Elegy
Album: Herezjarcha
Country: USA
Genre: Black Metal
Date: January 30th, 2026
[Herezjarcha, by Profane Elegy8 track albumProfane ElegyProfane Elegy](https://profaneelegy.bandcamp.com/album/herezjarcha?ref=blackmetalzine.com)
Band: Sarmat
Album: The Ornaments of Disturbing Perspectives
Country: Poland
Genre: Black/Death
Date: January 21, 2026
[The Ornaments of Disturbing Perspectives, by Sarmat7 track albumSARMATCarsten Doig](https://sarmat1.bandcamp.com/album/the-ornaments-of-disturbing-perspectives?ref=blackmetalzine.com)
Band: Sanctvs
Album: De l'Abîme au Plérôme
Country: Canada
Genre: Black Metal
Date: January 30, 2026
[De l’Abîme au Plérôme, by Sanctvs6 track albumSanctvsObsidian One](https://sanctvs.bandcamp.com/album/de-lab-me-au-pl-r-me?ref=blackmetalzine.com)
Band: Severoth
Album: Live in Finland (Live Album)
Country: Ukraine/Poland
Genre: Ambient/Atmospheric Black Metal
Date: January 23, 2026
[Live in Finland, by SEVEROTH4 track albumSEVEROTHsashavonkarl74](https://severoth.bandcamp.com/album/live-in-finland?ref=blackmetalzine.com)
Band: Shine
Album: Wrathcult
Country: Poland
Genre: Black/Death Metal
Date: January 30, 2026
[Wrathcult, by Shine10 track albumDark Descent RecordsPoesy Rider](https://darkdescentrecords.bandcamp.com/album/wrathcult?ref=blackmetalzine.com)
Band: Sidious
Album: Malefic Necropolis
Country: UK
Genre: Black Metal
Date: January 30, 2026
[Malefic Necropolis, by SIDIOUS9 track albumSIDIOUSrvss.eel](https://sidious.bandcamp.com/album/malefic-necropolis?ref=blackmetalzine.com)
Band: Skadin
Album: Wallachian Emperor
Country: Romania
Genre: Black Metal with punk influences
Date: February 7, 2026
[Wallachian Emperor, by Skadin7 track albumSkadinBandcamp New & Notable Nov 23, 2022](https://skadin.bandcamp.com/album/wallachian-emperor?ref=blackmetalzine.com)
Band: Skardus
Album: Ut de Deep (EP)
Country: Germany
Genre: Black Metal
Date: January 23, 2026
[Ut de Deep, by Skardus4 track albumSkardushellawaits123433](https://skardus.bandcamp.com/album/ut-de-deep?ref=blackmetalzine.com)
Band: Staghelm
Album: Natura Semper Praevalet
Country: UK
Genre: Atmospheric Black Metal
Date: January 23, 2026
[Natura Semper Praevalet, by Staghelm3 track albumStaghelmStaghelm](https://staghelm.bandcamp.com/album/natura-semper-praevalet?ref=blackmetalzine.com)
Band: Strunkiin
Album: A Past That Never Was & Kingdom of Frost
Country: Finland
Genre: Atmospheric Black Metal (Instrumental)
Date: January 28, 2026
[A Past That Never Was, by Strunkiin10 track albumStrunkiinronlinfect](https://strunkiin.bandcamp.com/album/a-past-that-never-was?ref=blackmetalzine.com)
[Kingdom of Frost, by Strunkiin7 track albumStrunkiindoive](https://strunkiin.bandcamp.com/album/kingdom-of-frost?ref=blackmetalzine.com)
Band: Thursbane
Album: Ancestral Memories (Reinterment)
Country: USA
Genre: Folk/Black Metal
Date: January 25, 2026
[Ancestral Memories (Reinterment), by Thursbane9 track albumThursbaneThursbane](https://thursbane.bandcamp.com/album/ancestral-memories-reinterment?ref=blackmetalzine.com)
Band: Tjaktjadálvve
Album: Encompassing Nothingness
Country: Sweden
Genre: Atmospheric/Depressive Black Metal
Date: January 26, 2026
[Encompassing Nothingness, by Tjaktjadálvve4 track albumTjaktjadálvvemrfredgar](https://tjaktjadalvve.bandcamp.com/album/encompassing-nothingness?ref=blackmetalzine.com)
Band: Vampiric Oath
Album: Doctrines of Withering Nature
Country: Romania / Finland
Genre: Black Metal
Date: January 30, 2026
[Doctrines of Withering Nature, by Vampiric Oath8 track albumVampiric OathDavid Fischer](https://vampiricoath.bandcamp.com/album/doctrines-of-withering-nature?ref=blackmetalzine.com)
Band: Varnarmur
Album: Gravesoil And Birchblood
Country: USA
Genre: Black Metal
Date: January 25, 2026
[Gravesoil And Birchblood, by Varnarmur4 track albumVarnarmurbartzabel](https://varnarmur.bandcamp.com/album/gravesoil-and-birchblood?ref=blackmetalzine.com)
Band: Velothian
Album: Mythic Dawn
Country: USA
Genre: Post-Black Metal
Date: February 1, 2026
[Mythic Dawn, by Velothian7 track albumVelothianRicardo Cristof](https://velothian.bandcamp.com/album/mythic-dawn?ref=blackmetalzine.com)
## Your thoughts on this newsletter.
We love to hear your opinion about this newsletter. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
become a member of Black Metal Zine
Subscribe
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Apophany - Demo
URL: https://blackmetalzine.com/apophany-demo/
Last updated: 2026-07-16T17:15:52.000Z
**Band:** Apophany
**Album:** Demo
**Genre:** Black Metal
**Country:** United States
**Label:** Fiadh Productions
**Released:** January 9, 2026
## Introduction:
Hailing from Minneapolis, Minnesota, Apophany is a US based black metal band. Consisting of Dan (Vocals), David (Guitar), Eric (Drums), Jaxon (Guitar) and Patrick (Bass) the group has thus far only released this 3 track demo.
Track Listing:
1. Death's Head Dog
2. Dreamer of Oils
3. Melt of Unlighted Wind
## The Demo:
Its chaotic in all the right ways. Apophany comes out swinging for their demo and they don't let up for any of its 3 tracks. I wouldn't say that this is traditional black metal as it lacks many of those hallmarks, but in its spirit and essence it is definitely black metal at the foundation. Apophany straddles a line between chaos and melody that most bands within the genre either overdue or fail to miss the mark. At times bordering almost into the genre of "noise", but still refined enough in its purpose that it avoids spiraling out of control into that territory.
The production is crisp and clean. Vocals are performed in an almost shrieked rasp that is reminiscent of DSBM, but maintain enough clarity to be audible in the mix. The drums are spastic and wild but suit the bands needs. The guitars in my opinion carry the bands weight. Balancing melodic passages, with more caustic sections that when fused together with the whole create a schizophrenic tapestry of unrelenting black metal.
## Conclusion:
The demo is short, sweet and to the point. Delivering the bands essence in 3 tracks, defining a foundation that will hopefully grow into a full-length release sometime in the near future. If you're looking for something off the beaten path, or just enjoy the more obscure, fringe elements withing black metal Apophany will definitely resonate with you.
BMZ Rating: 6/10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
become a member of Black Metal Zine
Subscribe
Email sent! Check your inbox to complete your signup.
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Careus - In Aethere
URL: https://blackmetalzine.com/careus-in-aethere/
Last updated: 2026-07-16T17:15:52.000Z
**Band:** Careus
**Album:** In Aethere
**Genre:** Atmospheric Black Metal
**Country:** Mexico
**Label:** Independent
**Released:** September 15, 2025
1. In caelo alieno
2. Memoriae amissae
3. Stella cadens
4. Lacrima
5. Aether
The EP: In Aethere unfolds as a haunting and immersive landscape built on atmosphere and subtle repetition. Melodic guitar lines drift and drone in long, melancholic arcs, forming a hazy foundation where ambience and emotion intertwine. The shrieked vocals feel distant and mournful, not overpowering the mix but inhabiting it like a ghostly presence lingering just beyond perception. Rather than demanding attention, they reinforce the album’s spectral mood, dissolving into the surrounding sound.
As the EP progresses, the intensity increases without abandoning its somber core. Later tracks are more aggressive than the opening moments, yet remain steeped in the same pervasive melancholy. Where the early material feels like a haunting dream, these passages evoke something far more unsettling, closer to the claustrophobic dread of sleep paralysis. The guitar work becomes more assertive here, carrying the songs with memorable, looping phrases that linger long after they fade.
A persistent sense of droning ambience runs throughout the release, creating a feeling of vastness paired with emptiness. This paradox simultaneously expansive and hollow defines much of In Aethere’s emotional weight and is something Careus handles with remarkable restraint. The atmosphere never feels overstated; instead, it settles slowly, like fog in the early morning hours, refusing to fully lift.
The drumming remains subdued across the EP, but its role is crucial. Steady blast beats and measured rhythms provide a mechanical, almost ritualistic foundation, anchoring the drifting melodies without breaking the album’s trance-like flow. Nothing here feels showy or excessive; every element exists in service of the greater mood.
“Lacrima” acts as the true emotional culmination, weaving together the melodic sorrow of the opening track with the more dissonant and unsettling tendencies introduced later. It stands as a final, deeply haunting swan song before the EP recedes into silence. “Aether,” serving as an ambient outro, gently guides the listener outward. Its minimalist composition and swirling melodic guitar lines feel like a quiet departure into the unknown, echoing the atmosphere that first drew the listener in.
## Conclusion:
In Aethere is an exercise in restraint and atmosphere, a work that offers a fleeting glimpse into a world both vast and intimate, eerie and beautiful. Careus crafts a soundscape that is at once haunting, melancholic, and emotionally distant, yet profoundly immersive. Each track contributes to a larger, cohesive vision. For listeners drawn to black metal that favors mood, texture, and dissonant atmosphere, In Aethere will surely resonate.
BMZ Rating: 8/10
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### Sindar - Tower of the Sun
URL: https://blackmetalzine.com/sindar-tower-of-the-sun/
Last updated: 2026-07-18T22:04:33.000Z
**Band:** Sindar
**Album:** Tower of the Sun
**Genre:** Progressive/Black Metal
**Country:** United States
**Label:** Independent
**Released:** September 26, 2025
## Introduction
Sindar is a U.S. based metal project that operates well outside of strict genre boundaries. Seamlessly blending progressive metal with elements of extreme, folk, classic and blackened music. The Salt Lake City, Utah duo consists of Kona Ossana, and Christian Lucy. Taking their name from the Tolkien legendarium, the Sindar or Grey Elves. Having released their debut full-length album Splintered Light in 2020, Tower of the Sun serves as Sindar’s sophomore release.
**Track Listing:**
1. Eclipse
2. Black Moth
3. Green Fields
4. Arnor (Tower of the Sun)
5. The Ranger
6. Nightingale
7. Field of the Dead
8. Inheritance
## The Album
Everything that was once great about Sweden’s Opeth, Sindar has managed to take and not only make it their own, but somehow make it better. Tower of the Sun could easily have been an early Opeth album, the scope, the shifting vocals, the folk passages and instrumentation throughout are all heavily steeped in the classic Opeth sound. Take that and blend it with themes and lyrics immersed in Tolkien's Middle-earth and you have Sindar. My first listen through this album I was ill prepared for just how incredibly good it was going to be. Self admittedly, I'm a man of simple pleasure and I was originally drawn to this release because of the nod to Tolkien, but I stayed for the music. This band could be huge and it's a shame that they seem to only have a small cult following at the moment. Everything about this release is top notch. The song structures, production, instrumentation, vocals, and artwork punches well above what one would expect from an unsigned duo from the American west. Those looking for straightforward black metal arent going to find it here. The band leans heavily into the progressive elements, but it's done so well and with an immense amount of creative genius that it feels cohesive and seamless. The clean vocals rival Mikael Åkerfeldt's in his prime and the death growls are sure to make any Opeth fan smile ear to ear. There is no flashy or overly technical musicianship, no extravagence or ridiculous gimmicks, but rather its strength lies within the songwriting itself. Blending so many genres and influences together into a cohesive and functional album isn't an easy task but Sindar does it with such class that it leaves one slack-jawed. This is a modern progressive metal masterpiece. Dare I even say the American Opeth.
## Conclusion
I cannot praise this album enough. From start to finish it is a masterpiece. Intricately weaving together folk passages, classic rock inspired ballads, death and black metal with a splash of synth laden psychedelic rock for good measure, Sindar is beyond a doubt an incredibly talented duo and will surely resonate with fans of Opeth or progressive metal as a whole.
**BMZ Rating: 9 out of 10**
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### From the Vault: Gallowbraid - Ashen Eidolon (2010)
URL: https://blackmetalzine.com/from-the-vault-gallowbraid-ashen-eidolon-2010/
Last updated: 2026-07-16T17:15:54.000Z
**Band:** Gallowbraid
**Album:** Ashen Eidolon
**Genre:** Atmospheric Black Metal
**Country:** United States
**Label:** Northern Silence Productions
**Released:** September 17, 2010
## Introduction:
In the landscape of American black metal, few names carry the same mythic weight as Gallowbraid. Emerging from the high deserts of Salt Lake City, Utah in 2010, the project, helmed by Jake Rogers (of Visigoth and Caladan Brood fame), released a singular, 31-minute masterpiece titled Ashen Eidolon. It remains one of the most poignant examples of "Cascadian" black metal ever committed to tape, a record that doesn't just invite you to listen, but to wander.
Track Listing:
1. Ashen Eidolon
2. Autumn I
3. Oak and Aspen
4. Autumn II
## The Album:
From the first acoustic strains of the title track, Ashen Eidolon establishes a mood of profound, romanticist longing. While the DNA of early Agalloch is undeniable, Rogers infuses the sound with a more vibrant, "pagan" energy. The melodies aren't just mournful; they are triumphant, mirroring the cycle of life and decay. The structure of the EP is symmetrical and intentional. Two towering epics "Ashen Eidolon" and "Oak and Aspen" act as the anchors, bridged by the instrumental "Autumn" interludes. These longer tracks are marvels of composition, transitioning seamlessly from cascading blast beats and raspy shrieks to soaring, clean-vocal choruses that stick in your brain like a folk melody you've known since childhood.
What sets Gallowbraid apart is the balance. Many "folk-black" bands lean too heavily on the "black" (losing the melody) or the "folk" (losing the teeth). Rogers manages to keep the production crisp yet earthy. The guitars possess a mid-paced crunch that feels like trampling through dried leaves, while the drumming (provided by Alex Rogers) provides a driving, kinetic pulse that prevents the atmosphere from becoming stagnant.
"Oak and Aspen," perhaps the highlight of the release, showcases Jake's incredible vocal range. His clean delivery is rich and resonant, providing a haunting contrast to the blackened snarls. The lyrics ruminate on mortality and nature's indifference, capturing that specific ache of watching the sun set on a crisp October afternoon.
For those attending Fortress Festival this year, you'll be in for a special treat. Gallowbraid is set to perform live for the first time in the band's existence and will be performing Ashen Eidolon in its entirety.
## Conclusion:
Ashen Eidolon is more than a release; it’s a mood piece for the soul. It captures the essence of the Cascadian style while injecting it with a sense of epic heavy metal grandeur. Despite being a decade and a half old, it has never been topped in its specific niche. A masterpiece within the genre. It is a mandatory listen for fans of atmospheric black metal, or truthfully anyone who finds beauty in the withering of the world around them.
BMZ Rating: 10/10
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### Petrichor "Seduced by Conquering Darkness” (Wolf Mountain Productions, 2026)
URL: https://blackmetalzine.com/petrichor-seduced-by-conquering-darkness-wolf-mountain-productions-2026/
Last updated: 2026-07-16T17:15:54.000Z
**Band:** Petrichor
**Album:** “Seduced by Conquering Darkness”
**Genre:** Black Metal
**Country:** USA
**Label:** Wolf Mountain Productions
**Released:** 21 of January, 2026
## Introduction:
Petrichor is the solo-project of Blackbraid’s Jon S. Krieger, also known as Sgah'gahsowáh, and it shows a different side of the artist; it shows a much more “aggressive” and “true” facet and approach to Black Metal, and I did enjoy it. Though short in length, this release is anything but shallow. Every riff, drumbeat, and scream carries a weight that is both deliberate and devastating, demonstrating that Petrichor is more than an experimental side project, it is a statement.
Tracklisting:
1\. Moss and Blood Have Gathered in Shadow
2\. Seduced by Conquering Darkness
## The Album:
From the North came what we consider to be the first manifestations of this sound we adore so much. Some point South for its roots, some a city in England; I dare say that, wherever it is the cradle of Black Metal – risking an inverted crucifixion – we owe it to the Northmen for the sound we have today. And you can quote me on that.
With that, we welcome a musician that has been shaking the underground – and the extreme Heavy Metal mainstream – for a few years now. Blackbraid started out in 2022 by Native American Jon S. Krieger, as a way to channel his ancestry and Black Metal. Blackbraid is and Atmospheric Black Metal entity well-known by many, an act that sparked a few controversies and shook a few fans.
You see, Black Metal, and its fans, is a strange creature, a beast that tends to disdain innovation and risk. Jon took a risk and went ahead with its creative mindset. Musically speaking, Blackbraid is no different from many of the USBM acts that choose to fuse Black Metal and Atmospheric melodies; it is a safe way to play the game, if I may. Anyway, Blackbraid gained a place within the scene. However, Jon seems to be just one of us. A lad that has the “classics” as the cornerstone of the genre. And with that in mind, Jon went off on an adventure into classical Black Metal sound: the Northmen that started it off – as we see it – that gave the genre its structure and “wrote the guidelines”.
Where Blackbraid weaves layers of ambient textures, Petrichor hits like a snowstorm of pure intensity, a relentless surge of sound that immediately commands attention. The music embodies classical Black Metal in every sense, with sharp, solid guitar riffs that pay homage to the genre’s early pioneers, while thunderous, precise drums drive the chaos forward with relentless momentum. The vocals are fierce and howling, cutting through the cold, oppressive atmospheres like a predator stalking its prey.
Yet, Petrichor is far more than a mere homage to tradition. Krieger demonstrates an exceptional mastery of form, balancing aggression with clarity to create a sound that feels both familiar and exhilaratingly fresh. While respecting the foundational rules of classical Black Metal, Petrichor subtly reminds listeners that innovation and personal interpretation remain vital, proving that the genre’s raw spirit can be both preserved and revitalized in the hands of a skilled musician.
## Conclusion:
Petrichor is the product of Krieger’s bold exploration into the heart of Black Metal, and it is clear that he has emerged victorious. The project hits like a force of nature, a snowstorm, a relentless, ravaging presence. Unlike Blackbraid, Petrichor is firmly rooted in classical Black Metal, built on razor-sharp riffs, thundering drums, and howling vocals that cut through icy atmospheres, all underscored by piercing, memorable melodies. To dismiss this work as mere imitation would be to overlook its quality; what Krieger achieves is a careful embrace of traditional Black Metal, executed with precision and intensity. Petrichor does not just replicate the past, it revitalizes it. The promise here is unmistakable, and one can only anticipate that Krieger will continue to push boundaries while staying true to the genre’s dark, uncompromising roots.
BMZ Rating: 8/10
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### Review: Vlad Spirit - Ashes of the Crimson Kingdom (2026)
URL: https://blackmetalzine.com/review-vlad-spirit-ashes-of-the-crimson-kingdom-2026/
Last updated: 2026-07-15T17:23:24.000Z
**Band:** Vlad Spirit
**Album:** Ashes of the Crimson Kingdom
**Genre:** Black Metal
**Country:** Greece
**Label:** Independent/Obscurant Visions
**Released:** January 13, 2026
## Introduction:
V.T. and Ungod, veterans of the Hellenic black metal scene team up to introduce their brutal debut album, *Ashes of the Crimson Kingdom,* on an independent label for digital and Obscurant Visions for if you want a vinyl copy.
## **Ashes of the Crimson Kingdom**
A fan of Ungod's project Sad and V.T.'s project Lunar Spells, I was excited to see the two pair up for this project and release such a raw and brutal album. Ashes of the Crimson King is rife with uncompromising riffs, unapologetic blasts-beats and drum patterns that disperse into pure chaos. Paired with the vocal putridity being spit out, the album is steeped with hate and discontent. The atmosphere alone is done perfectly. It's raw and bites the listener's ear off!
**Tracklisting:**
1. Hymn for the Final War
2. Wolves of the Desolate Winds
3. Beneath the Weeping Skies
4. Undying and Crownless
5. Ashes of the Crimson Kingdom
6. Blood Moon Rises Over the Eldergate
7. Tombs of Frost and Ancient Blight
8. The War Is Won
The album opens with **Hymn for the Final War,** an immediate, in-your-face assault of riffs and beats delivered with the perfect level of rawness. If you expect the intensity to taper off, you’re dead wrong; the record maintains this level of sheer insanity throughout its entirety. From beginning to end, the listener is subjected to a landscape of chaos and brutality, very much in the vein of V.T.’s other projects, **Lunar Spells** and **Tenebrous Nightsky**.
While the production is spectacular in its hatred, it’s the blast beats that truly stand out. As a drummer, I found them particularly striking. Though the mix can feel a bit overbearing at times, that’s the nature of the beast: it’s raw black metal, after all.
The onslaught finally concludes with the somber **The War is Won,** an instrumental laden with tremolo-picked riffs, eerie howling winds, and acoustic passages that provide a haunting, perfect resolution to the carnage.
## Conclusion:
I'd like to see this duo release more albums in the future and outdo this one. I like to hear raw black metal at its finest, and I know these guys can pull it off just like the rest of them, and perhaps better. **Vlad Spirit** is now added to my radar of new raw and hellish releases in the Hellenic scene!
BMZ Rating: 7.5 of 10
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### Winterkhor - From the Depths of Time
URL: https://blackmetalzine.com/winterkhor-from-the-depths-of-time/
Last updated: 2026-07-16T17:15:55.000Z
**Band:** Winterkhor
**Album:** From the Depths of Time
**Genre:** Melodic Black Metal
**Country:** Russia
**Label:** Independent
**Released:** January 13, 2026
## Introduction:
There is a specific kind of cold that only exists in the Russian Far East. A bone-deep, historical chill that permeates the Taiga. It is this atmosphere that Winterkhor has successfully bottled in their latest offering, From the Depths of Time. Following their 2024 debut Cry of the Taiga, the duo (consisting of HellFire on guitars and Sarg on vocals/drums) has returned with a record that feels less like a collection of songs and more like a fever dream of ancestral memory.
Track Listing:
1. The Land of Tyrma
2. At the Call of Night
3. From the Forests and Pines
4. The Battle of the Neva
5. In Memory of Heroic Deeds
6. Chern - The Queen of Darkness
7. Echoes of Bygone Times
## The Album:
From the Depths of Time is a masterclass in balance. While many "pagan" black metal acts lean too heavily into folk gimmicks or lo-fi "refrigerator" production, Winterkhor opts for a polished, yet biting, sonic profile. The production is expansive, allowing the layered guitar harmonies to breathe without sacrificing the grit of Sarg’s venomous rasps. The album opens with "The Land of Tyrma," setting a cinematic tone that persists throughout. The track introduces the band’s signature move: transitioning from blistering blast beats into mid-tempo, melodic passages that evoke the soaring grandeur of Moonsorrow or the icy precision of early Enslaved. "The Battle of the Neva" is the album’s centerpiece. It’s a relentless, driving anthem that captures the chaos of medieval warfare. The drumming here is particularly noteworthy. Sarg’s performance is tactile and organic, avoiding the "clicky" triggers that plague many modern Black Metal releases. "Chern – The Queen of Darkness" showcases the band's melodic side. The lead guitar work by HellFire is melancholic and haunting, weaving a melody that will stay stuck in your head long after the final chord fades. "Echoes of Bygone Times" serves as the albums closing track. It is a fittingly epic conclusion to a journey through the annals of history, paganism and melodic black metal.
## Conclusion:
From the Depths of Time manages to be both aggressive and deeply nostalgic. It doesn't reinvent the wheel, but it spins it with such conviction and technical prowess that you can’t help but be swept up in its icy current. If you’re looking for music to accompany a trek through a frozen forest, or just a cold winter night in your bedroom this is it.
BMZ Rating: 9 out of 10
Support the band at:
[From the Depths of Time, by Winterkhor7 track albumWINTERKHORMetallurgical Fire](https://winterkhor.bandcamp.com/album/from-the-depths-of-time?ref=blackmetalzine.com)
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### Live Review: Ofnus, Oneiros, Saarkoth, Sanhedrin (2026)
URL: https://blackmetalzine.com/live-review-ofnus-oneiros-saarkoth-sanhedrin-2026/
Last updated: 2026-02-04T16:00:39.000Z
Bands: Ofnus, Oneiros, Saarkoth, Sanhedrin
Genre: Black Metal
Country: England (UK)
City: Nottingham
Venue: Ye Olde Salutation Inn
Promotor: Torturous Productions
Date: 31/01/26
## **Introduction**
For my first black metal gig of 2026 I decided to drive 300 miles (482km) south to Nottingham, a city with a rich history and cultural scene - most famously home to the legend of Robin Hood.
What awaited me there was outstanding performances from four bands in the British Black Metal scene all with their own unique styles and flourishes.
The original lineup included Blood Countess, who unfortunately had to drop out fairly last minute - but luckily this space was filled in no time and we were able to get our money's worth (and for only £8.00 I honestly felt like I was Robin Hood committing some thievery!).
Our venue was Ye Olde Salutation Inn, one of the oldest pubs in the area with parts dating back to around 1240\. So grab a pint of ale or a mug of mead, and brace for the siege of distortion rattling the wooden beams and medieval mortar apart.
## **Sanhedrin**
Wasting no time, a clean tremolo riff kicked us off for the night, Sanhedrin brought us plenty of incredible guitar skill, with surgical precision leading the picking and guitar solo laden set.
Originally hailing from West Yorkshire, they are now London based and brought with them a versatile ensemble of black and death metal tunes to fill their set.
A guest singer joined on stage to belt out the clean singing on two of their songs, including their lengthy finale which had suitably prepared us for the evening ahead.
Considering they were added to the bill so late, I was thoroughly impressed with their performance and applaud them for being so well composed.
## **Saarkoth**
Cloaks, corpse paint, masks, and skulls - this melodic black metal band from Staffordshire brought their stage presence in material form and were our sole providers of such imagery for the night.
They delivered blistering blast beats and relentless energy performing a mix of brand new and existing tracks such as *At the End of the River*. Included in this was the debut performance of a brand new song, which had an adrenaline-fueled thrash like pace to it, with a short quiet part for the audience and band to catch their breath alike.
Overall Saarkoth delivered a tight and confident set, maintaining high energy and vividly captured my intrigue - definitely a band I will be checking out more as they seemingly gear up to release brand new material.
## **Oneiros**
I was very much looking forward to finally seeing Oneiros live for the first time. This one man black metal band from Derby was introduced to me a couple years back by a good friend of mine, Ethan - a man who was pulling double duty tonight by drumming for our last two bands in a row.
Formerly known as Dark Doom until 2024, they played a half-half set of songs from both band names as frontman Alex wished us to be “ready to feel fucking miserable”.
Whilst that mission of making me feel miserable may have not succeeded - they did thoroughly impress me with unwavering momentum and expert proficiency. Even when he gave us “one last chance to cry” whilst playing *The Age of Stars* off the 2024 album *Ruminations*.
Whilst I’m not sure when I’ll be seeing Oneiros again, I will at least see Alex on stage next month as he plays live for Abduction, and as for Ethan, it would be in about 10 minutes.
## **Ofnus**
If there was anyone tonight who was here to bring us sorrow and despair, look no further. The headliner of tonight and my main purpose for 6 hours of driving are this Welsh atmospheric/melodic black metal band that I’m very familiar with.
However there was something notably different tonight compared to all previous times I have seen them, and that difference was main reason for being here. Nervously preparing at the side of the stage as the band set up was Brendan, the new singer for the band who joined at the tail end of last year following the departure of Will.
And as they opened with *Burned by the Soul of the Moon* it seemed all nervousness had disappeared as Brendan unleashed his venomous vocals that perfectly matched the cold and feral atmosphere of the band. It was immediately obvious that he was the right person for the role and ready to establish his place front and centre of the stage.
The five piece performed perfectly, with every instrument being clear as day from the (if you’ll excuse the pun) rich basslines, the weeping melodic guitars, and of course the blisteringly aggressive drumming with such tight machine-like precision.
Nestled among the setlist of amazing songs such as *The Shattering* and *Grains of Sand* was a brand new song - *Lamentation for a Life Regrettable*. A heartwrenching song of morbid fashion which ended in agonised tortured guttural screams giving me almost DSBM vibes.
Finishing the set with the wonderfully dark *Zenith Dolour*, a crushingly bleak song that demands the full attention of any listener, they proved they were playing at peak performance even with the lineup change.
Ofnus will be heading to the studio later this month ready to record their third album, this time with a new set of lungs behind the microphone.
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### Review: Moon Wisdom - Let Water Flow
URL: https://blackmetalzine.com/review-moon-wisdom-let-water-flow/
Last updated: 2026-07-15T17:23:26.000Z
**Band:** Moon Wisdom
**Album:** Let Water Flow
**Genre:** Black Metal
**Country:** Italy
**Label:** Hypnotice Dirge Records
**Released:** January 2026
## **Introduction**
So despite my best efforts last year to chug enough lawnmower oil to send me straight to Valhalla, 2026 has unfortunately arrived and with it a whole slew of new releases. The first of which i’ll be looking at is the debut release ‘ Let Water Flow’ from italian trio Moon Wisdom.
> **Tracklist:**
> 1\. Secrets of the Heart
> 2.When Time Stood Still
> 3.Tudor Garden
> 4.Porcelain
> 5\. Your Majesty
> 6\. Midsummer
## **Rumination**
On Let water flow, the italian trio showcases their own personal brand of melodic black metal over the span of almost half an hour.
There's a lot of fun stuff to offer with this album if you’re a fan of classic sounding moonlight filled 2nd wave.
The release liner notes talk about it having a lot of blackgaze and punk energy, which real talk, i dont hear it. I have no idea what they’re talking about, to me It has a lot more of an evil black symphonic/melodic vibe to it.
Regardless, it’s a deeply vibey release and does exactly what you’d want from an album with an album cover like that.
Honestly between stuff like this or One of Nine or the new upcoming Worm album, I think we’re in the midst of unabashed mid to late 90s cheesewave worship, If you’re a fan of headbanging to multiple widdly diddly guitar solos per song and evil as f\*ck riffs you’ll likely gel with this.
## **Conclusion**
Overall, this is a fun release to start the year on and a solid debut from Moon Wisdom. If you’re more into the riffy, spellbound, melodic black metal side of things, this is a good way to spend half an hour.
BMZ Rating 7.5 out of 10
Support Moon Wisdom here:
[Let Water Flow, by Moon Wisdom7 track albumHypnotic Dirge RecordsHypnotic Dirge Records](https://hypnoticdirgerecords.bandcamp.com/album/let-water-flow?ref=blackmetalzine.com)
## Your thoughts on this review.
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### Review: Staghelm - Natura Semper Praevalet (2026)
URL: https://blackmetalzine.com/review-staghelm-natura-semper-praevalet-2026/
Last updated: 2026-07-15T17:23:27.000Z
**Band:** Staghelm
**Genre:** Atmospheric Black Metal
**Country:** Wales, UK
**Label:** Naturmacht Productions
## **Introduction**
Kicking off my reviews for 2026 is the latest release from Welsh atmospheric black metal band Staghelm. A one man band hailing from the coastal town of Aberystwyth, a place I am moderately familiar with from my years where I lived in Wales.
This is their second album, following up Subnivium released in 2024 or third if we include The Wind's Journey (2019), which was released under the bands former name Ulm.
Whilst there are only three tracks, it does last nearly 34 minutes in duration, meaning this release gives you a triplet of well paced pieces to sink your teeth into.
## **Natura Semper Praevalet**
**Tracklist:**
1. These Winds Know My Name
2. Wrath of the Barked Ones
3. Altar of Oblivion
Light resonating guitar work being played over the sounds of the landscape serenely begins us off with *These Winds Know My Name*, a calming few minutes to ease yourself in before our black metal familiarity takes over. The chorus driven lead guitar creates a mesmerising melody combined with the harsher rhythm and extremely tight drumwork for the majority of the song.
That is until a peaceful and beautiful respite as we go into some gentle piano and synth work, creating a tranquil interval of breathing space before being dropped right into the furious depths of blast beats, growls, and heavily distorted tremolo guitar that perfectly encapsulates why we are here.
The harsh vocals of this album are more muddied, buried in the mix to the point where they can become distant noise amongst the guttural instrumentation. This manner feels akin to being lost in nature, not always a bad thing as that escape and withdrawal is just what you need.
*Wrath of the Barked Ones* begins with reverberated clean picking combined with light and smooth drumwork before our juxtaposing fuzzy tremolo guitar begins the bleakness. Oxylus, the sole member of Staghelm focuses heavily on the theme of nature, with the lyrics reflecting on the wilderness of our world and the wider macrocosm that is entwined. Some woodwind instrumentation is elegantly incorporated into this track before a spoken word section as our time is done and we slowly ascend into the dawn.
*Altar of Oblivion* is the shortest track on the album being just shy of ten minutes and acts as our closer to this fine adventure through mother nature. This track has a more gloomy feel to it, with somber guitar work and mournful lyrics, though also feels like the heaviest track as the instrumentation also mirrors the more grim and comfortless approach.
As we draw to a close there is a dichotomy of vocal work with the harsh growls and a more grand choir approach that has a glimmer of hope attached. *“The stars remind me that the night is darkest before the break of dawn”*.
## **Conclusion**
And as the serene synths finish the album, we are at the end of this journey. Though it was a relatively short outing of three songs, Natura Semper Praevalet has proven itself as an unyielding entry into the array of atmospheric black metal entries that focus on nature and the cosmos.
**BMZ Rating: 8.5 out of 10**
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### Review: Wormsden - Devotion of the Cursed (2026)
URL: https://blackmetalzine.com/review-wormsden-devotion-of-the-cursed-2026/
Last updated: 2026-07-16T17:15:55.000Z
**Band:** Wormsden
**Album:** Devotion of the Cursed
**Genre:** Black Metal
**Country:** Russia
**Label:** Svanrenne Music
**Released:** January 18, 2026
## Introduction:
Emerging from the depths of the Moscow underground, Wormsden has rapidly carved a niche for themselves as purveyors of uncompromising black metal. Formed in recent years by a collective of seasoned veterans from the Russian scene, boasting pedigrees from projects like Majestat and Blackfog, the quintet released their first demo Raising the Citadel in 2024\. This was followed by the gritty Dawn of Human Pestilence EP, which acted as a harbinger for their current trajectory. Their recently released debut full-length, Devotion of the Cursed, represents the culmination of this evolution, distilling their sound into a singular, venomous statement.
Track Listing:
1. Candle of Black Melancholy
2. Dawn of Human Pestilence
3. Flowers of Crawling Chaos
4. Whirlwind Choir
5. Procession to the Funeral Cave
6. Nosferion
7. Gaith of Cold Blistering Death
## The Album:
Devotion of the Cursed is an exercise in stylistic purity, firmly rooted in the frost-bitten traditions of the Finnish and Swedish black metal. From the opening moments of "Candle of Black Melancholy," it is clear that Wormsden is not interested in modern post-black experimentation or avant-garde flourishes. Instead, they offer a masterclass in atmosphere and aggression. The guitar work of Unlight and Graf Akinetos is the album’s centerpiece, weaving melodic yet dissonant leads that evoke the icy majesty of Dissection or early Watain. Tracks like "Whirlwind Choir" showcase the band’s ability to balance breakneck blast beats with soaring, minor-key tremolo picking that feels both triumphant and mournful. Coyote’s vocal performance is particularly striking; his strident, raspy delivery sounds like a desperate transmission from a subterranean crypt, perfectly cutting through the dense wall of sound provided by the rhythm section of Dei Stultus and P.G. Production-wise, the album strikes a difficult balance. It retains a raw edge necessary for the genre's authenticity but is clear enough to allow the intricacies of the dual-guitar harmonies in "Flowers of Crawling Chaos" to shine. The closing track, "Gait of Cold Blistering Death," serves as the record's peak, a sprawling, mid-tempo march that gradually accelerates into a chaotic frenzy, leaving the listener in a state of cold exhaustion.
## Conclusion:
Devotion of the Cursed is a formidable debut that succeeds by honoring the foundations of black metal without feeling like a mere imitation. Wormsden has perfectly captured the essence of the second-wave, delivering an album that is as atmospheric as it is violent. Its greatest strength lies in its songwriting; beneath the layers of grime and distortion are memorable hooks and a cohesive vision that marks Wormsden as vital new addition to the Russian black metal scene and a band to keep eyes on.
BMZ rating: 9 out of 10
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### The Infernal Records: Week 02 & 03
URL: https://blackmetalzine.com/the-infernal-records-week-02-03/
Last updated: 2026-01-26T07:09:53.000Z
We are nearing the end of January, and we already have 3 weeks behind us. So here you'll find a new list curated by Fractal with releases on it he (and we) thinks are worth checking out.
> ***Note: This is a very long email, and it could be that it will be behind a view the entire message (mostly for Gmail addresses). You can click View Entire Message to read it in its entirety or read it on the website.***
Band: Aamutähti
Album: To Sodom! To Death!
Country: Finland
Genre: Black Metal
Date: January 9, 2026
[To Sodom! To Death!, by Aamutähti6 track albumAamutähtiBandcamp New & Notable Jun 3, 2023](https://aamutahti.bandcamp.com/album/to-sodom-to-death?ref=blackmetalzine.com)
Band: Ardente
Album: Aux portes de l'horizon (EP)
Country: France
Genre: Black Metal
Date: January 6th, 2026
[Aux Portes de l’Horizon (EP), by Ardente4 track albumLila StarlessRyan](https://lilastarless.bandcamp.com/album/aux-portes-de-lhorizon-ep?ref=blackmetalzine.com)
Band: Astral Lore
Album: To Summon the Powers of Bare Earth (EP)
Country: Portugal / France
Genre: Black Metal
Date: January 16, 2026
[To Summon the Powers of Bare Earth, by Astral Lore2 track albumAstral Lorebmurator](https://astrallorenp.bandcamp.com/album/to-summon-the-powers-of-bare-earth?ref=blackmetalzine.com)
Band: Astral Ruins
Album: Cursebound
Country: Austria
Genre: Black Metal
Date: January 10, 2026
[Cursebound, by Astral Ruins7 track albumAstral Ruins](https://astralruins.bandcamp.com/album/cursebound?ref=blackmetalzine.com)
Band: Black Hurst
Album: Purgatory of Flesh Bizarre
Country: USA
Genre: Black Metal/Black Heavy Metal
Date: January 13, 2026
[Purgatory of Flesh Bizarre, by Black Hurst8 track albumNWN! Productions LLCBandcamp Album of the Day Jun 14, 2024](https://nuclearwarnowproductions.bandcamp.com/album/purgatory-of-flesh-bizarre?ref=blackmetalzine.com)
Band: Cabra
Album: I, Deceiver (EP)
Country: USA
Genre: Black Metal
Date: January 12th, 2026
[I, Deceiver, by Cabra6 track albumCabraBandcamp New & Notable Sep 30, 2019](https://cabra4.bandcamp.com/album/i-deceiver?ref=blackmetalzine.com)
Band: Darghl
Album: Systemic Violence
Country: Norway
Genre: Black Metal
Date: January 16th, 2026
[Systemic Violence, by Darghl10 track albumDarghlBandcamp New & Notable Jan 8, 2018](https://darghl.bandcamp.com/album/systemic-violence?ref=blackmetalzine.com)
Band: Flesh Chalice
Album: Flesh Chalice (Demo)
Country: USA
Genre: Black Metal
Date: January 12, 2026
[Flesh Chalice, by Flesh Chalice5 track albumFlesh Chalice](https://fleshchalice.bandcamp.com/album/flesh-chalice?ref=blackmetalzine.com)
Band: Funeral Dancer
Album: Inner Gate
Country: USA
Genre: Black 'n' Roll
Date: January 9th, 2026
[Inner Gate, by Funeral Dancer8 track albumFuneral DancerNocturnal Egg (Jordan)](https://funeraldancer.bandcamp.com/album/inner-gate?ref=blackmetalzine.com)
Band: Geheimnisvoll
Album: Pale Triumph of the Hidden Flame
Country: USA
Genre: Black Metal
Date: January 18, 2026
[Geheimnisvoll - Pale Triumph of the Hidden Flame, by Geheimnisvoll7 track albumOBSCURANT VISIONScom1cd0nutman](https://obscurantvisions.bandcamp.com/album/geheimnisvoll-pale-triumph-of-the-hidden-flame?ref=blackmetalzine.com)
Band: Katheksis
Album: A Whirlwind of Epiphany (Demo)
Country: Poland
Genre: Black Metal
Date: January 13, 2026
[A Whirlwind of Epiphany - demo, by Katheksis3 track albumKatheksis](https://katheksisbm.bandcamp.com/album/a-whirlwind-of-epiphany-demo?ref=blackmetalzine.com)
Band: Koldkrypt
Album: Condam.né
Country: France
Genre: Black Metal
Date: January 12, 2026
[Condam.né, by Koldkrypt8 track albumKoldkrypt](https://koldkrypt.bandcamp.com/album/condam-n?ref=blackmetalzine.com)
Band: Koschei
Album: Vo Mrake (Во Мраке) (EP)
Country: Russia
Genre: Atmospheric Black Metal
Date: January 8, 2026
[Vo Mrake (Во Мраке), by koschei4 track albumkoschei](https://koschei.bandcamp.com/album/vo-mrake?ref=blackmetalzine.com)
Band: Lucem
Album: Abyssus Tenebrarum (EP)
Country: Finland
Genre: Sludge/Black Metal
Date: January 16, 2026
[Abyssus Tenebrarum (EP, 2026), by Lucem4 track albumLucemBandcamp New & Notable May 9, 2025](https://lucemfinland.bandcamp.com/album/abyssus-tenebrarum-ep-2026?ref=blackmetalzine.com)
Band: Moon Wisdom
Album: Let Water Flow
Country: Italy
Genre: Black Metal
Date: January 16th, 2026
[Let Water Flow, by Moon Wisdom7 track albumHypnotic Dirge RecordsHypnotic Dirge Records](https://hypnoticdirgerecords.bandcamp.com/album/let-water-flow?ref=blackmetalzine.com)
Band: Najezda
Album: Signs of Ancient Winter
Country: Croatia
Genre: Black Metal
Date: January 16, 2026
[Signs of Ancient Winter, by Najezda7 track albumNajezdapoisonoracle](https://najezda.bandcamp.com/album/signs-of-ancient-winter?ref=blackmetalzine.com)
Band: Nightwar
Album: Восходя во мраке (EP)
Country: Russia
Genre: Black Metal
Date: January 7, 2026
[Восходя Во Мраке, by Nightwar4 track albumNightwarporcelainheart-](https://nghtwr.bandcamp.com/album/-?ref=blackmetalzine.com)
Band: Noctarth
Album: Grey Horizon (EP)
Country: Germany
Genre: Melodic Black Metal
Date: January 5, 2026
[Grey Horizon EP, by Noctarth3 track albumNoctarth](https://noctarthofficial.bandcamp.com/album/grey-horizon-ep?ref=blackmetalzine.com)
Band: Nymord
Album: Veštba skazy
Country: Slovakia
Genre: Black Metal
Date: January 10, 2026
[Veštba skazy, by Nymord7 track albumNymordBandcamp New & Notable Oct 3, 2020](https://nymord.bandcamp.com/album/ve-tba-skazy?ref=blackmetalzine.com)
Band: Sardonic Allegiance
Album: Coast II (EP)
Country: Netherlands
Genre: Melodic/Symphonic Black Metal
Date: January 9th, 2026
[Coast II, by Sardonic Allegiance4 track albumSardonic AllegianceBandcamp New & Notable Jan 5, 2022](https://sardonicallegiance.bandcamp.com/album/coast-ii-2?ref=blackmetalzine.com)
Band: Schattenfall
Album: Zwischen Erde und Schatten
Country: Ukraine / Germany
Genre: Black Metal
Date: January 18, 2026
[Zwischen Erde und Schatten, by Schattenfall7 track albumSchattenfallSchattenfall](https://schattenfall.bandcamp.com/album/zwischen-erde-und-schatten?ref=blackmetalzine.com)
Band: Secretum Ritus
Album: Ritus de Maleficum (EP)
Country: Finland
Genre: Pagan Black Metal
Date: January 11th, 2026
[Ritus de Maleficum, by Secretum Ritus3 track albumSecretum Ritus](https://secretumritus.bandcamp.com/album/ritus-de-maleficum?ref=blackmetalzine.com)
Band: The Ruins Of Beverast
Album: Tempelschlaf
Country: Germany
Genre: Atmospheric Black/Doom Metal
Date: January 9th, 2026
[Tempelschlaf, by The Ruins Of Beverast7 track albumThe Ruins Of BeverastM](https://theruinsofbeverast.bandcamp.com/album/tempelschlaf?ref=blackmetalzine.com)
Band: Triumphal Vengeance
Album: Spears of Conquest
Country: Chile
Genre: Black Metal
Date: January 16th, 2026
[Triumphal Vengeance - Spears of Conquest, by Triumphal Vengeance6 track albumOBSCURANT VISIONSNocturnal Egg (Jordan)](https://obscurantvisions.bandcamp.com/album/triumphal-vengeance-spears-of-conquest?ref=blackmetalzine.com)
Band: Ultima
Album: I: Katabasis
Country: Spain
Genre: Black Metal
Date: January 18th, 2026
[Ultima - I: Katabasis, by Ultima5 track albumOBSCURANT VISIONSMatten](https://obscurantvisions.bandcamp.com/album/ultima-i-katabasis?ref=blackmetalzine.com)
Band: Vlad Spirit
Album: Ashes Of The Crimson Kingdom
Country: Greece
Genre: Raw Black Metal
Date: January 13th, 2026
[Vlad Spirit - Ashes Of The Crimson Kingdom, by Vlad Spirit8 track albumOBSCURANT VISIONSblackflag132](https://obscurantvisions.bandcamp.com/album/vlad-spirit-ashes-of-the-crimson-kingdom?ref=blackmetalzine.com)
Band: Viserion
Album: Fire and Blood
Country: USA
Genre: Black Metal
Date: January 16, 2026
[Fire and Blood, by Viserion5 track albumViserionTerastios4x4](https://viserion.bandcamp.com/album/fire-and-blood-3?ref=blackmetalzine.com)
Band: Winterkhor
Album: From the Depths of Time
Country: Russia
Genre: Melodic Pagan Black Metal
Date: January 13, 2026
[From the Depths of Time, by Winterkhor7 track albumWINTERKHOR](https://winterkhor.bandcamp.com/album/from-the-depths-of-time?ref=blackmetalzine.com)
Band: Winter Rites of the Mountain Land
Album: Κυν-λακ-αχ
Country: Greece
Genre: Pagan Black Metal
Date: January 20th, 2026
[ΚΥΝ-ΛΑΚ-ΑΧ, by Winter Rites Of The Mountain Land8 track albumWinter Rites Of The Mountain Land](https://winterritesofthemountainland.bandcamp.com/album/-?ref=blackmetalzine.com)
Band: Wormsden
Album: Devotion Of The Cursed
Country: Russia
Genre: Melodic Black Metal
Date: January 18th, 2026
[Devotion of the Cursed, by Wormsden7 track albumWormsden](https://wormsden.bandcamp.com/album/devotion-of-the-cursed?ref=blackmetalzine.com)
## Your thoughts on this newsletter
We love to hear your opinion about this newsletter. You can do so by becoming a member and commenting on this post.
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### Review: The Chamberlain - Draconian Magick (2025)
URL: https://blackmetalzine.com/review-the-chamberlain-draconian-magick-2025/
Last updated: 2026-07-16T17:15:56.000Z
**Band:** The Chamberlain
**Album:** Draconian Magick
**Genre:** Symphonic Black Metal
**Country:** Finland
**Label:** Out of the Dungeon
**Released:** February 21, 2025
## Introduction
Formed in Turku, Finland in 2023, The Chamberlain are a symphonic black metal band rooted firmly in the traditions of the genre’s late-90s expansion. After establishing their sound with the Dominus Noctis EP (2023), the band quickly positioned themselves within a lineage that values atmosphere, structure, and occult thematic focus over raw abrasion or stylistic experimentation. Draconian Magick (2025) marked their first full-length release, and having somehow overlooked this incredible debut album last year, I felt it deserved a proper review.
## The Album:
Draconian Magick is a focused and consistent album that perfectly balances atmosphere and aggression. The guitars rely on steady tremolo picked riffing, creating a melodic but dark foundation that carries the album from start to finish. Keyboards are present throughout, but they are used carefully to support the songs rather than overwhelm them. The production is clean and balanced, maintaining a raw edge, but allowing each instrument to be heard clearly without losing the album’s icy atmosphere.
**Tracklisting:**
1. Overture
2. Empyreal Legions
3. Wings of Leather
4. Draconian Magick
5. Interlude
6. On the Path of Reckoning
7. Rise of the Chamberlain
8. Enter the Pandemonium
The tracks “Empyreal Legions” and “Rise of the Chamberlain” highlight the band’s approach to songwriting, favoring tasteful repetition and gradual development over sudden shifts or dramatic climaxes. Riffs often repeat with small variations, giving the music a steady, almost hypnotic flow. The vocals are consistent across the album, delivered in a controlled rasp that fits the music without drawing unnecessary attention to itself. “On the Path of Reckoning” and “Wings of Leather,” showcase the band's ability to balance melody and atmosphere while still maintaining a strong sense of pacing. The drumming is restrained and reliable, focused on maintaining momentum rather than flashy technical skill. Bass lines are subtle but help reinforce the album’s darker atmosphere. The title track, “Draconian Magick,” acts as the album’s centerpiece. It leans heavily on mood and repetition, reinforcing the album’s dark atmosphere and melodic tendencies. Rather than aiming for intensity or speed, the song focuses on immersion, reflecting the band’s overall approach to black metal.
## Conclusion
Draconian Magick is a solid and confident debut that stays true to the core elements of symphonic black metal. The Chamberlain do not attempt to push the genre in new directions, but instead focus on strong songwriting, consistent atmosphere, and clear intent. The album’s strength lies in its discipline and cohesion rather than innovation. What they do, they do extremely well. I'm glad I discovered this release when I did, better late than never, and know that fans of symphonic black metal will surely enjoy it as well.
BMZ rating: 8.5 out of 10
## Your thoughts on this review.
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### Review: Nearless - Autumnal Ache (2026)
URL: https://blackmetalzine.com/review-nearless-autumnal-ache-2026/
Last updated: 2026-07-16T17:15:56.000Z
**Band:** Nearless
**Album:** Autumnal Ache
**Genre:** Atmospheric Black Metal
**Country:** United Kingdom
**Label:** Independent
**Released:** January 1, 2026
## Introduction
Nearless is a one man, black metal project from Bedfordshire, England. Existing at the quiet periphery of the black metal continuum, Nearless has consistently pursued an introspective and emotionally literate strain of atmospheric black metal. Across 2 previous EP’s, the project has established a vocabulary rooted in melancholy, restraint, and inward collapse, drawing as much from post-black metal’s textural expansiveness as from the genre’s traditional sense of isolation. Autumnal Ache, the third EP to date, finds us in the early hours of 2026\.
## The EP
Autumnal Ache unfolds like a slow descent through fading light and dying warmth. From its opening moments, the ep establishes a windswept atmosphere, built on layered tremolo picked guitars that blur into one another like rain-soaked leaves pressed against cold ground. The production is intentionally distant yet clear enough to let melodies breathe, striking a careful balance between rawness and ambience. Rather than overwhelming the listener with constant intensity, Nearless allows the songs to expand and contract naturally, often stretching passages until the emotion fully settles in.
**Tracklisting:**
1. Ghost
2. Hollow Harvest
3. Winter Sun
4. The Meeting
5. Home
The guitars carry much of the album’s emotional weight, shifting between glacial repetition and subtly uplifting melodic turns that never quite resolve into hope. These fleeting moments of warmth only serve to heighten the surrounding desolation. Vocals are delivered in a strained, anguished rasp, buried slightly in the mix as if echoing from within the listener’s own head. The drumming remains understated but purposeful, favoring steady, hypnotic patterns over blast-heavy excess, reinforcing the album’s reflective pacing.
What truly sets Autumnal Ache apart is its patience. Nearless is unafraid to let themes linger, trusting that repetition can become cathartic rather than monotonous. The tracks build gradually, layering guitars and subtle atmospheric elements until they crest in emotionally charged climaxes that feel earned rather than forced. The album’s autumn imagery is more than aesthetic; it mirrors the music’s emotional arc, capturing the ache of transition, the beauty in decay, and the quiet acceptance of endings. There is a strong post-black metal influence throughout, but it never dilutes the black metal spirit that anchors the record in darkness.
## Conclusion:
For those drawn to melancholic, atmospheric black metal that prioritizes feeling over spectacle, this album offers a powerful and sincere experience. Nearless continues to prove that solitude can be a strength, and Autumnal Ache captures the sound of one artist turning isolation into something haunting and beautiful.
BMZ rating: 7.5 out of 10
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### Review: Pénombre – “Demo 2026” (2026)
URL: https://blackmetalzine.com/review-penombre-demo-2026-2026/
Last updated: 2026-07-16T17:15:57.000Z
**Band:** Pénombre
**Album:** “Démonstration MMXXVI”
**Genre:** Black Metal
**Country:** Quebec (Canada)
**Label:** Musique Souterraine
**Released:** February 1st, 2026
## Introduction:
The year was 2017, and out of the Québécois scene came a trio… and the rest is history. It is fairly well known how much the Black Metal scene from Quebec has grown, and these lads are part of the reason. The delicate melodies, wrapped in aggressiveness and a sort of folk-heritage-related scent, are all it takes to propel it to never-before-seen heights. I might be biased. I tend to get myself utterly entangled in black metal that sounds exactly like Pénombre—or Feufolet—where the listener is taken on a journey where the melodies sound, smell, and almost taste like home.
**Tracklisting:**
1. Ça viendra
2. Ton absence fait rage
3. Deux sangs
4. La narration du défunt
## The Album:
The band’s destination has no dark castle, nor do we have to cross an enchanted forest; the band’s destination is filled with political essence, with soil and home, with blood and Quebec. Soundwise, how does this replicate into music, you might ask? Pénombre has a definitive Black Metal basis, of course, to which they add Oi melodies, which makes it almost perfect. Slow to mid-paced Black Metal with Folkish melodies, and we are served the best of the best.
This is the band’s first, and hopefully not last, release of 2026\. A short, yet powerful, representation of the band’s sound and creativity. The samples, here and there, give the music a richer ambience and overall completion. Pieces of the same puzzle, d’you know what I mean? Like Feufolet, Pénombre has a very distinguishable sound, I dare say; “Ça viendra” starts off the Demo perfectly. That guitar riff, the dynamics in the whole structure of the song, the vocals that add melody and give a “special touch”. All ”in all, top-notch composition. At the same time, and being a Northerner, their music has the ability to make me feel at home, as it always reminds me of snowy nights and frozen mornings.
Conclusion:
Once again, the Québécois trio pours, into music, emotions; emotions that transcript into manifestos and melodies; melodies that haunt the minds of those that feel placed as causers of harm and injustice. Music is not just music, and it will never be just music: music is a vehicle, a message. Pénombre gifts us emotions, Pénombre gifts us art.
BMZ rating: 8 out of 10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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### Review: Fuath - III (2026)
URL: https://blackmetalzine.com/review-fuath-iii-2026/
Last updated: 2026-07-15T17:23:29.000Z
**Band:** Fuath
**Album:** III
**Genre:** Atmospheric Black Metal
**Country:** United Kingdom
**Label:** Northern Silence Productions
**Released:** January 2, 2026
## Introduction:
Andy Marshall, the one man mastermind behind the projects **Saor** and **Fuath,** has released his third atmospheric masterpiece, *III*.
## III
As a big fan of Andy Marshall's project **Saor,** I have also recently became a fan of his other project known as **Fuath,** which are malevolent spirits or water spirits in Scottish Highland and Irish folklore. With every listen, I find myself more and more immersed, getting lost within its magnificent atmosphere. This album does not disappoint at all!
**Tracklisting:**
- The Cailleach
- Embers of the Fading Age
- Possessed By Starlight
- The Slaugh
We begin the album with “The Cailleach” which explodes into fast paced guitar riffs and blast beats. The atmosphere behind the guitar tone itself is enough to make the listener feel that they are on a journey through wintery landscapes in search of Cailleach. It's just a beautiful mix of fast and mid-range guitar tempos intertwined with an epic story of the Winter Hag.
The next track, “Embers of the Fading Age” is another rip-roaring start into more atmospheric bliss mixed with mid-tempo riffs and musical shifts to give the song a character of somber melancholy. My favorite part is the middle section of the song with the lone, fast drum tempo. The overtures of acoustic guitar playing in the background add to the songs overall dramatic feel. Thus picking back up into a mid-tempo rhythm experience.
“Possessed By Starlight” starts with a blowing of winter winds erupting to an explosive chorus and fast tempo passages of atmospheric sounds.
Finally we close with “The Sluagh” a host or hosts of the unforgiven dead. Out of the four songs on this album, this one is my favorite because it just starts out fast and ready to conquer the listener with unexpected tempo changes. For example, a couple of minutes after the intro of the song, it slows down, picks back up, and does this throughout the remainder, giving it a rollercoaster ride of unforgiven dead spirits.
The production on this album is fantastic; I just wish the vocals were out front a tad bit more than the rest, but to be honest, it gives that haunting presence throughout the album. All the instruments are mixed wonderfully.
## Conclusion:
If you're into **Saor** and other atmospheric black metal bands, then you will get into **Fuath** easily. This album is unique from the start, as are the first two **Fuath** releases. I am very eager to see if Andy will produce more **Fuath** records in the future!
Rating: 8 of 10
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
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### The Infernal Records: Week 52 & 01
URL: https://blackmetalzine.com/the-infernal-records-week-52-01/
Last updated: 2026-07-16T17:15:58.000Z
It's a new year, and we start that off with a new The Infernal Records. We got a week left from the year that we left behind and the first week of the new year. We from BMZ hope you all had a great time and that the new year may be filled with awesome black metal releases.
> ***Note: This is a very long email, and it could be that it will be behind a view the entire message (mostly for Gmail addresses). You can click View Entire Message to read it in its entirety or read it on the website.***
## Releases
Band: Absolutum
Album: Carne d'angelo
Country: Italy
Genre: Dissonant/Raw Black Metal
Date: January 1, 2026
[Carne d’angelo, by Absolutum8 track albumAbsolutum](https://absolutumofficial.bandcamp.com/album/carne-dangelo?ref=blackmetalzine.com)
Band: Aesthete
Album: A Ritual for Demons Lost in the Forest (EP)
Country: El Salvador / Germany
Genre: Symphonic Black Metal
Date: December 28, 2025
[A Ritual for Demons Lost in The Forest, by Aesthete5 track albumAestheteBandcamp New & Notable Jan 5, 2022](https://aesthetebm.bandcamp.com/album/a-ritual-for-demons-lost-in-the-forest?ref=blackmetalzine.com)
Band: Actum Inferni
Album: Insygnia diabelskiej władzy
Country: Poland
Genre: Black Metal
Date: December 24, 2025
[Insygnia diabelskiej władzy, by Actum Inferni4 track albumActum InferniDavid Fischer](https://actuminferni.bandcamp.com/album/insygnia-diabelskiej-w-adzy?ref=blackmetalzine.com)
Band: Arcane Frost
Album: Night's Cavalry
Country: Germany
Genre: Black Metal
Date: January 3, 2026
[Night’s Cavalry, by Arcane Frost7 track albumBleeding Heart Nihilist ProductionsBandcamp Album of the Day Jan 14, 2026](https://bhnproductions.bandcamp.com/album/nights-cavalry?ref=blackmetalzine.com)
Band: Ascalapha / Ithilrå
Album: Shadow Under a Ravens Wing (Split)
Country: USA
Genre: Atmospheric Black Metal
Date: January 2, 2026
[Shadow Under a Ravens Wing, by Ithilrå4 track albumIthilråbmurator](https://ithilra.bandcamp.com/album/shadow-under-a-ravens-wing?ref=blackmetalzine.com)
Band: Beholder
Album: Prisonniers de l'Abîme
Country: Canada
Genre: Black Metal
Date: December 22nd, 2025
[Prisonniers de l’Abîme, by Beholder7 track albumBeholderlarsfor09](https://beholderqc.bandcamp.com/album/prisonniers-de-lab-me?ref=blackmetalzine.com)
Band: Black Autumn
Album: Rauhnacht MMXXV - Dusk Iterations (EP)
Country: Germany
Genre: Ambient Black/Doom (Instrumental)
Date: December 26th, 2025
[Rauhnacht MMXXV - Dusk Iterations, by Black Autumn3 track albumBlack AutumnAlice M.](https://blackautumn.bandcamp.com/album/rauhnacht-mmxxv-dusk-iterations?ref=blackmetalzine.com)
Band: Consanguine
Album: Worlds Hidden Behind Vision, Rituals Hidden Behind Dream
Country: USA
Genre: Progressive Black Metal
Date: December 26, 2025
[Worlds Hidden Behind Vision, Rituals Hidden Behind Dream, by Consanguine4 track albumConsanguineIvoryReverb](https://consanguine.bandcamp.com/album/worlds-hidden-behind-vision-rituals-hidden-behind-dream?ref=blackmetalzine.com)
Band: Dhanthalion
Album: Above The Cross (Demo)
Country: Brazil
Genre: Atmospheric Raw Black Metal/Ambient
Date: December 24, 2025
[Above The Cross (Demo), by Dhanthalion8 track albumDhanthalionBandcamp New & Notable Oct 3, 2020](https://dhanthalion.bandcamp.com/album/above-the-cross-demo?ref=blackmetalzine.com)
Band: Ellende
Album: Zerfall
Country: Austria
Genre: Post-Black Metal
Date: January 2nd, 2026
[Zerfall, by Ellende9 track albumEllendeHernando](https://ellende.bandcamp.com/album/zerfall?ref=blackmetalzine.com)
Band: Enfant Tombé
Album: Memories Of A Poisoned Past
Country: Unknown (Europe)
Genre: Black Metal/DSBM
Date: December 29, 2025
[Memories Of A Poisoned Past, by ENFANT TOMBE’4 track albumBLACKREACH Productions](https://blackreachprod.bandcamp.com/album/memories-of-a-poisoned-past?ref=blackmetalzine.com)
Band: Erancnoir
Album: Staxvan (EP)
Country: Iran
Genre: Epic/Raw Black Metal/Ambient
Date: January 4, 2026
[Staxvan, by Erancnoir2 track albumErancnoirErancnoir](https://erancnoir.bandcamp.com/album/staxvan?ref=blackmetalzine.com)
Band: Fauth
Album: III
Country: UK
Genre: Atmospheric Black Metal
Date: January 2nd, 2026
[III, by Fuath4 track albumFuathRicardo Cristof](https://fuath.bandcamp.com/album/iii?ref=blackmetalzine.com)
Band: Frostbiten
Album: Kronologi XXV
Country: Sweden
Genre: Black/Doom Metal with Punk influences
Date: December 28, 2025
[Kronologi XXV, by Frostbiten7 track albumFrostbitenBandcamp New & Notable Mar 23, 2025](https://frostbiten.bandcamp.com/album/kronologi-xxv?ref=blackmetalzine.com)
Band: Gormoth
Album: Winterfall
Country: Hungary
Genre: Atmospheric Black Metal/Ambient
Date: December 24th, 2025
[Winterfall, by Gormoth4 track albumGormothGormoth](https://gormoth1219.bandcamp.com/album/winterfall?ref=blackmetalzine.com)
Band: Hunger
Album: Only For The Eyes Of The Pack (Demo)
Country: Germany
Genre: Black Metal
Date: December 27th, 2025
[Only For The Eyes Of The Pack (Demo), by Hunger3 track albumHungerBandcamp New & Notable Nov 6, 2023](https://hunger666.bandcamp.com/album/only-for-the-eyes-of-the-pack-demo?ref=blackmetalzine.com)
Band: Kamanch'aca
Album: Fuerzas Abismales
Country: Chile
Genre: Black Metal
Date: December 29, 2025
[Fuerzas Abismales, by Kamanch’aca5 track albumKamanch'acaBandcamp New & Notable Jan 14, 2026](https://kamanchaca.bandcamp.com/album/fuerzas-abismales?ref=blackmetalzine.com)
Band: Karévana
Album: 夜明けの空へ – To The Dawn Sky
Country: Japan
Genre: Raw Black Metal
Date: December 25th, 2025
[夜明けの空へ – To The Dawn Sky, by KARÉVANA11 track albumKARÉVANARyan](https://karevana.bandcamp.com/album/to-the-dawn-sky?ref=blackmetalzine.com)
Band: Kréen
Album: Aurora (EP)
Country: Chile
Genre: Atmospheric Black/Doom Metal
Date: December 27, 2025
[Aurora, by Kréen3 track albumKréenDavid Fischer](https://kreenbdm.bandcamp.com/album/aurora?ref=blackmetalzine.com)
Band: Likno
Album: Summit and Trench
Country: Greece
Genre: Atmospheric Raw Black Metal
Date: December 31st, 2025
[Summit and Trench, by Likno3 track albumLiknoJDMP](https://likno.bandcamp.com/album/summit-and-trench?ref=blackmetalzine.com)
Band: Melethor
Album: Tales from the Apennines (EP)
Country: Italy
Genre: Folk/Black Metal
Date: January 2nd, 2026
[Tales from the Apennines, by Melethor5 track albumMelethorBandcamp New & Notable Jan 7, 2026](https://melethor.bandcamp.com/album/tales-from-the-apennines?ref=blackmetalzine.com)
Band: Midnight Silence
Album: Overgrown Paths
Country: Ukraine
Genre: Black Metal
Date: December 24th, 2025
[Overgrown Paths, by Midnight Silence8 track albumMidnight SilenceHernando](https://midnattensstillhet.bandcamp.com/album/overgrown-paths?ref=blackmetalzine.com)
Band: Moonless
Album: Under Stjernenes Prakt (EP)
Country: Germany
Genre: Atmospheric Black Metal
Date: December 22nd, 2025
[Under Stjernenes Prakt, by Moonless5 track albumMoonlessBandcamp New & Notable Nov 12, 2013](https://moonlessnight.bandcamp.com/album/under-stjernenes-prakt?ref=blackmetalzine.com)
Band: Mörkvind / Tårfödd
Album: When The Gods Are Silent (Collaboration)
Country: Italy / Germany, Sweden
Genre: Atmospheric Black Metal
Date: December 27, 2025
[When The Gods Are Silent, by Tårfödd5 track albumTårföddturkisandwitch](https://trfdd.bandcamp.com/album/when-the-gods-are-silent?ref=blackmetalzine.com)
Band: Nangrad
Album: A Cold Breeze Of Death
Country: Paraguay
Genre: Melodic Black Metal
Date: January 1st, 2026
[A Cold Breeze Of Death, by Nangrad8 track albumNangradTerastios4x4](https://nangrad.bandcamp.com/album/a-cold-breeze-of-death?ref=blackmetalzine.com)
Band: Nearless
Album: Autumnal Ache
Country: UK
Genre: Atmospheric Black/Post-Metal
Date: January 1, 2026
[Autumnal Ache, by NEARLESS5 track albumNEARLESSJDMP](https://nearlessmusic.bandcamp.com/album/autumnal-ache?ref=blackmetalzine.com)
Band: Nödtveidt
Album: Black Light Pantheon (EP)
Country: Bulgaria
Genre: Melodic Black Metal
Date: December 25, 2025
[Nödtveidt - Black Light Pantheon, by LittleNorwayProductions5 track albumLittleNorwayProductionsHarold N’Hiver](https://littlenorwayproductions.bandcamp.com/album/n-dtveidt-black-light-pantheon?ref=blackmetalzine.com)
Band: Nordjn
Album: In Winter's Reign (EP)
Country: USA
Genre: Black Metal/Ambient
Date: December 25, 2025
[In Winter’s Reign, by Nordjn4 track albumNordjnBandcamp New & Notable May 22, 2023](https://nordjn2.bandcamp.com/album/in-winters-reign?ref=blackmetalzine.com)
Band: Order Of Morbid Romanticism
Album: Order of Morbid Romanticism
Country: Italy
Genre: Raw Black Metal
Date: December 31st, 2025
[Order Of Morbid Romanticism, by Order Of Morbid Romanticism7 track albumUnholy Dungeon Tapes](https://unholydungeontapes.bandcamp.com/album/order-of-morbid-romanticism?ref=blackmetalzine.com)
Band: Spectral Lore
Album: IV (Part 2) (Demo)
Country: Greece
Genre: Atmospheric Black Metal, Ambient
Date: December 31st, 2025
[IV (Part 2 - Demo), by Spectral Lore9 track albumSpectral LoreSpectral Lore](https://spectrallore.bandcamp.com/album/iv-part-2-demo?ref=blackmetalzine.com)
Band: Sombresprit
Album: Errance nocturne
Country: France
Genre: Black Metal (Instrumental)
Date: December 28, 2025
[Errance nocturne, by Sombresprit6 track albumSombrespritBandcamp New & Notable Jan 7, 2026](https://sombresprit.bandcamp.com/album/errance-nocturne?ref=blackmetalzine.com)
Band: Spirits of Jigoku
Album: Profane Cosmic Hymns
Country: USA
Genre: Symphonic Black Metal
Date: December 25, 2025
[profane cosmic hymns, by Spirits of Jigoku10 track albumSpirits of JigokuBandcamp New & Notable Jan 14, 2026](https://spiritsofjigoku.bandcamp.com/album/profane-cosmic-hymns?ref=blackmetalzine.com)
Band: Turpitude
Album: Mordoré
Country: Canada
Genre: Black Metal
Date: January 1, 2026
[Mordoré, by Turpitude6 track albumTurpitudebabischaralamp](https://turpitude.bandcamp.com/album/mordor?ref=blackmetalzine.com)
Band: Unendlich
Album: Torn Pieces (EP)
Country: USA
Genre: Black Metal
Date: January 2nd, 2026
[Torn Pieces, by Unendlich6 track albumUnendlichObsidian One](https://unendlichband.bandcamp.com/album/torn-pieces?ref=blackmetalzine.com)
Band: Vëstïge
Album: Contemplation & Entre Chiens et Loups (EP)
Country: Unknown
Genre: Black Metal
Date: December 26, 2025
[Contemplation & Entre Chiens et Loups, by Vëstïge2 track albumVëstïgeBandcamp New & Notable Jan 7, 2026](https://vstge.bandcamp.com/album/contemplation-entre-chiens-et-loups?ref=blackmetalzine.com)
Band: Vergram
Album: Bitterkeit (EP)
Country: Germany
Genre: Atmospheric Black MEtal
Date: December 27, 2025
[Bitterkeit, by Vergram3 track albumVergramBürli](https://vergram.bandcamp.com/album/bitterkeit?ref=blackmetalzine.com)
Band: Vinterstorn
Album: Vinterstorn
Country: Canada
Genre: Black Metal
Date: December 30th, 2025
[Vinterstorn, by Vinterstorn10 track albumVinterstornBandcamp New & Notable Feb 6, 2023](https://vinterstorn.bandcamp.com/album/vinterstorn?ref=blackmetalzine.com)
Band: Woe
Album: Legacies of Human Frailty
Country: USA
Genre: Black Metal
Date: January 1st, 2026
[Legacies of Human Frailty, by Woe6 track albumWoeWoe](https://woeunholy.bandcamp.com/album/legacies-of-human-frailty?ref=blackmetalzine.com)
Band: Wraithlord
Album: If Blood is to Spill... Make it an Ocean
Country: USA
Genre: Black Metal
Date: January 2, 2026
[If Blood is to Spill... Make it an Ocean, by Wraithlord10 track albumWraithlordWraithlord](https://wraithlord.bandcamp.com/album/if-blood-is-to-spill-make-it-an-ocean?ref=blackmetalzine.com)
Band: Zol Jad
Album: Ramnoteža (EP)
Country: North Macedonia
Genre: Black Metal
Date: December 22nd, 2025
[Ramnoteža, by Zol Jad4 track albumZol JadBandcamp New & Notable Jan 14, 2026](https://zoljad.bandcamp.com/album/ramnote-a?ref=blackmetalzine.com)
Band: Impious Vesper
Album: Memoria Mortuorum
Country: Italy
Genre: Black Metal
Date: December 30th, 2025
[Memoria Mortuorum, by Impious Vesper7 track albumImpious Vesper](https://impiousvesper.bandcamp.com/album/memoria-mortuorum?ref=blackmetalzine.com)
## Your thoughts
That's it for this newsletter; please let us know with a comment which album you liked the most. From this list and why.
## Unleashing the Darkness Within
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Subscribe
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Unapproachable Light - Mesmerized by the Unknown (2025)
URL: https://blackmetalzine.com/review-unapproachable-light-mesmerized-by-the-unknown-2025/
Last updated: 2026-07-16T17:15:58.000Z
**Band:** Unapproachable Light
**Album:** Mesmerized by the Unknown (Demo)
**Genre:** Black Metal
**Country:** United States
**Label:** Nuclear War Now! Productions
**Released:** September 19, 2025
## Introduction
**Unapproachable Light** is a one-man black metal project hailing from Chicago, Illinois, formed in 2020 by the musician known as **Obscurum**. Emerging from the fertile yet often overlooked American underground, the project is rooted firmly in tradition, channeling the raw, esoteric spirit of early 1990s black metal rather than chasing modern polish or trend-driven hybridity. **Obscurum** is no newcomer to extreme music, having been involved in various underground bands and session work prior to **Unapproachable Light**, but this project stands as a focused and personal expression of his fascination with mysticism, the natural world, and the metaphysical tension between light and darkness. *Mesmerized by the Unknown*, released as a demo through Nuclear War Now! Productions, marks the project’s first major statement.
**Track Listing:**
1\. Mysterious Emanations
2\. Ancient Eyes of Gold
3\. Blazing Horizons
4\. Magic Taphos
5\. Eternal Dreams
## The Album
From its opening moments, *Mesmerized by the Unknown* announces itself as an exercise in atmosphere and conviction rather than excess. The production is raw but deliberate, striking a balance between obscurity and clarity that allows the riffs to cut through without sacrificing the demo’s cavernous aura. Guitar lines are steeped in classic black metal melodicism, repetitive, and trance-inducing while still retaining a sense of forward motion. Rather than relying on constant blast beats, the demo frequently shifts tempos, incorporating mid-paced passages that deepen its hypnotic pull. Vocals are harsh and commanding, delivered with a rasp that feels more incantatory than aggressive, as if functioning as another instrument rather than a focal point. Lyrically and thematically, the demo dwells in esoteric territory: ancient visions, arcane knowledge, and the allure of the unknowable. This sense of mysticism is reinforced by the songwriting itself, which favors immersion over immediacy. Tracks unfold patiently, repeating motifs until they become almost meditative, drawing the listener into a liminal space where darkness is not merely hostile, but revelatory. What sets *Mesmerized by the Unknown* apart from many contemporary demo releases is its sincerity. There is no irony here, no attempt to deconstruct black metal or dilute it with outside influences. Instead, **Unapproachable Light** embraces the genre’s foundational elements, raw emotion, atmosphere, and devotion to the unseen and refines them through careful pacing and cohesive mood.
## Conclusion
*Mesmerized by the Unknown* is a strong and confident debut that positions Unapproachable Light as a project worth watching within the modern underground. While it does not seek to reinvent black metal, it excels by honoring the genre’s core principles and presenting them with focus and restraint. For listeners drawn to traditional, mystically inclined black metal that values atmosphere over spectacle, **Unapproachable Light** offers a compelling glimpse into darkness that is not fully graspable, only felt.
**BMZ Rating: 6.5 out of 10**
**Support Unapproachable Light here:** [https://unapproachablelight.bandcamp.com/album/mesmerized-by-the-unknown-demo](https://unapproachablelight.bandcamp.com/album/mesmerized-by-the-unknown-demo?ref=blackmetalzine.com)
## Your thoughts on this review.
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
## Unleashing the Darkness Within
become a member of Black Metal Zine
Subscribe
Email sent! Check your inbox to complete your signup.
No spam. Unsubscribe anytime.
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Jordsjuk - Naglet til Livet (2025)
URL: https://blackmetalzine.com/review-jordsjuk-naglet-til-livet-2025/
Last updated: 2026-07-15T17:23:31.000Z
**Band:** Jordsjuk
**Album:** Naglet til Livet
**Genre:** Black Metal
**Label:** Indie Recordings
**Released:** September 19th, 2025
## Introduction
Naglet til Livet is the debut full-length from the Black Metal Masters Jordsjuk. After their debut EP, Råtner på rot, I was more than passionately awaiting new material from these hardworking guys. Jordsjuk consists of Renton on drums and bass (formerly of Urgehal, Nattverd and Djevel and active in Trollfest), Sagstad (ex Nordjevel and active in Trollfest), and the mighty Mannevond from Koldbrann, Craft, Urgehal, and many, many more.
## Naglet til Livet
Jordsjuk presents Black Metal in the best way possible on this album.
Kollabs, the first track, shows their proficiency in the first seconds, 200+ bpm flawlessly, with relentless execution. Which somewhat reminds me of a mix of Marduk, Urgehal and for the verse part, Deicide / Morbid Angel. I cannot say if that was the intention, but to be honest, I haven't heard such a strong opening in a long time.
For Grovt Skadeverk, the thrash metal influences speak louder than the black metal ones, which definitely is not bad in any way. Fast, relentless, and uncompromising. Somehow it reminds me of the movie "Unstoppable" with the uncontrolled freight train speeding through villages.
> Tracklist:
> Kollaps
> Grovt Skadverk
> Riv skorpen av såret
> Skreddersøm
> Parasitt
> Traumemarsj
> Rottebitt
> Til ettertids plage
> Klarhet og dybde
> Rennestein
> Svikter din neste
> Naglet til livet
Klarhet ob dybde is one song that really stands out to me for the overall instrumentation in the song. It's really fast and even technical, but what really sets it apart for me is the interlude where you can hear the bass really well (also on Til ettertids plage), and the chaotic slide finish is really something in itself.
## Conclusion
I would rather not take too much away from your listening experience by going too much into the details of each song, but let me tell you, none of them are bad. It's like a constant increase throughout the album. I'm so happy that I can see them live at Heimfall Metalkraft in Sauda. If they are coming near you, be sure to check them out.
BMZ Rating: 10 out of 10
## Your thoughts on Naglet til Livet by Jordsjuk
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### Review: Langeneet - Kajastus (2025)
URL: https://blackmetalzine.com/review-langeneet-kajastus-2025/
Last updated: 2026-07-16T17:15:59.000Z
**Band:** Langenneet
**Album:** Kajastus
**Genre:** Black Metal
**Country:** Finland
**Label:** Depressive Illusions Records
**Released:** November 20, 2025
## Introduction:
Emerging from the deep and ever-fertile Finnish black metal underground, Langenneet is a one-man project formed sometime around 2020 by the sole member known as Langennut. As with many of Finland’s most compelling black metal entities, Langenneet operates in near-total obscurity, favoring anonymity and symbolism over visibility. From its earliest recordings, the project has been rooted in traditional black metal, filtered through occult philosophy and esoteric cosmology, with lyrics written primarily in Finnish. Before Kajastus, Langenneet established its identity through the debut full-length Kuilun varjoissa and the follow-up Aionin soihtu (2021), releases that combined raw aggression with ritualistic atmosphere and a strong conceptual backbone centered on fallen angels and metaphysical descent. Kajastus (2025) arrives as the project’s most focused and refined statement to date.
## The Album:
At its core, Kajastus, translated roughly as “glimmer” or “dawn glow”, is an album of contrasts. Musically, it adheres firmly to the orthodox black metal framework: sharp tremolo riffs, relentless yet unpolished drumming, and caustic vocals that sound more incantatory than expressive. Yet within this familiar structure, Langenneet weaves a sense of progression and revelation, as if the album itself is slowly moving from shadow toward a brief, blinding illumination.
**Tracklisting:**
1. Ikuisen tulen lumo
2. Auringon silmä
3. Etelätuuli
4. Kuoleman siemen
5. Varjoasi seuraa pimenevä kuu
6. Magentan värinen taivas
7. Uhma
8. Setri
The guitar work is the album’s driving force. Riffs oscillate between cold, slicing repetition and more melodic passages that evoke the distinctly Finnish tradition of melancholic black metal. Rather than relying on sheer speed alone, Kajastus frequently slows its pace just enough to let themes breathe, allowing dissonant harmonies and minor-key melodies to linger. These moments give the album a hypnotic quality. Production-wise, Kajastus strikes a careful balance. It is raw without being indecipherable, maintaining a murky edge that preserves underground authenticity while still allowing individual elements to cut through the mix. The vocals sit slightly buried, reinforcing their role as another instrument rather than a narrative guide, while subtle ambient touches and occasional chant-like passages enhance the album’s ritualistic feel without drifting into excess. Conceptually, Kajastus continues Langenneet’s fascination with angelology and esoteric descent, but there is a noticeable shift in tone. Where earlier releases emphasized abyssal darkness and eternal falling, this album suggests a momentary revelation, an ominous light rather than salvation. The lyrics and mood imply that illumination itself can be destructive, an idea mirrored by the album’s title and its tense, unresolved compositions.
## Conclusion:
Kajastus stands as Langenneet’s strongest and most cohesive work so far, capturing the essence of Finnish black metal while carving out a distinct, occult-driven identity. For devotees of traditional black metal who value atmosphere, concept, and restraint over gimmickry, Kajastus is a compelling testament to the enduring power of the underground and a reminder that even the faintest glimmer can cast a long, unsettling shadow.
BMZ rating: 7 out of 10
## Your thoughts on this review.
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### Review: Haeresis - Si Vis Pacem Para Bellum (2025)
URL: https://blackmetalzine.com/review-haeresis-si-vis-pacem-para-bellum-2025/
Last updated: 2026-07-16T17:16:00.000Z
**Band:** Haeresis
**Album:** Si Vis Pacem Para Bellum
**Genre:** Post Black Metal
**Country:** Germany
**Label:** Vendetta Records
**Released:** October 10, 2025
## Introduction:
Haeresis is a post-black metal project from Berlin, Germany, formed in 2016\. The word “haeresis” itself refers to an opinion that contradicts church doctrine. The band was active under the name “Heksenhammer” between 2015 and 2016 and is currently releasing its work through the well-known label Vendetta Records. Most of the members have previously played in several other bands. Over the years, Haeresis has released a self-titled demo, an EP titled “To Drown…,” and several singles. On October 10, 2025, their first full-length album, “Si Vis Pacem Para Bellum,” was released via Vendetta Records, marking a milestone in their discography. Prior to the album’s release, the singles “Echoes of Ashes” and “Eradicate Traciturnity” were unveiled, clearly setting the tone for what to expect from the forthcoming full-length.
> Track Listing:
> 1\. Echoes of Ashes
> 2\. I Who Repel All Light
> 3\. Drifting Beyond Time's Grasp
> 4\. Eradicate Taciturnity
## The Album:
"If you want peace, prepare for war.” That is what the title stands for, and it perfectly fits the overall concept of the album. Historically, the phrase expresses the idea that deterrence can secure peace: those who are strong and ready to defend themselves are less likely to be attacked. Peace, therefore, is not a state of pure harmony but the result of a balance of power. Its provocation lies in the fact that it does not romanticise peace but treats it as something fragile that must be actively protected. With that in mind, this spirit runs consistently throughout the album. The opener, “Echoes of Ashes,” begins with a dramatic ambient passage before erupting into a wall of blast beats, grounded in a dense atmosphere shaped by bass and guitars. Combined with the harsh vocals of female singer C.G., it immediately becomes clear what kind of journey you are stepping into.
The entire album is marked by hard, aggressive sections carried by a dramatic and oppressive mood. It is melodic yet cold, strongly reminiscent of the kind of black metal once associated with Finland, while still maintaining a distinct and personal twist. Tempo changes add variety to the listening experience, while ambient passages with clean vocals offer brief moments of recovery from the intensity. This combination turns the album into an exceptional experience. The closing track, “Eradicate Traciturnity,” stands out as a particularly strong example of how harmony and chaos can coexist.
The lyrics are dark and existentialist, dealing with despair, decay and the search for redemption. They often focus on the destructive nature of human existence and hopelessness, as seen in lines such as ‘Shadows cast their pall over these days’ or ‘On the knees with bare hands in filth’, which create an atmosphere of destruction and inner struggle. The production is solid and polished, making it unsuitable for listeners who seek raw, lo-fi black metal aesthetics. Despite featuring only four tracks, the album feels complete. You are left with nothing missing once the final note fades.
## Conclusion:
Haeresis presents a debut album that fully embodies its title, treating peace and intensity as two sides of the same fragile balance. Drawing from post- and black-metal traditions while maintaining a distinct identity, the band combines aggression, atmosphere, and melody with confidence. Strong songwriting, thoughtful dynamics, and a polished production make "Si Vis Pacem Para Bellum" a defining milestone in their discography. Despite its concise length, the album feels complete and leaves a lasting impression.
BMZ rating: 9 out of 10
## Your thoughts on Si Vis Pacem Para Bellum by Haeresis
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### Review: Oppression - No Safe Place (2025)
URL: https://blackmetalzine.com/review-oppression-no-safe-place-2025/
Last updated: 2026-07-16T17:16:00.000Z
**Band:** Oppression
**Album:** No Safe Place
**Genre:** Melodic Black Metal
**Country:** France
**Label:** Folter Records
**Released:** December 12, 2025
## Introduction:
What happens when you blend two good friends and some well known black metal veterans from the French black metal bands of **Lifestream** and **Unholy Blades**? You get the annihilation of **Oppression**'s debut album *No Safe Place* ripping your soul apart, that's what you get!
The Oppressors...
From beginning to end, *No Safe Place* exhilarates the listener through different landscapes of blistering blast beats, shredding riffs, and a fair amount of mid paced melodic riffs piercing one's soul through the depths of French melodic black metal sometimes bordering with blackened thrash metal riffing.
**Tracklisting:**
1. No Safe Place
2. Attrition
3. Homeland's Fury
4. Psalm for the Fallen
5. Maria Rosenthal
6. Journey Beyond Consciousness
7. End Humanism
8. The Call of the Night
9. Nice Death Matters
## No Safe Place
The title track is a two minute instrumental opus eerily opening with a gentle guitar riff that explodes into a gigantic sound of blast beats and shreds transiting with the threatening words of "***THERE'S NO SAFE PLACE FOR YOU!!!***" Segueing to "Attrition", which uses different vocal techniques to give the song its own identity amongst some of the mid pace shredding, drum patterns, and outstanding guitar solos. Normally I like the album first track openers, however in this case both "No Safe Place" and "Attrition" get my vote for first two track album openers.
"Homeland's Fury", "Psalm for the Fallen", "Maria Rosenthal", "End Humanism"*,* and "The Call of the Night"showcase the pure melodic black metal that this album is labeled under hosting a myriad of ferocious and mid paced riffs that mirror the great Swedish melodic black metal bands, such as **Dissection**, **Sacramentum**, and **Lord Belial** to name a few.
Another interesting facet to this album is that it seems to separate itself with another instrumental "Journey Beyond Consciousness", which begins as a hypnotic track with some mid pace riffing about. Of course **Oppression** doesn't like to keep their music slow, it bangs into another explosion of fast paced riffing and hammering drums that tend to beat your brain beyond consciousness.
Another personal favorite track of mine, "The Call of the Night" is about a six minute epic journey that begins slow and perfectly shift tempos from slow to mid to fast paced melodies keeping with time and torturing the listener making them wonder will the song ever climax into something bigger. G.S.V. does wonderful vocal ranges here with singing and spewing his unforgiving chanting here married with operatic melodies in the back to give it a more engaging atmosphere.
Finally we end with the album closer, "Nice Death Matters" at breakneck speed giving that good old blackened thrash feeling to the listener their ears have been tortured in a good way and not to ever forget them!
## Conclusion:
*No Safe Place* is a banger of a debut with no weak tracks at all. It will be interesting to see how this band evolves and what they become in the future. I definitely recommend this album to melodic black metal enthusiasts that love their black metal to have atmosphere and feeling.
## BMZ Rating: 8 of 10
**Support Oppression here:** [https://folterrecords.bandcamp.com/album/no-safe-place](https://folterrecords.bandcamp.com/album/no-safe-place?ref=blackmetalzine.com)
### The Infernal Records: Our Staff’s Personal Albums of the Year
URL: https://blackmetalzine.com/the-infernal-records-our-staffs-personal-albums-of-the-year/
Last updated: 2026-07-16T17:16:01.000Z
It's a new year, and that means it's time for the annual album of the year list by Black Metal Zine. Last year was a good year; there have been some good releases all around, and as always, it's challenging to pick favorites, but we tried anyway. Below you'll find the top 3 albums of some of our staff and contributors.
Before you start reading, we would like to thank all of you for supporting Black Metal Zine. We really appreciated every like, every comment, and every visit, so thank you for that. Now grab yourself a drink, and start reading.
## Michael:
Band: One of Nine
Album: Dawn of the Iron Shadow
Released: October 31, 2025
This is hands down my choice for album of the year. One of Nine is a band I've followed closely since its inception, and having anticipated its release since early in the year, the expectations I had for it upon release were already high, and it far exceeded those. Featuring album art from renowned Tolkien illustrator Ted Nasmith and featuring guest vocals from the likes of Hulder and Lamp of Murmur solidified its slot on my list. The album from start to finish is a flawless example of how modern black metal should sound and has no weak moments. 10/10
[Dawn of the Iron Shadow, by ONE OF NINE8 track albumONE OF NINEObsidian One](https://oneofnine.bandcamp.com/album/dawn-of-the-iron-shadow?ref=blackmetalzine.com)
[Review: One of Nine - Dawn of the Iron ShadowOne of Nine’s epic Dawn of the Iron Shadow (8/10) ventures deep into Black Metal Tolkien lore. Discover this legendary release! Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/review-one-of-nine-dawn-of-the-iron-shadow/)
Band: Bloody Valkyria
Album: In Our Home, Across the Fog
Released: April 4, 2025
Again, a shining example of modern black metal. Boasting pristine production, excellent songwriting/instrumentation, and Elden Ring themed lyrics. This release totally blew me out of the water. Taking everything that was great about the debut album “Kingdom of Fire” and perfecting it. It's a masterpiece that deserves to be listened to as a whole from start to finish. Bloody Valkyria will be on my radar for a long time to come, and I certainly hope that a follow-up of this same level is on the horizon.
[In Our Home, Across The Fog, by Bloody Valkyria8 track albumBloody ValkyriaRicardo Cristof](https://bloodyvalkyria.bandcamp.com/album/in-our-home-across-the-fog?ref=blackmetalzine.com)
[Review: Bloody Valkyria - In Our Home, Across The FogBloody Valkyria’s In Our Home Across the Fog (8.5/10). This Ukrainian Atmospheric Black Metal opus delivers epic folk themes. Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/review-bloody-valkyria-in-our-home-across-the-fog/)
Band: Ninkharsag
Album: The Black Swords of Winter
Released: March 8, 2025
Even though this release was technically an EP, it more than deserves its spot on an AOTY list. It boasts some of the strongest songwriting and riffs to be heard in 2025\. Spanning only 23 minutes in length, the EP captures the second-wave in all its glory and brings it into the 21st century with modern production. Ninkharsag has slowly become one of my favorites over the last couple of years, and I'm eagerly awaiting to hear what they do next.
[The Black Swords Of Winter, by Ninkharsag6 track albumNinkharsagObsidian One](https://ninkharsag.bandcamp.com/album/the-black-swords-of-winter?ref=blackmetalzine.com)
[Review: Ninkharsag — The Black Swords of WinterNinkharsag’s The Black Swords of Winter (8/10). This raw, hateful album delivers crushing British Black Metal aggression. Read the full review!Black Metal ZineRoberto](https://blackmetalzine.com/review-ninkharsag-the-black-swords-of-winter/)
## Kevin:
Band: Afsky
Album: Fællesskab
Released: October 17, 2025
*F*æ*llesskab* rounded out my number one album of the year, hands down! Daring to open the track with a sample of Maria Stenz's “Hvor Er Alle Drømmene” drowning out to a cold, rainy, windy happening of melodic blistering riffs. That's blended with the sorrowful and melancholic vocals of Ole to give this album a perfect production of atmosphere and melodic dread.
[Fællesskab, by AFSKY7 track albumAFSKYObsidian One](https://afsky.bandcamp.com/album/f-llesskab?ref=blackmetalzine.com)
[Review: Afsky - FællesskabAfsky’s Fællesskab (8/10) is deeply melancholic Danish Atmospheric Black Metal, conveying powerful emotions and majesty. Read the full review!Black Metal ZineKevin](https://blackmetalzine.com/review-afsky-faellesskab/)
Band: Ofermod
Album: Drakosophia
Released: October 3, 2025
*Drakosophia* wasa hair away from being my number one. It is definitely no slouch, opening with “Aicha Kandisha”, blistering the ears apart with insane riffs and blast beats galore. As the album furthers away into bestial torment, it dissects the soul piece by piece with hypnotic riffs, mid-paced melancholy, and unholy chanting. Think of **“Indiana Jones and the Temple of Doom”** when they lowered the poor man down into an inferno with his heart ripped from his body and the haunting chants of doom echoing throughout as he screamed towards his unmerciful death; that's what *Drakosophia* is to me.
[Drakosophia, by Ofermod9 track albumRegain RecordsObsidian One](https://regainrecords.bandcamp.com/album/drakosophia?ref=blackmetalzine.com)
[Review: Ofermod - DrakosophiaOfermod’s Drakosophia (8.5/10). This Swedish Orthodox Black Metal opus is a dense, ferocious, occult assault. Read the full review!Black Metal ZineKevin](https://blackmetalzine.com/review-ofermod-drakosophia/)
Band: Zaratus
Album: Those Who Dwell Beyond
Released: October 24, 2025
Zaratus surprised us with the release of *Those Who Dwell Beyond.* When I saw this release, I was like, What the hell?!? It paid off with the unannounced masterpiece outshining the debut, *In the Days of Whore.* Greek black metal veterans Stefan Necroabyssious and Bill El crafted one of the most beautiful, yet melancholic and remarkable opuses to Hades himself with this album to date!
[Those Who Dwell Beyond, by Zaratus8 track albumZaratusPoesy Rider](https://zaratus.bandcamp.com/album/those-who-dwell-beyond?ref=blackmetalzine.com)
[Review: Zaratus – Those Who Dwell BeyondZaratus’ Those Who Dwell Beyond (8.5/10) is a Hellenic Black Metal powerhouse that drags you deep into Hades. Read the full review!Black Metal ZineKevin](https://blackmetalzine.com/review-zaratus-those-who-dwell-beyond/)
## Anthony:
Band: Blood Abscission Album: II Released: April 11, 2025 I can’t put exactly into words why this release is so special. It's just like, hey, you either get it or you don’t with this one. Honestly, it’s probably my favorite thing released this year. The perfect balance of new and old, weird and straightforward, post and black. The songwriting is top-notch from start to finish. It never becomes too bland or too odd. A rarely perfect record.
[I I, by Blood Abscission5 track albumBlood AbscissionJesus Popcornius](https://bloodabscission.bandcamp.com/album/i-i?ref=blackmetalzine.com)
[Review: Blood Abscission — IIBlood Abscission’s II (8/10). This dissonant Black Metal album features technical, mind-bending compositions and experimental fury. Read the full review!Black Metal ZineAnthony](https://blackmetalzine.com/review-blood-abscission-ii/)
Band: Drudkh Album: Shadow Play Released: March 21, 2025 Any time Drudkh releases something, it’s going to be on an album of the year list for me. One of the most consistently heartfelt and ferocious black metal bands of all time. The expanded range of sounds on this one shows Drudkh still can find ways to surprise their fans after 20 years.
[Shadow Play, by Drudkh6 track albumDrudkhDrudkh](https://drudkh.bandcamp.com/album/shadow-play?ref=blackmetalzine.com)
[Review: Drudkh - Гра тіней (Shadow Play)Drudkh’s Shadow Play (8.5/10). This Ukrainian Atmospheric Black Metal masterpiece delivers melancholic, epic soundscapes. Read the full review!Black Metal ZineAnthony](https://blackmetalzine.com/review-drudkh-shadow-play/)
Band: Fauna Album: Ochre and Ash Released: September 26, 2025 An underrated release this year from a criminally underrated band. With every album, Fauna shows why they’re one of the best modern atmospheric black metal bands. There's no bull\*\*\*t with what this band does; it's deeply ritualistic down to its very core. The fact they lean so heavily into elements of funeral doom and post-metal is also deeply refreshing.
[Ochre & Ash, by Fauna6 track albumFaunaFauna](https://fauna.bandcamp.com/album/ochre-ash?ref=blackmetalzine.com)
## Vetle:
Band: Lamp of Murmuur
Album: The Dreaming Prince in Ecstasy
Released: November 14, 2025
A fantastic album with great standalone tracks as well. The guitar sound is nasty, and the riffs are so addictive. It has grooves and tempos to keep your head aloft. The gnarly vocals hit like the nails in Jesus's joints, and that does it for me!
[The Dreaming Prince in Ecstasy, by Lamp Of Murmuur9 track albumLamp Of MurmuurObsidian One](https://lampofmurmuur.bandcamp.com/album/the-dreaming-prince-in-ecstasy?ref=blackmetalzine.com)
[Review: Lamp of Murmuur - The Dreaming Prince in EcstasyLamp of Murmuur’s The Dreaming Prince in Ecstasy (8.5/10) is a symphonic, melodic opus of clean vocals and fallen gods. Experience the whirlwind! Read more.Black Metal ZineKevin](https://blackmetalzine.com/review-lamp-of-murmuur-the-dreaming-prince-in-ecstasy/)
Band: 1914
Album: Viribus Unitis
Released: November 14, 2025
The theater of war is once again brought to us by Ukrainian 1914\. Specialized in storytelling with grim, blackened death now fueled by the hate and fear that surrounds them daily in their war torn homeland. The band has put their emotions into this album, and their instruments serve as their weapon. Truly great album once again; can't wait to catch them live at Inferno this year.
[Viribus Unitis, by 191410 track album19141914](https://x1914x.bandcamp.com/album/viribus-unitis?ref=blackmetalzine.com)
[Review: 1914 - Viribus Unitis1914 - Viribus Unitis (8/10). The Ukrainian Blackened Death/Doom war machine delivers an unyielding onslaught of vicious riffs and historical horror. Read the full review!Black Metal ZineEmma](https://blackmetalzine.com/review-1914-viribus-unitis/)
Band: Heimland
Album: Der Torv Moeter Hav
Released: November 14, 2025
A young band playing Norwegian black metal in the true way. Fast, hard, and uncompromising. Blending groovy yet melodic riffs, heavy bass, relentless drums, and snappy vocals with lyrics connecting them to their Norwegian heritage. A strong release from this up-and-coming group that I've listened to a lot since it was dropped.
[Der Torv Moeter Hav, by Heimland8 track albumEdged Circle ProductionsTerastios4x4](https://edgedcircleproductions.bandcamp.com/album/der-torv-moeter-hav?ref=blackmetalzine.com)
[Review: Heimland - Der Torv Moeter HavHeimland’s Der Torv Moeter Hav (8/10) marks a strong shift in Norwegian Black Metal, embracing sorrow and longing with new vocalist Fanden. Read the full review!Black Metal ZineVetle](https://blackmetalzine.com/heimland-der-torv-moeter-hav/)
## Emma:
Band: Sunken
Album: Lykke
Released: 24th October, 2025
I was not shy in gushing about my love for Sunken’s long-awaited third album; their waves of oceanic despair crashed down on us with such deep character. They impeccably delivered their desolate emotion through four tracks, none shorter than ten minutes long, each carrying such a weight of melodic melancholy and ripples of tranquil calms. It's a delicate balance that is handled so well, allowing you to catch your breath before you face the storm once more.
[Lykke, by Sunken4 track albumSunkenbartzabel](https://sunkendenmark.bandcamp.com/album/lykke-2?ref=blackmetalzine.com)
[Review: Sunken - LykkeSunken’s Lykke (10/10) is a vast Danish Black Metal opus exploring deep water themes and emotional clarity. Read the full review to find the score!Black Metal ZineEmma](https://blackmetalzine.com/review-sunken-lykke/)
Band: Saor
Album: Amidst the Ruins
Released: 7th February, 2025
The Caledonian champion of atmospheric black metal with a touch of Scottish folk returned early in the year, and after hearing the titular single last year, I just knew this album would be something special. The album itself is fantastically complex, with harsh tremolo riffs to juxtapose the whistles and pipes that give it the Scottish touch. We also get a powerful acoustic track, ethereal and calming to be at one with nature with. I was lucky enough to be at the launch show of this album in Glasgow and hear it played in full for the first time, and what a magical evening it was (technical difficulties be damned).
[Amidst the Ruins, by Saor5 track albumSaorRicardo Cristof](https://saor.bandcamp.com/album/amidst-the-ruins-2?ref=blackmetalzine.com)
Band: Bloodbark
Album: Sacred Sound of Solitude
Released: 3rd January, 2025
With how early this came out in the year, it was easy to forget about considering it for top of 2025 lists. But this is an album that never left my mind since I first heard it. Perhaps an appropriate blend of my other two picks, it is an atmospheric black metal album with a focus on nature with a touch of a more mournful or somber feeling. It is incredibly refreshing every time I hear it, whether it’s the harsh verses with crushing riffs or the serene spoken word sections with clean picking and synths.
[Sacred Sound of Solitude, by Bloodbark5 track albumBloodbarkRicardo Cristof](https://bloodbark.bandcamp.com/album/sacred-sound-of-solitude?ref=blackmetalzine.com)
Kilian:
Band: Gaahl's Wyrd
Album: Braiding the Stories
Released: June 6th, 2025
Being as controversial as can be for a legend like Gaahl, the complete mood change on this record from straight Black Metal to a more Gothic Rock oriented Clean Singing Black Metal definitely left its mark on my record player.
[Braiding The Stories, by Gaahls WYRD9 track albumGaahls WYRDGaahls WYRD](https://gaahlswyrd.bandcamp.com/album/braiding-the-stories?ref=blackmetalzine.com)
[Review: Gaahl’s Wyrd - Braiding the StoriesGaahls Wyrd’s Braiding the Stories (8.5/10). Gaahl delivers experimental Black Metal blending Gothic Rock energy and controversial clean vocals. Read the full review!Black Metal ZineKili Schauer](https://blackmetalzine.com/review-gaahls-wyrd-braiding-the-stories/)
Band: Jordsjuk
Album: Naglet til Livet
Released: September 19th, 2025
Absolutely no compromises on that one. 50 min of straight-up punishing riffs and disgusting vocals. From a “true” Black Metal standpoint, there can't be another album of the year than this one. Looking forward to seeing them live in 2026.
[Naglet til livet, by Jordsjuk12 track albumJordsjukSkronk](https://jordsjuk.bandcamp.com/album/naglet-til-livet?ref=blackmetalzine.com)
Band: Necht
Album: The Inevitable Suffering
Released: June 12th, 2025
What a masterpiece of an EP. After already holding their debut EP in high regard, Necht went on an entirely different level with this EP. Following the storyline of their band being worshippers of the sun god B'ahn, the guys absolutely made their point to him. Straightforward, hard-hitting, but still melodic
[The Inevitable Suffering, by Necht5 track albumNechtNecht](https://necht.bandcamp.com/album/the-inevitable-suffering?ref=blackmetalzine.com)
[Review: Necht - The Inevitable SufferingNecht’s The Inevitable Suffering (10/10). This Canadian Atmospheric Black Metal EP is a masterpiece of cinematic synths and brutal skill. Read more!Black Metal ZineKili Schauer](https://blackmetalzine.com/review-necht-the-inevitable-suffering/)
## Roberto:
Band: GraveRipper
Album: From Welkin to Tundra
Released: October 17th, 2025
Although this is more blackened thrash metal, this album has been on repeat for a while, and I really love it, so it deserves a spot on my album of the year list. It's just an overall great package, and if you would like to know more about it. Read the review I wrote (link below).
[From Welkin to Tundra, by GraveRipper10 track albumGraveRipperRicardo Cristof](https://graveripper.bandcamp.com/album/from-welkin-to-tundra?ref=blackmetalzine.com)
[Review: GraveRipper - From Welkin to Tundra (2025)GraveRipper - From Welkin to Tundra (9/10). This Blackened Thrash/Speed Metal album hits like a merciless sprint: fast, caustic, and vicious, delivering pure forward motion. Read the full review!Black Metal ZineRoberto](https://blackmetalzine.com/review-graveripper-from-welkin-to-tundra-2025/)
Band: Barshasketh
Album: Antinomian Asceticism
Released: 9th of January 2025
This album took me by surprise, but I thoroughly enjoyed it. It was released at the start of 2025, so after a while it fell out of rotation, but overall this was a very nice album.
[Antinomian Asceticism, by Barshasketh7 track albumBarshaskethBarshasketh](https://barshasketh.bandcamp.com/album/antinomian-asceticism?ref=blackmetalzine.com)
[Review: Barshasketh — Antinomian AsceticismBarshasketh’s Antinomian Asceticism (8.5/10). This dense, ritualistic Orthodox Black Metal album delivers a powerful, occult fury. Read the full review!Black Metal ZineRoberto](https://blackmetalzine.com/review-barshasketh-antinomian-asceticism/)
Band: Sarastus
Album: Agony Eternal
Released: July 1st, 2025
Pascal, the vocalist from the Dutch black metal band Wrang (an outstanding band), moved to Finland and joined Sarastus, and that alone is a step up in my book. I love his vocals and ferociousness, and that goes very well with the style Sarastus is going for.
[Agony Eternal, by Sarastus9 track albumSarastusSarastus](https://sarastus.bandcamp.com/album/agony-eternal?ref=blackmetalzine.com)
## Fractal
Band: Aeon Winds
Album: An Ode To The Mountains
Released: June 12th, 2025
An Ode To The Mountains is one of the most dramatic examples of a band's longstanding output exploding in quality that I can think of. I've enjoyed their early work and always found them to be reasonably above average in a lot of ways, and much more than above average at times. This record is phenomenal. I expected this album to be good, but within the first full playthrough my perception went from thinking "Aeon Winds is a really good band," to "Aeon Winds has become a spectacular band." AOTY 2025, no contest.
[An Ode To The Mountains (full-length 2025), by Aeon Winds11 track albumAeon WindsAeon Winds](https://aeonwinds.bandcamp.com/album/an-ode-to-the-mountains-full-length-2025?ref=blackmetalzine.com)
## Your thoughts on this article.
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### Review: Nyrak - Phoenix Mortis (2025)
URL: https://blackmetalzine.com/review-nyrak-phoenix-mortis-2025/
Last updated: 2026-07-17T14:11:00.000Z
**Band:** Nyrak
**Album:** Phoenix Mortis
**Genre:** Atmospheric Black Metal
**Country:** Belgium
**Label:** Void Wanderer Productions
**Released:** October 30, 2025
## Introduction
Rising from Belgium’s ever-fertile extreme metal underground, **Nyrak** have quickly distinguished themselves as a band unwilling to be confined by orthodox black metal traditions. Formed in 2021 by multi-instrumentalist and orchestrator *Guy “Nevel” Van Nieuwenhove*, also known for his work with **Gotmoor**, **Nyrak** began as a studio project focused on blending black metal with cinematic orchestration and progressive ambition. What started as a one-man vision soon expanded into a full band, now featuring *Lukas Risbourg* on vocals, and *Bram Veldeman* on drums. Following their debut full-length *Malvs* (2022) and the expansive sophomore album *Devourer of All* (2024), **Nyrak** cemented their identity as a forward-thinking force within atmospheric black metal. Their third full-length release, *Phoenix Mortis* (2025), marks their most fully realized statement to date.
> **Track Listing:**
> 1\. Leviathan
> 2\. Promethean Fire
> 3\. Floods of Gilgamesh
> 4\. Die Verwandlung
> 5\. In the Halls of the Aesir
> 6\. Phoenix Mortis I: In This Void
> 7\. Phoenix Mortis II: Requiem
> 8\. Phoenix Mortis III: Ashes to Flesh
## The Album
*Phoenix Mortis* is not merely an album but a carefully constructed journey through destruction, rebirth, and mythic transcendence. Building on the orchestral foundations of their previous work, **Nyrak** push further into progressive territory, crafting long-form compositions that breathe and evolve rather than rush toward catharsis. The production is vast without being sterile, guitars retain a biting black metal edge while symphonic layers swell beneath the surface, enhancing the emotional gravity rather than overwhelming it. From its opening moments, *Phoenix Mortis* establishes a cinematic tone, balancing ferocity with restraint. Blast-driven passages erupt suddenly, only to recede into somber, melodic interludes that feel vast and mournful. The band’s sense of dynamics is one of the album’s strongest assets; tension is allowed to build slowly, rewarding patient listeners with moments of crushing intensity. Vocals are delivered with conviction, shifting between venomous rasp and commanding, almost narratorial presence, reinforcing the album’s conceptual weight. Lyrically and thematically, *Phoenix Mortis* explores cycles of death and rebirth, drawing from mythological and psychological imagery rather than relying on genre clichés. This conceptual depth is mirrored in the songwriting itself, tracks unfold in movements, with recurring motifs reappearing in altered forms, reinforcing the album’s central themes. The drumming is precise yet expressive, anchoring the album’s more ambitious passages, while the bass and orchestration provide a sense of grandeur that elevates the material beyond standard black metal frameworks.
## Conclusion
With *Phoenix Mortis*, **Nyrak** has delivered a bold and confident work that solidifies their place among the more progressive and ambitious acts in contemporary black metal. This is an album that demands immersion best experienced in full rather than through isolated tracks. While its scope and pacing may challenge listeners seeking immediacy, those willing to surrender to its atmosphere will find a richly layered and emotionally resonant release. *Phoenix Mortis* stands as a testament to **Nyrak**’s artistic growth, proving that black metal remains a fertile ground for evolution, introspection, and rebirth.
**BMZ Rating: 8 out of 10**
**Support Nyrak here:**
[Phoenix Mortis, by Nyrak8 track albumNyrakObsidian One](https://nyrakofficial.bandcamp.com/album/phoenix-mortis?ref=blackmetalzine.com)
## Your thoughts on Phoenix Mortis by Nyrak
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### The Grim Digest: December 2025
URL: https://blackmetalzine.com/the-grim-digest-december-2025/
Last updated: 2026-01-01T13:01:39.000Z
Before we start off, the staff of BMZ wants to wish all of you a Happy New Year and may 2026 be filled with lots of great new black metal releases, and concerts.
So it's a new year and a new month, and you all know what that means. The end of the holiday season and the end of December so it's time for the monthly Grim Digest again.
The staff is also working on their Album of the Year lists, so we will publish that article soon. But without further ado, below you'll find an overview of all the reviews we published last month.
As always, you are welcome to let us know in a comment on the website/article what you think of the albums you like, or drop us a line on social media.
[Review: WitcheR - ÖröklétWitcheR’s Öröklét (7.5/10). This Atmospheric Black Metal opus delivers majestic classical influences and profound emotional depth. Read the full review!Black Metal ZineRoberto](https://blackmetalzine.com/review-witcher-oroklet/)
[Review: Haimad - When Night Rode Across the NorthHaimad’s long-awaited debut, When Night Rode Across the North (8.5/10), is a strong return to cold, mid-90s Swedish Melodic Black Metal. Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/review-haimad-when-night-rode-across-the-north/)
[Review: Suffering Hour – Impelling RebirthSuffering Hour’s Impelling Rebirth (9/10) is a dissonant BM EP driven by neoclassical melody and jarring tech-thrash. Read the full story!Black Metal ZineTalvipaivanseisaus](https://blackmetalzine.com/review-suffering-hour-impelling-rebirth/)
[Review: Lamp of Murmuur - The Dreaming Prince in EcstasyLamp of Murmuur’s The Dreaming Prince in Ecstasy (8.5/10) is a symphonic, melodic opus of clean vocals and fallen gods. Experience the whirlwind! Read more.Black Metal ZineKevin](https://blackmetalzine.com/review-lamp-of-murmuur-the-dreaming-prince-in-ecstasy/)
[Review: 1914 - Viribus Unitis1914 - Viribus Unitis (8/10). The Ukrainian Blackened Death/Doom war machine delivers an unyielding onslaught of vicious riffs and historical horror. Read the full review!Black Metal ZineEmma](https://blackmetalzine.com/review-1914-viribus-unitis/)
[Review: Adorn - AdornAdorn - Self-titled (7.5/10). This self-titled release mixes elegant, uplifting black gaze riffs with intricate, lush orchestration, inviting you into a gorgeous 17th-century world. Read the full review!Black Metal ZineAnthony](https://blackmetalzine.com/review-adorn-self-titled/)
[Review: Bloedmaan - Vampyric War in Blood (2025)Bloedmaan’s Vampyric War in Blood (8/10). This Atmospheric Black Metal album delivers cold, melodic sound with a haunting vampiric aesthetic. Read the full review!Black Metal ZineRoberto](https://blackmetalzine.com/review-bloedmaan-vampyric-war-in-blood-2025/)
[Review: Stworz - U Śmierci na Komornem (2025)Stworz’s U Śmierci na Komornem (7,5/10). This folk-infused Polish Pagan BM album is a solemn meditation on heritage and mortality. Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/review-stworz-u-smierci-na-komornem-2025/)
[Review: 1349 - Winter Mass (2025)1349’s Winter Mass (8.5/10) is a ferocious live album, capturing the Norwegian Black Metal band’s uncompromising aural hellfire. Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/review1349-winter-mass/)
[Review: GraveRipper - From Welkin to Tundra (2025)GraveRipper - From Welkin to Tundra (9/10). This Blackened Thrash/Speed Metal album hits like a merciless sprint: fast, caustic, and vicious, delivering pure forward motion. Read the full review!Black Metal ZineRoberto](https://blackmetalzine.com/review-graveripper-from-welkin-to-tundra-2025/)
[Review: Nordicwinter - Solitude (2025)tnorNordicwinter’s Solitude (8/10). This Atmospheric/Depressive Black Metal opus maintains a cold, consistent atmosphere of isolation and sorrow. Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/review-nordicwinter-solitude-2025/)
[Review: Autrest - Burning Embers, Forgotten Wolves (2025)Autrest’s Burning Embers, Forgotten Wolves (8/10). This Brazilian Atmospheric BM opus balances ferocity with introspection, delivered through rich, nature-driven soundscapes. Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/review-autrest-burning-embers-forgotten-wolves-2025/)
[Review: Gravplåga - Maliferous Portents (2025)Gravplåga’s debut EP, Maliferous Portents (6.5/10), is a solid return to traditional, raw Swedish Black Metal with melodic riffs. Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/review-gravplaga-maliferous-portents-2025/)
[Review: Skjønnhet - Sailing into the Drowning Horizon (Single)Skjønnhet’s Sailing into the Drowning Horizon (8/10). This Indonesian Atmospheric Black Metal single delivers moody melodies. Read more!Black Metal ZineMichael](https://blackmetalzine.com/review-skjonnhet-sailing-into-the-drowning-horizon-single/)
[Review: Enthroned - Ashspawn (2025)Enthroned’s Ashspawn (9/10). These Belgian Black Metal veterans return with a brutal, mid-paced masterpiece of demonic atmosphere and top-tier production. Read more!Black Metal ZineKevin](https://blackmetalzine.com/review-enthroned-ashspawn-2025/)
[Review: Lunar Amulet - Self-titled EP (2025)Lunar Amulet’s self-titled EP (7/10). This US Atmospheric Black Metal debut is a patient, dreamlike journey of beauty and restraint. Read more!Black Metal ZineMichael](https://blackmetalzine.com/review-lunar-amulet-self-titled-ep-2025/)
[Review: Unviâr - Disglaç (2025)Unviâr’s Disglaç (9/10). This Italian Black Metal debut is a pummelling, deeply evil masterpiece of atmospheric finesse and unique variation. Read more!Black Metal ZineAnthony](https://blackmetalzine.com/review-unviar-disglac-2025/)
[Review: Mitternacht - Self-titled EP (2025)Mitternacht’s self-titled EP (7.5/10). This US Black Metal solo project delivers a punishing, orthodox statement of raw, purposeful aggression. Read more!Black Metal ZineMichael](https://blackmetalzine.com/review-mitternacht-self-titled-ep-2025/)
It's been a busy month in December, and we are all looking forward to the new releases of January 2026\.
## Your thoughts on The Grim Digest: December
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### Review: Mitternacht - Self-titled EP (2025)
URL: https://blackmetalzine.com/review-mitternacht-self-titled-ep-2025/
Last updated: 2026-07-16T17:16:02.000Z
**Band:** Mitternacht
**Album:** Mitternacht (Self-titled EP)
**Genre:** Black Metal
**Country:** United States
**Label:** Independent
**Released:** December 22, 2025
## Introduction:
Mitternacht is a U.S. based black metal solo project formed in 2020 by the enigmatic Sigillvm, who handles all instruments, vocals, and production. Despite its German name meaning “midnight” the project is firmly rooted in the American underground, drawing heavily from the raw traditions of second-wave Scandinavian black metal while maintaining a fiercely independent, DIY ethos. Since its inception, Mitternacht has steadily carved out a presence through limited releases and tape-trading circles, beginning with the Blasphemous Warfare demo in 2021\. Over the years, Sigillvm has continued refining the project’s sound through sporadic demos and splits, culminating in 2025 with the Barbarian Witchcult demo and now the self-titled EP Mitternacht. This release marks a defining moment for the project, presenting its most focused and confident material to date.
> Track Listing:
> 1\. Blasphemous Warfare
> 2\. Plagued by Wrath
> 3\. Crescent Horns
> 4\. Umwertung
> 5\. Torture
## The EP:
The self-titled Mitternacht EP is a concise yet punishing statement of intent, firmly anchored in orthodox black metal. From the opening moments, the EP establishes an atmosphere of hostility and grim resolve: frigid tremolo riffs slice through a dense haze of distortion while relentless blast beats drive the songs forward with militant precision. The production is raw but deliberate. Abrasive enough to retain an underground edge, yet clear enough to let the riffs cut deep rather than dissolve into noise. Tracks like “Blasphemous Warfare” and “Plagued by Wrath” embody the EP’s core strengths: sharp, memorable riffing paired with harsh, commanding vocals that sound less screamed than decreed. There’s a subtle sense of structure beneath the chaos, with riffs cycling back just long enough to imprint themselves before mutating into something more violent. While the EP never strays far from high-speed aggression, moments of mid-paced tension provide breathing room and add weight, preventing the material from becoming monotonous. Lyrically and thematically, Mitternacht embraces familiar black metal territory, blasphemy, warfare, and contempt for modern weakness, but delivers it with conviction rather than irony. This is not revivalism for nostalgia’s sake; instead, Sigillvm channels the spirit of early Darkthrone, Marduk, and Dissection into something that feels lived-in and sincere. The occasional death metal undertones, particularly in the chunkier riff patterns and rhythmic shifts, add a layer of brutality without diluting the black metal core.
## Conclusion:
Mitternacht is a strong and purposeful EP that solidifies the project’s place within the contemporary underground. Rather than attempting to reinvent black metal, Sigillvm focuses on executing its fundamentals with precision, aggression, and authenticity. The EP’s brevity works in its favor, leaving no filler and maintaining a consistent atmosphere from start to finish. For listeners who value rawness, conviction, and the unpolished spirit of true underground black metal, Mitternacht stands as a compelling release and a clear sign that this project is still sharpening its blade in the darkness.
BMZ rating 7,5 out of 10
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### Review: Unviâr - Disglaç (2025)
URL: https://blackmetalzine.com/review-unviar-disglac-2025/
Last updated: 2026-07-15T17:23:36.000Z
**Band:**
**Album:** Disglaç
**Genre:** Black Metal
**Country:** Italy
**Label:** ATMF (Aeternitas Tenebrarum Musicae Fundamentum)
**Released:** November 2025
## **Introduction**
Man, the end of year has left me totally blind sided. Just when you think the year is done for decent releases, you get a slew of stuff all dropping around November and December. By far, one of the standouts for end of year releases has to be the debut release Disglaç from Italian atmospheric black crew **Unviar**.
## **Rumination**
This debut from Italian black metallers Unviar follows on from their 2023 EP and showcases the bands heavy fast atmospheric black metal, if you’re a fan of stuff like drudkh with more lead-y Finnish parts this is definitely a release for you.
Overall, this release manages to simultaneously be absolutely pummelling throughout while also giving room for space/ambience and slight tinges of weirdness
> **Tracklist:**
> 1\. Nevere
> 2\. Corints
> 3\. Disglaç
> 4\. Ritîr
> 5\. Sul Ôr
Beyond that, the whole thing has a really unique spin where it’s atmospheric but also just deeply evil sounding. The opening track **Nevere** does a good job of highlighting that. The fact it’s a unrelenting assault but goes into these weird half-time hi hat things that could so easily derail the song and turn it sh\*t, but this band manages to just write it so well and with such finesse. On the atmospheric side, the track Disglaç manages to have such a unique slowly building minimal sound (it almost sounds more like a 2nd wave version of bosse de nage)
Something about this really ticks a lot of boxes for me and I can’t honestly explain why, I think it’s taking some pretty tried and true sounds and doing them with just enough variation to be sick. Or maybe it's just that the songwriting is so well crafted. I don't know it’s just really f\*cking good.
## **Conclusion**
Unviâr has crafted easily one of the most impressive debut LP releases of the year, there isn’t a bad song on this release and every element just works perfectly. I sincerely hope this band gets its due over time because this was easily one of my top 5 albums of the year.
BMZ Rating 9 out of 10
Support Unviâr here:
[Disglaç, by Unviâr5 track albumATMFM](https://atmfsssdtp.bandcamp.com/album/disgla?ref=blackmetalzine.com)
## Your thoughts on Disglaç by Unviâr
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### Review: Lunar Amulet - Self-titled EP (2025)
URL: https://blackmetalzine.com/review-lunar-amulet-self-titled-ep-2025/
Last updated: 2026-07-15T17:23:37.000Z
**Band:** Lunar Amulet
**Album:** Lunar Amulet
**Genre:** Atmospheric Black Metal
**Country:** United States of America
**Label:** Independent
**Released:** December 5, 2025
## Introduction:
Lunar Amulet is a solo atmospheric black metal project from Portland, Maine. Helmed by Aaron Charles, known for his work with Falls of Rauros, Rhûn, Blood Chariot and his live stints with Panopticon.
> Track Listing: 1\. Invocation
> 2\. Bones Beneath the Snow
> 3\. Myth I
> 4\. Yoke of Oblivion
> 5\. Myth II
> 6\. Lament for a Starving Moon
> 7\. Coda
## The Album:
The self-titled debut EP plays less like a conventional release and more like a single, continuous spell broken into movements. The opening track “Invocation” sets the tone immediately, easing the listener into a world of soft synth currents and restrained guitar melodies. The production is warm and organic, favoring atmosphere over sharp aggression, and giving the EP a dreamlike, slightly obscured quality. Nothing here feels rushed; every idea is given space to breathe, repeat, and slowly take root. “Bones Beneath the Snow” and “Yoke of Oblivion” showcase Lunar Amulet’s core strength: patient, melodic riffing that leans on repetition as a meditative tool rather than a blunt instrument. The latter stands out as a centerpiece: a rich weave of organic guitar work, subtle psychedelic shading, and a melodic impulse that perks ears without ever surrendering to catchy hooks. It’s thoughtful and deliberate. The drums, courtesy of session musician Orion III, are tastefully understated, serving the mood rather than driving it. While bass and synth layers subtly thicken the sound without overwhelming it. The vocals are distant and worn, emerging like echoes rather than declarations, reinforcing the EP’s sense of isolation. The pairing of “Myth I” and “Myth II” with the intro “Invocation” and outro “ Coda” function as a conceptual spine for the release, emphasizing cyclical structure and a hazy continuity. Ambient passages aren’t filler or transition pieces; they are essential to the EP’s identity, blurring the line between song and atmosphere. The EPs final non-ambient track, and my personal favorite, “Lament for a Starving Moon,” fades rather than resolves, leaving the listener suspended in a cold, unresolved stillness that lingers through “Coda”.
## Conclusion:
Lunar Amulet doesn’t herald itself as a black metal milestone, nor does it need to. What it offers is a mood. Austere, reflective, and richly textured. In a landscape where so much extremity strives for shock value or hyper-polish, this EP chooses introspection and space. Here lies beauty in restraint: patient, somber, and evocative, like moonlight on freshly fallen snow.
BMZ Rating: 7 out of 10
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### Review: Enthroned - Ashspawn (2025)
URL: https://blackmetalzine.com/review-enthroned-ashspawn-2025/
Last updated: 2026-07-15T17:23:37.000Z
**Band:** Enthroned
**Album:** Ashspawn
**Genre:** Black Metal
**Country:** Belgium
**Label:** Season of Mist
**Released:** December 5, 2025
## Introduction:
Blasphemous veterans of the Belgian black metal scene, Enthroned has grim fully graced us with their return after a six-year absence with their latest album; *Ashspawn*.
## Ashspawn
Being a longtime fan of **Enthroned,** I was ecstatic to hear when they were coming out with *Ashspawn* because it had been about six years since *Cold Black Suns* had come out. I was very eager to hear new music from this band, as they have evolved into a more brutal and mid paced black metal band, capturing the essence of their old sound of speed and ferocity where it mattered most.
The first track, “Crawling Temples”, offers a hellish landscape with demonic voices and chanting spells of the Devil to come and infiltrate holy temples. It rips into a mid paced melody of spewing vocals coupled with ferocious riffs and blast beats to make this ensemble evil in true Enthroned fashion. It is perhaps one of my favorite tracks on this album because it is a strong opener of the album.
**Tracklisting:**
1. Crawling Temples
2. Basilisk Triumphant
3. Stillborn Litany
4. Ashspawn
5. Raviasamin
6. Sightless
7. Chysalid
8. Ashen Advocacy
9. Assertion
When diving deeper into the album, I find that each song on here does not disappoint! Each song may begin with a mid paced opener, much different than their previous material, but do not let that shy you away from this album. Mainly, the song will be more brutal than the other, keeping within spirit of how each Enthroned song is known to be. Another one of my favorite tracks on this is “Ashen Advocacy.” It starts with a sampler from the film “Warlock” and has this constant haunting mid paced riff with some industrial fused drum samples. This is the first time, on the album, that this song dares to be different with its character. Until finally about midway through the song it unleashes into something more brutal and hateful.
Production on this album is top-notch. No instrument really out does one another, and everything is mixed properly to the point I have no complaints about this album at all.
## Conclusion:
It is always exciting when a favorite band comes out with new material after a few years in between one another, and they are stronger than the other. In this case, **Enthroned** exactly made the mark with *Ashspawn* being a strong comeback album, and it did not disappoint at all!
**Rating: 9 of 10**
## Your thoughts on Ashspawn by Enthroned
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### The Infernal Records: Week 50 & 51
URL: https://blackmetalzine.com/the-infernal-records-week-50-51/
Last updated: 2026-06-25T11:04:05.000Z
We are crawling towards the end of the year, and because of that, soon it will be time for the album of the year lists, but for now, we have some fresh new albums that got released, the past 2 weeks. It's a very long list this time, if the email client you are reading this on (for those that receive the newsletter) cuts it off, you can read it in its entirety on the website.
## The albums:
Band: Aether
Album: Verfallsschemen
Country: Germany
Genre: Black Metal
Date: December 18, 2025
[Verfallsschemen, by Aether4 track albumAether1gel](https://aetherbm.bandcamp.com/album/verfallsschemen?ref=blackmetalzine.com)
Band: Astral Spear
Album: Ancient Throne Of Sinister Rites (EP)
Country: Poland
Genre: Black Metal
Date: December 11th, 2025
[Ancient Throne Of Sinister Rites, by Astral Spear7 track albumSignal Rexsashavonkarl74](https://signalrex.bandcamp.com/album/ancient-throne-of-sinister-rites?ref=blackmetalzine.com)
Band: Black Usurper
Album: The Glory of What Once Was… (EP)
Country: USA
Genre: Black Metal
Date: December 11th, 2025
[The Glory of What Once Was…, by Black Usurper2 track albumBlack UsurperBlack Usurper](https://blackusurper.bandcamp.com/album/the-glory-of-what-once-was?ref=blackmetalzine.com)
Band: Bloedmaan
Album: Vampyric War in Blood
Country: Belgium
Genre: Black Metal
Date: December 19th, 2025
[Vampyric War in Blood, by Bloedmaan8 track albumImmortal Frost Productions](https://immortalfrostproductions1.bandcamp.com/album/vampyric-war-in-blood?ref=blackmetalzine.com)
[Review: Bloedmaan - Vampyric War in Blood (2025)Bloedmaan’s Vampyric War in Blood (8/10). This Atmospheric Black Metal album delivers cold, melodic sound with a haunting vampiric aesthetic. Read the full review!Black Metal ZineRoberto](https://blackmetalzine.com/review-bloedmaan-vampyric-war-in-blood-2025/)
Band: Chasse-Neige
Album: Joual Black Metal
Country: Canada
Genre: Black Metal
Date: December 9, 2025
[Joual Black Metal, by Chasse-Neige6 track albumChasse-NeigeEnsomhed](https://chasse-neige.bandcamp.com/album/joual-black-metal?ref=blackmetalzine.com)
Band: Dark Divination
Album: Liitto hengen ja veren
Country: Finland
Genre: Black Metal
Date: December 12, 2025
[Liitto hengen ja veren, by Signal Rex9 track albumSignal RexMichael Hojjatie](https://signalrex.bandcamp.com/album/liitto-hengen-ja-veren?ref=blackmetalzine.com)
Band: Der Rote Milan
Album: Verlust (EP)
Country: Germany
Genre: Black Metal
Date: December 12, 2025
[Verlust, by Der Rote Milan5 track albumDer Rote MilanLord Ilendhir](https://derrotemilan.bandcamp.com/album/verlust?ref=blackmetalzine.com)
Band: Dimholt
Album: MetaForm
Country: Bulgaria
Genre: Black Metal
Date: December 13, 2025
[MetaForm, by Dimholt8 track albumDimholtDimholt](https://dimholt.bandcamp.com/album/metaform?ref=blackmetalzine.com)
Band: Dratna
Album: Samhain Dawn at the Gates of Mag Mell
Country: UK
Genre: Black Metal
Date: December 12, 2025
[Samhain Dawn at the Gates of Mag Mell, by Dratna8 track albumDratnaDratna](https://dratna.bandcamp.com/album/samhain-dawn-at-the-gates-of-mag-mell?ref=blackmetalzine.com)
Band: Ebony Pendant
Album: Threnodies From The Coldlands
Country: USA
Genre: Raw Black Metal
Date: December 19, 2025
[Threnodies From The Coldlands, by Ebony Pendant5 track albumEbony Pendanttrollfi3nd](https://ebonypendant.bandcamp.com/album/threnodies-from-the-coldlands?ref=blackmetalzine.com)
Band: Ephel Duath
Album: Melancholia
Country: Spain
Genre: Atmospheric/Depressive Black Metal
Date: December 11, 2025
[Melancholia, by Ephel Duath6 track albumEphel DuathBandcamp New & Notable May 9, 2025](https://ephelduathbm.bandcamp.com/album/melancholia?ref=blackmetalzine.com)
Band: Erz
Album: II (EP)
Country: Germany
Genre: Black Metal
Date: December 8, 2025
[II, by Erz2 track albumErzparadoxalaughs](https://erzblackmetal.bandcamp.com/album/ii?ref=blackmetalzine.com)
Band: Fading Path
Album: Every Path Leads to a Dead End (Demo)
Country: Moldova
Genre: Raw Black Metal
Date: December 9, 2025
[Every Path Leads to a Dead End (Demo), by Fading Path3 track albumFading PathFading Path](https://fadingpath.bandcamp.com/album/every-path-leads-to-a-dead-end-demo?ref=blackmetalzine.com)
Band: Hierophany
Album: Tenebrario
Country: Mexico
Genre: Black Metal
Date: December 12, 2025
[Tenebrario, by Hierophany6 track albumHierophanyHierophany](https://hierophanytemple.bandcamp.com/album/tenebrario?ref=blackmetalzine.com)
Band: Himberg & Wintergrau
Album: Vergänglichkeit, Erinnerung, Vergessen (Collaboration)
Country: Italy / Germany
Genre: Atmospheric Black Metal
Date: December 15th, 2025
[Vergänglichkeit, Erinnerung, Vergessen, by Himberg / Wintergrau7 track albumHimbergRyan](https://himberg.bandcamp.com/album/verg-nglichkeit-erinnerung-vergessen?ref=blackmetalzine.com)
Band: Hexagraf
Album: Walsen van hoop
Country: Netherlands
Genre: Black/Doom Metal
Date: December 18th, 2025
[Walsen van hoop, by Hexagraf6 track albumVoid Wanderer Productions](https://voidwandererproductions.bandcamp.com/album/walsen-van-hoop?ref=blackmetalzine.com)
Band: Huskarl
Album: Barbaric Savagery
Country: USA
Genre: Raw Black Metal
Date: December 10, 2025
[Barbaric Savagery, by Huskarl6 track albumNeuro Plastic](https://neuroplastic.bandcamp.com/album/barbaric-savagery?ref=blackmetalzine.com)
Band: Illvilje
Album: La meg sjå alt omkring meg falle
Country: Norway
Genre: Black Metal
Date: December 14th, 2025
[La meg sjå alt omkring meg falle, by Illvilje7 track albumDownfall RecordsBandcamp New & Notable Apr 1, 2024](https://downfallrecords.bandcamp.com/album/la-meg-sj-alt-omkring-meg-falle?ref=blackmetalzine.com)
Band: Kaosophia
Album: Beyond the Black Horizon
Country: Ukraine
Genre: Black Metal
Date: December 12th, 2025
[Beyond The Black Horizon, by Kaosophia8 track albumKaosophiaObsidian One](https://kaosophia.bandcamp.com/album/beyond-the-black-horizon?ref=blackmetalzine.com)
Band: Kra
Album: Pogrzebanych Nocą Złudzeń
Country: Poland
Genre: Black/Death
Date: December 12, 2025
[Pogrzebanych Nocą Złudzeń, by Kra8 track albumKradoive](https://kraofficial.bandcamp.com/album/pogrzebanych-noc-z-udze?ref=blackmetalzine.com)
Band: Lamenthum
Album: Lament I
Country: Poland
Genre: Depressive Black Metal
Date: December 12, 2025
[Lament I, by Lamenthum5 track albumLamenthum200lbgoblin](https://lamenthum.bandcamp.com/album/lament-i?ref=blackmetalzine.com)
Band: Laspherus
Album: Laspherus
Country: Italy
Genre: Atmospheric Black Metal
Date: December 20, 2025
[Laspherus, by Laspherus5 track albumLaspherusBandcamp New & Notable Aug 10, 2025](https://laspherus.bandcamp.com/album/laspherus?ref=blackmetalzine.com)
Band: Lunar Amulet
Album: Lunar Amulet (EP)
Country: US
Genre: Atmospheric Black Metal/Ambient
Date: December 5th, 2025
[Lunar Amulet, by LUNAR AMULET7 track albumLUNAR AMULETLUNAR AMULET](https://lunar-amulet.bandcamp.com/album/lunar-amulet?ref=blackmetalzine.com)
Band: Martröð
Album: Draumsýnir eldsins
Country: Iceland / United States
Genre: Black Metal
Date: December 12th, 2025
[Draumsýnir eldsins, by Martröð4 track albumMartröðJesus Popcornius](https://martrod.bandcamp.com/album/draums-nir-eldsins?ref=blackmetalzine.com)
Band: Melancholie
Album: Winterkronieken
Country: Netherlands
Genre: Atmospheric Black Metal/Ambient
Date: December 19th, 2025
Bandcamp: [https://melancholienp.bandcamp.com/album/winterkkonieken](https://melancholienp.bandcamp.com/album/winterkkonieken?ref=blackmetalzine.com)
Band: Morbonoct
Album: No One Knows We’re Dying
Country: Ukraine / Poland
Genre: Progressive Black Metal
Date: December 12, 2025
[No One Knows We’re Dying, by Morbonoct5 track albumMorbonoctNocturnal Egg (Jordan)](https://morbonoct.bandcamp.com/album/no-one-knows-we-re-dying?ref=blackmetalzine.com)
Band: Murokhamma
Album: Исступлением, лютою думою... (Demo)
Country: Russia
Genre: Atmospheric/Raw Black Metal
Date: December 12th, 2025
[Исступлением, лютою думою..., by Murokhamma4 track albumMurokhammaBandcamp New & Notable Oct 3, 2020](https://murokhamma.bandcamp.com/album/-?ref=blackmetalzine.com)
Band: Nemorous
Album: What Remains When Hope Has Failed
Country: UK
Genre: Atmospheric Black Metal
Date: December 19th, 2025
[What Remains When Hope Has Failed, by Bindrune Recordings6 track albumBindrune RecordingsBindrune Recordings](https://bindrunerecordings.bandcamp.com/album/what-remains-when-hope-has-failed?ref=blackmetalzine.com)
Band: Noxifer
Album: Enamoured Of Thy Beauty In Darkness
Country: Mexico
Genre: Melodic Black/Death
Date: December 21st, 2025
[Enamoured Of Thy Beauty In Darkness, by Noxifer8 track albumNoxiferBandcamp New & Notable Jul 28, 2025](https://noxifer218.bandcamp.com/album/enamoured-of-thy-beauty-in-darkness?ref=blackmetalzine.com)
Band: Obscura Domini
Album: Sepulchral Echoes Beneath the Withered Sky
Country: Italy
Genre: Symphonic Black Metal
Date: December 13, 2025
[Sepulchral Echoes Beneath the Withered Sky, by Obscura Domini7 track albumObscura DominiBandcamp New & Notable Jul 31, 2023](https://obscuradomini.bandcamp.com/album/sepulchral-echoes-beneath-the-withered-sky?ref=blackmetalzine.com)
Band: Omitten
Album: Unrevelling the Obscure
Country: Türkiye
Genre: Black Metal
Date: December 20th, 2025
[Unravelling the Obscure, by Omitten4 track albumOmittenBandcamp Album of the Day Oct 9, 2025](https://omitten.bandcamp.com/album/unrevelling-the-obscure?ref=blackmetalzine.com)
Band: Oppression
Album: No Safe Place
Country: France
Genre: Melodic Black Metal
Date: December 18th, 2025
[No Safe Place, by OPPRESSION9 track albumFolter RecordsTerastios4x4](https://folterrecords.bandcamp.com/album/no-safe-place?ref=blackmetalzine.com)
Band: Патриархь (Patriarkh)
Album: Hospodi IX.XI.MMXIX Live (Live Album)
Country: Poland
Genre: Black Metal
Date: December 19th, 2025
[Hospodi IX.XI.MMXIX Live, by Patriarkh9 track albumPatriarkhKoolMagma](https://patriarkh.bandcamp.com/album/hospodi-ix-xi-mmxix-live?ref=blackmetalzine.com)
Band: Streams of Blood
Album: Vermaledeit
Country: Germany
Genre: Black Metal
Date: December 18th, 2025
[Vermaledeit, by Streams of Blood8 track albumStreams of BloodEnsomhed](https://streamsofblood.bandcamp.com/album/vermaledeit?ref=blackmetalzine.com)
Band: Unfyros
Album: Star Blood
Country: Finland
Genre: Black/Doom Metal
Date: December 12, 2025
[Star Blood, by Unfyros7 track albumAvantgarde Musicporcelainheart-](https://avantgardemusic.bandcamp.com/album/star-blood?ref=blackmetalzine.com)
Band: Weft
Album: The Splintered Oar
Country: USA
Genre: Atmospheric Folk/Black Metal
Date: December 19th, 2025
[The Splintered Oar, by Weft5 track albumBindrune RecordingsBindrune Recordings](https://bindrunerecordings.bandcamp.com/album/the-splintered-oar?ref=blackmetalzine.com)
Band: Windswept
Album: The Devil's Vertep
Country: Ukraine
Genre: Black Metal
Date: December 12, 2025
[The Devil’s Vertep, by Windswept6 track albumWindsweptWindswept](https://windswept.bandcamp.com/album/the-devils-vertep?ref=blackmetalzine.com)
## Your thoughts
We love to hear your opinion about this newsletter, you can do so by commenting on this newsletter. Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Skjønnhet - Sailing into the Drowning Horizon (Single)
URL: https://blackmetalzine.com/review-skjonnhet-sailing-into-the-drowning-horizon-single/
Last updated: 2026-07-15T17:25:44.000Z
**Band:** Skjønnhet
**Album:** Sailing into the Drowning Horizon
**Genre:** Atmospheric Black Metal
**Country:** Indonesia
**Label:** Independent
**Released:** November 29, 2025
## Introduction
**Skjønnhet** is an Indonesian black metal project that blends atmospheric, nature-inspired music with environmental themes. Founded by Donny Andrean in 2022, the project takes its name from the Norwegian word for “beauty,” reflecting its focus on the natural world and humanity’s impact on it.
## The Single
Following up from 2024's full length album *Wander Above the Woods of Fog*, which if you havent already heard I implore you to go give it a listen, **Skjønnhet** has delivered a new single featuring our editor and vocalist for **Ulvhedner**, **Bjørnar**. *Sailing into the Drowning Horizon*, continues where the last album left off. Steady tremolo picked riffs and minimalistic, moody melodies that emphasize reflection over speed or technical showmanship. Lyrically, it again deals with environmental collapse and human responsibility, portraying nature as something under threat rather than a distant symbol or lyrical backdrop. **Bjørnar**'s vocals provide a welcome contrast while keeping the overall mood subdued. The track exemplifies **Skjønnhet**’s style, straightforward, atmospheric black metal paired with a clear ecological message, making it both engaging musically and thoughtful in its themes. I was disappointed upon hearing that there wasn't an album coming directly on the tail with it. But I'm extremely hopeful as there is rumors of a 2026 full length release.
**BMZ Rating: 8 out of 10**
**Support Skjønnhet here:** [https://skjnnhet.bandcamp.com/track/sailing-into-the-drowning-horizon](https://skjnnhet.bandcamp.com/track/sailing-into-the-drowning-horizon?ref=blackmetalzine.com)
## Your thoughts on Skjønnhet
We love to hear your opinion about this album. You can do so by becoming a member and comment on this post.
## Unleashing the Darkness Within
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Gravplåga - Maliferous Portents (2025)
URL: https://blackmetalzine.com/review-gravplaga-maliferous-portents-2025/
Last updated: 2026-07-15T17:23:38.000Z
**Band:** Gravplåga
**Album:** Maliferous Portents
**Genre:** Black Metal
**Country:** Sweden
**Label:** Independent
**Released:** November 22, 2025
## Introduction:
Gravplåga is a one-man black-metal project from Linköping, Sweden, created by Malignant Desecrator. Formed in 2025, the project follows a traditional underground approach, minimal promotion, raw sound, and a focus on atmosphere over unnecessary complexity. There’s nothing flashy or theatrical here. Gravplåga presents itself simply as a dedicated return to the cold, straightforward days of the second wave of black metal.
## The Album:
“Maliferous Portents" is Gravplåga's debut release, a four-track EP that sets the tone for what the project aims to deliver. The opening track, “A Warrior’s Rest,” introduces the listener to a mid-paced, melancholic style built on clear tremolo melodies and steady drumming. It immediately shows that Gravplåga values well crafted melodic atmospheres over long or complicated structures and abused clichés.
> Track Listing:
> 1\. A Warriors Rest
> 2\. Bortom den dunkla vägen
> 3\. The Languishing Grave
> 4\. Wakings of Grief and Decay
“Bortom den dunkla vägen” follows with sharper, colder riffing. The vocals are raw and aggressive while still being audible, sitting perfectly within the mix. It’s one of “Maliferous Portents” more memorable tracks, keeping things tight and focused while brandishing catchy melodic riffs.
“The Languishing Grave” slows the pace slightly, giving the EP a more somber middle section with a simple but effective sense of gloom. The closing track, “Wakings of Grief and Decay,” is the most dynamic, shifting between heavier passages and more melodic sections, rounding out the EP with a clearer statement of the project’s potential. The production is raw but not muddy. Each instrument is rough around the edges, but the melodies remain clear enough to follow. It captures the feel of an early, independent black-metal release without sounding unfinished.
## Conclusion:
“Maliferous Portents” is a solid, promising debut that shows Gravplåga’s uncompromising commitment to straightforward, atmospheric/melodic black metal. It’s a short, focused release that leaves one hopeful for a lengthier full-length in the near future. The EP will surely resonate with fans of the second-wave or anyone that appreciates Sweden’s knack for melodic black metal.
BMZ rating: 6,5 out of 10
## Your thoughts on Maliferous Portents by Gravplåga
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### Review: Autrest - Burning Embers, Forgotten Wolves (2025)
URL: https://blackmetalzine.com/review-autrest-burning-embers-forgotten-wolves-2025/
Last updated: 2026-07-15T17:23:39.000Z
**Band:** Autrest
**Album:** Burning Embers, Forgotten Wolves
**Genre:** Atmospheric Black Metal
**Country:** Brazil
**Label:** Northern Silence Productions
**Released:** September 5, 2025
## Introduction
Emerging from the southern highlands of Brazil, Autrest has quickly become one of the more compelling new voices in atmospheric black metal. The one-man project, helmed by multi-instrumentalist Matheus Vidor, debuted in 2023 with “Follow the Cold Path”, a record defined by its frostbitten ambience and introspective melodic threads. It introduced Autrest as a project rooted deeply in nature-driven emotion, drawing on the traditions of atmospheric, post-black, and melodic black metal while maintaining a personal, solitary identity. With the release of “Burning Embers, Forgotten Wolves”, Autrest broadens that foundation, pushing the project toward a richer, more expansive sound while preserving the raw, windswept aesthetic that shaped its early work.
## Burning Embers, Forgotten Wolves
The album marks a noticeable leap forward in both compositional ambition and emotional range. Where the debut embraced cold minimalism, “Burning Embers, Forgotten Wolves” introduces a warmer tonal palette, trading icy isolation for something more luminous and reflective. The central imagery of “embers” and “forgotten wolves” feels carefully chosen. The music often pivots between quiet inward glow and fierce, instinctual energy. Autrest uses this duality as a thematic backbone, crafting songs that move fluidly between aggression, melancholy, and meditative calm.
> Track Listing: 1\. Lobos (Offering) 2\. Ashes from the Burning Embers 3\. Forgotten Wolves 4\. Where Stones Whisper 5\. Ruins of the Lost 6\. Forsaken 7\. Resonance 8\. Chasm of Time
Musically, the record expands the project’s signature blend of atmospheric and melodic black metal. The guitars carry an emotional narrative, weaving long, expressive tremolo lines that rise and fall like wind over mountain slopes. Layered harmonies add depth without overcrowding the mix, allowing melodies to breathe while creating a sense of vast, open landscapes. The production has tightened significantly since the debut. It's cleaner without sacrificing the hazy, immersive atmosphere so central to the genre. The songwriting is more dynamic this time around. Tracks unfold in deliberate arcs, building tension through repeated motifs before resolving into sweeping melodic passages or ambient interludes. Drums, too, play a more integral role, shifting between driving blast beats and understated rhythmic textures that support mood rather than dominate it. Vocals remain raw and distant, functioning less as a focal point and more as another layer of emotional texture. What stands out most is Autrest’s dedication to emotional storytelling. Even at its most intense, the album maintains a reflective undercurrent, exploring themes of memory, solitude, and the enduring presence of the natural world. The contrast between embers and wolves, between fragile warmth and primal instinct, recurs throughout the album’s structure, giving the record a sense of narrative cohesion. It’s an album that rewards immersive listening, with melodies that linger long after the final track fades.
## Conclusion:
“Burning Embers, Forgotten Wolves” is a confident and mature step forward for Autrest. It strengthens everything the debut did well while widening the emotional and sonic scope of the project. The album strikes a compelling balance between ferocity and introspection, offering both powerful riffs and atmospheric depth without leaning too heavily on either. For fans of nature-inspired black metal, especially those drawn to the melodic currents of bands like Saor or Elderwind, Autrest delivers a work that feels both personal and expansive. This is the sound of a project finding its stride and pushing boldly into its next chapter.
BMZ rating: 8 out of 10
## Your thoughts on Burning Embers, Forgotten Wolves by Autrest
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## Unleashing the Darkness Within
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### Review: Nordicwinter - Solitude (2025)
URL: https://blackmetalzine.com/review-nordicwinter-solitude-2025/
Last updated: 2026-07-15T17:23:40.000Z
**Band:** Nordicwinter
**Album:** Solitude
**Genre:** Atmospheric/Depressive Black Metal
**Country:** Canada
**Label:** Naturmacht Productions
**Released:** November 28, 2025
## Introduction:
In a scene overcrowded with artists screaming into the void, Nordicwinter has always stood apart by refusing to raise its voice. Instead, Evillair, the lone architect behind the project, lets the cold speak for him. Solitude, the latest entry in Nordicwinter’s bleak and snow-choked discography, is a distilled form of everything the project has come to represent thus far: isolation as atmosphere, sorrow as craft, and black metal as an internal landscape rather than an outward attack.
## The Album:
From the first minutes of the album, Solitude establishes a pace that rarely shifts. The guitars carry most of the weight, using steady, mid-tempo riffs that sit comfortably between depressive and atmospheric black metal. The melodies are simple but effective, giving each track a sense of direction without overcrowding the mix. Nothing here feels rushed or stuffed in; Nordicwinter leaves room for each idea to unfold at its own pace.
> Track Listing: 1\. Whispers of the Frozen Abyss 2\. The Howling Void 3\. Echoes of a Dying Sun 4\. The Sorrow of Eternal Frost 5\. Eternal Nights Embrace 6\. As the Last Light Fades
The vocals are raw and distant, placed low enough in the mix to feel like an internal monologue rather than a performance aimed outward. This fits the album’s overall tone, which leans more toward reflection than confrontation. There’s no sense of drama or emotional theatrics. Instead, the delivery is calm in its bleakness, almost conversational at times, even when the lyrics are at their most desolate. The drums stay consistent and restrained, no explosive fills, no sudden tempo changes. Their role is supportive, giving each song a steady pulse without drawing attention. This restraint helps keep the focus on the guitar work, which carries most of the album’s emotional and atmospheric content. Production is clear but not polished. It avoids both the harshness of traditional raw black metal and the slickness of modern studio sound. The guitars sit prominently, the vocals feel intentionally buried, and the overall tone is cold without leaning into lo-fi aesthetics. It sounds like Nordicwinter, but with slightly sharper edges. Lyrically, the album stays in familiar territory: isolation, fatigue, loss of meaning, and the quiet acceptance of these states. Rather than exploring new themes, Solitude sticks to what the project has always expressed, but with a little more focus. Nothing feels forced or symbolic for its own sake. The writing is straightforward, which matches the album’s musical approach. Each track flows naturally into the next, and while the songs hold their own, Solitude works best as a full listen. It’s the kind of album where small changes like a shift in melody, a vocal break, or a slower drum pattern carry more impact because the foundation stays steady throughout.
## Conclusion:
Solitude is a consistent, solid release that plays to Nordicwinter’s strengths without pretending to reinvent anything. It’s bleak but not dramatic, minimal but not empty, and emotionally heavy without relying on overly poetic imagery. Fans of depressive and atmospheric black metal will find exactly what they expect from the genre. This is music for people who find peace in empty forests, in snow falling on abandoned roads, in the hours when the world is silent and your thoughts get loud. It’s depressive/atmospheric black metal that doesn’t posture, but rather just exists in a way that feels painfully honest.
BMZ Rating: 8 out of 10
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### Review: GraveRipper - From Welkin to Tundra (2025)
URL: https://blackmetalzine.com/review-graveripper-from-welkin-to-tundra-2025/
Last updated: 2026-07-17T14:11:54.000Z
**Band:** GraveRipper
**Album:** From Welkin to Tundra
**Genre:** Blackend Thrash/Speed Metal
**Country:** United States
**Label:** Wise Blood Records
**Released:** October 17th, 2025
## Introduction
GraveRipper, the blackened thrash/speed metal band from the United States of America, released their second album From Welkin to Tundra on the 17th of October. To be fair, it was a bit of a sleeper release, well, it was for me at least. But i'm glad it appeared on my radar.
GraveRipper bandmembers
## From Welkin to Tundra
The band itself wasn't completely unknown to me, I am familiar with their EP [Radiated Remains](https://www.metal-archives.com/albums/GraveRipper/Radiated%5FRemains/940711?ref=blackmetalzine.com), but thereafter, they fell off the radar and that's about it. But now they are back with their second release From Welkin to Tundra, and where to start.
The album itself contains 10 tracks with a runtime of 34 minutes, so from the moment you hit play, this album just goes.
Track list:
1. Welkin, Now Tundra
2. Bring upon Pain
3. Hexenhammer
4. Death's Cold Embrace
5. Sanctioned Slaughter
6. Hounds from Hell
7. New Gods, New Masters
8. …and Now It's Dark
9. Bullet Laden Crown
10. Burning Barren Plains
Graveripper's second full-length hits like a merciless fury of blackened thrash and speed-metal, rather than a slow descent into frost. Having only glimpsed their earlier EP [Radiated Remains](https://www.metal-archives.com/albums/GraveRipper/Radiated%5FRemains/940711?ref=blackmetalzine.com), this album really took me by surprise.
From the opening instrumental “Welkin, Now Tundra” the atmosphere is set: cold and very bleak. That brief prelude doesn't linger, by the time “Bring Upon Pain” hits the album slammed into the gears and turns it up a notch. The drums hammer like a war machine on the move and as previously stated (well many times before) that's just the way I like the drums to sound, they should be relentless. Guitars rail-fast with some nice riffs and vocals bark with venom, and they mean business. It's definitely the kind of blackened-speed/thrash hybrid I like.
To me, this album sounds like there is no minute wasted: this is pure forward motion, a bullet straight into your chest until the record ends-and you find yourself pressing “play” again without thinking. Tracks like “Hexenhammer” and “Death's Cold Embrace” lean heavier into black metal hatred; “Hounds From Hell”, “. And Now It's Dark” or “Bullet Laden Crown” smash through with punklike aggression and thrash riffing sharpened by icy leads. Even on the more straightforward thrash assaults, the black metal undercurrent is there, and makes this album even nicer.
## Conclusion
This record doesn't try for subtlety, and that's what I really like about it. It doesn't pretend to be anything, and it certainly doesn't try to reinvent the wheel. But what it does, it does with conviction: fast, caustic, direct, and vicious. GraveRipper plays like there is a fire burning inside them, and they need to unleash that fury. I hope they keep that flame lit for a long time. For anyone who craves the adrenaline of speed/thrash metal and the cold cruelty of black metal, From Welkin to Tundra won't disappoint you, I'm certain of that.
BMZ rating: 9 out of 10
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### Review: 1349 - Winter Mass (2025)
URL: https://blackmetalzine.com/review1349-winter-mass/
Last updated: 2026-07-15T17:23:41.000Z
**Band:** 1349
**Album:** Winter Mass
**Genre:** Black Metal
**Country:** Norway
**Label:** Season of Mist
**Released:** November 28, 2025
## Introduction:
Winter Mass finds 1349 back in November 2021, returning to the stage in a world still half-frozen by lockdowns, and the album reflects that tension immediately. There’s a sense of urgency in the performance, not desperation, but pent-up force finally given room to detonate. Recorded in Oslo during a fleeting window when live shows were possible again, the atmosphere carries a strange mix of relief and fury. It’s the sound of a band who has spent decades refining their brand of black metal but still performs with the hunger of a group that believes every show must justify its existence. In that regard, Winter Mass is less a live album and more a captured exhalation of accumulated pressure, released in a torrent of blast beats, tremolo fire, and unforgiving intensity.
## Winter Mass
From the opening moments, the performance leans into everything 1349 is known for: relentless blast-beats from Frost that sound almost mechanical in precision, Archaon’s serrated riffing cutting through the room like cold wind, and Ravn’s vocals tearing across the mix with venomous clarity. There’s no easing in, no atmospheric intro, no theatrical buildup. The band simply detonates, and the rest of the record carries that momentum without a hint of restraint.
> Track Listing: 1\. Enter Inferno 2\. Sculptor of Flesh 3\. Slaves 4\. Through Eyes of Stone 5\. Cauldron 6\. Striding the Chasm 7\. Chasing Dragons 8\. Serpentine Sibilance 9\. I am Abomination 10\. Golem 11\. Atomic Chapel 12\. Dodskamp 13\. Abyssos Antithesis
The setlist is a strength in itself. Rather than presenting a strict retrospective or spotlighting a specific album era, Winter Mass moves across their catalog with the confidence of a band who knows their identity is consistent regardless of release date. As a long-time fan of 1349 this aspect of the album was especially appreciated and perfectly encapsulates the band across their nearly 30 year career. The older staples still hit with familiar violence, while more recent material reveals how their songwriting has sharpened rather than softened over time. “Striding the Chasm” is a highlight in this regard, its coiled aggression and almost thrash-leaning edge translating especially well in the live setting. What defines the album most, though, is its atmosphere. Many live albums try to smooth over the imperfections of the night; Winter Mass embraces them. The mix is raw enough that you can feel the size of the room and hear the crowd bleed into the edges of the microphones. Guitars occasionally overpower the vocals, and the drums sometimes surge forward like a wave, but these moments contribute to the sense of being physically present, shoulder-to-shoulder in a dark venue, feeling the blast beats in your ribcage. For a band rooted in the early ethos of Norwegian black metal, this lack of polish feels intentional and, frankly, correct. Conclusion: Winter Mass succeeds by refusing to be anything other than what 1349 is on stage: fierce, uncompromising, and utterly committed to the sustained violence of their sound. The relentless pace rarely lets up, there’s no grand narrative arc to the set, no surprising reimagining of older songs, no unique “only on this night” moment. Winter Mass is instead a demonstration of what 1349 is, stripped of studio armor. Aural Hellfire.
BMZ rating: 8.5 out of 10
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### Review: Stworz - U Śmierci na Komornem (2025)
URL: https://blackmetalzine.com/review-stworz-u-smierci-na-komornem-2025/
Last updated: 2026-07-16T18:56:05.000Z
**Band:** Stworz
**Album:** U Śmierci na Komornem
**Genre:** Atmospheric Black Metal
**Country:** Poland
**Label:** Werewolf Promotion
**Released:** October 31, 2025
## Introduction:
Since its formation in the mid-2000s, Stworz has maintained a consistent presence within Poland’s atmospheric and pagan black metal scene. Led entirely by multi-instrumentalist Swaikstan, the project has built a reputation for weaving together Slavic folk tradition, archaic language, and a strong sense of spiritual geography with its own unique blend of atmospheric black metal.
## U Śmierci na Komornem
With “U Śmierci na Komornem”, Stworz reaffirms its position as one of Poland’s most distinctive voices in pagan black metal. The album finds Swaikstan deepening the atmospheric, folk-infused direction that has long defined Stworz, but with a heightened sense of emotional clarity and compositional restraint. What emerges is a work that feels immaculately shaped. It's a slow-burning, immersive meditation on heritage, grief, and the solemn presence of death.
> Track Listing: 1\. Z lekutońsko łosiero 2\. U śmierci na komornem 3\. Tajamny gore łogań 4\. Dziatwa Twa gorycz 5\. W polu kamnianie 6\. W osnowie złych światów 7\. Czarojtów kiermas 8\. Dziejawa o zielgim princu 9\. Stosy 10\. Na lekutoński żalnik
The first few tracks of the album establish a stark, windswept aesthetic. Built through icy riffs stretched over melancholic undercurrents. Infused with melodies that drift through the mix like half-remembered folk lamentations. The pacing is measured, but never stagnant. The title track serves as the album’s emotional anchor. Built on mournful chord progressions and understated rhythmic shifts, it demonstrates Stworz’s refined ability to merge black metal austerity with deeply felt melodic sensibility. The vocals are delivered in a gritty, raw cadence and sit in the sweet spot of the mix. Not overbearing and not washed out. Though the lyrical content may be obscured for some listeners by linguistic and dialectal choices, the emotional throughline is unmistakable: a solemn recognition of death’s proximity. Instrumentally, “U Śmierci na Komornem” shows a marked growth in craftsmanship. The guitars operate less as vehicles for aggression and more as architectural elements, constructing landscapes that feel expansive and historically rooted. Folk motifs appear organically throughout the record, not as decorative gestures but as integral threads in its sonic fabric. Even at its most atmospheric, the album maintains a raw, living energy that keeps it grounded within black metal tradition. The latter half of the album is where Stworz truly hits its stride. Here, the songs deepen in emotional intensity, blending mournful melody with a sense of ritual momentum. The compositions avoid the trap of predictable climaxes, relying instead on controlled dynamics and small, purposeful shifts in mood. It’s in these moments that the album reaches its most affecting heights, capturing the tension between spiritual weariness and defiance that defines Stworz’s best work. As the album moves into its closing passages, the atmosphere becomes increasingly introspective. The final track settles into a meditative haze, allowing the record to conclude not with catharsis but with a quiet surrender, an elegant choice that reinforces the thematic thread of mortality that runs throughout.
## Conclusion:
“U Śmierci na Komornem” stands as one of Stworz’s most cohesive and mature releases to date. It is not an album built for immediacy; instead, it demands full immersion and rewards listeners with a richly textured, emotionally resonant experience. In a scene often dominated by extremity for extremity’s sake, Stworz offers something far rarer: black metal that feels genuinely contemplative, historically grounded, and artistically focused. Its a compelling and dignified entry in the Polish pagan black metal canon.
BMZ rating: 7,5 out of 10
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### Review: Bloedmaan - Vampyric War in Blood (2025)
URL: https://blackmetalzine.com/review-bloedmaan-vampyric-war-in-blood-2025/
Last updated: 2026-07-15T17:23:42.000Z
**Band:** Bloedmaan
**Album:** Vampyric War in Blood
**Genre:** Atmospheric Black Metal
**Country:** Belgium
**Label:** Immortal Frost Productions
**Released:** December 19th, 2025
## Introduction
Bloedmaan is a one-man project from Belgium, by Ronarg who's also the man behind [Antzaat](https://www.metal-archives.com/bands/Antzaat/3540431512?ref=blackmetalzine.com#band%5Ftab%5Fmembers) and [Ars Veneficium](https://www.metal-archives.com/bands/Ars%5FVeneficium/3540383970?ref=blackmetalzine.com#band%5Ftab%5Fmembers), both bands are favourites of mine. Bloedmaan made a first great debut album (you'll find a link at the end of this review). So let's see whether this is a continuation or not.
## Vampyric War in Blood
Bloedmaan opens the album with an eerie yet inviting melody that instantly sets the mood. It's cold, melodic, and carries that haunting layer that works so well with the vampiric aesthetic the band leans into. You feel yourself stepping straight into Vlad's personal domain.
The second track doesn’t wait around and takes off immediately. Drums come in with purpose, and from that moment on, the album moves with a steady pulse (see what I did there…). The vocals are the element that stood out to me the most on this album. You can actually understand the lyrics this time, a refreshing change in a genre where everything tends to get swallowed by, well, mostly noise. They’re not the iciest vocals out there, but they’re sharp enough and fit the overall sound perfectly. They do what they need to do, and that’s undoubtedly the feeling this album gives off in multiple areas.
The guitars follow the same pattern: They're not the most distinctive riffs I've heard, and they don't really push themselves into the spotlight, but they have a clear job in the overall atmosphere, and they carry it out well. It's that combination of cold melody and consistency that keeps the music grounded. Nothing jumps out and nothing feels forced. The guitar work simply supports the mood and lets the rest of the album breathe.
What's also important, at least to me, is the production of an album, but everything is in place for this record. The mix is balanced enough that nothing really overpowers anything else. For this style of black metal, that means a lot, and here it works seamlessly. The album keeps a clear structure, and even to my famously low patience for longer releases, it managed to hold my attention without drifting off. That alone says something about the pacing and how the atmosphere is maintained.
And again, the artwork deserves attention. Painted by **Ronarg** himself, it continues what he started visually on the debut, but pushes it further. I already loved the first cover, and this one feels like a proper evolution. It fits the cold, melodic tone of the album without being overly dramatic, and it adds another layer to the overall experience.
## Conclusion
Comparing this second album to the first, it feels more like a continuation than a reinvention. For me, that's a good thing, as I thoroughly enjoyed the debut. At the same time because that first album was so strong, it's difficult for this one to reach that same level, but that's more about personal taste than anything else. The quality is still there, the atmosphere is still intact, and Bloedmaan clearly knows what kind of sound they want to cultivate. In the end, Vampyric War in Blood keeps Bloedmaan firmly on track. It builds on what worked before and delivers another cold, melodic chapter wrapped in a haunting tone. It’s steady and well put together, and that's all it needs to be. I'm looking forward what's next for this band.
BMZ Rating: 8 out of 10
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## Review previous album:
[Review: Bloedmaan - Castle inside the Eclipse“Listen to them, the children of the night. What music they make!” Bloedmaan released their debut EP, Castle Inside the Eclipse. We wrote a review about it.Black Metal ZineRoberto](https://blackmetalzine.com/review-bloedmaan-castle-inside-the-eclipse/)
### Review: Adorn - Adorn
URL: https://blackmetalzine.com/review-adorn-self-titled/
Last updated: 2026-07-15T17:23:43.000Z
**Band:** Adorn
**Album:** Self-titled
**Genre:** Black Metal
**Country:** UK
**Label:** Northern Silence
**Released:** November 2025
## **Introduction**
Let me ask you a quick question, the last time you gazed wistfully out into the night sky lamenting the departure of your one true love, did you feel like you were missing something? You certainly did. Probably because your dumb ass hadn’t checked out the latest from UK black metal outfit **Adorn.**
## **Adorn**
**Track list:**
1\. Secrets of the Heart
2\. When Time Stood Still
3\. Tudor Garden
4\. Porcelain
5\. Your Majesty
6\. Midsummer
On this self-titled release, **Adorn** mixes elegant uplifting black gaze riffs with intricate lush orchestration. Man, I have to say, it's pretty god-damn impressive to hear what these people can do in 2025 with a little imagination and commitment to the vibe.
The one thing I would compare it to (another Northern Silence release funnily enough, great job fellas) is *Diaphanous Deities* by **Au Clair De Lune** and I have got to say I do enjoy that style of black metal. It’s easily some of the most interesting and atmospheric black gaze sounding stuff out there this year, and some arrangements sound so fucking good (the choirs on track one, for example).
Also on the subject of “romantic black metal” for starters I don’t listen to any of that **Këkht Aräkh** (or whatever it's called) black metal for mumble rap fans. But given the aesthetic of this project and the era it roughly focuses on, romantic black metal is definitely spot on, and it really does emanate a pretty strong sense of time and place.
I’d legitimately like to know to what extent this period of history impacts these guys, and what the ambition is for this project in having a fixation on this time. It doesn’t feel mournful, like it is saying goodbye to a long gone era of beauty and (at least from an outsider's perspective) extravagance; it is more kind of invites anyone listening to it into this gorgeous world from the past. Listening really does feel like glaring through the window at the maiden on the cover brushing her hair in a 17th century room.
## **Conclusion**
Overall, this really is pretty sick. In a sea of the same 2nd wave worship, hearing an album that really nails this kind of vibe is really cool. I was initially kind of cold on it, but after a couple of listens, I can confirm it's really got a unique charm all of its own that's revisit worthy. If you are familiar with **Au Clair De Lune** or **So Hideous My Love**, you’ll probably enjoy this.
**BMZ rating: 7.5 out of 10**
**Support Adorn here:** [https://adorn-northernsilence.bandcamp.com/album/adorn](https://adorn-northernsilence.bandcamp.com/album/adorn?ref=blackmetalzine.com)
## Your thoughts on Adorn
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### Review: 1914 - Viribus Unitis
URL: https://blackmetalzine.com/review-1914-viribus-unitis/
Last updated: 2026-07-15T17:23:44.000Z
**Band:** 1914
**Album:** Viribus Unitis
**Genre:** Blackened Death/Doom Metal
**Country:** Ukraine
**Label:** Napalm Records
**Released:** 14th November 2025
## Introduction
It is time for the grim reaper to once again swing his scythe over the battlefields of World War One as Ukrainian band **1914** deliver their fourth album - *Viribus Unitis*. They’ve been on an unbreakable streak of three for three on impressive albums that depict both honourable and lamenting tales of the Great War, the war to end all wars and was supposed to make us say “never again”.
## **Viribus Unitis**
**Emma;** Of course, as we know today, it ended in nothing. History repeats itself over and over and over again. While this album tells the story of a soldier from Lviv fighting for the Austro-Hungarian Army thrown into the meat grinder of war over a century ago. It, of course, reflects what atrocities are still ongoing every day in our modern world.
After the mandatory *War In* that we have come to expect by now, we are bombarded by a blitz of blast beats to throw us right into the depths of the start of the war with *1914 (The Siege of Przemyśl)*. This song sets us up for the first half of the album, being an absolute onslaught of nigh-on unyielding, vicious, blackened metal. This continues through into what is quite possibly my favourite song on the album at the current moment.
Bandmembers 1914
*1915 (Easter Battle for the Zwinin Ridge)* and holy hell what a song this is. It is brutal, intense, and something to absolutely behold. It does contain some more plaintive and slower sections to give a moment of breathing room, before a choir of male voices chants. The militaristic snare rolls accompanying the Ukrainian choir makes you feel like you are marching into war itself, whether it is with emotions of pride or with apprehension. This whole final section is incredibly grand and a few moments you can really lose yourself in. Finishing off with *“Це моя земля”* as a mantra, “this is my land” bringing forth the theme of then and now not only for this soldier but also for the band themselves.
This album is very front-loaded with intense songs, an absolutely relentless beat akin to the machine gun fire of a Vickers or an MG-08 firing over your heads from 1914 through to 1917\. *1916 (The Südtirol Offensive)* Isonzo Front is probably the biggest example of this, with the bombardment of pounding instrumentation akin to an ongoing offence by itself. Also, 1917 (The Isonzo Front) is ferocious as our soldier commits savage acts in the name of war, perfectly contrasting the following tracks of war. 1918\. *“The river of death”* being screamed out into the void, again wonderfully opposing the gentle guitar section that readies us for what is upcoming.
The tone shifts drastically to a more dour state as our soldier becomes injured from a chaotic battle, getting wounded by a grenade before becoming a prisoner of war and needing to escape across this three-part track. Right from the start of Pt. 1: WIA (Wounded in Action), there is a much more doomy feel to the track as guitars are seemingly getting these slow heavy riffs punched out of them. It builds up intensity throughout and becomes an overwhelming wall by the end as a heavy sense of despair overcomes you. The absolute guttural scream of *“Bloodlust”* as we reach the crescendo of this piece, into the chilling closure just having *“Shellshock”* repeated over and over as the wails and screams in the background create a piece of anxious horror.
This atmosphere continues through *Pt. 2: POW (Prisoner of War)* and *Pt. 3: ADE (A Duty to Escape),* tracks filled with absolute dread and frightful restless terror. *“This must be the last war we fight for many years to come”*. They act to provide a slower pace, still intense and fierce but in a different direction to the first half of the album.
Our guest vocals from Aaron Stainthorpe (**My Dying Bride, High Parasite**) are absolutely haunting and powerful as the futility of war and weight of death bears down upon our dear captive soldier. *“I will always remember you comrade”* being growled out as he realises his brother in arms Frane Hribar is no longer alive has such a bleak and bitter sting to it, and absolutely gut-wrenching as a result.
The change of tone between the two halves of the album seem to me to reflect a soldiers' attitude in war. From pals, battalions of young men who signed up together under the promise that they'll be fighting side by side with their friends in a war that will be over by Christmas. To being all alone and shellshocked in the sodden trenches. Everyone he knew had perished in battle.
For our soldier, the war is seemingly over in a tragic fashion as the final song *1919 (The Home Where I Died)* plays. Opening with an almost more experimental electronic soundscape and beautiful piano work, it features solely clean solemn ballad-like vocals. The lyrics are bittersweet as he is reunited to his family, but only in his dying dreams - it is tormenting and incredibly poignant as he heads back to Ukraine. *“The war that never ends”*.
And with our *War Out* period piece playing us out, we are done. Or in my case, I hit repeat and relive the history again and again in a morbidly ironic fashion, perhaps.
**KingG;** *Viribus Unitis* is the first release from **1914** since the awful Russian invasion of Ukraine in February 2022\. **1914** has not been silent about the struggles both they and their fellow countrymen have faced since then.
There is no hiding the emotions inflicted upon one by the horrors of war. So, there's no surprise that **1914** has put that emotion into their music, making *Viribus Unitis* one of the more aggressive-sounding albums 1914 has created.
A thought-provoking adventure lies within every album that **1914** has made. Great storytelling transports you back to the Great War through lyrics, historical audio clips, and the horrors from the battlefield. **1914** clashes it all together for total war. *Viribus Unitis* is no different, but the release has a bit less use of war sound clips. Those were heavily used on my personal favorite album, *Eschatology of War*. The use of a choir is instead more present and makes for beautiful sentiment in between the rapid-fire blackened death metal of **1914**.
## Conclusion
This album is absolutely monumental as a concurrent concept album about one man's journey through years of hardship and horror. It displays indomitable spirit and unwavering hope in the barbaric and heinous warfare surrounding not only him, but his squad mates, friends, family, and innocents in everyday bloodshed. Never again, if only.
**BMZ rating: 8 out of 10**
## Your thoughts on **Viribus Unitis** by 1914
##
**Support 1914 here:** [https://x1914x.bandcamp.com/album/viribus-unitis](https://x1914x.bandcamp.com/album/viribus-unitis?ref=blackmetalzine.com)
We love to hear your opinion about this album. You can do so by becoming a member and commenting on this post.
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### The Infernal Records: Week 48 & 49
URL: https://blackmetalzine.com/the-infernal-records-week-48-49/
Last updated: 2026-06-25T12:35:31.000Z
We are back with our second The Infernal Records newsletter. Fractal went through the vast collection of new releases and picked the ones that in his (and our) opinion are worth checking out. In the past two weeks, a wide array of albums with different styles were released, so there should be something for (almost) everybody. We would also love to hear your favorite releases from the last two weeks. You'll be able to comment on the article on the website, and for those that read this on the website, sign up (it's free) and you'll be able to comment. Now without further ado, the list:
Band: 1349
Album: Winter Mass (Live LP)
Country: Norway
Genre: Black Metal
Date: November 28th, 2025
[Winter Mass, by 134913 track album1349](https://1349som.bandcamp.com/album/winter-mass?ref=blackmetalzine.com)
Band: Anges de la Mort
Album: Le feu sous la glace (demo)
Country: Canada
Genre: Black Metal
Date: November 26, 2025
[Le Feu sous la Glace, by ADLM2 track albumADLM](https://adlm.bandcamp.com/album/le-feu-sous-la-glace-3?ref=blackmetalzine.com)
Band: Anima
Album: Yllä kaikkitietävän tyhjyyden
Country: Finland
Genre: Black Metal
Date: November 26, 2025
[Yllä Kaikkitietävän Tyhjyyden, by Anima8 track albumAnima](https://animasuffering.bandcamp.com/album/yll-kaikkitiet-v-n-tyhjyyden?ref=blackmetalzine.com)
Band: Astral Casket
Album: Iconoclastic
Country: Costa Rica
Genre: Black/Death
Date: December 5, 2025
[Iconoclastic, by Astral Casket6 track albumAstral Casket](https://astralcasket.bandcamp.com/album/iconoclastic?ref=blackmetalzine.com)
Band: Black Mole Dominion
Album: Opus Caecorum
Country: France
Genre: Atmospheric Black Metal
Date: December 1, 2025
[Opus Caecorum, by Black Mole Dominion4 track albumBlack Mole Dominion](https://blackmoledominion.bandcamp.com/album/opus-caecorum?ref=blackmetalzine.com)
Band: Blut aus Nord
Album: Ethereal Horizons
Country: France
Genre: Atmospheric Black Metal, Avant-garde/Black/Industrial Metal/Dark Ambient
Date: November 28th, 2025
[Ethereal Horizons, by Blut Aus Nord7 track albumBlut Aus Nord](https://blutausnord.bandcamp.com/album/ethereal-horizons?ref=blackmetalzine.com)
Band: Consolatio
Album: Ex Nihilo
Country: France
Genre: Black Metal
Date: December 1st, 2025
[Ex Nihilo, by Consolatio7 track albumConsolatio](https://consolatio.bandcamp.com/album/ex-nihilo?ref=blackmetalzine.com)
Band: Darvaza
Album: We Are Him
Country: Italy / Norway
Genre: Black Metal
Date: December 5th, 2025
[We Are Him, by Darvaza7 track albumDarvaza](https://darvazablackmetal.bandcamp.com/album/we-are-him?ref=blackmetalzine.com)
Band: Daughters of Sophia
Album: (4.0°) Tsalmaweth
Country: France
Genre: Atmospheric/Post-Black Metal
Date: November 28th, 2025
[(4.0°) Tsalmaweth, by Daughters of Sophia8 track albumFlowing Downward](https://flowingdownward.bandcamp.com/album/40-tsalmaweth?ref=blackmetalzine.com)
Band: Enthroned
Album: Ashspawn
Country: Belgium
Genre: Black Metal
Date: December 5, 2025
[Ashspawn, by Enthroned9 track albumEnthroned](https://enthroned.bandcamp.com/album/ashspawn?ref=blackmetalzine.com)
Band: Ergot
Album: Decade
Country: Italy
Genre: Black Metal/Ambient
Date: November 26th, 2025
[Decade, by Ergot7 track albumErgot](https://ergot.bandcamp.com/album/decade?ref=blackmetalzine.com)
Band: Extravaganza
Album: Tykiai ir slaptingai pakampėm belangės
Country: Lithuania
Genre: Depressive Post-Black Metal
Date: December 5, 2025
[Tykiai ir slaptingai pakampėm belangės, by Extravaganza7 track albumExtravaganza](https://xtrvgnz.bandcamp.com/album/tykiai-ir-slaptingai-pakamp-m-belang-s?ref=blackmetalzine.com)
Band: Hakla
Album: Pieśni Końca
Country: Poland
Genre: Black Metal
Date: November 28th, 2025
[Pieśni Końca, by HAKLA8 track albumVia Nocturna](https://vianocturna.bandcamp.com/album/pie-ni-ko-ca?ref=blackmetalzine.com)
Band: Harifa
Album: As the Pale Sun Fades
Country: UK
Genre: Atmospheric Black Metal
Date: November 28th, 2025
[As The Pale Sun Fades, by Harifa8 track albumHarifa](https://harifa.bandcamp.com/album/as-the-pale-sun-fades?ref=blackmetalzine.com)
Band: Hermóðr
Album: By Stone And Old Roots
Country: Sweden
Genre: Atmospheric Black Metal
Date: December 5, 2025
[By Stone And Old Roots (EP), by Hermóðr2 track albumHermóðr](https://hermodr.bandcamp.com/album/by-stone-and-old-roots-ep?ref=blackmetalzine.com)
Band: Hope Behind The Hills
Album: The Realm of Ideas and Shadows
Country: Greece
Genre: Melodic Black Metal
Date: November 27th, 2025
[The Realm Of Ideas And Shadows, by Hope Behind The Hills8 track albumHope Behind The Hills](https://hopebehindthehills.bandcamp.com/album/the-realm-of-ideas-and-shadows?ref=blackmetalzine.com)
Band: Hyver
Album: Shaâtaunoâr
Country: France
Genre: Symphonic Black Metal, Dungeon Synth
Date: November 25, 2025
[Shaâtaunoâr, by Hyver9 track albumAntiq](https://antiqofficial.bandcamp.com/album/sha-tauno-r?ref=blackmetalzine.com)
Band: Irae
Album: In the Key of Twilight
Country: Portugal
Genre: Black Metal
Date: November 28, 2025
[In the Key of Twilight, by Irae8 track albumIrae](https://irae666.bandcamp.com/album/in-the-key-of-twilight?ref=blackmetalzine.com)
Band: Jours Pâles
Album: Résonances
Country: France
Genre: Black Metal
Date: December 5, 2025
[Résonances, by Jours Pâles10 track albumLes Acteurs de L'Ombre Productions](https://ladlo.bandcamp.com/album/r-sonances?ref=blackmetalzine.com)
Band: Melinoe
Album: Aus der Asche
Country: Germany
Genre: Black Metal
Date: November 29, 2025
[Aus der Asche, by Melinoe4 track albumMelinoe](https://melinoe666.bandcamp.com/album/aus-der-asche?ref=blackmetalzine.com)
Band: Nordicwinter
Album: Solitude
Country: Canada
Genre: Atmospheric Depressive Black Metal
Date: November 28, 2025
[Solitude, by Nordicwinter6 track albumNordicwinter](https://nordicwinter.bandcamp.com/album/solitude?ref=blackmetalzine.com)
Band: Prieuré
Album: Live In Provins
Country: France
Genre: Black Metal
Date: December 6, 2025
[Live In Provins, by Prieuré8 track albumMFT records](https://mftrecords.bandcamp.com/album/live-in-provins-2?ref=blackmetalzine.com)
Band: Primitiae Dormientium
Album: The Ash Chalice
Country: Poland
Genre: Black Metal
Date: November 29th, 2025
[The Ash Chalice, by Primitiae Dormientium8 track albumPrimitiae Dormientium](https://primitiaedormientium.bandcamp.com/album/the-ash-chalice?ref=blackmetalzine.com)
Band: Quaetdoender
Album: Ongodlike Consten
Country: Belgium
Genre: Black Metal
Date: December 4, 2025
[Ongodlike consten, by Quaetdoender8 track albumQuaetdoender](https://quaetdoender.bandcamp.com/album/ongodlike-consten?ref=blackmetalzine.com)
Band: Sainte Obyana du Froid
Album: The Purest Ending
Country: France
Genre: Atmospheric Black Metal
Date: December 5, 2025
[SAINTE OBYANA DU FROID - The Purest Ending, by Transcendance3 track albumTranscendance](https://transcendance-bm.bandcamp.com/album/sainte-obyana-du-froid-the-purest-ending?ref=blackmetalzine.com)
Band: Sardonic Order
Album: Autumn Rehearsal 2025
Country: Canada
Genre: Raw Black Metal
Date: November 27, 2025
[Autumn Rehearsal, by Sardonic Order2 track albumSardonic Order](https://sardonicorder.bandcamp.com/album/autumn-rehearsal?ref=blackmetalzine.com)
Band: Silence of the Nemeta
Album: Towards the Chimaera
Country: Belgium
Genre: Atmospheric Black/Folk Metal
Date: November 28, 2025
[Towards the Chimaera, by Silence of the Nemeta6 track albumSilence of the Nemeta](https://silenceofthenemeta.bandcamp.com/album/towards-the-chimaera?ref=blackmetalzine.com)
Band: Sleeper
Album: Skinwalker
Country: Italy
Genre: Atmospheric Black Metal
Date: November 27th, 2025
[Skinwalker, by Sleeper8 track albumNycticorax Productions](https://nycticoraxproductions.bandcamp.com/album/skinwalker?ref=blackmetalzine.com)
Band: Sorgsvart
Album: Gardar og grende
Country: Norway
Genre: Folk/Black/Viking Metal
Date: November 28th, 2025
Band: Svora
Album: Помни, люби, скорби
Country: Finland / Russia
Genre: Black Metal
Date: November 28th, 2025
[Помни, люби, скорби (Remember, Love, Grieve), by SVORA10 track albumSVORA](https://svoraa.bandcamp.com/album/remember-love-grieve?ref=blackmetalzine.com)
Band: The Stone
Album: Kletva
Country: Serbia
Genre: Black Metal
Date: November 28, 2025
[Kletva, by The Stone7 track albumImmortal Frost Productions](https://immortalfrostproductions1.bandcamp.com/album/kletva?ref=blackmetalzine.com)
Band: Thokkian Vortex
Album: Lucifer Lucem Proferens
Country: Israel
Genre: Black Metal
Date: November 27th, 2025
[Lucifer Lucem Proferens, by THOKKIAN VORTEX10 track albumFolter Records](https://folterrecords.bandcamp.com/album/lucifer-lucem-proferens?ref=blackmetalzine.com)
Band: Trhä
Album: Tahaccet ga qëcha com ibajn
Country: USA
Genre: Atmospheric Black Metal/Ambient
Date: December 4, 2025
[tahaccet ga qëcha com ibajn, by Trhä8 track albumTrhä](https://trha.bandcamp.com/album/tahaccet-ga-q-cha-com-ibajn?ref=blackmetalzine.com)
Band: Unviâr
Album: Disglaç
Country: Italy
Genre: Atmospheric Black Metal
Date: November 28, 2025
[Disglaç, by Unviâr5 track albumUnviâr](https://unviar.bandcamp.com/album/disgla?ref=blackmetalzine.com)
Band: Urisk
Album: OIDHCHE II
Country: Germany
Genre: Atmospheric Black Metal
Date: December 5, 2025
[OIDHCHE II, by Urisk4 track albumUrisk](https://urisk.bandcamp.com/album/oidhche-ii?ref=blackmetalzine.com)
Band: Verilehto
Album: Aarnihauta
Country: Finland
Genre: Black Metal
Date: November 28, 2025
[Aarnihauta, by Verilehto7 track albumVerilehto](https://verilehto.bandcamp.com/album/aarnihauta?ref=blackmetalzine.com)
Band: Vespillo
Album: Vespillo
Country: Greece
Genre: Black Metal
Date: November 23, 2025
[Vespillo, by Vespillo7 track albumVespillo](https://vespillo.bandcamp.com/album/vespillo?ref=blackmetalzine.com)
That's it for this list. We hope you found a few bands/albums you weren't familiar with and will check them out. As always, you can support the bands by buying the albums (digital, CD, vinyl) from their Bandcamp pages.
## Your thoughts on this newsletter
We love to hear your opinion about this newsletter or the bands in it. You can do so by becoming commenting on the article.
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### From the Vault: Gates of Ishtar - At Dusk and Forever
URL: https://blackmetalzine.com/from-the-vault-gates-of-ishtar-at-dusk-and-forever/
Last updated: 2025-12-06T16:00:50.000Z
*Band: Gates of Ishtar*
*Album: At Dusk and Forever*
*Genre: Melodic Black/Death Metal*
*Country: Sweden*
*Label: Invasion Records*
*Released: February 28, 1998*
##
Introduction:
**Gates of Ishtar** was a Swedish melodic black/death metal band from Luleå, active in the mid to late 90’s. Combining the intensity of black metal with the melody of the Gothenburg sound, they crafted a distinctive blend of aggression and emotion. Their acclaimed albums *A Bloodred Path* (1996) and *At Dusk and Forever* (1998) secured their legacy as an influential force in the melodic extreme metal scene. This band and album in particular will always have a special place in my heart. Being one of my earliest discoveries as a teenager, exploring metal's more extreme sub-genres. **Gates of Ishtar** bridged a gap for me between death metal and black metal, opening the doors for me into a realm I hadn't yet fully grasped. *At Dusk and Forever* is a classic of both genres and stands the test of time still to this day.
## At Dusk and Forever
**Track Listing:**
> 1\. Wounds
> 2\. The Nightfall
> 3\. At Dusk and Forever
> 4\. Battles to Come
> 5\. The Burning Sky
> 6\. Never Alone Again
> 7\. Always
> 8\. Forever Beach
Released in 1998, *At Dusk and Forever* marked both the creative apex and the tragic swan song of Swedish melodic black/death metal band **Gates of Ishtar**. Emerging from the fertile 1990s Scandinavian metal scene, the band had already built a reputation for combining the ferocity of black metal with the melodic sensibilities of Gothenburg’s death metal movement. This final album, released shortly before the band’s dissolution, stands as their most emotionally charged and musically refined work, a poignant farewell steeped in melancholy and aggression.
From the first notes of *At Dusk and Forever*, the album sets a tone of grandeur and despair. The production, cleaner than the raw edge of their earlier releases, amplifies the melodic twin-guitar harmonies melodic death metal is known for, while keeping the percussion sharp and organic. Tracks like *Battles to Come*, *The Nightfall* and *Wound*” demonstrate their gift for balancing speed and sorrow: tremolo-picked riffs cascade over galloping drums, while Oskar Karlsson’s (R.I.P) precise rhythm work drives the songs with relentless momentum.
What distinguishes *At Dusk and Forever* is its emotional depth. The lyrics reflect introspection, loss, and defiance, an undercurrent of farewell runs through the album’s poetic imagery. The band’s trademark melodic leads are no longer merely ornamental; they feel like lamentations in motion. Vocally, Mikael Sandorf delivers one of his most impassioned performances, his rasping growls convey both rage and resignation, perfectly complementing the album’s atmosphere of tragic finality.
Musically, the album bridges worlds: it retains the cold bite of black metal yet infuses it with the melodic storytelling and structural finesse of Swedish death metal. The production and songwriting suggest a band reaching full maturity, aware of its own ending but determined to leave something lasting.
## Conclusion:
*At Dusk and Forever* is more than just a closing chapter, it’s a crystallization of everything Gates of Ishtar stood for: melody entwined with aggression, beauty tempered by sorrow. Though often overshadowed by more commercially successful contemporaries, this album endures as one of the genre’s hidden gems, an eloquent epitaph for a band that burned brightly and faded too soon. For listeners who crave blackened melodies wrapped in emotional gravity, *At Dusk and Forever* remains a haunting, essential listen.
**BMZ Rating: 10 out of 10**
You can support the band here: [https://centurymedia.bandcamp.com/album/at-dusk-and-forever](https://centurymedia.bandcamp.com/album/at-dusk-and-forever?ref=blackmetalzine.com)
## Your thoughts on At Dusk and Forever by Gates of Ishtar
We love to hear your opinion about this album. You can do so by becoming a member and comment on this post.
[Signup ](#/portal/signup/)
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Lamp of Murmuur - The Dreaming Prince in Ecstasy
URL: https://blackmetalzine.com/review-lamp-of-murmuur-the-dreaming-prince-in-ecstasy/
Last updated: 2026-07-16T17:16:03.000Z
**Band:** Lamp of Murmuur
**Album:** The Dreaming Prince in Ecstasy
**Genre:** Black Metal
**Country:** United States
**Label:** Wolves of Hades
**Released:** November 14, 2025
## Introduction:
American one-man band **Lamp of Murmuur** releases their exciting dream paved fourth album, *The Dreaming Prince in Ecstasy* with heavy tones of ferocious riffs, crafted melodies, and clean pop like vocals. This album puts the listener into an atmospheric whirlwind of heaven and hell.
## The Dreaming Prince of Ecstasy
**Tracklisting:**
1. The Fires of Seduction
2. Forest of Hallucinations
3. Hategate (The Dream-Master's Realm)
4. Reincarnation of a Witch
5. Angelic Vortex
6. The Dreaming Prince in Ectasy Part I - Moondance
7. The Dreaming Prince in Ectasy Part II - Twilight Orgasm
8. The Dreaming Prince in Ectasy Part III - The Fall
9. A Brute Angel's Sorrow
**Lamp of Murmuur**'s sole member, *M.* brings forth a 53 minute 9 track opus about fallen gods and angels in an incredible style, much different from the raw black metal he introduced to us on the first two albums, and as well on other material he has released thus far. I would dare say *Saturnian Bloodstorm* was a tad different than the previous two releases before, offering an atmospheric album worship akin to the band **Immortal** that sounded like *Blizzard Beasts* and *At the Heart of Winter.* So let us finally talk about *The Dreaming Prince in Ecstasy*.
The first half of the album is atmospheric symphonic black metal mixed with melodic guitar riffs and charged bomb blastbeats to both draw the listener in and make their ears burn in ecstasy. Songs like *The Fires of Seduction* , *Forest of Hallucinations* , *Hategate* *(The Dream-Master's Realm)* , and *Reincarnation of a Witch* exemplify the true beauty of the symphonic blends and also some clean vocal work by *M.* to give each song a unique feeling.
We shift to a 2-minute interlude with *Angelic Vortex*, which segues into the 3 part title track songs. They tell a story of fallen ancient ruins and stars to enter a newborn God to begin life anew. It is backed by strong blast beats coupled with dreamy guitar riffs and atmosphere, giving each song its character. Lastly, ending with a beautiful acoustic guitar, synth, and clean vocals, *A Brute Angel's Sorrow*. Each of these songs are crafted with precise production and beauty, that the listener will enjoy this album in its entirety.
## Conclusion:
**Lamp of Murmuur** totally embodies a stylistic change into more modern black metal. With each release *M.* has put out, he has continued to outdo himself musically and professionally, taking risks and crafting them into beautiful dreamscapes for his fans to enjoy. I am always excited to hear what **Lamp of Murmuur** is going to do next!
## Rating: 8.5 of 10
##
**Support Lamp of Murmuur here:** [https://lampofmurmuur.bandcamp.com/album/the-dreaming-prince-in-ecstasy](https://lampofmurmuur.bandcamp.com/album/the-dreaming-prince-in-ecstasy?ref=blackmetalzine.com)
## Your thoughts on The Dreaming Prince in Ecstasy by Lamp of Murmuur
We love to hear your opinion about this album. You can do so by becoming a member and comment on this post.
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Suffering Hour – Impelling Rebirth
URL: https://blackmetalzine.com/review-suffering-hour-impelling-rebirth/
Last updated: 2026-07-15T17:23:45.000Z
**Band:** Suffering Hour
**Album:** Impelling Rebirth
**Genre:** Black Metal
**Country:** United States of America
**Label:** Profound Lore Records
**Released:** October 3rd, 2025
## Introduction
Over the past 7 or so years, Profound Lore Records has built a reputation as one of the most trusted and high-esteem indie labels, not only in metal, but under the larger noise and drone umbrella too, with critically acclaimed albums like **Lingua Ignota**’s *Caligula* and **Bell Witches**’ *Mirror Reaper* under their repertoire. One of the most promising younger acts on the label is **Suffering Hour**, whose last album, *The Cyclic Reckoning* from 2021, is one of the best black metal albums of the decade. With that background, the expectations for their next album are quite high, which feels almost atypical in current-day black metal.
## Impelling Rebirth
And so here, after a four-year wait, is *Impelling Rebirth*… Which is a 15-minute EP. It’s a curious release, as the music here is definitely album-quality and I think album-worthy. Considering **Suffering Hour**’s past albums haven’t been too indulgent with their length, it wouldn’t have taken much to turn this into a full-length album. But it is what it is, and I have to review it for what it is. *Impelling Rebirth* contains five songs with the band’s signature dissonant black metal sound and cavernous yet icy production. Though the band gets lumped into the – at this point cliché – avant-garde/dissonant metal group, I find that **Suffering Hour**’s songs are driven more by a neoclassical sense of melodicism, which helps their music be actually memorable. However, they are able to write their melodies without relying on conventional scales, which demonstrates their musical proficiency, while giving the songs an uncanny yet adventurous feel.
*Impelling Rebirth* departs from **Suffering Hour**’s past disso-black work with its notable tech-thrash influences. The album is almost absent of black metal riffs and instead relies heavily on palm-muted chugs and punky open chords (*Anamnesis* and *Incessant Dissent* sound like they came straight from a **Voivod** album). This switch in style isn’t that surprising when you consider the band’s origins: S**uffering Hour** started as a tech-thrash band named **Compassion Dies**, and the name **Suffering Hour** even comes from an **Anacrusis** album. *Impelling Rebirth* executes the switch confidently. The songs are engaging with their linear structures, heavy riffage and uncontained energy. It feels like the EP format allows the band to have more fun and make songs that don’t maybe connect stylistically but are enjoyable on their own. Still, I’m waiting for that next full-length, as this band clearly has a lot of gas left in their tank.
## Conclusion
One has to speculate on the purpose of this EP release, as it isn’t quite the epic comeback that many fans were maybe looking forward to after four long years. Is it the label testing the waters for demand for new music? Is it a compilation of throwaways that didn’t fit the band’s upcoming album? Is it the band exploring a new sound before fully committing to it? The title implies it’s a rebirth.
*Well, whatever it is, it kicks ass.*
**BMZ rating: 9 out of 10**
**Support Suffering Hour here:** [https://sufferinghour.bandcamp.com/album/impelling-rebirth](https://sufferinghour.bandcamp.com/album/impelling-rebirth?ref=blackmetalzine.com)
## Your thoughts on Impelling Rebirth by Suffering Hour
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Haimad - When Night Rode Across the North
URL: https://blackmetalzine.com/review-haimad-when-night-rode-across-the-north/
Last updated: 2026-07-15T17:25:08.000Z
**Band:** Haimad
**Album:** When Night Rode Across the North
**Genre:** Melodic Black Metal
**Country:** Sweden
**Label:** Northern Silence Productions
**Released:** November 7, 2025
## Introduction
Following the 2019 EP aptly titled *The Return* **Haimad**’s long-awaited debut full-length album, *When Night Rode Across the North*, finally arrives nearly three decades after the band first appeared in Sweden’s mid-90s melodic black metal scene. For a project that built a cult following on a handful of demos and EPs, the real question is whether Haimad can translate that early promise into a complete album…. **Track Listing:**
> 1\. When Night Rode Across the North 2\. Nen Cenedril 3\. Where Serpents Wait in Withering Ruins 4\. Naur 5\. Voice of the Dread Abomination 6\. Of Smokeless Fire and Smouldering Ash 7\. The Key to the First and Final Day
**The Album**The album opens with the title track, which immediately reintroduces the core elements that defined **Haimad**’s early material. Cold, tremolo picked guitar melodies, prominent keyboards, and vocals that lean into a harsh but controlled delivery. The songwriting is steady rather than flashy, and the atmosphere is built through repetition and layering rather than oversized orchestration. The band keeps a firm grip on the balance between guitars and keyboards, allowing both to carry the narrative without one overwhelming the other. Tracks like *Nen Cenedril* and *Where Serpents Wait in Withering Ruins* show the band’s melodic instincts at their strongest. The riffs are straightforward but effective, often relying on classic Scandinavian motifs that will feel familiar to fans of the Second wave. The keyboard work adds color without drifting into theatrical territory; it supports the mood rather than trying to dominate it. The drumming, performed by the legendary Nils "Dominator" Fjellström, provides tight structure and keeps each track moving with purpose. One of the album’s standout qualities is its consistency. Even as the songs shift between more aggressive passages and slower, atmospheric moments, the tone stays cohesive. *Naur* and *Voice of the Dread Abomination* demonstrate this well: both songs develop gradually, layering riffs and synth lines to build tension without leaning on abrupt transitions. The band seems more interested in maintaining a clear mood than in surprising the listener, and the album benefits from that restraint. Later in the record, *Of Smokeless Fire and Smouldering Ash* brings in a slightly darker and heavier approach, though still within the same framework. The closing track, *The Key to the First and Final Day*, steps into a more ambient space, using sparse arrangements and sustained tones to provide a calm but somber ending. It’s a natural conclusion that reflects the album’s interest in atmosphere over spectacle.
## Conclusion
Overall, *When Night Rode Across the North* is not an attempt to reinvent symphonic black metal. Instead, it’s a deliberate return to a sound **Haimad** helped define decades ago. Fans of earlier Scandinavian melodic and symphonic black metal will find a lot here that feels familiar in a positive way. This album succeeds by knowing exactly what it wants to be, a focused, atmospheric, and fully realized statement from a band finally releasing the full-length its early work hinted at. It’s a strong, confident debut that stays true to Haimad’s roots without feeling outdated.
**BMZ Rating: 8,5 out of 10**
**Support Haimad here:** [https://haimad-northernsilence.bandcamp.com/album/when-night-rode-across-the-north](https://haimad-northernsilence.bandcamp.com/album/when-night-rode-across-the-north?ref=blackmetalzine.com)
## Your thoughts on Haimad
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Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Live review: A Night of British Black Metal (November 2025)
URL: https://blackmetalzine.com/live-review-a-night-of-british-black-metal-november-2025/
Last updated: 2025-12-02T16:00:41.000Z
**Intro**
Wulfhere Productions return to the haunted underground tunnels of The Banshee Labyrinth in the Old Town district of Edinburgh to bring us four British black metal bands of varied styles for a local showcase of fantastic extreme metal acts.
After meeting with friends for some pre-show drinks and chat, we made our way to the venue for doors opening, and just as last time it’s another sold-out show in the cramped basement vault.
**Dreich**
Kicking us off for the night are Aberdeen-based Depressive Suicidal Black Metal act Dreich: a band that I have become very familiar with through the year. As they play not only many shows across the UK, but are soon to tour Poland they are establishing a strong presence in the scene.
Opening with *Tower of Sorrow*, a song that beautifully and gently prepares the crowd for the evening ahead as it picks up in pace before the blast beat finale. This wakes us all up for a breakneck paced evening of headbanging.
Nemus pulling the microphone cord around his neck to strangle agonising and torturous screams out of himself before falling down to his knees for a more traumatic whimpering of distressing moans encapsulates the gloomy mood of Dreich. Of course, he also screams out his usual catchphrase of “Kill yourselves!” in a long, deep, harrowing growl to further hammer the point home.
The band were firing on all cylinders tonight as they played their melancholic tunes in a very solid fashion, finishing with *Sharing Death* as Nemus lets out his final call “We have been Dreich, go and fuck yourselves” and launches a noose into the crowd.
**Mourning of the Heretic**
A last-minute replacement after Ullenwood had to drop out, Mourning of the Heretic hailing from Northern Ireland are a more doomy black metal band focusing on ideas of occultism and romanticism.
A band that after a seven-year hiatus resurrected themselves in 2023 to release their debut album *To The Shadows Betrothed* in 2024\. This is my first time seeing them, and I know they are on the line-up for shows I’m attending next year, so I was excited to see how they fared live.
After the slightly lengthy sound check, the five members all ready themselves to play their first notes, only to immediately stop as the drummer yells out “What the fuck? The drum’s fucked!”. The wonderfully gothy lead singer (Mark), looking moderately inspired by a cross between Ville Valo and early 2000's Davey Havok, was wonderfully charismatic through complications of the technical difficulties. He tells us to occupy ourselves and eases the tension with some banter, teasing us that he should have practised his stand-up comedy routine ahead of the show.
After some tech-crew intervention and the magical saving grace of duct tape was applied, Mark told us to “ignore all that” as they prepared to begin once again, with *Possessed* from their debut album.
The band played an incredibly tight set for the crowd, with a more upbeat and melodic tone to their music which set them apart from Dreich and changed the pace up. With introducing members on stage between songs and incorporating spoken word elements, there was a great stage presence from them as they performed *She is Death*, *The Ghost Who Loves Me* (fitting for such a supposedly haunted venue), *Meridian* (dedicated to the Team Jacob fans of Twilight - films I’ve never actually seen). Before finishing with two songs that appear to be new; *Midnights Children* and *Amor Occulto*.
I truly enjoyed this performance and I am already looking forward to next year when I’ll see them take the stage again.
**Thy Dying Light**
From deepest darkest Cumbria, Hrafn of Wulfhere Productions sets up for one of his own bands. Stage props galore as we have candelabras (four this time!), skulls, bones adorning the stage, and inverted crucifixes hanging from the amps to set the ambience of this old school black metal inspired act.
As they began their onslaught with *Under the Horns* and *Cold in Death* for some furiously fast black metal, disaster struck Hrafn as his guitar strap fell off mid-song. Carefully balancing his Explorer and finding a comfortable enough position, he didn’t miss a note as he soldiered through the song.
Rattling through crushing tremolo riffs with bleak raspy vocals and relentless blast beats with songs such as *Carpathian Mountains* and *Fist of Satan,* the set was non-stop 90s black metal worship delivered with expertise.
For the final song, Derek of Burial joined on stage to perform a cover of *Satan My Master* by Bathory, beginning the performance with an almighty “OEUGH!” to get the crowd headbanging along to this all-time classic. Unfortunately, there were guitar issues during the end of this set with the guitar cutting out and the quality of it almost peaking it seems. Nonetheless, their set was otherwise solid, and the crowd was having a great time ready for our final act.
**Burial**
Our headlining band of the evening is Burial, a similar affair as our previous act with a tone that likens itself to black metal of the 90s, but with a slightly more angsty and punky vibe for its brutally blasphemous themes.
After a quick soundcheck, the trio gets straight into the intro of their set, only for the amp to perfectly time it, cutting out as soon as the song is supposed to kick off. Seems there was a loose cable at the back, which likely could have also been what was affecting the end of Thy Dying Light’s set beforehand. A simple fix, and we were thrown into the frantic pace of their set with sacrilegious delights such as *Rejoice in Sin*, *Bastard of Christ*, and *Sadism for God*.
There was plenty of stage banter between songs as Derek teased Thy Dying Light for having a birthday party on stage beforehand as he pointed out all the candles about the place. In a friendly jab he dedicated the next song to Hrafn: *Black Metal C\*nt.*
(Sorry for censorship, but the almighty algorithm really does not like that word).
Dreich were also not escaping the banter being quick fired between tracks, “Dreich say kill yourself, but you can’t kill me…. Diabetes will do that” getting a laugh from the crowd and band alike.
We got a taste of some beautiful tremolo riffs with *Hellish Reaping Screams*, and oppressively heavy blasts in *Putrid Grave* before we finished off with the unsubtly profane *Nun Fucking Black Metal*.
**Conclusion**
And as Derek told us to fuck off and buy some merch, our Night of British Black Metal had ended. The crowd dispersed to navigate the subterranean maze searching for the merch tables or to wander the cobbled streets of Edinburgh, embracing the brisk cold.
We had a few issues tonight with technical difficulties affecting the equipment and gremlins in my system causing issues on playback. Perhaps it was the haunted venue and the Victorian ghosts within that were not too keen on the blasphemous black metal happening in the cold stone walls that they remain trapped in. Or it was just shit luck that we have to accept and persevere with. Either way, this was a brilliant evening showcasing acts from the British Isles, and likely my final live review of 2025.
Wulfhere Productions will return in 2026 with new events, three festivals taking place in Fellfoot Woods, and A Weekend of British Black Metal comes to Edinburgh - a two-day event with a line-up that has yet to be announced. No doubt I’ll be returning for that one.
## Your thoughts on this live review
We love to hear your opinion about this concert review, and what will be your next concert, please let us know. You can do so by becoming a member and comment on this post.
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: WitcheR - Öröklét
URL: https://blackmetalzine.com/review-witcher-oroklet/
Last updated: 2026-07-15T17:23:46.000Z
**Band:** WitcheR
**Album:** Öröklét
**Genre:** Atmospheric Black Metal
**Country:** Hungary
**Label:** Filosofem Records
**Released:** November 4, 2025
## Introduction
**WitcheR** itself doesn't need an introduction; this band has been making atmospheric black metal, and if you don't know who they are, it's time to crawl out of that cave you've been living in. But for those that do live in a cave. Here is a small introduction: **WitcheR** is a Hungarian atmospheric black metal outfit with 2 members, Roland and Karola. They have been making albums for a while now, and this album is their fourth full album. And all of their releases feature, for example, classical influences, including a classical cover track on all of their full albums (and one of their EPs is a cover album of famous classical scores). So it's time you ventured out of that cave and went to discover the world...
[Karola Gere](https://www.metal-archives.com/artists/Karolina%5FGere/197642?ref=blackmetalzine.com) and [Roland Neubauer](https://www.metal-archives.com/artists/Roland%5FNeubauer/197636?ref=blackmetalzine.com) of WitcheR
## Öröklét
My Hungarian is terrible since I'm from the Netherlands, but these days it's pretty easy to find the meaning of a word, so *Öröklét*, what does it mean? In English, it translates to "eternity," "everlastingness," or "immortality."
Most of the time, titles of an album are just, well, titles, but sometimes they send out a message about a state of mind or a mood, and to me that word and the meaning behind it match the album. The album contains 5 songs, with the last track being a cover of *Piano Trio No. 2 - Andante con moto by Frank Schubert.* The other songs are of decent size (around the 9-minute mark or longer).
**Tracklist:**
> Örökség
> Szélhozó
> Röghöz kötött
> Öröklét
> Piano Trio No. 2 - Andante con moto (Franz Schubert cover)
The thing that appeals to me the most about WitcheR is the way the duo finds ways to conjure up different kinds of emotions during the songs, but also across the other albums. It's all very well produced and mixed, and the arrangements of the instrumental parts are thought out and fleshed out; it feels to me like a kind of storytelling. I am not sure if that's the idea behind the albums, but that is how I interpret it.
Are there no downsides to this album? Not many, but what I do notice is that the tracks feel very similar to each other, except for track four, *Öröklé*t, which starts off with the same kind of atmosphere, but halfway through the song it changes directions with a different type of sound, which I really enjoyed, so for me that's also the best track of the album. The fact that the tracks feel the same isn't necessarily a bad thing, but for me, it keeps me from listening to this album over and over again. But it will stay in my rotation for a while, though.
## Conclusion
So, cave dweller, we are at the end of the review, and it's time for the conclusion. I recommend this album to everyone who loves atmospheric black metal because for me, WitcheR is one of the best bands out there in this genre. For others, give the album a spin, and you might be surprised.
**BMZ rating: 7.5 out of 10**
**Support WitcheR here:** [https://witcherband.bandcamp.com/album/r-kl-t](https://witcherband.bandcamp.com/album/r-kl-t?ref=blackmetalzine.com)
## Your thoughts on Öröklét by WitcheR
We love to hear your opinion about this album. You can do so by becoming a member and comment on this post.
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
[Review: WitcheR — BoszorkányszimfóniákA symphony of witches, we reviewed the latest album Boszork á nyszimf ó ni á k (EP) by Hungarian black metal band WitcheR.Black Metal ZineRoberto La Rana](https://blackmetalzine.com/review-witcher-boszorkanyszimfoniak/)
[Review: WitcheR - LélekharangDoes Witchers latest output make our soul bells chime? Read here to find out.Black Metal ZineRoberto La Rana](https://blackmetalzine.com/the-lelekharang-rings-calling-us-home/)
[Roberto La Rana - Black Metal ZineOwner and creator of the website. I’ve been listening to black metal for 30 years now, and my love for it is ever so strong. Writes reviews, tinkers on the website while listening to black metal.Black Metal ZineRoberto La Rana](https://blackmetalzine.com/author/kermitthedestroyer/)
### The Grim Digest: November
URL: https://blackmetalzine.com/the-grim-digest-november/
Last updated: 2025-12-01T13:00:05.000Z
Winter is creeping slowly towards us, the days are getting shorter and shorter and the darkness is slowly creeping towards us. And amid all that, BMZ releases the first *The Grim Digest*, a monthly overview of all the reviews/interviews we did in the previous month. So grab yourself a nice drink and enjoy the articles.
We love to hear your thoughts on the albums and reviews we published, you can do so by singing up as a free member, that will enable the option to comment.
## November
[Review: Zythaex - Devouring PrincipalZythaex’s Devouring Principal (8/10) features a single 36-minute epic track of punishing Black Metal. Strider reviews this monstrous composition! Read the review!Black Metal ZineMichael](https://blackmetalzine.com/review-zythaex-devouring-principal/)
[Review: Zaratus – Those Who Dwell BeyondZaratus’ Those Who Dwell Beyond (8.5/10) is a Hellenic Black Metal powerhouse that drags you deep into Hades. Read the full review!Black Metal ZineKevin](https://blackmetalzine.com/review-zaratus-those-who-dwell-beyond/)
[Review: Bodach - The Bleakest Land (EP)Bodach’s The Bleakest Land EP (8/10) is a strong, bleak Black Metal offering from this Scottish one-man project. Read the full review now!Black Metal ZineEmma](https://blackmetalzine.com/review-bodach-the-bleakest-land-ep/)
[Review: Les Bâtards Du Roi - Les Chemins De L’ExilLes Bâtards Du Roi’s Les Chemins De L’Exil (8.5/10) is powerful, raw, atmospheric French Black Metal with compelling long songs. See the full score!Black Metal ZineMichael](https://blackmetalzine.com/review-les-batards-du-roi-les-chemins-de-lexil/)
[Review: One of Nine - Dawn of the Iron ShadowOne of Nine’s epic Dawn of the Iron Shadow (8/10) ventures deep into Black Metal Tolkien lore. Discover this legendary release! Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/review-one-of-nine-dawn-of-the-iron-shadow/)
[Review: Demon Sluice - Dancers Beneath Shores of FireDemon Sluice’s Dancers Beneath Shores of Fire (8/10) blends crushing Death Metal grit with black metal ferocity. Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/review-demon-sluice-dancers-beneath-shores-of-fire/)
[Review: Sunken - LykkeSunken’s Lykke (8/10) is a vast Danish Black Metal opus exploring deep water themes and emotional clarity. Read the full review to find the score!Black Metal ZineEmma](https://blackmetalzine.com/review-sunken-lykke/)
[Review: Flaming Ouroboros - The TearFlaming Ouroboros’ The Tear (7.5/10) is a pitch black, unfiltered Black Metal demo with a bitter aftertaste of medieval influences. Read the full review!Black Metal ZineAnthony](https://blackmetalzine.com/review-flaming-ouroboros-the-tear/)
[Review: Afsky - FællesskabAfsky’s Fællesskab (8/10) is deeply melancholic Danish Atmospheric Black Metal, conveying powerful emotions and majesty. Read the full review!Black Metal ZineKevin](https://blackmetalzine.com/review-afsky-faellesskab/)
[Review: HÄXÄR - TeufelskvltHÄXÄR’s Teufelskvlt (7.5/10). Swiss Black Metal delivers a consistent, raw assault with hateful vocals and blasting drums. Read the full review!Black Metal ZineRoberto](https://blackmetalzine.com/review-haxar-teufelskvlt/)
[Review: Nøkk - HeartlessNøkk’s debut, Heartless (7/10), is a riff-driven US Black Metal album merging aggression with emotional scope and internal bleakness. Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/nokk/)
[Review: Abominator - The Fire BrethrenAbominator’s The Fire Brethren (7.5/10). Australian Blackened Death Metal delivers unrelenting blast beats and lethal riffs. Read the full review!Black Metal ZineKevin](https://blackmetalzine.com/review-abominator-the-fire-brethren/)
[Review: White Rune - Eventide on AuroraWhite Rune’s Eventide on Aurora (7.5/10). This Finnish Melodic Black Metal album balances raw aggression with melodic grace. Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/review-white-rune-eventide-on-aurora/)
[Review: Heimland - Der Torv Moeter HavHeimland’s Der Torv Moeter Hav (8/10) marks a strong shift in Norwegian Black Metal, embracing sorrow and longing with new vocalist Fanden. Read the full review!Black Metal ZineVetle](https://blackmetalzine.com/heimland-der-torv-moeter-hav/)
[Review - Dense Fog - Dense FogDense Fog’s self-titled debut (7/10). This master class in Atmospheric Black Metal blends stunning classical piano with majestic, haunting riffs. Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/review-dense-fog-dense-fog/)
[Review: Achathras - A Darkness of the Ancient PastAchathras’ A Darkness of the Ancient Past (7.5/10) is a debut that resurrects the cold heart of Second Wave Black Metal. See the full review!Black Metal ZineMichael](https://blackmetalzine.com/review-achathras-a-darkness-of-the-ancient-past/)
[From the Vault: Summoning - StrongholdSummoning’s Stronghold (1999) is an Atmospheric Black Metal cornerstone that translates Tolkien’s mythic grandeur into sound. Read the full review!Black Metal ZineMichael](https://blackmetalzine.com/from-the-vault-summoning-stronghold/)
That's it folks, we are excited about the new releases for the month of December, and what gems it will hold in store for us. For now, enjoy the read and let us know what you think of the album yourself.
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### From the Vault: Summoning - Stronghold
URL: https://blackmetalzine.com/from-the-vault-summoning-stronghold/
Last updated: 2026-07-15T17:23:47.000Z
**Band:** Summoning
**Album:** Stronghold
**Genre:** Atmospheric Black Metal
**Country:** Austria
**Label:** Napalm Records
**Released:** May 11, 1999
## Introduction:
**Summoning**, the long-running Austrian duo of Richard “Protector” Lederer and Michael “Silenius” Gregor, occupy a unique position in the history of black metal. Emerging in the early 1990s alongside the second wave of the genre, they quickly diverged from its orthodox form. Instead of aggression, they sought atmosphere; instead of satanic revolt, they found inspiration in myth and melancholy. Drawing heavily from the legendarium of J.R.R. Tolkien, **Summoning** reshaped black metal into something closer to musical world-building, an auditory reconstruction of the landscapes, histories, and emotions that haunt Middle-earth.
Their use of programmed percussion, layered keyboards, and synths created what could be described as an epic minimalism: a sound that feels vast. Not through speed or density, but rather through its repetition and scope. Summoning’s influence on the genre of atmospheric and epic black metal as a whole is impossible to overstate. Transforming what black metal could be: not merely shrieked rage and lo-fi assault, but rather an expansive mythic tapestry.
## Stronghold
**Track Listing:**
> 1\. Rhûn
> 2\. Long Lost to Where No Pathway Goes
> 3\. The Glory Disappears
> 4.Like Some Snow-white Marble Eyes
> 5\. Where Hope and Daylight Die
> 6\. The Rotting Horse on the Deadly Ground
> 7\. The Shadow Lies Frozen on the Hills
> 8\. The Loud Music of the Sky
> 9\. A Distant Flame Before the Sun
Released in 1999 through Napalm Records, *Stronghold* represents a moment of refinement and consolidation for Summoning’s craft. Where their earlier albums such as *Dol Guldur* (1996) reveled in hazy ambience, **Stronghold** is more direct, with a stronger guitar presence and more clearly defined song structures. Yet the band’s trademark atmosphere remains: glacial tempos, reverbed vocals, and sweeping keyboard arrangements that seem to stretch toward the horizon.
As with their previous works, Tolkien’s influence permeates nearly every aspect of *Stronghold.* Yet rather than direct adaptation, **Summoning** treats Tolkien’s writings as a mythopoetic vocabulary. They borrow fragments of text, tone, and imagery, reinterpreting them to fit their own vision of grandeur and decay. By weaving these textual threads into their compositions, Summoning achieves something rare in metal: not a mere homage to Tolkien, but a re-contextualization of his themes.
**They transpose Middle-earth’s mythic sorrow into sound: cold winds over stone battlements, banners unfurling in orange dusk, the echo of ancient horns.**
The inclusion of cinematic samples (from Braveheart and Legend) adds a layer of mythological universality, connecting Tolkien’s world to the broader archetype of heroic tragedy. Just as Tolkien drew inspiration from Norse and Anglo-Saxon myth, Summoning draws from the mythic imagery of popular culture to extend the emotional resonance of their sound.
## Conclusion:
*Stronghold* endures as one of *Summoning*’s most profound statements: a confluence of black metal’s raw emotionality and Tolkien’s mythological grandeur. Summoning did not merely adapt Tolkien’s lore; they translated its spirit into aural form. Where Tolkien wrote of the inevitable fading of beauty, Summoning translates that lament into sound. Their music is the echo of Númenor beneath the waves, the fading light of Valinor across the sea, the quiet endurance of the Dúnedain in exile. *Stronghold* thus stands not only as a cornerstone of atmospheric black metal, but as one of the most thoughtful and resonant musical engagements with Tolkien’s mythology ever produced.
**BMZ Rating: 10 out of 10**
**You can support the band here:** [https://summoning.bandcamp.com/album/stronghold-2](https://summoning.bandcamp.com/album/stronghold-2?ref=blackmetalzine.com)
## Your thoughts on Stronghold by Summoning
We love to hear your opinion about this album. You can do so by becoming a member and comment on this post.
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Achathras - A Darkness of the Ancient Past
URL: https://blackmetalzine.com/review-achathras-a-darkness-of-the-ancient-past/
Last updated: 2026-07-15T17:25:08.000Z
**Band:** Achathras
**Album:** A Darkness of the Ancient Past
**Genre:** Melodic Black Metal
**Country:** Unknown
**Label:** Cult Never Dies
**Released:** September 30, 2025
## Introduction:
From the depths of the modern black metal underground emerges Achathras with their debut full-length debut album *A Darkness of the Ancient Past*. Steeped in mystery (there is little to no information about its members, origin, or location) and devoting themselves to the sound and execution of the genre’s second wave. In an era where many black metal bands drift toward post-metal influence or ironic detachment, Achathras stands defiantly apart. Their vision seems to be one of solemn reverence, a rekindling of the flames that first animated black metal’s cold heart in the early hours of 90s.
## The Album:
*A Darkness of the Ancient Past* unfolds over roughly 40 minutes, weaving together 9 compositions that balance ferocity and melody. The album opens with *The Weaving of Worlds*, an ominous instrumental prelude that gives way to *Anointed with Moonfire*, erupting with blistering precision. Tremolo-picked riffs cutting through a blizzard of percussion while keyboards shimmer behind like distant auroras. The production is modern but not sterile. **Achathras** manage to preserve the rawness essential to black metal without burying the melodic details that define their sound. Each instrument breathes in its own space, yet the mix remains dense and immersive. The keyboards never overpower the guitars, and the drums are mixed with organic warmth. Think along the lines of if **Emperor**'s *In the Nightside Eclipse* was reborn with 21st-century mastering.
**Track Listing:**
> 1\. The Weaving of the Worlds 2\. Anointed with Moonfire 3\. A Cerement of Flame 4\. Emanation of Chaos 5\. Melancholy Wanderer 6\. The Curse of Supremacy 7\. The Despiser Triumphant 8\. A Lamenting Presence 9\. The Uttermost Cold
The album lives and breathes by its second-wave influence. Guitars carve out majestic, frostbitten melodies, keyboards swirl in a cosmic haze of melancholy and triumph. The drums alternate between blast-beaten fury and careful restraint, while the guitars shimmer with the kind of clarity rarely found in modern black metal. The vocals are cold and raw, evoking the icy grandeur of *Ihsahn*’s early days without directly mimicking it. Musically, one can hear echoes of the classic Scandinavian and Hellenic black metal traditions, yet **Achathras** never sound derivative. Their songwriting is deliberate and confident. However there are no surprises here, and its adherence to genre orthodoxy is both its strongest point and greatest limitation. But within that chosen framework, **Achathras** deliver with conviction and consistency. Ultimately **Achathras** came to do one thing. Establish themselves as keepers of the flame lit by bands like **Emperor**, and early **Dimmu Borgi**r. Yet, while the fingerprints of those giants are unmistakable, there’s a sense of modern refinement here. What they do, they do extremely well.
## Conclusion:
*A Darkness of the Ancient Past* is more than a tribute, it’s a resurrection. It’s a work that feels less like a debut and more like the reawakening of something long dormant. A slumbering beast in the shape of the second wave of Black Metal. **Achathras** captures the essence of the early 90s with sincerity and skill. It may not reinvent anything, but it polishes it until it gleams with black starlight. Fans of **Emperor**, **Limbonic Ar**t, early **Dimmu Borgir** and **Old Man’s Child** will surely enjoy this album.
**BMZ grade: 7,5 out of 10**
**Support Achathras here:** [https://achathras.bandcamp.com/album/a-darkness-of-the-ancient-past](https://achathras.bandcamp.com/album/a-darkness-of-the-ancient-past?ref=blackmetalzine.com)
## Your thoughts on A Darkness of the Ancient Past by Achathras
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[Signup ](#/portal/signup/)
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review - Dense Fog - Dense Fog
URL: https://blackmetalzine.com/review-dense-fog-dense-fog/
Last updated: 2026-07-15T17:23:48.000Z
**Band:** Dense Fog
**Album:** Dense Fog
**Genre:** Atmospheric Black Metal
**Country:** China
**Label:** Coldwoods Productions
**Released:** October 20, 2025
## Introduction:
Dense Fog is an Atmospheric Black Metal band from China. Formed in 2022 by the band's sole member Whirlpool. The debut, self titled album was just released at the end of October and offers up some very promising compositions.
## The Album:
**Track Listing:**
> 1\. Specter in the Woods
> 2\. A Beautiful Song
> 3\. Silence Veils the World
> 4\. Dense Fog
*Dense Fog* is **Summoning** worship at its absolute finest. A master class in blending classical music with Atmospheric black metal. Its 4 breath-taking tracks flow seamlessly, keeping the listener engaged in its melancholy and majesty.
Upon listening to this album I was struck by just how similar **Dense Fog** is to **Summoning** at times, while not being simply a cheap imitation or knock off. The albums 4 tracks instead are rather a love letter to the genre and in particular **Summoning**. Expanding upon the sound and incorporating their own personality and influence upon its foundation.
It's an enchanting, haunting and often beautiful listen. Weaving together stunning pieces of solo piano, and orchestral arrangements with fragments of atmospheric black metal riffs and the cold, distant spectral ruminations of Whirlpool's vocals.
The arrangements, particularly the piano pieces are stunning and add a wonderful layer of depth and emotion to the songs. The album's production is perfect as well. Sitting comfortably in the sweet spot between being polished, clear and concise while retaining the raw and aggressive sound that black metal is known for.
The logo and artwork are both noteworthy as well. The logo is initially what caught my eye whilst digging for something to review and the album artwork captures the bleak, melancholic atmosphere of the songs perfectly.
## Conclusion:
An impressive debut release. Boasting incredible song writing and some truly beautiful piano compositions. Fans of **Summoning** and **Elderwind** will surely enjoy this album. I'm looking forward to hearing more from **Dense Fog**, hopefully in the same style in future releases.
**BMZ rating: 7 out of 10**
**Support Dense Fog here:** [https://densefog666.bandcamp.com/album/dense-fog](https://densefog666.bandcamp.com/album/dense-fog?ref=blackmetalzine.com)
## Your thoughts on Dense Fog by Dense Fog
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[Signup ](#/portal/signup/)
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### The Infernal Records: Week 46 & 47
URL: https://blackmetalzine.com/the-infernal-records-week-46-47/
Last updated: 2026-06-25T12:35:47.000Z
We all know that there are numerous black metal releases coming out any give moment. So to make it a bit easier to filter through them all, our latest staff-member Fractal filtered through the release lists out there (for example the one on Metal Archives) and made a list of records that got released in Week 46 and 47 (that's 10th of November until the 22nd of November). So get your headphones, it's time to listen to some tunes.
## The Records
Band: 1914
Album: Viribus Unitis
Country: Ukraine
Genre: Black/Death/Doom Metal
Date: November 14th, 2025
[Viribus Unitis, by 191410 track album19141914](https://x1914x.bandcamp.com/album/viribus-unitis?ref=blackmetalzine.com)
Band: Ciomny Doł
Album: Zabytaja Karčma
Country: Belarus
Genre: Melodic Black Metal
Date: November 20th, 2025
[Zabytaja Karčma, by Ciomny Doł11 track albumCiomny Doł](https://ciomnydol.bandcamp.com/album/zabytaja-kar-ma?ref=blackmetalzine.com)
Band: De Som Skjelver
Album: De Som Skjelver
Country: Germany
Genre: Black Metal
Date: November 19th, 2025
[De Som Skjelver, by De Som Skjelver4 track albumDe Som Skjelver](https://desomskjelver.bandcamp.com/album/de-som-skjelver?ref=blackmetalzine.com)
Band: Devouring Famine
Album: A Man Whispering with the Dead
Country: USA
Genre: Black Metal
Date: November 13th, 2025
[A Man Whispering with the Dead, by Devouring Famine8 track albumDevouring Famineafcturn\_](https://devouringfamine.bandcamp.com/album/a-man-whispering-with-the-dead?ref=blackmetalzine.com)
Band: Forteresse
Album: À Couteaux Tirés (demo)
Country: Canada
Genre: Black Metal
Date: November 20th, 2025
[À Couteaux Tirés, by Forteresse2 track albumForteressecolehutchison](https://forteresseqc.bandcamp.com/album/couteaux-tir-s?ref=blackmetalzine.com)
Band: Heimland
Album: Der Torv Moeter Hav
Country: Norway
Genre: Black Metal
Date: November 14th, 2025
[Der Torv Moeter Hav, by Heimland8 track albumEdged Circle Productionssashavonkarl74](https://edgedcircleproductions.bandcamp.com/album/der-torv-moeter-hav?ref=blackmetalzine.com)
Band: Lamp of Murmuur
Album: The Dreaming Prince in Ecstasy
Country: USA
Genre: Black Metal
Date: November 14th, 2025
[The Dreaming Prince in Ecstasy, by Lamp Of Murmuur9 track albumLamp Of MurmuurJoel](https://lampofmurmuur.bandcamp.com/album/the-dreaming-prince-in-ecstasy?ref=blackmetalzine.com)
Band: Lethaea
Album: Demo I
Country: Unknown
Genre: Atmospheric Black Metal
Date: November 12th, 2025
[Demo I, by Lethaea3 track albumLethaeaBandcamp New & Notable Jan 29, 2022](https://lethaea.bandcamp.com/album/demo-i?ref=blackmetalzine.com)
Band: Lutosfera
Album: \[\]
Country: Ukraine
Genre: Experimental Black Metal
Date: November 11th, 2025
[\[\], by Lutosfera5 track albumLutosfera](https://lutosfera.bandcamp.com/album/-?ref=blackmetalzine.com)
Band: Majestat
Album: Жертвенным духом зло призывая
Country: Russia
Genre: Black Metal
Date: November 21st, 2025
[Invoking The Evil with Sacrificial Wind, by Majestat8 track albumPest ProductionsAnor Aflame](https://pestproductions.bandcamp.com/album/invoking-the-evil-with-sacrificial-wind?ref=blackmetalzine.com)
Band: Melancholic Journey
Album: Прахта на Времето (Compilation)
Country: Bulgaria
Genre: Atmospheric Black Metal
Date: November 18th, 2025
[Прахта на Времето, by Melancholic Journey2 track albumOvaderBandcamp New & Notable May 9, 2025](https://ovaderbulgaria.bandcamp.com/album/--3?ref=blackmetalzine.com)
Band: Nachtkrabb
Album: Anthologie
Country: Germany
Genre: Black Metal
Date: November 14th, 2025
[Anthologie, by Nachtkrabb10 track albumNachtkrabb](https://nachtkrabb.bandcamp.com/album/anthologie?ref=blackmetalzine.com)
Band: Natas
Album: Mara
Country: Norway
Genre: Black Metal
Date: November 18th, 2025
[Mara, by Natas8 track albumDusktoneChristoph Wagner](https://dusktone.bandcamp.com/album/mara?ref=blackmetalzine.com)
Band: Nathair
Album: 996 (EP)
Country: USA
Genre: Raw Black Metal
Date: November 15th, 2025
[996, by Nathair3 track albumNathairthou wilt](https://nathair.bandcamp.com/album/996?ref=blackmetalzine.com)
Band: Nøkk
Album: Heartless
Country: USA
Genre: Black Metal
Date: November 21st, 2025
Review: [Review: Nøkk - Heartless](https://blackmetalzine.com/nokk/)
[Heartless, by Nøkk6 track albumNøkkbmurator](https://nokkthesoulless.bandcamp.com/album/heartless-2?ref=blackmetalzine.com)
Band: Olde Throne
Album: Megalith
Country: New Zealand
Genre: Atmospheric Black Metal
Date: November 21st, 2025
Genre: Atmospheric Black Metal
[Megalith, by Olde Throne8 track albumOlde ThroneLuciferian Abyss](https://oldethrone.bandcamp.com/album/megalith?ref=blackmetalzine.com)
Band: ΦΩΣ (Phos)
Album: I Am the Light
Country: Greece
Genre: Atmospheric/Melodic Black Metal
Date: November 20th, 2025
[I Am The Light, by ΦΩΣ9 track albumHELLENIC METAL WORLDlarsfor09](https://hellenicmetalworld.bandcamp.com/album/i-am-the-light?ref=blackmetalzine.com)
Band: Saħħar / Mnajdra
Album: MDLXV - Fidi, Vendetta (Split/Collaboration)
Country: Malta / USA
Genre: Black Metal
Date: November 14th, 2025
[MDLXV - Fidi, Vendetta, by Saħħar, Mnajdra7 track albumSaħħarSaħħar](https://sahhar.bandcamp.com/album/mdlxv-fidi-vendetta?ref=blackmetalzine.com)
Band: Sammas' Equinox
Album: Pohjanheimo
Country: Finland
Genre: Black Metal
Date: November 12th, 2025
[Pohjanheimo, by Sammas’ Equinox8 track albumSammas' Equinox](https://sammasequinox.bandcamp.com/album/pohjanheimo?ref=blackmetalzine.com)
Band: Shadow ov Fenris
Album: Глава Отсеченная
Country: Russia
Genre: Black Metal
Date: November 11th, 2025
[Глава Отсеченная (Head Severed), by Shadow ov Fenris6 track albumShadow ov Fenris](https://shadowovfenris.bandcamp.com/album/head-severed?ref=blackmetalzine.com)
Band: Temple of Katharsis
Album: Worshipers Of The Ancient Necromancy
Country: Greece
Genre: Black Metal
Date: November 21st, 2025
[Worshipers Of The Ancient Necromancy, by Temple of Katharsis8 track albumTheogonia RecordsBandcamp Album of the Day Jun 14, 2024](https://theogoniarecords.bandcamp.com/album/worshipers-of-the-ancient-necromancy?ref=blackmetalzine.com)
Band: Tzevaot
Album: The Hermetic Way
Country: UK
Genre: Avant-garde Black Metal
Date: November 14th, 2025
[The Hermetic Way, by TZEVAOT9 track albumI, Voidhanger Recordsnaasty](https://i-voidhangerrecords.bandcamp.com/album/the-hermetic-way?ref=blackmetalzine.com)
Band: Valontuoja
Album: Tulesta syntynyt
Country: Finland
Genre: Black Metal
Date: November 14th, 2025
[Tulesta syntynyt, by Valontuoja9 track albumValontuojaEnsomhed](https://valontuoja.bandcamp.com/album/tulesta-syntynyt?ref=blackmetalzine.com)
Band: Withering Soul
Album: Passage of the Arcane
Country: USA
Genre: Melodic Black Metal
Date: November 14th, 2025
[Passage of the Arcane, by Withering Soul8 track albumWithering SoulDavid Metting](https://witheringsoul.bandcamp.com/album/passage-of-the-arcane?ref=blackmetalzine.com)
Band: Wraakbloed
Album: Demo MMXXV (demo)
Country: Netherlands
Genre: Black Metal/Ambient
Date: November 14th, 2025
[Wraakbloed - Demo MMXXV - Levensdwang / Duivelsberg, by Wraakbloed1 track albumWraakbloedBandcamp New & Notable Oct 3, 2020](https://wraakbloed.bandcamp.com/album/wraakbloed-demo-mmxxv-levensdwang-duivelsberg?ref=blackmetalzine.com)
That is it for now, folks. That should keep you busy for a while. Enjoy the albums and let us know in a comment (on the website if you read this from the newsletter). Until the next Infernal Records!
### Review: Heimland - Der Torv Moeter Hav
URL: https://blackmetalzine.com/heimland-der-torv-moeter-hav/
Last updated: 2026-07-16T17:16:04.000Z
**Band:** Heimland
**Album:** Der Torv Moeter Hav
**Genre:** Black Metal
**Country:** Norway
**Label:** Edged Circle Productions
**Released:** 14 November, 2025
## Introduction
**Heimland** is a four piece band from western Norway, hailing from both Karmøy and Bergen. The band has seen a recent change in lineup with Erik "Fanden" Ones taking over the job from Sindre "Gnist" Stonghaugen. *Der Torv Moeter Hav* is the first release with the new vocalist, and I for one am excited to see how this turns out!
## DER TOERV MOETER HAV
*Der Torv Moeter Hav* is **Heimland**'s follow-up of their previous killer album *Forfedrenes Taarer* which I'am very fond of. Said album was their first released full-length and had "Gnist" on the vocals. What I enjoy in their first album is the bitter and angryness in both vocal delivery and instrumentals. The guitar riffs built a sentiment around them making me feel bitter, meanwhile Karl Morgoth's bass, Kristian Lord Thamuz's drums and Gnist delivered such a heavy and angry wall of sound that I fell in love with. Alfhar's riffs on this album in particular was the icing on the cake and Gnist's way of pushing the song forth vocaly was the cherry on top.
If you would like to check out that review you can do so here:
[Review: Heimland - Forfedrenes TaarerThe debut album Forfedrenes Taarer by Norwegian black metal band Heimland is out and here is it’s review.Black Metal ZineRoberto La Rana](https://blackmetalzine.com/heimland-forfedrenes-taarer/)
**Der Torv Moeter Hav** is the first release with Fanden on vocals and he brings his own fire to the table. Gnarly, fiesty and powerful, like an angry hound are the sounds that is spat out of Fanden's mouth. Fanden has a snappy delivery as if he is coming to bite off your face if you get to close. This is very prominent on the first track *Vagrant*. First time listening to *Vagrant* I got a heavy reminance of **Antzaat** and their song *For You Men Who Gaze into the Sun* which has a simular structure and sound.
New vocalist Fanden sharing the mic with previous vocalist Gnist at a gig in Kopervik, Norway.
Morgoth on the bass has done some beautiful work on this new album. He has made himself more dominant than what I remember the bass to be on *Forfedrenes Taarer*. Throughout the album his bass pounds in the background and for some sections also does more of the heavy lifting to tread the path onwards. S*pre Mine Asked Der Torv Moeter Hav* is a great example of this, the track also has small bass solo section that I dig.
**Tracklist:**
> 1\. Vagrant
> 2\. De Tusen Galters Endelikt
> 3\. Kroner og Demoner
> 4\. Spre Mine Asker Der Torv Moeter Hav
> 5\. Blott et Minne
> 6\. Aa Sverge ved Kniven
> 7\. Nordhordland
> 8\. Mann maner Maane
Oliver Alfhar on the guitar creates the melody and delivers some great groovy riffs which I long for. *Aa Sverge ved Kniven* is a fantastic example of exactly that, the song opens with a nasty groovy riff that makes my head go swinging! Said track has already become my favourite of the album. Lord Thamuz also impress on this song with fun fillers and a consistancy others would strive for. In **Heimland**'s landscape of sound Thamuz's drums stand as the brutal darklit castle towering over all, and is giving each other member a pillar to firmly stand on and enough space to shine themselves.
*Der Torv Moeter Hav* has an overall mood change from *Forfedrenes Taarer*. While as I mentioned earlier *Forfedrenes Taarer* sounds bitter and angry, this new album has lost its bitternes.
*Der Torv Moeter Hav* brings a different sound. A sound of longing, maybe some sorrow, and atleast rememberence. I also think that this is an intentional change, with tracks beeing named *Spre Mine Asker Der Torv Moeter Ha*" (Spread my ashes where the turf meets ocean), *Blott et Minne* (Just a memory/ An old memory) and *Nordhordland* (A region north of Bergen).
## Conclusion
*Der Torv Moeter Hav* is a very strong follow-up from *Forfedrenes Taarer* with a change of tides to somewhat more sorrowful waters. If Fanden is the man that brought about this change, is to me, unclear. This album packs a punch, got groove and depth for one to dwell on. I will spin this record alot in the future!
Allthough it beeing a great album, it dosn't reach quite as far up the foggy mountain as *Forfedrenes Taarer* has done for me, yet...
*Forfedrenes Taarer* was reviewed back when it released by my wise colleague Roberto whom gave it 8 burning churches. For me that album is a 10/10 and therefore I will grant *Der Torv Moeter Hav* ...*Thamuz drumroll...* a strong;
**BMZ Rating: 8 out of 10**
**Support Heimland here:** [https://edgedcircleproductions.bandcamp.com/album/der-torv-moeter-hav](https://edgedcircleproductions.bandcamp.com/album/der-torv-moeter-hav?ref=blackmetalzine.com)
## Your thoughts on Der Torv Moeter Hav by Heimland
We love to hear your opinion about this album. You can do so by becoming a member and comment on this post.
[Signup ](#/portal/signup/)
Or share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
More reviews here:
[Reviews - Black Metal ZineAt Black Metal Zine (BMZ) we review albums that deserve to be in the spotlight. We do not believe in 1000 word reviews, because in the end you the reader, needs to decide for yourself if an album is good or not. But you can use our opinion as a guide to navigate the vast number of releases each year.Black Metal ZineVetle](https://blackmetalzine.com/tag/reviews/)
### Review: White Rune - Eventide on Aurora
URL: https://blackmetalzine.com/review-white-rune-eventide-on-aurora/
Last updated: 2026-07-16T17:16:05.000Z
**Band:** White Rune
**Album:** Eventide on Aurora
**Genre:** Melodic Black Metal
**Country:** Finland
**Label:** Hammer of Hate Records
**Released:** October 31, 2025
##
Introduction:
Emerging from Finland’s ever-fertile black metal scene, **White Rune** was founded by brothers Ruttokieli (Vocals, Guitar, Bass, Keys) and Soldau (Drums). Since their formation in 2021, the duo has carved out a distinctive niche by merging the frostbitten aggression of traditional Finnish black metal with sweeping melodic and atmospheric tendencies. Their early demos later compiled as *The Spell of Eternal Fire* introduced that duality, while their 2022 full-length debut album *Dawn of the White Rune* expanded it into something more grand and symphonic. Now **White Rune** has returned with their sophomore release *Eventide on Aurora*.
## Eventide on Aurora
**Track Listing:**
> 1\. Eventide
> 2\. Nightweaver
> 3\. Mortal Eclipse
> 4\. In Cursed Embrace
> 5\. Bloodcurse Bound
> 6\. Vampyric Dark Majesty
> 7\. Nocturnal Lust
> 8\. Arcane Journeys
> 9\. Dawnbreaker
> 10\. Aurora
*Eventide on Aurora* unfolds across 10 tracks and roughly 39 minutes, weaving a journey that is both cohesive and cinematic. The opener *Eventide* sets the tone, icy, melodic, and full of quiet foreboding before *Nightweaver* and *Mortal Eclipse* plunge into the heart of the album’s sound: piercing tremolo riffs, deliberate and aggressive drumming, and subtle keyboard layers that shimmer rather than dominate.
The production marks a clear step forward for the band. It is crisp but organic, retaining the grit that black metal demands while allowing the melodic textures to breathe. This balance elevates songs like *Bloodcurse Bound* and *Vampyric Dark Majesty*, which strike a careful line between ferocity and melodic grace. Meanwhile, shorter compositions such as *In Cursed Embrace* and the closing *Aurora* act as instrumental bridges, enriching the album’s atmosphere and lending it a ritualistic flow.
What truly distinguishes *Eventide on Aurora* from its predecessor is its restraint. Where *Dawn of the White Rune* occasionally reached for symphonic grandeur, this album finds strength in tension and mood. *Arcane Journeys,* the record’s six-minute centerpiece, encapsulates this evolution shifting from rapid, icy riffing into a more expansive, almost spiritual middle section. Each track feels purposeful, bound together by a sense of narrative continuity that suggests both decay and transcendence beneath the northern sky.
## Conclusion:
With *Eventide on Aurora* **White Rune** demonstrates clear artistic growth without abandoning their roots. It’s an album steeped in atmosphere, carried by melody, and grounded in a deep respect for black metal’s raw spirit. The duo’s command of pacing, mood, and composition gives the record an immersive quality, less a barrage of songs than a single, cohesive vision.
While it may not reinvent the genre, it refines it with conviction and care. *Eventide on Aurora* feels like the work of a band confident in its craft, evoking both the solitude of Finnish winters and the mysticism of the aurora that lights them. A haunting, mature, and beautifully realized step forward for White Rune. Where their debut was expansive and dramatic, this record feels more focused and mature, an exploration of nocturnal beauty and northern melancholy that doesn’t sacrifice intensity for atmosphere.
**BMZ Rating: 7,5 out of 10**
**Support White Rune here:** [https://sielunvihollinen.com/white-rune](https://sielunvihollinen.com/white-rune?ref=blackmetalzine.com)
## Your thoughts on Eventide on Aurora by White Rune
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### Review: Abominator - The Fire Brethren
URL: https://blackmetalzine.com/review-abominator-the-fire-brethren/
Last updated: 2026-07-15T17:23:50.000Z
**Band:** Abominator
**Album:** The Fire Brethren
**Genre:** Blackened Death Metal
**Country:** Australia
**Label:** Hells Headbangers Records
**Released:** October 31, 2025
## Introduction:
Australian Blackened Death legends come back from the dead with their sixth release...
## The Fire Brethren
Track Listing:
1. The Templar’s Curse
2. Underworld Vociferations
3. Covens for Azmodeus
4. Progenitors of the Insurrection of Satan
5. Author of All Calamity
6. Desolation Epoch
7. The Fire Brethren
8. Sulphur from the Heavens
Abominator comes back after being buried in the grave for ten years with their strong comeback album.
"The Templar's Curse" begins with an eerie sound of distant church bells and eerily winds married with guitar volumes fading in and out sounding like a razor about to cut your head off, and it does. It unleashes with blazing guitar riffs and marching blast beats from the gate chanting about their hatred for Christianity, which we all like to listen to black metal for. Ready for more Hell? I thought you might, because with "Underworld Vociferations" , that's exactly what you're gonna get again with more relentless riffs and blast beats punching you over and over in your ears until you beg for mercy. It's not until "Covens for Azmodeus" we get some hypnotic guitar riffs to put you in a trance for their upcoming demonic, again and you guessed it blistering blast beats to knock your head off. "Progenitors of the Insurrection of Satan" is a 7 and a half minute charging song that hails Satan to the maximum with more blasts and killer riffs.
It is basically Abominator's common specialty on this album to destroy people with the unrelentless pounding of the drums. I do however like the guitar solos on this album. It reminds me of Morbid Angel or Incantation like guitar solos that are blistering and quick to the point that stand out to melt your ear drums. My favorite songs on here is "Author of All Calamity" , it is a slower paced song that still delivers the ferocity and a groovier drum pattern with some good fills and blast beats to compliment the song. Also, the last track "Sulphur from the Heavens" starts with an eerie sound that segues into about a 7 and a half minute mid paced to full on ferocity within a matter of seconds in the verse and back to mid pace along with a nice guitar solo.
My only nitpick about this album is that most songs are straight ahead blast beat only. Don't get me wrong I like a good blast beat to tear my head off when it is warranted, but not through the entire song. The reason why the two after mentioned songs are my favorite, is mainly because of the tempo changes and the killer guitar solos that don't make them boring. However, this is meat and potatoes blackened death metal to the core and they do it well.
I recommend this band for listeners who like older Morbid Angel, Incantation, older Deicide, and Vital Remains who adore the blackened death metal genre.
## **Conclusion:**
Abominator absolutely came back with a strong album, and brought back the formula from *Evil Proclaimed* ten years ago. It's a safe way to come back in the scene with, and I am hoping that they come back with another album that has more tempo changes blended with solos that will shred the listener's ears off. I have been listening to this band for quite a long time since *Subversives for Lucifer*, and I know they are such an awesome band that is capable of nice tempo changes to keep the listener engaged with their music. I am happy to see what will happen next in Abominator's journey to see what they do next!
**Rating: 7.5 of 10**
## Your thoughts on The Fire Brethren by Abominator
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### Review: Nøkk - Heartless
URL: https://blackmetalzine.com/nokk/
Last updated: 2026-07-15T17:23:51.000Z
**Band:** Nøkk
**Album:** Heartless
**Genre:** Black Metal
**Country:** United States
**Label:** Solistitium Records
**Released:** November 21, 2025
## Introduction:
Riff driven American Black Metal forged in 2021 out of the ashes of a previous black/death band called **Eternal Bloodshed**. The Columbus, Ohio based group consists of J. Gallagher (Guitars/Songwriting), S. Pletcher (Drums), and R. Hames (Vocals).
## The Album:
**Nøkk**’s *Heartless* marks a decisive evolution for the Ohio based black metal project, presenting a record that feels both sharpened by experience and broadened in emotional scope. Their 2023 EP *Repel the Incursion* hinted at the band’s ability to merge atmosphere with riff centric songwriting, and *Heartless* confirms that potential with confidence. Across 6 tracks and roughly 40 minutes, **Nøkk** has crafted an album that is unflinchingly bleak but also strikingly dynamic, offering a listening experience that is immersive without sacrificing intensity.
> *Track Listing:*
>
> *1\. The Blind Leading the Lost*
>
> *2\. Heartless*
>
> *3\. Nøkk the Soulless*
>
> *4\. All the Pretty Things*
>
> *5\. Dead*
>
> *6\. The Hanging Tree*
From the outset, the band establishes a tonal identity that blends traditional black metal aggression with carefully sculpted layers of atmosphere. The guitars are the immediate anchor. Biting, cold, and often hypnotic, but arranged with a clear sense of curvature. Rather than relying on static repetition, riffs evolve and recombine, allowing songs to feel alive and narrative driven. One of the album’s greatest strengths is this sense of movement. Each track opens one emotional thread only to pull the listener deeper through unexpected shifts in pacing and texture.
The vocals are delivered with a tortured clarity, sitting high enough in the mix to feel urgent but never polished to sterility. There’s a palpable sincerity in the performance, lending weight to lyrics steeped in despair, self-reckoning, and internal conflict. Even when the lyrics themselves are abstract, the emotional cadence makes them feel grounded. This is an album less interested in theatrical darkness and more in the kind of lived, internal bleakness that black metal rarely addresses with nuance.
Instrumentally, *Heartless* benefits from the addition of several session musicians, whose contributions elevate the record’s sense of scale. The drumming is particularly notable, precise without feeling mechanical, shifting seamlessly between blasts, mid-tempo marches, and slower, doom tinged passages. Bass presence is stronger here than in the band’s earlier material, adding heft to the low end and rounding out the mix during the album’s more contemplative moments. Subtle synth textures are used sparingly but effectively, enhancing mood without overwhelming the albums core guitar driven identity.
Production wise, the album finds a balance that many modern black metal projects struggle to achieve. It is clean enough for each element to shine, but not so polished that the raw emotional grit is scrubbed away. There’s an organic, almost live energy to the recording. Every hit and chord feels immediate, physical, and unembellished.
Where *Heartless* truly excels, however, is in its cohesion. While each track stands on its own, the album’s structure feels purposeful, guiding the listener through cycles of tension, collapse, and cold reflection. Peaks of ferocity dissolve into bleaker atmospheres, only for the guitars to rise again with renewed severity. By the final track, the listener is left with a sense of emotional exhaustion that feels earned, not imposed.
## Conclusion:
Ultimately, *Heartless* is a compelling statement from a band rapidly finding its voice. It expands upon **Nøkk**’s established foundations while signaling ambitions that reach far beyond underground familiarity. For listeners seeking black metal that is atmospheric but not passive, aggressive but not one-dimensional, *Heartless* stands as a debut release worth engaging with.
**BMZ rating: 7 out of 10**
**Support Nøkk here:** [https://nokkthesoulless.bandcamp.com/album/heartless-2](https://nokkthesoulless.bandcamp.com/album/heartless-2?ref=blackmetalzine.com)
## Your thoughts on Nøkk by Heartless
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### Review: HÄXÄR - Teufelskvlt
URL: https://blackmetalzine.com/review-haxar-teufelskvlt/
Last updated: 2026-07-15T17:23:52.000Z
**Band:** HÄXÄR
**Album:** Teufelskvlt
**Genre:** Black Metal
**Country:** Switzerland
**Label:** Purity Through Fire
**Released:** October 24th, 2025
## Introduction
HÄXÄR isn't a band that was even on my radar, but through the discord server of Black Metal Promotion I get to know them. This latest release **Teufelskvlt** (Devils Cult) is thus my first introduction to the band.
## Teufelskvlt
I stumbled on *Teufelskvlt* while hanging out on the Black Metal Promotion Discord—just talking & sharing music (on Spotify, Bandcamp, YouTube etc.) Someone shared a last.fm now playing session of this band and the hooded figures that looked like a warped Christmas pageant version of the KKK, drew my attention in. Ridiculous, yes. But the kind of ridiculous that makes you pause, think and look up a band. At least it did for me. I was sent a promo and I hit play and was greated by an aural hellfire.
**Tracklist:**
1. Dämonenblut
2. Teufelskvlt
3. Askahex
4. Ein Schatten so kalt
5. Bastardis
6. Götterdämmerung
7. Prozession der Wölfe
The opening track sealed the deal for me, the German voice‑over, sounding like a demon giving a sermon, then full‑tilt drums and vocals dripping with pure hatred. It set the tone: abrasive without being sloppy. It sounds raw but damn clear. Everything is audible, no vocals buried under the mix, no instruments drowned in mud.
**What impressed me is the album keeps that momentum from start to finish.**
No standout tracks on this album and I’m fine with that. Instead, it’s a consistent assault: some tracks start slower, but they all end on that same energy level. That monotone can be a killer, but in this case it works. When an album just *clicks*, it will stay in my rotation for a while and this is an album that definitely clicked for me.
It’s probably not my pick for year’s best. But it’s that doesn’t mean it’s bad! It’s good. Solid. And as said it will stay in my rotation, not because it breaks new ground, but because it *does what it sets out to do*. Raw, but properly produced, hateful black metal with a hook you can’t quite describe, but that’s okay. Just try it for yourself.
## Conclusion
So, a good album, whom would I recommend this too? This would be for all that like proper black metal that is raw around the edges, but still a good production. Just give it a spin and let us know what you think about the album on our socials or you could join the BMP discord.
**BMZ rating: 7,5 out of 10**
Support HÄXÄR here: [https://hxr666.bandcamp.com/album/teufelskvlt](https://hxr666.bandcamp.com/album/teufelskvlt?ref=blackmetalzine.com)
## Your thoughts on HÄXÄR – Teufelskvlt
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### Review: Afsky - Fællesskab
URL: https://blackmetalzine.com/review-afsky-faellesskab/
Last updated: 2026-07-16T17:16:05.000Z
**Band:** Afsky
**Album:** Fællesskab
**Genre:** Black Metal
**Country:** Denmark
**Label:** Eisenwald
**Released:** October 17, 2025
## **Introduction**
Danish black metal veterans Afsky release their fourth beautiful blend of melancholy and guitar driven album, Fællesskab.
## Fællesskab
Fællesskab’s first track, Velkommen til livet, begins with an old Danish folk song vinyl that skips and then winds down into a draining obscurity with a stormy background entering melancholic guitar riffs. The musicality of this song alone with the rich texture of guitars, bass notes, and drum fills & patterns leashes into Ole screaming each verse with melancholy.
The riffs alone are so hypnotic that it is easy to let yourself get caught up within the music itself. Each song is embellished with so much feeling, it really hits the listener’s heart emphasizing what Ole may be going through. I feel the lead work is done nicely between each verse and chorus break that they gel so nice with one another in each song, that it seems like Ole has been doing this for longer than ten years, and I am willing to bet that he has.
> **Track List:**
> 1\. Velkommen til livet
> 2\. Den der ingenting ved tvivler aldrig
> 3\. Natmaskinen
> 4\. Arveskam
> 5\. Flagellanternes sang
> 6\. Svanesang
Another thing I am happy with is how each song’s musicality blends so well with one another. I can honestly say the production on this album was well put together and that no instrument is overdone or drowns another out. The Vocals on this album are blended perfectly with the musicality on this album making sure the listener can hear every sad note in each song.
## **Conclusion**
It seems as if Ole is putting out top quality albums with this project each time. His fans are always waiting to hear what he will produce next. I’ve been a fan of this band for about ten years, and just in awe of each album and EP he has since released. He has a fanbase that is always eager for exciting material to come out, and this one surely did not disappoint!
**BMZ Rating:** 9 of 10
You can support the band here: [https://afsky.bandcamp.com/album/f-llesskab](https://afsky.bandcamp.com/album/f-llesskab?ref=blackmetalzine.com)
## Your thoughts on Afsky - *Fællesskab*
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### Review: Flaming Ouroboros - The Tear
URL: https://blackmetalzine.com/review-flaming-ouroboros-the-tear/
Last updated: 2026-07-16T17:16:06.000Z
**Band:** Flaming Ouroboros
**Album:** The Tear
**Genre:** Black Metal
**Country:** USA
**Label:** Self Released
**Released:** March 2025
## Introduction
**Majesty Ouro** of **Flaming Ouroboros** delivers their finest work yet on new demo release *The Tear*.
## The Tear
So this one is coming to you all honestly five months too late but I 100 percent needed to write about it before the years over. 2025 has seen the return of medieval black metaller Flaming Ouroboros on their latest demo *The Tear*.
I first came across them on their 2023 debut LP *Anthems for Brotherhood*, which while at the time was interesting with its mix of anthemic riffs and lo-fi production didn’t really “hit” for me anywhere near what this tape does.
> Tracklist:
> Lay Upon Cold, Blue Steel
> I Turn My Head Slowly
> Lachrymose Flood (Noon)
> I Declined the Host
On This 24 minute demo release **Majesty Ouro** creates some of the most pensive and vibey sounding black metal this year. There’s not a single dull moment on this tape to be found. This is the shit you listen to at night when you’re mid campaign on the conquest of other nations, this is for the dark hours ruminating upon the deepest realms of man’s existence.
The album invokes such a deep sense of sadness and triumph, the burden of duty and the constant need for spiritual affirmation in the midst of periods of time that stand to break the spirit of man into a million pieces.
Sound/vibe wise, probably the best way to describe what this release falls under is the current wave of melodic war themed black metal (I.e Vothana/Departure Chandelier/Compatriot). That sort of sound has sprouted to popularity recently and i’m all the fuck for it.
## Conclusion
The release fucking rips and this project is 10 times cooler and vibier than most shit that calls itself medieval black metal.
**I couldn’t recommend something much higher than I am with *The Tear,* deeply fulfilling release.**
Also if you were lucky enough to catch them with **Departure Chandelier** a couple months ago comment underneath this with some videos please, I’m pissed I missed them and I’ve gotta see how cool this shit was live.
**BMZ rating: 9 out of 10**
**Support Flaming Ouroboros here**: [https://flamingouroboros.bigcartel.com](https://flamingouroboros.bigcartel.com/?ref=blackmetalzine.com)
## Your thoughts on Flaming Ouroboros
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### Review: Sunken - Lykke
URL: https://blackmetalzine.com/review-sunken-lykke/
Last updated: 2026-07-15T17:23:55.000Z
**Band:** Sunken
**Genre:** Atmospheric Black Metal
**Country:** Denmark
**Label:** Eisenwald
## Introduction
The crashing depths of Danish atmospheric black metal band **Sunken** bear their weight down on us once again across four deeply characteristic tracks lasting nearly 50 minutes in total. Their waves of oceanic despair have never disappointed me in the past and once again they have impeccably delivered their desolate yet hefty sound through their newest album *Lykke* which comes a whole five years since their previous album *Livslede*.
## Lykke
**Tracklist:**
1. Din Røst Malede Farver I Luften
2. Og Det Er Lykke
3. Glædesfærd
4. Når Livet Går På Hæld
Their trademark hauntingly beautiful synth is still there, it’s oppressive but lingers in the background just right to build the sullen environment of each track and craft such a sense of depth that you become buried in this weighty and dismal aura.
The shortest track on the album starts us off, *Din Røst Malede Farver i Luften*. When I say shortest, this track is just over 10 minutes in length which encapsulates the venture that lies ahead. Opening up with some slow ethereal chorus driven guitar and light synthwork before a distorted feedback sounding like a dying whale prepares us for the onslaught of black metal ahead of us – the ferocious drums, gritty tone driven riffs, and wretched vocals. During the more downtempo sections the bassline shines through strong, and I love the dissonant tremolo riffs during the bridge before the guttural voice screams out into the tranquil void.
Each track is wonderfully composed with soaring guitars performing melancholic melodies, emotionally passionate vocals that are ragingly vicious, the aforementioned burdensome synthwork, unyielding blast beats, as well as choir work and clean sections to give us a chance to come up for air and get some breathing room from the depths. Each song keeps your interest held throughout their duration, with the rise and falls hypnotically engrossing you until before you know it that track has reached its conclusion and we are onto the next allowing the album to flow as one consistent composition.
The clean guitar and orchestral work that begin *Og det er Lykke* are so elegant that it perfectly contrasts the bleak harshness that is to follow throughout the song. The album continues strong as each track builds upon the previous weaving it all together until we reach *Når Livet går på Hæld* which slowly brings us to a close over its 14 minute duration. A more gradual track that creeps along quite deliberately in a listless way, pulling you under in the expansive pit of atmosphere. And as the album reaches its terminus, a wave of calmness washes over you as we finish this wonderful and beautiful album.
## Conclusion
**I cannot recommend enough that you set aside an hour and lose yourself into the abyss of Lykke to really let it immerse you with its drenched spirit.**
I will be seeing them perform with **Panopticon** on their Laurentian Echoes tour in 2026 – one of my most anticipated upcoming gigs and after their incredible performance opening Fortress Festival in 2024 I can’t wait for a more intimate display from them. I hope it isn’t half a decade until they grace us with new music again, but if it is I can say it will likely be worth the wait.
**BMZ Rating: 10 out of 10**
**Support Sunken here:** [https://sunkendenmark.bandcamp.com/album/lykke-2](https://sunkendenmark.bandcamp.com/album/lykke-2?ref=blackmetalzine.com)
## Your thoughts on Sunken
Are you looking forward to listen to this album? Share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalpromotion.com/live-reviews/?ref=blackmetalzine.com) photos and more!
### Review: Demon Sluice - Dancers Beneath Shores of Fire
URL: https://blackmetalzine.com/review-demon-sluice-dancers-beneath-shores-of-fire/
Last updated: 2026-07-15T17:32:50.000Z
**Band:** Demons Sluice
**Album:** Dancers Beneath Shores of Fire
**Genre:** Black/Death Metal
**Country:** United States
**Label:** Negative Wingspan
**Released:** September 5, 2025
## Introduction
**Demon Sluice** is a Blackened Death Metal duo from the United States. Formed in 2023 and consisting of members **Valefor** (Guitars/Drum Programming) and **Gallimgrim** (Vocals) the duo released a demo in May 2024\. They have since followed up with their debut album *Dancers Beneath Shores of Fire* in September.
## Dancers Beneath Shores of Fire
Harkening back to the early hours of extreme metal when the lines defined by genre weren't so clearly drawn and the boundaries were still being pushed to their limits is where you'll find **Demon Sluice**.
As a whole the album is an unforgiving, unrelenting orgy of black infused death metal. Fueled by an onslaught of riffs and grotesque snarling gutturals. The drum programming is impressive and clean. A percussive, precision wrought beast within itself feeding the assault.
> **Tracklist:**
> Sower of Dragon Teeth
> Force Fed Anemone
> Benthic Zone
> Curses Upon Curses
> A Wounded, Starving Beast
Production wise the album is beautiful. The clarity is everything you'd expect from modern production and yet still maintains its visceral aggression. The vocals are down right nasty in all the right ways. Fusing elements from all of extreme metals sub-genres into one nauseating concoction.
**Valefor** is an absolute madman on the guitar. Vomiting forth chugs, squeals and arpeggiated scales. Tremolo picked nightmares and walls of feedback. The album has it all and it's done well. Massive amounts of Death Metal riffage tinged with just enough blackened melody to keep one's sanity in check.
The aural siege on one's senses is paused only for a brief moment at the albums mid way point with the ambient track *Benethic Zone*. A passage that feels like a singular gasp of air before being sucked back down into the oceanic depths that proceeds for the remainder of the album. The latter half containing *Curses Upon Curses* and *A Wounded, Starving Beast* being my personal favorite.
The album artwork and logo are worth noting. I love the classical renaissance aesthetic of the artwork. I'm always keen on when an album's artwork and logo jump out at me before even listening to an album and this one caught my attention while scouring through releases. However I'm not completely sold on the band name. But that being my only complaint, **the band name could be anything as long as the music itself rips, and it fucking rips.**
## Conclusion
An impressive debut album and an excellent follow up to their demo. *Dancers Beneath Shores of Fire* leans heavily into its Death Metal influences but fans of Black Metal will surely find something to appreciate here. It's an epic monstrosity, peeling forth from the abyss to rain fire and rot upon its listeners.
**BMZ Rating: 7,5 out of 10**
**Support Demon Sluice here:** [https://demonsluice.bandcamp.com/album/dancers-beneath-shores-of-fire](https://demonsluice.bandcamp.com/album/dancers-beneath-shores-of-fire?ref=blackmetalzine.com)
## Your thoughts on Demon Sluice
Are you looking forward to listen to this album? Share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: One of Nine - Dawn of the Iron Shadow
URL: https://blackmetalzine.com/review-one-of-nine-dawn-of-the-iron-shadow/
Last updated: 2026-07-15T17:35:58.000Z
**Band:** One of Nine
**Album:** Dawn of the Iron Shadow
**Genre:** Melodic Black Metal
**Country:** United States
**Label:** Profound Lore Records
**Released:** October 31, 2025
## Introduction
**One of Nine** is a Tolkien-inspired black metal band, hailing from the United States. Their debut album, *Eternal Sorcery* (2023), laid the groundwork, but with *Dawn of the Iron Shadow*, the band's sophomore release, they have significantly raised the bar. From its instrumentation, narrative weight, collaborative features, and artwork by veteran fantasy illustrator Ted Nasmith (known for his art featured in Tolkien works). This album promises to be one of this year's best releases, and one that I've personally been looking forward to.
## Dawn of the Iron Shadow
**Tracklist:**
1. Parley at the Gates
2. Age of Chains
3. Dreadful Leap
4. Of Desperate Valor
5. Behold the Shadow of My Thoughts
6. Bauglir
7. Quest for the Silmaril
8. Death Wing Black Flame
*Dawn of the Iron Shadow* is a highly accomplished album. It delivers on its promise: epic black metal with story, atmosphere, grandiosity, and craftsmanship.
**For anyone drawn to the intersection of black metal and mythic fantasy, swords and sorcery, ancient doom, or sweeping tales of ruin, this album has it all.**
**One of Nine** merges sweeping, almost orchestral grandiosity with atmospheric black metal’s melancholy and raw edge. Drawing deeply from the world of Middle-Earth, the album is lyrically and thematically steeped in references to Beleriand, the Silmarils, and many other nods to Tolkien lore.
The production value on the album is excellent. Offering clarity without sterility, enough to hear minute details (keyboards, horns, flutes, choirs) yet retaining loads of instrumental colour and the tremolo-attack/blast-beat fueled energy that drives its core. The guitar work makes liberal use of melodic tremolo-picked runs, layered with acoustic passages and softer mid-tempo interludes. Offering a variety of contrast and building a beautiful atmosphere befitting of the albums themes. The drums create a sense of “marching doom” in places and while still aggressive, allow room for the atmosphere to breathe when necessary.
Overall, the album's sequencing is well-thought out. Using its pacing to build tension, and gradually expanding the narrative and atmosphere throughout its eight tracks. However what really distinguishes *Dawn of the Iron Shadow* is its narrative ambition. We’re not hearing generic black metal lyrics full of cliche nihilism or misanthropy. But rather mythic storytelling rooted in Tolkien lore. This depth of theme adds immensely to the album’s reward value.
My favorite tracks on the album and its stand out moments for me personally are:
*Dreadful Leap* (feat. **Hulder**): Undoubtedly a centerpiece for the album. The song refers to the tale of Túrin and the doom of his house. **Hulder**’s appearance (featured as *Tear Maiden*) adds an additional voice and another layer of depth, this track combines elegiac sorrow, with the brutal force of the genre.
*Bauglir*: This track’s title references a sword in Tolkien lore. Musically, it’s perhaps the most epic in pacing, building up slowly, implementing thematic motifs, leads, and then letting the heavy parts crash.
*Quest of the Silmaril*: Another narrative highpoint. Referencing the tale of Lúthien and Beren. The track evokes a quest-feeling: a long journey with high stakes, despair, hope, and doom.
## Conclusion
Compared to *Eternal Sorcery*, *Dawn of the Iron Shadow* represents growth in nearly every direction: collaborations, higher production values, greater thematic ambition, more instrumentation. Here **One of Nine** have refined their identity: they’re no longer just emerging.
**They are laying claim to their space within USBM**.
For fans of the first album, this one deepens and expands; for new listeners, it’s a strong entry point. Fans of melodic or epic black metal in the vein of **Summoning**, early **Dimmu Borgir** or **Agalloch** will surely find something to appreciate here.
**BMZ Rating: 9,5 out of 10**
**Support One of Nine here:** [https://oneofnine.bandcamp.com/album/dawn-of-the-iron-shadow](https://oneofnine.bandcamp.com/album/dawn-of-the-iron-shadow?ref=blackmetalzine.com)
## Your thoughts on One of Nine
Are you looking forward to listen to this album? Share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Les Bâtards Du Roi - Les Chemins De L’Exil
URL: https://blackmetalzine.com/review-les-batards-du-roi-les-chemins-de-lexil/
Last updated: 2025-11-08T16:00:00.000Z
*Band: Les Bâtards Du Roi*
*Album: Les Chemins De L’Exil*
*Genre: Melodic Black Metal*
*Country: France*
*Label: Les Acteurs de l'Ombre Productions*
*Released: October 10, 2025*
## Introduction
France has quite possibly one of the strongest black metal scenes currently. With a roster of bands that continuously push out unbelievably good releases and new bands that are springing up constantly. **Les Bâtards Du Roi** is no exception. While not new to the scene entirely, having released their debut self titled album last year in 2024, they're back again with a full-length follow up *Les Chemins De L’Exil.*
## Les Chemins De L’Exil
**Tracklisting:**
1. La Forêt
2. L'âme Sans Repos
3. Vers L'étoile Solitaire
4. Le Chevalier au Corbeau
5. Ord Vil Merdos
6. Le Val Dormant
7. Les Chemins de L'exil
8. La Chevauchée Cadavérique
9. Sous la Couronne de L'éternité
*Beautiful. Haunting. Melodic.*
These three words summarize everything one needs to know about this album and this band. France has a knack for melodic black metal. But it's nuanced and is found more often within the deluge of tremolo-picked riffs than in an over abundant use of orchestrated instrumentations or troupes more common to melo-black as a whole. It is unique unto itself and by and large separates France from the herd.
The production on the album is crisp, clean and articulate. Every single tremolo-picked note is heard as it should be and the levels across the board are immaculate, the vocals sitting perfectly in the mix as well. A shining example of modern Black Metal done right.
The production is a step up from the previous album and feels a bit more polished and cohesive. That can be said also for the song writing. The self-titled album however was excellent and my critiques of it are simply meant as a compliment to the band's maturing sound as a whole.
What really resonated with me whilst listening to this album was the guitar riffs. They're so unbelievably catchy and melodic all the while still maintaining the aggression black metal is synonymous with. *L'âme Sans Repos* is a great example of this. However every track on the album is equally riff heavy and catchy.
## Conclusion
*Les Chemins De L’Exil* from start to finish is perfect. The album has no weak moments or skippable tracks. A melodic black metal masterpiece that sets the bar for the whole genre up a notch. Seamlessly blending together catchy, melodic riffs, crisp and aggressive vocals and well thought out song writing. If you haven't heard of this band yet I implore you to go and give them a listen. You won't be disappointed.
**BMZ Rating: 9 out of 10**
**Support Les Bâtards Du Roi here:** [https://ladlo.bandcamp.com/album/les-chemins-de-lexil](https://ladlo.bandcamp.com/album/les-chemins-de-lexil?ref=blackmetalzine.com)
## Your thoughts on Les Bâtards Du Roi
Are you looking forward to listen to this album? Share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Bodach - The Bleakest Land (EP)
URL: https://blackmetalzine.com/review-bodach-the-bleakest-land-ep/
Last updated: 2025-11-06T16:00:00.000Z
*Band: Bodach*
*Release: The Bleakest Land (EP)*
*Genre: Black Metal*
*Country: United Kingdom (Scotland)*
*Release Date: 18th July 2025*
*Label: Self-Released*
## Introduction
Four cautionary tales of folklore themes at a fantastic black metal pace are brought to you by this one man project from Dundee, Scotland.
## The Bleakest Land
**Tracklist:**
1. As Kelpies Storm The Land
2. The Beast Below
3. Curse Of The Nuckelavee
4. Am Fear Laith Mòr
As the waves lap onto the land, we are introduced to this EP with the blast beats thundering along to the galloping beat of a herd of kelpies. With a mix of relentless black metal, a groovy guitar riff in the bridges, and harsh growls we are starting strong, on a song that is thematically concerning itself with the changes in our world.
Following this, we get a change of pace as the sludgy riff that kicks us off into the murky depths of Loch Ness, as the ancient beast is apprehended.
This EP provides an excellent variety in guitar prowess as through four tracks we get touches of the aforementioned the Khold style groove, the lumbering heavy doom riffs, some beautiful clean guitar sections on both electric and acoustic, a short and sweet solo, as well as of course the traditional black metal tremolo playing we all love and are here for.
The fourth and final track is the magnum opus of this short EP in my opinion, which oozes so much atmosphere throughout. Opening with a lovely acoustic guitar section before a wall of breakneck pace black metal crashes over you, the tale of the lumbering grey giant sweeps over us. Incorporating a more catchy chorus, a spoken word section, and a distressing ending this track creates an ambience that needs to be heard over and over again.
## Conclusion
This EP may just be twenty minutes long, but it is very well paced with a variety of black metal styles and leaves me hungry for more to come in the future.
**BMZ Rating: 8 out of 10**
**Support Bodach here:** [https://bodach.bandcamp.com/album/the-bleakest-land](https://bodach.bandcamp.com/album/the-bleakest-land?ref=blackmetalzine.com)
## Your thoughts on Bodach
Are you looking forward to listen to this album? Share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Zaratus – Those Who Dwell Beyond
URL: https://blackmetalzine.com/review-zaratus-those-who-dwell-beyond/
Last updated: 2025-11-04T16:00:00.000Z
*Band: Zaratus*
*Album: Those Who Dwell Beyond*
*Genre: Black Metal*
*Country: Greece*
*Label: Ván Records*
*Released: October 2025*
## Introduction
Hellenic black metal vocalist legend **Stefan Necroabyssios** with his side project **Zaratus** releases an epic sophomore set, *Those Who Dwell Beyond*.
## Those Who Dwell Beyond
**Tracklist:**
1. Transition into the Blasphemic Infinity
2. Damned by the Seven Abysses
3. Flesh of the Demented Ascendant
4. Creation of the Tyrannical God
5. Foreshadowing the Realm of Loathing
6. Reciting the Chants of Agony
7. Incantation of Pervert Torment
8. Blood Rituals of the Subsequent Apotheosis
When it comes to Hellenic symphonic black metal, we think of epic sounds with dark atmosphere reminiscent of Hades, driving guitar riffs coupled with ferocious blast beats, Gregorian like chanting and string orchestras blending the epic proportions of any of these bands crafting the sound. **Stefan Necroabyssios** is no stranger to the Hellenic scene as he is associated with bands like **Varathon**, **Kawir**, and countless other side projects in his homeland of Greece. **Zaratus**’ sophomore release, *Those Who Dwell Beyond* is the epitome of all these sounds magically crafted by **Bill El** along with **Necroabyssios** providing effective vocal effects and atmosphere to complete this hellish spiral to Hades.
There was a certain mysticism surrounding this release and it made it perfect to just sit back and enjoy the story being told as it is a concept of life after death and those lost lives will not be saved. The first track is a slow buildup of demise, which explodes into other songs with much faster tempos and fluid riff changes married along with devilish laughs and chants. Some of the tracks on this album carries melancholic riffs with melancholic atmospheric sounds of piano, violins, and **Necroabyssios**’ demonic effect vocal style of storytelling.
## Conclusion
It may have been four years since **Zaratus**’ last release, but it was a well-deserved wait for *Those Who Dwell Beyond*. If **Necroabyssios** can consistently release albums in this fashion, then this band will go down in the Hellenic black metal scene as one of the many influences for bands who wish to inherit this style for years to come.
**BMZ Rating: 8 out of 10**
## Your thoughts on Zaratus
Are you looking forward to listen to this album? Share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Zythaex - Devouring Principal
URL: https://blackmetalzine.com/review-zythaex-devouring-principal/
Last updated: 2025-11-03T17:33:08.000Z
*Band: Zythaex*
*Album: Devouring Principal*
*Genre: Atmospheric Black Metal*
*Country: International*
*Label: Independent*
*Released: September 22, 2025*
## Introduction
Zythaex is a project born from the collaboration of Hungarian vocalist *BAL*, and Icelandic multi-instrumentalist *JTL.*
## Devouring Principal
This album consists of one monolithic 35 minute long track. Sonically it is very reminiscent of the likes of **Akhlys** and **Nightbringer**. Weaving together dissonant guitar riffs, ambient soundscapes and nightmare inducing vocals into an impressive debut release.
Like peering into the abyssal void, its vast, dark and infinitely bleak. A disturbing cacophony of horror, like a thousand screaming souls within the pits of hell. Shifting between waves of atmospheric, avant-garde black metal, haunting ambient instrumentals and back again. The whole track itself is a lovecraftian fueled atmosphere. It's heavy, dark and unsettling.
As much as I appreciate the concept and execution here, having one 35 minute long track makes the album feel like a bit of a run on experience at times. Personally I enjoyed the album for what it is. But it also limits its accessibility to listeners as there are some who would simply pass this listen up because of its daunting length. I almost feel it would have been better suited broken down into a couple of longer tracks with smaller ambient intermissions in-between.
That being said however, it's an incredible piece of art. *Bal*'s vocals are terrifying and the instrumentation and production are top-notch. The album as a whole is the equivalent of standing at the edge of a black hole. Devoid of all light within its fathomless dark, hopeless and crushing. It's an impressive undertaking and an excellent debut.
## Conclusion
Fans of the avant-garde, or dissonant black metal in the vein of **Akhlys** and **Nightbringer** will surely love this. It's an impressive listen and not for the faint of heart of those without the patience to absorb what is offered here.
**BMZ Rating: 7 out of 10**
**Support Zythaex here:** [https://zythaex.bandcamp.com/album/devouring-principle](https://zythaex.bandcamp.com/album/devouring-principle?ref=blackmetalzine.com)
## Your thoughts on Zythaex
Are you looking forward to listen to this album? Share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Ancient North - The Woods of Samael
URL: https://blackmetalzine.com/ancient-north-the-woods-of-samael/
Last updated: 2025-10-31T16:00:00.000Z
*Band: Ancient North*
*Album: The Woods of Samael*
*Genre: Black Metal*
*Country: United States*
*Label: Independent*
*Released: July 11th, 2025*
## Introduction
American black metal veterans deliver a rip-roaring stroll through the forest with their sixth release, *The Woods of Samael.*
## The Woods of Samael
**Tracklist:**
1. Intro
2. At the Threshold to Satan’s Kingdoms
3. Restoring the Order of the Dragon
4. Worms of Bethlehem
5. Hatching Eggs of the Beast Malukah
6. The Woods of Samael
**Ancient North** has been in the Oregon black metal scene for three years founded by **Forlorn Blacktooth**, who also has another project called **Necroseer**, which I would like to venture into soon.
**The Woods of Samael** is such a beast of an album. The intro track is the gateway to insanity of this album, letting the listener know you have entered a hellish forest with beckoning devilish vocals. With the second track, *At the Threshold to Satan’s Kingdoms*, blisters hellish blast beats, distorted guitar riffs, and vocals spewing doomsday messages. Literally speaking, every track on this album offers blast beats galore, distorted guitars, spewing vocals, and death growls that sound like Satan himself is speaking to the audience.
With this album, **Forlorn** plays all the instruments himself, as well as all the vocals and the devilish vocal atmosphere scattered through each track. It almost borders on blackened death metal, but he does an excellent job keeping it mostly black metal throughout the album.
In contrast to this album being good, my one initial complaint is the production being overly distorted. It is because prior releases **Ancient North** has, the guitars were a bit compressed, or the vocals were not necessarily out in front. Nonetheless, it is Black Metal and for one man to compose and deliver this monstrosity, has my utmost respect, as well as his fans in the scene.
## Conclusion
This album is immensely different from their previous material and is definitely worth the journey to listen to. If you are interested in bands such as **Marduk**, **Gorgoroth**, and earlier **Darkthrone**, then this album is for you.
**BMZ Rating: 7,5 out of 10**
**Support Ancient North here:** [https://wulfhereproductions.bandcamp.com/album/the-woods-of-samael](https://wulfhereproductions.bandcamp.com/album/the-woods-of-samael?ref=blackmetalzine.com)
## Your thoughts on Ancient North - The Woods of Samael
Are you looking forward to listen to this album? Share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Festival Review: A Night of British Black Metal
URL: https://blackmetalzine.com/a-night-of-british-black-metal-october-2025-review/
Last updated: 2025-11-30T09:23:33.000Z
*Festival: A Night of British Black Metal*
*Line-up: Necrocracy, Nefarious Dusk, Old Corpse Road, Wolfbastard*
*Venue: The Banshee Labyrinth, Edinburgh, Scotland*
*Organiser: Wulfhere Productions*
*Date: 17/10/25*
# Intro
Whilst I go to many gigs from bands around the world, I am a firm believer in supporting the local scene and keeping it growing. So when **Wulfhere Productions** announced their first show in Scotland, I immediately bought a ticket, having been familiar with the shows they host in the north of England, I was delighted to see them come north of the wall.
The venue for this show was the Banshee Labyrinth, supposedly Scotland's most haunted pub (but doesn't everywhere claim that?), which is in the underground vaults of Edinburgh's old town district.
The stage itself is set in a small, intimate room in the basement, and with this show being sold out, we were in for a cosy experience.
# Necrocracy
First to take the stage was **Necrocracy** from Glasgow. I saw these guys back in March supporting **Abduction** & **The Infernal Sea** so I was looking forward to seeing them once again, and what an amazing start to the evening they were. They perfectly set the mood of high energy black metal with an incredibly tight set.
In particular, the drummer, who seemed to be the life of the party as he constantly vied for crowd interaction and was beating his kit like it owed him money, and the cymbals held the majority share.
A moment that made me chuckle was when they introduced their song *A Storm on the Horizon* and the guitarist whispered "Oh, fuck" as he prepared to play its impressive riffs.
Also, I've mentioned this before about another band, but it absolutely is worth repeating - bonus points for the Ibanez Iceman, an iconic and eye-catching style.
# Nefarious Dusk
The man behind **Wulfhere Production**s steps up to the stage with one of the several bands of the Cumbrian black metal scene he is a part of.
This was the only band of the night to do any stage decor, as two candelabras adorned the 2-inch-high stage, each standing about a foot high. It's absolutely the effort that counts, even if the impact on the ambience was minimal.
This band performed as a two -piece—*Hrafn* himself on guitars and vocals and *JJ* on bass, with the drummer in this case being an iPhone plugged into the feed.
There was a languid atmospheric introduction track before we kicked off into pure black metal. The vocals were low in the mix but sounded great as they reverberated around the small venue, whilst *JJ* on bass was stomping around the stage and sneering into the crowd, leading to the band having great stage presence despite just being the two of them, and overall they played a great set.
# Old Corpse Road
A change of tone as this symphonic/melodic black metal act with folk elements from Darlington prepared for their performance. The six of them crowded on the small stage, with the keyboardist hidden away in the back corner, and we had three vocalists, each with distinct styles, dominating stage left. Whilst the singer without any instruments was fairly quiet to hear in the mix, the bassist's vocals and spoken word sections sounded great and clear to make out.
The singer also seemed statue-like with his arms down at his sides for the majority of the show and barely moved, perhaps due to the extremely limited space to move on the cramped stage. It seemed to detract from his stage presence, but not enough for it to impact the full band.
This was also the debut show for their new guitarist, *The Redeemer*, who played his part extremely well - fitting in perfectly on the stage for his first outing.
As they finished *Hag of the Mist* the singer introduced us to the next song... *Hag of the Mist* to which the bassist quickly retorts - "it is not! It is Harbingers of Death!" causing a good laugh between the band and audience alike.
Being north of the wall they of course had to play *Isobel - Queen of Scottish Witches* before they finished with their namesake's track *Old Corpse Road* where *Hrafn* joined on vocals, thoroughly enthusiastic to be screaming along to the catchy chorus - perhaps even more so than the band members themselves
# Wolfbastard
A bottle of Buckfast besides the drum set and a plastic carrier bag full of cans of beer. This Blackened Crust Punk band from Manchester knew what they were preparing for, and despite their minimal soundcheck, they were the best sounding band of the night.
Other than the fantastic sound, I have to say the highlight of this band was the sheer amount of banter between tracks with plenty of self-deprecating humour and jabs at the crowd. Though if you want to do some damage to yourself, take a shot every time they ask you to fuck off; your liver will be crying out in pain in no time.
There were several new songs sprinkled in the set, teasing their yet unreleased album.
And then it was time; the Chekhov's bottle of Buckfast that was set up had finally reached its relevance in the plot as it got passed around the crowd for us all to take a swig of the communal tonic wine and livened us all up, ready to mosh to their anthem, *Buckfast Blasphemies*. This energy kept up throughout the remainder of the set with the mosh pit breaking out and the crowd yelling along to songs like *Hail Satan Kurwa*, *Drink Fucking Beer*, and *Graveyard Slag*.
# Conclusion
I made my way through the aptly fitting labyrinthian maze-like tunnels of this venue to find the merch area, and I got myself stocked up on new goods and had a chance to chat to some of the band members.
Overall it was an amazingly fun night, and I'm looking forward to the sequel next month, where four different acts step up onto this stage for the return of **A Night of British Black Metal**.
## Your Concert Plans
We’d love to hear your plans for the festival season! Tell us through our social media channels, or join our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Ofermod - Drakosophia
URL: https://blackmetalzine.com/review-ofermod-drakosophia/
Last updated: 2025-10-22T14:50:52.000Z
*Band: Ofermod*
*Album: Drakosophia*
*Genre: Blackened Death Metal*
*Country: Sweden*
*Label: Shadow Records*
*Released: October 8, 2025*
## Introduction
Swedish Blackened death Left Hand occultists **Ofermod** release another devilish creation with their sixth offering, *Drakosophia*.
## Drakosophia
**Tracklist:**
1. Aicha Kandisha
2. Vineyards of Gomorrah
3. Drakosophia
4. Malat Atat
5. Zazas Zazas Nasatanada Zazas
6. Belialistic Gra’al Codex
7. Nox Draconis
8. Sinister Acolyte
9. The Painful Movers
**Ofermod** needs no introduction when it comes to delivering their brand of occult blackened death metal to the masses with their sixth release, Drakosophia. The album is charged with spellbound chants, hypnotic riffs, and blistering blast beats and drum fills that would make anyone feel like they are caught in a trance and consumed by their chanting spells.
I was happy that the production in the album was clear, and all the guitar and bass tones were properly heard complimentary to the driving of the drum patterns. Songs like Aicha Kandisha, Malat Atat, Nox Draconis and The Painful Movers showcase where the musicality of all those instruments are in par with one another. Hints of eerie atmospheric symphonics gives a lurking presence throughout the title track, Drakosophia giving the listener an eerie feel of spells conjured in the background waiting to infiltrate their soul with demonic possession. Adeptus delivers his cadences impactfully telling stories of conjuration and the want of being in power of each song capturing the listener with his every word.
Do you like chanting? The chants on this album compliment the stories told in each song. Along with the hypnotic riffs played about, they help deliver the message of those spells cast, such as Belialistic Gra’al Codex towards the end of the song uses vocal effects casting those eerie spells to give full effect of this experience. The chants really give a nice ambiance, impacting the soundscape with magic, sorcery, and impending doom.
## Conclusion
Drakosophia has everything you wanted out of Ofermød and more. It seems that the only way they can go from here, is forward with more intensifying spell chants, crazy & catchy hypnotic riffs, and abrasive blasts & fills to conquer the listener’s soul. I cannot wait to hear what their seventh release has to offer to the masses in the future!
**BMZ Rating: 8 out of 10**
**Support Ofermod here:** [https://regainrecords.bandcamp.com/album/drakosophia](https://regainrecords.bandcamp.com/album/drakosophia?ref=blackmetalzine.com)
## Your thoughts on Ofermod
Are you looking forward to listen to this album? Share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Concert Review: Psychonaut 4 - Mourning Over Britannia Tour
URL: https://blackmetalzine.com/concert-review-psychonaut-4-mourning-over-britannia-tour/
Last updated: 2025-11-30T09:30:47.000Z
*Mourning Over Britannia Tour*
*Dreich, Wolvesrot, Psychonaut 4*
*Classic Grand, Glasgow, Scotland*
*Red Crust Promotions*
*05/10/25*
The wailing, the alcohol, the drugs, the violence. Yep I'm back in Glasgow for another gig. This time for a touch of the Georgian depressive suicidal black metal band Psychonaut 4\. The weather has become colder, a storm has hit this week, the days are getting darker and darker - what a fitting show for kicking off October.
## Dreich
What can I say that hasn’t already been said in my previous review of their live show? This is the third time I've seen them this year (soon to be four) and they've really nailed their set and performance. A minor hitch with an amp at the start beyond their control which was quickly fixed didn’t put them off their game and they performed their cold and miserable performance to antithetically warm up the crowd.
Sadly their lead singer Nemus did slightly mess up as he went to do his traditional finale to their show where he throws a noose into the crowd, catching some staging as it pitifully fell down right in front of him. Perhaps the woefulness of that was fitting for their music.
## Wolvesrot
Second time in a week I've seen them after their wonderful performance at **Fogharach Festival** the weekend prior, and the third time I've seen them this year (see also my review of them supporting **Ante-Inferno / Ultha**).
The local four piece played an absolutely solid show as they rattled through their set sounding fantastic with fast-paced black metal energy. I’ve been assured new material will be released and available at some point in the future and just slightly delayed due to personal lives.
## Psychonaut 4
A beautifully depressive set that left me with feelings of bittersweet joy by its conclusion. Their live singer Irakli Kirkitadze who has been performing with them since 2024 since stepping in for Graf put so much raw emotion into each word that left his mouth as he sang and screamed these hopeless expressions. The guitars were beautifully played, from the more traditional Georgian style elements in their later stuff to the harmonising solos and bleak riffs.
The setlist was a mix of songs from throughout their discography, with some tracks off their latest album…Of Mourning (released nearly a year ago now) such as Fiqrebi Mtsukhrisa and Vai Me as well as the hits they’re known for like Sweet Decadence, Personal Forest, We Will Never Find a Cure and of course Too Late to Call an Ambulance which I think was the first song of theirs that made me familiar with them.
I picked up **…Of Mourning** on vinyl from the merch stand and got it signed by the five of them, and caught up chatting with familiar faces from the Glasgow scene before leaving to catch my train and reflect on a morose and sullen evening as I headed home.
## Gallery
## Your Concert Plans
We’d love to hear your plans for the festival season! Tell us through our social media channels, or join our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Finistère – Am Grauen Meer
URL: https://blackmetalzine.com/review-finistere-am-grauen-meer/
Last updated: 2026-07-16T17:16:06.000Z
*Band: Finistère*
*Album: Am grauen Meer*
*Genre: Post Black Metal*
*Country: Germany*
*Label: Ministry of Truth*
*Released: September 2025*
## Introduction
For their latest full length, Germany’s **Finistère** take to the seas to showcase their punchy unrelenting brand of black metal.
## Am grauen Meer
**Tracklist:**
1. Niemandsland
2. Treibgut
3. Zerstörer
4. Nebel
5. Arngast
6. Grimme Herne
7. Hartwarden
8. Langwarden
## Rumination
Another week, another German black metal band to write about (honestly between **Der Weg, Great Sea, Grab** and these guys, Germany has been absolutely killing it the past 12 months).
**Finistère** is a easy W for someone like myself. The riffs are great, the productions spot on, it’s not remotely tropey. I honestly can’t find anything to fault with this release. If you’re a fan of the aforementioned Der Weg Einer Freiheit (who I have to assume are an influence here) then you’ll very likely enjoy this.
As an aside this band does something I personally find pretty interesting wherein it technically sits in the realm of post black metal presentation wise/somewhat soundwise. But its so openly committed to traditional black metal (in particular I hear a fair bit of finnish) that it almost could fall into the territory of being straight up black metal. The only other band I know who does something similar to this is **Void Omnia** (who I big time fuck with).
**The results are that all the songs are still pretty damn catchy.**
Also on that note I have to give credit to **Finistère** for keeping this album concise. At 33 minutes this album is lean but its deeply effective. From my perspective It’s super easy for post black metal bands to throw in a bunch of bloat to the amusement of noone (**Olhava** being the only exception to this for me) whereas **Finistère** never take their brand of post black metal into self indulgent territory. It’s just focused on solid songwriting from start to finish.
## Conclusion
Honestly I figured when I first saw the artwork I pretty much knew I was going to enjoy this album and was correct. This is a solid effort from this newer German band and I’m really keen to see where they take it from here.
**BMZ Rating: 8 out of 10**
**Support Finistère here:** [https://fnstr.bandcamp.com/album/am-grauen-meer](https://fnstr.bandcamp.com/album/am-grauen-meer?ref=blackmetalzine.com)
## Your thoughts on Finistère
Are you looking forward to listen to this album? Share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Francis Forth - Left to Save
URL: https://blackmetalzine.com/review-francis-forth-left-to-save/
Last updated: 2025-10-08T15:17:00.000Z
*Band: Fransis Forth*
*Album: Left to Save*
*Genre: Blackened Melodic Death Metal*
*Country: Bulgaria*
*Label: Independent*
*Released: September 15, 2025*
## Introduction:
Fransis Forth is a Melodic Death/Black Metal band from Sofia, Bulgaria. Founded in 2012 by guitarist and then vocalist Ord Ost. Producing one demo “track—“Left to Save”—before going dormant until 2024\. The band was revived with a new lineup featuring Cindy Ostheart (vocals), Pavel Rekarski (keyboards), Nikolay Kalachev (drums), Meto Pavlov (bass), Veselin Shterev (guitars), and Ord Ost (lead guitar).
Track Listing:
1.Demons Will Be God's
2.By The Wind
3.Ritualistic Sympathy
4.Prophet Of The Sun
5.Left To Save
6.Radioactive Blood
7.Persephone
8.Life Went Black
## The Album:
While doing these reviews, there are very few occasions where I am met with a band or an album that far exceeded my expectations. “Left To Save” is one of those moments. From beginning to end, this album had me floored. As a debut album from an obscure band, saying it's unbelievably good feels like an understatement.
Melodic Death/Black Metal is quite possibly one of my favorite combinations of all time, and Fransis Forth executes it with such perfection and passion. It's a love letter to the genre as a whole and a masterpiece in its own right. The production is perfect, capturing the crunchy, down-tuned guitar sound that melodic death metal is synonymous with. All while boasting some incredible songwriting and musicianship. It is, undoubtedly, one of the best debut albums I've heard in a long time, and easily one of the best albums I've heard this year.
It's melodic, dark, technical, and captivating from start to finish. There isn't a dull moment to be found here. The guitar riffs are catchy and heavy in all the right ways, and Ost's solos are
melodic and tasteful without being intrusive or overbearing. Cindy's vocals are on par with some of the best in the genre. Aggressive and commanding a presence all of their own while still maintaining the perfect amount of clarity.
Fransis Forth is a band that truly understands and appreciates the genre. The passion they have for their art and the music itself really shines here. Carrying the torch that was lit so many moons ago by bands like Dawn and Gates of Ishtar into the modern era of Melodic Death/Black Metal.
This is one of those albums that you press play and by the time the last track is ending, you can't believe it's already over. It's flawless. That being said, the album's closer, “Life Went Black” is my personal favorite.
## Conclusion:
Fransis Forth's “Left To Save” is a modern masterpiece within the Melodic Death/Black genre and a serious contender for album of the year for me personally. I've had the album on repeat since the moment I started listening to it and can't get enough. This is a band that will be on my radar for future releases, and I can't wait to hear what comes next from them.
BMZ rating: 9 out of 10
## Your thoughts on Left to Save
Share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Chovu - Ufalme Wa Mali
URL: https://blackmetalzine.com/review-chovu-ufalme-wa-mali/
Last updated: 2025-10-04T15:00:00.000Z
*Band: Chovu*
*Album: Ufalme Wa Mali*
*Genre: Black Metal*
*Country: Kenya*
*Label: Independent*
*Released: August 28, 2025*
## Introduction
**Chovu** is a Shamanic Black Metal band from Nairobi, Kenya. Formed in 2019, the band takes inspiration from ancient African mythology and fuses it with the sounds of raw black metal to craft something unique. They released their debut album *What Sorcery is This?* in 2020\. After an EP; *Moran* and 3 split albums; **Chovu** is back with their follow up full Length album *Ufalme Wa Mali*.
**Tracklist:**
1. Mali
2. Mweta Hazina Ni Nani
3. Nyakati Za Dhahabu
4. Jehanamu
5. Eloi Eloi Lemasabachtani
6. Majanga
7. Ogalo
## Ufalme Wa Mali
It harkens back to the early days when Black Metal was still in it's infantile stages. Possessing the do or die determination and spirit that helped form the attitude and DIY aesthetics and sound that would become synonymous with Black Metal.
Taking their own cultural myths and healthy dose of late first wave/early second wave inspiration and fusing it with a passionate drive to carve out their own name in the halls of Black Metal, **Chovu** has continued to push forward with their art through adversity and hardship.
Lyrically *Ufalme wa Mali* is a concept album whose story is set in the Great Empire of Mali during the Timbuktu era. The tale follows a mysterious figure on a journey to safeguard precious scrolls from the historical Timbuktu library and the tribulations he faces.
Sonically the album is reminiscent of **Sarcofago**. It's raw and evil sounding, but is laced with elements and influences brought from their own culture. This is especially apparent on the track *Majanga*.
The album's production straddles the line between raw and listenable very well. The musicianship is simple but satisfying, full of grooves that keep you hooked whilst listening. The vocals and overall style of black metal here is unique unto itself and worthy of taking notice.
The black metal scene from Kenya is *tiny*, and that's probably an understatement. The fact that **Chovu** exists at all and is doing what they're doing is amazing, let alone crafting an album as cool as this and putting it forth into the world to share their art.
## Conclusion
This album isn't some sort of technical masterpiece or crown jewel of modern production. But nor does it pretend to be. **Rather it is a testament to the spirit of Black Metal itself** and the mighty shadow it has cast upon the world from its early days. Spreading to all corners of the earth and inspiring countless bands to take up their instruments and put pen to paper.
BMZ Score: 7 out of 10
**Support Chovu here:** [https://chovu5.bandcamp.com/album/ufalme-wa-mali](https://chovu5.bandcamp.com/album/ufalme-wa-mali?ref=blackmetalzine.com)
## Your thoughts on Chovu
Are you looking forward to listen to this album? Share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Outlaw - Opus Mortis
URL: https://blackmetalzine.com/review-outlaw-opus-mortis/
Last updated: 2025-10-01T03:00:00.000Z
*Band: Outlaw*
*Album: Opus Mortis*
*Genre: Black Metal*
*Country: Brazil*
*Label: AOP Records*
*Released: October 31st, 2025*
## Introduction
Brazilian black metal band **Outlaw** is back with a new record, to be released on the 31st of October this year. The band itself shouldn't need any introduction I think as this will be their forth full album, but to be honest, I first became aware of the by the time of their second album. I don't have much familiarity withth their first album *Path to Darkness*.
## Opus Mortis
**Tracklist:**
1. Blaze of Dissolution
2. Through the Infinite Darkness
3. The Crimson Rose
4. A Million Midnights
5. Those Who Breath Fire
6. A Subtle Intimation
7. Ruins of Existence
As said **Outlaw** return this Halloween with their fourth full-length, *Opus Mortis*, released via AOP Records. Following *The Fire in My Tomb* (2020) and *Reaching Beyond Assiah* (2023), this record feels like the band has stripped things down to the core and pushed forward with malignant intent.
From the opening moment, the album is a barrage. This is a brutal album, there are *some* softer short parts, with the use of some atmospheric build ups and outros of songs - but mostly it's just a relentless surge that hardly lets up. For listeners who crave that kind of nonstop assault, *Opus Mortis* delivers in spades. It’s not about subtlety here; it’s about endurance, energy, and the will to keep pressing forward.
That said, one track does carve out a distinct space: *A Subtle Intimation;* it begins with a quiet, deceptive introduction, only to tear itself open moments later. The riff itself may not be the most innovative, but the way guitars and drums combine gives the track a drive that lingers long after it ends. It's a highlight without breaking the overall onslaught.
The production deserves recognition as well. Everything sits where it should; guitars cutting cleanly, drums with weight, vocals pushed forward enough to command without overshadowing. It's clear and powerful, but not sterile; polished without losing grit. **Outlaw** have found that balance where every strike lands but the atmosphere remains intact.
While the band stay true to black metal's uncompromising fury, there's also a melodic current running through *Opus Mortis*. This doesn’t soften the album, but it does open the door wider; making it an easy recommendation not only for diehards but also for those who want their black metal ferocious yet melodic.
In short, *Opus Mortis* is Outlaw at full throttle; furious, sharp, and unrelenting, but with enough depth to keep you coming back.
## Conclusion
Well that's it for my thoughts on the album. As said it will be released on the 31st of October and it will be worth the wait. To me this is a step up from their last album and in general I can say:
**Outlaw* delivers again.*
So who would I recommend this album too? Well everyone if you are into Black Metal at least give this album and band a try. I doubt you'll be disappointed.
**BMZ Rating: 8,5 out of 10**
**Support Outlaw here:** [https://outlaw218.bandcamp.com/album/opus-mortis](https://outlaw218.bandcamp.com/album/opus-mortis?ref=blackmetalzine.com)
## Your thoughts on Opus Mortis
Are you looking forward to listen to this album? Share your opinion and thoughts on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Celestial Silence - Silent Calls From The Other Side
URL: https://blackmetalzine.com/review-celestial-silence-silent-calls-from-the-other-side/
Last updated: 2025-09-26T15:00:00.000Z
*Band: Celestial Silence*
*Album: Silent Calls From The Other Side*
*Genre: Black Metal*
*Country: Ukraine/Finland*
*Label: Forbidden Keep*
*Released: September 9, 2025*
## Introduction
**Celestial Silence** is an international black metal band. Its members, *Dodes Kor* (Drums), *Osarseph* (Guitars), and *Klemi* (Vocals) hail from both Ukraine and Finland.
## Silent Calls From The Other Side
**Tracklist:**
1. Crippled Solitude
2. Fading Time
3. Sailing In A Storm
4. Dismal Gleam
5. Knot Of Pearls
6. For Your Ruin
**Celestial Silence** fosters a captivating blend of the melodic and melancholic. Taking elements from several black metal sub-genres (DSBM, Atmospheric, and Melodic) and infusing it with post-black influences.
Opening with *Crippled Solitude* , a beautiful instrumental track, the album progresses into layers of droning, mournful riffs with F*ading Time*. Building atmospheres like snowdrifts behind the shrill, almost wailed vocals.
Offering small reprieves and subtle nuances within the despair, the band layers melodic acoustic passages, string sections and clean vocals.
*Silent Calls From the Other Side* is haunting and even beautiful at times. Its lyrics are gripping, poetic and full of melancholy. That being said, the album is short and offers little to no variation within it's formula. The middle section of the track *Dismal Gleam* being the most stand out moment for me on the album.
It's a cohesive listen and has some subtle moments that shine. Hoping with future releases to hear some more variation though. The opening instrumental track was quite well done and it would be awesome to hear some more of that melodic influence within the songs themselves.
## Conclusion
Depressive and cold. With an atmosphere as bleak as the dead of winter. As a debut album it's promising. It has some interesting concepts, and cool riffs. The album is more akin to DSBM than any of its other influences, fans of the genre will surely enjoy it.
**BMZ Rating: 5,5 out of 10**
**Support Celestial Silence here:** [https://celestialsilence.bandcamp.com/album/silent-calls-from-the-other-side](https://celestialsilence.bandcamp.com/album/silent-calls-from-the-other-side?ref=blackmetalzine.com)
## Your thoughts on Celestial Silence
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: All Stars Are Dead - Solace In Surrender
URL: https://blackmetalzine.com/review-all-stars-are-dead-solace-in-surrender/
Last updated: 2025-09-24T15:00:00.000Z
*Band: Review: All Stars Are Dead*
*Album: Solace in Surrender*
*Genre: Post Black Metal*
*Country: Germany*
*Label: Independent*
*Released: August 11th, 2025*
## Introduction
**All Stars Are Dead** is a post black metal band that started out just last year in Nürenberg, Germany. Their style and themes vary a bit from song to song as their guitar player is a big fan of classical music and tries to incorporate that into their compositions as evident in songs like *The Waves* or *Sunrise*. The lyrics cover a whole spectrum of themes ranging from depression to animal cruelty as well as sci-fi. On a side note, Chris the guitar player also plays for **Totenlegion**.
## Solace in Surrender
**Tracklist:**
1. Intro
2. The Waves
3. Sunrise
4. Promise
5. Tyrant
6. Alpha Centauri
7. Gone
The intro to *The Waves* starts with a nice neo classical guitar riff, however production wise it would benefit from more boost in the mid range as the highs from the lead guitar and a very damp sounding drum beat is everything that is audible for the first 30 seconds; it feels like something is missing. After this the rest of the band joins the proceedings and along with the vocals their soundscape comes to life. Overall it is a well structured and interesting song.
*Sunrise* is a fantastic song. The intro is one of the most beautifull ones I've heard in a long time. With a running time of nearly nine minutes it's a song that brings a few suprises for the listener; **to me this song is a prime example of post Black Metal.**
On *Promise* a seasoned post BM listener should able to detect the influence for some the All Stars...favourite bands as the riffing style to me is very **Groza**'esque with a bit of **Karg** or **Harakiri for the Sky** cleans mixed in; so far so good. Their music definetly changes as it goes along and offers a great mix of variations.
## Conclusion
Overall a very good debut record from such a young band. The melodic style of the guitars definetly fits the genre and the vocals are outstanding. However there are some production issues that I cant deny annoys me a bit. First of all it's too compressed for my liking which pushes the drums too far back and the issue from the first song appears every now and then throughout the whole album. This is not a total dealbreaker so all in all; **a great debut from a band that shows a lot of promise and I'm sure we will hear a lot more from going forward.**
**BMZ Rating: 7 out of 10**
**Support All Stars Are Dead here:** [https://allstarsaredead.bandcamp.com/](https://allstarsaredead.bandcamp.com/?ref=blackmetalzine.com)
## Your thoughts on All Stars Are Dead
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Der Weg Einer Freiheit – INNERN
URL: https://blackmetalzine.com/review-der-weg-einer-freiheit-innern/
Last updated: 2026-07-15T17:37:56.000Z
**Band:** Der Weg Einer Freiheit
**Album:** Innern
**Genre:** Post Black Metal
**Country:** Germany
**Label:** Season of Mist
**Released:** September 2025
## Introduction
German Post black metal juggernauts **Der Weg Einer Freiheit** dive further into the recesses of the soul on their 6th release Innern.
## Innern
**Tracklist:**
1. Marter
2. Xibalba
3. Eos
4. Fragment
5. Finisterre III
6. Forlorn
## Rumination
At this point I’m sure **Der Weg...** probably doesn’t need much introduction to regular BMZ readers. The German quarter has been consistently releasing sick release after sick release since 2009\. Throughout each release you can tell these dudes have been sharpening the blade so to speak in terms of what they want to say and how they want to sound, this release is no exception and develops on from the more post punk vibe of their 2021 effort ***Noktvrn.***
Everything you’d hope for in terms of a **Der Weg Einer Freiheit** record is on display here. Amazing atmospheres, unparalleled riffs, incredible vocals. The band also once again showcases their penchant towards cleaner, more pensive sounds.
As a personal aside, with the exception of *Bergtatt*, I have never really liked clean vocals in any form of metal whatsoever (in particular black metal). I can’t say I really fuck with the clean vocals here either but honestly I get it. When you examine what these songs are about and how **Der Wegs..** writing has matured over the years I fully understand how just shrieking all the time can feel like you’re stuck in black metal trope jail and aren’t actually able to say what you want to say as a person.
**Much respect to them carving their own path and saying fuck off to anyone who has a problem with it.**
## Conclusion
In the same way that a band like **Downfall of Gaia** has shit I dont like about them (whilst simultaneously being one of my favourite modern bands) **Der Weg Einer Freiheit** is definitely the same.
Not everything about this record was for me, but when it’s good I shit you not, they outrank a lot of modern bands, the opening three tracks in particular on this one are stellar.
**BMZ Rating: 7.5 out of 10**
**Support Der Weg Einer Freiheit here:** [https://derwegeinerfreiheitsom.bandcamp.com/album/innern](https://derwegeinerfreiheitsom.bandcamp.com/album/innern?ref=blackmetalzine.com)
## Your thoughts on Der Weg Einer Freiheit
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Festival Review: Rockwave 2025
URL: https://blackmetalzine.com/festival-review-rockwave-2025/
Last updated: 2025-11-30T09:57:49.000Z
*Full gallery at the end of the article.*
## A Greek Extravaganza
It was the first time I attended this festival and it was unmissable since it was so close to
Thessaloniki. The second day of Rockwave had a very special lineup. My biggest anticipation was
to see the first band that would play, **Hail Spirit Noir**, one of the few widely traveled Greek
bands I had heard so much about in the past, but had never had the chance to see, even though
we live in the same city.
So I arrived at this field, which was also the venue, in the middle of nowhere.
The first thing I noticed, regardless of what was said about the space, was that it had a
wonderful large stage, with amazing lights and sound, which stood in stark contrast with the
surroundings you could see around you. (A big field)
Under the blazing sun, **Hail Spirit Noir** come out. They are a mix of progressive, psychedelic black
metal. To someone unfamiliar with them, they might have been grouped alongside **DHG**. A
unique band, made up of excellent musicians, seasoned by the many miles they’ve traveled.
They knew exactly how to play the game.
I ended up watching almost the entire show, because as mentioned, I had wanted to see them
for many years.
Shortly before the end, I left to find *Alan Averill*, just before he went on stage with **Primordial**. I really wanted to capture some shots of him with his awesome presence - hood, gallows, corpse paint.
We took some quick shots and he immediately went up on stage.
I love **Primordial**. I love them because on stage they are just as good as they are on record, but
live they are simply unbeatable. *Alan* and his band give so much energy up there that even if you
are not into this kind of music, you’re left stunned. *Alan Averill* takes you on a journey
throughout the whole set - there’s no way you won’t feel like he’s singing right in front of your
face. There’s something very unique about this artist, this whole thing with the eye contact that
anyone can feel, no matter where they stand during a Primordial show.
**Every time someone sees them, it’s a 10/10.**
Two more bands remained, and the crowd was getting ready for circle pits. People wanted the
pushing and shoving; it’s Greece after all. Next up were **Sacred Reich**. A band that needs no
introduction or description. They came up pumped, and from the moment they got on until they
finished, the crowd was just making circles, relentless moshing. Thrash till death. They even
played **Motörhead**; no comments needed. **Incredible.**
And now we get to the highlight: **Rotting Chris**t on Greek soil.
But the weather started turning bad very suddenly. *Sakis* was very concerned about lightning
striking this place, which I remind you was forgotten by human eyes. The tallest structure
around was none other than the stage itself.
Just before they went on, we took some behind-the-scenes shots with them too.
**Rotting Christ** begin, first song, second song; and then rain, and then heavy rain.
The band’s concern was evident. *Sakis* suddenly tells the crowd that never in the band’s 35 years
had one of their shows been interrupted, and he urged the crowd to wait for a while for the rain
to stop so the concert could continue. The venue was emptying, but nobody really left. Everyone
was just looking for a place to cover themselves. Some die-hards would not leave the front row
for any reason. At this point, *Sakis* goes into the photo pit and shakes hands to thank one by one
the fans who stayed despite the downpour.
Time passed and the rain wouldn’t stop. After quite a while, the rain began to ease up and *Alan*
*Averill* was encouraging **Rotting Christ** to get back on stage.
I should note that while in central Europe rain at an open-air festival is expected and there are
infrastructures in place, in Greece it’s not like that. Everything is exposed, especially the
electrical equipment. That’s why it was a big safety issue. Nevertheless, although the show had
started with visuals, lights, etc., it ended up being just music, two spotlights, and Hellenic Black
Metal at its finest.
Soaked, the crowd kept moshing. Crowdsurfing, too. It was one of the most special times I’ve
seen Rotting Christ on stage. The weather ruined the vibe a little, but so be it.
**That was Rockwave, with a tribute to black metal somewhere in northern Greece.**
## Your concert plans
We’d love to hear your plans for the back end of the year! Tell us through our social media channels, or join our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Pagan Ulver - Obsidian Flame of Thy Offering
URL: https://blackmetalzine.com/review-pagan-ulver-obsidian-flame-of-thy-offering/
Last updated: 2025-09-12T09:25:42.000Z
*Band: Pagan Ulver*
*Album: Obsidian Flame of Thy Offering*
*Genre: Melodic Black Metal*
*Country: Morocco*
*Label: Independent*
*Released: August 29, 2025*
## Introduction
**Pagan Ulver** is an up-and-coming Melodic Black Metal band from Morocco, North Africa. Composed of members Fenrisulfr (Vocals), Raven Samael (Guitars/Vocals), Seth (Guitars), Sin (Bass), Turab (Keyboards), and Ash (Drums). The band have recently unleashed their debut album **Obsidian Flame of Thy Offering** upon the masses.
## Obsidian Flame of Thy Offering
**Tracklist:**
1. Ascension
2. Ravenous Flock
3. Chaos Unfolds
4. Diabolical Eclipse of Sacrifice
5. Coven of the Broken
6. The Crimson Veil
There is something about Symphonic/Melodic Black Metal that I absolutely love. It takes me back to my teenage years when I didn't have shit else to do but listen to music and all those discoveries I made back then and the bands that have stuck with me. Fast forward 20 plus years and here I am still finding those hidden gems, constantly seeking out that next band or album.
**Occasionally striking gold like Obsidian Flame of Thy Offering.**
This absolutely does not sound like a debut album at all. The song writing, lyrics, production and musicianship is insanely well done. Even the album artwork and logo are awesome. I'd expect this level of craft from a band far more established than this.
Every track on **Obsidian Flame** is flawless. The album flows beautifully throughout each of its 6 tracks and offers a very cohesive listen. Masterfully blending symphonic, melodic, and atmospheric elements with acoustic melodies, and theatrical spoken word passages to create something unique and interesting.
The guitar work here was especially captivating to me. Riffs upon glorious riffs that had me hooked. It has it all, beautiful cleans, soaring solos, melodic tremolo-picked passages, and chunky, chug laden groove.
*Ravenous Flock* is probably my favorite track off the album, simply because it had me hooked from the first riff and set my expectations. That being said every track here is incredible and the album as a whole is well worth the listen.
To put it simply; **Obsidian Flame of Thy Offering** boasts some of the absolute finest modern black metal I've heard this year. I have high hopes for this band and future releases from them.
## Conclusion
Consisting of just 6 tracks and clocking in at 36 minutes of run time the album is short, sweet and to the point. That being said, it's one hell of a listen. Melodic riffs, guitar solos, killer lyrics, symphonic keyboards, and snarling vocals, it has everything one could ask for from a debut album.
**I highly recommend giving this one a spin.**
**BMZ Rating: 9 out of 10**
**Support Pagan Ulver here:** [https://paganulver.bandcamp.com/](https://paganulver.bandcamp.com/?ref=blackmetalzine.com)
##
Your thoughts on Pagan Ulver
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Interview: Pestilential Shadows
URL: https://blackmetalzine.com/interview-pestilential-shadows/
Last updated: 2026-07-15T18:29:56.000Z
*Latest album: Wretch*
*Released: September 5th*
*Genre: Black Metal*
*Country: Australia*
*Label: Northern Silence Productions*
**Hey mates thanks heaps for joining me today, how are things going?**
Terrible. But I like to focus on the negative aspects of the world and people in it so I suppose the world would be in a growing negative spin; which in my eyes, is a good thing.
**How did Pestilential Shadows start back in the day?**
In 2002, *Azgorh* (Who used the name *Meririm* in **PS**) from D**rowning the Light**, and myself wanted to create music that carried a message of hatred for humanity, and a wish for plague and destruction of the human race. We had separately been working on music and realised we had similar ideas in music and lyrics, so we decided to form **Pestilential Shadows** to convey those thoughts and convictions.
**How has Pestilential Shadows changed since you guys started back then?**
The message and themes have always stayed the same. *Azgorh* left to focus on **Drowning the Light** so I focused on **PS**. It hasn’t changed much, people have lumped us in with **DSBM** in the past but the aim was to never be depressive, that’s just how I’ve always written my songs, with a varying of sombre melancholy with evil infused.
**What can fans expect from your new release in terms of sound/vibe?**
We have delved deeper into melancholy, especially with the lyrics, and a more concentrated push into unsettling but melodic ambience. It still has rawness but everything is clear with atmosphere, whilst still brimming with Satanic aggression.
**How do you guys balance staying authentic to the genre while pushing your creative boundaries with each new album?**
We just didn’t want to copy anyone else. You hear a lot of it these days, bands just trying to sound like **Burzum**, **Emperor** or **Mayhem** but I have a certain writing style that I think is different to most bands out there. It’s always a good thing to seperate yourself from the vast amounts of bands releasing music these days.
**Whats your take on the landscape of Australian black metal in 2025 and how do you think it plugs into the rest of the world nowadays?**
We are (Australian Black Metal) quite seperated from the world, especially Northern Europe where Black Metal is everywhere. It makes it quite hard to venture over there unless you pay your own way. And from the opposite side of the world it makes it very hard to be seen. Most bands here are very underground so most Europeans don’t even know they exist. I think that also gives Australian Black Metal a kind of special grit; They still do it knowing that it will more than likely stay underground. There are some exceptional bands here (and in NZ) and proud to be a part of that scene.
**What's going on with Ordo Ater Anguis nowadays? Does any of that stuff still exist anymore or impact what you guys do? Or are you guys all just largely doing your own thing nowadays**
Mostly doing our own thing. We still all talk and share occult knowledge and help each other with musical endeavours.
**How have your guys' shows been the past 12 months? Last time I caught you guys was the Ulcerate show in St.Kilda.**
We have done a few choice shows, the last one supporting **Spectral Wound** in Sydney. With the new lineup we have been able to play more, the band now being a more cohesive unit.
**What are your guys plans after the new album drops? Do you have much touring planned?**
So the album (was) released on the 5th of September and we have planned an Australian/NZ tour in October through Sydney, Wellington, Auckland, Melbourne, Adelaide and Brisbane. We will also be heading to Europe mid 2026.
**Thanks heaps for your time today guys, as a last question, have you guys been listening to anything cool lately you want to recommend?**
New albums by **Warmoon Lord**, **Horna**, **Teitanblood**, **Whoredom Rife**, **Cantique Lepreux**, **Horn**, Manbryne. Also quite a few Australian bands about to release new material - **Ardere**, **Hebephrenique**, **Graveir,** **Malignant Aura** and more.
**Purchase tickets for the Australia/New Zealand tour here:**
[https://linktr.ee/Pestilentialshadows?utm\_source=linktree\_profile\_share<sid=10670264-98d4-422c-8d95-eb77f4b4a239](https://linktr.ee/Pestilentialshadows?utm%5Fsource=linktree%5Fprofile%5Fshare
**Instagram:**
[https://www.instagram.com/slagmaur\_official/](https://www.instagram.com/slagmaur%5Fofficial/?ref=blackmetalzine.com)
**Metal Archives:**
[https://www.metal-archives.com/bands/Slagmaur/73422](https://www.metal-archives.com/bands/Slagmaur/73422?ref=blackmetalzine.com)
*All photos: General Gribbsphiiser/Slagmaur and live photos by Vetle Aksdal/Black Metal Zine*
## Your expectation for new Slagmaur
We love to hear your opinion about this album. You can do so by becoming a member and comment on this post.
[Signup ](#/portal/signup/)
We’d love to hear your expectations on this coming album! You can share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Aedelgard - Natteglimt
URL: https://blackmetalzine.com/review-aedelgard-natteglimt/
Last updated: 2025-08-14T15:00:00.000Z
*Band: Aedelgard*
*EP: Natteglimt*
*Genre: Atmospheric Black Metal*
*Country: Russia/United States*
*Label: Independent*
*Released: September 17, 2024*
## Introduction
**Aedelgard** is an Atmospheric Black Metal band consisting of the duo Vitharrand Hraefn. Vitharr, a multi-instrumentalist hailing from Russia, and Hraefn handling all vocals and lyrics on the album hails from the United States. The duo formed sometime around 2024 and released their first full length later that same year.
Bands like **Aedelgard** are the reason I love writing these reviews. For me it's a way of exploring the seemingly fathomless depths of new releases/artists and finding the hidden treasures within the deluge. Shedding some light upon these bands that I otherwise may have never discovered. Sure I could write about the bands that I love and have held dear to my blackened heart all these years but I feel somehow I'd be missing out.
## Natteglimt
**Tracklist:**
1. I
2. II (Eternal Moon)
3. Sielunkoti (Kalmankantaja cover)
4. IV
5. Through the Black Spirits
6. V
7. Alt eller døden
This album is yet again proof to myself that not digging deeper for music like this would indeed be an injustice. There are no gimmicks here. No frills or vain showmanship. This is pure Atmospheric Black Metal. It's simple and effective to its core. For a debut album it's a very strong release. Boasting well crafted musicianship, and shrill vocals. All together the overall vibe given feels cold and detached, like being lost in a frost covered forest.
The tracks for the most part are short, the longest being just over 6 minutes, but everything feels complete and is structured nicely so that the album feels like a whole. The production is raw with a slightly more modern take on the classic black metal sound. But it's very befitting of the album itself. The guitars are melodic and aggressive in all the right places maintaining a clarity without being washed out in the mix. The vocals are incredibly well done and sit nicely in the mix.
The instrumental tracks *Through the Black Spirits* and *Alt Eller Døden* are amongst my favorites as well as the Kalmankantaja cover. The cover is incredibly well done.
*Natteglimt*’s album artwork is noteworthy as well as it's a painting by the esteemed Norwegian artist **Theodor Kittelsen** whose paintings have graced dozens of black metal albums over the years.
## Conclusion
A very solid debut album. Fans of **Burzum**, **Grima**, and **Kalmankantaja** are sure to enjoy **Aedelgard**. I sincerely hope this duo continues to push in this same direction with future releases. It's sincere, raw, and atmospheric in all the best ways.
**BMZ Rating: 8 out of 10**
**Support Aedelgard here:** [https://aedelgard.bandcamp.com/album/natteglimt](https://aedelgard.bandcamp.com/album/natteglimt?ref=blackmetalzine.com)
## Your thoughts on Aedelgard
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Dizziness - Abhorrent Flickering Of Obscurity
URL: https://blackmetalzine.com/review-dizziness-abhorrent-flickering-of-obscurity/
Last updated: 2025-08-12T15:00:00.000Z
*Band: Dizziness*
*Album: Abhorrent Flickering Of Obscurity*
*Genre: Black Metal*
*Country: Greece*
*Label: self released*
*Released: November 2024*
## Introduction
Greek Black Metallers **Dizziness** return for their latest mind bending excursion in terror.
## Abhorrent Flickering Of Obscurity
**Tracklist:**
1. Smoulder Dun
2. Into Nullity
3. O Vrachos
4. Shrunk
5. A Limping Pilgrim
6. Sound of Insight
## Rumination
So to the savvy music website reader you might be saying “okay this is a 9 month old album and it was self released, this is definitely shillposting/sponsored content”. But alas no this whole music thing remains deeply unprofitable for all involved.
However when a release comes across our desk that’s really fucking good, I’ll happily step up and talk about it. As is the case with this latest release from long running Greek Black Metallers **Dizziness.**
Spanning 34 minutes this release just fucking rips. Deeply vicious from start to finish, the sparse moments of pensiveness and levity are sparsely used (and when they are they sound fucking fantastic).
This album just ticks every box I have though. The riffs are sick, the vocals are sick, its relentless, its fresh sounding and its just deeply earnest. If you were a fan of the most recent **Barshasketh** album you 100 percent need to listen to this (I honestly think this album does a better job of that same idea).
## Conclusion
This album came out of nowhere for me and turned out to be a deeply vicious and incredibly well put together release.
If anything has come from this it's taught me that I need to start giving more time to Greek black metal bands (other than the obvious ones), I suggest all of our readers do the same.
**BMZ Rating: 8,5 out of 10**
**Support Dizziness here:** [https://dizziness.bandcamp.com/album/abhorrent-flickering-of-obscurity-2024](https://dizziness.bandcamp.com/album/abhorrent-flickering-of-obscurity-2024?ref=blackmetalzine.com)
## Your thoughts on Dizziness
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Gaahl's Wyrd - Braiding the Stories
URL: https://blackmetalzine.com/review-gaahls-wyrd-braiding-the-stories/
Last updated: 2026-07-15T18:29:57.000Z
*Band: Gaahl's Wyrd*
*Album: Braiding the Stories*
*Genre: Black Metal/Blackened Rock*
*Country: Norway*
*Label: Season of Mist*
*Released: June 6th 2025*
## Introduction
**Gaahl's Wyrd** returned with their second album after four years of silence, and as you can imagine the release was well anticipated in our BMZ Camp. After the latest **Trelldom** album turned heads in quite a few directions, especially for me, I was grinding my teeth thinking about how this record will sound after the announcement. So poor yourself a glass of fine wine and let's just jump right into it, shall we?
## Braiding the Stories
**Tracklist:**
1. The Dream
2. Braiding the Stories
3. Voices in My Head
4. Time and Timeless Timeline
5. And the Now
6. Through the Veil
7. Visions and Time
8. Root the Will
9. Flowing Starlight
This time I will not walk you through the songs but do it in a way that i just write down what comes to my mind while listening to the record.
First of all the intro track the dream already lays the emotional groundwork of what i expected of this concept album, melodic, dark, mellow and suprisingly clean vocals that take your mind on a journey.
Continuing this journey with the title track you descent more and more in this mellow haunting somewhat rainy feeling like certain post rock bands like **If These Trees Could Tal**k or **We Lost the Sea**. I personally interpret the vibe the music and Gaahls vocals give off as the spirit of old town Bergen on one of the 240 rainy days, heavy dark atmosphere with that special warm feeling of overlooking everything of it from the distant comfort of your living room next to a wooden stove.
Gaahl's Wyrd
*Voices In My Head* is feeling exactly like the title. As the album transforms into *Time and Timeless Timeline* the mysterious thunderstorm over my Bergen transforms into a powerfull tornado with the increased heaviness in the drums and guitars and the high pitched vocals feeling like a civil alarm siren. After the storm settles there is still this eerieness in the air that lingers around for a bit where you don't know if the storm comes back and that feeling is exactly whats captured in *And The Now*. A feeling of uncertainty, uncannyness and lack of emotional direction drifting through the sounds of the song.
The whole album captures this fantastic feeling of dissonance, drifting through space and time.
## Conclusion
If you are open to enjoy going in new directions with your long time heros, check this album out. Get seated in a comfortable chair open yourself some wine and close your eyes. I now its been nearly 2 months since it was released but I needed that time to fully capture the spirit this record encompasses. Personal rating: a solid 8 out of 10 that I will spin a lot more this coming autumn.
**BMZ Rating: 8 out of 10**
## Your thoughts on Gaahl's Wyrd
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Festival Review: Sick Midsummer 2025
URL: https://blackmetalzine.com/festival-review-sick-midsummer-2025/
Last updated: 2025-11-30T10:07:38.000Z
## Intimate, Intense, and Unmistakably Unique
Set in the rolling hills of Upper Austria, the Sick Midsummer Festival returned in 2025 to its now-iconic location: a rustic Vierkanthof farmhouse, steeped in atmosphere and perfectly suited for an underground metal gathering. With its intimate scale and sharp musical focus, Sick Midsummer once again proved why it's a cherished staple in the European extreme music calendar. The festival grounds are compact and well-organized – from parking to camping to the main stage, everything is just a short walk away. Despite being sold out, the site never felt overcrowded. The crowd was respectful, laid-back, and genuinely passionate about the music.
## This year’s line-up delivered on all fronts
**Bølzer** (CH) impressed with their signature sonic weight.
**Dead Congregation** (GR) tore through their set with unrelenting force.
**Wolvennest** (BEL) created a haunting, immersive atmosphere that stood out as one of the festival’s true highlights. Other strong performances came from **Hell Militia** (FRA), **Fleshcrawl** (DE), **Hierophant** (ITA), **Antikvlt** (AT/SWE), and **Draugr** (AT).
**Hell Militia**
Beyond the music, Sick Midsummer stood out for its thoughtful details: homemade, regional food instead of generic fast food, smooth logistics, and a setting that felt more like a communal ritual than a commercial event.
## Verdict
**Sick Midsummer may be small in size, but it's rich in character.** With its focus on quality over quantity, a distinctive venue, and a loyal, music-loving audience, this festival continues to offer one of the most authentic experiences in the underground metal scene. A must for those seeking intensity without excess.
\[robo-gallery id="19065"\]
## Your concert plans
We’d love to hear your plans for the festival season! Tell us through our social media channels, or join our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Gyves - My Death Sentiment
URL: https://blackmetalzine.com/review-gyves-my-death-sentiment/
Last updated: 2025-08-07T14:07:32.000Z
*Band: Gyves*
*Album: My Death Sentiment*
*Genre: Melodic/Atmospheric Black Metal*
*Country: Sweden*
*Label: Independent*
*Released: August 7, 2025*
## Introduction
**Gyves** is an atmospheric black metal project hailing from Åtvidaberg, Sweden. Conceived in 2023 by multi-instrumentalist and sole member Loke, **Gyves** is set to release its debut full-length album upon the black metal legions.
## My Death Sentiment
**Tracklist:**
1. Intro: The Path Finally Appears
2. The Forest Where Ancient Souls Whisper
3. At Dawn I Now Wander
4. The Night Over Desolated Ruins
5. The Primordial Sage of Death
6. Ominous Portal in the Redskyed Forest
7. A Wizards Dreams and Wisdom
8. My Death Sentiment
9. Our Last Journey Begins with the Key in My Hand
The album opens with the aptly titled track, *The Path Finally Appears*, a beautifully written piano piece that sets the stage for the proceedings. It's an impressive composition and showcases Loke's songwriting abilities.
Beguiling the intro, the tracks to follow, while melodic, are also aggressive and heavy. Weaving layers of catchy tremolo picked riffs and growled vocals into a tapestry of well crafted atmospheres.
*My Death Sentiment* boasts an impressive amount of variety within the songs themselves, all the while maintaining a cohesive structure to the album itself as a whole. Layering passages of acoustic guitar, piano and even some spoken word amidst the melodic guitar riffs that Sweden is so well known for in its metal.
There are moments such as the ending of *At Dawn I Now Wander* that almost have a dungeon synth feel to it. But all the while never losing sight of the fact that at its core this is atmospheric black metal at its finest.
*Ominous Portal in the Redskyed Forest*, quite possibly my favorite track on the album, opens with another beautiful piano piece that flourishes into an exquisite instrumental.
Throughout the album, it's quite clear that Loke is an accomplished pianist. As well as being an apt musician with an ear for melodies. The piano however I think really shines throughout the album. However subtle it may sometimes be, it brings a level of maturity, elegance and depth to the songs that leaves one craving more.
## Conclusion
The album bares heart and ambition. It's an undertaking of love and passion for the genre itself. Crafted with the utmost care. A melodic, riff-laden, love letter to black metal. The album's nine compositions are extremely well written. Not something one would expect from a debut album, and I am looking forward to hearing future releases. Fans of **Dimmu Borgir** and **Emperor** will find themselves at home here as well as anyone that appreciates Sweden's knack for melodic metal.
**BMZ Rating: 8 out of 10**
**Support Gyves here:** [https://gyvesband.bandcamp.com/album/my-death-sentiment](https://gyvesband.bandcamp.com/album/my-death-sentiment?ref=blackmetalzine.com)
## Your thoughts on Gyves
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Festival Review: Hole in the Sun
URL: https://blackmetalzine.com/festival-review-hole-in-the-sun/
Last updated: 2026-07-15T18:29:58.000Z
## Surviving the Sun at Hole in the Sun: A Metalhead's Guide to German Festival Adventures
When deciding which summer festival to claim my hard-earned euros for, Hole in the Sun lured me in with an impressive selection of bands, mostly reading like my personal playlist. As someone whose previous German adventures could fit on apostcard, I snatched my ticket faster than you can shout “Transylvanian Hunger”! Getting There: A Quest Worthy of Tolkien. I won't bore you with the full journey from Asturias to Marburg, but here's a hint: I had at least 30-minute transfer between trains, and somehow managed to use every single minute. And here I thought Spanish railways weren't punctual – how wrong I was!
That said, the bus stop turned out to be a highlight: shoutout to my new friends Ezgi and Dennis, whose metal spirit and good humour made the journey memorable! Sometimes the best discoveries aren't on stage!
Finding the venue involved a 15-minute walk from Rauschenberg Markt and a hilarious battle between Google Maps and the organizers' signs, which pointed in completely opposite directions. Perhaps it was meant for cars, but clearer signage wouldn't hurt—we're metalheads, not orienteering champions. Pro tip: trust Google Maps and follow the left-hand path.
## The Grounds: Surprisingly Civilized
Entrance was relaxed, with a welcoming vibe—no intrusive security, more of a “we trust you, don’t make us regret it” energy. Security guys were relaxed and professional, and despite the diverse crowd, I witnessed zero incidents.
Once inside, the organization was solid: two bars (€4 beers, €6 cocktails), covered seating areas, essential when the sun decides to cosplay as nuclear blast from Terminator 2 (and I say that as someone who once survived ten Spanish summers), and a food truck serving quality grub at prices that didn't require selling a kidney. Four portable toilets provided much-needed assistance to all those seeking relief,
and usually, there was no line.
## Thursday 26.06: The Warm-Up
I decided to skip the natural wine tasting by Wyrd Wines —that's ten beers in my currency!
**Werwolf:** German black metal band, not too known, but that’s not a bad thing at all! A good show, strong 90s black metal vibe and imagery. Solid musicianship, though their stage presence needed more venom—less standing, more commanding!
**Tsatthoggva:** They returned with their classic lineup, plenty of intense energy, and just enough S&M flair to keep things interesting. These sadistic maestros transformed from their earlier mediocrity into a whirlwind of leather, chains, and sonic punishment. The band brought the crowd to life with an intense, theatrically sadomasochistic set.
**Dikasterion**: This Belgian band laid down hard rock and punk inspired black metal; not my usual jam, but the beer table offered perfect acoustics for their set.
**Bloody Vengeance**: A German band from Leipzig, which includes one of the live Blasphemy members. They delivered raw, unhinged carnage, unleashed chaos and raw aggression that sent the pit into overdrive. Too chaotic for my tastes, but their crowd was absolutely possessed.
The last show ended at about midnight. The night weather was quite chilly, so I was glad the team lit a fire at the end of the show, which created a warm and friendly ambience, as well as allowed us to warm up a bit, while waiting for the bus back to Marburg.
## Friday 27.06: The Fiery Core
**Nekus**: A local band from Marburg opened strongly with their devastating blend of death and doom metal, featuring crushing riffs reminiscent of Rattenfanger and Abyssal. Their harsh screams and deep growls created an impressive atmosphere.
**Ch'ahom**: Another German band that, personally, reminded me of Tzompantli from USA, but more blackened and with more ambient elements of ancient pre-Hispanic rituals, with flavourfully ritualistic passages of percussion and flutes. Guttural howls, relentless percussion, and grimy, buzz saw guitars that war/bestial black metal is known for. Though I missed their live performance, friends raved about their show.
**Heinous**: Belgian brutality incarnate, led by the former **Enthroned** frontman Sabathan, that I expected to see live. Loved their aggressive and raw style. The most remarkable aspect to the band's sound, however, are the roaring, almost psychotic vocals. The band leads the listener into a black metal banger that combines **Dissection** riffing with **Dark Funeral** speed. Raw, intense, brilliant.
**Coldborn**: Technical proficiency trapped in an emotional void. They left me underwhelmed despite technically solid music. While their 90's black metal approach was competent, it felt emotionally sterile and lacking in presentation.
**Pale Spektre**: Festival discovery alert! Their dark, ritualistic black-death chaos felt like being trapped inside an occult ceremony. Absolutely mesmerizing—hunt down their Bandcamp immediately. You might also check YouTube for their performance.
**Vortex of the End**: I saw them before a few times, like at the A Thousand Lost Civilizations in Brussels in 2019\. Veterans who've shed their industrial chains-and- brutalism aesthetic but kept the intensity. Their blend of old and new material created sonic earthquakes that had the crowd in raptures.
**Goat Torment**: *The highlight*. Again, I saw them before at ATLC in Brussels, and I have been a huge fan since then. These Belgian demons don't just play black metal; they conduct satanic warfare, Every song felt like marching into battle under Satan's own banner. The crowd's energy was nuclear, and YouTube footage confirms this was legendary. Essential viewing.
**Kringa**: A sophisticated Austrian black metal with their vocalist's diverse emotional range. They brought avant-garde flavours, furious vocals, and an aura of black metal theatre. Not my absolute favorite, but high quality nonetheless. Their show is available on YouTube.
**Fides Inversa**: The band delivered an intense solidity and massiveness of the black metal attack. Wraath is a goddamn prophet of darkness who knows how to communicate with the audience. The crowd's energy was nuclear. You can watch their show on YouTube as well.
**Whoredom Rife**: My all-time favorite Nidrosian Black Metal band since their inception. Their music style is rich and dense, there’s a sense of epicism; it’s tight, raw, and merciless. The gig playlist was excellent and included many of my favorite tracks, like *From Nameless Pagan Graves* and *Summoning the Ravens*. The last one was *Under A Funeral Moon* by **Darkthrone** if my memory serves me. I do like their shows, though, sometimes the band members can be hyperactive on stage. Kudos to Krell and other band members for maintaining close contact with the audience!
## Saturday 28.06: The Grand Finale
As I mentioned earlier, I didn’t check the bus schedule and missed the first two bands (**Wrang** and **Hexekration Rites**) on Saturday, although I was truly interested in seeing **Hexekration Rites**. What a bummer!
However, according to my friends, due to the immense heat, it was only possible to be in front of the stage where it cast a shadow. Note to self and organizers: consider starting later, as the blazing sun and early hour made it tough for everyone.
**Deathless Void**: Another discovery of this festival. A Dutch atmospheric black death, which reminded me of **Akhlys** and **Parfaxitas** at some point, was truly impressive both musically and in terms of performance. Do not miss their latest album *The Voluptuous Fire Of Sin*’ it’s truly worth listening!
**Hagizza**: This Austrian band has horrifyingly disturbing, crushingly heavy and filled with chaotic rhythms. Not my music — I don’t find their vocal exercises attractive (like the mix of the cleaner chanting and the screeching and other weird noises), but many visitors were happy to see them.
**Balmog**: The only Spanish band on the fest from Galicia, who replaced the Mephorash (they dropped out of the lineup due to their drummer's departure). I’ve already seen them in Spanish gigs, like Necesse Mori in 2022\. They have a pretty individual way in terms of their musical approach; an explosive and dark, and harsh. I’m not even angry at their drummer, who launched the stick at my head with deadly
precision.
**Venefixion**: French death metallers Venefixion unleashed a furious, high-energy performance, blending the raw aggression of Celtic Frost, Morbid Angel, and Autopsy into their own brand of blackened death metal. Their set was pure sonic hellfire. Check out the YouTube for their show.
**Baxaxaxa**: I saw this legendary underground Bavarian band in Barcelona recently, so I was well aware of what to expect: a raw satanic black metal in the early 90s vein with traditional black metal riffing and drumming. Despite their fun to a Slavic eye name (we write laughter in the same way), their performance was pretty strong.
**Purgatory**: They know how to make some awesome death metal. I head banged to them so much that at some point, I realized that I needed to stroll in the fields around the venue to refresh my head and admire the beautiful sunset view.
**Lvcifyre**: Another band I was eager to catch live. Hailing from the UK, they deliver brutal, unrelenting blackened death metal that echoes the weight of Immolation, yet their sound feels like a volatile fusion of **Morbid Angel** and **Deathspell Omega**. Dissonant guitars and an oppressive, suffocating atmosphere made for a truly intense black-death experience. I truly enjoyed their set.
**Archgoat**: Finnish legends doing what they do best. Yes, the setlist rarely changes, but when you've perfected the formula for sonic blasphemy, why mess with it? The crowd support was immense, and their show was predictably good. If you've seen **Archgoat** live once, you know what to expect.
## The Aftermath
I loved chilling by the campfire after each festival day — perfect ending to the madness. What I didn’t love was turning into a sleepy scarecrow while waiting two hours for the bus. After sweating through the day like a roast chicken, an earlier ride back would’ve been a dream. Maybe an extra bus for those of us who hit our limit before 02:00?
**Why This Gem Didn't Sell Out:**
Despite the incredible line-up, the festival didn't reach capacity. Based on my experience, here are some potential reasons:
1. Mixed Messaging - While touting itself as “nonpolitical,” the rule explicitly banishing certain fans adds a layer of contradiction and discomfort that may deter some potential attendees. Remember how the Samhain festival received a backlash when people were prohibited from wearing selected t-
shirts?
2. The Great Accommodation Quest: Rauschenberg, charming as it is, seems to have forgotten the memo on visitor lodging. Unless you fancy a camping trip without guaranteed showers – a true test of dedication for some – finding a bed meant an off-site odyssey.
3. Transportation Headaches - Infrequent weekend bus service and those two-hour waits for the final bus after exhausting festival days could deter many potential attendees.
4. Weather vs. scheduling mismatch - Daytime performances during scorching heat made the experience uncomfortable, with only shaded areas bearable. When even a Spain resident is complaining about the heat, you know there's a problem! Perhaps a slight shift in the schedule, favoring cooler evening slots, would make the experience less painful.
## Final Verdict
Despite some logistical issues, **Hole in the Sun** delivered an exceptional festival experience that reminded me why I fell in love with extreme music in the first place. The combination of outstanding bands, passionate audiences, and those perfect post-show campfire moments created something genuinely special.
Yes, I missed bands due to bus schedules. Yes, I got a drumstick to the head (thanks, Balmog!). And yes, I spent more time than I'd like in German heat. But these minor inconveniences pale in comparison to discovering new bands like **Deathless Void** and **Pale Spektre**, or witnessing **Goat Torment** and **Whoredom Rife** on stage.
The organizers have already promised that the third edition, set for June 25-27, 2026, will carry on that glorious 'All Killer-Zero Filler' spirit. This isn't your average, sterile festival experience; it’s a raw, passionate gathering for those who truly live and breathe extreme music.
**So, if you're ready for an adventure that guarantees epic music and possibly a few more surprises, mark your calendars.**
## Gallery
All pictures by Alex, YouTube videos by [zer0moon](https://youtu.be/4GkO0WQ0McE?si=xg%5FOPFMMwJChjiqZ&ref=blackmetalzine.com)
## Your concert plans
We’d love to hear your plans for the festival season! Tell us through our social media channels, or join our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Nightwalker - The Eternal Flame of Death
URL: https://blackmetalzine.com/review-nightwalker-the-eternal-flame-of-death/
Last updated: 2025-07-23T15:52:10.000Z
*Band: Nightwalker*
*Album: The Eternal Flame of Death*
*Genre: Black Metal*
*Country: Germany*
*Label: Amor Fati Records*
*Released: March 2025*
## Introduction
Following on from the slew of releases of the past few years, Germany’s most profoundly disturbed black metaller Nightwalker returns with their latest EP *The Eternal Flame of Death*
**The Eternal Flame of Death**
**Tracklist:**
1\. Of Lurking Demons
2\. The Eternal Flame of Death
3\. In the Abyss Where Hope Must Die
## Rumination
For this latest EP, the man with many projects, Noxathra, offers up a slice of pure evil across 3 tracks running under 20 minutes.
In terms of the technical side, it’s all there. The riffs are on point. The vocals are fucked. The drums have this shitty, demented feel to them (think Ildjarn) that I love. All 3 tracks are solid and expand on the previous cool shit from last year’s LP, Grimoire Tenebrarum. I think I’d say the production on this EP is more my cup of tea over last year’s LP as well; it’s clearer but weirdly more messed up.
As an aside, I’m writing this review at 1 am, and I can tell you now that is the optimal time for shit like this. When you’re as far away from everyone and everything as possible and can just be alone in your own head. This type of black metal is so deeply lonely and misanthropic that it’s impossible for me not to love it. The comfort that comes from just sitting in the dark with this music is difficult to explain.
Everything I love about one-guy-at-home black metal is on this album. I will always gravitate more towards this than any band-style black metal. It’s just cold, isolated, and miserable. This release nails that vibe in a way that I haven’t heard done so effectively in a while.
## Conclusion
This latest EP offering from Nightwalker is honestly cementing them as one of the better black metal bands of the last few years. If you enjoyed their album from last year, you’ll enjoy this.
Check it out tonight and tell the whole world to fuck off for a while
**BMZ rating:** 8 out of 10
**Support Nightwalker here:** [https://amorfatiproductions.bandcamp.com/album/nightwalker-the-eternal-flame-of-death](https://amorfatiproductions.bandcamp.com/album/nightwalker-the-eternal-flame-of-death?ref=blackmetalzine.com)
## Your thoughts on Nightwalker
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for [concert](https://blackmetalzine.com/live-reviews/) photos and more!
### Review: Prieuré - Jusqu'à Bénitier
URL: https://blackmetalzine.com/review-prieure-jusqua-benitier/
Last updated: 2025-07-21T15:00:00.000Z
*Band: Prieuré*
*Album: Jusqu'à Bénitier*
*Genre: Black Metal*
*Country: France*
*Label: Vetus Capra*
*Released: April 30, 2025*
## Introduction
Prieuré is a one-man Black Metal project hailing from Brittany, France. Formed in 2021 and helmed by multi-instrumentalist Sans-Visage, one of the two owners of the label of the band; Vetus Capra. Prieuré has released 3 EPs, 2 splits and 2 full lengths to date.
## The Album
**Tracklist:**
1. Introït
2. Prieuré
3. Foi
4. À travers la forêt (feat. Torve)
5. Marécages
6. Vautour
7. Le grand incendie
8. Patience
9. Triomphe (feat. Geoffroy D.A.)
Immediately what caught my eye and drew my attention to this release was the album's beautifully crafted artwork. A stunning black and white painting done by Sans-Visage himself. The overall aesthetic and layout is absolutely amazing and deserves being mentioned.
The album opens with a sprawling and melodic instrumental track. It's a beautifully written acoustic guitar piece that is quite deceptive of what is to come.
That atmosphere that Sans-Visage manages to craft throughout this album is incredible. It's a moving, aggressive, melodic and violent masterpiece in of itself. The production of the album is excellent, it's clear and concise but retains enough of that raw aggression that you're still aware that it's a black metal album.
Sans-Visage wears his punk influence on his sleeve. From the vocal style, to some of the guitar riffs, and the drums, it's quite obvious that punk rock was a heavy inspiration for him as a musician. It’s blended in an interesting and unique way though to form his own brand of black metal, and I must admit it's excellent.
I, personally, enjoyed the vocals on Jusqu'à Bénitier. The half shouted, half chanted punk-esque vocals in his native French, blend nicely with the more aggressive growls throughout the album. I also thoroughly enjoyed the acoustic passages interlaced throughout the album.
My favorite tracks from the album are “Vautour” and “Le Grand Incendie”. But overall, I feel as though the album is best enjoyed by listening to it as a whole. It's atmosphere and musicianship make it a worthy listen from start to finish.
## Conclusion
Jusqu'à Bénitier is a unique and accomplished piece of black metal. From the album's beautifully done artwork, the high-quality production, to its stand out blend of punk rock and black metal, this album is absolutely worth a listen. I'd highly recommend it to those looking for something a cut above the rest, and also recommend giving his previous releases a spin as well.
**BMZ Rating: 8,5 out of 10**
**Support Prieuré here:** [https://prieure.bandcamp.com/album/jusquau-b-nitier](https://prieure.bandcamp.com/album/jusquau-b-nitier?ref=blackmetalzine.com)
## Your thoughts on Prieuré
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our Discord—where we talk about all things black metal. Don’t forget to follow our Facebook page, Black Metal Zine, for updates on our latest articles, and have a look at our Instagram @blackmetal.zine for concert photos and more!
### Review: Burden of Ymir - The Long Winter
URL: https://blackmetalzine.com/review-burden-of-ymir-the-long-winter/
Last updated: 2025-07-19T15:00:00.000Z
*Band: Burden of Ymir*
*Album: The Long Winter*
*Genre: Black Metal*
*Country: Canada*
*Label: Flowing Downward*
*Released: July 4, 2025*
## Introduction
Burden of Ymir is a Canadian black metal band hailing from Sudbury, Ontario. Consisting solely of multi-instrumentalist Joe Caswell, the band started off as an instrumental project, evolving and progressing its themes and narratives around Norse mythology and Scandinavian folklore. Having released five full length albums and several demos since 2019, Burden of Ymir has returned with album number six, *The Long Winter.*
## The Album
**Tracklist:**
1. As Witches Under Cloak of Night
2. A Raven Brought Dark Omens
3. Strange Craft
4. Found in the Embrace of Cold Wind
5. Another Seed of Yggdrasil
6. Like Blood in the Snow
7. Frozen Threads of a Spider's Making
8. Forever Frost and Sleep
Burden of Ymir's previous album *Heorot* (2023) saw Caswell’s first departure from Norse mythology and covered the tale of Beowulf. Now with *The Long Winter* he has returned to the northern mythologies. This time around the album's lyrical themes follow the tale of Gudrun, a völva, who living in times of brutal winter has learned of the impending Fimbulvetr to come before Ragnarok. First seeking a way to put an end to the long winter, she finds acceptance in her fate as even the gods themselves cannot fight the inevitable. Weaving a tale as old as time, that “every end is but another beginning” throughout the lyrical storytelling. Caswell does an impeccable job of laying a musical backdrop behind his lyrics. Taking elements of folk, viking, and black metal and combining them into a sonic melting pot that I must say yields some very satisfying results. *The Long Winter* really shines in its latter half. Starting with *Found in the Embrace of Cold Wind* the riffs and overall feel of the album/songwriting takes on a melodic, riff laden element that I appreciate. The tracks *Like Blood in the Snow* and *Frozen Webs of the Spiders Making* are my personal favorites off of the album. They exemplify Caswell's prowess as a musician and a songwriter perfectly.
## Conclusion
There is a little bit of something on this album for everyone. It's a masterfully crafted piece of art that blends seamlessly the likes of **Bathory**, and **Falkenbach** with a modern black metal approach. Overall *The Long Winter* continues to display Caswell's growth as a musician. Taking the production once again up a notch along with his song writing abilities. It's an excellent piece of viking/folk inspired black metal and quite possibly his best work to date.
**BMZ Rating: 8 out of 1**0
**Support Burden of Ymir here:** [https://burdenofymir.bandcamp.com/album/the-long-winter](https://burdenofymir.bandcamp.com/album/the-long-winter?ref=blackmetalzine.com)
## Your thoughts on Burden of Ymir
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Dreich - Edicius
URL: https://blackmetalzine.com/review-dreich-edicius/
Last updated: 2025-07-17T15:00:00.000Z
*Band: Dreich*
*Album: Edicius (EP)*
*Genre: Depressive Suicidal Black Metal / Melodic Black Metal*
*From: Aberdeen, Scotland*
*Release date: 18th July 2025*
*Label: As Pestis Records*
## Introduction
Depressing, gloomy, and oppressively bleak. But enough about Aberdeen, let's talk about **Dreich**, a new band in the Scottish black metal scene who just released their debut EP. I was lucky to see **Dreich** open Fires of Alba MMXXV very recently, where afterwards I got asked the hopeful question "I don't suppose you do album reviews as well as gig reviews, do you?" as I got passed an early copy of their new CD. Well, yes, yes I do.
## Edicius
**Tracklist:**
1. Cold
2. Sharing Death
3. Aperta Voulnera
4. Tower of Sorrow
5. Propria Manu Mori
Five tracks of misery await you on this debut, four of them in their more melodic black metal style and one ambient piece serving as the outro to the EP. Distorted rhythms with a second guitar performing clean picking and tremolo riffs are the core audial landscape, accompanied by clear and loud growls high in the mix, reminding me of something akin to **Ofnus** \- *Time Held me Grey* *and* *Dying*.
A couple of notable standouts for me on this album are *Sharing Death* and *Tower of Sorrow*. *Sharing Death* opens with a sorrowful guitar in the middle of a rainstorm, before an unrelenting scream kicks us off with a wretched downpour of cold and tormenting misery. Big fan of simple environmental storytelling through ambient sound effects in songs if they're done well, as it can really help the ambience. A nice simple slow guitar solo as the chorus-driven clean picking in the background creating a sepulchral moment, before the return of blast beats and tremolo picking for some melodic black metal.
At just under 8 minutes long, *Tower of Sorrow* brings us their longest full song on the EP. It is also the most thematically misanthropic and woeful on *Edicius*. Opening with some militaristic snare rolls ahead of the slow gentle pace that takes you away, it ever so gradually builds up, bringing you up right to the edge and slowing back into its gentle pace again. But this song doesn't leave you with blast beat blue balls, with the last 30 seconds being a barrage of pure black metal to finish the final song, leaving only the outro track to round it off.
*Propria Manu Mori*, and it's a lengthy outro at that, clocking in at nearly ten and a half minutes. An experimental weave of instrumentation to the beat of a ticking clock. Reverberated vocals sample the suicide note of Virginia Woolf (1882-1941) as read by Octavia Selena Alexandru. That particular section seemed evocative of similar **Shining** instances such as *Låt Oss Ta Allt Från Varandra, Total Utfrysning, Längtar Bort Från Mitt Hjärta*, or *The Eerie Cold*.
## Conclusion
The full EP clocks in at 34 minutes, if you minus the ambient outro piece that's just shy of 25 minutes of black metal, a good starting point for the band to find their feet and get their music out there as they begin to play more shows to some larger crowds. I would like to see some longer songs from them, to see how they can flex their songwriting muscles into a genre that often lets songs really breathe and extend their futile themes. Some piano or sombre synths wouldn't go amiss if incorporated into their music, to build on the desolate atmosphere. Still, an absolutely solid debut from them, The release is full of crushing slow distorted riffs, is well mixed to the point of everything being clear but not overproduced, and has a good mix of pace maintaining a more melodic black metal style. Very keen on seeing what they have in store for us in the future.
**BMZ Rating: 8 out of 10**
**Support Dreich here:** [https://](https://dreichmusic.bandcamp.com/merch?ref=blackmetalzine.com)[dreichmusic](https://dreichmusic.bandcamp.com/merch?ref=blackmetalzine.com)[.bandcamp.com/merch](https://dreichmusic.bandcamp.com/merch?ref=blackmetalzine.com)
## Your thoughts on Dreich
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our Discord—where we talk about all things black metal. Don’t forget to follow our Facebook page, Black Metal Zine, for updates on our latest articles, and take a look at our Instagram @blackmetal.zine for concert photos and more!
### Concert Review: Fires of Alba MMXXV
URL: https://blackmetalzine.com/concert-review-fires-of-alba-mmxxv/
Last updated: 2025-11-30T10:21:59.000Z
*Festival: *Fires of Alba MMXXV**
*Bands: *Dreich, Úir, Terra, Imperial Demonic**
**Blood Countess, Necronautical, Thy Light**
*Location: *Classic Grand, Glasgow, Scotland**
*Promotor: *Red Crust Promotions**
*Date: *05/07/25**
## Intro
**The Fires of Alba** burned once more after the festival's debut last year. I had a fantastic time at least years but was a bit worried whether it would return or not due to what appeared to be a rather sparse turnout - so I was happily surprised to see the flame flicker once more. This time boasting a stronger lineup which brought a larger turnout of fans.
## Dreich
Dreich
Dreich kicked us off for the day, a Depressive Suicidal Black Metal band hailing from the grayest Aberdeen. Nooses decorate the edges of the stage for their appropriately self-destructive values, as the five pieces covered in corpse paint welcome the festival into their pits of misery.
I’ve known the band for a while, but this was my first time catching them live, and they absolutely delivered. Solid and tight playing from all members, with a fantastic sound and a more reserved stage presence for the most part, fitting their appearance.
As a final act, their lead singer Matt threw the noose that had been hanging off his mic stand into the middle of the crowd and yelled “kill yourself!”. I briefly considered this tempting offer, however to be quite honest, I fancied seeing the rest of the gig, so I did not go through with it.
Their debut is to be released very soon, so keep your eyes peeled for an upcoming review.
## Úir
Úir
Another Scottish band, this time from Edinburgh, stepped up to the stage next. I had previously seen this Atmospheric Black Metal band supporting Abduction and The Infernal Sea in March 2025.
Their heavy and fast playing brought a change of pace from Dreich to pump the crowd up a bit, however still had slower sections where a rich bassline really shone through. The distant vocals seemed reminiscent of a more ambient black metal style, as themes of nature, isolation and despair were thrown into the weave of their strong enveloping soundscape.
Their set, however, was quite short, leading to a longer break between bands where I was able to check out the merch stalls. Oh temptation, I do hate you so.
## Terra
Terra
Time for some black metal from south of the border, Terra from Cambridge. A three-piece featuring dual vocals from the guitarist and bassist.
Their heavy, overly distorted guitar and bass created a wall of pure noise, with the vocals becoming one with the mix as they both let out unrelenting screams. The three of them were absolutely relentless, with the drummer being an absolute machine keeping up at the brutal constant pace.
The feedback blasting out the audience's eardrums was the only brief solace for the band between their songs before they kept returning with yet another ruthless track that was as rapid as it was ferocious.
Also, bonus points for the Ibanez Iceman, a guitar I’ve always had a soft spot for due to Doyle playing one in the early days of the Misfits.
## Imperial Demonic
A bowl of incense was paraded onto the stage by their singer to start off their ritual, as the singer seemed to bless the band with it before yelling to the crowd to kick off this melodic black metal from Belfast, Northern Ireland.
Their band had fantastic stage presence, with dark red moody lighting to reflect their 2023 EP Beneath the Crimson Eclipse and banners to match.
For a five piece, every instrument and word was heard so clearly - really fantastic mixing which carried their sound effortlessly, The lead singer, Andy (also singer of the wonderful post-black metal band Domhain) did often try to perform a delicate balancing act, singing from the top of a stage riser to tower above the band and crowd alike - despite fighting a mic stand to try and raise it up to an appropriate level before giving up with it and just taking the microphone into his hand. Many times he also leaned over the barrier into the crowd to growl in fans faces, adding to his demeanor.
For the penultimate song, the crowd was treated to a sneak peek of upcoming attractions, as Nina, aka The Cuntess joined to sing along with them. My only problem was that her vocals were lower in the mix, and she was a bit difficult to hear as a result. Nonetheless, she performed great, which appropriately leads me onto…
## Blood Countess
The diabolical Blood Countess return from last year's lineup, marking the third time I’ve seen them perform - and as always, it is an absolute treat. Nina, as mentioned before, is a fantastic performer and has a wonderfully intimidating stage presence as she growled and sneered at the crowd.
The rest of the band performed extremely tightly, including their new drummer, who was ferocious and an excellent fit into the lineup. Unfortunately, we did have minor sound issues in the second song as an amp did its best impression of a bowl of rice krispies as it snapped, crackled and popped away. Thankfully, this was quickly fixed between songs, and they were able to continue easily, including bringing us two brand-new songs, *Chains of Misdeed* and *Scavenger’s Daughter* which I can’t wait to hear the studio versions of and properly sink my teeth into them.
## Necronautical
Necronautical
Opening up with a synth heavy back tracking and a song with some clean vocals interspersed from the bassist brought an interesting change to the day - however this was the only song as such from the Manchester-based Black Metal band that had this style - continuing on with some traditional existentialist black metal style.
Coincidentally, much like Blood Countess, they also had a new drummer performing with them and played two new songs from their upcoming album.
They played their set very well, however their music has never really clicked with me, and they didn’t do much to overly wow me - as a result, I found them extremely okayish.
## Thy Light
Thy Light
Our headliner for the evening, the ever beautiful Thy Light, hailing originally from Brazil but have now found their home right here in Glasgow. They were an absolute treat at Fortress Festival ‘24, and seeing them in a more intimate venue was hauntingly wonderful. This was also their debut show on their new home turf, having not played in Scotland before.
The candelabras flickered away as the soft blue light started their set with an appropriately melancholic atmosphere before their sorrowful riffs and vocals echoed out through the venue.
Two guitars and a drummer (sorry bass players) gave us a misanthropic experience to be absolutely mesmerised by and get lost in the languid pace of the music.
As they departed, the mournful synth perfected the night as the candles burnt down, and they finally reached their end.
## Conclusion
And with that, the day is done, the crowd hits the merch tables for the final time and departs into the streets of Glasgow. Overall, I had a fantastic time, and I do hope this continues. The Scottish black metal scene is a nice, close-knit community, and more of these day-fests is what we need to all congregate together and bring people from further afield into our neck of the woods.
Book ending the show with Dreich and Thy Light so we start and end with DSBM felt like a nice touch, a gradual opening and conclusion to the experience, the whole day was very well paced and other than a couple minor issues, the sound was all terrific. Let us hope that the fires shall ignite once again and bring the blaze of black metal with it.
## Gallery
\[robo-gallery id="18940"\]
## Your concert plans
We’d love to hear your plans for the festival season! Tell us through our social media channels, or join our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Necht - The Inevitable Suffering
URL: https://blackmetalzine.com/review-necht-the-inevitable-suffering/
Last updated: 2026-07-15T18:29:59.000Z
*Band: Necht*
*Album: The Inevitable Suffering*
*Genre: Athmospheric Black Metal*
*Country: Canada*
*Label: Unsigned/Independent*
*Released: 12th of June 2025*
## Introduction
The Black Metal cult surrounding the mythical Sun God B'ahn delivered again their prophecys. After reviewing their debut last year I was more than excited when i saw they released a follow up EP. Keep your altars ready as I walk you through this record.
## The Inevitable Suffering
**Tracklist:**
1. Over Ten Thousand Spears, B'ahn Rises Red
2. The Night That Knows No Dawn
3. Dread Is the Consort of the Dark
4. As Oars Through Blood
5. ...and so Across the Bloody Lake We Did Sail in Silence
With a runtime of 20 minutes I will present you my quick thoughts about this EP then you can listen to it and form your own opinion.
*Over Ten Thousand Spears, B'ahn Rises Red* starts the EP just like I hoped for, a really well composed cinematic synth entry to unleash the suffering on those unwilling to follow the unchallenged God B'ahn.
The second track is just like I remember Necht, uncompromised black metal. Hitting hard, fast and with a sound quality that needs to be matched by other independent bands. A well structured flawlessly executed track.
*Dread is the Consort of the Dark* picks off just where the previous track left with the same raw energy and vocals that will leave a mark on your mind. Disgusting bass mixed really audible with great skill. The song itself is like the previous released stuff; a technical great composition, being brutally straight forward yet melodic.
*As Oars Through Blood* is my favourite on this release, a bit more restrained on the tempo but with such a great bass solo interlude that I was instantly hooked and will have it playing on repeat for the next weeks. Completely out of this world were the spoken passages that really heightened this track to a different level for me.
The last track is again a synth thrack that perfectly ends the EP and lets you hope for more to come.
## Conclusion
20 minutes of Canadian perfection. If you haven't been convinced by my previous review , try it again. A band that has a bright future and needs to get the attention that they deserve and I am happy to support them on their way. Really interested on whats to follow so to summarize it: They topped their album with this masterpiece of an EP.
**BMZ Rating: 10 out of 10**
**Support Necht here:** [https://necht.bandcamp.com/album/the-inevitable-suffering](https://necht.bandcamp.com/album/the-inevitable-suffering?ref=blackmetalzine.com)
## Your thoughts on Necht
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Ingwald - Demo I
URL: https://blackmetalzine.com/review-ingwald-demo-i/
Last updated: 2026-07-15T18:29:59.000Z
*Band: Ingwald*
*Album: Demo I*
*Genre: Atmospheric Black Metal*
*Country: Russia*
*Label: Masters of Kaos Productions*
*Released: June 21, 2025*
## Introduction
Ingwald is a solo atmospheric black metal band from Russia. Forged in 2024 and helmed by Waldsarg, the band has brought forth its first offering to the altar of black metal.
## The Album
**Tracklist:**
1. Intro
2. Daggry
3. The Struggle
4. Nordland
5. Spell of Destruction (Burzum Cover)
Ingwald is Second Wave worship at its finest. The album has taken all the classic elements of those early days and refined them into something equally aggressive, raw and cold as one would expect, all the while applying a slightly more modern approach to the production. It still has retained that icy atmosphere to it without sounding like it was recorded using a toaster. It evokes the essence of Scandinavian black metal with its melodic depth and atmosphere. The album also features some passages of clean vocals and synths. Waldsarg has skilfully woven these elements into a tapestry of well crafted black metal.The intro track is an acoustic piece that is quite beautiful. While the last track on the album is a **Burzum** cover. The cover stays true to the original's haunting atmosphere. While adding a certain uniqueness to its form with the shrieked vocals that are in a way very reminiscent of Varg’s own style. The production is flawless and as a **Burzum** fan myself, it's quite a good cover.
## Conclusion
It's raw, it's dark and it's atmospheric. It's a love letter to the second wave of Scandinavian black metal. Plain and simple. The production is a step up from the early days and makes for a much more enjoyable listening experience overall. Fans of **Burzum** will certainly enjoy Ingwald, and I look forward to hearing what they have to offer in the future.
**BMZ rating: 6 out of 10**
**Support Ingwald here:** [https://mastersofkaos.bandcamp.com/album/ingwald-russia-demo-1](https://mastersofkaos.bandcamp.com/album/ingwald-russia-demo-1?ref=blackmetalzine.com)
## Your thoughts on Ingwald
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Interview: Gaahl
URL: https://blackmetalzine.com/interview-gaahl/
Last updated: 2026-07-15T18:26:06.000Z
*Artist: Gaahl*
*Latest album: Gaahls Wyrd - Braiding the Stories*
*Genre: Black Metal*
*Country: Norway*
*Label: Season of Mist*
*Released: 6th of June 2025*
## Introduction
A legend like Kristian *Gaahl* Espedal shouldn't need much of an introduction, being the vocalist of T**relldom, Gaahlskag, Gorgoroth, God Seed** and now most notably **Gaahls Wyrd**. So the oppurtunity to pick his brain about his music, art, and the black metal scene in general was one I couldn't miss.
As me and my wife stayed a few days in Bergen after our weekend at Karmøygeddon we feel greatful to Gaahl that he took the time for this interview.
## Interview
**Kilian:** I've enjoyed listening to the first two singles of the new Gaahls Wyrd album in which you incorporate some clean vocals. How did it come about?
**Gaahl**: It's probably what the music wanted. So we always try to work with what I feel.
**Kilian**: To me it sounds really great. It got the vibes of some faster paced gothic rock.
**Gaahl:** Yeah, as soon as I had selected the songs that we decided to continue to work on, we kind of
thought that combining songs it was natural to bring in, (the) kind of the 80's energies and then the gothic rock elements just kind of are attached to that sound.
**Kilian:** I think it sounds really great. In regards to the latest Trelldom album, our head writer Roberto, being a long time Trelldom fan, wanted to know a bit about the evolution of that sound and shift into even more psychedelic territory.
**Gaahl:** There's a lot of psychedelic (elements), and what I'm working on now might alienate even more fans, even though I feel that what we're working on now is kind of (rooted more in) art, the foundation is maybe more musically, maybe more connected, but then what we do instrumentally and vocally, will tilt it into something new, but still with a strong connection to both, both the previous album and, conceptually with the older sound. Now it's kind of a natural thing when me and Stian (Kårstad, bass & guitar) have been on and off with sharing ideas, and then he took a break from music. After he quit **Gaahls Wyrd**, he was kind of tired of touring and the whole music industry. So, yeah, but we still threw things a bit back and forth, and then we, for some reason, kind of had this zeitgeist where both were ready to dive into it again. And both of us, had Kenneth (Kapstad) in mind on drums. So I asked him, and Stian asked him, and he said he has to (have an equal strength) vote to join. And still, then Kenneth have had a long yeah, they have a good friendship, and also a strong musical bond. And then we kind of wanted to spar a bit with bringing in the saxophone man (Kjetil Møster), and I'm really like, so first we had the idea to bring in some (outside) folks on some of the tracks. So we had a musician in mind, and then we (planned to incorporate them) on half of the tracks we wanted to master, just to kind of have something (for the vocals) to spar against and also bringing disturbance. But when I got the first track back from Kjetil, I was kind of like okay, he needs to be on all of them. So I kind of put aside some of some of the tracks and then brought in Kjetil, and that created, this kind of universe (to where we ended up in our soundscape) .And now on the upcoming album, we have (brought in) the bass player that's doing bass for us live. He's doing bass on the upcoming album, so now we are a five headed monster, all excellent musicians in what they execute. So this also gives us total freedom, there is no limits to what we can do. In that sense, I don't want to direct that much, because I think the band communicates really well. If you can give freedom,then you can end up with,yeah, something that no one else could.
**Kilian:** So the songwriting is shared between all of you or is it just you and the guys do what do you tell them to?
**Gaahl:** We kind of begin with a lot of different elements, but mainly now it's Stian that starts to throw back and forth riffs, and we communicate a bit. And then on some elements we ask Kenneth to be the first instigator so we kind of put music on his drums, instead of creating everything out from, the natural (way of creating) music, but Kenneth's skill and creativity kind of allow us to do this. I've asked other drummers (in the past) to do similar things, but they never come up with anything. So that's just about it but it's good to kind of have that sort of (different ways) to attack making music.
**Kilian:** That sounds good, because I also believe it's pretty hard to do it that way, that you start with drums. For us,in my band, we usually need to have the riffs down first. Maybe that's an approach worth trying, as you said, it brings more freedom and more ideas to go in different directions.
**Gaahl:** Yeah, this and it turns your perspective. And I think that's it important for you (to be) really happy with kind of how those songs have turned out, yeah, or what they are turning into, for that matter.
**Kilian:** What do you generally feel is happening currently in the music scene? Are you still into black metal and metal in general?
**Gaahl:** I don't pay attention to anything, I'm terrible at that. So, yeah, no, really, really, really not good at being part of anything.
**Kilian:** Is there any newer bands that you would like to tour with at some point or to do some shows with together?
**Gaahl**: It's usually up to the European agencies. And I say yes or no, basically, it's like there's a lot of interesting things. We had a short tour with **Furia** (polish experimental bm), and **Aluk Todolo** (french instrumental occult rock); a great instrumental band, in Poland back in December, and that was excellent, but we do have tours with Gaahls Wyrd planed.
It will probably be quite a bit busy next year. Most likely this album (Trelldom) I am working on now will be out early winter, if we manage to keep the schedule, it's like everyone involved are kind of busy bees, both on the home front and in studio.
**Kilian:** You're recording here in Bergen at Grieghallen or somewhere else?
**Gaahl**: It's been a long time since then. But I'm currently working with Pytten. But yeah, one hour outside of the city. Normally, I work with Jack Bucha (at his studio), which is basically just
eight minutes walk from here, so through the park. So that's that's an easy, easy thing to combine, since I work (with music in the) mornings and then just walk over here to keep the gallery going.
**Kilian:** Do you still have a lot of people stopping by here just because of your personality, or is it more balanced now with people interested in your gallery and art exhibition?
**Gaahl:** I don't know it's, it seemed to be the same.
**Kilian:** As I remember, that's what you told us three years ago; that you started to sell merch just because a lot of people are don't value the art that much.
**Gaahl**: Yeah, and also it's kind of the way to support other artists, so they bring in their own merch and also their own releases. So I try to cater to them (and the more music oriented patreons).
**Kilian:** Yeah, how do you combine it with the music? Is the music influencing your paintings, or the paintings incorporated into your music.
**Gaahl:** No, they they do not touch each other, the two are completely separate worlds.
**Kilian:** Yes, well, I think that's enough for our small magazine. Thank you so much for taking your time to do this so spontaneous.
**Gaahl**: Sure! We're supposed to be in studio (but it was delayed so I had the time).
#### Watch Trelldom perform live:
#### Links:
**Trelldom:**
[https://www.instagram.com/trelldom\_92/](https://www.instagram.com/trelldom%5F92/?ref=blackmetalzine.com)
[https://trelldom.bandcamp.com/album/by-the-shadows](https://trelldom.bandcamp.com/album/by-the-shadows?ref=blackmetalzine.com)
**Gaahls Wyrd:**
[https://www.instagram.com/gaahlswyrd](https://www.instagram.com/gaahlswyrd?ref=blackmetalzine.com)
[https://gaahlswyrd.bandcamp.com/album/braiding-the-stories](https://gaahlswyrd.bandcamp.com/album/braiding-the-stories?ref=blackmetalzine.com)
**Galleri Fjalar:**
[https://www.instagram.com/gallerifjalar/](https://www.instagram.com/gallerifjalar/?ref=blackmetalzine.com)
## Your thoughts on Gaahls music and art
We’d love to hear your thoughts on this interview, Gaahls music and art. We thoroughly reccomend you to stop by his Galleri Fjalar if you ever are in Bergen! You can share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### From the Vault: Isengard - Høstmørke
URL: https://blackmetalzine.com/from-the-vault-isengard-hostmorke/
Last updated: 2026-07-16T17:16:07.000Z
**Band:** Isengard
**Album:** Høstmørke
**Genre:** Black metal / Folk black
**Country:** Norway
**Label:** Moonfog Productions
**Released:** July 3rd, 1995
## Introduction
Isengard is one of Fenriz' many musical endevours; this one appears to be his main solo project and was formed in 1989 fusing doom, black and folk metal. The bands name is taken from Tolkien's Lord of the Rings and this theme can be found in some of the releases.
## Høstmørke
**Tracklist:**
1. Neslepaks
2. Landet Og Havet
3. I Kamp Med Kvitekrist
4. I Ei Gran Borti Nordre Aasen
5. Over De Syngende Ode Moer
6. Thornspawn Chalice
7. Total Death
*Høstmørke* is the full length debut, preceeded by the 1989 demo *Spectre over Gorgoroth* and the compilation *Vinterskugge* in 1994\. This album is built on a foundation of strong melodies, making it a much more "chant along while hiking in the forest" feel than what one could expect from the **Darkthrone** founder. The album starts of with the track *Neslepaks* which is a smart play on words and theme of the christian belief of "skapelsen" or "the creation", when some old geezer with a beard supposedly decided to create our universe.
*Neslepaks* lyrics takes a hold of the destruction of the universe as opposed to it's creation. The song has cleaner vocals, where Fenriz goes from somewhat yelling to plain speaking the lyrics. It makes for a authentic atmosphere almost abit medieval style, I get the same feeling as when I listen to **Havukruunu**. There is something reminding me of home and a touch of romanticing our nature in the vocal style.
> *And on the 8th day he devoured all water*
> *And on the 9th day he spoiled all food*
> *And on the 10th day he burned the earth*
> *And on the 11th day he beat people and animals to death*
> *And on the 12th day he choked out the realm of heaven*
> *And on the 13th day he covered the sun*
> *And then there were no more days*
>
> **Neslepaks lyrics**
*Landet og Havet* is an interlude that follows *Neslepaks* and it's a small 1 minute folk song with Fenriz singing an old lullaby paying homage to Norway; a beautiful piece that adds to the medieval vibe that I feel and to the Norwegian patriotism.
*I Kamp Med Kvitekrist* quickly brings us back into the realm of norwegian black metal. This is one of my favourite tracks of the album due to it's raw grit and poignant lyrics. Easy to scream along to when fully indulged in Fenriz's enchanting tune. The riffs are simple and catchy, with the old big gritty sound. The drums are somewhat drowned by the guitar work and Fenriz's vocals are towering over it all. The vocals are definently the tower of Isengard in this work and is what I enjoy the most about this album.
> Some lyrics in both Norwegian and translated to English. **Photo: Jørn Steen**
*Alle skal vi leva, i vår sterke kamp*
*Og i horisonten som naglfar farer fram*
*Alle skal dei drepast, som flokker seg om ham*
*Alle skal vi leva, i vår sterke kamp*
*I kamp med kvitekrist*
*Alle, må dei døy*
*We shall all live, in our strong fight*
*And on the horizon as the father of nails advances*
*They shall all be killed, who gather around him*
*We shall all live, in our strong figh*t
*In the fight with the white Christ*
*All, they must die*
*I Ei Gran Borti Norde Asen* and *Over De Syngende Ode Moer* both carry on the very folky sounding structure with synthesizers and chanty vocals dominating over the gnawing guitar riffs. There's just something I really enjoy about the chanting style in Ei Gran... based on very traditional Norwegian fiddler melodies. I sit and hum and chant along with Fenriz everytime I hear this track, to great amusement to my family. The riffs here are doomy, drawn out and heavy.
The last two tracks of the album are somewhat misfitsin terms of fitting in with the preceeding four tracks This is when Fenriz apparently puts on his corpsepaint and goes all out black metal, dropping the folk elements completely. I enjoy these tracks less than the rest of the album because of this, and I almost wish they were put on another release.
With that being said these tracks are by themselves very solid. *Thornspawn Chalice* is groovy and nasty sounding where Fenriz brings out the best of his gnarly vocals. *Total Death* has more the black thrash/punky sound ringing with quite rapid speed metal vocals; all in all a fun listening.
On metal archives there is a small piece of information that says that the black metal songs on this are dedicated to Frost (Satyricon) and the folk/nordic songs are dedicated to Satyr (Satyricon).
## Conclusion
The folk elements, great lyrics and Fenriz's clean chanty vocals is what makes this album special to me and is why it's one of the albums I constantly comes back to. A timeless piece, and turning 30 years old at the time of writing.
Give this album a spin to celebrate, regardless if you have listened to it before or not!
**BMZ rating: 9 out of 10**
**Support Isengard here:** [https://peaceville.bandcamp.com/album/h-stm-rke](https://peaceville.bandcamp.com/album/h-stm-rke?ref=blackmetalzine.com)
## Your thoghts on Høstmørke
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Graven - March of the Broken
URL: https://blackmetalzine.com/review-graven-march-of-the-broken/
Last updated: 2025-06-27T15:00:00.000Z
*Band: Graven*
*Album: March of the Broken*
*Genre: Atmospheric Black Metal*
*Country: Italy*
*Label: Independent*
*Released: June 10, 2025*
## Introduction
Graven is a one man, black metal project from Ramini, Italy.
## The Album
**Tracklist:**
1. Uncharted Dreams
2. The Light That Failed
3. A Hundred Deaths
4. March of the Broken
5. Our Wounds, Our Crown
*March of the Broken* was conceived as a conceptual album. It's lyrical themes follow a group of survivors from their homeland, in search of a far off promised land. Their search however only yields despair and madness. But through this turmoil they are eventually able to regain themselves and in the end start anew. The story is also an allegory for Graven's personal struggles and his journey to reclaiming himself through this adversity.
The lyrics are very well written and convey the story in a way as if each song is a chapter. The production is excellent, and the musicianship throughout the album is accomplished. There's nothing over the top here but it's polished and concise.
The melodic guitar riff that is the central theme of *The light that Failed* is one of my favorites from the album. But my overall favorite tracks are *A Hundred Deaths* and *March of the Broken*.
The songs flow very well together and overall the music paints a very vivid picture along with the album's lyrics.
## Conclusion
As the debut album from a solo project this is an excellent step into the realm of atmospheric black metal. The lyrical narrative and musical backdrop makes for an engaging listen.
BMZ Rating: **6 – Above Average:** This album shows promise with several standout moments. It shines in places, either through memorable tracks or other unique aspects like vocals, drums etc.
**Support Graven here:** [https://gravenlp.bandcamp.com/album/march-of-the-broken](https://gravenlp.bandcamp.com/album/march-of-the-broken?ref=blackmetalzine.com)
## Your thoughts on Graven
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Lord Belial - Unholy Trinity
URL: https://blackmetalzine.com/review-lord-belial-unholy-trinity/
Last updated: 2025-06-25T15:30:25.000Z
*Band: Lord Belial*
*Album: Unholy Trinity*
*Genre: Black Metal*
*Country: Sweden*
*Label: Hammerheart Records*
*Released: 27th of June 2025*
## Introduction
Lord Belial! The band doesn't really need an introduction, but for those that are new to the genre, or have been living under rock for the last 30 years, here is a small summary. The band is from Sweden and started in the year 1992\. In that time, they released a few albums; *Kiss the Goat (Sic Transit Gloria Mundi), Enter the Moonlight Gate and Unholy Crusade.*
The albums mentioned are the first 3 albums they released, since I grew up with those albums I still love them, but after a while I lost a track of the band because as you all know they're just so many bands to listen too and that number only increased when days turned into weeks... yada, yada you get the point.
Due to some health issues, the band decided to stop, but low and behold, they are back! After *Rapture* in 2022, it's now time for *Unholy Trinity*. So let's dive in and let's see if they continue on the same road.
## Unholy Trinity
**Tracklist:**
1. Ipse Venit
2. Glory to Darkness
3. Serpent's Feast
4. Blasphemy
5. In Chaos Transcend
6. The Whore
7. Scornful Vengeance
8. The Great Void
9. Antichrist
*Unholy Trinity* feels like a natural continuation of Lord Belial’s return, following *Rapture* in 2022\. Where *Rapture* marked their comeback after a 14-year silence, *Unholy Trinity* proves that the band isn’t just back for a quick sting, they continue the path and this album is perhaps even stronger than *Rapture*.
One of the most noticeable improvements for me is in the mixing of the album. Compared to *Rapture*, which sounded a bit muffled (at least while listening to it through Apple Music), *Unholy Trinity* is clearer and more powerful. Everything is easier to hear, and each part has room to breathe and to be part of a larger picture without being drowned out.
Talking about atmosphere, the drums really carry the atmosphere on this album. They’re loud, relentless, and hit with machine-gun force—especially on the final track, “Antichrist.” But at the same time, they’re precise and controlled. The production lets them shine without overwhelming the rest.
The guitar work has always been a strong point for Lord Belial, and it’s no different here. The riffs are great, but instead of just leading the charge, they work as part of the whole—supporting the drums and vocals to create a complete, unified sound.
While there’s definitely aggression on the album, it’s not just non-stop fury. There are melodic parts too, and everything fits together. It feels like one solid piece of music, not just a bunch of songs thrown together.
Vocally, Thomas Backelin sounds as strong as ever. His performance on *Unholy Trinity* is powerful and convincing—like he’s delivering a black sermon straight from the depths of the abyss, and that's how it should be while listening to black metal.
## Conclusion
Even though I lost track of Lord Belial the last few years, I'm excited to see that they are still going strong. Rapture was the first album after their grand return, and *Unholy Trinity* is continuation of that return. I recommend this album too everyone out there, just give it a spin and I doubt you will be disappointed.
**BMZ Rating:** **8 out of 10 – Very Good:** An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.
**Support the band here:** [https://hammerheart.bandcamp.com/album/unholy-trinity](https://hammerheart.bandcamp.com/album/unholy-trinity?ref=blackmetalzine.com)
## Your thoughts on Unholy Trinity by Lord Belial
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Svart Vinter - Isvind
URL: https://blackmetalzine.com/review-svart-vinter-isvind/
Last updated: 2025-06-20T15:00:00.000Z
*Band: Svart Vinter*
*Album: Isvind*
*Genre: Atmospheric Black Metal*
*Country: Italy*
*Label: Non Serviam Records*
*Released: May 30th 2025*
## Introduction
Svart Vinter is an Italian black metal band, that released their second album, *Isvind* on the 30th of May. I haven't heard their previous album, *Mist,* so this band is new to my ears. But that matters not, I try to give every album I listen to the same change as my favorite black metal albums. So after a quite a few listening sessions, let's dive in...
## Isvind
1. Torment
2. Frozen Tomb
3. Isvind
4. Ritual
5. Abyss
6. Where the Shadows Lie
7. My Last Winter
8. Of Cold and Grief
9. Beneath the Night's Cold Gaze
To be fair, *Isvind* by Svart Vinter didn’t win me over instantly—but after a few full listens, it proved itself. The album opens in a slower, more cautious way, which made me wonder at first if it would stand out in today’s flood of black metal. But it grew on me quickly. The more I listened, the more I appreciated its cold atmosphere, sharp riffing, and classic ‘90s feel.
The vocals—delivered by Andrea Maggioni—are precisely the kind I like. They sound like an icy wind, raw and emotional without being overdone. Combined with the pummeling drums and biting guitar tone, it creates a harsh mood but focused. The fourth track, “Ritual,” is one of the tracks that stood out the most for me. If a new listening would be able to just listen to one song to get an idea of the band, this song would be my choice. It’s a perfect example of the sound this album aims for—fast, cold, and straight to the point.
The band doesn’t try to change the genre or mix things up with *Isvind*, and it's not here to reinvent anything, and that's not necessary. It just delivers a style of black metal that’s been done many times, but that I still enjoy. If you’re looking for something new or experimental, this album probably isn’t for you. But if you value that frozen, 90s-inspired, no-frills approach—this one will suit you just fine.
The artwork deserves special mention. I’m more a fan of covers like this—simple, cold, and mystical. It gives off *Battles in the North* vibe, not the album artwork by Immortal, but the song itself. It's a beautiful landscape, and it feels just cold and a sense of loneliness. That style connects well with the music and strengthens the album.
In this day, where a lot of black metal albums are released or a monthly/yearly basis, it’s hard for any record to stick around. But *Isvind* earned a spot in my rotation. It won’t be leaving anytime soon.
## Conclusion
I can't judge *Svart Vinter's* previous work *Mist* because I haven't listened to that, but this album hits the mark for me, is it the best album this year? Probably not, does it give me flashbacks to the 90s, yes it does. And to be fair, that's all it needs to do for me, it needs to connect with me, and that it did. For those that love no nonsense black metal, give it a try. You won't be disappointed.
BMZ Rating: **7,5 – Good:** A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.
## Your thoughts on Isvind by Svart Vinter
Support the band here: [https://svartvinter.bandcamp.com/album/isvind](https://svartvinter.bandcamp.com/album/isvind?ref=blackmetalzine.com)
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: The Great Sea - Noble Art of Desolation
URL: https://blackmetalzine.com/review-the-great-sea-noble-art-of-desolation/
Last updated: 2025-06-18T15:00:00.000Z
*Band: The Great Sea*
*Album: Noble Art of Desolation*
*Genre: Atmospheric Black Metal*
*Country: Germany*
*Label: AOP Records*
*Released: April 2025*
## Introduction
If ever there was one truth that is evident in art and music it’s this; A simple concept done well with a few minor things that make it unique will absolutely stand the test of time no matter how much things evolve. Such is the case with the debut offering from German outfit The Great Sea.
## Noble Art of Desolation
**Tracklist:**
1. The Water Remains
2. Eden Unfolded
3. The Maze
4. No Peace Among Men
5. Fading
6. Upright in Nothing
7. Walking at the Edge of Death
## Rumination
The Great Sea is formed of instrumentalist duo JR & H (who have recruited guest vocalists for the album including the legend Azathoth from **Grab**) who play a huge sounding post rock infused atmospheric black metal.
So this release is honestly very uniquely sick and I think it's because of the background of the 2 artists behind it. From what I can tell they have a pretty extensive background in post rock stuff. Because of that their debut just sounds fucking huge.
The opening blast on the track *The Water Remains* when it finally kicks in after the intro is just awesome.
Music like this seems to find a really solid balance between being tied to European 2nd wave stuff whilst not being a lame copy of it. They seem to really take their background and put it to good use to make something way more interesting than people who don’t have the background in production and atmosphere design would be able to do.
I feel like this band is kind of like **Olhava** in the sense that they saw what was happening with atmospheric black metal 10 years ago with **Throne Room** and things like that and they’re basically just building upon what those projects were trying to do.
But maybe its because they just have their feet firmly in both atmospheric sound design and black metal worship, or maybe its just because the technology has gotten better, the idea of making vast landscape vision inducing black metal is just so crystallised on this release.
As a final aside, the fact this is a debut release is honestly shocking. I have no idea where this band will go from here because this record seems really hard to improve on.
## Conclusion
There’s something deeply grounding about a good nature worship black metal record, it’s like eating an apple the day after eating fucked up junk food.
I don’t have much else to say here other than this record is solid as fuck. Go buy a copy.
**BMZ rating: 8,5 out of 10**
**Support The Great Sea Here:** [https://thegreatsea.bandcamp.com/album/noble-art-of-desolation](https://thegreatsea.bandcamp.com/album/noble-art-of-desolation?ref=blackmetalzine.com)
## Your thoughts on The Great Sea
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Flagg - Diabolical Bloodlust
URL: https://blackmetalzine.com/review-flagg-diabolical-bloodlust/
Last updated: 2025-06-16T15:00:00.000Z
*Band: Flagg*
*Album: Diabolical Bloodlust*
*Genre: Black Metal*
*Country: Finland*
*Label: Purity Through Fire*
*Released: April 4th, 2025*
## Introduction
*Diabolical Bloodlust* is Flagg's third full-length album. Their discography includes *Nothing but Death* (2020) and *Cosmic Chaos Manifest* (2021), both released under Purity Through Fire. The album features eight tracks, including *"Storming the Gates," "Morningstar Rising,"* and the title track *"Diabolical Bloodlust."* The lineup consists of Flagg handling guitars, bass, and synths; Tyrant on vocals; and Krzysztof Klingbein providing session drums.
After a few good listening sessions, it's time to dive it...
## Diabolical Bloodlust
**Tracklist:**
1. Storming the Gates
2. Morningstar Rising
3. Diabolical Bloodlust
4. The Book of Death
5. Throne Regained
6. Call of Darkness
7. In Famine and in Pestilence
8. Omega Dawn
*Diabolical Bloodlust* by Flagg hit me right away with its energy and aggression. The first track opens at full speed, with no build-up or warning. From the very start, it gives off a “no surrender, no remorse” atmosphere and that energy holds strong all the way through the album.
This was my first time hearing Flagg, so I’m not yet familiar with their earlier albums like *Nothing but Death* or *Cosmic Chaos Manifest*. But based on *Diabolical Bloodlust*, they made a strong impression, and I’ll definitely go back and listen to their past work.
What stands out most to me is how the album spreads a clear “anti-sound” a kind of rejection of the modern world and its values. Like many black metal bands, Flagg isn’t just trying to sound aggressive, they have intent behind the chaos. It feels like they’re trying to say that everything needs to be burned down to the ground, and I couldn't agree more with that feeling.
Vocally, Tyrant gives a strong performance. His screams sound full of agony, like he's standing inside a burning and collapsing church. It feels like pain we’re all supposed to share in, and that’s something I’ve always felt in black metal. These days, I don’t listen to albums to feel part of something darker, like I did when I was younger, but I *do* still enjoy watching the world burn from the outside. This album fits that mood.
While *Diabolical Bloodlust* is very chaotic, it isn’t mindless. There are hints of melody, but they stay in the background, just under the surface. That’s why I would compare this album most to **White Death**—there’s that same mix of raw energy. It’s not about showing off complexity, it’s about brining more chaos into the world.
Overall, *Diabolical Bloodlust* stands out in the modern Finnish black metal scene for its clarity of violence. Bands like *Kalmankantaja* and *Sielunvihollinen* explore atmosphere and melody in more obvious ways, but *Flagg* keeps things direct and destructive. They hide their depth beneath the blast beats, and that makes the album even more powerful.
## Conclusion
This album is for everyone who likes fast-paced no - nonsense black metal, is it the best album out there, with this style? No, it's not, but that's fine. It's a decent album and I really enjoyed it. The album itself is still in my rotation when listening to music, so kudos to them.
**BMZ Rating: 7,5 out of 10 –** Good: A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.
**Support the band here:** [https://flaggofficial.bandcamp.com/album/diabolical-bloodlust](https://flaggofficial.bandcamp.com/album/diabolical-bloodlust?ref=blackmetalzine.com)
## Your thoughts on Diabolical Bloodlust
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Taär - Catharsis Till Dawn
URL: https://blackmetalzine.com/review-taar-catharsis-till-dawn/
Last updated: 2025-06-14T15:00:00.000Z
*Band: Taär*
*Album: Catharsis Till Dawn*
*Genre: Black Metal*
*Country: Greece/Switzerland*
*Label: Soulseller Records*
*Released: April 10th, 2025*
## Introduction
Crawling out of the shadows with *Catharsis Till Dawn*, **Taär** is a name that’s starting to circle the deeper trenches of the black metal underground. The band originates from Greece and Switzerland, and some of the members have been in previous bands or are still in other bands. But to me, it's a new face on the block.
Sonically rooted in the grim traditions of the late '90s Scandinavian scene, Taär doesn’t chase progress or polish. Their sound is rough-edged but clear, delivering black metal with purpose: cold, heavy, and stripped of excess. Think of the unrelenting pace of *Svart Vinter*\-era **Isvind**, fused with the spiteful grit of **Kirkebrann** and the venomous bite of **Gorgon**. Its music built for those who still believe black metal should *hurt* a little.
No pretension. No reinvention. Just black metal that reeks of conviction. Taär isn’t here to guide you—they’re here to drag you through it all.
## Catharsis Till Dawn
**Tracklist:**
1. Celestial Carnage
2. Feathered Echoes of Wrath
3. The Storm of War
4. Perpetual Descent
5. At Depths of DamnationUndead's Turn
6. Where Death Stalks Its Prey
7. The Impaler's Triumph
8. Catharsis Till Dawn
The production on *Catharsis Till Dawn* hits that balance many bands miss—it’s raw enough to keep things dangerous, but clear enough that nothing gets lost. On headphones, everything’s right where it should be, which lets the record’s cold edge really bite without descending into mud. That roughness isn’t a flaw—it’s part of the experience, perfectly suited to the style Taär works in.
The standout moment comes with the fifth track, *At Depths of Damnation*. Its opening caught the listener off guard, with a harshness that sets a suffocating tone right from the start. The track brings a heaviness rooted more in its tone and pacing than emotional weight—slow, forceful, and deliberate. Still, there’s a deeper layer to the experience: a sense of nostalgia. Not personal, but tied to a specific era of black metal—the late '90s to early 2000s—when the scene had a narrower focus, before the explosion of subgenres and stylistic detours.
The album recalls the spirit of that time, with, as mentioned, in particular **Isvind**, **Kirkebrann**, and **Gorgon** coming to mind—projects that share a similar conviction and sound. It’s the kind of black metal that doesn’t ask for permission or attention—it just *is*, and if you know, you know.
What keeps *Catharsis Till Dawn* in rotation is simple: every time it plays, it *feels* like something worth hearing. No hype, no gimmick—just solid black metal that holds its own and deserves the time it gets.
## Conclusion
And now it's time for the conclusion of this album. As said above, I enjoyed the album very much. It's a great debut album for the band, and I'm looking forward to what the future will hold in store for them, but for now, if you are into nonsense black metal, then give this album a spin, you'll like it. I'm sure of it.
**BMZ Rating: 7,5 – Good:** A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.
**Support Taär here:** [https://taarband.bandcamp.com/album/catharsis-till-dawn](https://taarband.bandcamp.com/album/catharsis-till-dawn?ref=blackmetalzine.com)
## Your thoughts on Taär
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Interview: Hellripper
URL: https://blackmetalzine.com/interview-hellripper/
Last updated: 2026-07-15T07:17:33.000Z
## Introduction
*Band: Hellripper*
*Latest album: Warlocks Grim & Withered Hags, 2023*
*Gener: Black/Speed Metal*
*Country: Scotland*
*Label: Peaceville Records*
Hellripper is a blackened trash metal band from Scottland. Founded in 2014 in Aberdeen by James McBain who is also the only full time member of the band. I had the great oppertunity to interview James after their phenomenal show at [Karmøygeddon](https://blackmetalzine.com/festival-review-karmoygeddon-2025/) on the 3rd of May and the following is what i got out of him.
## Interview
**Kilian:** So is it your first time in Norway?
**James:** No, we've been to Norway a couple of times now. We were here last in January for **Orgium, Satanicum**, Oslo, right? Also, yes, yeah, we've been to Norway. What's it? Maybe think this may beour fourth time, if I'm correct, it's always fun, man, it's always a fun time. The people are cool. This festival here is very cool. I mean, I'm enjoying this kind of taking in the town, village, wherever we are, just watching some bands chilling now, you know we're done. Yeah, for the rest of the night, we can chill and yeah, just have fun.
**Kilian:** It was really a great gig today. I mean, we were standing a bit more to the back. We did not manage to come up. It was crazy. It was really crazy. I was really surprised to see people crowd surfing. Yeah, we were just discussing it. You handled it's so great.
**James:** Yeah, no, it's cool, man. Yeah, we didn't know what to expect. You know, you never do but yeah, we just hope people like the show. Hope people enjoy it. It's always good for our kind of music, you know, if people are moving, but obviously we understand it's not that's not the kind of common thing everywhere, and lots of people don't like to do it. So, you know, yeah, you just never know what to expect, but yeah, that was crazy. Crowd surfing circle pits. There's people going there just having a good time. And yeah, just it was cool. We enjoyed ourselves, and it seemed like the the audience did as well. And that's all I can really hope for.
**Kilian:** It was really awesome. Do you have some plans , are you working on some new stuff, working
on a new album?
**James:** The rest of the year, we're going to be doing live shows, go to festivals and stuff like that through out the year, and then in between that and working on the new album, which will be releasedearly next year, if, if all goes to plan andyeah, then the cycle continues. We'll be doing more live shows and
rock and roll.
**Kilian:** Yeah, I remember, is it still like that you're doing everything basically on your own, yeah?
**James:** So the albums are all recorded at my house by me. Just myself with a few others. I get other people to kind of do guest vocals. I get someone else to do the Master. Yeah, I like to do as much as I can by myself. Just, it's just the way I like to work. And yeah, I enjoy doing it. It's my hobby. It's my passion. So,
yeah, I hope to carry on doing it that way.
**Kilian:** You worked together with **Avertia**, right?
**James:** Oh, yeah, yes for [*Midnight Returns*](https://blackmetalzine.com/avertia-midnight-returns/), yes, I did a song. Yeah, I did that a while ago. Yeah, man, I've spoke with him for a while now, and we've always, I always meant to do something we just never had the time. And luckily, yeah, this time it worked out. And yeah, it was cool. Yeah, it was cool.
**Kilian:** Well, it was nice listening to it. He's our best friend, he actually came to Austria for us for our wedding. He sent me the tracks up front and I was like, well, that sounds kind of familiar, yeah? He was like, oh yeah, we're working together with another band. I'm not allowed to say it up front now. And I was like, is it Hellripper?
**James:** Yeah, it's always fun to do some vocals on a track. You know, it's a different process, when I'm doing vocals for my own stuff, obviously, I mix everything, and I do, like, a million takes, and I change everything, and the instruments change, the mix changes, and I redo things. Where as, doing something with someone else, it's what they want to hear is, you know. So you never know what they want to do until I just get to do it. I do my best and I say, Is this okay? They say, yes or no, yeah.
**Kilian:** Awesome. Well, thanks. Thank you so much man.
**Support Hellripper here:** [https://hellripper.bandcamp.com/music](https://hellripper.bandcamp.com/music?ref=blackmetalzine.com)
## Your thoughts on Hellripper
We’d love to hear your thoughts on Hellripper, black metal and music in general! Share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Festival Review - Karmøygeddon 2025
URL: https://blackmetalzine.com/festival-review-karmoygeddon-2025/
Last updated: 2026-07-16T17:16:07.000Z
**This May it was time for another round of our beloved Karmøygeddon. It was a special one as it was the 20th anniversary of the festival so Boenna, King G and me went there to tell you everything about it.**
As always the socalled "friendly hell" took place directly in the city center of Kopervik with a slightly bigger tent then usual but I guess it was less because of tickets but more weather related as it was pretty cold and rainy throughout the 3 days. Nonetheless we had a lot of fun with a line-up packed as hard as this years.
Coming to the most important part... the shows.
## Day 1
**Kilian:** For me and my wife the first day kicked of with **Sodomisery**; they delivered a great energy fueled show but were sadly plaqued with sound issues. We just got the time to hook up with some of our friends, among them our editor, Boenna and his bandmates in Ulvhedner, but they quickly dispersed as they had to make sure to secure their spot at;
**Mistur**, the sognametal greats. We failed to get a decent spot in the small venue, as it was completely packed, so I have to relay on the reports of KingGorthaur and BoennaBornai:
**KingGorthaur:** I arrived a bit late for **Misturs** set (life as a new dad) and missed out on my photo opportunities but I stayed on the side of the photo pit and enjoyed their entire gig. A lovely energy on stage by the band, nicely mirrored by an eager crowd. Beautiful melodies of their sognametal clang in the room while our editor Boenna was screaming his lungs out on the barricade.
**Boenna:** I was screaming my lungs out trying to get KingGorthaur or Killian to bring me some more beers as I was completely crushed up against the barricade in front of the stage. There was not a chance in hell that I was gonna miss this rare oppurtunity to experience some true Sognametal on the same stage I've played myself. I tried desperately to take some pictures but it's mostly blurry images of sweaty, half naked men drenched in beer so I choose to keep them in my NSFW folder.
**Kilian:** For us the next big show was **Cor Scorpii**, more Sognametal, who played a fantastic form of melodic black metal which I really enjoyed. My wife called it adventure black metal. A big highlight of the festival with them opening the main stage accompanied by the local Kirsten Jørgensen of **Evig Natt**, with her astounding opera-like vocals.
**Boenna:** **Cor Scorpii** delivered one of my true highlights of the festival. Their sound and stage presence was a perfect fit for the big tent.
**Kilian:** We skipped **Bloodred Hourglass** to fuel up on beers and food so we had the energy needed to stay the course.
After our refuel we rocked out to **The Carburators**. Those guys delivered an awesome form of heavy rock, which was like a mix of Elvis Presley and Motörhead. We really enjoyed them and their stage presence, it was a refreshing change of style in between all the black and death metal bands. It was a lot of fun and we danced like we went back in time to a 50's diner show.
**Covenant** delivered symphonic black metal like no other with playing Nexus Polaris in full. They really kicked ass after being gone for so long. Definitely a highlight of the whole line up. If you get to see them on the road,make sure to do it! You will not be dissapointed; insane musicianship, great vocals and a fantastic atmosphere.
**Boenna:** **Covenant** made me do it! I pushed my way to the front of the big stage, motivated by beers and great music. From this point on my memory of the evenings proceedings are a bit faded so all I can say is that I truly enjoyed it.
**KingGorthaur:** **Misthyrmin**g brought the Icelandic ashe and blood to the small stage right after Covenant had layed their final symphony over the main stage. The venue was packed as the blood soaked men walked up on stage. Starting off with Orgia, Misthyrming delivers pace and crushing riffs. My own lungs and neck got a good workout from this gig.
**Kilian:** For **Decapitated** we hung more to the back of the audience behind the sound booth. Great show, played all the classics and i must ashamingly admit , i might have copied their sound settings ;).
And now to the cherry on top; **Rotting Christ.** After seeing them for the first time at Karmoygeddon 2023 as a support band, they got the top spot they truly deserve this year. What can I say except that we got the headliner show we would have loved to see in Vienna three weeks earlier. Non stop great songs with an energetic crowd that went completely crazy, myself included. And my highlight; they played *Grandis Spiritus Diavolos*. A powerful, wild song, that makes you scream from the top of your lungs.
## Day 2
**Kilian:** The day began with an Austrian band; **Roadwolf**. These guys took us back to the 80s, with their stage presence, vocals and outfits. A great start for a promising day.
Next up was **Whoredome Rife** who delivered a satanic , hell unleashing fury of black metal that woke up anyone who was still tired or hungover from the first day. Pure Nidrosian Black Metal. Hard, fast and crazy, for an old school BM enjoyer like me, this band has been on my to do list for a long time.
**KingGorthaur:** As my colleagues were enjoying themselves with beer and tonics, I was on duty to report for you all. I have to mention **Whoredom Rife** aswell here because that show was fucking amazing. One of my favourite times seeing them, I just wish there were some more death up on the stage. Intense, raw and got my pump tick abit faster!
**Kilian: Eclipse** were the follow up for us and they performed a swedish take on arena rock and definitely got the audience moving.
One of my most anticipated bands, but sadly turned out to be a bit disappointing for me was **Borknagar** who played next. Do not think that they played bad; no they were fantastic as always., The problemn for me was to do with their setlist being of the more mellow and melodical kind and they would have been a much better fit later in the evening with the darkness combining with the mood of the music. Nonetheless I really appreciated their performance especially ICS Vortex's bass playing skills and vocals.
**KingGorthaur:** **Einherjer**, the local pagan metal band is a big favourite for alot of Karmøygeddon goers, myself included. The band had big smiles and energy on stage, alot of great guitar work between the members and occational salutes to their familiars in the crowd. I enjoyed their set but felt like the songs picked could have been somewhat stronger, but I dont get to make the setlist so my loss there, hehe. Overall very enjoyable and it seemed like the rest of the festival had the same thought.
**Kilian:** What can i say (what can i do.. pun intended) about **Dead by April**. Their music is far from my liking being a metalcore band but they delivered one hell of a performance and knew how to get the crowd going. I have to admit I may have enjoed a song or two... Great musicians , well written songs and a stage presece that got everyone moving at some point, especially when they told the audience to sit down and then jump up as crazy as one can for the breakdown of the song. (My wife still blames me for not catching a drumstick).
As us being social people it was the last show of the day for us, because we retreated up into the lounge area with Boenna and Ulvhedner to have some beers and gin tonics and called it a day.
**KingGorthaur**: **Frantic Amber** was playing the small stage before bands on my skip list took hostage over the proceedings for a few hours; so I decided to check them out before my break. I had never heard of the band before and was surprised to experience a full on female death metal band out of Sweden rock the stage. Dressed to kill, the women of **Frantic Amber** delivered lightning riffs, thundering drums and deep growls. Very good stage presence from all of them and especialy vocalist Elizabeth had great audience interactions. Check them out if you get the chance!
**Boenna:** I woke up many times this friday. One of the times was successfull. So I made it to the festival and I got to see some of the bands. **Frantic Amber** was really good, made for a great show on the small stage. **Slagmaur** killed me. Thank you.
**KingGorthaur:** After having a break at home while **Dead by April**, **Jorn** and **Hammerfall** were terrorizing Karmøygeddon, I came back to see the last band of the day, **Slagmaur**. The band that I had falled in love with since before I even saw them first at their great gig a few years prior at Karmøygeddon Arctic festival was now back and I had too catch them. So at 01:00 I was back in the pit to cover the masked riff lords. Starting off with *The Drummer of Tedworth*, Slagmaur set the mood straight, washing away the power metal played moments earlier by **Hammerfall** with long, atmospheric and heavy fucking riffs. **Slagmaur** has this terrific nasty sound that I love and that love can also be seen on fellow **Slagmaur** enjoyers at the barrycade. (Sorry, not sorry Sigbjørn)
## Day 3
**Kilian:** The last day kicked of with what would become one of our favourites of the whole festival; **Månegarm**. Their Viking fueled death metal pushed everyone infront of the big stage. Melodic , hard hitting and overall fantastic show. In the words of Lady Gaga; it was talented, brilliant, incredible, amazing, show stopping, spectacular, never the same, totally unique, completely not ever done before and so on. Definetly go to see them if you like your vikings to be less plastic and Netflix like Amon Amarth.
**Evergrey**, the swedish prog metal titans hit the stage next and they werre faboulous. To be honest I did not listen to them before and it was a surreal experience with their digital screen show accompanying their really awesome music. They delivered so hard that we bought tickets for their tour with **Katatonia** that the same evening.
After leaving **Evergrey** we watched **Hellripper** with their black metal fueled thrash on the small stage and boy did they go hard. Even in the small room everyone was crowdsurfing and moshing. A memorable experience for sure , even better; I got to [interview](https://blackmetalzine.com/interview-hellripper/) them afterwards.
**KingGorthaur:** **Hellripper** is a band that I've enjoyed for a while so I was excited to see them live finaly. And what a ride I was in for. Man after man came flying over us in the photopit here in the small venue. The photopit cant really be called a photo pit as its small as fuck. There is no space between the barricade and stage other than the support-beam distance of the barricade. So cramped up here taking photos while grown as men were tossed over and beers pouring out were not ideal, with the first oppertunity to get out and to the side of the stage, I did exactly so. Incredible showman-ship on stage, James knows how to hype up his crowd and make a good show. The band was having a great time despite beeing their own security for some reason at this gig. Inbetween shredding and screaming the band had to catch the crowdsurfers flying in onto them. This only seemed to add joy to their already good mood as they started handing out some beers here too!
**Boenna: Hellripper** was awesome, like being a kid at a hardcore punk show, brought back a lot of memories. It certainly got me in the mood for the next band on the same stage.
**Kilian:** Next for us was; **Varathron** , the greek legends. After scoring a good vantage point in front of the small stage we ended up in the pit by accident. They were one of the hardest hitting bands I have ever seen live but unfortunately we had to leave after I took a knee to my face and an elbow to my ear. It nearly knocked me out and made me feel dizzy and close to unconciouseness, but **Varathron** were awesome and still worth; 10/10 would watch them again, maybe this time with a rugby helmet.
**Boenna: Varathron** is a fucking gem of a band. How they are not playing bigger stages is beyond belief. It was awesome being all up against the barrier in front of stage, but it got very wild as we had to shield some of our smaller sized friends from the ravaging moshing. Unfortunately I couldn't save Kilian as I saw him being tossed around in the pit like the silver ball inside a pinball machine, I poured some of my beer into my mouth as a last showing of respect to my fallen comrade.
**Kilian:** Last but not least the festival weekend headliner ... the mighty **Satyricon**. I finally got to see them delivering a headliner set. and without lying I think this was the best show I have ever attended. They played all the great songs except *Phoenix* but I was so crazy, full of adrenalin, beer and in a state of euphoria that I have to admit I can not say more than that. They are still going at full speed and as Satyr would probably put it; ...they definetly aged like fine wine.
**KingGorthaur:** **Satyricon** played a fantastic show here, topped only by the show I saw two weeks prior at Inferno Metal Festival where they had **Sivert Høyem** join them to perform **Phoenix**. This gig however was still great with alot of banter from Satyr, with some good reminesence and history telling before playing *Hvite Krists Død*. At this gig too the crowd were tossed around and surfing non-stop. The guards were sweaty after this show, thats for sure!
**Boenna**: **Satyricon** are seemingly one of the few bands that are able to combine good stage production and professionalism with still remaing connected to their roots and original ethos, anti-religious black metal. They walk a fine line between catering to the masses and being anti-establishment but tonight none of that mattered as they delivered a great ending to this truly amazing, one of a kind festival.
## Conclusion
**Kilian:** If you want to go to a festival where you can see all the bands on the bill throughout not get dissapointed, come to Karmøygeddon; but be aware at this point the festival passes for the 2026 edition are already sold out. This is definetly my favourite metal festival and I hope I can attend it many more times. (@Johnny can you hook us up with two passes?)
## King's Gallery
**\[robo-gallery id="18638"\]**
## Your festival plans
We’d love to hear your plans for the festival season! Tell us through our social media channels, or join our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Urisk - Shriveling Lights
URL: https://blackmetalzine.com/review-urisk-shriveling-lights/
Last updated: 2025-06-12T15:00:00.000Z
*Band: Urisk*
*Album: Shriveling Lights*
*Genre: Atmospheric Black Metal*
*Country: Germany*
*Label: Independent*
*Released: April 25, 2025*
## Introduction
Urisk is a two-piece Black Metal act from Bonn, Germany, consisting of vocalist Marleen Bugener and guitarist/producer Benedikt Brixius, when performing live they are supported by Marius Paulus (bass), Christoph Thiem (guitar) & Pepe Roldan Duran (drums). Formed around 2024 and releasing only a demo to date, the duo has brought forth its first full-length offering to the altar of Black Metal.
## Shriveling Lights
**Tracklist:**
1. Moonburnt
2. Grip of Fog
3. Urisk
4. Harbinger of Despair
5. Shadow of My Lunacy
6. An Eala Bhàn
Crushing. Haunting. Beautiful. These 3 words encapsulate Shriveling Lights essence perfectly. An impressive and interesting blend of black metal, taking equal parts atmospheric and progressive and fusing them into something altogether unique.
Marleen’s vocals really stand out to me as she layers shrieked growls and cleans in a way that is both elegant, yet poignant and aggressive. Whilst listening to the album, I was blown away by how much her shrieked vocals remind me of Onielar from **Darkened Nocturn Slaughtercult** at times.
The music itself lends an incredible atmosphere to the album. Shifting between waves of melancholy and despair, to absolutely crushing, groove laden riffs. Benedikt’s guitar work throughout the album is accomplished and memorable. While Urisk is a two-piece, they were joined by session drummer Filip Gäddnäs, whose performance on Shriveling Lights was absolutely top-notch.
Urisk live line-up, photo by [@frida.nordlys](https://www.instagram.com/frida.nordlys/?ref=blackmetalzine.com)
Harbinger of Despair is my favorite track off Shriveling Lights. It's a bit of a slow burn, opening itself before the listener with a delicate and atmospheric intro. Gradually cascading into a full-blown inferno. The latter half of the song is especially satisfying, evolving into a catchy and melodic pay off with quite possibly the heaviest riff on the album.
## Conclusion
Weaving together a seething hellscape of dissonance and brutality among passages of clean vocals and dreamlike ambience, the duo have crafted something truly unique that stands out from the mundane, and often repetitive formula for black metal.
**BMZ Rating: 8 out of 10**
**Support Urisk here:** [https://urisk.bandcamp.com/album/shrivelling-lights](https://urisk.bandcamp.com/album/shrivelling-lights?ref=blackmetalzine.com)
## Your thoughts on Urisk
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Ondfødt - Dimsvall
URL: https://blackmetalzine.com/review-ondfodt-dimsvall/
Last updated: 2025-06-10T15:00:00.000Z
*Band: Ondfødt*
*Album: Dimsvall*
*Genre: Black Metal*
*Country: Finland*
*Label: Eisenwald*
*Released: 16th of May 2025*
## Introduction
In the dense, frostbitten wilds of Finland, Ondfødt stands tall among a new generation of black metal bands wielding old fury with a refined sound. With *Dimsvall*, they’ve unleashed an album that is both punishing and deliberate—a testament to the kind of focused aggression that one should expect when listening to Black Metal. Drawing on their Scandinavian roots and bolstered by a modern, cold-blooded execution, Ondfødt offers a work that doesn’t just echo tradition—it sharpens it.
## Dimsvall
**Tracklist:**
1. Dimsvall
2. Födärvis tid
3. Tuonela
4. Futuria
5. Svartsyn
6. Grymhejtins ansikt
7. Längton efter mörkri
8. Bakom blekna skuggor
9. Stormin
*Dimsvall* opens with a quiet, rain-drenched instrumental—folk-tinged and haunting. It sets the stage not with fire, but with *fog*—and then the storm breaks loose. The second track is a straight-on blitz: fast, tight, and merciless. This isn’t chaos for its own sake—it's calculated fury. Drummer Tommi Tuhkala (also known from Outlaw) anchors the album with surgical precision, his performance driving the record like a war engine. From there, the album maintains a near-relentless pace.
The third track makes it clear: this album isn’t easing up. Yet for all its intensity, *Dimsvall* avoids monotony. There's enough variation in tempo and tone to keep the listener engaged, even as the overarching mood remains bleak and aggressive. Vocally, the album hits that cold, viciousness that I prefer—suited perfectly to the sound. A standout moment comes in the fourth track, where a scream erupts with such anguish it feels torn from the soul. That’s the kind of moment on an album that resonates with me the most—it *hurts*, and that’s precisely the point.
The title *Dimsvall*—Swedish for “Fog Valley”—deepens the experience. It contextualizes the cover art: a ghostly boat drifting through a mist-choked forest, bones on the banks, a sun that gives no warmth. It’s not just a grim aesthetic—it’s a passage. A journey through myth and death, echoed in every note of the album’s sonic violence.
## Conclusion
*Dimsvall* doesn’t reinvent black metal—and it doesn’t need to. Ondfødt understands that evolution can come through refinement and intensity, not reinvention. This album is cold, furious, and unapologetically focused. While it’s hard to say whether it will stay in rotation five years from now, what matters is that it *demands attention now*. Like their earlier work, *Dimsvall* proves that Ondfødt isn’t just participating in the Finnish scene—they’re helping define its current peak.
**BMZ Score: 8,5 out of 10**
**Support the artist here:** [https://ondfodtofficial.bandcamp.com/album/dimsvall](https://ondfodtofficial.bandcamp.com/album/dimsvall?ref=blackmetalzine.com)
## Your thoughts on Dimsvall by Ondfødt
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Festival Review: Fortress Festival 2025
URL: https://blackmetalzine.com/festival-review-fortress-festival/
Last updated: 2025-11-30T15:42:11.000Z
This is the third year of Fortress Festival running, and my third year attending - with each year boasting impressive lineups from across black metal and its various subgenres. Amongst the couple dozen bands playing this year are **Agalloch**, **Forteresse** and **1349** who are the top billed acts. Organised by Reaper Agency, it is one of the main black metal festivals in the UK, a weekend held in North Yorkshire dedicated to this extreme metal genre we all love so dearly.
## Day Zero; Arrival
After driving 250 miles south, I reached t'north. Scarborough, a quintessential seaside resort town in North Yorkshire; sandy beaches, sticks of rock, arcades, overpriced tat shops. What better place for a Black Metal festival.
I checked into my AirBNB and reunited my two mates who I shared with last year, along with a couple of new faces who had been convinced to come join us.
As we wander the town for some food and drinks, I spot many familiar faces who I know from the UK black metal scene as they all congregate to the pubs and bars of this quaint seaside town, ready to paint the town black for the weekend.
## Day One
The sun is shining, amazingly none of us have sore heads from last night, and we are ready to start a hell of a weekend.
#### Nemorous
Third time I’ve seen **Nemorous**; Once with **Ante-Inferno** & **Fuath** in Glasgow (A show I mentioned in my **Ante-Inferno**/**Ultha** gig [review](https://blackmetalzine.com/concert-review-ultha-ante-inferno-wolvesrot/)) and at Fortress Festival ‘23 where the guitarist broke a string, and the rest of the band awkwardly stood around for 15 minutes with dead air, just staring at him looking a bit miffed.
Thankfully no such incident occurred this year as they played their upcoming debut album for us - absolutely the best I've heard them sound, and they have me very excited to get my hands on the album.
They finished off bathed in green light as they languidly and appropriately atmospherically came to a conclusion to their set, a grand entrance to the weekend for sure.
#### Perennial Isolation
The shrieky vocals of the Spaniards filled the Ocean Room accompanied by solid rhythmic blast beats, with the lead singer asking the crowd every two minutes if they were ready, and reminding them they were at Fortress.
It seemed the guitarist may have had some issues with their volume knob on the guitar, as it started off all the way down and then multiple times whilst playing he seemed to knock it back down, causing his guitar to intermittently mute itself.
#### Aquilus
These atmospheric folk black metallers from Australia slowed down the pace for a while to make for a more ambient mood, although they had some serious sound issues, unfortunately. During the first few songs all we could hear were the drums and a bit of violin - the only time I heard the bass was during a bass solo intro to a song that immediately got lost once the drums kicked in - and the guitars were just muddied into the mix.
They were not hugely my thing, perhaps it was the sound mix putting me off and I need to check out their studio stuff more than just a onceover in the weeks leading up to the festival. But it did give me a chance to go check out the merch tables whilst they finished their set.
#### Devastator
So from the slower pace of **Aquilus** here we are at the other end of the scale, being brought right back up with the black thrash blasts of **Devastator**. If anyone was still tired or hungover before they took to the stage, then they certainly weren’t anymore, as *Black Witchery* got the whole crowd moving and headbanging.
“We’re gonna play as many as we can” yelled Thomas (vocals, bass) rattling through song after song, with *Worship the Goat* kicking off a large circle pit. Certainly, no rest for the wicked as he once again yelled to the crowd “We’re not gonna give you a fucking break” as they began *Spiritual Warfare*.
This was a whole lot of fun, and really what I needed for my brain to go “you’re at fucking Fortress” and wake up fully.
#### Spirit Possession
Things remained high octane as the duo of **Spirit Possession** were up next. Bathed in just the red light of their logo behind them they kept up the pace of **Devastator**. For a two piece their sound was absolutely massive, they filled out the main hall with their dark atmosphere and technical playing.
Definitely a band I would love to see again in a more intimate venue, hopefully they can return to the UK in future on a tour where I can catch them.
#### Suldusk
Atmospheric folk black metal from Australia slowed down the pace… hang on am I repeating myself? Yes this very much did feel like **Aquilus** continued in part with the folky instrumentation, violin, and even several familiar faces from the **Aquilus** stage were present on the **Suldusk** stage - though their performance did have some more angsty heavier parts thrown in.
I will say that the instrumentation was much clearer than **Aquilus** and I could hear everything as it was meant to be - just something you tend to find with the Ocean Room performances rather than the Main Stage ones due to the building design and acoustics of it. They played several brand new songs for us which I believe may have been their live debut.
####
The Great Old Ones
The lovecraftian themed black metal band who have delivered one of my favourite albums of this year so far, Kadath - so I was very excited for them to take to the stage and managed to get to the barrier for them.
Wow, just wow. That is all I should say, as they were simply amazing and possibly my favourite performance of the day, perhaps weekend overall.
They had incredible energy, atmosphere and stage presence and put on one hell of a performance that sounded great. All issues I had with the Main Room stage sound from before had simply disappeared with these guys on the stage (thankfully it seemed to stay that way for the rest of the festival too!) as they opened up with *Me, The Dreamer*.
I did laugh at one point when a single smoke burst went off during a song - well timed and obviously intended for the moment, but it felt like a PG-13 film getting a single allowance of the word “fuck” and carefully picking the moment for it to be appropriate.
They played five songs in their fifty minute set and closed off with *Under the Sign of Koth*, this was a spectacle to behold and I could not have been happier.
#### Sylvaine
The third stage of Fortress is the Theatre Stage, a more mellow space where on day one you could sit for **Darkher**, **Osi & The Jupiter** or **Sylvaine** and on day two they held discussions with people from the scene.
I felt I ought to experience at least one show in this space this weekend, unfortunately these are the only clashes of the festival so I had to pick carefully which one - and it ultimately came down to me missing out on **Selbst** so I could watch **Sylvaine**.
A very different experience to the rest of Fortress, with just Kathrine Shepard on stage performing a mix of ambient post-metal, blackgaze, & folk style of music with performance dance thrown in. The chorus driven guitar and ethereal vocals induced a trance like state, where it may not have normally been my thing but I was mesmerised by the show.
#### Ruim
Stage props! This was the first band that actually had any stage setup with pop up flags and metal tridents, as well as two braziers flaming away (I felt for the drummer being surrounded by fire, as it was very warm on Saturday and many people did complain about the heat).
Another band I had highly anticipated for the weekend and they absolutely delivered with their fantastic energy. The atmospheric low lighting as the smoke filled stage was often lit by the red of their logo and the two braziers was wonderful, and they were another of my favourite performers of the weekend.
And as if their set couldn’t get any better, we also got a bonus cameo, as Ravn from **1349** joined on stage to sing **I Am Thy Labyrinth** by **Mayhem** with them.
Although I was fairly far forward, it was hard not to notice the mass crowd leaving behind me as they wanted to get into the Ocean Room for **Akhlys** before it hit the 850 person limit.
####
Akhlys
As expected, the Ocean Room was full, we managed to get in the line fairly fast but it quickly grew longer backing up into the main room itself. Thankfully I managed to get in just towards the end of what I believe was the first song of their performance and grabbed a spot at the side.
And although I could not see so great, I absolutely could hear their outstanding performance of discordant guitars and guttural growls - as full on oppressively evil sounding live as they are on their studio recordings - even if they do wear some goofy masks on stage.
The crowd (myself included) were absolutely loving their show, which is why it seemed so odd when they abruptly came to an end and walked off stage, leaving the crowd standing around wondering if that was really the end or if they were expecting some sort of encore.
Nonetheless, we made our trek back downstairs for the last time that day ready for the headliner.
#### 1349
**1349** are a band who hold a special place in my heart, as they were one of my first black metal bands I was introduced to when I was about 9 years old, so seeing them is sort of a childhood dream come true I suppose, as weird as that sounds. Naturally I had to get closer to the front again, finding a decent spot towards the middle of the stage just a couple rows back.
The room was dark as a deep rumbling coursed through the entire venue - hearing protection be damned you could feel this inside your skull.
Two members stepped out of the dark, and breathed fire across the front few rows - as if it wasn’t hot enough already in here. And then they kicked off straight into the *Ash of Ages*, lead single of their 2024 album *The Wolf and the King*.
Though it may have been a hell of a start to the show, it seemed Frost was not happy with his drum setup and we had a ten minute intermission to adjust some technical difficulties (I later learnt it may have been the triggers, though I am not sure).
And then we were back, into *Slaves* as the machine behind the drums absolutely belted out his blast beats for us. *I Am Abomination*, the whole band just nailed their sound and sounded so tight playing for us tonight. Song after song and I was giddy with finally seeing them live for the first time (and hopefully not the last).
A farewell bow from **1349** bids us adieu for the evening, and with that day one is over.
## Day Two
#### Abduction
Yes I am once again seeing the fantastic **Abduction**. This is the third time in less than a year - but they are always well worth seeing due to their incredible performances.
What a way to start the day it was, as they performed their new album *Existentialismus* for us in full, an album I am already hugely familiar with and highly recommend checking out if you haven’t done so yet.
Their amazing performance was accompanied by visuals on the screen, a mix of animated versions of their album artwork and recuts of their music videos. The only thing I feel that was missing was A|V bringing out his wee skull pal to hold above his head.
**The band departs the stage, but the crowd do not depart - we all know what is about to happen. The Fortress Festival 2026 headliner is being announced on the large screen behind the stage…**
**The house lights remain off, as music starts playing over the speaker system. A face appears on the screen along with “Reaper Agency presents” - Old Man’s Child will be a UK exclusive for next years festival.**
#### Belore, Dödsrit & Autumn Nostalgie
I didn’t take as many notes on Sunday, and so I’ll combine some of the artists together.
**Belore** provided us with wonderfully atmospheric music with medieval and fantasy themes appropriately accompanied by flute. Two songs into their set though I got a message from a group of friends who were downstairs in the sunshine enjoying a pint… and I’ll be honest, I wasn’t going to go turn that down as I had somehow managed not to see these people at all on Saturday. Sorry **Belore**, I’ll see you next time!
We all made our way in for **Dödsrit** \- a returning band from last year. They put on an excellent performance of tight instrumentation and harrowing vocals of anguish. I can’t really say much more, but they were a highlight of the day for sure, and I had great fun watching them and definitely need to check them out more.
**Autumn Nostalgie**, on the other hand, were beautifully bleak, performing their debut album *Esse Est Percipi* as well as a couple of songs from other albums.
#### Moonlight Sorcery
In a single word? Fun.
This was the most engaging and fun band of the entire festival, and I expected nothing less having gotten into their music late last year and thoroughly enjoy every moment of it. It’s melodically upbeat black metal, very rhythmic with harmonised guitars and keys. The entire crowd was reacting to every action on stage and everyone left in such good spirits where I overheard people saying how good of a performance it was.
#### Aristarchos & Ulcerate
The black clothed figures of **Aristarchos** took to the stage dramatically, as the lead singer held his hands together akin to Mr. Burns saying “excellent”. Okay, maybe that wasn’t his intention, but the thought would not leave my mind as he held that pose for much of the performance.
They were, however, absolutely solid performers, and I’m not just saying that because they’re also based up in Scotland - no bias from me here.
Next up in the main hall were the kiwis **Ulcerate** with their slightly avant-garde technical death metal sound. They certainly knew how to make an entrance, with a loud bassy *bwaaaaam* as the lights strobed away, making me feel like I was in a Christopher Nolan film.
I stuck around for a few songs, and they were by far the heaviest band of the festival. Unfortunately, death is just not one of those genres I ever got on with, and does not grip me the same way **black metal** does. (*ok we'll see about that raise, editors note*)
I went to enjoy some sunshine with friends again, catching up on what people had thought of the weekend so far and what shows they had upcoming later down the line.
#### Grift
This was my big pleasant surprise of the weekend. I was surface level aware of Grift having given their discography a couple playthroughs at some point in the months leading up to Fortress, but wow.
Erik slowly lit some incense sticks as black and white footage played on the screens either side of the stage; puddles, broken windows, fallen over trees, abandoned buildings, deer skulls - really hammering home the themes.
They played *Syner* in full, as it is the ten-year anniversary of the album and their performance was absolutely everything it needed to be, and I left with a new-found appreciation for this band. Another highlight of the weekend for me, for sure.
#### Forteresse
Listen, I know who is up last in the lineup, but for me, these guys are the headliner of today.
Relentless blast beat attacks with tremolo riffs and an insane performance. But this isn’t just black metal, this is Metal Noir Québecois…
They put on such a powerful show even with technical difficulties. One guitar seemed to stop working part way through, but they kept going with their show and sounded great despite the thinner sound. They managed to fix the issue and concluded their show with *Vespérales*.
#### Fen
The British atmospheric black metal band **Fen** were up next to follow that act of **Forteresse** and right before **Agalloch** \- no pressure then.
They played *The Malediction Fields* in full, a dark atmospheric album with strokes of sorrowful post-metal influences and their show lived up to it.
Though once it hit 21:00 it was like the **Agalloch** clock went off in everyone’s minds, as what felt like half the crowd departed the Ocean Room downstairs to go and find a good spot for the festival closer, despite there still being half an hour of **Fen** left. I did feel bad for them, but I guess they were thankful for those of us who did stick around until the end of their wonderful set.
####
Agalloch
And here we are, the grand finale of Fortress Festival 2025.
For some people this is what their ticket was all about, this is what made them buy a ticket and the sole reason they were here. For me they were just a bonus on top of a festival I was already coming to and to finish off the fantastic lineup that had played across the two days ahead of them.
**Agalloch** are one of those bands some people are so passionate about, and whilst I enjoy them now and again I never find them high up in the list of bands I’m rushing to listen to despite my love for slower based atmospheric black metal.
The curtain was drawn across the stage for the first time over the weekend. What laid behind it? What mysteries does it obscure? Have they some elaborate stage setup, or a grand array of props?
The curtain slowly opens to reveal… the same stage we’ve seen all along, empty.
The members slowly walk out one by one as an ambient track plays. Yeah I’m not sure what the curtain was for either.
Their echo driven guitars fill the Victorian venue as the crowd sway and headbang to the music, people around me are screaming in excitement or weeping with emotion as they play tracks spanning their discography.
“This is a song from our new album” John Haughm begins, just to tease the audience before finishing his sentence “that was released 11 years ago”. He has a laugh about it before admitting “that was mean” and they begin *Dark Matter Gods* from *The Serpent & the Sphere*.
Following that he talks with the crowd a bit more, “It’s a banger” as he refers to *Ashes Against the Grain* before playing *Falling Snow* and *Not Unlike the Waves*.
They finish the show laying on the stage, guitars ringing out as they fiddle with guitar pedal knobs to create a variety of soundscapes to conclude the weekend with.
And then, it’s done. Fortress Festival 2025 is over and we all make our departure for the last time from Scarborough Spa.
#### Day Four; Departure & Final Thoughts
Fortress Festival is finished for another year, but we have 2026 to look forward to now with **Old Man’s Child** headlining, along with worldwide debuts and mostly all European and UK exclusives.
The mind wonders about the possibilities, but we will find out in time. One thing is for sure, you’ll be seeing me there again.
Overall the weekend was just amazing, I had such a wonderful time as I knew I would. “It’s like black metal Christmas” was a phrase I overheard from another person which accurately describes Fortress Festival.
The infamous merch mafia did take a hit out on me, and took a lot of my money as a result - but new records to spin and patches to sew will keep me happy from the post-festival blues.
I’m glad I managed to get a chance to thank Gary Stephenson, director of Reaper Agency on Sunday, and just congratulate him on such a great festival once again.
I would also just want to thank everyone from the bands that played, the people behind the scenes, and all the people who travelled the world to be there - everyone made it such a special weekend. It was great meeting familiar faces and new people alike, and here’s to more of that next year.
***Now if you’ll excuse me, I need to go binge some Old Man’s Child and become familiar with them some more.***
##
Photo gallery
**Check out more details about the festival here:** [https://www.fortressfestival.co.uk/](https://www.fortressfestival.co.uk/?ref=blackmetalzine.com)
##
Your festival plans
We’d love to hear your plans for the festival season! Tell us through our social media channels, or join our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Bloody Valkyria - In Our Home, Across The Fog
URL: https://blackmetalzine.com/review-bloody-valkyria-in-our-home-across-the-fog/
Last updated: 2025-06-06T15:00:00.000Z
*Band: Bloody Valkyria*
*Album: In Our Home, Across The Fog*
*Genre: Melodic/Atmospheric Black Metal*
*Country: Finland*
*Label: Northern Silence*
*Released: April 4, 2025*
## Introduction
Bloody Valkyria is an extremely promising new Melodic Black Metal band hailing from Finland. Helmed solely by Jere Kervinen. Last September saw the release Of Bloody Valkyria's debut album *Kingdom in Fire*, a conceptual album based around the stories from J.R.R.Tolkien's novel *The Silmarillion*. Now, less than a year later, Kervinen has graced us with yet another offering, his second full length album, let's investigate.
## In Our Home, Across the Fog
**Tracklist:**
1. The Fallen Leaves Tell a Story
2. Imbued with the Rune of Death
3. Tale of House Hoslow
4. From Stormveil to Liurnia
5. Radahn Festival
6. May Chaos Take the World
7. The Loyal Half-Wolf
8. Age of the Stars
Whereas before the concept was Tolkien inspired, this time around with *In Our Home, Across The Fog* the inspiration is drawn from the lore of Elden Ring.
The album is masterfully crafted. Beautiful, breathtaking, melodic and aggressive. Picking up where Kervinen left off on *Kingdom In Fire*, *In Our Home*... somehow manages to elevate that to the next level. The production of this album is a noticeable improvement from the debut, giving the overall sound a much more polished and cohesive vibe, all the while maintaining the epic atmosphere Bloody Valkyria does so well.
It's astonishing and rather prolific that this is the work of a single person. It's an impressive follow-up, especially considering that the debut was released less than a year ago and continues to showcase Kervinens prowess as a composer and multi-instrumentalist.
Most impressive, to me though, is the guitar work. Kervinen is an incredibly talented musician and his guitar playing really shines throughout this album. There isn't a single riff that somehow doesn't fail to captivate. Whether it's weaving melodic, tremolo-picked passages, around bursts of symphonic instrumental pieces, folk inspired acoustic sections or well structured, tasteful solos that suit the songs very well without being overbearing or too flashy. The album has it all.
The lyrics are incredibly well written, weaving a narrative that echoes Elden Rings complex and rich storytelling. Combined with the music as a backdrop to the lore the album is an incredibly immersive and atmospheric listen.
When considering my favorite track off the album I can't quite pick just one, but there are definitely a few that stand out for me. *Imbued With The Rune Of Death* and *May Chaos Take The World* stand out.
## Conclusion
Bloody Valkyria has steadily climbed my list of up and coming favorite artists. *In Our Home, Across The Fog* is a contender on my list of albums of the year. And whether you're a fan of Elden Ring or Melodic Black Metal I highly recommend it. The album is a love letter to the wonderfully complex lore seen throughout the Elden Ring universe and to melodic black metal as a whole.
**BMZ Score: 9 out of 10**
**Support Bloody Valkyria here:** [https://bloodyvalkyria.bandcamp.com/album/in-our-home-across-the-fog](https://bloodyvalkyria.bandcamp.com/album/in-our-home-across-the-fog?ref=blackmetalzine.com)
## Your thoughts on Bloody Valkyria
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Walg - V
URL: https://blackmetalzine.com/review-walg-v/
Last updated: 2025-06-04T15:14:36.000Z
*Band: Walg*
*Album: V*
*Country: The Netherlands*
*Genre: Melodic Black Metal*
*Label: Zwaertgevegt*
*Released: 25th of May*
## Introduction
Robert Koning and Yorick Keijzer the Dutch duo behind Melodic black metal outfit Walg are back with their fifth offering. The band has been on a release spree since 2020 with putting out an album every year.
## V
**Tracklist:**
1. De vlinder en de dromer
2. De adem van het einde
3. Het vlees vergaat
4. Het schimmen dialoog
5. Daar waar stilte spreekt
6. Zielsalleen
7. Het pijnlichaam
8. Ego-dood
9. Galgenzucht
While listening to V, the fifth work of Walg, I got a feeling of coming home. There is a familiarity to it in the album and that's not because it's predictable, but Walg has held on to the path they set out on and stuck to what they do best. And in that consistency lies a strange feeling of comfort.
For the production, to me, this is a step up from the fourth album IV, that album was also produced by Merijn Middelweerd, but to my ears this sounds better, it's difficult to pinpoint why that is. But I can say that everything is where it should be, the instruments don't drown each other out and the vocals hold their ground without being too much into the front. Compared to the earlier releases I, II and III, this feels like a step-up and thus, for me, this is their best album so far.
The third track stood out most for me. It opens with a folk-infused atmosphere that lures you in gently, before the full weight of drums and guitars crashes down. It’s the quintessential Walg experience—melancholy, aggression, and atmosphere braided together into a form that’s instantly recognizable yet still potent.
Since the lyrics are in Dutch, I do understand them, but most of the time, I see the vocals as just another instrument and a part of the larger whole. The lyrics are well written and bonus points for the clean singing that actually sounds good. Too often black metal bands these days have clean singing in them while they can't really sing (in my opinion) that isn't the case now, though. The clean bits sound good and Robert can actually sing.
## Conclusion
Walg delivered yet again a banger of an album. It hooks you in from the start and over the length of the album it will reel you in. As said, the production is a step-up for me (does not mean the others sounded bad, don't get me wrong, this just sounds better to my ears).
I would recommend this album (and the previous ones) to anyone who likes proper executed Melodic Black Metal and to those that aren't into that, I say, give this a try, you might like it.
BMZ rating: **9 – Excellent:** This is a standout album with superb talent and creativity. It’s impactful, memorable, and likely to be celebrated within the black metal genre.
**Support the band here:** [https://walg.bandcamp.com/album/v](https://walg.bandcamp.com/album/v?ref=blackmetalzine.com)
## Your thoughts on V
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: ArsGoatia - Agitators Of Hysteria
URL: https://blackmetalzine.com/review-arsgoatia-agitators-of-hysteria/
Last updated: 2025-05-29T15:00:00.000Z
*Band: ArsGoatia*
*Album: Agitators Of Hysteria*
*Genre: Black Metal*
*Country: Austria*
*Label: Ván Records*
*Released: February 2nd, 2025*
## Introduction
Photo by [necroshorns](https://www.instagram.com/necroshorns/?ref=blackmetalzine.com)
ArsGoatia is the brainchild of Bartholomäus Resch (Ex-Belphegor), the guy behind the occult “House Of The Holy” festival hosted by Funkeflug Society.
This band is filthy as fuck and disgusting as hell. A bunch of wonderful scumbags and a jewel of an album. Fantastic vocals, Everything from the haunted black metal shrieks to the clean vocals, choirs and the use of female vocals works superb.
Very good riffs and great guitar solos. I love the style of their drummer. Everyone is doing a formidable job on this album. Arsgoatia sounds both classic and original simultaneously. They definitely have a sound and distinct style that makes them stand out.
The album effortlessly and continuously changes forms. From old school black metal, blasting thrash, doom and chilling ritualistic hypnotizing themes. Delicate use of disharmonies.
The songs are well arranged and vary a lot in rhythm and style. Intelligent use of tempo changes are a plus and, of course, I appreciate the mandatory 750m/s delay on the vocals as used in black metal since the early 90s. All in all, this album is very enjoyable for those who like twisted and obscure, sick music.
## Agitators Of Hysteria
**Tracklist:**
1. Anointing of the Sick
2. Empty Eyes Creation
3. Cunt and Cocaine
4. Coronation Oath
5. Hunting the Nephilim
6. The Beating Heart Is a Lonely Hunter
7. Golden Clit of Abomination
## Conclusion
Well performed songs with great musicianship all over the line. An album that keeps the listener engaged and probably my personal favorite so far in 2025\. The band has tons of personality which results in an album that is overall very dark with a grim old school atmosphere I really like.
Photo by [necroshorns](https://www.instagram.com/necroshorns/?ref=blackmetalzine.com)
A truly disgusting band with loads of attitude Austria can be proud of.
**BMZ Rating: 9 out of 10**
**Support ArsGoatia here:** [https://arsgoatia-vanrecords.bandcamp.com/album/agitators-of-hysteria](https://arsgoatia-vanrecords.bandcamp.com/album/agitators-of-hysteria?ref=blackmetalzine.com)
**Facebook:**
**Ván Records:** [https://van-records.com/ArsGoatia-Agitators-Of-Hysteria-lim-digiCD](https://van-records.com/ArsGoatia-Agitators-Of-Hysteria-lim-digiCD?ref=blackmetalzine.com)
**Metal Archives:** [https://www.metal-archives.com/bands/ArsGoatia/3540519663](https://www.metal-archives.com/bands/ArsGoatia/3540519663?ref=blackmetalzine.com)
**Photo credit:** [Necrohorns](https://www.instagram.com/necroshorns/?ref=blackmetalzine.com)
## Your thoughts on ArsGoatia
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our [**Discord**](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Draugaskogur - Fullmoon Hypnotic Ritual
URL: https://blackmetalzine.com/review-draugaskogur-fullmoon-hypnotic-ritual/
Last updated: 2025-05-28T15:00:00.000Z
*Band: Draugaskogur*
*Album: Fullmoon Hypnotic Ritual*
*Genre: Black Metal*
*Country: Serbia*
*Label: Inferna Profundus Records*
*Released: April 25, 2025*
## Introduction
Draugaskogur is a one-man Black Metal band hailing from Serbia. The band was formed in
2024 by multi-instrumentalist Vampiru Kista.
## Fullmoon Hypnotic Ritual:
**Tracklist:**
1. Astral Visions
2. Through the Gates of Death
3. Moonghost
4. Ash
Draugaskogur’s Fullmoon Hypnotic Ritual is a shrill, frozen atmosphere. From the very first
track, it feels as if you're being pulled into a deep, snow-covered forest where time ceases and
shadow reigns.
The overall production of the album harkens back to the earlier days of black metal and is very
reminiscent of Burzum's Filosofem album in terms of its sound
The guitars are raw but deliberate, droning in waves that feel less like riffs and more like spells
cast in distortion. The drums are relentless, and the vocals are distant and spectral, often
shrieked and sort of got lost within the mix at times.
It's not flashy or technical. It's simple, raw black metal. A frozen wasteland enveloped in waves
of dissonance. It's unapologetic and an unforgiving listen. They'll be no knees bent to the
modern trends of well polished black metal for Draugaskogur.
## Conclusion:
Ruthless and pure. Riffs repeat like chants. Drums march like a pulse buried beneath the earth.
The vocals? Less a voice, more a whisper from somewhere else. The album will surely resonate
with fans of the early raw black metal.
**BMZ Rating: 7 – Good: A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.**
## Your thoughts on Draugaskogur
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Karpathia — Carpathian Hunger
URL: https://blackmetalzine.com/review-karpathia-carpathian-hunger/
Last updated: 2025-05-26T15:00:00.000Z
*Band: Karpathia*
*Album: Carpathian Hunger*
*Genre: (Post) Black Metal*
*Country: Unknown*
*Label: Mortiphera*
*Released: December 20th, 2024*
## Introduction
We all love a mystery that's just a fact (well, I think it's a fact). Karpathia is one of said mysteries. There isn't much known about the band itself, so no names of musicians, no country. Nothing at all, it does add a mysterious note to a release of an album.
This album, according to MA, is their first album, it was released at the end of 2024, but a while a back we got a request for a review. So after a few listening sessions, I was ready for dotting down my thoughts.
## Carpathian Hunger
**Track list:**
1. Karpathia
2. For the Frozen Pines
3. The Holocaust of Endless Night
4. Beneath a Foul Moon
5. Carpathian Hunger
6. Flowers in a Tomb
7. The Black Flame (Instrumental)
8. Purified by Fire
The album starts off with easy with a nice riff and continues to swell, and I've said it many times before, I like it when black metal vocals are full of agony and pain and have an icy vibe to them. And that's just how the vocals of this artist sound. The title song of the album feels like a build up.
My favorite track of the album is the title song and the fifth track of the album, *Carpathian Forest*. The song has that same buildup and that icy and soul piercing scream at the beginning sounds great. The song itself is fast enough and there are some nice riffs to be found.
Another thing this album has in spades is atmosphere. The folk melodies used throughout the album are great, and that also goes for the 7th track on the album, *The Black Flame,* which is entirely instrumental. That track, and it's atmosphere, complement the entire album great, it's an island of tranquility in a sea of madness.
And a sea of madness that it is, that entire vibe is woven throughout the entire album, and it's one of the highlights for me, it has it's quiet sections and sections filled with agony, and it's a good blend.
## Conclusion
That draws us near to the conclusion and our rating, from whom would this be a great album? Well, for everyone who likes their black metal full of atmosphere and some great vocals. Not mentioned before, but certainly the case, this album also has a certain doom metal atmosphere, so for those that like that kind of style, give this album a spin.
BMZ Rating: **7 – Good:** A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.
Support the band here: [https://mortiphera.bandcamp.com/album/carpathian-hunger](https://mortiphera.bandcamp.com/album/carpathian-hunger?ref=blackmetalzine.com)
## Your thoughts on Karpathia
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and take a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Blood Abscission — II
URL: https://blackmetalzine.com/review-blood-abscission-ii/
Last updated: 2025-05-23T15:00:00.000Z
*Band: Blood Abscission*
*Album: II*
*Genre: Atmospheric Black Metal*
*Country: No fucking idea*
*Label: Debemur Morti Productions*
*Released: April 2025*
## Introduction
In 2023, a mysterious, anonymous project called Blood Abscission dropped a surprise EP that fucking blew up. Its no-bullshit minimalist edge mixed with massive black metal riffs hit hard. In 2025, Blood Abscission is back with “II” (their first full-length), coming out of the gate with some of the best black metal of the year.
## II
**Tracklist:**
1. II-I
2. II-II
3. II-III
4. II-IV
5. II-V
## Rumination
On *II*, Blood Abscission rips through five tracks, forging a cold, dark atmosphere of pummeling, fast-as-hell atmospheric black metal laced with subtle post and symphonic hints. The way this band weaves unique ideas into their sound is unlike anything I’ve ever heard—nobody else is doing this shit. The execution oozes class and polish that’s honestly jaw-dropping.
You could try comparing them to other bands, but *2* stands the fuck alone. The closest I can get is maybe Zero Absolu (who I reviewed earlier this year), taking the bare bones of black metal and twisting it into something deeply unique. What still grabs me, and is sick as fuck, is the whole vibe. There’s no aesthetic bullshit. The artwork’s stark, simple, and gives you nothing to cling to—just a cold, visceral gut-punch.
This album does something rare in black metal: it steps back and says, “We ain’t telling you shit. What does this mean to *you*? What do *you* make of it?” A release that hands that kind of power to the listener, while clearly being written by people with some raw feeling or drive who don’t give a fuck if you know the truth behind it. This is refreshing and profound as hell.
## Conclusion
So I've been flogging this release hard since it came out, and it's probably tied with Drudkh for AOTY for me. I’m seriously hoping normies don’t find this band and ruin it because fuck it's so good.
**BMZ Rating: 9 – Excellent: This is a standout album with superb talent and creativity. It’s impactful, memorable, and likely to be celebrated within the black metal genre.**
**Support the band here:** [https://bloodabscission.bandcamp.com/album/i-i](https://bloodabscission.bandcamp.com/album/i-i?ref=blackmetalzine.com)
## Your Thoughts on Blood Abscission
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Drudensang - Geysterzvvang
URL: https://blackmetalzine.com/review-drudensang-geysterzvvang/
Last updated: 2025-05-22T15:00:00.000Z
*Band: Drudensang*
*Album: Geysterzvvang*
*Genre: Black Metal*
*Country: Germany*
*Label: Folter Records*
*Released: May 16, 2025*
## Introduction
Drudensang is a German black metal band known for conjuring haunting soundscapes steeped in Alpine mysticism, Teutonic folklore, and raw atmospheric intensity. Emerging from the depths of Bavaria, Drudensang fuses traditional black metal ferocity with archaic melodies and ritualistic ambiance, invoking the spectral presence of forest spirits, ancient rites, and the shadows of old Europe.
Originally formed in 2013, the band evolved from its predecessor, Ravnsvart, which existed from 2010 to 2013.
The band's name, Drudensang, combines “Drude,” a witch-like creature from Bavarian folklore, and “Sang,” an old German word meaning “curse” or “chant”.
The current lineup consists of:
Krámpn - Vocals, Bass
Lemarchant - Lead Guitar
Percht - Rhytm Guitar
Henker - Keys
Nefastus - Drums
## Geysterzvvang
**Tracklist:**
1.Geysterzvvang
2.VVydargaenger
3.Hoellenkunst im brennend Aether
4.Offenbarung der Lvzier
5.Blutkreys Teufeley
6.Miasma
From the opening moments of the title track Geysterzvvang, the listener is enveloped in a
dense, spectral haze. Drudensang utilizes raw, lo-fi textures reminiscent of classic second-wave black metal, but there’s something uniquely unsettling in their approach: layers of reverb-drenched guitars twist around mournful tremolo lines, and the drumming feels ritualistic, less about precision and more about evoking a trance.
The vocals are delivered in a strangled, almost incantatory tone, often in an archaic dialect that lends a sense of timelessness. This is music not just to listen to, but to witness. The whispered chants and sudden howls feel like transmissions from another realm.
The track “VVydargaenger” (“wraith/revenant”) features haunting clean passages that contrast sharply with the violent blasts, creating a tension between serenity and savagery. “Hoellenkunst im brennend Aether” (Hell’s Art in Burning Aether) might be the most dynamically rich song on the EP, and my personal favorite, moving between fury and funereal melancholy like a fever dream.
Drudensangs lyrical focus is truly what sets them apart for me. This isn't generic Satanism or some vague form of nihilism. It's steeped in regional folklore. The band explores forgotten Alpine traditions, invoking the “Drude” (a nightmarish witch-spirit), revenants, pagan death rituals, and tales whispered in mountain villages. It’s rare for black metal to so successfully blend ethnographic authenticity with musical extremity.
The use of old German and Bavarian dialects adds tremendously to the overall atmosphere of the music. You don’t need to understand every word; the mood transcends language.
The production on Geysterzvvang straddles rawness and clarity. Unlike many modern black metal acts who polish their sound to sterility, Drudensang maintains a murky, naturalistic ambiance, yet you can still pick out instrumental details. The guitar tone is caustic but organic, like branches scraping across stone.
## Conclusion:
With Geysterzvvang, Drudensang doesn’t just deliver black metal, they summon a world. This EP feels like a lost folktale passed down in smoke-filled taverns, half-remembered and fully feared. It's not an easy listen, nor is it meant to be. It demands attention, contemplation, and perhaps even ritual.
**BMZ Rating: 10 – Masterpiece: A flawless and groundbreaking work. This album redefines its genre with unmatched creativity and excellence. It’s a classic, influential, and timeless masterpiece.**
**Support Drudensang here:** [Geysterzvvang | DRUDENSANG | Folter Records](https://folterrecords.bandcamp.com/album/geysterzvvang?ref=blackmetalzine.com)
## Your thoughts on Geysterzvvang
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: The Sun’s Journey Through The Night - Demo III
URL: https://blackmetalzine.com/review-the-suns-journey-through-the-night-demo-iii/
Last updated: 2025-05-21T15:00:00.000Z
*Band: The Sun's Journey Through The Night*
*EP: Demo III*
*Genre: Black Metal*
*Country: United Kingdom*
*Label: Independent*
*Released: 9th of May 2025*
## Introduction
The Sun’s Journey Through The Night returns with Demo III, a 3 track release written and performed by No One. If you are unfamiliar with this band, they are an ambient black metal band from England that first hit the scene in 2019\. But don’t let the title Demo III fool you into thinking they are just finding their feet - they in fact have four full length albums out. Nor should you be fooled into thinking that due to it being a demo it would have poor production quality - it is in fact incredibly well recorded and produced to create a passionate piece of bleak black metal.
The band that first caught my attention at Fortress Festival 2023, and once again spurred my interest further at Fires of Alba Festival 2024 due to their captivating and theatrical live performances.
## Demo III
**Tracklist:**
1. Blue Fawn
2. Abysm of Time
3. We Are Not Meant for Beautiful Things
The demo clocks in at just over 26 minutes, however half of that is taken up by an ambient piece in track 2, so if you’re not one for the ambient tracks that this genre of black metal often contains you’re looking at 13 minutes of fantastic music evenly split between the remaining two tracks.
**Blue Fawn** fades us in with downcast, slightly distorted synth before a drum roll leads us straight into blast beats accompanied with a guttural growl.
The track is laden with that drum fill leading into blast beat combo, with a brief pause of silence at 2:15 before it all comes crashing back down, heavy as a ton of bricks.
Halfway through the track the drums slow down for a while, whilst the other instruments and vocals keep their desolate atmospheric sound going.
The synth returns heavier just before the four minute mark as the vocals stop and the guitars slow down - a brief calm before we return to that storm we are oh so familiar with, ending abruptly with the last note echoing out into the empty silence.
**Abysm of Time** is the aforementioned ambient piece. An organ accompanies a choir singing, with the sound compressed and muddied. This lasts for four minutes before the discordant drone begins. It sort of reminds me of Super Hans in Peep Show: “What we really need to do is create a powerful sense of dread. The longer the note, the more the dread”. At least there is no Cor Anglais to go along with it.
It becomes ethereal with lighter synths over the top, as the deep note of dread warbles away in the background. This remains for the rest of the track to just become an atmospheric surrounding to zone out to.
**We Are Not Meant For Beautiful Things** is the closer to the trio, and can I just say what a wonderfully relatable title that is, it truly resonates with me.
The layered guitars, the heavy drums, the reverberating vocals, it saturates you and brings you into a comfortless and lonely world.
This track also features a brief spoken word section, where the title is mentioned as a melancholic guitar slowly plays in the background.
And then we are back. The drums roll as the dissonant guitars ring out their distorted riffs, the harsh vocals being thrown out there angrily. A short echoing guitar interlude, a drum fill, and then blast beats kick us off into a heavy angst filled track where you can taste the bitterness and fury of No One as he weaves this anthem of agony and anguish.
## Conclusion
For the whole album the vocals are low in the mix, but not lost and are more akin to shouting into a void of gnarled noise. I’ve mentioned the drums a lot, as they just really stick out to me in this release as being a focal point that I have just been drawn to.
Overall the two main tracks have just gripped me over the release weekend and I highly recommend checking this demo out and hopefully it inspires you to check out more of the sorrowful tribulations of The Sun’s Journey Through The Night.
**BMZ Rating: 9 out of 10**; **Excellent:** This is a standout album with superb talent and creativity. It’s impactful, memorable, and likely to be celebrated within the black metal genre.
**Support The Sun's Journey Through The Night here:** [https://thesunsjourneythroughthenight.bandcamp.com/album/demo-iii](https://thesunsjourneythroughthenight.bandcamp.com/album/demo-iii?ref=blackmetalzine.com)
## Your thoughts on Demo III by The Sun’s Journey Through The Night
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Festival Review: Inferno Metal Festival - A Blackened Easter
URL: https://blackmetalzine.com/festival-review-inferno-metal-festival-a-blackened-easter/
Last updated: 2026-07-16T17:16:08.000Z
## Introduction
So here we are again, millions of people worldwide have holidays to celebrate the religious exploits of the Easter bunny, or was it the Jesus chad? Anyway, the holiday proceedings in Oslo went under a more hellish moniker, the notorious Inferno Metal Festival. Inferno has become a safe-haven for black clothed, festival deprived metal fans to seek shelter from the religious, yellow painted bunny-worshiping mass.
Inferno is held in the capital of Norway, which also happens to be the capital of black metal, Oslo. Every Easter, a wide selection of mostly black and death metal bands play on various stages and venues in Oslo during the 4-day festival. The main event is held in one building, housing the stages Rockefeller (main) and John Dee (smaller).
Before the main concerts there are smaller gigs held mostly during the day at the pubs/venues Vaterland, Brewgata, Goldie, Kniven and Dattera til Hagen.
The festival also hosts a wide arrange of activities and stuff to do for free or for a fee, depending on the activity. These can include; black metal bus tour, art convention, metal music conference, tattoo fair, and drag music bingo + metal fashion shows for those interested in that.
For me, this festival is about one thing, maybe you can guess it already... \*drumroll\*. Black metal.
Inferno is also a place where a lot of the metal community in Norway gathers, along with friends from abroad, so there's an ever-growing list of friendly faces to catch up with each time I'm here.
## What about the bands?
As seen above, this year's festival had a ton of heavy hitting black metal bands. The range of bands usually lay within black, death or the extreme genres, but most years Inferno has a couple of stray cats from other scenes playing too. This year, Violent Magic Orchestra and Rosa Faenskap are two examples of such bands. Last year's editions had none-extreme acts such as Arthur Brown and Jo Quail.
## Concert reviews
This year, I was looking forward to sharing the Inferno experience with Black Metal Zine's chief Roberto, and also writing this review together. However, he unfortunately had to cancel, and I was left with the Inferno duty on my own. Like last year, press manager Runar granted me and BMZ with a press & photo pass.
So I set out to the concerts with my camera gear and notebook in hand to gather what impressions I could for your reading pleasure. With that said, let's get into the gigs that I wanted to share with you!
**Malum** was the first concert I got to see at Inferno, but was supposed to be my second. The Hellstain bands **YR** and **Malum** were kicking off the festival at the venue Vaterland. When I arrived, a massive line had gathered, the queue went far into the street and I was stuck there for the duration of **YR**'s set. My hopes were getting low as **Malum**'s start time was approaching. To my amazement, right before I threw in the towel, the queue was chopped in half by people exiting after the YR gig, I got inside the venue at last. The steaming hot room was filled with people as the masked men of **Malum** took to the stage. All dressed in black outfits and wearing masks with only their eyes peaking out, heavy guitar riffs filled the room and deep sounding drums blasted like gunshots to the chest. A heavy, atmospheric set with fantastic drums sums up the actual content of the gig as the band focused on their music rather than theatrics on stage. Playing into their gimmick of being mysterious and dark, banter or chatting with the crowd does not take place. Personally, I would prefer to see **Malum** later at night, to add some more punch to that darkness they convey.
**Syn** was a band that I decided to skip at Beyond the Gates festival last year, as I haven't been a big fan of their releases. However, I got the chance again now at Inferno, and it's safe to say I probably missed a great gig at Beyond the Gates. I really enjoyed how their music was conveyed in a live setting compared to streaming. The vocalist was masked in a dark hood, and he was roaming the stage, delivering raw powerful vocals backed by heavy riffs and deep sounding drums. Great gig!
**Udåd** oh my.... where do I start with this one? Maybe with the band itself, **Udåd** is the side project of Thomas Eriksen from Mork and this gig at Inferno would be the band's first one ever. I didn't have many expectations as I had never heard their material, but I was thinking that it would be a good gig as Mork's gigs usually are. But I was wrong, very wrong. Eriksen's vocals were heavily faded, making it sound very unnatural and tame. Their song structures didn't add much to my enjoyment, with what I described in my notes as dull riffs and the same boring drums on repeat. I stayed a bit to try to get some hang of it but the vocals really put me off so I left the venue.
**Spectral Wound** was the band I was looking the most forward to at this year's festival. After fuming off with a beer after that **Udåd** gig, **Spectral Wound** served as a groovy and energetic remedy. It seemed like a lot of other metal heads shared my excitement as the venue was packed long before they would set to the stage. Security were blocking all entrances and would only let people in if someone was leaving. This is due to the venue being the smaller one, and this is one of the bigger issues with this festival. **Crypta** playing here last year was the same story. Still, I managed to get in to experience the Canadians and their black'n'roll-y tunes. Jonah on the vocals was a beast on stage, moving all over, the way I prefer compared to lifeless mannequins. Please have them on the main stage next time!
**Abbath**, ahhhh what a man. One of the best headlining acts of the entire festival. The sound was overall very good at this show compared to a lot of the other bands at Inferno. Beers flying, mosh-pits, crowd-surfing and an overall good atmosphere all orchestrated by the true showman Abbath. In between songs he kept yelling nonsense to the great amusement of the crowd. The band seemed to enjoy themselves on stage, and they delivered a bomb of an ending to the first day of the festival.
**Non Est Deus**, the Germans also known from the band Kanonenfieber, delivered an atmospheric ritual dressed in white robes, masks and slippers. They took to the cross decorated stage in a packed venue. They delivered a very convincing set, blending the theatrics with great delivery and interacting with the audience in a non-verbal way. The vocals and drums were a bit dominant compared to the string instruments but still a very satisfying show,
**1349**, the headlining act of day 2, kicked their proceedings off with a small pyro act, some guy fire-breathing and then rushing off the stage. The showmanship from the band was good, but their gig was troubled with some sound issues which threw me off from fully immersing myself.
**Seth** played a fantastic show. One of the best of Inferno festival all in all. They are a French band who also dwell in the realm of atmosphere and theatrics. The vocalist, cloaked in red, performing among chopped up heads on spikes while his bandmates delivered melody and rawness, making it a spectacle that is worth seeing again.
**Satyricon** is one of my all-time favorite bands, and the absolute best headliner of this festival IMO. What a highlight this show was, from Sigurd / Satyr's good mood, reminiscing the old days of Rockefeller to honoring late Jan Martin (Inferno festival boss), dedicating To the Mountains to him. I had a blast witnessing this show, and it all topped off when they brought out Sivert Høyem to perform Phoenix with them, as close as possible to the album version. There were multiple teary-eyed metal heads during this part of their set. This gig was an overall better experience of Satyricon than their two shows at Beyond the Gates last year, perhaps the Unholy Trinity tour has warmed them up well.
---
**Lamentari** was a band that I had never heard of before seeing them live on the last day of the festival. I went in blind and found myself immersed in symphonic blackened death metal. Kind of mixing **Dimmu Borgir** with **Fleshgod Apocalypse**. The band is dressed in robes and masks, looking quite similar to **Schammasch**'s attire. With a smell of incense filling the room, **Lamentari** delivered atmospheric metal with an uncloaking ritual, revealing the bands' faces and levitating the live experience. Very cool gig, I'd happily see them again.
**Schammasch** is a Swiss avant-garde black metal band that I never really enjoyed on record, but I wanted to give them a try live since I heard so many good words about them from people I know. The band spend a lot of time themselves doing the sound check before playing. 3 out of 5 members were wearing masks, making the inconsistency seem a bit lazy. The band had nice banners and excellent sound but delivered very little groove, no movement and too much atmospheric crap as I like to call it. Probably a good show for fans of their genre, but totally not my thing.
**Nattverd** is a band I had eagerly been looking forward to seeing as I knew it was a side project of **Nordjevel** and **Doedsvangr**. My anticipation got bigger as I spent the entirety of **Batushka's** concert to have a chat with Doedsadmiral/Ormr and Steinar Aven at the Rockefeller "apartment". On stage the band's attire includes corpsepaint, spikes and inverted crosses, something I love to see as a concert photographer and black metal enthusiast. The venue was packed, a clear sign that Inferno's crowd love their black metal. Doedsadmiral was intense on stage, and I mean intense. The man was leaning on one of the monitors on the front of the stage and kicked it off as he finished one of his lines, sending the speaker straight off the stage and torwards one of my photo-pit colleagues. Some time after, the Admiral went to grab his mic from the stand and knocked it straight towards the front row. I managed to grab it and push it back in on stage to the Admiral, no photographers were hurt haha! The rest of the band were also into it, Renton on the drums were terrific and Aven had a huge grin on his face through the entire show. The sound in the venue was not the best, and extremely loud. Still, the concert carried a great atmosphere and was very enjoyable.
**Naglfar** played a fantastic show. It was my first time seeing them live and did not know what to expect. I found myself in front of a group of men with great enthusiasm for their music. Very engaging members, shouting the lyrics towards the crowd, doing the guitar machine gun stance and overall, very entertaining to watch. I noted that they played disgustingly loud with an apparent sound and somewhat overpowering drums, but it was pouring melody, groove and pure energy into Rockefeller. Exactly what I want from live music.
**Bythos** was heavy heavy stuff. A ton of gritty atmosphere in the again packed John Dee venue. Their gig had some technical issues on the vocalists side, vocals occasionally muted. The band carries none of the black metal aesthetics on stage (corpse paint, spikes, etc.) and were quite stand-still in their spots, which made their concert a bit less entertaining to see. However, their music really hit me and I stayed for that.
**Tsjuder** ahhhhh fucking **Tsjuder** man. I love this band and I loved seeing them again now at Inferno. From Nag's raw vocals to Draugluin's consistency on the guitar and headbanging, **Tsjuder** delivers stunning black metal visuals. Painted faces, inverted crosses, spikes, beautiful lighting and killing for Satan. Everything I want from them, delivered how it's supposed to be. To top it off, the band also played a great **Bathory** set as one of its founders, Frederick Melander joined them on stage that had been redressed in **Bathory** accessories rather than **Tsjuder's**. I also want to mention the honorable **Tsjuder** manager, Håkon Grav who I noticed was helping out the audience in wheelchairs by offering to take their mobile phones to capture pictures of the band from the pit! Gotta love that!
**Celeste** is a band that I've listened to but never gotten into them. I did not expect to have any different take on them than that from their live performance, either, but I ended up loving this. **Celeste** was pouring out smoke into the John Dee venue like no other band before. Most bands just want to hide their ugly drummer with the smoke machine, but **Celeste** went all in to cover everyone. Security were closing the doors to not fill the other venue as well with the French fog. On stage, the band were playing in darkness with only red headlights lighting the venue. This just screamed atmosphere, and it was really cool to see. Not so much to catch from a photographers' perspective though, haha! One of the best gigs at Inferno Metal Festival this year,
**Behemoth**, the Rammstein of black metal, was set to headline the last day of the festival. Although I'm not a big fan of their music, I know a good show when I see one. Nergal and the crew were one of the most interactive bands at the entire festival. Nergal and Orion were going real close to the audience, playing in the front row multiple times. Nergal was in a good mood, chatting with the crowd and joking about the smallness of the Rockefeller venue. The stage was dressed with props, pyrotechnics and the smoke bombs were going off every other song and to finishing it off with confetti. Behemoth also used some nice projectors on a big backdrop in between some songs, and the band also do costume changes occasionally to keep you engaged. Their audio was clear and nice but too low to my liking. I like to have the option to take out my ear protections for some occasional ear-abuse during my favorite songs, but I didn't find ear protectors necessary at all for their concert (except for in the pit).
## Your festival plans
We’d love to hear your plans for the festival season! Tell us through our social media channels, or join our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Hate Forest – Against All Odds Review
URL: https://blackmetalzine.com/review-hate-forest-against-all-odds-review/
Last updated: 2025-05-19T15:00:00.000Z
*Band: Hate Forest*
*Album: Against All Odds*
*Genre:* Black Metal
*Country: Ukraine*
*Label: Osmose Productions*
*Released: April 25th, 2025*
## Introduction
One year before the invasion of Ukraine by Russia, Hate Forest released Hour of the Centaur, a declaration of Ukrainian pride and national sovereignty. It was my album of the year in 2020, with crispy production and adventurous songwriting. Since then, the band has maintained a steady output and is now back with their most overtly political album.
Founded in 1995, Hate Forest emerged as one of the leaders of the Ukrainian black metal scene, releasing genre defining albums like The Most Ancient Ones and Purity throughout the early 2000s. Compared to their fellow countrymen, Hate Forest’s black metal is not folky or epic, but raw, aggressive and straight-forward. In fact, Hate Forest has possibly one of the most unique and distinguished sounds in all of black metal, which has always been a huge selling-point for them.
The bands original run was brief, as they split right before releasing their fourth album, Sorrow, in 2005\. However, frontman Roman Saenko revived the band in 2019, now as a one-man show. Their comeback album in 2020 was followed by Innermost, which was another nice addition to their consistent discography. One of my hot takes is that I believe their new output is in fact the best of their entire career. Against All Odds is their third album this decade and cements them as one of the best black metal bands of this decade. The resurgence of Ukrainian black metal is fitting now, as all eyes are on the Slavic nation.
## Against All Odds
**Tracklist:**
1. Werewolves
2. One Way Ticket
3. Devil Is on Our Side
4. Ukranian Thermopylae
5. Mariupol
6. Coprophagus Empire
7. The Reaping Hand
8. Courage
Against All Odds is the third and final part of a trilogy of releases, which previously included *Sowing with Salt* (2023) and *Justice* (2024). This trilogy of war-time releases signifies, in my opinion, a new era for *Hate Forest*, with a more overtly political attitude. Even though the band claims to not be political and deny any modern worldviews and beliefs, these projects are filled with imagery and references in opposition to the history of Russian imperialism. The album’s description on their label’s website ends with the quote *Moscovia delenda est*, which is a reference to the Roman senator Cato the Elder, who ended all his speeches with the phrase *Carthage must be destroyed* (Carthage delenda est). The Carthage references don’t end there, as *Sowing With Salt* is a very deliberate reference to the Romans destroying Carthage at the end of the Punic wars, which supposedly included the sowing of the city with salt. It is clear that the band considers Russia an existential enemy on the level that Carthage was to Rome.
Another major departure from their previous work is that **Against All Odds** is the first Hate Forest album to feature a live drummer. The drums are supposedly credited to a mysterious “V.” (who may or may not be Vlad, a past collaborator of Roman). While I appreciate the band trying out new things, the live drums don’t really add much for me and maybe aren’t utilized to the best effect. Hate Forest is known for creating these massive yet minimalistic walls of sound, and the programmed drums fit that perfectly.
This brings me to my next point, which is that the mix is noticeably rawer and messier than their previous two projects. Hate Forest has certainly never had clean production, even for black metal standards, but personally, I was a big fan of the crispy clear sound of **Hour of the Centaur**, for instance. That being said, this more lo-fi approach does give this album an aggressive and desperate feel. You can sense that this is an album coming out of a country in the middle of a war, who knows what bunker it was recorded in. There are moments, like the third riff on the opening track *Werewolves*, where the mix gets so messy that it’s hard to tell what’s going on with the guitars, and to me that is sadly a problem. Luckily, those moments are few and far between.
The preceding two EPs are worth talking about, as they are part of the same trilogy (it is interesting to complete a trilogy of EPs with a full-length, but why not). I think the songs on these EPs even triumph those on the main album, with some of the best and catchiest melodies in the band’s history. Highlight moments include the outro of *Stronghold* and the melancholic instrumental *chorus* on *Merciless Cold-Blooded Revenge*. I also love the song-structure of *Pathetic Nameless Carrion*, with a two-minute introduction build-up before the signature, deep growl vocals kick-in, with some rare added synths in the mix too.
The songs of this trilogy don’t shy away from mentioning the horrors of the Ukraine war and placing these events in the wider context of Ukrainian history. Izium Forest refers to the site of a mass grave that was discovered in 2022, where the bodies of 414 civilians were found, including those of 215 women and five children. Our 400 Years Aged Hatred illustrates that the conflict between Russians and Ukrainians is not something that started with the breakdown of the Soviet Union, as Putinist propaganda would have you believe, but has a long history that can be traced back to the 17th century, when the Tsardom of Russia, originating from Muscovy, began its expansion to neighboring regions, including Ukraine. Ukrainian Thermopylae of course refers to the ancient battle of Thermopylae, where the Greek city states defeated the similarly much larger, eastern empire of Persia. As a history buff, I always appreciate these little references in their music.
## Conclusion
While I find the first half of Against All Odds to be somewhat lackluster and run-of-the-mill for the band, I think the album finds its groove in the middle with songs like Ukrainian Thermopylae and Mariupol, where the band really plays to their strengths with massive, repetitive riffs. The Reaping Hand has one of those genre-defining icy black metal riffs that could be played to anyone who’s wondering what this genre is all about. I love the way the band is able to variate between the lower and higher registers to portray a wide array of feelings. As always, I have to give special credit to the artwork of this band, which seems somewhat tarot-inspired this time, portraying war-themed violent images like heads on spikes and armored boots trembling down on enemies.
Overall, I don’t think this album reaches the highs of Hour of the Centaur, but it is still an excellent showing from the Ukrainian masters. So go buy it if you want to support artistic freedom. Slava Ukraini!
**BMZ Rating: 8 out of 10**
**Support Hate Forest here:** [https://www.osmoseproductions.com/hateforest](https://www.osmoseproductions.com/liste/index.cfm?what=all&lng=2&tete=hate+forest&ref=blackmetalzine.com)
## Your thoughts on Hate Forest
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our Discord—where we talk about all things black metal. Don’t forget to follow our Facebook page, Black Metal Zine, for updates on our latest articles, and have a look at our Instagram @blackmetal.zine for concert photos and more!
### Interview: Skuggor
URL: https://blackmetalzine.com/interview-skuggor/
Last updated: 2026-07-15T17:37:58.000Z
**Band:** Skuggor
**Genre:**
**Country:** Sweden
**Label:** Naturchmacht Productions
---
Today BMZ has the pleasure of catching up with Aussie native turned Sweden demon *Skuggor*. Since 2022 *Skuggor* has been putting out some truly dark and cold sounding BM. With a new release due and an upcoming tour with *Austere* in Australia. We caught up with them to chat about all things **evil**.
---
##### Hey man thanks so much for joining me today, how is the weather on your side of the world?
**Matthew:** Unfortunately, this winter hasn't been too bad. Not much snow and not too cold. A shame, just dreary (but not the good kind).
##### So tell me, How did this project start?
**M.:** Skuggor started in 2022 when I recorded a demo playing all the instruments. I originally said there were two members, but X. doesn't exist and was also just me. The band was just me messing around with low quality production and didn't have much thought behind it.
##### So I know you’ve been involved with a few projects over the past 10-15 years, what was the goal with doing Skuggor compared to say Autumn's Dawn (for my ears, Skuggor feels more menacing and 2nd wave oriented whether as Autumn 's Dawn feels more melancholic and DSBM oriented)
**M.:** Yea, you are spot on. The goal of Skuggor was to be raw, old school in its vibe, and also not too much effort- more stream of consciousness writing than meticulously going over every section of every song. With something like Autumn's Dawn (new album out this year by the way), there is a much larger focus on the “songwriting” aspect, as well as crafting an album. Skuggor is more about the attitude.
##### So previously you were in Australia yeah? I was wondering when you made the move overseas man
**M.:** I am Australian, but moved to Sweden in 2019, and became a citizen last year. This will be my first time returning to Australia since I moved.
##### Whats the black metal scene like in Sweden/Europe compared to Australia? (are you more of a recording artist or are you also involved with the Swedish live scene on some level)
**M.:** I'm not really involved with that many Sweden musicians- actually all of the musicians I've collaborated with in Sweden have been musicians who have moved there from overseas too.
##### Whats usually involved with recording and making a Skuggor release? Is there much variation with what you try and do on each release?
**M.:** In the past it's been plug in and record. Just live guitar and vocals and the rest was programmed and mixed by myself. I have my third album coming in May (will be announced soon), that was mixed and mastered by Tim Yatras at Equinoxe Studios. Same writing and recording process, but this time he mixed it. I felt like after 3 releases using a very similar soundest it was time to try something a bit different.
##### You’re touring with Austere this year, what can people expect from the live show?
**M.:** Although on record the music is quite contemplative and insular, live I try to make it more energetic and aggressive, as a lot of times I find atmospheric black metal has a hard time successfully working in a live context. If the vibe isn't right I find it often can fall flat. So Skuggor live really tries to play like a live band and not a bedroom act stepping foot on stage for the first time.
##### Who have you assembled to put together for your live band?
**M.:** The music is written to be performed live as a duo, so the live line-up will be myself on guitar and vocals and a drummer.
##### I was wondering what your future plans are after this one? Do you have any recording plans after this or any further touring?
**M.:** As mentioned above I have a new album coming out in May, where details will be released soon. After this tour I will write more music but don't have any immediate plans for more shows
**Thanks heaps for your time man, I was also wondering if you heard any cool albums recently that people should check out or have any bands you want to shout out?**
**M.:** Thanks for the interest. Listen to *Abigor - Supreme Immortal Art*. The nerve to title an album that is worth a listen just for that alone.
---
**Support Skuggor here:**[ https://skuggornp.bandcamp.com/album/where-sun-resigns](https://skuggornp.bandcamp.com/album/where-sun-resigns?ref=blackmetalzine.com)
##### Catch them here on tour with Austere throughout the end of May in Australia
## Your thoughts on Skuggor
We’d love to hear your thoughts on Skuggor! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Souillé - L'odeur du Mépris
URL: https://blackmetalzine.com/review-souille-lodeur-du-mepris/
Last updated: 2025-05-05T15:00:00.000Z
*Band: Souillé*
*Album: L’odeur du Mépris*
*Genre: Atmospheric Black Metal*
*Country: France*
*Label: Independent*
*Released: April 14, 2025*
## Introduction
**Souillé** (French for contaminated/defiled) is an instrumental one man black metal band from Strasbourg, Grand Est. Formed in 2024 the band's debut album was released earlier this month.
## L'odeur du Mépris
**Tracklist:**
1. Qu'étouffent tes fidèles archanges
2. Misérable que je suis
3. Dénégation
4. Sans souillure morale
5. Déluge violacé
6. Sombre lumière
The album's title, translating to “ The Smell of Contempt” perfectly encapsulates its thematic essence. An unrelenting, yet emotional, exploration of disdain and darkness.
*L’odeur du Mépris* is rife with atmosphere. There are passages throughout the album that masterfully build a tension within the listener that breaks just at the right moment. Often changing from fleeting, almost mournful riffs, to down right aggressive and cold. From melancholy to melodic.
In the late 18th century Germany, there was an artistic and literary movement referred to as “ Sturm und Drang” meaning “storm and stress”. It emphasized individual subjectivity, intense emotions, and a rejection of enlightenment and rationalism.
Whilst listening to this album my mind couldn't help but linger on this concept. The music itself Is precisely summarized within that phrase. Constantly hanging within a delicate balance of aggression and melody.
The production quality of *L’odeur du Mépris* is impressive. It perfectly encapsulates the rawness of black metal, yet offers a pristine clarity in instrumentation. Allowing one to fully appreciate the layers of emotion delicately woven into the tracks.
The album contains so many well crafted riffs. From the opening track we are invited into a forlorn atmosphere that breaks open into a wave of melody in its last minute, just to be pushed back into the undertows of despair again. Track after track. Like being tossed about in the ocean.
When trying to pick out my favorite tracks or riffs from this album it's difficult because it just flows so well between songs. The entire album is extraordinarily well written. This is one that I implore you to listen to from start to finish and take it all in as a whole. The guitar work alone on the album is insanely fucking good. It's rich with atmosphere and the tone and clarity of the production are impeccable.
## Conclusion
This one took me a few listens to fully appreciate what it has to offer. There is so much to take in musically on the album that it almost demands a re-listen. That being said, it's a compelling debut, and a worthy entrance into the halls of French black metal.
*L’odeur du Mépris* is perfect in the way that it toys with the listener's emotions and expectations. It's an impressive show of musicianship and songwriting. Masterfully crafted by an obviously capable musician.
**BMZ Rating: 9 out of 10**
**Support them her**e: [https://souille.bandcamp.com/album/lodeur-du-m-pris](https://souille.bandcamp.com/album/lodeur-du-m-pris?ref=blackmetalzine.com)
## Your thoughts on L'odeur du Mépris
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Versatile — Les Litanies du Vide
URL: https://blackmetalzine.com/review-versatile-les-litanies-du-vide/
Last updated: 2026-08-02T20:01:55.000Z
**Band:** Versatile
**Album:** Les Litanies du Vide
**Genre:** Industrial Black Metal
**Country:** Switzerland
**Label:** Les Acteurs de l'Ombre Productions
**Released:** 11 April, 2025
## Introduction
*Versatile*, a fairly new band out of Switzerland, released their first full album on the 11th of April this year. They did release *Atra Bilis (EP)* in 2022 and a single, *Monstre* in 2023\. They didn't pop up on my new release radar (and with the amount of new black metal and black metal related albums coming out, that that isn't a weird thing).
But after listening to black metal for 30 years, that's still one of the joys, discovering new bands, and that's precisely what happened with Versatile. So after a few proper listening sessions, it's time for the verdict…
## Les Litanies du Vide
**Tracklist:**
1. Géhenne
2. Enfant zéro
3. La régente blême
4. Ieshara
5. Cave Canem
6. Morphée
7. Graisse
8. Monstre
9. Alter Ego
10. Le mal nécessaire
So industrial black metal, it's not a style I listen to too often, but in general, I do like it. The album starts off with intro *Géhenne* to set the mood and just as you're settled in, it hits you smack in the face. The track *Enfant Zéro* has a very aggressive sound that I appreciate very much, so luckily this sound-scape is being used throughout the entire album.
The vocals are typically what makes or breaks an album for me, but the style *Hatred Salander* is using is great. They are vile, and full of hatred (for example on the sixth track *Morphée*), just as it should be with (industrial) black metal. And that continues through the entire album. The cleaner parts are also good (I don't mean clean singing less aggressive), and fits the vibe of the album.
The second track also has some industrial influences, but the real industrial part starts with the third track, *La Régente Blême*. It starts off very aggressive, and around the minute mark, you can hear the industrial parts of the album, but the aggressive sound stays.
This is also the track in which you hear the more industrial style come out in full force, which sounds more like dance/techno/edm whatever you want to call it. This probably isn't for everyone, but I didn't mind. It keeps the same momentum as the metal parts, so it all feels very coherent. And to pull that off properly is hard, but they do it with style.
The album has a lot of atmosphere, this is largely accredited to the use of choirs and the sound effects, but they do work great. The entire horror aesthetics, they are going for, is pulled off very nicely. This, in collaboration with the cpstumes they are using (see first image) makes for a great package.
## Conclusion
Versatile delivered a great album. It's probably not for everyone because of the contrasting styles they incorporate. But overall, I still think this is a great industrial black metal album. The fact that it's their first album (with this band), makes me think their fame will rise quickly. It will surprise me if doesn't.
**BMZ Rating: 8,5 – Very Good: An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.**
**Support Versatile here:** [https://versatilemetal.bandcamp.com/album/les-litanies-du-vide](https://versatilemetal.bandcamp.com/album/les-litanies-du-vide?ref=blackmetalzine.com)
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### Review: Niveous - Endless Snowfall
URL: https://blackmetalzine.com/review-niveous-endless-snowfall/
Last updated: 2025-04-30T15:00:00.000Z
*Band: Niveous*
*EP: Endless Snowfall*
*Genre: Black Metal*
*Country: United States of America*
*Label: Transylvanian Recordings*
*Released: March 7, 2025*
## Introduction
Hailing from the American Midwest — Milwaukee, Wisconsin. Niveous are a traditional Black Metal band paying homage to the earlier days of the second wave. The group consists of *Zygrath* (guitar), *Vokar* (bass/vocals) and *Nortaath* (drums/vocals). The latter also contributed the album artwork. The trio formed in 2024 and released their debut EP this March.
## Endless Snowfall
**Tracklist:**
1. Into the Abyssal Maw
2. Glacial Kingdom: Frozen Utopia
3. Reign of the Obsidian Eclipse
4. …Of Endless Snowfall
I was ill prepared for just how good this band is. Let alone, I can't believe they're from the American Midwest. They very much have a sound that is more closely associated with Scandinavian bands, especially the second wave.
Every note of this album is seething with the frozen desolation and fury that encapsulates those earlier days of black metal. All the while, building upon those already well laid foundations. Without compromising or tarnishing the formula we've all come to love and respect from those early days, Niveous incorporates a level of musicianship and a higher quality production (thankfully it doesn't sound like it was recorded through a toaster). All the while maintaining an unyielding passion and an understanding of what makes traditional Black Metal so great.
Speaking of the production, **Endless Snowfal**l was recorded and mixed at *Howl Street Recordings* by *Shane Hochstetler*. I have to say he did an incredible job with this album. It's crisp and clean and still maintains the aggression and relentlessness one comes to expect from traditional black metal.
Niveous absolutely does not fucking disappoint. I honestly can't even pick a favorite track. Every single one shines in its own right. The closing track *…Of Endless Snowfall* I think bares my favorite riffs from the album, but *Glacial Kingdom* is a close second. I love Zygraths guitar work on this album. It's not overly technical, but it's aggressive, and well executed and paired with the musicianship of the other members, it really shines through on certain passages on the album. Collectively, the album is a masterfully crafted love letter to the second wave of black metal.
## Conclusion
Fans of black metal with a higher production value that harkens back to the second wave will surely enjoy this band, and I implore you to give this album a spin. I'm beyond impressed with this debut, they fucking crushed it on this one, and I'm eagerly awaiting future offerings from Niveous.
**BMZ Rating: 10 out of 10**
**Support Niveous here:** [https://niveous-blackmetal.bandcamp.com/album/endless-snowfall](https://niveous-blackmetal.bandcamp.com/album/endless-snowfall?ref=blackmetalzine.com)
## Your thoughts on Niveous - Endless Snowfall
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our Discord—where we talk about all things black metal. Don’t forget to follow our Facebook page, Black Metal Zine, for updates on our latest articles, and have a look at our Instagram @blackmetal.zine for concert photos and more!
### Review: Føsphene - Føsphene
URL: https://blackmetalzine.com/review-fosphene-fosphene/
Last updated: 2025-04-28T15:00:00.000Z
*Band: Føsphene*
*Album: Føsphene*
*Genre: Atmospheric Black Metal*
*Country: United States of America*
*Label: Independent*
*Released: May 2, 2025*
## Introduction:
Føsphene are an American atmospheric black metal duo from Corvallis, Oregon. Consisting of members Hollow (Guitars), and Sigh (Vocals, Bass, Drum programming and Synths). Formed in 2024, the duo are ready to offer up their first full-length album to the altar of black metal.
## Føsphene
**Tracklist:**
1. Føsphene
2. Eden
3. Memento Mori
4. Horizontal Ambient Cry
5. Apostasy
6. Prevenient
7. From Hateful Visions
First and foremost, I would like to mention that the album from start to finish, is incredibly well written and does not feel, nor sound, like a debut release. The instrumentation, lyrics, overall production, fit, and finish are top-notch.
The lyrics are profoundly deep, nihilistic, and poetic in nature. There are so many passages throughout this album that left me speechless.
> *And woe kneeled, for his place among*
> *those sworn was cast.*
> *Sullen eyes told of an arrival, set forlorn*
> *In ash.*
> *For beneath tensile zeal, withered*
> *Bronze-armor was sat.*
> *Corroded to cinders and decaying to*
> *Matte.*
> *Longing to everlast, though coated in*
> *Dust.*
> *The fabric of starlights vigor collapsed*
> *In upon us.*
## Prevenient
Such beautifully written prose such as this is a rare occurrence and welcome surprise in black metal. I love when bands reach deeper than the usual surface for lyrical content/inspiration. Especially in our genre, as the tried and true topics have become a bit cliché and dare I say repetitive over the years. The human condition is wrought with its darkness and when looking inward, there is an equal amount of horror, sorrow, and despair to be found.
The guitar and, surprisingly, the bass (the track *Eden* features some awesome bass riffs) throughout the album are very well crafted. The overall guitar tone is to be commended and achieves an aggressive yet melodic sound. So many well-crafted riffs that befit the genre, building atmosphere and darkness that complement the extraordinary lyrics.
My favorite riff from the album, and probably my favorite track, is *Horizontal Ambient Cry*.
The intro riff on this track is so catchy, and melodic, all the while maintaining an icy feel. I found myself listening to this one on repeat.
## Conclusion
I was pleasantly surprised whilst listening to this album. It's a master class in modern atmospheric black metal. Blending excellent production, beautiful lyrics, and catchy riffs. All the while staying true to form. Would highly recommend this album, especially to fans of **mgla**.
**BMZ Rating: 8 out of 10**
**Support Føsphene here:** [https://fospheneblackmetal.bandcamp.com/track/f-sphene-2](https://fospheneblackmetal.bandcamp.com/track/f-sphene-2?ref=blackmetalzine.com)
## Your thoughts on Føsphene
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Concert Review: Aquilus & Suldusk (European Tour Sendoff)
URL: https://blackmetalzine.com/concert-review-aquilus-suldusk-european-tour-sendoff/
Last updated: 2026-07-16T17:16:09.000Z
On April 11th, 2025 Perseverance Hotel took to hosting a special send-off show for Melbourne folk/black metal outfits Suldusk and Aquilus (supported by the goth folk styling of Plum Green).
## Suldusk
Suldusk has been steadily creating a decent sized fan base with their blend of ethereal folk and black metal. From my perspective, the last time I saw them play with Harakiri For The Sky I wasn't honestly super in to it (maybe just wasn't in the mood for it that night) but honestly, they're a great live band. I appreciate how casual they are and how much fun they seem to have with what they do. Beyond that, the sections of their music that hit (blast parts) sound unreal. Overall, a solid watch.
## Aquilus
Then next up was the classical black metal sounds of Aquilus. It's worth noting that both Aquilus/Suldusk share half the same band members (which honestly kudos to them for being able to play that much physically demanding music for almost 2 hours).
Aquilus was more on the heavy and technical side, which I generally appreciate. As it is I'd heard them before on the highly acclaimed Bellum 1&2 releases, but it was cool to finally see it live. Aquilus are a Genuinely impressive band to watch, and their ability to take the dense gothic atmospheres of the album and translate it to live effectively was honestly unreal.
## Conclusion
Safe to say, both bands are in great shape leading up to their European tour. The night was full of great music and, as far as shows go, had a solid, relaxed vibe. Shout out to Matt from Black Oceans Media for putting this one together. If you're in Europe and going to Fortress Festival this year, be sure to catch some of Australia's finest folk/black metal.
\*\* *apologies to Plum green for missing their set, but I heard it was great.* \*\*
**Check out both bands at the shows below**
## How was your latest show?
We’d love to hear to about your live music experiences and upcoming concerts, share on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Concert Review: Ultha / Ante-Inferno / Wolvesrot
URL: https://blackmetalzine.com/concert-review-ultha-ante-inferno-wolvesrot/
Last updated: 2025-11-30T19:41:34.000Z
# The Dark Heart of Everything UK Tour 2025
*Bands: Ultha, Ante-Inferno, Wolvesrot*
*Genre: Black Metal*
*Country: Scotland (UK)*
*City: Glasgow*
*Venue: Audio*
*Date: 12/04/25*
## Introduction
A show I’ve been looking forward to for a few months now. Ultha are one of those bands that every time I stick them on I think “I really must listen to more of them as they're so good”, so my knowledge is more surface level, but I appreciate them very much. Although I did see them at Fortress Festival 2024, but that was a day when I was overwhelmed with impressive live acts. Ante-Inferno I have seen three times (2022, 2023, and 2024) so I suppose it is becoming an annual tradition at this point.
Ahead of the show itself, naturally, my friends and I visited Solid Rock for some drinks ahead of the show — the default watering hole for any rock and metal fans in Glasgow. Discussions of other gigs we’ve been to recently, what’s upcoming, and life chat in general — before a notification popped up on my phone from the events page. Doors had been moved forward half an hour! We quickly downed what drinks we had left, and it was just a short walk to Audio — a venue I have become very familiar with since I moved up to the area.
## Wolvesrot
Our local support for tonight, a band I was previously unfamiliar with until they were announced — and still quite unfamiliar as they took to the stage. They had only a two track demo available on their Bandcamp to check out ahead of time.
And, wow. This is one to keep an eye on for sure! Rhythmic blast beats and a classic black metal style dominated most of their short set — broken up with occasional clean guitar sections that were beautifully played.
I caught up with their lead guitarist Barrett afterwards to give my compliments and have a chat. Turns out this is their first gig in a year due to their drummer leaving and finding a replacement. However, they already have more shows later this year lined up and hopefully, their debut album should be released by the end of 2025 if all goes well.
## Ante-Inferno
Next up, the North Yorkshire-based black metal act. A band I first discovered when they were the support for Fuath back in 2022 - a sadly very poorly attended gig that I seem to remember had audio issues as well — tainting my initial opinion of their live performances (though I did still pick up Antediluvian Dreamscapes on vinyl at that show). Thankfully, they blew me away at Fortress Festival 2023, proving that it was just an unfortunate one off, and once again at Fortress ‘24 they were fantastic.
However, how about tonight?
The smoke machine spurted out thick plumes, candelabras lit the stage, incense was lit and filling the air with its aroma — the stage just oozed atmosphere. The house lights go off, the backing track starts and the four take to the stage.
Kicking off straight into *Cold. Tenebrous. Evil.* They delivered a punchy sound, with that catchy riff getting everyone in the crowd headbanging along to it. The vocalist Kai letting out a mix of deep growls and harsh shrieks to deliver the bands' more aggressive style of black metal.
The gloomy smoke - filled candlelit stage lasted throughout their set, as they rattled through fantastic song after song, possibly the best I’ve heard them sound in my four times catching them live.
## Ultha
The melancholically themed Germans rather unceremoniously took to the stage, and delivered a simple message to the crowd: “We’re here to play five songs over fifty-five minutes”.
And you know what, they stuck to their word and did exactly that. Their debut show in Scotland delivered a powerful sorrowful performance, heavy with a thick atmosphere bathed entirely in red light, and a wonderful mix of dispirited shrieking vocals, synths, and tightly performed black metal. I lost myself in there, just being one with the music and connecting to their harrowing exploration of black metal.
At the end of their five songs, they placed their instruments against the amps, causing the feedback to ring out as they departed the stage. And that was that, the evening finished.
## Conclusion
The show itself was fantastic, everyone I talked to at the venue following it had nothing but positive things to say about every band, the sound quality, the darker gloomy tone of the entire show.
I picked up some merch from the table — including a beautifully silkscreen printed poster made for The Dark Heart of Everything UK Tour 2025 which was designed by Misanthropic Art.
**Ultha** and **Ante-Inferno** next take the tour to York, Newcastle, Manchester, Nottingham, Norwich, Brighton and finishing in London over the next two weeks — before Ultha tours mainland Europe with Sun Worship and Russian Circles through June.
## How was your latest concert?
We’d love to hear to about your live show experiences and upcoming concerts, share on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Grave Circles - World Within The World
URL: https://blackmetalzine.com/review-grave-circles-world-within-the-world/
Last updated: 2025-04-17T15:00:00.000Z
*Band: Grave Circles*
*Album: World Within the World*
*Genre: Black Metal*
*Country Ukraine*
*Label: Schattenkult Produktionen*
*Released: April 2nd 2025*
## Introduction
Following on from their 2022 EP Pestilence and Death, Ukraines Grave Circles has returned with their latest album World WIthin the World, an unexpected fury ridden gem of a release with all the best shit you’d want on an album like this.
## World Within the World
**Tracklist:**
1. Feral Instinct
2. The Last of Us
3. Yielding to the Embrace of the Ground
4. The Die is Cast
5. Antithesis
6. Mournful Will Be That Day of Doom
7. The Wavering Radiant
8. One More Drop
---
## Rumination
On this album, Grave Circles crafts a misery-ridden exploration into the darkest depths of humanity. The band puts the bloated corpse of mankind upon a cold slab and removes each cancer-riddled organ for the world to see.
The songs switch between the kind of world-hating, on-the-edge-of-the-cliff style of DSBM (depressive suicidal black metal) with dashes of the almost weird, post-hardcore-ish vibes of Handful of Stars-era Drudkh and elements of the evilness of symphonic acts like Nokturnal Mortum.
There’s a sincerity and anger on this album that resonates deeply when you listen to it. There are certain sections that absolutely hit you in the core when they arrive. The best way I can describe it is that it makes you want to march through the snow in winter on your way to kill something—or someone—with your bare hands. Absolutely tough as fuck.
I also have to point out that Grave Circles does something really unique in how it finds a balance between being so unique it borders on weirdness while still being steeped in pure Ukrainian black metal coldness. I think it’s easy for bands who experiment with their riff-writing to turn into a bloated, bombastic mess. This band never has that issue, though—they seem to strike the perfect balance between being forward-thinking and no-bullshit. I’m generally biased toward liking most things Ukrainian that I hear, and Grave Circles is a good example of why. *World Within the World* honestly just fucking rules from start to finish.
## Conclusion
I had no idea who these guys were until this release but Grave Circles has delivered one of the better records of the year so far. This band deserves the same level of hype as other acts coming out of Ukraine right now and this record is definitely going to be a recurring listen for the rest of the year. Straight up fucking evil.
**BMZ Score: 9 out of 10**
**Support them here** [https://gravecircles.bandcamp.com/album/world-within-the-world](https://gravecircles.bandcamp.com/album/world-within-the-world?ref=blackmetalzine.com)
## Your thoughts on Grave Circles
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Malum — Towards Nothingness
URL: https://blackmetalzine.com/malum-towards-nothingness/
Last updated: 2026-07-16T17:16:09.000Z
*Band: Malum*
*EP: Towards Nothingness*
*Genre: Black Metal*
*Country: Norway*
*Label: Hellstain Productions*
*To be released: 18\. April 2025*
Malum is a four-man band out of Oslo, Norway and are signed to the label Hellstian Productions where they are one of the darker sounding bands. The band is of newer origin seeing their spawn in 2020\. Since then, the band has released one EP, one split and one full-length album.
Towards Nothingness is their freshest produce, and it's a two track EP. With rumours of a new album in the making, this might give a taste of what will come.
## Towards Nothingness
**Tracklist:**
1. In Gloom
2. Towards Nothingess
Malum sounds to me like a blend of the newer polish black metal scene with hints of the nidarosian black sound. Think MGLA and Kriegsmachine fighting it out with Whoredom Rife and Misotheist. It's dark and haunting, while filled with great drum patterns and fills. The agonising vocals and the gritty guitar work engulfs you in their darkness.
The opening track on the EP *I*n Gloom** is nothing less than what mentioned above. With galopping drums the track starts of agressive and drummer A.A keeps this momentum going through the track. The vocals done by E.T.S are heavy, and with a tiny bit of distance to the instruments it sounds like madness. Malum tops it off with atmospheric string-instruments hitting some deep sounds aswell as fierce howls, this track packs a punch.
The second track with the same title as the EP, Towards Nothingness, opens in a slower manner. A.A has a slow-mid tempo on the drums and the guitars have also paced down for an atmospheric and melodic intro. The pace is aggravated about a minute into the track, where A.A lays in fifth gear abusing his drumkit. The riffs also gets a new haste, while E.T.S has a more violent and fiery vocal delivery on this track.
A.A shows his mastery on the drums beautiful here, this should be right up in your alley if you like the play style of Darkside. Malum switches pace throughout the songs, balancing the chaos and madness with melody and atmosphere.
## Conclusion
Towards Nothingness hits heavy and showcases the darkness that Malum embodies. A snippet of the terror that's coming, I am sure. The sound is true to their previous release, which also happens to be the embodiment of mentioned Polish band MGLA. So this should come as a warning to some of you. Malum sounds alot like MGLA, maybe a bit too much, so it's difficult for this to sound new and original and for Malum to stand out as its entity.
With that said, this is still a band to keep an eye on. What's attracting me is that there's no hiding the talent this band portrays and the dark sound they convey. So, especially if you enjoy the modern polish black metal sound, the nidarosian sparkle and killer drumming, Malum is definitely for you. Give a listen to their backlog and the new EP. Then we await news about any upcoming album.
BMZ rating: 7,5 **Good:** A solid and enjoyable EP overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.
**Support Malum here:** [https://hellstain.eu/search?q=malum](https://hellstain.eu/search?q=malum&ref=blackmetalzine.com)
## Your thoughts on Malum
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our Discord—where we talk about all things black metal. Don’t forget to follow our Facebook page, Black Metal Zine, for updates on our latest articles, and have a look at our Instagram @blackmetal.zine for concert photos and more!
### Concert Review: The Unholy Trinity Tour
URL: https://blackmetalzine.com/concert-review-the-unholy-trinity-tour/
Last updated: 2025-11-30T19:40:47.000Z
*Band(s): Rotting Christ, Satyricon, Behemoth*
*Venue: Gasometer*
*Country: Austria*
*Genre: Black Metal*
## Introduction
The Unholy Trinity Tour, a truly diabolical event, kicked off on Friday the 4th of April in Vienna. The bands on this line up include none other than **Rotting Christ**, **Satyricon** and **Behemoth** for an evening full of blasphemy, pounding drums and fast guitars. The event started off in the most awesome of ways with a small demonstration against the tour by a group of fundamental Christians. Their strength in numbers was truly something to be reckoned with…. Five determined Jesus-loving sheep put a truly immense pressure on the poor organisers. Nergal's face was full of fear and anguish as he strolled past them with an ironic grin on his face.
## Rotting Christ
Being the opener of the Tour, these Greek legends had the tough job of getting the audience going. But they delivered that to the fullest, from the start to the last second of their set. Although plagued by sound issues for the first half of their show, they delivered a reckless assault of diabolical music with songs like Non Serviam, Fire God and Fear and Like Father, Like Son. But by far their best song was Grandis Spiritus Diavolos which made the crowd scream their lungs out. Overall, they really kicked ass for their sadly short time slot of roughly 40 minutes.
I mean, just look at this crazy picture captured by discord member Wyrdsom.
## Satyricon
The Legends delivered. If you ask me, they were the true headliner of the concert and played exactly like that. As a black metal musician myself, it was truly awe-inspiring to witness my all-time favorite band perform in Austria after nearly an 8-year hiatus. Their set list was truly bombastic, with one great song after the other. They opened with Now Diabolical, followed by Our World, It Rumbles Tonight and ended with Mother North and King. The sound was just phenomenal and the audience was crazy. Definitely one of the best shows I've ever attended, and I'm very lucky to see them again soon when they're headlining Karmøygeddon Metal Festival in Norway, the first weekend of May.
## Behemoth
Now to the actual headliner of this tour. The Polish blasphemy blackened death metal giants did what they do best. Bringing a level of production that could've been used in any big budget movie. Armed with pyrotechnics and two ramps on the side of the stage where Orion and Set played on and off, with Nergal being at the core of the stage and changing outfits more often than Taylor Swift. Showmanship on the highest level, but musically it's not on par with the two opening legendary acts. Their set list was a mix of their newest releases like Shit of God, with the lyric level of a thirteen-year-old and great, older songs like Ora Pro Nobis Lucifer and the all-time favourite Conquer All. Overall, it was too sterile and overproduced to feel like an actual live show, which led to my wife and me leaving after what, I think, was four songs.
If you ask me, it would have been more fitting for Satyricon to be the headliner and Behemoth the opener, but that's not how this world works due to Behemoths larger fan base. Don't get me wrong, it's absolutely earned with their immense marketing and production strategy, but music wise, for me, they are not the headliner on this tour.
## Conclusion
Overall, a very well-organized tour with bands suitable for everyone who enjoys the darker aspects of metal, and definitely worth attending simply to experience the force of Rotting Christ and Satyricon.
## Upcoming shows:
April 11th: Olympia, Paris FR
April 12th: O2 Brixton Academy, London UK
April 13th: 013 Poppodium, Tilburg NL
April 15th: E-Werk, Cologne DE
April 16th: Schlachthof, Wiesbaden DE
April 18th: b-k, Stockholm SE
April 25th: Hala Stulacia, Wroclaw PL
**Secure your tickets here:** [https://unholy-trinity.behemoth.pl/](https://unholy-trinity.behemoth.pl/?ref=blackmetalzine.com)
## How was your latest concert?
We’d love to hear to about your live show experiences and upcoming concerts, share on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Rhûn — Burial Pact
URL: https://blackmetalzine.com/review-rhun-burial-pact/
Last updated: 2025-04-04T15:00:00.000Z
*Band:* Rhûn
*Album:* Burial Pact
*Genre: Black Metal*
*Countr*y: USA
*Label:* Independent
*Released: March 14th, 2025*
## Introduction
Rhûn is a Black Metal Band from Portland, USA. Their founder Aaron Charles is also the mastermind behind **Falls of Rauros** and decided to start this side quest for material that would not be suitable for the themes he usually explores within his main project.
## Burial Pact
**Tracklist:**
1. Initiation
2. Burial Pact
3. Seeking the Fire
4. Gleaming Swords Howl
Since this release is an EP and not a full length, I will not go too much into detail but will give you my thoughts about this release.
First off, it's comprised of 4 songs in total, with the first being an instrumental quick intro about what's to follow.
The second song *Burial Pact* kicks in really heavy and excellent produced. The harshness that follows throughout the whole EP is just bone crushing Black Metal with some Death Metal influences here and there. The vocals are good like with a great mix of overall clarity and harshness. From a producer point of view, I really need to find out how he achieved that.
Seeking the fire, the third song, is by far my favourite of the entire ep with its reverb loaded bass intro before going into rumbling drums like in the mines of Moria and vocals like the Balrogg itself. I did, in fact, forget to write previously that this band ins heavily inspired by Lord of the Rings. Again, the production is really something else.
## Conclusion
I truly enjoyed this \~20 min EP and will definitely check out more of Aaron's Music. If you are a fan of Lord of the Rings and fast heavy Black Metal, give this EP a spin. You will not be disappointed.
*BMZ Rating: 8 out of 10*
**Support Rhûn here:** [https://rhun-official.bandcamp.com/album/burial-pact](https://rhun-official.bandcamp.com/album/burial-pact?ref=blackmetalzine.com)
## Your thoughts on Rhûn
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Helvitnir — Wolves of the Underworld
URL: https://blackmetalzine.com/review-helvitnir-wolves-of-the-underworld/
Last updated: 2026-07-16T17:16:10.000Z
*Band: Helvitnir*
*Album: Wolves of the Underworld*
*Genre: Melodic Black Metal*
*Country: Norway*
*Label: Dusktone*
*Released: March 14, 2025*
## Introduction
Helvitnir is a new, veteran-founded black metal group. The band consists of the three ex-**Ragnarok** members *Ihizahg*, *Bjarkan* and *Hellcommander Vargblod* and they are accompanied by perhaps the most famous black metal drummer of them all *Hellhammer*, of Mayhem fame.
The band saw its birth in 2023 and the veterans dropped their first EP, *Helborn* the following year in 2024\. Now they are finally ready with their first full-length, so let's dive straight into it!
## Wolves of the Underworld
**Tracklist:**
1. Throes Of Transformation
2. Black Flame Triad
3. Helvitnir
4. Void Of Emptiness
5. Imagery Of Deceit
6. Odinsbane
7. Dread Biter
8. Helheim's Throne
9. Draugr
## KingGorthaur's take
*Wolves Of The Underworld* starts off at a high tempo with a polished but raw sound, *Hellcommander*'s vocals are dark and guttural, delivered with a swift punch. *Hellhammer* delivers his solid barrage behind the drum kit which brings out a lot of aggression, his play style is quite trve to the Norwegian black metal and a true powerhouse which he is known for!
*Ihizahg* and *Bjarkan* on the guitars deliver grim and harsh riffs for Hellcommander to weaponize. The sound is very familiar to the Norwegian black metal scene and to those of earlier days as well. The songs have some groovier parts that hook you in, which I love, as seen on the track *Black Flame Triad*. The album has some segments with clear singing vocals, which adds a nice touch to add some depth to the soundscape.
With resemblance to bands such as **Kampfar**, **Nordjevel** and **Asagraum**, there is a lot to like. For me, this is a very solid release that I've spun many times already. I do have to say that there is something missing for me to make this album more memorable and to stand out in the mass of black metal releases. However, *Wolves Of The Underworld* is still a satisfying listening.
## Roberto's take
From the moment the record starts playing, you just know **Helvitnir** means business. It's difficult to explain, but you just know by how it sounds. But explanation or not, just take my word for it, they do mean business.
I've been a **Ragnarok** fan since the first album *Nattferd* and consider that album to one of the black metal classics, so the fact that this new band consists of 3 former **Ragnarok** members is a plus for me. As KingG said, the line-up is completed with *Hellhamme*r on drums.
The vocals by *Hellcommander* are good, and the riffs just keep going, which makes for a nice listening experience, and that continues throughout the album. For me, the album could be are bit more aggressive. Don't get me wrong, as said, it sounds as if they mean business, but for a large part the drums give off that feeling, the vocals are on the tame side (for me at least).
But overall, it's a decent album, and I'm sure plenty of folk will enjoy it. For me, this feels like it's a good stepping stone to more work, and I'm excited about what they will conjure up in the coming years.
## Conclusion
So time for the conclusion, who should listen to this or at least give it a try? Well, everybody who loves decent black metal from Norway. Is it the best album ever come out of Norway? No, it's not. But as said by KingG and Roberto, it's a good album which many of you will enjoy.
**BMZ Rating: 7.5 Good: A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.**
**Support the band here:** [https://dusktone.bandcamp.com/album/wolves-of-the-underworld](https://dusktone.bandcamp.com/album/wolves-of-the-underworld?ref=blackmetalzine.com)
## Your thoughts on Helvitnir
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Concert Review: Heimfall Metallkraft Festival
URL: https://blackmetalzine.com/concert-review-heimfall-metallkraft-festival/
Last updated: 2026-07-16T17:16:11.000Z
When my good friends in **Ulvhedner** and **Blodørn** were set to headline a brand new festival in their hometown Sauda, I was obligated to attend! So I put on my Heavys and drove two hours deep into the Norwegian fjords to experience the festival at first hand.
The festival took place in their small hometown of Sauda, which has around 4,500 inhabitants, seemingly with an above average of them being metalheads. This inaugural event was hosted at the local culture house, Folkets Hus. They opted for the smaller of the two stages, and with approximately 220 attendees securing tickets, it was a sold-out show.
As you enter the building, you're greeted by a cozy sushi restaurant, with the stage just next door. After all, there's nothing quite like enjoying raw fish, sipping cold beer, and listening to Norwegian black metal with your friends.
---
## Blodørn
**Blodørn** shares two of the founding members of **Ulvhedner**, Arild and Svein Terje. They are accompanied by Jan Thore who is a fellow band mate of Svein Terje and Ulvhedners Bjørnar in another common project called **Grillfeast**. **Blodørn** and the small and tight knit metal community in Sauda recently lost their dear friend Jone C. Hoftun. He was the second guitarist in **Blodørn**, as well as active in other projcets. This whole night was therefore dedicated to honouring his memory.
The band took to the candle-lit stage, dressed in similar black denim vests with the bands blood eagle logo on the back. In the very left corner of the stage they had placed Jone's guitar, a true metal way of paying their final respect to their fallen comrade.
Svein Terje on the drums kicked off the attendees hats with trembeling force. Deep sounding hits on the drum kit was felt all the way in my chest. Arild on both guitars and vocals was a very nice experience for me as I've not seen him on vocals before. Blending some cleaner vocals with his heavy accent in the gutteral vocal style is refreshing in the sea of other vocalists. His style reminds me of those done by Fenriz in his **Isengard** project.
Arild & Jan Thore's bass and guitar worked great togeter, delivering groove and melody in abundance, forcing even the most stubborn of some of locals perhaps not used to this kind of metal to headbang along. The venue got hot quickly and it was packed from wall to wall with metalheads, locals, friends and family, during this sold out show.
With special guests on vocals for two of the songs, last song surprisingly beeing an Emperor cover enhanced their set and made alot of devoted, dark-clothed metalheads happy!
## Ulvhedner
Jan Rune, the drummer of **Ulvhedner** took to the stage in a dark hoodie, wielding a chainsaw around stage to clear the enterance for the rest of the band. The themes of Ulvhedner are rural Norwegian farming, and the lifestyle of their grandparents generation, so the band enters the stage dressed in knitted sweaters, suspenders and backpacks, making it seem they've just returned from a long days work in the mountains.
The band opened with their popular track *Arbeid i Skogen* from the 2023 album *Fjosmetall* (Barnmetal). Vocalist Bjørnar has gotten comfortable on stage and enganges with playful comments to the crowd. While Ove was having some technical issues with his guitar, the band members Steinar and Jan Rune kept the audience engaged with some crowd pleasing beats while the sound issues was sorted.
With the variety of tracks to choose from their backlog they played such bangers as *En Storm Der Ute*, *Svartavatn* and *Gravhaugen* the band also performed a brand new song titled *Snøen Danser i Vintersol* which vocalist Bjørnar hinted could be found on upcoming album maybe due later this year.
Ulvhedner also honoured Jone, dedicating their song Ein Krigar Fallen til Jord (A warrior fallen to the Ground) making it a special ending of their set as a lot of Jone's friends and family was in attendance.
The crowd were getting more and more pumped through the set as beer after beer got devoured. Torwards the end of the their set the amount of beer pouring or falling to the ground were of greater amount than what was actually consumed, but this only added to the good mood and frenzy.
## Conclusion
For the first ever metal festival hosted in Sauda, it's safe to say **Heimfall Metallkraft** was a major sucess. A sold-out night with four bands playing, a lot of beer consumed and everyone from metalheads to the bands grandmothers attended with smiles and laughter all around.
**Blodørn** and **Ulvhedner** both played great shows, as well did opening act **Bråtsverk** and closer **Takras**. If you get the chance to see the black metal bands **Blodørn** and **Ulvhedner** live than go for it! Both are a fresh breeze with original ideas and a clear identity in a scene filled with a lot of similar bands.
##### Check out Blodørn performing Emperor's *I Am The Black Wizards* at Heimfall here:
## What was the latest show you attended?
We’d love to hear about your latest, greates or worst live show, either through our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Drudkh - Гра тіней (Shadow Play)
URL: https://blackmetalzine.com/review-drudkh-shadow-play/
Last updated: 2025-03-26T15:30:00.000Z
*Band: Drudkh*
*Album: Гра тіней (Shadow Play)*
*Genre: Atmospheric/Post Black Metal*
*Country Ukraine*
*Label: Season Of Mist*
*Released: March 21st, 2025*
## Introduction
With what's been happening in Ukraine the past few years, one wouldn't expect much to come out of their black metal scene release wise. However in spite of this, The undisputed masters of Ukrainian Black Metal **Drudkh** have returned with their latest offering ‘Shadow Play’.
## Гра тіней (Shadow Play)
**Tracklist:**
1. Scattering the Ashes
2. April
3. The Exile
4. Fallen Blossom
5. The Eve
6. The Thirst
## Rumination
So full disclosure, I took this review assignment knowing full well I’d love this album regardless of what it is (Drudkh being a top 5 band for me).
With Shadow Play everything you’d want out of a Drudkh album is here and even more. All the amazing Saenko riffs, the utter ferocity of thurios’s vocals. The amazing drumwork of Vlad. What you also get alongside this though which is somewhat new for the band is a lot of really intricate string synthesiser arrangements that add a really great new level of maturity to the band’s sound.
Again though, After hearing the original two singles (The Exile and The Eve) I think most Drudkh fans knew this album was going to be amazing which it absolutely is.
What I did want to make a point of saying in this review though is that in my opinion, Drudkh has been done dirty in the assessment of their catalog.
Drudkh in recent years has become a highly known outfit in the more normie side of metal world (through memes/controversy/people discovering old albums). The unfortunate thing that happens with this style of listenership though is a lot of the time people will say a band “peaked” at the albums that have become well known from their earlier catalog (Blood in Our Wells/Autumn Aurora in particular) and that anything new the band does should be ignored as they’re past their peak years.
Well I’m here to tell you now that when it comes to Drudkh that is the fucking dumbest take you could have, as it stands their most recent release prior to Shadow Play; All Belong to the Dark is easily one of their best albums (in particular that self titled track as the album closer). Drudkh has been either refining an existing sound or experimenting with new ideas and each time the pay off is incredible.
To listen to this band age like a fine wine and become more sophisticated alongside the rest of us gives me a profound feeling about the passage of time thats hard to describe.
## Conclusion
Once again Drudkh has proven why they’re one of the best bands of all time. The sheer ferocity and pensiveness this band has dealt in their whole lives is unmatched and speaks to me on such a deep level man, its like every song just makes me want to run through a brick wall. This band is spiritual armor against this fucking shit world and I’m eternally grateful for everything they do.
**BMZ Score: 10 out of 10**
Support Drudkh Here [https://drudkh.bandcamp.com/album/shadow-play](https://drudkh.bandcamp.com/album/shadow-play?ref=blackmetalzine.com)
RIP Amorth
## Your thoughts on Drudkh
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Interview: Hell is Other People
URL: https://blackmetalzine.com/interview-hell-is-other-people/
Last updated: 2025-11-30T19:45:56.000Z
*Band: Hell Is Other People*
*Latest album: Moirae*
*Genre:* [*Post Black Metal*](https://blackmetalzine.com/playlists/genre/depressive-black-metal/)
*Country: Canada*
*Label: Transcending Obscurity Productions*
---
##### Today Black Metal ZIne was fortunate enough to catch up with Ontario based post black metal outfit *Hell Is Other People* **.** We discuss the origins of the band, their inspirations, greek philosophy and most importantly, black fucking metal.
---
#### Thanks so much for your time today guys!
#### So could you guys tell me a little bit about your background? When did you guys start and what were some of the influences you guys got into playing this stuff?
**NF:** I’m an obsessive metal nerd and have been for over 15 years. Post-black metal has always been one of my favorite styles, and I was (and still am) a huge Agalloch fanboy. I joined the band around 2018/19 when the band was already established. The other guys can speak more to the band’s evolution and development in the early years, but I feel like I bring a more straightforward black metal/DSBM sound into the fold, mostly via my vocal stylings.
**James Ditty, drums:** Nate and I started jamming here in Windsor with some local guys, pushing for a more post-hardcore, doomy alt-rock sort of sound, and as we cycled through a number of members, we sort of dialed more in on a dark droney kind of foundation. We had been playing shows just the two of us and our then-vocalist as a three-piece when we met Nathan at a London show and he was really interested in joining our group.
We knew him from his other bands so decided to give him a shot, and it's been a great ride with him ever since. We actually have Nic as our guitar player because those two are best friends and that fella can play just about anything.
As for influences, bands like **Alcest**, **Amenra**, **Numenorean**, **Oathbreaker** and **Deafheaven** are some big ones for me. I like some artsy with my fartsy lol.
#### Does Ontario have much of a black metal scene? Or did you find yourselves more focusing your attention outside of your local scene, do you end up playing live out much?
**NF:** I wouldn’t say it’s a crowded scene, bands are few and far between, but because of that, you have to stick together. We’ve been fortunate to connect with other groups in our region that vibe with our sound and ethos, whether it’s more post-rock, death/doom, old-school black metal, dissonant death metal or something in between.
Some of our favorite groups our region, including but not limited to bands we’ve played with: Dismal Aura, They Grieve, Ignominy, Mors Verum, Ischemic, Stolos, Lowheaven, A Flock Named Murder, Where the Light Fades, Vaste, Vomitself, Fractal Generator, Drofnosura, Cogadh, Thantifaxath, Mistwalker, Adversarial…and, of course, Nepenthe. We’ve played with Nepenthe so many times I’ve lost count, and plan to continue doing so. Sorry if I missed anyone!!
We’ve stuck to our locale of Ontario and Quebec for shows, but we do try to stay active and play live regularly. As much as we can, we try to host out of town/touring bands from the west coast of Canada, the USA and beyond…but getting there ourselves is a challenge. Canada is very spread out geographically, and even though we’re right on the US border, playing across the pond is an expensive and daunting undertaking with Visa costs, wait times for approval, and no guarantees we’ll even get approved for it. This is something we are looking into as we speak, though.
#### How long did you guys to arrive at your current sound in terms of writing ? (I really like your specific sound by the way).
**JD:** Thankyou, Nate and I have been playing together for a little over ten years, starting from more of a hardcore, post- sort of outfit. As we moved through members and positions, (myself from bass to drums) we sort of figured out something that the both of us really enjoy in the slow-but-fast, drone-but-blast beat kind of vibe. It's a little funny to me how everybody has a different way to describe what we're doing, but I think it's because we're not really thinking about it from a genre perspective until we get to doing vocals.
**NF:** Thanks for the kind words! I think the core/founding members of the band could elaborate on this further, but essentially the band started out as more post-hardcore/early Alexisonfire styled (which has a bit of the DSBM/emotional tinge you mentioned), and then we gradually integrated more black metal elements into our sound. With me and Nic in the fold I think we come from more of an old school black metal setting, so when you put it all together it forms into the atmoblack/post-black/DSBM mishmash you hear in Moirae.
#### How was the process of recording the latest album?
**NF:** Our main founder and songwriter has a studio and a background in recording/engineering/mixing and mastering, so we were able to do everything ourselves. It’s a blessing and a curse. It’s great because on the one hand it saves us thousands of dollars and we can still create a product we’re satisfied with – on the other hand, it means there’s no deadlines, which can inevitably extend how long it takes to get things done. We spent many, many months tinkering with the production, and it got to a point where my non-engineer ears couldn’t hear the minute differences.
**Nate Boots/GTR:** it was really nothing out of the ordinary, really. I did re-track the rhythms 3 seperste times, and had to tell myself to stop a few times. I just wanted it to be as perfect as possible-I think we captured a very accurate representation of ourselves, so for that, I am very happy.
#### What are some of the themes you guys write about lyric wise? (I found the whole concept of using the 3 fates[ Clotho](https://en.wikipedia.org/wiki/Clotho?ref=blackmetalzine.com) [ Lachesis](https://en.wikipedia.org/wiki/Lachesis%5F%28mythology%29?ref=blackmetalzine.com) and[ Atropos](https://en.wikipedia.org/wiki/Atropos?ref=blackmetalzine.com) very cool in a black metal context to talk about the life and death of a character, is there anything i missed beyond that basic idea?
**NF:** I think you more or less got it! I am a big believer in leaving lyrics and themes open to interpretation, especially with this band. We agreed on the Moirae being the central theme for this album and I filtered this through my own deterministic lens and briefly touched on themes of purpose, loss, and death. If people get something completely different out of the lyrics, then I know I’ve done my job.
I always come back to this Bataille quote: “We have in fact only two certainties in this world—that we are not everything and that we will die”.
#### The artwork by adam burke is unreal how long did that take to put together
**NF:** I don’t know how long it took him to paint, but for us it was no time at all! It wasn’t a commission, he had artworks for sale to be licensed, and we found one we liked and then wrote the lyrics/concept based on the artwork. Was kind of a backwards way to do it, but it all worked out okay.
#### In terms of what you do, are you guys more focused on albums or live shows at this point ?
**NF:** We’ve got a couple of shows lined up for the spring in our home region – follow us on socials to get more details on those, we’re playing with some really cool bands. Beyond that, everything else is still in the works, but in the future we’d like to start breaking new ground and getting into areas we’ve never played before. The East Coast of Canada (Nova Scotia, New Brunswick and Quebec) is one spot we have our sights on, and like I mentioned before, we’re working on finding our way into the US. Playing out west (Alberta/BC) or even in Europe are more long-term/bucket list goals for us, but it would be amazing to get over there someday.
#### Thanks heaps guys, as a final question. What are you guys currently listening to at the moment?
**NF:** I’m spinning Flood by **Boris**. I’ve wanted a physical copy since high school and I finally stumbled across one at a local record store, so I’ve been re-familiarizing myself with this post-rock/doom/ambient masterpiece.
**JD**: I’m on a rocketship listening to the new **Blood Incantation** on repeat, dude
**NB:** I jump around so much, but Pillar of Light, They Grieve, and Sons of a Wanted Man.
---
**Support theme here**: [https://hellisotherpeoplebm.bandcamp.com/album/moirae](https://hellisotherpeoplebm.bandcamp.com/album/moirae?ref=blackmetalzine.com)
##### Catch them here April 12 at the Coffin Club (Ontario)
## Your thoughts on Hell Is Other People
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Grima — Nightside
URL: https://blackmetalzine.com/grima-nightside/
Last updated: 2026-07-16T17:16:12.000Z
*Band: Grima*
*Album: Nightside*
*Genre: Atmospheric Black Metal*
*Country: Russia*
*Label: Napalm Records*
*Released: 28\. February, 2025*
## Introduction
One of the biggest names out or Russia these days, **Grima** are back with their new album, *Nightside*. This release comes three years after their album *Frostbitten* from 2022\. The band consists of the duo Morbius and Vilhelm, who are twins, and are accompanied by Vlad Yungman and Denis Susarev. They are all also playing together in the post-black metal band **Ultar**.
I'm not a massive listener of atmospheric black metal, but I must admit that Grima is an atmo-band that I've been drawn to more than others, so this release is highly anticipated. I'm sure I'm not alone in my anticipation!
## Nightside
**Tracklist:**
1. Intro (Cult)
2. Beyond the Dark Horizon
3. Flight of the Silver Storm
4. Skull Gatherers
5. Impending Death Premonition
6. The Nightside
7. Where We Are Lost
8. Curse of the Void
9. Mist and Fog
10. Outro (Memories of a Forgotten Home)
As a humble tarnished, I travelled the Lands Between when I first heard this album. **Grima**'s new album was finally released, and I put it on as fast as I saw it available. Their signature accordion sets in as I travel through the astonishing landscape of Elden Ring. The tension keeps building up until *Beyond the Dark Horizon* comes crushing in with nasty groovy riffs and, on top, the cold shrieks of Vilhelm. I am no longer a humble tarnished…
The atmosphere seems tailor-made for the mood this game is giving me as I first listen through the album. In the following days, I listened to *Nightside* multiple times in other situations. And **Grima** opens up a portal every time: it takes me to a state of calmness. With a touch of melancholy created by the sadness of the accordion. *Flight of the Silver Storm's* intro is a fantastic example of this burdened melody.
Nature and winter are things that Grima manifests. Their aesthetics portrays this aswell, with faces hidden behind wooden masks that reminisce the ents from Tolkien's work are to be found on the band members and their cover art as well. It's become a binding contract between mother Russia and mother earth that is translated through all **Grimas** albums.
This is precisely what was to be expected for a new Grima release. Some songs do fall abit short to my liking and are not too memorable, which is why the rating didn't go higher than it did. But Grima stays true to their sound and image, and that's what I tuned in for, in the first place.
## Conclusion
With deep roots in atmosphere, sadness, longing, and frost bitten nature, *Nightside* combines these roots and grows into a massive release. I think *Nightside* will be highly praised by both black metal indoctrinated listeners and fans of other genres. This is due to their polished production, the use of folk instruments, the important heart gripping accordion and the magnitude of feeling this band awakes in its listeners. Be it melancholy, sadness or raw power, there are sections and tracks for them all.
Listen to this album as a whole and really sit down with it for the best experience. If you need any good taste samples from this album first, I'd recommend *Flight of the Silver Storm* and *Skull Gatherers* to start with.
**BMZ Rating: 8.5 / 10**
**Support Grima here:** [https://grima.bandcamp.com/album/nightside](https://grima.bandcamp.com/album/nightside?ref=blackmetalzine.com)
## Your thoughts on Grima
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Discord Demo Contest!
URL: https://blackmetalzine.com/discord-demo-contest/
Last updated: 2025-11-30T19:44:40.000Z
Thanks to music producer and active discord member **Merijn** there is now a chance to get to work on one of your songs with his help! Here are the guidelines:
**Join our Discord here: [BMP Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)**
## Black Metal Production Challenge
**Concept & purpose:**
This is an opportunity for artists in this server to take their raw ideas and turn them into a professionally produced song, for free. MerijnAap is looking for three artists to collaborate with on their track, providing them with:
✅ Songwriting & composition feedback
✅ Production & recording guidance
✅ A full mix & master of their song
All he asks in return is that the winners commit to the process and leave a killer review, if they think it deserves one.
This is not just a contest, this is your chance to get a track fully produced and release-ready, with no cost and no risk.
**How to enter:**
1️⃣ - Write & record a demo (At least 1 minute long).
2️⃣ - The demo must have at least 2 distinct sections (they can repeat, but it needs some variation).
3️⃣ - You must be able to record at home using a DAW.
4️⃣ - Vocals are optional but not required
5️⃣ - Submit your demo by april 1st (for real though)
Once the deadline passes, we’ll vote in the server to choose the top 3 demos, and MerijnAap will work with those artists to fully flesh out their song.
**Rules & requirements**:
🎵 Genre: Any style of metal
⏳ Length: 1 minute or more
🖥️ Recording: Must be recorded in a DAW (no phone recordings, please)
🛠️ Structure: Must have at least two distinct sections (intro/verse, verse/chorus, riff A/riff B, etc.)
**Additional guidelines:**
Performance quality doesn’t need to be perfect, but the playing should be clear. It's a demo we're not trying to win a grammy here.
Use programmed drums if you're a guitarist.
Collabs are allowed!
Your track will not be released unless you choose to release it. This is all about helping each other grow.
**Ready to join?**
**Join the Black Metal Promotion** [Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) **and make your way to the demo-contest channel before April 1st!**
### Review: Ninkharsag — The Black Swords of Winter
URL: https://blackmetalzine.com/review-ninkharsag-the-black-swords-of-winter/
Last updated: 2025-03-19T16:00:00.000Z
*Band: Ninkharsag*
*Album: The Black Swords of Winter*
*Genre: Melodic Black Metal*
*Country: United Kingdom*
*Label: Vendetta Records*
*Released: March 7th, 2025*
## Introduction
The 7th of March was a good day, all because Ninkharsag, the Melodic black metal outfit out of the United Kingdom, released their latest work onto the world. The EP bares the name The Black Swords of Winter, and if it's anything like their previous second full album, *The Dread March of Solemn Gods,* then I don't doubt it will be good.
*The Dread March of Solemn Gods* was released in 2021 and has been on a regular repeat cycle ever since. But it was time for some new music from the blokes and lo and behold, here it is!
## The Black Swords of Winter
*The Black Swords of Winter* is an EP, containing 6 songs, with the first song being an intro of 50 seconds long, the other 5 songs are of decent length and the entire EP has a runtime of 23 minutes.
As said, the first song *Wolf Moon Acclamation* is an intro, and it sets the setting for the rest of the album very well. The band is one of the better melodic black metal bands that emerged in the last few years, and they make that perfectly clear on the rest of the album.
I won't go through the songs one by one because well you'll have to listen to this album yourself and make your own judgement on a song to song basis, but for me. The title song of the EP The Black Swords of Winter sums up the album perfectly well. The vocals and riffs blend very well, and it feels to me that the album is mixed also better than the previous album. That could be due to a change of record label, but I couldn't find how mixed this EP.
Another song that made a good impression on me is the fifth song, *The Grave of Sworn Lords. T*his song is fairly short, that also goes for the tracks *The Serpent of the Void* and *Beyond the Ancient Crypts of Sorrow*, but with my attention span, that's just perfect.
The overall feeling of this EP is great, all the songs are good and if you are a fan of Melodic black metal than this is a must-listen for you. I'm pretty sure you won't be disappointed.
## Conclusion
Did you love the previous album? If that's a yes, then just go listen to this and buy it to support the band. Do you like melodic black metal, but you aren't familiar with this band yet, then you are in for a treat! Go ahead, give it a few spins, and I'm pretty sure you are hooked.
**BMZ Rating : 8 out of 10 -** Very Good: An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.
**You can support the band here:** [https://ninkharsag.bandcamp.com/album/the-black-swords-of-winter](https://ninkharsag.bandcamp.com/album/the-black-swords-of-winter?ref=blackmetalzine.com)
## Your thoughts on Ninkharsag — The Black Swords of Winter
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Havukruunu — Tavastland
URL: https://blackmetalzine.com/review-havukruunu-tavastland/
Last updated: 2026-07-16T17:16:13.000Z
*Band: Havukruunu*
*Album: Tavastland*
*Genre: Black Metal*
*Country: Finland*
*Label: Svart Records*
*Released: February 28th, 2025*
## Introduction
One of the more epic black metal bands out of Finland, Havukruunu is back with the new album *Tavastland*, four years after their EP *Kuu Erkylän Yllä*. Five years since their previous album *Uinuos Syömein Sota* that I was very fond of.
*Tavastland* is an eight track album lasting 54 minutes, their black, and white album covers are still rocking on their releases, this one being a sword-carrying owl. The swords are found a lot on their covers and their music also brings me to a medieval fantasy place, so I find that quite fitting…
**For this album we let KingGorthaur and Kermit dissect it as a tag team, even getting help from our finnish friend Samoly to help with the translation.** *\-Editor*
## Tavastland
**Tracklist:**
1. Kuolematon Laulunhenki
2. Yönsynty
3. Havukruunu ja Talvenvarjo
4. Tavastland
5. Kuoleman Oma
6. Unissakävijä
7. Kun veri sekoittuu lumeen
8. De miseriis Fennorum
**KingGorthaur:** **Havukruunu** has an incredible capability to create big and immersive epic soundscapes full of folky vibes by infusing their melodic guitar riffs with various choir-style vocals. This folk vibe, as I like to describe it, is something I feel a nostalgia for from when I grew up with Nordic folktales and movies. The choir-y vocals remind me a lot of the soundtrack to the movie and story of “Ronia: The Robber's Daughter” by Swedish author Astrid Lindgren ([click here for an example](https://www.youtube.com/watch?v=7qQUhPcE3Hs&ref=blackmetalzine.com)).
So they send me down memory lane and put me into the action of a Nordic folktale, but they also make it go even harder with their inspiring riffs and hefty drums. I think **Havukruunu** deliberately wants to create this feeling for their listeners because despite their lyrics and titles being in Finish, you still feel like you're part of their story. If you are interested in the meaning of the lyrics on this particular album, you can find them on [Metal Archives](https://www.metal-archives.com/albums/Havukruunu/Tavastland/1298135?ref=blackmetalzine.com).
I really love the way of their songs are put together in a story — telling way, and this new album simply carries on that same path that their previous work is all about. Opening track *Kuolematon Laulunhenki* and track *Kuoleman Oma* really depicts the **Havukruunu** sound, and are the two tracks I mostly recommend giving you a general taste of the album.
**Roberto:** Havukruunu is back! I loved their 2021 release *Uinuos syömein sota,* so I was excited when the promo of the new album Tavastland dropped in my mailbox. The album starts with an intro that tells a story. One of our discord members translated it, and it starts like this;
“***That which is the oldest people in Finns, are the Tavastians. When and where they came from, they still refuse to say. For as long as the sky has been looming over The Sole, have the Tavastians been stalwartly silent, stiff serious, sternly stubborn and steadily slow. They inhaled the smoke from the bonfire and said to another: this is how freedom smells like.***”
The member said to mention that it was a rough and quick translation that doesn't cover all the nuances of the original. But it gives you an idea what he is talking about for the none Finns. When an album starts off with a spoken word intro, it sets a mood for me, and that mood continues throughout the entire album. It tells a story, and it just pulls you in.
One of my favorite tracks of the album is the third track, *Havukruunu ja Talvenvarjo* that track just keeps on giving. I love the chanting, the vocals, the drums, the riffs and as you can see (read) it just clicked with me, especially the drums. They are relentless, mixed with the folk vibe it makes for an outstanding track.
## Conclusion
And it's time for the conclusion, which is a fairly easy one. Just go and listen to this album, and after you've done that, go support the band and buy the record in your favorite format. You can't go wrong with this one, that's for sure.
**BMZ Rating 8 out of 10 — Very Good: An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.**
**Support the band here:** [https://havukruunu.bandcamp.com/album/tavastland](https://havukruunu.bandcamp.com/album/tavastland?ref=blackmetalzine.com)
## Your thoughts on Tavastland by Havukruunu
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Likbleik — Fordervelse
URL: https://blackmetalzine.com/review-likbleik-fordervelse/
Last updated: 2026-07-16T17:16:13.000Z
*Band: Likbleik*
*EP: Fordervelse*
*Genre: Black Metal*
*Country: Drammen, Norway*
*Released: March 7th, 2025*
## Introduction
**Likbleik** is a newly formed band out of the monstro-city of Norway, known as Drammen. Their first release ever, came out yesterday on the 7th of March. They are a five-piece band and consists of *Andreas* (vocals), *Noah* (guitar), *Niclas* (bass), *Eskil* (guitar) and *Jonathan* (drums). The band mentioned that this EP was prepared 4–6 weeks before some live shows that they were going to play with bands such as **In Vain**, **Malum**, **YR**, **Thale** and **Krapyl**.
The band shot me up with a request on our social media page and being intrigued by their band name and fresh inception, I decided to give them a thorough listen.
We get many requests on our different socials media platforms. Some requests are, to say the least, a bit poorer in quality / seriousness than others, so I'm always a bit sceptical going in on the first listen.
## Fordervelse
Starting off the EP, the band sets an eerie tone to the intro with **Gehenna**\-like organs or accordion. I get the feeling of sitting on Davy Jones's harsh wooden bench onboard the Flying Dutchmen while thunder and rain is pounding the Dutchman's greased deck. The quality is oozing already, so I run to the fridge to pop a cold beer to go for the rest of this EP.
The first track of the EP takes over and hoists all the sails for good ol Davy. *Likbleik* the self-titled track is fast and builds a very nice tempo by the tentacles of the drummer. The dark guttural vocals tears open a passage through the wailing instruments on this track, and it overall showcases what's in store for this EP.
My favourite track on this release is the third one called *Fordervelse*. The guitar sound on this track is just fucking nasty and I dig it, it reminds me somewhat of **Devilgroth**. The drum build-ups reminds me of **Heimland** and their guitar interlude sounds like those on **Tsjuder**'s latest release.
**Tracklist:**
1. Besatt Af Djevelens Toner
2. Likbleik
3. Fordervelse
4. Naar Riket Faller
5. Interludium
6. Galgen
7. Avsky
What I would like to hear more of is the vocals to be a bit more at the forefront of the mix, they drown a little amidst the instruments. They do, however, sound excellent when they're allowed to push through, sounding like a deeper, meatier version of *Pest* during his time in **Gorgoroth**.
The debut EP is packed with things to really like, such as the guitar sound, heavy bass and tempo-driving drums. It makes one wonder what the band can brew given proper time.
## Conclusion
After the short 24 minutes of this EP has passed, I'm left wanting more. With great song structures and a high-quality production, **Likbleik** has gifted us a solid debut. Their sound is also heavy and crushing with chuggy riffs that can be heard all through the track *Galge*n, this heaviness is also in big parts thanks to how their bassist makes sure to keep the music threading along.
I am excited to see what comes next from these talented young men who keep this genre alive, and I hope to check out their live performance at some point at one of the Norwegian festivals.
**BMZ Rating: 8 / 10**
Follow the band here: [https://www.instagram.com/likbleik\_official/](https://www.instagram.com/likbleik%5Fofficial/?ref=blackmetalzine.com)
## Your thoughts on Likbleik
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Gràb — Kremess
URL: https://blackmetalzine.com/review-grab-kremess/
Last updated: 2025-03-12T16:00:00.000Z
*Band: Gràb*
*Album: Kremess*
*Genre: Atmospheric /Post Black Metal*
*Country Germany*
*Label: Prophecy Productions*
*Released: February 21st, 2025*
## Introduction
This year, we saw the much-anticipated return of German black metal band **Gràb**. Their 2021 release *Zeitlang* left a solid impression with the band's take on classic second-wave sounds. Their new release, *Kremess*, sees the band return to the Bavarian mountainside with a shrieking howl from the cold winter winds.
## Kremess
**Tracklist:**
1. Dà letzte Winter
2. Waidler
3. Kremess
4. Kerkermoasta
5. I'm Hexnhoiz (A Weihraz-Gschicht, Kapitel Oans)
6. Vom Gråb im Moos (A Weihraz-Gschicht, Kapitel Zwoa)
7. Deifeszeig
8. Waldeinsamkeit
## Rumination
With this release, **Gràb** mixes the old and new, blending the evil symphonic atmosphere of acts like **Gehenna** or **Abigor** with the cold, depressing vibe of bands like **Wedard**.
I have to admit, the first two minutes of this album felt pretty “eh” to me, as it really requires great effort to make something that has been done so many times over feel fresh and exciting. But by the time you get to track 3, *Kerkermoasta*, you’re basically hooked, and there’s no way you’re doing anything but finishing the rest of the album that day.
This record just oozes vibe and atmosphere. Honestly, it's such an amazingly well-refined album. The riffs are all sick from start to finish—perfect execution of evil atmospheric riff writing. The gurgling growls are perfectly bleak. The biggest thing for me, though, has to be all the dulcimers, acoustic guitars, and choirs. It is so easy in a second-wave style album for these elements to ruin the atmosphere, but Gràb somehow manages to do the seemingly impossible and incorporate these sounds, making the album a hundred times better and creepier. The demonic laughing witches on track 4, with the violins and acoustics, are a perfect example.
As a personal aside, one thing the band does that I have to commend them for is their use of the dulcimer. There are a few other bands (I won’t name names) that honestly try way too hard to impress with their use of folk instruments (“Look at me, I’m using an old-timey instrument, isn’t that so cool, guys?? PLEASE LEAVE ME A GOOD SCORE ON R.Y.M GUYS PLZ”), and I’ve always found it deeply cringe-worthy. With **Gràb**, though, it never feels contrived or meme-y. It always feels true to what they’re trying to do, which is emanating the cold, unforgiving atmosphere of the Bavarian hills.
The only way I can describe what this band does is like adapting a classic horror film (take the new *Nosferatu* film, for example). This is a band that deeply understands and loves this sound, and has set out to bring the terror and dread you would have felt the first time you heard German black metal in the '90s. While giving new fans that same unique brand of evil but with 2025 level style slick production—like an ancient echo of death returning throughout the advances of time to return us all to the void all again and again forever.
## Conclusion
In the four years between releases, Gràb has clearly bunkered down to refine what made their last album so good, and every risk they’ve taken to improve on their sound has paid off big time.
There’s not much else to say here— as far as second-wave style albums go, this is easily going to be one of the best to come out this year.
**BMZ rating: 8 – Very Good: An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.**
**Support Gràb here:** [https://grab.bandcamp.com/album/kremess](https://grab.bandcamp.com/album/kremess?ref=blackmetalzine.com)
## Your thoughts on Gràb — Kremess
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Review: Aara — Eiger
URL: https://blackmetalzine.com/review-aara-eiger/
Last updated: 2026-07-15T20:02:50.000Z
**Band:** Aara
**Album:** Eiger
**Genre:** Atmospheric / Post Black Metal
**Country:** Switzerland
**Label:** Debemur Morti Records
**Released:** December 6, 2024
## Introduction
Since the beginning of their career in 2018, Switzerland's Aara has steadily been defining itself as one of the most exciting modern black metal bands around. With their latest release, Eiger, the band has truly hit its stride, delivering one of the most intense black metal records of the past 12 months…
## Eiger
Track List:
1\. Die das wilde Wetter fängt
2\. Senkrechte Welten
3\. Felsensang
4\. Todesbiwak
5\. Der Wahnsinn dort im Abgrund
6\. Zurück zur roten Fluh
7\. Grausig ist der Blick
8\. Alptraum
## Rumination
On this album, Aara presents us with a tale of the treacherous Bernese Eiger mountain, a peak that has claimed the lives of dozens of mountain climbers over the years, as they sought glory through its ascension. The record sets out to accompany the listener on their journey to the top of nature’s deadliest mountain.
The sheer ferocity of this record is palpable; every song is a blast-filled march through frozen hell. The only way I can describe it, in a way that makes sense, is that this sound emanates deep conviction, much like preparing for something as daunting as ascending the mountainside. It’s a soundtrack to the refinement of oneself, and the almost inner sense of grace and stillness that comes from being in absolute war against the elements and pushing forward without looking back.
In terms of production and songwriting, there are zero faults to be found here. Every riff is fucking sick (especially track 2, “Senkrechte Welten”), and the drums sound crushing. By the end of the final track, the mixture of acoustic guitar work and field recordings leaves you with a strong sense of not just triumph through adversity, but mourning for everything you sacrificed along the way.
## Conclusion
Overall, on Eiger, Aara has clearly doubled down on what made their previous albums so great, delivering one of the best post-black albums of the past couple of years.
Seriously, don’t miss this one.
**BMZ Rating: 9 – Excellent: This is a standout album with superb talent and creativity. It’s impactful, memorable, and likely to be celebrated within the black metal genre.**
## Your thoughts on Aara — Eiger
**Support Aara here:** https://aara.bandcamp.com/album/eiger
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our Discord—where we talk about all things black metal. Don’t forget to follow our Facebook page, **Black Metal Zine**, for updates on our latest articles, and have a look at our Instagram **@blackmetal.zine** for concert photos and more!
### Review: Barshasketh — Antinomian Asceticism
URL: https://blackmetalzine.com/review-barshasketh-antinomian-asceticism/
Last updated: 2025-03-06T15:51:47.000Z
*Band: Barshasketh*
*Album: Antinomian Asceticism*
*Genre: Black Metal*
*Country: Edinburgh, Scotland, United Kingdom*
*Label: World Terror Committee*
*Released: 9th of January 2025*
## Introduction
Barshasketh, the black metal band from the United Kingdom (originally from New Zealand), has 4 full albums below its belt but their latest album, Antinomian Asceticism was my introduction to the band. A member of the black metal promotion discord server recommended the album to me, and after a few spins, I came to the conclusion that it fits the style of black metal that I like perfectly.
The band plays Occult black metal, now personally I'm not very fond of all those sub-genres within black metal because it's getting ridiculous with a plethora of sub-genres to choose from. For me, black metal is black metal and all those sub-genres are well, not needed. But that's my opinion, of course.
But whatever it's called, as said, it clicks with me. Let's find out why that's the case…
## Antinomian Asceticism
**Tracklist:**
1. Radiant Aperture
2. Nitimur in Vetitum
3. Lebenswelt Below
4. Charnel Quietism
5. Phaneron Engulf
6. Antinomian Asceticism
7. Exultation of Ceaseless Defiance
One of the reasons why this album clicked with me, was the intro song of the album, *Radiant Aperture.* The start of the song just hits differently. It's a wall of sound, and it has a take no prisoners' attitude. The drums provided by MK are great, but the vocals, that's the true selling point for me on this album.
The vocals are taken care of by members KG and MK, and they do an outstanding job. The vocals really sell this album (at least it does for me), and another bonus for the mixing of the album. The vocals aren't drowned by the drums and guitars, it all fits perfectly together like a jigsaw puzzle.
But it's not only the vocals that make for a great album it's the complete package, the artwork, the drums, the riffs it's all very well executed. As said, I wasn't familiar with the band, but this album made sure I started listening to the older albums as well.
## Conclusion
That brings us to the conclusion. The album is great, and I thoroughly enjoyed it so far, it's still on the daily rotation and has been for a while now, so that's a good sign. The year 2025 started off with a banger of an album, and I'm eagerly awaiting what the year will bring. I'm also looking forward to what Barshasketh releases when their next endeavour is out, but only time will tell.
For fans of no-nonsense black metal, this is a must-listen. I wouldn't surprise me if this album will end up on one of the albums of the year lists, even though the year is still very young.
**8,5 – Very Good:** An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.
## Your thoughts on: Barshasketh — Antinomian Asceticism
Support the band here: [https://barshasketh.bandcamp.com/album/antinomian-asceticism](https://barshasketh.bandcamp.com/album/antinomian-asceticism?ref=blackmetalzine.com)
We’d love to hear your thoughts on this album! You can rate it right here on this page, share your opinion on our social media channels, or join the discussion on our[ Discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)—where we talk about all things black metal. Don’t forget to follow our Facebook page, [**Black Metal Zine**](https://www.facebook.com/blackmetalwebzine/), for updates on our latest articles, and have a look at our Instagram [**@blackmetal.zine**](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert photos and more!
### Concert Review: Witch Club Satan + Wrath
URL: https://blackmetalzine.com/witch-club-satan-wrath-concert-review/
Last updated: 2026-07-16T17:16:14.000Z
When the self proclaimed feminist black metal band Witch Club Satan was set to play a show in the nearby city of Stavanger, I had to set sail south to catch a glimpse of the provocative trio myself. I say provocative based on the opinion of some metalheads whom I have observed in a selection of comment sections across social media the past few years, and also based on the reactions of "normies" I've seen share their opinions on the band.
Witch Club Satan were accompanied by the local youngsters of "post metal" band Wrath who have gained increasing attention through the Norwegian underground as of the past few years. Wrath very recently signed a record deal with Dark Essence Records and brought all their gunpowder to their show with Witch Club Satan this evening.
## Wrath to Folken
Inbefore the concert I shot up Wrath with a request for a chance for a fotopass to the night, which they gladly helped connecting me with WCS to recieve! So I packed my gear and jumped in my car to drive down to Stavanger for the night with high expectations to both supporting and headlining band.
Wrath is a band that I've known about and been listening to for atleast four years since their self-titled EP Wrath came out in 2021\. Front woman Jenny Rudi went to the same school as I did for high school (if im not terribly mistaken) and has been in the same local metal community as I belong to, Karmøy/Haugesund. This was however the first time that I had the oppertunity to catch them live, so I was very happy for the oppertunity to also photograph them at this concert.
Arriving at the local venue Folken with a cold bewerage in hand, I awaited Wrath to set the stage. The venue housing 650 people at maximum capasity, quickly started filling up once Wrath played their first note. Aron Vagle on the bass started the night with a short intro on his traditional "Jaw harp", before their first heavy riffs came flowing.
Wrath mixes alot of traditional Norwegian elements into their music, sound and album art. Aswell as prog, black metal and folk influences, the band has a heavy stoner-ish riffage that brings alot of weight to their sound. On stage the band is more casual than you might expect from the genres listed above, vocalist and frontwoman Jenny takes the stage in sneakers and short addidas shorts, rocking a Suicidal Tendencies t-shirt and bringing a playfull energy to the stage as seen on the photo above.
The band mentioned this beeing one of their largest audiences to date but the group didn't seem to tremble from that. With pure energy, playful taunts to the audience and chest pounding drums the band gripped the audiences interest and immersed them in their potion of jazzy-folk metal. A worthy opener for the Witches of Satan who enjoyed portions of Wrath's set themselves from the 2nd floor balcony.
## Witch Club Satan
Awaiting the witches, I stood in the midst of the photopit when a gentle tap on my shoulder was noticed. As I turn around I see guitarist Nikoline dressed in a big white knitted headwear behind me, playing on a old handheld drum in the audience. Following her, the fellow companions, drummer Johanna and bassist Victoria came in simular attire through the masses.
The trio of Witch Club Satan take their stage presence seriously, and it's to a great amazement to the audience. From tribal/rural instruments, to spooky home-knitted headwear, candle lit crowns, and full on naturalist boobs on stage, WCS has the attention of the audience at their grasp.
Beeing someone who enjoy their music online, I was curious to see how well the band was able to translate it into a live setting.
The Witches of Satan was dressed for the part, but also brought their raw emotions, energy and heart to stage. Connecting all these aspects together was the black metal. High pitched female screams, gritty guitar riffs, plummeling drums and a killer punching bass was all delivered on a silver plate by the band. With audience interactions playing a big part in their ritual on stage the band really brought the public a night to remember.
I stood on the 2nd floor balcony shooting photos and witnesed Nikoline shredding her guitar while floating on top of the crowd in some wild crowdsurfing (she took a few spooky dives) meanwhile bassist Victoria stood tall on the front row rack, singing amoung the frontline metalheads as another way to connect to the attendees.
The band are very vocal about their thoughts and views, so I was not very surprised to also see some of this in their live performance. The band had a short section inbetween songs to shed some thoughts on todays current political situation in Europe and in Gaza before their set continued in a more naturalistic fashion, dressed in long black witchy hair and almost only that!
## Conclusion
Both bands brought their best performances to the people of Stavanger. Two immersive soundscapes and witchy rituals were experienced first hand by all attendees. I would gladly go to another concert from any of these two bands, but would like to point out the amount of artistic theatrics that Witch Club Satan put on creates for a fantastic live music experience for both non-metal listeners, and black metal enjoyers!
All photos taken by KingGorthaur / Vetle Aksdal
### Review: Askon — The End Is Near — Re-gnarök
URL: https://blackmetalzine.com/review-askon-the-end-is-near-re-gnarok/
Last updated: 2026-07-16T17:16:15.000Z
*Band: Askon*
*Album: The End Is Near — Re-gnarök*
*Genre: Black / Death Metal*
*Country: Germany*
*Label: Independent*
*Released:* 2024
## Introduction
The German duo of Askon is back with their release of their album “The End Is Near - Re-gnarök” a re-recording of their debut “The End Is Near” which originally came out 11 years ago in 2013.
This re-release has a very polished sound, which Askon also has on their previous album. By fusing chunky riffs with blast beats and a gnarly vocal that I really like, Askon has created their style of which I can only call blackened melo-death.
## The End is Near — Re-gnarök
**Tracklist:**
1. Intro
2. Baldur's End
3. Mourning Worlds
4. Near Salvation
5. Loki's Nemesis
6. The End Is Near
7. Marching Into Doom
8. Genesis (A New World)
Heavily inspired by the north mythology, The End Is Near is essentially about the doom of this world, also known as “Ragnarök”. This is a theme that Askon has embraced in all their music and shows through in their lyrics and track titles.
The album is packed with chunky riffs and leans a lot into the death metal side of the genre, but has some cold touches of blackness that keeps me interested. Most so in Sarolf's vocals, which I mentioned earlier. Very gnarly and throaty, like the nastiest of creatures in Midgard. High tempos are switched up with slower groovy riffs, and it gets my head nodding and my mind kept invested.
Sarolf's vocals also often come with a rapid fire speed on top of the music, which, I think, is quite pleasant. A good mix of vocal delivery and also with some deeper guttural parts which I think come from another band member, but it fits perfectly in their wall of sound.
## Conclusion
A solid re-release from Askon, not something groundbreaking or genre pushing, but not every release has to do that, right? Occasionally, the good old recipes taste best, and for a man with an appetite, this album does fill me up nicely.
I'm quite sure peoples taste will vary a lot with this sort of black / death / melo-death style, but give them a spin and see for yourself!
**BMZ Rating: 7/10**
## Your thoughts on Askon — The End Is Near — Re-gnarök
Please let us know what you think about this album. You can rate the album yourself on this page, but you can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Interview: Austere
URL: https://blackmetalzine.com/interview-austere/
Last updated: 2025-11-30T19:51:32.000Z
*Band: Austere*
*Latest album: Beneath the Threshold*
*Genre: Depressive Black Metal*
*Country: Australia/Siberia*
*Label: Prophecy Productions*
#### Hey guys thanks so much for joining me today, how are things in Austere world going today?
**Tim:** Pretty quiet right at this moment. We’ve just wrapped up our new album in December, and in March we’ll start preparing for our European tour, but right now taking a couple of months break.
#### So you guys are back on the touring horse for Australia in 2025 which is pretty awesome. How did you find your first round of touring Australia last year when you were touring with Harakiri For The Sky?
**Tim:** I think it went pretty well, better than expected. We’re mates with the Harakiri guys, so we knew the tour would be a good time, but the shows themselves (with the exception of Canberra - the less said about that the better haha) went well. The crowds seemed to be really into it, and all in all it was a cool experience to play our first shows in Aus.
**Mitch:** Yeah, as Tim said, it was a good experience. I haven’t played much back home in Australia over the last 8-10 years, just one-offs here and there. I’ve been over in Europe/USA touring with various bands/genres so it was cool to do a couple of shows back here and see new faces and share the road with good people.
#### Are you guys still bringing out the same ;lineup for your live band that had you had last year? Or is it different lineup this time (outside of you two guys as the core)
**Tim:** nah, we’ll have a different lineup for these shows. On the last tour we had Chris from Harakiri on bass, for obvious reasons, and Pete Peric on guitar. But that lineup was just a one off for that tour.
#### So I watched the interview you guys did with Rauta on Youtube, in that interview you were talking about working on your most recent release (Beneath The Threshold). I really dug that album and I loved hearing how the sound has developed over time. I was curious as to how you guys feel about that album now a year later and how the response was?
**Tim:** I think the response has been pretty good. Obviously there’s a few people who wish we’d keep making albums that sound like we did 20 years ago, but for the most part people seem to be into what we’re doing nowadays. We always stay true to ourselves when making music. If we made another album that sounded like the old stuff, it would be forced, because we’ve grown both as musicians and people since then. It’s cool that a lot of people realise that and are coming on this musical journey with us. Personally I’m still happy with the album. I think it’s definitely our strongest album to date.
**Mitch:** Cheers. I feel good about it too, it was difficult in some ways to write because I stepped a little out of my comfort zone with it and I remember feeling really drained at the end of the sessions. I had notes, chords and ideas bouncing around in my head for weeks/months and it was a good feeling to complete it. Admittedly, I’m pretty self-analytical on anything I do but looking back at it now, it was a beneficial step for the band because the goal with that record was to offer ourselves a broader palette of material for future live shows. It also sort of pushed me further into a new direction with my songwriting now. Meaning, I have taken some of those ideas on that record and expanded them even further with some new music I’ve been working on for another band.
#### How have you guys found touring Europe so far with all the festivals and stuff? How is the European scene compared to here?
**Tim:** Obviously the European scene is far larger than Aus, and playing fests and our own shows over there has been great for the most part. It’s cool that people still care after we were gone for well over a decade.
**Mitch:** For gigs/fests, I’m still getting used to it with Austere personally. For various reasons but mostly, the shows I’ve been doing over there prior are within a drastically different setting to what we do with Austere. Totally different fan base/friends/line up etc. I feel quite isolated on either side of the fence if I’m honest. Not an issue though, I write the music I feel like writing and I enjoy playing it live which has been enough to continue for now.
#### So you guys are bringing Skuggor out on this Australian tour which was a pretty dope pick, I was wondering as he's an old oz metaller, did you guys know each much at all in Australia before you booked this tour? Or was this more just a tour you picked for some other reason?
**Tim:** Matt is one of my best mates. Actually he played guitar for my solo project Germ at pretty much every show we’ve done, from 2013 onwards. He’s also played both guitar and bass for Austere in the past couple of years, and he’ll be playing with us on the upcoming Aus tour as well. I’ll return the favour by playing drums for Skuggor. Actually, the tour was Matt’s idea haha
#### Are you guys both still based in Australia at this point or am i correct in thinking one of you is in Budapest now (and if so how does that affect the writing process with you guys? What's involved with the writing process for you both nowadays?)
**Tim:** not sure where you got Budapest from haha, but I’ve been mostly based in Siberia for a few years now. But I’m always going between here, Europe, and Aus, so we just work on austere while I’m there. We write pretty much the same way we always have, if it ain’t broke don’t fix it haha
**Mitch:** The geographical distance isn’t a problem for the moment. I still write the riffs/lyrics the same way and there’s tonnes of capabilities for recording these days. Whilst I prefer to work together on this band with Tim in the same vicinity, we’re also capable of putting something together at opposite ends of the globe if need be. I have a studio here and Tim has one there.
#### Do you think the fact that you have been touring so hard the past few years is going to have an impact on your future albums**?**
**Tim:** yes and no. Yes, in that we’re conscious of how songs will translate in a live environment now. But no, we’re not gonna change how we write just to make a song that will work live. But I think it’s in the back of our minds, with some songs at least. You can probably see this with the songs beneath the threshold being a bit more punchy and to the point. Not one riff repeated 300,000 times Mitch: It already has had an impact on me personally (as I explained earlier about catalyst for Beneath the Threshold sounding a bit different) but with that being said, may sound strange, but I don’t really feel it to be a ‘conscious’ effort when writing music for this band. I don’t have an agenda or something I feel tethered to. It just sort of happens. Sure, I have vague ideas in the beginning but it sort of just happens and builds itself as time goes along. I guess it’s a weird thing for me as I never really thought Austere would start playing gigs so I do feel in a strange position currently but again, just see where it goes for now. Back to the point, Austere is Austere if it's Tim and I doing it which is its main influence. Internal.
#### I was wondering with your other projects such as Germ and Unfelled if there was much happening in any of those camps? Can we expect any touring or releases with those projects?
**Tim:** yes there will be a new Germ album, as well as a month long European tour, later this year. I also have a new album coming in Q2 with Autumn’s Dawn, a band I have with Matt (Skuggor)
**Mitch:** I’m working on something different under the title of Wilt. Which I somehow now have 2 full albums both awaiting vocals and I have a Temple Nightside album demoed and waiting for drums to be recorded some time. Some of these things may go live, I've unfortunately had to turn down some offers for gigs at the moment but it'll reach a point where I'll make other arrangements and go out to do a few different things. But Austere is challenging for me live which is why I enjoy it. I'm constantly pulled back and forth from 'feeling it' and then having to concentrate pretty hard on some parts with a tricky riff and vocals on top.
#### Outside of that, what have you guys got planned for the rest of the year with Austere? More writing or touring or?
**Tim:** After the euro and Aus tours, I think we’ll take a bit of a break again. We both have other stuff to work on. I’ve got two more extensive tours to do in the second half of the year. We have some more fests confirmed for 2026 though, so at some point we’ll get back into it. And hopefully, we can work start work on another album late this year or early next.
**Mitch:** No idea, work is totally kicking my ass but yeah, more music and more gigs. I just don’t remember when or where or how, I’m exhausted, haha.
#### Thanks heaps for your time guys, I was also wondering if you heard any cool albums recently that people should check out or have any bands you want to shout out?
**Tim:** Cheers mate. Check out the new Skuggor album when it’s released in a few months time. I mixed and mastered it, and it’s great. Huge step forward from what he was doing in the past.
**Mitch:** Thanks for checking us out. Recently, not really. I’m an avid collector and love finding new bands/vinyls/demos but as mentioned, I’ve been so busy in daily life I haven’t had the time and truthfully, I often don’t find the same spark in them as I did before. Probably just personal preference. Anyway, I’m currently listening to Moonsorrow ‘Jumalten Aika’ as I type this and it’s fucking amazing. But that’s no secret!
**Listen to latest album ‘Beneath The Threshold Here’** [https://austere-official.bandcamp.com/album/beneath-the-threshold](https://austere-official.bandcamp.com/album/beneath-the-threshold?ref=blackmetalzine.com)
**Or here:**
**Purchase tickets for the Australia tour here:** [https://www.yourmatebookings.com/upcoming-events/](https://www.yourmatebookings.com/upcoming-events/?ref=blackmetalzine.com)
**Purchase tickets for the European tour here:** [https://linktr.ee/dissolutiontour2025](https://linktr.ee/dissolutiontour2025?ref=blackmetalzine.com)
## Your thoughts on Austere
We would like your feedback on this interview and Austere's music, you can interact with us on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we share and talk about all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Vault Review: Sarastus — The Deceased Dwell in Darkness
URL: https://blackmetalzine.com/sarastus-the-deceased-dwell-in-darkness/
Last updated: 2025-02-18T18:54:55.000Z
*Band: Sarastus*
*EP: The Deceased Dwell in Darkness*
*Genre: Black Metal / Melodic*
*Country: Finland*
*Label: Independant*
*Released:* 2019
> Foto: Gronnenhell
## Introduction
Our great Finnish neighbours have for decades been producing great black metal bands and albums. Today I wanted to open up the vault and shed some light on this particular gem. Sarastus briliant EP “The Deceased Dwell in Darkness” has been a release that I constantly revisit. Theodor Kittelsen's artwork “Pesta” in black and white drapes the EP's cover. A fitting picture for Sarastus mournful and brutal black metal.
“Revenant” is the man on both vocals and keyboard on this EP. He is also known from other bands such as Order of Nosferat and Sarkrista. His gnarly vocals are filled with a feeling of hateful sorrow, which are layered on top of these drawn out melodic guitar riffs that really carry the sense of sadness and/or mourning. The drums of “Vardøger” who does the rest of the instruments, adds the agression, bruatlity and fast pace that also brings out the madness of Revenants vocal delivery.
## The Deceased Dwell in Darkness
**Tracklist:**
1. The Deceased Dwell in Darkness
2. The Dwindling Spiral
3. Moribund Spirit
4. Open the Noxious Veins
The intro's and outro's of the tracks on this EP have some beautiful sections done by Revenant on the keyboard. He creates the feeling of a medieval gloom, and it transports me straight into the candle-lit hallways of a vampiric castle.
The overall pace of this EP is fast, and it is a powerful cocktail of brutality, melody and melancholy. This release is by far my favourite of any of the other projects Revenant and Vardøger are parts of. Revenants vocal style just so happens to be my favourite sound, and he delivers it all on this EP.
## Conclusion
Sarastus really delivered an explosion of melody, brutality and melancholy with this relase. Plenty of catchy and memorable riffs with lyrics one can shout along with topped with thundering drums. This EP has all that I look for when I am searching for new music, that is why The Deceased Dwell in Darkness gets alot of playtime through my ears. This is also the reason that I wanted to share this in a “From the Vault” review with you all.
I highly recomend this EP to you all, it's a short one of only 19 minute runtime, but I can promise that it's a memorable one that will pump up your energy and make ur head bang!
**BMZ Rating: 10 / 10**
## Your thoughts on Sarastus
Please let us know what you think about this album. You can rate the album yourself on this page, but you can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Zéro Absolu — La Saignée
URL: https://blackmetalzine.com/review-zero-absolu-la-saignee/
Last updated: 2025-02-10T16:00:00.000Z
*Band: Zéro Absolu*
*Album: La Saignée*
*Genre: Atmospheric/Post-Black Metal*
*Country: France*
*Label: AOP Records*
*Released: Jan 31, 2025*
## Introduction
2025 is off to a cracking start with La Saignée.
Starting in the early 2010s (under the previous name Glaciacion), the French duo Zéro Absolu has been honing their unique take on black metal, solidifying their position as a truly one-of-a-kind band in the modern era. Their latest release, La Saignée, features two expansive tracks, each filled with spacious, inimitable sounds.
## La Saignée
**Tracklist:**
1. La Saignée
2. Le Temps Détruit
## Rumination
After multiple listens, what stands out the most to me about this album is how genuinely interesting it is, yet also thoroughly listenable. In just 34 minutes, the album is filled with swirling synths, expansive guitar work, and assaulting drums. There are odd, unpredictable sections that go in different directions, effectively messing with the listener's expectations. The album is brimming with captivating textures.
A great example of this comes at the midway point, where you naturally expect the music to take one direction, but instead, Zéro Absolu leads it somewhere entirely different. The track becomes fragmented and glitchy before unfolding into a beautiful synth melody accompanied by a spoken word section.
What’s particularly impressive is that the release never lets experimentation overshadow solid songwriting. The band remains deeply rooted in that classic, evil-sounding French black metal.
The way the album flows seamlessly from one track to the next—essentially creating a continuous long-form experience—is fantastic. The second track, *La Temps Detruit Tout*, really brings the release home, building from an angular, post-rock-inspired intro (complete with choir-like synth stabs) into a final, blackened crescendo.
## Conclusion
Like Seth or Eternal Majesty, French bands seem to have a distinct identity in their approach to black metal. It’s something deeply ingrained in the sound of all of these bands, even though each one is (likely) vastly different. Zéro Absolu is no exception, and the way they craft their music is truly impressive in its execution.
**BMZ rating: 8 – Good: A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.**
**Support Zéro Absolu here:** [https://artofpropaganda.bandcamp.com/album/la-saign-e](https://artofpropaganda.bandcamp.com/album/la-saign-e?ref=blackmetalzine.com)
##
Your thoughts on Zéro Absolu
Please let us know what you think about this album. You can rate the album yourself on this page, but you can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Ande — De Schemering van Werelden
URL: https://blackmetalzine.com/review-ande-de-schemering-van-werelden/
Last updated: 2025-02-03T14:45:58.000Z
*Band: Ande*
*Album: De Schemering van Werelden*
*Genre: Atmospheric Black Metal*
*Country: Belgium*
*Label: Naturmacht Productions*
*Released: 31st of January 2025*
## Introduction
Belgian black metal band (well it's a solo project, but okay) Ande released it's fifth full album on the(31st of January, but to be completely honest, this is the first time that the band appeared on my radar. But that's one of the joys of listening to music, in my opinion, is the fact that there is an endless stream of new bands and albums to discover.
According to Jim on the Bandcamp page, the project's name has the following meaning:
*The name “Ande” is derived from an archaic Dutch term, embodying profound and primal emotions such as repentance, passion, and anger.*
The word Ande and it's meaning describes black metal perfectly, okay minus the *repentance* the whole non serviam and such, but you get the point. So let's see if the name fits the music…
## De Schemering van Werelden
**Tracklist:**
1. Teer
2. Van de eeuwen
3. De schemering
4. De zonderlingen
5. De wraak van het bos
6. Turende schimmen
7. Vervallen gedaantes
The album title *De Schemering van Werelden* (which means The Twilight of Worlds in English) fits the music on this album perfectly. It's a mix of Atmospheric black metal, but there are also some folky influences, which are most present on the 4th song of the album, *De Zonderlingen*. But more about that song later.
Since Jim does all the writing and instruments himself, I would say good job, throughout the album you'll find some nicely constructed riffs and the drums sound great also (don't know whether they are done by a drum machine or not, but if they are, it's done the proper way).
One of my favorite songs is the 4th track, *De Zonderlingen*; The rhythm of the drums and the more spoken words that's being used give for a very pleasant folky song, that sums up the album title pretty well. It really brings you into a Twilight state.
It's also a great interlude because the 3 songs before it and after it, are much more up-tempo, with some fierce drumming and vocals to match. In summary, it's a good album and I enjoyed listening too it.
## Conclusion
Are you into atmospheric black metal? Then this is the perfect album for you. As said, I was not familiar with the previous albums of the band, but this album I can recommend; it's a good album, and I'm pretty sure you will enjoy it as well. For all the other black metal lovers, give it a try, and you probably won't be disappointed.
**BMZ rating: 7,5 – Good: A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.**
**Support Ande here:** [https://ande-be.bandcamp.com/album/de-schemering-van-werelden](https://ande-be.bandcamp.com/album/de-schemering-van-werelden?ref=blackmetalzine.com)
##
Your thoughts on Ande
Please let us know what you think about this album. You can rate the album yourself on this page, but you can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Vrag — Rendületlenül
URL: https://blackmetalzine.com/review-vrag-renduletlenul/
Last updated: 2025-01-27T16:00:00.000Z
*Band: Vrag*
*Album: Rendületlenül*
*Genre: Black Metal*
*Country: Hungary*
*Label: Filosofem Records*
*Released: 18th of November 2024*
## Introduction
Vrag is a one-man band from Hungary, the person behind the project is Roland Neubauer, creative mastermind behind [**WitcheR**](https://blackmetalzine.com/review-witcher-boszorkanyszimfoniak/) and [**Frozen Wreath**](https://blackmetalzine.com/review-mea-culpa/). Both are bands I like, I was only familiar with the band because of the last album *Harcom* which was released in 2021.
3 years later and it's time for a new instalment, in the already impressive line-up of albums made by Ronald. So let's see what got conjured up this time.
## Rendületlenül
Rendületlenül is Hungarian for steadfastly (if translated correctly) and that's a great album title for a band and band member that releases one good album after the other. This album contains 6 new tracks with a runtime of 39 minutes.
**Tracklist:**
1. Rendületlenül
2. Egyedül a világ ellen
3. Árny vagyok
4. Él a múlt
5. Ahol az érték megsemmisül
6. Önmegtagadás
For me personally, 39 minutes for 6 tracks is a bit long, as said before, and I'll keep repeating this until the end of time, I have the attention span of a mosquito. So albums need to be fast-paced and not that long to keep me focused enough. But with this kind of black metal (the Atmospheric kind) it tends to be a long journey. So took a few breaths, calmed my mind down and gave the album a few good listens.
And what I heard I liked. The vocals of Ronald are as always great, they sound icy and that's the kind of vocal I prefer, the rest of the album music wise is also put together well.
My favorite track of the album is the last track *Önmegtagadás* that track has it all. The drums that keep going (I'm not sure, but they could be programmed, which is fine if done properly and to my ears that's the case). The vocals of Roland are cold and dark, it pulls the track together, this track stands out over the other tracks for me.
## Conclusion
So what do I think about this new album by Vrag? It's a decent album, and it all fits, is it an album of the year contender (this was written at the end of the year, but will be published in the new year), no it's not, but that's fine. I enjoyed it and, as always, Roland delivered a solid black metal album with great atmospheric influences. It's a tad too long for my liking, but that's personal taste. I just hope he will be making music for a long time to come because in the end, all the works are good or even great.
**BMZ Rating: 7 – Good: A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.**
## Your thoughts on Rendületlenül
Support the band here: [https://vraghungary.bandcamp.com/album/rend-letlen-l](https://vraghungary.bandcamp.com/album/rend-letlen-l?ref=blackmetalzine.com)
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### The best Black Metal releases of 2024
URL: https://blackmetalzine.com/the-best-black-metal-releases-of-2024/
Last updated: 2025-11-30T20:07:13.000Z
The year of 2024 has passed and a lot of black metal was brought to our table during the year. Black Metal Zine has seen a steady growth in visitors, and a big growth in bands reaching out to us for promotions.
We would like to thank you all for interacting and reading our articles. The year also brought us new members of the BMZ staff and to commemorate that we thought of making a collaboration of the best releases of 2024 together. That, my dear reader, is what will follow for the remaining content of this article.
---
## KingGorthaur (BMZ photographer) picks:
**My** absolute favourite release of 2024 came from the Belarusian band Kristailer. Their release ***“In the Hearts of the Brave”***.
The music is heavily driven by Zmei’s melodic guitar riffs that swipe across the battlefield like a burning sword, creating a magical atmosphere. The album has a great atmosphere, groove, and melodies.
**Zørza's** release ***“Hellven”*** is another top contender from 2024\. The Polish band has seen great streaming numbers on the BMP YouTube channel after their release, and has a spot on many peoples AOTY charts.
The harshness of the vocals, melodic guitar riffs and the fantastic drive is what I find so good about this album.
***“Vessels by Which the Devil is Made Flesh”*** by Misotheist is my final pick for this article. The Terratur Possesion rostered band out of Trondheim, Norway, released this masterpiece on the first of March in 2024.
The captivating hooking riffs and the dark growl like vocals made this release one of my most listened to in 2024.
---
## Talvipäivänseisaus' picks:
**Necrophobic — In The Twilight Grey:** The Swedish melo-black ensemble proves that they still have plenty of gas left in the tank. By combining NWOBHM-style melodies, versatile instrumentation and elements of classic death metal and black metal, Necrophobic proofs that it's still possible to make Swedish melodic extreme metal sound original and dark three decades after the style's heyday.
[**Keys to the Astral Gates and Mystic Doors**](https://blackmetalzine.com/review-keys-to-the-astral-gates-and-mystic-doors-the-endless-black-and-melancholy-triumphant/) **I & II:** These two self-titled demos have turned this Wisconsin band into a mini internet phenomenon. Make no mistake, while some attention might be linked to the high meme-ability of the band's name and aesthetic, there's still an undeniable talent behind it all. The music is raw, weird, and engaging, and the quirky DYI aesthetic is a breath of fresh air in a saturated music market.
**Mefitis — The Skorian / The Greyleer:** Mefitis continues to be one of the most exciting and boundary-pushing metal bands in the current day. To say I was hyped for this album is an understatement: The Offscourings, released four years prior, was my album of the year for 2021\. Throughout 2024, I kept checking the band's social media and Bandcamp sites over and over again, hoping for any signs of new music.
I was about to email the band personally to confirm if they are still making music. I was fearing the worst, when out of nowhere they released the single The Untwined One in late September. The album, the third in their discography, followed in November. Structured to be a double-album, The Skorian / The Greyleer has two titles and two sides with two separate recording processes. The album is the band's experiment on the limits — and possibilities — of analogue tape recording. It's also the band's debut on Profound Lore Records and, like its predecessors, makes for a puzzling listen, worthy of endless replays.
---
## KiliSchauer's picks:
[**Kirkebrann — Mot trellenes Forfall**](https://blackmetalzine.com/review-kirkebrann-mot-trellenes-forfall/) : As some of you might have seen already in the review, I hold this album extremely high in my tier list for this year. The pure melodic hardness and extreme vocals pared with raw aggression really made it standout for me.
**Paysage D'hiver — Die Berge**: I don't even know how to summarize this 2h opus magnum but with a few words: Atmospheric excellence paired with haunting vocals and great melodies it's definitely an album for cold misty hikes through the mountains or city depending on where you are located.
Finally, [**Molh — Deus**](https://blackmetalzine.com/review-molh-deus/): A surprise, but a welcomed one. Pure Ukrainian aggressive atmospheric Black Metal that captures the mood of the current world. But more to that in the upcoming review.
---
## Roberto's Picks:
Picking 3 albums out of an onslaught of black metal releases each year, is something that's challenging to do, but we try anyway. For the first album, we go with the absolute stellar album [**Ciel Cendre et Misère Noire**](https://blackmetalzine.com/review-houle-ciel-cendre-et-misere-noire/) by French black metal band **Houle.** This album really had it all for me, great vocals, and drums, great theme and atmosphere and band photos to match that whole vibe, it was a complete package and my favorite album of 2024.
Second pick would be[**House of the Black Geminus**](https://blackmetalzine.com/review-akhlys-house-of-the-black-geminus/) by **Akhlys**. This album is a showcase of how to put the idea of fear and terror into music. The entire album just oozes that atmosphere and I love it for it (hence the 9 rating). This album is the abyss itself, and if you stare to look it will stare back.
And finally the second album, [**Vortex of the Worlds**](https://blackmetalzine.com/review-labyrinthus-stellarum-vortex-of-the-worlds/) by **Labyrinthus Stellarum.** This album is even better than the first album of LS. The entire space theme is done with such flair it all just fits, and the entire album is just a journey. If you haven't listened to this album yet, you really need to give it a try. And when you do, do so with headphones on. That really brings the album/music to life.
---
## What are your favorite albums of the year 2024? Please let us know.
We would love to know your favorite albums, you can let us know on our social media channels, or join us on discord, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Veenlijk — Galgenberg
URL: https://blackmetalzine.com/review-veenlijk-galgenberg/
Last updated: 2025-01-22T16:00:00.000Z
*Band: Veenlijk*
*Album: Galgenberg (EP)*
*Genre: Black Metal*
*Country: The Netherlands*
*Label: Void Wanderer Productions*
*Released: Jan 23, 2025*
## Introduction
Veenlijk (bog body) is a new black metal band from Amersfoort, which is located in The Netherlands, for myself, I never heard of the band (which is logical since it's pretty new), but when I saw the cover of the album I was intrigued.
The EP is described as follows; “*Galgenberg brings you back to Medieval Amersfoort. A time when witches still burned at the stake, and innocent people were persecuted by the Church. A time when mysterious rituals were performed in the dark parts of the forests.*”
With that being said, let's see what the new kids or warlocks on the block conjured up for us to enjoy…
## Galgenberg
We start off with a small history lesson about the Galgenberg (Gallows Hill) in Amersfoort. On a small hill near the city (the hill had a direct view from all sides) stood a gallow made from stone. This gallow was used to deter oncoming visitors on route to Amersfoort, not to do any crime, or you will face the same fate as the person who was on display.
The person itself wouldn't be hanged on the hill, that happened on the city square and after the verdict was completed, the corpse would be dragged to the hill and hanged once again. After a while, the body would decompose and the bones would be put in a grave below the gallow. This continued until 1809.
**Tracklist:**
1. Egidiuslied
2. Heksenkring
3. Galgenberg
4. Bloedbad
The EP has 4 tracks in total with a run-time of 21 minutes. It starts off with *Egidiuslied* (which is a famous Dutch poem/song from the Middle Ages). The track itself is quite long (for me at least), but has some interesting elements to keep drawing your attention towards it. The drums are decent, and the vocals match the vibe of the track. On some points on the track it gives off a hint of Wiegedood that for the most part is because of the vocal work, and that's not a bad thing.
*Heksenkring* the second track of the EP, is faster and has a different sound to it than the first track, but still, there is that hint of Wiegedood and since I love Wiegedood, it isn't a bad thing. The track also has some nice riffs, and drums and midway the song, you even get a punk vibe from it.
The rest you will have to discover for yourself when the EP is released on the 23rd of January this year. But overall, they all sound good. They also did a good job with mixing and mastering the album. The instruments do not drown the vocals.
## Conclusion
Veenlijk delivered a great EP, and I'm excited about what the future will bring for this band. If they keep this level up, we won't be disappointed, I'm sure about that. I also need to give credit to the artist who draw the wonderful logo of Veenlijk, that logo is very clever, and one of the better logos I've seen in a while. The same goes for the artwork of the album, it looks spectacular, so all the kudos to [Kali Macabre,](https://www.instagram.com/kalimacabre/?hl=en&ref=blackmetalzine.com) she did an outstanding job.
BMZ Rating: **7,5 – Good:** A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.
## Your thoughts on Galgenberg by Veenlijk
You can support Veenlijk here: [https://voidwandererproductions.bandcamp.com/album/galgenberg](https://voidwandererproductions.bandcamp.com/album/galgenberg?ref=blackmetalzine.com)
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Molh — Deus
URL: https://blackmetalzine.com/review-molh-deus/
Last updated: 2025-01-20T16:00:00.000Z
Band: Molh
Album : Deus
Genre: Atmospheric Black Metal
Country: Ukraine
Label: Independent / Unsigned
Released: November 22nd, 2024
## Introduction
Molh (spoken Molch) is an atmospheric Black Metal Band from Ukraine. There is not a lot more information about them as they keep it to them, self. My introduction to them only happened some 2 weeks ago when they liked something of my band and I started to check them out. I was very surprised about what I stumbled upon, so buckle up because this will be a wild ride.
## Deus
Deus is the firs full-length release of this band and is as really great mix between **Atmospheric Black Metal** and **DSBM,** but more to that in the song-specific paragraphs.
Tracklist:
1. Blood on the Wheat Fields
2. Shadows of the Forgotten Forest
3. The Witch's Curse at Dusk
4. From the Depths of the Black River
5. Iron Roots, Iron Hearts
6. Beneath the Carpathian Moon
7. Haunted by the Mavka's Eyes
8. Коли поля стануть червоними (eng. When the fields turn Red)
Blood on what fields, the opening track, starts with a crying voice and some haunting melodic guitars before the actual vocals start. The crying is a grief reminder of what's currently going on in their homeland and the world in general, and I sincerely hope the guys are more or less safe in those difficult times. Coming back to the song, the overall production is really fitting for Atmospheric Black Metal, pushing the vocals a bit more into the background without becoming inaudible. The drums blast over like machine gun fire and the guitars play a beautiful, fitting chord progression.
The 5th track, Iron Roots, Iron Hearts is really Doom'ish in the beginning with some haunting clean tremolo picking before continuing in that **AHAB**, **KATATONIA** like pounding rhythm. A great opening riff to a song titled like that. The vocals again are just punishing screams, a bit reminiscent of fellow Ukrainian greats like **KHORS** or **DRUDKH**. Out of nowhere, in the middle of the song, the drums turn back to machine gun mode. The overall mood of the song switches to a really punishing aggressive war chant before ending in the same riff as the opening.
Haunted by Mavkas eyes tells the story of someone being followed by a Ukrainian folk legend, being Mavka the protector of Nature and forests as well as all beings living there. A great story covering the toxic traits of humanity being unable to live in peace with nature and being egoistic with claiming more and more ground for themselves. The song itself is again more rolling mid-tempo riffs and drums which puts you into a darker atmosphere.
Коли поля стануть червоними (eng. When the fields turn Red) is just full speed from the beginning, a great track to end a nearly perfect Album. Being the only track sung in Ukrainian, I needed to make some use of my wife to translate it for me. But I wish that Molh created more songs in their native tongue, as it sets themselves apart from the majority of Bands and gives me another reason to finally learn more of that beautiful language.
## Conclusion
From just coming across them by a lucky coincidence to listening to them on the way to my rehearsal, I can only say what a great ride that was. Creating such a masterpiece in dark times like that really showcases what great musicians they are. If you can, please support them so we can get even more of their great Music.
**BMZ rating: 9 – Excellent: This is a standout album with superb talent and creativity. It’s impactful, memorable, and likely to be celebrated within the black metal genre.**
## Your thoughts on Deus by Molh
You can support the band here: [https://molh.bandcamp.com/album/deus](https://molh.bandcamp.com/album/deus?ref=blackmetalzine.com)
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Gorgon — For Those Who Stay
URL: https://blackmetalzine.com/review-gorgon-for-those-who-stay/
Last updated: 2025-01-06T16:00:00.000Z
*Band: Gorgon*
*Album: For Those Who Stay*
*Genre: Black Metal*
*Country: France*
*Label: Osmose Productions*
*Released: November 29th, 2024*
## Introduction
**Gorgon** is a band that shouldn't need an introduction if you ask me (That goes for a lot of the older bands, so apologies if I use this line every so often in other reviews ;)) This band delivered one of my all-time favorite black metal albums, *The Lady Rides a Black Horse.* This gem was brought out in 1995 (and yes, that makes me sound old, I am aware). But to this day, this album still holds strong as it's one of the most influential black metal albums ever made. At least, I think it is.
This will be their seventh full album, and I must admit somewhere in the early 00s I lost track of the band. But they reappeared on my radar when they released their latest album, *Traditio Satanae*.
I did like that album, but for me personally it never reached the same level as *The Lady Rides a Black Horse.* That, of course, doesn't mean it is or was a bad album. It all comes down to personal taste. However, they are back with a new album, so let's dive in and see what they conjured up from the abyss this time.
## For Those Who Stay
**Tracklist:**
1. For Those Who Stay
2. Tod. Mort. Death.
3. Next to the Mill
4. Hypnotic Fire
5. Vatican's Fall
6. The Art of Dying
7. Despicable Beggars
8. Shelter
9. When It Rains in Hell
10. Troops of the Fallen
11. Deserters as Prey
The new album features 11 brand-new songs and has a run time of 41 minutes, which is a decent amount of time in11 tracks. It's not too short that it feels like a hardcore album (20 tracks in 15 minutes), and not too long as in that I keep checking my watch because of a feeling that 2 hours have passed since I've started to listen to the album. This length is just right.
On the first track, you hear that Gorgon still means business, it starts off with an organ and then the drums kick in. Those things just keep going and make the song a great start of the album. This sets the tone for the rest of the album.
The nest few songs, *Tod. Mort. Death*, *Next to the Mill* and *Hypnotic Fire* are all fast-paced no nonsense black metal songs. Especially the second track is one of my favourites, it's very aggressive with a no surrender attitude, and it's that attitude that made me fall in love with Gorgon many moons ago.
Also worth mentioning are the drums, those are taken care of by Hellesylt, and he really delivers. They just keep going off, relentlessly. Together with the great vocal work of Chris, it makes for a great package.
I could keep going on about every track, but to be honest, you need to give this album a try (or a few) and decide for yourself. I'm pretty sure if you will like it. Does it top the first album? No it does not, does that matter? No, it does not. It's a good album and a big step up from the previous album.
## Conclusion
Gorgon delivered a great album, and it's on my album of the year list, it won't top it, but that's okay. I liked it and others should give this a spin as well. I'm glad to see that a band from my youth still keeps going strong, and I hope this will remain for a while.
If you haven't heard of Gorgon before, give this album a spin and let us know on our socials what you like or don't like about it? And since you don't know the band, give the first album *The Lady Rides a Black Horse* a try, that's an order!
**BMZ Rating: 8,5 – Very Good:** An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.
## Your thoughts on For Those Who Stay by Gorgon
You can support the band here: [https://gorgonblackmetal.bandcamp.com/album/for-those-who-stay](https://gorgonblackmetal.bandcamp.com/album/for-those-who-stay?ref=blackmetalzine.com)
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Svarttjern — Draw Blood
URL: https://blackmetalzine.com/review-svarttjern-draw-blood/
Last updated: 2024-12-31T12:38:16.000Z
*Band: Svarttjern*
*Album: Draw Blood*
*Genre: Black Metal*
*Country: Norway*
*Label: Soulseller Records*
*Released: 6th of December 2024*
## Introduction
We start off this review with a question. Does **Svarttjern** need and introduction or not? The answer should be no for all of you, but then again, some do live under a rock and for those cavemen or women I'll make an introduction to this band.
So here it goes cave people, **Svarttjern** has been around for 21 years as the band started in 2003, but their first full album was released in 2009 and that album, *Misanthropic Path of Madness,* is a masterpiece (according to me). It's an album that just grabs you by the throat and never let's go. That is a good base for the follow-up albums, which are all great, although the second album is the lesser one of all the albums released so far.
This new album Draw Blood is their sixth full album, and it took them 4 years to conjure this album into existence. Their latest album *Shame is Just a Word* was a great album, but for me personally, the other albums never toppled their first album. So let's see if the sixth one manages to do just that.
## Draw Blood
When you name an album *Draw Blood*, you mean business, that's for sure. But first some details, the new album features 10 tracks with a run time of 39 minutes. With the 9th track being a cover of a Rolling Stones song.
**Tracklist:**
1. Determination
2. Follow Through
3. Draw Blood
4. Don't Contain Your Lust
5. Erect Your Congregation
6. Lick My Flesh
7. Chop, Slit, Flay
8. Aluminium Bat Domina
9. Under My Thumb (Rolling Stones cover)
10. Sin, Offer, Obey
As said, the first album is one of my all-time favourites and I was eagerly awaiting the release of this album. Draw Blood sounds like you mean to business, and I can confirm they do mean that.
This fact becomes obvious, when you listen to the third track of the album *Draw Blood*, it's fast-paced with great vocals and some killer riffs in it. It's a complete package overall, and it shows what the intention is behind this album, at least it does for me.
On the other side, this album also has a bit of a black 'n roll vibe to it, which is most clear on the eight track of the album, *Aluminium Bat Domina*. That track starts off with a nice groove and that remains hearable throughout the rest of the track and if you back track to the rest of the songs you can hear that vibe mixed through almost all the songs.
So this album, for me, is a bit two-faced, it's fast-paced, but also a mid more tempered, it doesn't topple the first album from its throne for me, but it's a good album overall. The vocals of Hans Fryste are great as always and for me, that is one of the high lights of this album (and all the other albums for that matter).
With that being said, it's time we draw blood by giving our conclusion…
## Conclusion
Draw blood is a good album, undoubtedly. The songs are good and the vocals and the instrumental work are of a high level. As being said, it doesn't topple the first album from its throne for me, but that doesn't matter. It's a great continuation of the previous works.
They are on my wish list to see live, since I haven't had the opportunity yet, and I hope that will happen soon. But now it's time for the rating;
**BMZ Rating: 8 – Very Good:** An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.
## Your opinion on Draw Blood by Svarttjern
You can support the band here: [https://soulsellerrecords.bandcamp.com/album/draw-blood](https://soulsellerrecords.bandcamp.com/album/draw-blood?ref=blackmetalzine.com)
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Vixenta - The Oubliette
URL: https://blackmetalzine.com/review-vixenta-the-oubliette/
Last updated: 2026-07-15T20:03:20.000Z
**Band:** Vixenta
**Album:** The Oubliette
**Genre:** Ambient / Post - Black Metal
**Country:** Australia
**Label:** Pest Productions
**Released:** 20th of November 2024
## Introduction
Vixenta is a two - piece Black Metal Band from Australia with their main influences being **Panopticon**, **Emperor**, **Enslaved**, **Sacramentum** etc. Today we're having a look at their latest creation called *The Oubliette*; so grab a beer, spin this album and join me in this discovery.
## The Oubliette
**Tracklist:**
1. Majestic Bloodstained Nightmare
2. Blood on the Idol I
3. Blood on the Idol II
4. Mountains Fall
5. Downfall
6. Demise
7. Into the Oubliette
8. Escape from the Oubliette
9. Weeping Plains
10. Faint Whispers (ft Rêvasseur)
The opening track *Majestic Bloodstained Nightmare* kicks off the album in a very **Emperor**\-esque way with a clean, synth lead intro before going in a harsher direction with great reverb loaded vocals and a bass guitar louder than the guitars. The overall production is very classic black metal; lo-fi but still managing to convey the atmosphere of the record. About halfway through the song *Vixenta* it wanders off into a more Sognametal territory; very reminiscent of *Todeswalzer* by **Windir**.
*Blood on the Idol I* and *II* I decided to merge into one paragraph as I believe it's encompassing parts of the same story. The first section starts, again, clean and stays melodic yet hard and is overall an excellent song that ends sadly too abruptly for my liking. Part two kicks off as hard as the first ends, but it feels like it's missing a few seconds in between, as the connection is not quite there. Furthermore, the production seems different from in the first part, making it a bit more muffled, but nonetheless a good song.
The last song, *Faint Whispers,* ft. Rêvasseur, gets us involved with an enticing DSBM guitar and bass part and overall feels much like it could be a love-child of **Happy Days** and **Nocturnal Depression**. Overall, this track really stands out to me. It brings a much different vibe than the rest of the album and I thoroughly enjoy it.
## Conclusion
*The Oubliette* is a decent record from a talented band that, in my opinion, should consider narrowing their focus a bit to allow for a more coherent collection of songs than what this album presents itself as.
Their songs are really well written and for the most part, the production is solid, yet sometimes appears to be a bit neglected. A highpoint for me is Moosh's vocals, and I recommend you to check them out, even though I might not come back to this album as much. There is an abundance of top quality music being put out in recent times. As a recent example of this form of black metal done right (to my ears) would be **Wolves in the Throne Room — Mountain Magick**.
In short, exciting music, but lacking some cohesiveness and production.
BMZ Rating: 7,5/10
**Support them here:**
**Vixenta:** [https://vixentamusic.bandcamp.com/album/the-oubliette](https://vixentamusic.bandcamp.com/album/the-oubliette?ref=blackmetalzine.com)
## Your thoughts on Vixenta
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Asgrauw — Oorsprong
URL: https://blackmetalzine.com/review-asgrauw-oorsprong/
Last updated: 2026-07-15T20:05:29.000Z
**Band:** Asgrauw
**Album:** Oorsprong
**Genre:** Black Metal
**Country:** Netherlands
**Label:** Death Prayer Records
**Released:** 31st of Otober 2024
## Introduction
**From left to right:**
*Vaal:* guitars & vocals
*Batr:* drums
*Kaos:* bass & vocals
Asgrauw from the Netherlands was founded in 2010, their focus is to *bring the Apocalypse to their listeners*. This time they are back with their newest creation called *Oorsprong*; Dutch for *The Beginning* and I will share my thoughts on this great record.
## Oorsprong
**Tracklist:**
1. Kosmische strijd
2. Eridu
3. Apada
4. Redres
5. Weeral
6. Kapoeres
7. Erfenis
8. Heimwee
The first track, *Kosmische Strijd* starts with a very weird intro that you have to listen to yourselves to get what I mean, but kicks into full-blown black metal right after. The vocals are very DSBM like with high shrieks, but it fit the rest of the music very well. Overall, the song is pretty fast-paced and the guitar and drum work is astounding. A solid opener for a solid album...
*Eridu* is again following up this unusual intro style which makes you nearly freak out, before going into the bass prominent slow opening. This is layered with more harsh spoken vocals that trade back and forth with the throat destroying shrieks. It then picks up speed very rapidly and transforms into a melodic, well-written song. The incorporation of synths completes this journey of Dutch madness.
The last track, *Heimwee* again has a peculiar intro that sounds like a jet taking off but then fluently blending into the following riff and synths with spoken vocals. Already in the first minute, you realise that it's a great closing track for a pretty special album. The vocals get more aggressive throughout the song. I would like to add bands which have some similarities, but Asgrauw is unique in their sound. The overall riffing in this song is more uplifting than in the previous tracks, and I think this certified them gaining a new devoted fan in me.
## Conclusion
An excellent album that really doesn't have any competitors. If you're like me. More open-minded and into the weird and wonderful, you will enjoy this album in particular and all of Asgrauw's adventurous music.
**BMZ Rating: A solid 8 out of 10**
**Support them here:**
**Asgrauw:** [https://asgrauw.bandcamp.com/music](https://asgrauw.bandcamp.com/music?ref=blackmetalzine.com)
**Death Prayer Records:** [https://deathprayerrecords.bandcamp.com/album/fa-ade](https://deathprayerrecords.bandcamp.com/album/fa-ade?ref=blackmetalzine.com)
## Your thoughts on Asgrauw
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Deus Mortem — Thanatos
URL: https://blackmetalzine.com/review-deus-mortem-thanatos/
Last updated: 2026-07-15T18:30:01.000Z
**Band:** Deus Mortem
**Album:** Thanatos
**Genre:** Black Metal
**Country:** Poland
**Label:** Profane Spirit Productions
**Released:** 15th of November 2024
## Introduction
Dues Mortem, a black metal outfit out of Poland, will release a new album on the 15th of November (2024). It will bear the name Thanatos. For me, this band is a new discovery. Never heard their previous albums (*Kosmocide / Emanations of the Black Light*) but that shouldn't be a problem, that's one of the joys I get from writing black metal reviews, the discovery of new bands (new for me at least) and their work.
The band emerged out of the abyss in 2008, but their first full album, *Emanations of the Black Light* was released in 2013, and it was well received, the same goes for their second album, *Kosmocide* which was released in 2019\. Almost 6 years have passed since that second album, but their infernal third work is ready to be shown to the world.
## Thanatos
One of my greates interest outside of music is history and that includes ancient Greek history, so when a band releases an album with the title Thanatos, that piques my interest. As we all know (at least this should be well known) Thanatos is the personification of Death in the ancient Greek mythology and that, for me, sets a precedent.
In the press release, they state the following;
*“*Thanatos*” is a concept album that confronts the complexities of human existence. It takes listeners on a transformative journey through illusory realities, unveiling hidden truths and stripping away the veils of deception. It's a testament to personal struggle and the power of the Black Flame.''*
The lyrics have more to do with the Black Flame than with the myth behind Thanatos himself. Some lyrics are in Polish, others in English, but overall, they are well written, and when the album is available, I urge you to search them out and follow along.
**Tracklist:**
1. Krwawy świt (A Bloody Dawn)
2. Slow Death
3. Resurrecting the Pillars of Fire
4. A Lamb in the Arms of a Wolf
5. W serce płomiennej gnozy (Into the heart of the flaming gnosis)
6. Czarny kruk (Black Raven)
7. When the Creation Tastes of Dionysian Wine
8. Noesis
The press release stated that they went a bit of a different route for their third album. Since I'm not familiar with the first two albums, I can't say whether that's a bad thing or not, but for me, the sound of the third album is a great mix of black metal and black 'n roll (or rock/heavy metal whatever you want to call it).
That black 'n roll feeling is present in almost all the songs and if it's not obvious, there is a hint of it in a hidden layer beneath the black metal. That starts with the first track of the album, *Krwawy świt (A Bloody Dawn)*. The start of the track is full speed ahead, but it switches to a more black 'n roll vibe, this switching of genres and tempos continues throughout the track (and album).
If the previous albums were more fast-paced and in your face black metal. It's not difficult to imagine that this change of a pace needs to acclimate with those listeners. But for me (and others) that is not familiar with if, it's a nice change of pace from the regular run-of-the-mill black metal we all know.
One of my favorite tracks on the album is the fourth one called *A Lamb in the Arms of a Wolf*, that tracks starts off with a drumming rhythm that is just memorizing. This song is slow paced compared to the other tracks, but that slowness, paired with the drums and vocals, make for an enchanting feeling.
Another great song is the seventh one, When the Creation Tastes of Dionysian Wine. That song also gives off an enchanting feeling, but it's more fast-paced than the previous mentioned song. That is what makes this album great. The flow of the album is what keeps it interesting because every track has its sound and that makes it easy to listen to (on repeat even). I talked about that hidden layer of black 'n roll at the start of this review, and that is also found here. Well, it's not hidden that much in this song, but it makes the song stand firmly on its own as one of the standout tracks of this album.
## Conclusion
I can't give a grade based on a comparison with the older albums as this is my first dip into the Deus Mortem pool, so this grade is solely based on this output. This album was a bit of a surprise for me. At my first listening, it didn't really click, but slowly it crept inside my skull. Then there was something new to discover on each listening session, and that's what makes for a great album in my book.
BMZ Rating: **8,5 – Very Good:** An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.
**Support Deus Mortem here:** [https://deusmortemofficial.bandcamp.com/](https://deusmortemofficial.bandcamp.com/?ref=blackmetalzine.com)
## What do you think of Thanatos by Deus Mortem
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Kreyl — Obscure Rise of Ancient Eulogy
URL: https://blackmetalzine.com/review-kreyl-obscure-rise-of-ancient-eulogy/
Last updated: 2026-07-15T18:30:03.000Z
**Band:** Kreyl
**Album:** Obscure Rise of Ancient Eulogy
**Genre:** Black Metal
**Country:** Spain
**Label:** Inverse Records
**Released:** 18th October 2024
## Introduction
Spain, a country that has brought forth many good things, like FC Barcelona, paella, and for the anarchists out there, the Molotov cocktail. But also one of my favorite black metal albums, *Ouija*'s “Riding into the Funeral Paths”. And there are many more great black metal bands from that scene, for example; *Teintanblood, Nahemah and Perennial Isolation*. These are just a fraction of them, as the Spanish scene is alive and thriving.
Meanwhile, in 2024 (well according to Metal Archives, 2020, but their first demo/single was released in 2024) a new band emerged in the form of *Kreyl*. The band describes themselves as follows;
*“The Kreyl project was born during the winter of 2020, in the city of Barcelona (Catalunya/Spain), from an idea of Virus Tremor, guitarist of the band and also guitarist of the black metal band*
*Nefasta and the brutal death metal band Handle with Hate. It was inspired by the album “I” by the*
*Finnish black metal band Hedonihil and many other bands of the second wave of black metal”*
To be fair, I am not familiar with any of the named bands, but that makes it even more fun because I like to discover new gems. With that in mind, let's see if the debut album by Kreyl is deserving of gem status.
## Obscure Rise of Ancient Eulogy
Like every year, there is a wave of new black metal releases, most are okay, some are great. As the band said, this band/album was inspired by the second wave of black metal, and that's something that's clear right from the get-go.
I grew up when that second wave hit (in the early 90s) and I'm still riding that wave. The old bands tickle my fancy more than the newer ones, but that has mostly to do with of the sound of the new bands. So when an album comes by that sounds like bands from the 90s, it piques my interest more than most other albums.
**Tracklist:**
1. Giants of Arto Island
2. Nekromateion of Ephyra
3. Medusa’s Death
4. The Oracle of Delphi
5. Esoteric Mother of the Waning Moon
6. The Dark Kingdom of Tartarus
7. Sparagmos
8. Hydra of Lerna
9. The Battle of Typhoon
And it turns out this album does just that. Straight from the start, it goes hard with blast beats left and right and great vocals supported by some outstanding guitar work. You can just hear that this album is somewhat of a love letter to the 90s, and that, in my book, isn't a bad thing (when done properly).
Properly, that's the key word here, did they do it properly? For me, yes they did, as mentioned. It is all well put together, and for example, also mixed very well. It even has that harsh tone the bands from the 90s have. Not only that, but it's a bit lo-fi, like it's recorded in a garage or something.
One of my favorite tracks of the album is the fifth one, Esoteric Mother of the Waning Moon. That song just keeps going relentlessly and the vocals of Eris Nocturna Aura completes it very well. Another favorite is the sixth song, *The Dark Kingdom of Tartarus*. I will recommend these two songs to give you an idea what this album Kreyl is all about,
## Conclusion
Kreyl wanted to make an ode to the second wave black metal bands of the 90s, and they passed that exam with flying colours. Everything on this record just drips of that vibe and I love it. Make sure to listen to this album if you have any kind of affection for the originators of the scene.
BMZ Rating: **8,5 – Very Good:** An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.
**You can support Kreyl here:** [https://kreyl.bandcamp.com/album/obscure-rise-of-ancient-eulogy](https://kreyl.bandcamp.com/album/obscure-rise-of-ancient-eulogy?ref=blackmetalzine.com)
## Your thoughts on Obscure Rise of Ancient Eulogy by Kreyl
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Gravenoire — Devant la Porte des Étoiles
URL: https://blackmetalzine.com/review-gravenoire-devant-la-porte-des-etoiles/
Last updated: 2026-07-15T18:30:04.000Z
**Band:** Gravenoire
**Album:** Devant la Porte des Étoiles
**Genre:** Black Metal
**Country:** France
**Label:** Season of Mist
**Released:** August 23rd, 2024
## Introduction
If you ask black metal fans today which scene (country) is among their favourites, you will most likely hear a lot of them mention France, and that's for good reason. The French black metal scene has brought forth some very nice black metal bands like *Gorgon, Anorexia Nervosa, Mütiilation, Death Spell Omega*, the list goes on and on.
But now there is a new kid on the block. Gravenoire released their first EP on the 23rd of August this year. And I say new kid in black, the band may be new, but 3 of the 4 members have a long pedigree in the black metal band *Bâ'a*. The vocalist of Gravenoire isn't an unknown in the scene either, as it's *RMS Hreidmarr,* former vocalist of *Anorexia Nervosa*.
So it comes down to this, the collective maybe new but that doesn't mean they are all seasoned veterans, simply under a new moniker, Gravenoire. So let's dive into this EP and let's see what they spawned forth.
## Album: Devant la porte des étoiles
Given this knowledge, a new band but with seasoned members, you do get a bit of an expectation for the EP, and the question is: Do they deliver or not?
It being an EP it's bound to be short, but it's not as short as one could expect, the total runtime is 25 minutes, it contains 6 tracks, with the first one being an instrumental track and the last one being an instrumental/spoken outro track. But what I can ensure you of already, in this 'short' time span, they do deliver.
1. Pavens
2. France de l'ombre
3. Ordo Opera Cultura
4. Aux chiens
5. Granit
6. Gravenoire
On the first track of the album, as said, is an instrumental track, that builds up the atmosphere for what's about to be unleashed on the second track; *France de l'ombre* starts of with a blast. The vocals of RMS are one of my favorites in the scene and to this day, he still delivers the ungodly goods. The scream at the start of the track hits me deep, bone and marrow shattering stuff, it's just that icy.
The sound of the drums are a high note as well (that goes for all the drumming on the EP). The one responsible for those is Asmyrdhen de Scythe, and he's the drummer of *Bâ'a* which is also a favorite band of mine.
Another track worth mention is the fourth track, *Aux Chiens*. This has a perfect combination of vocals and drums, they are mixed great and the tempo of the song just keeps you going. If this were preformed live, you would have a hard time keeping that neck still, it just begs to headbanged along to (I would reccomend to bring your neckbrace if you're my age).
In fact, this headbanging notion goes for the entire EP, to be honest. I could keep writing about it, but in all fairness, just give it a change, and I'm sure you will like it. That brings us to the…
## Conclusion
Gravenoire might be a new band, but the members themselves are not and it clearly shows. The entire album from start to finish gives you the idea that they damn well known what they are doing. This isn't a band that's spawned by some basement dwelling teen. This is a solid start for the band, and I'm eagerly looking forward to what the future will hold for them and my sore neck.
BMZ Rating: **8 – Very Good:** An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.
## Your thoughts on: Devant la porte des étoiles by Gravenoire
You can support the band here: [https://gravenoireofficial.bandcamp.com/album/devant-la-porte-des-etoiles](https://gravenoireofficial.bandcamp.com/album/devant-la-porte-des-etoiles?ref=blackmetalzine.com)
## Your thoughts on Gravenoir
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Interview: Kirkebrann
URL: https://blackmetalzine.com/interview-kirkebrann/
Last updated: 2026-07-15T18:30:04.000Z
*Band: Kirkebrann*
*Latest album: Mot Trellenes Forfall*
*Genre: Black Metal*
*Country: Norway*
*Label: Hellstain Productions*
Back in august after reviewing their opus magnum, Kilian got the change to do an interview and Januz, (guitar), Hrafn (bass) and Draug )lyrics & vocals) was so kind to take their time to answer all his questions as presented here. Thanks to the guys in Kirkebrann and to Hellstain Productions for making this possible.
*Picture taken from* [*Metal Archives.*](https://www.metal-archives.com/bands/Kirkebrann/3540332249?ref=blackmetalzine.com)
##### How are you doing since the official release of Mot Trellenes Forfall?
**Januz;** I thought we would be stoned or burned alive by now for the album art, but seems like people get the picture. I've met *one* fan who enjoyed the music on a concert I attended with Draug, so that was nice to hear.
**Hrafn;**We're happy with the outcome. It has afterall been a long journey for its release. We're independent on every aspect from composing, producing and mixing which will make newer releases spur quicker with lesser gaps between full lengths. We've done enough splits and have no plans or desire to do more of those either.
##### It was 4 years between the album before and this one, how much of the time was actually spent on the recording?
**Januz;** More like 11 years between the full lengths "Når Alt Dør" and "Mot Trellenes Forfall", unless you're thinking of the splits that were released in 2020 and 2021\. It has been about three years since the release of the "Kirkegard" split with Visegard. Recording of "Mot Trellenes Forfall" took place over a span of a year since our previous drummer injured his wrist and eventualy quit. Nødset stepped in on drums from there and all instruments and main vocals were recorded in 2015, guests appearances in 2016.
##### The Album cover is quite intriguing can you tell me what's the story behind it?
*Mot Trellenes Forfall...*
**Januz;** Imagine how advanced humantiy would be today without those big 3 existing, could have populated other planets by now.
**Hrafn;** "Mot Trellenes Forfall" Translates to "Toward The Downfall Of Slaves" or rather "The Imminent Fall of Slaves". I guess this is the subject nobody want's to talk about since we are all in the mids of it. We're heading toward mass control and totalitarianism, but this time - as throughout all of history - it's in the information age, the digital age. We might think it's different but it's all the same in history's artful repetitiveness . We're sleepwalking on our way toward the cliff, led by deceptive propagandists and atrocious thieves that play with our "herd" mind, directing this movie we see as political reality. The album depicts the complacently of our demise in this beautiful world. Attention led to misleading cultural movements that serve only to further divide and ensure that we lose all strength in numbers - collectively, willingly jumping off the cliff, so to speak.
##### Englemaker means like babykiller in German, is that what the roughness is about ? (Not in a bad way of course)
**Januz;** Oh, I got inspired from this docuseries about a crazy radiohost and musician performing the seven deadly sins. In one segment they told about how back in the day when orphan children were sold off to new families for mere 20 kroners (2 euros) whom were basically worked and starved to death. Sounded like a subject that fitted the song. The name means "angel-maker" cause the children were nicknamed "angels", poor innocent angels, sold off for a penny, and easy to replace with new ones that would ultimately face the same fate.
**Hrafn;** As Januz explained. Kristoffer Scahu (The Dogs, The Cumshots) is a legend here in Norway and made this subject clear to us through his experimental series "Seven Deadly Sins". In this program portaying "greed", they spoke of how orphans used to be relocated to any families/farms that were willing to adopt for mere 20 kroners (2 euros) per child in the late 1800's and early 1900's I believe. During those times it was equivolent to about a months pay. Anyone could adopt with no safeguarding which resulted in numerous heartless households adopting for the sole purpose of pocketing a few kroners. The children were neglectet, starved or killed for the subsidization. These new parents from hell basically killed children for a mere months wage, hence "englemaker". The fact that it means babykiller in German is an interesting coincidence or perhaps there's some common cultural thread we haven't noticed as "englemaker" would translate to someone who produces angels. As those poor children were nothing but pure innocence in life made to die by the hands of ruthless and greedy babykillers.
##### What was the recording process like? Can you maybe give some input also on the gear used?
**Hrafn;** Well, It was almost 10 years ago. We didn't know what the hell we were doing. We just mic'd the cabinet and hit record. The album was a bastard to mix by means of our inept procedure. We were basically just "winging it" and going along with what felt ok sound-vise for us at the time. The album was the first to open me and Januz to collaborating on the songwriting. We used to call it a schitzo album since the songs varied as much as they did. But I guess we've just become as schitzo as a conglomerate now that not one single song sounds like the other. I recently read a review that commented the opposite refering to the songs on the album sounding too much alike or something like that. Well, that's just their opinion. There are plenty of bands that stick to one formula and tend to stagnate on particular build-ups and song structure. Black metal tends to flow more like classical music along the sonic journey and by and large no given structure, or that is mostly the case anyway. I guess some critics might think we are too aligned with the 90's second wave of black metal. We like to vary and not chase one particular structure or sound for that matter. We want to expand and welcome new creative inputs even though we might (there and then) think it's not fitting or that it comes about as sort of isolated in belonging. We move forward, look back in musing and go forward once again. The roots expand deeper toward the underworld.
As far as gear goes, we used a Carvin X100B on the lead and a Marshall JCM 2000 60 watt stack for rythm. SM57's and Audix OM3 on the cabinets. I think we used Røde NT5 as overheads for the drums. SM57's on the snare top and bottom. Cheap tom mics of some sort, Shure beta 91 on the bass drum and Røde NT1 for the room. Bass was recorded straight from the cabinet speaker with a single Shure Beta 57A. Draug hand-held an SM57 with no popfilter for the vocals. Not exacly expensive gear or the approach most professional studios would go about the recording process, but you've got to start somewhere. Use what you have, do what you can, enjoy the process and grow in knowledge from there.
**Januz;** Recording process was relatively quick. For me I still use the same bass and equipment I used then. I didn't use any fancy pedals or effects on this record, but that might change.
##### You switch back and forth between Norwegian and English, how come?
*Hrafn and Draug, photo taken in 2012 by Harald Strømnæs*
**Draug;** I started writing English lyrics in the beginning as it felt like the easiest approach. But later on when diving deeper into themes and storylines for the songs it became clear that Norwegian was the best language for me. I'm not foreign to writing in English in the future.
**Januz;** I actually want to write more English lyrics. I usually only write in Norwegian, but some themes and words sound better in Wnglish. This whole record is Norwegian because "Norwegian black metal for Norwegians, fuck the rest", but that might change too if the band is down to alternate. I wasn't part of the first album who had other writers.
**Hrafn;** I'm open for English lyrics. Why not? I disagree with Januz here. The album is not specifically written in Norwegian because it's only for Norwegians to grasp and understand... "That's just like, your opinion, man".
##### Parasittenes Planet is kind of self explaining but were you reflecting on what’s going on in the world currently or what was your thought process like?
**Hrafn;** This song was written by our previous guitarist JK. Draug wrote the lyrics. It slams hard. I interpret it as a hate-letter to the suffering of humanity as it stands now. Also, the parasites of the earth for me would refer to the war-machine and the so called "elites" that are screwing us all over at an accelerating rate.
**Draug;** JK had the riffs and the title for the song. We arranged it and to our surprise became one of the most aggressive tracks on the album. I wrote the lyrics in one sitting with a bottle of whiskey in a pissed off mood, drunk and inspired by wrath. Some lyrics take days, weeks or sit for months before completion while others get done in an hours time. This one was one of those sort of channelings - in anger towards the world.
##### Now that you received some very good reviews are you planning on touring the album?
**Januz;** I would like to say next year, but as of now we've only been booked for one festival in 2025.
**Hrafn;** We finally got a new drummer after two years of hiatus. We're going to have to get to it again and see what we can book for the next year. We're already booked for a festival in Germany. I'm not sure if I can disclose which festival as they've not announced us on the line up yet. Perhaps we will play some gigs here in Norway this year.
> **Sort Messe 5**, 8th of february: [Sort Messe facebook](https://www.facebook.com/profile.php?id=61568361474892)
>
> **Inferno** 18th of april: [Inferno 2025](https://www.infernofestival.net/no/festival/artistsschedule.aspx?ref=blackmetalzine.com)
>
> *\-Editor*
##### Thank you for taking the time and congratulations on the album, it's definitely a strong contender for Album of the year for me.
**Hrafn;** Very much obliged. We're proud of "MTF" and to have finally released the album after all these years and are looking forward to recording the next one as soon as we revive the band and get the gears going again.
## Your thoughts on Kirkebrann?
We would like your feedback on this interview and Kirkebranns music, you can interact with us on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we share and talk about all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Ars Veneficium — The Lurking Shadows of Death
URL: https://blackmetalzine.com/review-ars-veneficium-the-lurking-shadows-of-death/
Last updated: 2026-07-15T18:30:06.000Z
**Band:** Ars Veneficium
**Album:** The Lurking Shadows of Death
**Genre:** Black Metal
**Country:** Belgium
**Label:** Immortal Frost Productions
**Released:** 27th of September 2024
## Introduction
Some releases, just make you happy, and every time I see a new release from this band it, as said, makes me happy. Ars Veneficium is a Belgian black metal band with including this new album 3 full albums available.
One of the members of this band is Ronarg, and he's very active in the Belgian black metal scene. He, for example, is also active in: [Bloedmaan](https://blackmetalzine.com/review-bloedmaan-castle-inside-the-eclipse/), Antzaat and Rongarg. So when he releases a new album (with any of the bands he's involved in) I dive in and give the album a few proper spins.
That was also the case with the latest release of Ars Veneficium entitled The Lurking Shadows of Death, gave it a few good spins, and now I'm ready to reveal what's hiding inside the lurking shadows of death.
## The Lurking Shadows of Death
A new album, but what can you expect, when you put this record for the first time in your CD player (or stream it from your favorite platform)?
1. Death Is Light
2. Eye to Eye with the Devil
3. De glorie van dood
4. One with the Cosmos
5. Into the Void
6. My Tomb Under the Stars
7. Pale Image of I
Well, a fine album for starters, you can hear that a lot of time and effort went into the creation of this new album. The 7 tracks on this album (with a runtime of 40 minutes) are all carefully sculpted and it shows.
Some highlights for me on the album are the overall sound and mixing, it's all well put together and nothing drowns out the instruments or vocals. I've also listened to the album on headsets a few times and that also sounds very well mixed.
Take the third track, for example, *De glorie van Dood*. The drums keep going relentlessly, but the vocals are still clear, for those that understand Dutch, you can make out what he is actually saying, and that, for me, is a plus. The lyrics of that song (and the other songs as well) are very well written, for example the beginning of the third track;
| *In de donkerste dagen waar geen troost gevonden kan worden,zal men de realiteit onder ogen moeten komen.Het vasthouden aan de dagen van weleer is een verloren zaak.Zoals de natuur het wilt, komt alles aan zijn einde.* *In the darkest days, where no comfort can be found,one will have to face reality.Clinging to the days of yore is a lost cause.As nature wills, everything comes to an end.* |
| ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- |
Lyrics De glorie van Dood
The attention to detail can be found throughout the entire album, the lyrics, the vocals, and as said, the mixing. What also stands out is are the drums, they are relentless and that is thanks to the work of Flo Musil of Theotoxin. He took care of the drums and it shows.
## Conclusion
Do you fancy atmospheric black metal? If you answer that with a yes, then this album is a must-listen for you. If you said no, then well sod it, this album is as well for you. Just give it a try, and I'm pretty sure you will like it. The Belgian scene, for me, never fails to deliver, and that also goes for this album.
BMZ Rating: **8 – Very Good: An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.**
## What do you think of: The Lurking Shadows of Death by Ars Veneficium
You can support the band here: [https://arsveneficium.bandcamp.com/album/the-lurking-shadow-of-death](https://arsveneficium.bandcamp.com/album/the-lurking-shadow-of-death?ref=blackmetalzine.com)
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Bötes Void - Vagrant
URL: https://blackmetalzine.com/review-botes-void-vagrant/
Last updated: 2026-07-15T18:30:07.000Z
B*and: Bötes Void*
*Album: Vagrant*
*Genre: Black Metal*
*Country: Poland*
*Label: Independent*
*Released: October 26th 2024*
## Introduction
Bötes Void, not to be confused with Boötes Void (Germany), are an atmospheric black metal duo hailing from Warsaw, Poland. The duo consisting of members Nebula (Bass,Guitars) and Zephrael-2 (Drums,Vocals) began their cosmic journey into the black metal scene in 2023\. Now reaching out to us from the darkest depths of space with their first EP *Vagrant*.
## Vagrant
Blending equal parts ambient music and atmospheric black metal with a healthy dose of conceptual storytelling, we journey through the darkness of space and time following the tale of Atanarjuat. A cosmic wanderer in search of meaning.
**Tracklist:**
1. Bound to the Abyss
2. Vagrant
3. Dunkelheit (Burzum Cover)
#### Bound to the Abyss
The journey begins here and it's melodic, it's cold, it's raw and haunting. I love the riff that starts this track off and leads us into an abrupt but well placed pause accentuated by ambient sounds, that create this amazing atmosphere that we are floating, lost somewhere in space. Circling right back into the furious, yet melodic tremolo picked riffs. Sitting here listening to this song i cant help invision being stranded upon an empty starship, devoid of any other living soul, searching in hopes of finding a destination yet unknown.
---
#### Vagrant
This track is my personal favorite of the 3\. I want to take a moment and sing praise for the production, lyrics, well crafted guitar riffs and especially the guitar solo on this track. The guitar tone alone in the solo is immaculate and the riffs well crafted. Overall this track is an atmospheric black metal masterpiece through and though and I hope to hear more like this in the future.
---
#### Dunkelheit (Cover)
This is an excellent cover, true in form to the original but without any significant changes that make it stand out for me. What does however stand out is that I can't help but feel that they chose this song as it seems to fit in with the overall concept of the album, its lyrical themes and atmosphere. It's well placed and very well executed.
---
## Conclusion
The Boötes Void is a spherical region of space found in the vicinity of the constellation Boötes, containing only 60 galaxies instead of the 2,000 that should be expected from an area this large, hence its name. Having a radius nearly 330 million light-years across, it is one of the largest voids in the visible universe, and is referred to as a supervoid.
This band does well at creating an atmosphere and texture worthy of a it's name sake. The entire EP is extremely well thought out, from its conceptual lyrics to the incredible musicianship. I absolutely loved this EP and am excited to see what more Bötes Void has to offer in the future. Hopefully a full length release awaits us on the horizon.
**BMZ Rating: 8 out of 10**
**Support Bötes Void here:** [https://btesvoidpl.bandcamp.com/music](https://btesvoidpl.bandcamp.com/music?ref=blackmetalzine.com)
## What do you think of Bötes Void?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Reverie - September
URL: https://blackmetalzine.com/review-reverie-september/
Last updated: 2026-07-15T18:30:08.000Z
**Band:** Reverie
**Album:** September
**Genre:** Depressive Black Metal
**Country:** USA
**Label:** Sathanas Records
**Released:** September 24th 2024
## Introduction
Reverie is a relatively new band in the dark realm of depressive black metal, having come into existence just one year ago. That being said they wasted no time. Best part about Reverie is, it's a one man band and he has already released three EP's this year. I am already excited what next year will bring from this entity.
## September
**Tracklist:**
1. Headache
2. September
With a title like that it was either well timed or a complete coincidence but I bet it's the first - the album was released in September, hence the autumn is upon us. It's a rather short EP with a runtime of roughly 18 minutes and both tracks are purely instrumentals but please don't let that push you away from it. The two songs "Headache" and "September" are very well written and structured. The riffs are very repetetive and let you really immerse yourself in it's cold void, yet they seem to drift of into the subcounciousness of your mind and let you experience the the same feelings of despair and loneliness as the man behind it projects into it. That being said the 18 minutes of runtime just passed way to quickly. My hopes are high that more material will follow soon.
## Conclusion
Definetly a must for fans of *Leviathan* and later *Xhastur* records. Well written and repetetive instrumentals that leave hope of whats to follow. Definetly an artist that will stay on my watchlist for the future.
**BMZ Score 7,5/10**
**If you want to support this project, here are some ways to do so:**
**Reverie:** [https://deathwithreverie.bandcamp.com/](https://deathwithreverie.bandcamp.com/?ref=blackmetalzine.com)
**Sathanas Records:**
- [https://sathanasrecords1.bandcamp](https://sathanasrecords1.bandcamp.com/?ref=blackmetalzine.com)
- [https://www.youtube.com/@SRECORDSINDIANA](https://www.youtube.com/@SRECORDSINDIANA?ref=blackmetalzine.com)
- [https://www.instagram.com/sathanas\_records/](https://www.instagram.com/sathanas%5Frecords/?ref=blackmetalzine.com)
## What do you think of Reverie?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Fiende - Snart er Alt Glemt
URL: https://blackmetalzine.com/review-fiende-snart-er-alt-glemt/
Last updated: 2026-07-15T18:30:08.000Z
**Band:** Fiende
**Album:** Snart er Alt Glemt
**Genre:** Black Metal
**Country:** Norway
**Label:** Hellstain Productions
**Released:** November 8th 2024
## Introduction
Fiende is a new entity spawned out of the Norwegian underground. The band has two main members; Audun on drums (also in *Svarttjern* and *Carpathian Forest*) and Skaar (ex-*Course of Fate*) taking care of the vocals and strings. For their live set up they are accompanied by Berserk and Haate on guitars (know from *Scars*, *Befouled* and *Infernal*).
This being their debut EP I went into this with no preconcieved notion of what they would sound like, so this was exciting for sure, let's crawl deeper into Fiendes dark and mysterious dungeon.
## Snart er Alt Glemt
**Tracklist:**
1. Eldritch Fire
2. Skrømt
3. Svovelpredikant
4. Ad Nekropolis
Considering this is a short 22 minute EP there is quite a bit of variety on offer. First track, Eldritch Fire, kicks open the door and smacks you right in the face, this is how to make an entrance. It quickly settles into a *Satyricon*\-esque groove that makes your head bob along with the beat. If this was at a concert this would be the kind of song that would have you looking at the guy next to you and both would give a nod of approval and an evil grin.
Skrømt takes a more measured approach with some somber guitar noodling to lure you in before it slowly builds. It keeps this build up going until it goes into a blast beat inferno.
Third track, Svovelpredikant, sounds like the bastard child of *Satyricon* and *Khold*, a very nice pound your chest stomper.
Final track, Ad Nekropolis is their most ambitious work on this EP. It has the church bells and acoustic guitar that puts you in the right mood for what's to come. A great way to end.
## Conclusion
Fiende's debut is a well crafted collection of songs that showcases their blend of styles, incorporating doom and crust punk into their second wave inspired black metal, making it both fresh and nostalgic at the same time. If you're a fan of *Khold* and 2000's era *Satyricon* this should be a must listen. I am very excited for what their future beholds as this is a very promising start.
**BMZ Score: 8 out of 10**
**Support Fiende here:** [https://fiende.bandcamp.com/album/snart-er-alt-glemt](https://fiende.bandcamp.com/album/snart-er-alt-glemt?ref=blackmetalzine.com)
## What do you think of Fiende?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Svarrogh — Черна Песен
URL: https://blackmetalzine.com/review-svarrogh--d1-87-d0-b5-d1-80-d0-bd-d0-b0--d0-bf-d0-b5-d1-81-d0-b5-d0-bd/
Last updated: 2026-07-15T17:37:59.000Z
**Band:** Svarrogh
**Album:** Черна Песен
**Genre:** Atmospheric Folk Black Metal
**Country:** Bulgaria
**Label:** Independent
**Released:** September 25th 2024
## Introduction
Svarrogh was created in 2001 as a raw pagan black metal project by Dimo Dimov, the band's sole member. Over the course of the last 23 years, several EPs, demos and 6 full-length albums, the band has evolved from its raw black metal origins to an atmospheric folk black metal band with a much more sophisticated and cohesive sound. The lyrical inspirations, however, have mostly remained consistent, dealing with Slavic and Bulgarian folklore and traditions.
## Черна Песен
**Tracklist:**
1. Черна песен
2. Звездите блуждаят напразно
3. Суша, камъни, неволя
**Side note:** *I'm an English-speaking individual, so my review here can truthfully only be about the music itself and the feelings and emotions that are invoked whilst listening to it.*
That being said,
**Track 1:**
The intro to this song, along with all of its acoustic passages, is beautifully written. The song flows very well and through its various movements achieves a wonderful folk atmosphere, all the while still maintaining its heaviness and stays rooted in its black metal foundations.
**Track 2:**
Again, here we are given a taste of Dimo's abilities as a multi instrumentalist and a songwriter. This one starts off with a magnificent piano piece with layers of gritty, distorted guitar that linger and build in the background. Eventually giving way to a wall of blast beats and shrill vocals. The acoustic outro of this track is especially satisfying and beautifully executed.
**Track 3:**
This track is pure atmospheric black metal gold. And my personal favorite of the three. Very reminiscent of early Drudkh. Whilst listening to this EP, I'm yet again reminded of how diverse and complex metal, especially black metal, is and how it never ceases to amaze me how much variation there is within the genre. Each of these three songs incorporates so many elements musically yet maintains a very engaging, well-thought-out theme all throughout.
## Conclusion
Whilst listening to this EP I'm yet again reminded of how diverse and complex metal, especially black metal, is and how it never ceases to amaze me how much variation there is within the genre. Each of these three songs incorporates, so numerous elements musically yet maintains a very engaging, well-thought-out theme all throughout. I love the flow of the songs, weaving a very intricate web of acoustic/melodic folk inspired pieces together with the raw and unforgiving black metal elements. I'm definitely reminded of Drudkh while listening to this EP and feel that fans of them will thoroughly appreciate what Svarrogh has created here. Dimo is clearly an accomplished musician and really shines during the folk inspired acoustic passages.
**BMZ Score: 7 out of 10**
**Support Svarrogh here:** [https://svarrogh.bandcamp.com/](https://svarrogh.bandcamp.com/?ref=blackmetalzine.com)
## What do you think of Svarrogh?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Gallóglaigh - Fall of Eternity's Throne
URL: https://blackmetalzine.com/review-galloglaigh-fall-of-eternitys-throne/
Last updated: 2026-07-15T18:30:09.000Z
**Band:** Gallóglaigh
**Album:** Fall of Eternity's Throne
**Genre:** Black Metal
**Country:** USA
**Label:** Unsigned / Independent
**Released:** November 13th 2024
## Introduction
Gallóglaigh is a one-man band from the US focusing on creating black metal inspired by space, war, and destruction. Fall of Eternity's Throne is the bands' third full-length album since their creation back in 2021.
## Fall of Eternity's Throne
**Tracklist:**
1. Raising the Banners of Unsilence
2. Ó Dorchadas go Lasair
3. Gaze Upon the Kingdoms of Ash
4. Breathe Deeply Thy Wraithful Flame
5. Shattered Steel and a Rose of Red
6. The Embered King
7. Gaoil san Oíche
8. Fall of Eternity's Throne
The opening track “Raising the Banners of Unsilence” starts setting the mood for what's to come on this record. Nasty distorted guitars similar to the sound of early *Mayhem* or *Marduk* on Frontschwein accompanied by synths that make you hope for a hard — hitting follow up.
Ó Dorchadas go Lasair kicks in as the opening made you hope for. Full speed from the beginning, the same ugly guitars with a thunderous bass beneath and haunting synths before the disgusting vocals kick in. Regarding the vocals, top-notch work there, very reminiscent of Mortuus or Draug from *Kirkebrann*. Heavy yet sometimes clean enough to understand some words here and there. The bridge in the song lets you catch your breath again for a few seconds, but not long after it's full blast beating madness once more. In short, this song is what black metal should sound like.
The fifth and longest track, “Shattered Steel and a Rose of Red” sounds pretty romantic with its slow and melodic start. It feels like the ending to a long and hard battle. After two minutes, it's all over with romance as the harsh reality kicks back in with the brutal vocals and melancholic tinged guitar parts, overall, I think it's my favourite track of the album. Definitely a very well-structured song that lets you feel victorious yet beaten up after a long, hard fought war.
## Conclusion
I started this review without knowing what to expect from this band. I'm a bit biased regarding US black metal often being too polished or too death metal'esque for my liking, but Gallóglaigh really left a mark on me. Furthermore, I can highly recommend checking them out and supporting them if you like. An album and band that should be made aware of in the broader black metal community. For me, it's certainly on my album of the year list, not on top but undoubtedly in the top 5\. My personal score would be a solid 9/10, good job JP.
**BMZ Score: 9 out of 10**
**Support them Gallóglaigh:** [https://galloglaigh.bandcamp.com/music](https://galloglaigh.bandcamp.com/music?ref=blackmetalzine.com)
## What do you think of Fall of Eternity's Throne by Gallóglaigh?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Krvl — Donkere Paden
URL: https://blackmetalzine.com/review-krvl-donkere-paden/
Last updated: 2026-07-15T18:30:10.000Z
**Band:** Krvl (Kravaal)
**Album:** Donkere Paden
**Genre:** (Post) Black Metal
**Country:** Belgium
**Label:** These Hands Melt
**Released:** 11 October 2024
## Introduction
Krvl, a Belgian post black metal band, just released their second full length, Donkere Paden. I've heard of the band before, but wasn't familiar with their actual music. So for me, it was a dive into the unknown.
As said, the band makes post black metal, now truth be told I'm not very fond of all those subgenres and sub labels of black metal, but that's just me. The press statement said the following about the style of the band:
*“Musically, the band is all about atmosphere. With a foundation of traditional 90s and modern black metal, the anonymous band also mixes post-metal, doom and sludge influences.”*
That's a pretty broad range of styles, but what's also interesting is the fact that it says anonymous band. All we know that it's a selection of Belgian artists that formed in 2020 with the release of their first single, and then released their first full album in 2022\. So as said, it's time to dive in to the unknown…
## Donkere Paden
1. De koning van stilte
2. Avondrood
3. Cadans der droefheid
4. Duivelsputten
5. De verloren herder
6. Zielenrust
7. Het onbegrip
A second album, and those that have heard the first album, would probably have an idea what they can expect. But for those like me, that haven't heard any songs from them before. What can you expect?
Straight off the bat, you can expect a well-made album. All the songs (7 tracks in total with a run time of 41 minutes) are put together with a solid effort, and you can hear that from the start of the album.
The first track, *De Koning van Stilte (The King of Silence)* starts by setting an eerie mood. And you can just feel the build up it's creating for when all hell breaks loose. And a bit more than 1 minute into the song, that is precisely what happens. The drums go off and the screams of the singer pierce through your speakers or headphones.
One of the highlights of this album for me are the vocals, I just love this style of screaming, you can feel the agony behind it and that, for me, is just perfect for black metal
On the third track of the album, *Cadans der Droefheid* *(Cadance of Sorrow)* you can hear the other influences as described above. The tempo of the song slows down about midway through, and gets into a doom like feel, with an overall post metal vibe being present at times. It does make for a nice break in the barrage of drums and guitars.
And this mix of genres continues throughout the album, it makes for a pleasant listening experience. I also gave it a few spins on my headphones, and that made the album sound more alive in a sense.
## Conclusion
So Krvl — Donkere Paden, who should listen to this album? Fans of black metal with a doom/post vibe mixed in should definitely give this a try. To the rest of you all I say, just give this album a shot, it's well-made, and I have a feeling that behind this band are some well-known members of other Belgian bands.
BMZ Rating: **7,5 – Good:** A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.
**You can support the band here:** [https://krvl.bandcamp.com/album/donkere-paden](https://krvl.bandcamp.com/album/donkere-paden?ref=blackmetalzine.com)
## Your thoughts on: Donkere Paden by Krvl
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Hekseblad - Kaer Morhen
URL: https://blackmetalzine.com/review-hekseblad-kaer-morhen/
Last updated: 2026-07-15T17:38:00.000Z
**Band:** Hekseblad
**Album:** Kaer Morhen
**Genre:** Melodic Black Metal
**Country:** USA
**Label:** Hypnotic Dirge
**Released:** 19th of April 2024
## Introduction:
Hekseblad is a melodic black metal duo hailing from the United States. Formed in 2021 by members Bruxa; vocals and lyrics and Frosk; instrumentals and production, they draw inspiration from the lore of Andrzej Sapkowski's *The Witcher* novels.
Hekseblad's well crafted blend of raw, atmospheric, and melodic black metal tinged with symphonic elements is very reminiscent of second-wave bands such as *Emperor* and *Dissection* and is sure to resonate with fans of both.
*Editor's note*: Back in April they unleashed their first full length, we are a bit late to the party but this album is more than deserving our attention.
## Kaer Morhen
1. School of the Wolf
2. A Grain of Truth (Nivellen's Waltz)
3. The White Flame
4. The Taste of Ash
5. Ithlinne's Prophecy
6. Kaer Morhen
7. Mastercrafted
8. The Fall of the Northern Realms
9. Sodden
10. Vatt’ghern
The bands first full length album is a worthy entrance into the halls of black metal. This is apparent right from start with the track "School of the Wolf." Met with sounds of swords, a hellish scream and a searing riff that caught my attention right away. Bruxa's cold and raw vocals blend beautifully, with Frosks incredibly savage and melodic guitar riffs on this track.
The albums artwork caught my attention as well even before giving the album a listen. It's gritty, dark fantasy vibes in shades of purple contrasted with the white logo at the top really stood out to me. It's very befitting of a black metal album.
Skillfully weaving elemants from their influences into a wonderfully dark, and melodic tapestry. Painted with lyrics pulled from the pages of *The Witcher*, creates a rich and immersive listening experience.
The fantasy themes and concept are initially what drew me to this band in the first place. Having heard that they where Witcher-themed I couldn't pass up giving them a listen and I surley wasn't dissapointed in doing so. This coupled with a healthy dose of *Emperor* and *Dissection* worship, makes for one hell of a listen.
The *Emperor* influence is particularly evident in the use of symphonic and atmospheric keyboards, such as on the track "The White Flame" and "A Grain of Truth." Along with the frozen melodies and furious guitar riffs of "Sodden" and "Vatt'ghern" that successfully envoke feelings of *In The Nighside Eclipse*.
*Dissection*'s impact however can be heard in the melodic guitar structures and folk-inspired elements that feature throughout the album. Especially on "The Taste of Ash", the instrumental "Ithlinne's Prophecy" that follows and "Mastercrafted", my personal favorite off of the album.
## Conclusion:
Overall the album is an excellent blend of raw and melodic, traditional and modern. Even with wearing its influences on it's sleeve the album doesn't come across as simply an imitation but rather a love letter to the second wave of black metal. It's sure to find itself right at home with any fan of the earlier entries in the genre. I'm certainly looking forward to hearing what Hekseblad has to offer in the future.
BMZ Score: **9 – Excellent:** This is a standout album with superb talent and creativity. It’s impactful, memorable, and likely to be celebrated within the black metal genre.
**Support Hekseblad here:** [https://heksebladusbm.bandcamp.com/album/kaer-morhen](https://heksebladusbm.bandcamp.com/album/kaer-morhen?ref=blackmetalzine.com)
## What do you think of Kaer Mohren by Hekseblad?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Gaerea — Coma
URL: https://blackmetalzine.com/review-gaerea-coma/
Last updated: 2026-07-15T18:30:11.000Z
**Band:** Gaerea
**Album:** Coma
**Genre:** (Post) Black Metal
**Country:** Portugal
**Label:** Season of Mist
**Released:** 25th of October 2024
## Introduction
Gaerea, ain't a new kid on the block. They have been around since 2016, and have released three full albums so far, *Unsettling Whispers, Limbo,* and *Mirage.* But for me, they are pretty new. The first time I got any knowledge of them was when they released their third album, *Mirage*, that's the one with the golden mask on the front cover. I do remember I liked that album when listening to them, but it's not something I would set on repeat daily.
But now they are back after 2 years with a brand-new album. I gave it a few good spins and should be ready to share my impressions on it.
## Coma
For a change, we start off talking about the artwork because that was one of the first things that drew my attention. The colours and image itself are excellently done, and it just draws in your attention, which to me is the main thing for an album artwork, it doesn't have any other function besides that. So they are off to a good start.
But a cover is just one part of the album, of course, and not the most important part. Otherwise, we would all just be collection artwork and not listen to music if this was true. So what can you expect with their latest album, *Coma*;
1. The Poet's Ballet
2. Hope Shatters
3. Suspended
4. World Ablaze
5. Coma
6. Wilted Flower
7. Reborn
8. Shapeshifter
9. Unknown
10. Kingdom of Thorns
Firstly, they have put together a well-made album, it all just oozes quality (just as the artwork), the start of the album has a gripping interlude which draws you in and grabs your attention with some clean vocals, and a very tranquil melody. After around 2.5 minutes, it all starts to unravel and the tempo goes up several notches.
That's one song down, and there are 9 more to go. This new album contains 10 new songs in total with a runtime of 51 minutes.
Another track on the album that drew my attention was the fifth track, *Coma*. This one starts off with some intense screams, pulling you back to immersive listening in case you have wondered off. The style of the song reminds me of the band *Moonspell*, the structure and vocals are somewhat the same. But all in all, it's a great song.
And that goes for the entire album. All the songs are well put together with great melodies and riffs, the drumming is of excellent quality and so are the vocals. It's a complete package. And for those that like their previous album, this album won't disappoint you, I'm sure of that.
## Conclusion
Shot for Black Metal Zine by Vetle Aksdal
After reading this, you would think this album does nothing wrong, and for the most part, you are correct. As previously mentioned, it's a well-made album, and you just know and hear that a lot of time has gone into it. But ultimately, it's nothing new, at least not to my ears, and it's a continuation of the previous album. Which certainly isn't a bad thing, don't get me wrong. But rating an album all comes down to opinions and well, we all got one and a lot of the time they are different. However, for me, this was a good album and I enjoyed it. Is it the best I've heard this year? No, but that goes for numerous albums, doesn't mean they are bad. And with that said, it's time for my rating…
BMZ Rating: **8 – Very Good:** An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.
**Support Gaerea here:** [https://gaerea.bandcamp.com/music](https://gaerea.bandcamp.com/music?ref=blackmetalzine.com)
## What do you think of Come by Gaerea?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Mordran — One-and-Ninety Years of Darkness
URL: https://blackmetalzine.com/review-mordran-one-and-ninety-years-of-darkness/
Last updated: 2026-07-15T18:30:11.000Z
**Band:** Mordran
**Album:** One-and-Ninety Years of Darkness
**Genre:** Black Metal
**Country:** Sweden
**Label:** Independent
**Released:** 25th of October 2024
## Introduction:
Mordran is an independent, one-man, atmospheric black metal project hailing from Sweden. Founded in 2021, Mordran has released 4 albums and 2 EPs to date. His music takes influence from various genres, blending them together to craft a unique soundscape.
His latest offering, One-and-Ninety Years of Darkness, is a 3 track EP set to be released October 25th.
## One-and-Ninety Years of Darkness
1. The Dark Rites of Faustus Thorn
2. Nightbringer
3. One-and-Ninety Years of Darkness
The first track, The Dark Rites of Faustus Thorn, starts the EP off strong. It's melancholic guitar riffs and screeched vocals are very reminiscent of the second wave and is initially what drew me to this release. The riffs are cold and invoke images of winter and feelings of loss.
Track two, Nightbringer, is raw, dark, and atmospheric. My personal favorite of the 3\. The guitar riffs and overall tone and vibe of this track remind me of early Burzum. The song starts out at a very intense pace and progresses into a wall of droning, icy riffs. The harsh, shrieked vocals are truly befitting here. Again, this track creates feelings of being alone in a snow-covered forest and Solitude.
Track three, One-and-Ninety Years of Darkness, leaves something to be desired for me. Being the title track, and the last track on the EP, I had higher hopes for it. For the most part, I feel it would have better suited the album as it's opening track. It's simply just dungeon synth and feels more like an intro.
## Conclusion:
Taken as a whole, the EP is another great entry into Mordrans catalogue. He has continued to hone and perfect his craft with every release. Fans of the second wave will feel right at home here. Specifically early Burzum.
**BMZ Rating: 7 – Good: A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.**
**Support Mordran here:** [https://mordran.bandcamp.com/album/one-and-ninety-years-of-darkness](https://mordran.bandcamp.com/album/one-and-ninety-years-of-darkness?ref=blackmetalzine.com)
## What do you think of: One-and-Ninety Years of Darkness by Mordran
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Silhouette — Les Dires de L'âme
URL: https://blackmetalzine.com/review-silhouette-les-dires-de-lame/
Last updated: 2026-07-15T18:20:15.000Z
**Band:** Silhouette
**Album:** Les Dires de L'âme
**Genre:** Atmospheric Black Metal / Black gaze
**Country:** France
**Label:** Antiq Records
**Released:** 20th October 2024
## Introduction
Silhouette, the French black metal/black gaze, will release their first full album on the 24th of October, I was lucky enough to receive the promo and I'm now ready to share my thoughts on it.
I knew the band from their previous EP which I liked, I get that this style isn't for everyone, but the combo of gaze and black metal will always *pique* my interest. It took them almost 2 years, but now we have a full album to enjoy, so let's dive in.
## Les Dires de L'âme
So 2 years in the making, but was the wait worth it? I could make this review very short, and just say yes and be done with it, but I'll type some more, to give you an idea of what to expect from this, their debut album.
1. L'appel
2. Catalepsie
3. Dialecte onirique
4. Silhouette
5. Adoubée des étoiles
6. Les dires de l'âme
7. Une lame éprise
8. Litanie contre la peur
9. Dysthymie
10. L'éveil
The album contains 10 tracks, with a run time of 45 minutes. Which is just within the limits of my attention span. What helps is the different tempos they use, it feels like a river with some rapids here and there, but for the most part, it feels *tranquil*.
That feeling of tranquillity has a lot to do with the female vocals on this album (and the EP for that matter) which are sung by Odine, she also took care of the lyrics (my French is non-existent so she could sing about making soup for all I know, but it would still sound beautiful). The style of the album reminds me of an older band called The Sins of Thy Beloved (from Norway). For me, they give off the same vibes, but that is mostly down to the female vocals.
The album has a good blend of melancholic black metal with a great atmosphere, and a lot of that atmosphere is created by Odine. I love her vocals, they are very tranquil and mix wonderful with the harshness of the more metal vocal style.
But that doesn't mean that the album is void of any black metal influences, if you listen to the seventh track *Une lame éprise* you hear that it starts off very fierce. The drums just keep going, and the screams are great as well. If I was allowed to recommend two tracks, this would probably be one because it has a nice cross-section of what's on the rest of the album. That also goes for the 8th track *Litanie contre la peur*.
## Conclusion
I liked their debut EP, and their first full album tickled my fancy as well. It's not likely one of my AOTY candidates when we wrap it up in a few months from now but who cares-. It makes for a delightful listen and that's what the most important part when releasing an album (at least that should be the most important part).
If you are into atmospheric black metal, with great etheral vocals, than this is your cup of tea. Just give it a spin. I'm sure you won't be disappointed.
BMZ Rating: **8 – Very Good:** An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.
You can buy the album here: [https://silhouettebm.bandcamp.com/album/les-dires-de-l-me](https://silhouettebm.bandcamp.com/album/les-dires-de-l-me?ref=blackmetalzine.com)
## What you think of: Les Dires de L'âme
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Kristailer - In the Hearts of the Brave
URL: https://blackmetalzine.com/kristailer-in-the-hearts-of-the-brave/
Last updated: 2026-07-16T17:16:16.000Z
**Band:** Kristailer
**Album:** In the Hearts of the Brave
**Genre:** Black Metal
**Country:** Belarus
**Label:** Independent
#### Introduction
Kristailer is a one man band hailing from the western city of Grodno situated along the river Neman in Belarus. The band quite recently changed its name from Crystayler stating that they disliked the former and they felt that the new one felt better for a black metal band. The man behind the band goes by the name *Zmei* which by my googling skills means snake, or dragon in the slavic languages.
Kristailer is a band inspired by the medieval times which is depicted in both lyrics, titles and album covers. The band has released a total of four full-length albums and one live album in the few years since their foundation in 2022\. In their live appearence the band maintains the medieval theme with Zmei wearing a chain mail coif along with the traditional corpse paint as seen above.
## In the hearts of the brave
The album has a runtime of 35 minutes and contains a total of six tracks. There is a great flow in the structure of the record, I have not dived into the lyrics but the tracks feel like parts of one story. The music is heavily driven by Zmei's melodic guitar riffs that swipes across the battlefield like a burning sword creating a magic atmosphere.
1. In Hell, No Fear, We Ride
2. Motto of the Brave
3. Sword in Hand Is Shining Bright
4. A Spark Ignites a Flame
5. The Black Grail
6. They Will Never Be Forgotten
The songs follow the pace of the cavalry, fast and fierce. The drums are blasting like the shattered bones of bashed skulls being crushed into the ground by the iron hooves of the dark knights horses. Their cryful screams is carried through by Zmei's harsh but muffled vocals.
The tracks are also supported by a hefty groove that hits you exactly at the right time and they are organized and ordered by the lord commander Kristailer.
I really enjoy this type of black metal and Zmei's guitar solos and riffs really gets to shine on this release. The track *Sword in Hand Is Shining Bright* is a great example of the masterful blending of the mournful anger that the guitar's oozes out with the overall atmosphere of the composition.
Kristailer greatly utilize some carefully selected samples that compliments the feel of the tracks and can be heard throughout the listening experience.
My only complaint with this release is that it ends way too soon, I would love two or three more parts to this story.
## Conclusion
This is for me the best album of the year so far. The year is coming to an end and it's still ruling on top.
I have no doubt that if you are a fan of fierce melodic riffs, great atmosphere and groove, that this album will be for you.
The album should be enjoyed in its entirety, so crack open a cold one, sit back in your comfortable music listening spot and let Kristailer bring the battlefield to your doorstep.
**BMZ Rating: 10 / 10**
**Support Kristailer here:** [https://kristailer.bandcamp.com/](https://kristailer.bandcamp.com/?ref=blackmetalzine.com)
## Your Thoughts On This Album?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: 1349 — The Wolf & The King
URL: https://blackmetalzine.com/review-1349-the-wolf-the-king/
Last updated: 2026-07-15T18:30:13.000Z
**Band:** 1349
**Album:** The Wolf & The King
**Genre:** Black Metal
**Country:** Norway
**Label:** Season of Mist
**Released:** October 4th, 2024
## Introduction
It's the year 1349 and Norway is being decimated by the Black Death, two thirds of the population doesn't make it, and the year 1349 is also the year the golden age of Norway ended. But there is hope, little did they know that Norway would have a new golden age 640 years later.
And that golden age would be just as black as the plague, with a lower death count, but higher counts of churches burned.
And in that Golden age of Black Metal, the band 1349 arose, known for their fierce drums and piercing vocals. Now they return after 5 years with an album that promises to take the listener on a dark, intense journey. For myself, their third album, *Hellfire*, and their sixth album, *Massive Cauldron of Chaos* are their best work to date, but in general, I like all their albums. But it's been 5 years since their last output, *The Infernal Pathway,* was released, and a lot can happen in 5 years' time. So let's see what kind of black magic they conjured up this time.
## The Wolf & The King
As said, it's been 5 years since their latest album, but their line-up has remained the same, so that's a good thing. The album itself has 8 new tracks with a run time of 38 minutes. And you know what that means if it's 8 tracks in 38 minutes, it's pretty fast-paced (don't tell that to the folks who love hardcore though). There is no need to extend an album to an hour if you can tell your story in 40 minutes or so, but that's just my opinion.
1. The God Devourer
2. Ash of Ages
3. Shadow Point
4. Inferior Pathways
5. Inner Portal
6. The Vessel and the Storm
7. Obscura
8. Fatalist
As with all of their previous albums, the moment the album starts, you can hear that it's quality stuff. The vocals are good and sharp. The pummelling drums by Frost are also clear in the mix, and it makes for a complete package. And that isn't any different with this release. The only thing I notice is that the sound seems to be a bit muffled, could be the mixing or something else, I'm not sure about that. But I do notice it on almost all the tracks.
But overall, 1349 delivered a great package, Frost's drumming espcially are stellar, they just keep relentlessly marching on. For me, those are the highlights of this album. The songs are well written, and the vocals are on point, but overall, it does sound a bit tame.
The *Inferior Pathways* track do start off very fierce from the get-go, and I would like to see that vibe more throughout the album. Another track I like is *Obscura,* but that probably also has to do with the fact that it's more fast-paced. It also features some more enjoyable riffs for me.
Overall, it's an entertaining album, it features some fantastic fast past tracks, and it's the same quality they have delivered the last 20 years. But for me personally, it could be a bit more aggressive.
## Conclusion
As said, it's an enjoyable album, and I think a lot of the readers will like this. However, it doesn’t quite reach the heights of *Hellfire* for me. It's a good album, with some great songs on it, and the fact that they have been doing this for 20 years now and still deliver surely is commendable.
So grab yourself a version and give it a spin when it's released, you can support the band here: [https://1349som.bandcamp.com/album/the-wolf-the-king](https://1349som.bandcamp.com/album/the-wolf-the-king?ref=blackmetalzine.com)
**BMZ Rating:**
**7,5 – Good:** A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.
## Your thoughts on The Wolf & The King
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: Trelldom — ...by the shadows...
URL: https://blackmetalzine.com/review-trelldom-by-the-shadows/
Last updated: 2026-07-15T18:30:14.000Z
**Band:** Trelldom
**Album:** ...by the shadows...
**Genre:** Black Metal
**Country:** Norway
**Label:** Prophecy Productions
**Released:** 13th of September 2024
## Introduction
Trelldom is a Black Metal Band hailing from Sunnfjord & Bergen, Norway. It was founded back in 1992 by none other than Kristian *Gaahl* Espedal. The band released their debut *Disappearing of the Burning Moon ...* in 1994, followed by the album trilogy *Til Evighet*, *Til et Annet* and *Til Minne...* . After the release of *Til Evighet,* the band became a staple of the Norwegian scene and the black metal genre, espacially due to their Singer Gaahl also joining **Gorgoroth** as their vocalist around that time. But enough of praising the past, let dive into the creative realm of their newly released madness.
## ...by the shadows...
**Tracklist:**
1. The Voice of What Whispers
2. Exit Existence
3. Return the Distance
4. Between the World
5. I Drink Out of My Head
6. Hiding Invisible
7. By the Shadows
If you expect full blown **Gorgoroth**\-esque Black Metal, you will be disapointed. The Album is way more athmospheric and progressive than what I've come to expect from other Norwegian bands, a nice change in a genre that sometimes seems to just repeat the established formula of tremolo picking, blast beats and satanism.
**The Voice of What Whispers** opens the album with a very dissonant intro andnot overly distorted guitars and I think a that's a theremin humming in the background. It is definetly a very progressive, nearly Pink Floyd / Jethro Tull sounding intro. The vocals are in the form of a haunting story telling, clean style, that I did not expect, but overall it got me hooked on whats to come. As stated it definetly is not compareable to **Gorgoroth** or **God Seed**, more in style of **Gaahl's Wyrd**, but even way more dissonant.
**Exit Existence** is my favourite track on the record with the clean singing and driving rythm section you completely loose control of your mind and just dwell into a trance like state with the violin in the background emphasizing that feeling. Around 2 minutes into song the drums goes into some blast beats with ghost like vocals. The guitars change into tremolo picking melodies as dark as the shadows of Mordor to further underline the intentions of the album. The violins at the end get so high and dissonant that they sound like tortured screams of other wordly entities, definetly not human.
The albums last track **By the Shadows** is a bit faster, with more conventional Black Metal chords, but again not too distorted and throughout the intro it picks up a bit on its speed with the occasional saxophone in the background by the acclaimed norwegian jazz musician Kjetil Møster further pushing the restricted boundaries of Black Metal.
## Conclusion
What a ride this album is...
Is it good? Yes. Did I expexted it to be this avantgarde? No.
Trelldom takes the listener on a strange yet very interesting journey through uncharted realms of extreme music. If you have an open mind for the wicked dark arts of Norwegian avantgarde metal you need to check it out. If you do not like weird stuff then you will probably not be so happy with this release, needlessly do yourself a favour and listen to it, you will be suprised regardless.
**My personal BMZ rating : 7,5/10**
A solid record with a new vocal approach by Gaahl that only he can perform that way but musically too weird for the general listener, nonetheless I enjoyed it on a stormy cold day and for that it fits the mood.
**Support Trelldom here:** [https://trelldom.bandcamp.com/album/by-the-shadows](https://trelldom.bandcamp.com/album/by-the-shadows?ref=blackmetalzine.com)
## What do you think of ...by the shadows...?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: Modern Rites - Endless
URL: https://blackmetalzine.com/review-modern-rites-endless/
Last updated: 2026-07-15T18:30:15.000Z
**Band:** Modern Rites
**Album:** Endless
**Genre:** Black Metal/Post Black Metal
**Country:** Switzerland/USA
**Label:** Debur Morti Productions
**Released:** 30th August 2024
## Introduction
As I am writing this review currently, I sit on my balcony in 7 degrees with rain & stormy weather to fully immerse myself in this record created by Modern Rites. The band itself is an international collaboration and seems to have been creating music since 2020 and one of their members is actually part of our Black Metal Zine / Promotion cult.
## Endless
**Tracklist:**
1. Prelude
2. Endless
3. Lost Lineage
4. Veil of Opulance
5. Becoming
6. For Nothing
7. Autonomy
8. Philosophenweg
*Prelude* is exactly what the title implies, a good opening raising expectations for what follows.
The second track, *Endless*, starts with blasting riffs and fast double bass druming. The athmosphere that Modern Rites creates with this epos of an album is simply breathtaking. The vocals are harsh and it feels like the goal is to guide you into some kind of underworldly realm.
*On Lost Lineage* gives us the first glimpses of their post black metal athmosphere, if I have to describe it in my own words. Heavy & sonic space-occupying guitar work with great vocals that could be a bit influences by bands like **Harakiri for the Sky** and **UADA**. Halfway through the song a sudden break occurs with a reverb loaden bass solo, which pushes the melancholic heaviness even further.
*Veil of Opulence* is simply put harsh melodic black metal without compromises. The guitars sometimes push the vocals more into the background, but in a way that it indeed sounds like that was the plan all along as it simply forces the listener to immerse themselves into the music to gain a complete understanding on what the creators want the listener to experience.
The 5th Track, *Becoming* is a more industrial sounding heavy hitter. Starting with a synth intro that merges into breakdown riffs that pound into you like an impact drill. Definitely a change in regards to the previous tracks but a pleasent one for sure.
The last track *Philosophenweg* is the track that I gravitated towards the hardest due to the german title roughly translates to "the way of the philosopher." Oh boy did it live up to my expectations. A very fitting closer that leaves you excited to what this band could bring in the future.
## Conclusion
A very well written record for sure and it will be definitely be played quite a lot more in my apartment. My personal score for it is 8.5 and I will reccomend you all to give it a chance.
**BMZ Score: 8,5 / 10**
If you want to support the band and check out the album for your self you can do it here:
[https://modernrites.bandcamp.com/album/endless](https://modernrites.bandcamp.com/album/endless?ref=blackmetalzine.com)
And the label can be found here:
[Debemur Morti Productions](https://www.debemur-morti.com/en/?ref=blackmetalzine.com)
## What do you think of Modern Rites?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: Black Birch - Black Birch
URL: https://blackmetalzine.com/review-black-birch-black-birch/
Last updated: 2026-07-15T18:30:15.000Z
**Band:** Black Birch
**Album:** Black Birch
**Genre:** Atmospheric Black Metal
**Country:** Sweden
**Label:** Fiadh Productions
**Released:** August 23rd 2024
## Introduction
After hearing just ten seconds into the first song, *Weak*, I knew I had to cover the entire album. When it begins I often ask myself, what is most conspicuous, as it tends to set the mood for the next couple of hours. Some bands goes for the epic 3 minute intro, some bands forgo it altogether and get right to the action, both of these ideas have merit, but neither is universally ideal. Here we know exactly what we’re in for and it’s in your face immediately. With a runtime of 1 hour and 6 minutes, I'll focus on a few standout tracks and share my overall thoughts.
## The album
**Tracklist:**
1. Weak
2. Fallen
3. Scour
4. Soil
5. Havoc
6. Wry
7. Prey
8. Death
9. Birth
10. Desolate
11. Torn
12. Lights
**Tracks Two & Three:** *Fallen* and *Scour* are two standout tracks that complement each other while offering different experiences. *Fallen* builds on the atmosphere of *Weak*, starting with a somber, clean guitar intro that transitions into a cold, tremolo-picked riff over a relentlessly powerful drum groove. There are plenty of switch-ups in this one and many of them I interpreted as reflecting the five stages of grief: denial, anger, bargaining, depression, and acceptance. I've listened to this one a **lot**.
*Scour*, meanwhile, takes that intensity and channels it into something epic. It’s a big, bold track that feels like a rallying cry, with a mix of emotions that never disappoint. The emo and shoegaze vibes add layers, making it a song that pulls you in and keeps you engaged as it unfolds.
## Bio
The duo of Gina Wiklund from **Gasp**and Ulf Blomberg of **Palmless** formed **Black Birch**, blending their hardcore, crust punk, and post-metal roots with atmospheric black metal to create a distinctive sound. Both are incredibly skilled multi-instrumentalists, bringing a creative, emotional depth to their music. Ulf, who has spent years honing his craft as a producer at Sweden’s HoboRec studio, brings a polished yet raw edge to the production, allowing the band's sound to retain its intensity while exploring more progressive and atmospheric elements. Together, Gina and Ulf’s unique backgrounds and creative synergy make this album stand out, weaving themes of personal struggle, societal issues, and nature into their works.
## Back to the album
**Tracks Five, Seven, & Ten:** *Prey* stands out with its dark, gothic melody that threads through the entire song, creating an unnerving atmosphere. It’s one of my favorites structurally, the several well-crafted bridges kept me engaged. The song instills a sense of looming power that never lets up! *Havoc* opens with a dark and frightening intro, channeling pure evil. It blends post-hardcore (kind of) and emo (more so) influences with a progressive edge. This kind of structure, whether it's throughout a project or residing in one to two songs in the form of a bridge or something… it's depressing at times but a compelling musical experience.
*Desolate* breaks up the album’s intensity with eerie clean guitar parts and somber, haunting vocals. This song was unexpected but it was a welcomed surprise. The slower melody and the shift from sadness to acceptance *then* a maniacal tone creates a creepy atmosphere. At 4:20, the track plunges you back into chaos, with clean vocals buried in an instrumental section and from this I get a sense of fear and desperation.
**Favorite Song:** It’s a close call between *Fallen* and the final track, *Lights*. I ultimately decided against writing about *Lights* as it’s one you need to experience for yourself. I think it is the perfect closer, and that’s all I have to say.
## Conclusion
My first thought was that this album “sounds like the forest feels.” It is heavy, but blended well with an intensity and atmosphere that stands out. This is not an album that lays everything out neatly or sticks to one formula; however, it keeps you on edge, pulls you in with its unpredictability from track to track. There's something here for everyone. If I had to compare it I'd say it has the mystique and harshness of The Somberlain by Dissection while towing a line of structure and polish of something like Arson from Harakiri for the Sky.
**BMZ Rating: 9/10**
**Support Black Birch here:** [https://blackbirch.bandcamp.com/album/black-birch-2](https://blackbirch.bandcamp.com/?fbclid=IwAR3mC4jkw-5pkvSN7T2RtauxcZQSCQorX8PECJsNiWcAL3V-%5Fm36sBy2x10&ref=blackmetalzine.com)
## What do you think of Black Birch
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: Keys To The Astral Gates And Mystic Doors - The Endless Black and Melancholy Triumphant
URL: https://blackmetalzine.com/review-keys-to-the-astral-gates-and-mystic-doors-the-endless-black-and-melancholy-triumphant/
Last updated: 2026-07-15T18:30:18.000Z
**Band:** Keys To The Astral Gates And Mystic Doors
**Album:** The Endless Black and Melancholy Triumphant
**Genre:** Raw Black Metal
**Country:** USA
**Label:** Empty Pit Recordings
**Released:** 24th of June 2024
## A Compilation; these keys can open all kinds of things...
One of the newest emerging acts in the raw black metal genre, Keys To The Astral Gates And Mystic Doors, has compiled their so-far existing catalogue into a compilation tape. Consisting of two demos, one from 2023 and the second from January of this year, this compilation has generated some buzz in the underground (I was blessed by the streaming algorithms which helped me discover these demos). While this compilation consists of demo material, I found it to be interesting enough that it deserves a review. These guys have a distinctive enough sound for a genre that has been done to death, while also writing music that is catchy and tight for such a young band.
**Tracklist:**
1. Knell
2. The Lighting of the Treasured Candles
3. Untitled / Thoroughfare of Disillusionment
4. Eternal Crushing Heat
5. Descended
6. That Which Dwells Within
7. Vampyric Comet
8. Snowbringer's Spell
9. What Is the Glimmer 'Top the Looming Castle Bell
## Their sound
Stylistically, *Keys* ranges from the triad-based black metal of **Darkthrone** to dark ambient and at times even to bursts of post-black metal. The music is heavily melodic but doesn’t devolve to Aeolian boredom like too many bands that are trying to bite off **Darkthrone**. Instead, there are weird, happy sounding moments and depressive dual guitar work that reminds me of the demo era of **Katatonia**. The song structures are a bit simpler and less linear than with **Katatonia**, but there is definitely potential there for some grand moments of emotional payoff if they keep growing as songwriters. The opening song *The Lighting Of The Treasured Candles* is the best indicator of this, as the song progresses from rather standard melo-black to a doom metal section with some bright bursts of melody, before returning to a darker, blast-beat outro.
*Keys* keep things simple and stick to the barest elements of black metal. From the lo-fi production to the artwork or the obscure and silly band logo, the band has a very cultish feel to them, which gives them enough mystery and personality that they stick to your mind. The demos have a nice pace and curation where the listener can easily distinguish every song from the previous one without really predicting what the next one is going to sound like.
To me the best songs here almost venture to an indie rock territory, whether it’s the punk-inspired verse on *What Is The Glimmer 'Top The Looming Castle Bell* or the emo riffs on *Untitled / Thoroughfare of Disillusionment.* While these moments might be off-putting to traditional black metal heads, they are balanced with blast-beats and dark synth work that keep reminding the listener that this is indeed black metal and not a hipster curiosity.
## Conclusion
Overall, I found this compilation to be very refreshing. This band is definitely worth keeping an eye on and I’m interested in seeing how they develop their sound and whether they can churn out something a bit more ambitious and weave their different influences to a holistic style on their full-length projects.
**BMZ Rating: 8/10**
**Support Keys To The Astral Gates And Mystic Doors here:** [https://emptypitrecordings.bandcamp.com/album/keys-to-the-astral-gates-and-mystic-doors](https://emptypitrecordings.bandcamp.com/album/keys-to-the-astral-gates-and-mystic-doors?ref=blackmetalzine.com)
## What you think of Keys To The Astral Gates And Mystic Doors
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: Kvaen - The Formless Fires
URL: https://blackmetalzine.com/review-kvaen-the-formless-fires/
Last updated: 2026-07-18T22:03:17.000Z
**Band:** Kvaen
**Album:** The Formless Fires
**Genre:** Black Metal / Pagan / Viking Metal
**Country:** Sweden
**Label:** Nuclear Blast Records
**Released:** June 21st, 2024
## Introduction
Kvaen is a pagan black Metal band from Norbotten, Sweden. They play their own furious style of a melodic death metal infused black metal brew. Not to be mistaken with the style of Behemoth for example as they are very true with their own style which sounds just perfect to my ears. I am more than happy and excited to know I will be witnessing them live at Karmoygeddon 2025.
## The Formless Fires
Hard hitting melodic black metal with a clear headliner potential:
**Tracklist:**
1. The Formless Fires
2. Traverse the Nether
3. Tornets Sång
4. The Ancient Gods
5. Basilisk
6. De Dödens Sång
7. The Perpetual Darkness
8. The Wings of Death
The first song and title track starts with a very groovy intro for about some short 15 seconds before going into a melodic tremolo picked nightmare with haunting vocals. Full speed, full hardness on end. Needless to say very enjoyable for every black/death metal enthusiast. The solo is really solid pushing over the same groove as in the intro leaving nothing left to be wished for.
*Traverse the Nether* with the great support of the legendary swedish black death mastermind **Sebastian Ramstedt** of **Necrophobic** goes as hard as you could imagine. No slow start up just pure tremolo blastbeat heresy before finding the grooviness in the verse. The vocals are just pure armageddon and the guitar work is blissful filth backed up by a sold rhythm section, btw, holy f\*ck that solo is awesome, the entire song is incredible.
*Tornets Sång* has a very specific black'n'roll esque vibe to it and a band like **Satyricon** comes to mind. On this song a bit of choir or synth is also introsdused which pushes the vocals into an even more extreme soundscape. A very well written epos of a song, the only plausible way to describe it if you ask me.
The closing track *The Wings of Death* kicks off with a ridiciolous crushing drum intro before heading into a more melodic direction. Keep in mind to not trust the melodic approach as you will be hit with a tremolo and a shrieking aural inferno of a song. It stays melodic but with a hard edge to it that I've not encountered very often, a fitting strong end to a well written and performed record.
## Conclusion
A perfect example of melodic heaviness that for sure needs to find its competitors. Definetly a masterpiece in regards to the guitar work. Well structured songs, crazy vocals and a lot more that you definetly need to check out for yourself. Whats more to say except: **Tack så mycket KVAEN.**
**BMZ Rating: 8/10**
**8 – Very Good: An impressive album that rises above many others. It features innovative ideas, captivating lyrics or excellent musicianship that makes it stand out.**
**Support Kvaen here:** [https://kvaenblacklion.bandcamp.com/album/the-formless-fires](https://kvaenblacklion.bandcamp.com/album/the-formless-fires?ref=blackmetalzine.com)
## What you think of The Formless Fires?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: Spectral Wound — Songs of Blood and Mire
URL: https://blackmetalzine.com/review-spectral-wound-songs-of-blood-and-mire/
Last updated: 2026-07-15T18:30:20.000Z
**Band:** Spectral Wound
**Album:** Songs of Blood and Mire
**Genre:** Black Metal
**Country:** Canada
**Label:** Profound Lore Records
**Released:** 23rd August 2024
## Introduction
This review was written while sitting on a bench in the Italian city of Stresa. My significant other is roaming the streets looking for cute little stores, and I'm on a bench looking over the Lake Maggiore, so the setting in which this review came to be, could be worse.
Headphones on and plugged in; we start with the new Spectral Wound. Their previous album was well received by the fans and the media, so there was quite some anticipation for this one. I did enjoy the previous album, as it ended up on my AOTY list. So 3 years in the making, what did Spectral Wound conjure into existence this time? Let's find out.
## The album
So what did I expect from this release? To be honest, that they made more of the same and in general, this is exactly what they've accomplished. The album is well produced and sounds immaculate from start to finish. The most considerable change, at least to my ears, is that there is a bit more of a black 'n' roll influence this time compared to their previous work.
In my book, that's a great thing because it changes the songs up and makes them a bit more diverse.
Their previous album was more rawe in comparison, don't get me wrong though, there are plenty of raw elements in this album, but the sprinkles of black 'n' roll merge it more into a well-rounded package, that probably will appeal to an even broader black metal fanbase.
As said, music wise, the entire album is just quality, the vocals, and instruments all do their part and especially the drums, sound like a barrage of bullets going off. The icy vocals mix great with it, chilling as enogh to freeze Lake Maggiore. That's at least the idea or image that comes to mind when listening to this album in 31c at the lakeside.
**Tracklist:**
1. Fevers and Suffering
2. At Wine-Dark Midnight in Mouldering Halls
3. Aristocratic Suicidal Black Metal
4. The Horn Marauding
5. Less and Less Human, O Savage Spirit
6. A Coin upon the Tongue
7. Twelve Moons in Hell
Everything mentioned comes together greatly in the third track of the album, titled *Aristocratic Suicidal Black Metal.* On this track, the black 'n' roll influences are very audible as it features some great riffs. Another great song is the last one of the album, *Twelve Moons in Hell,* which by itself is a great title conjurning a lot of images in my mind, and the music also matches that to perfection. The goes hard from the start, kicking off in a rabid pace, the icy vocals and blasting drums really complement the guitar assault throughout. Both these tracks give a great insight in what this album, and per se, Spectral Wound is all about.
## Conclusion
So 3 years in the making, but did they deliver? In my opinion, yes, they did. It's a great album with many exciting elements to it. And it will probably be on repeat for plenty of listeners. For me, the best change is the more noticeable undertone of black 'n roll, but that's just personal taste and could differ for you.
It will make my personal Album of the Year list, but not sure which spot just yet. I'll see that at the end of the year. Now for the **BMZ rating**. I would rate this album a:
**8 – Very Good: An impressive album that rises above many others. It features innovative ideas, captivating lyrics or excellent musicianship that makes it stand out.**
**Support Spectral Wound here:** [https://spectralwound.bandcamp.com/album/songs-of-blood-and-mire](https://spectralwound.bandcamp.com/album/songs-of-blood-and-mire?ref=blackmetalzine.com)
## What you think of Songs of Blood and Mire by Spectral Wound
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Digging Deeper: Colombia
URL: https://blackmetalzine.com/digging-deeper-colombia/
Last updated: 2025-11-29T20:21:23.000Z
When planning my next dig, a good friend dropped me a timely message. Not only is my friend behind one of the coolest labels in all of extreme metal, [Screaming Skull Records](https://www.instagram.com/screamingskullrecordsoslo/?ref=blackmetalzine.com), he also happens to be an expert in all things diabolical Colombian music. You can check out his Instagram here: [https://www.instagram.com/colombian.metal/](https://www.instagram.com/colombian.metal/?ref=blackmetalzine.com)
So I quickly cornered him and pressed for five bands to put in my next article. He proceeded to list way more than that, but here is the five I ended up with this time.
## Utuk-Xul
Not to be confused with the Finnish band by the same name, these devoted trve believers from Cali has served their blast beats and shrieking riffs since the mid-90's.
**Support Utuk-Xul here:** [https://paganinfantry.bandcamp.com/album/utuk-xul-ritual-in-the-full-moon](https://paganinfantry.bandcamp.com/album/utuk-xul-ritual-in-the-full-moon?ref=blackmetalzine.com)
---
## Mysteriis
Hailing from Medellín these lunatics have put out their medieval and greek mythology influenced black art since 1995.
**Support Mysteriis here:** [https://mysteriis.bandcamp.com/](https://mysteriis.bandcamp.com/?ref=blackmetalzine.com)
---
## Nebiros
Also from Medellín, but these devote satanists got their start back in 1990.
**Support Nebiros here:** [https://dnprod.bandcamp.com/album/mais-que-vencedor-gatefold-12-lp-cd](https://dnprod.bandcamp.com/album/mais-que-vencedor-gatefold-12-lp-cd?ref=blackmetalzine.com)
---
## Apolion's Genocide
These maniacs are from Cali, later Bogotá and has been cooking up their black sulphur since 1991.
**Support Apolion's Genocide here:** [https://apolionsgenocide1.bandcamp.com/](https://apolionsgenocide1.bandcamp.com/?ref=blackmetalzine.com)
---
## Guerra Total
Hailing from Bogotá, this bunch delivers a more thrashy black metal than the others on this list.
**Support Guerra Total here:** [https://guerratotal.bandcamp.com/album/nuklear-zombie-division](https://guerratotal.bandcamp.com/album/nuklear-zombie-division?ref=blackmetalzine.com)
---
## Your thoughts on Colombian black metal?
Are there more Colombian nuggets to be uncovered? If you have any suggestions, you can share them on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: Calderum - Desecration of the Bastille
URL: https://blackmetalzine.com/review-calderum-desecration-of-the-bastille/
Last updated: 2026-07-15T18:30:22.000Z
**Band:** Calderum
**Album:** Desecration of the Bastille
**Genre:** Black Metal, Dungeon Synth
**Country:** Spain
**Label:** Death Prayer Records
## Introduction
This project was unknown to me, but seems it's a one man deal by a very active musician that calls himself Lord Mortuorum. Outside of his own projects he also does work as a session drummer & producer doing mixing and recording services at Necrohelm Studios.
Calderum seems to have spawned sometime in 2019 as the first release is an EP in september that year. That album is entirely dungeon synth featuring no guitars, drums, or vocals of any kind.
When I'm reviewing a band I'm unfamiliar with, I like to start by checking out their previous works. It helps me see how their new material stacks up against their established sound. For Calderum, their previous album, **Lord Cramridor,** really stood out to me. It nails that old-school black metal vibe, with those droning, catchy riffs that stick with you. The production is refreshingly raw, the vocals are on point, it doesn't drag on and at around 30 minutes it's easy to enjoy any time. It's safe to say Calderum’s sound is unexpected from album to album so let's find out what they've cooked up this time.
## Desecration of the Bastille:
**Tracklist:**
1. The Awakening
2. Desecration of the Bastille
3. Chants of Penitance
4. Pagan Fires
5. Thy Power of Our Ancestors
6. Under the Cold of thy Shadows
#### The Awakening
Desecration of the Bastille, while just an EP instead of a full length takes a different turn right out the gate with an extended acoustic intro featuring a three or four-part Harmony from a choir that's almost 4 minutes long. It turns into a sludgy head banging riff soon after and while simple, now we understand where the band is coming from. A minute goes by and we are back to the atmosphere building with the introduction of trumpets, synths and huge drums. I am not the biggest fan of dungeon synth but I think this is fine.
The last section of the first song is more black metal and my favorite part where everything speeds up and you get to hear the raw power behind these vocals coming through strong.
#### Chants of Penitence
There's not much more to add here, I prefer this track over the actual intro. It feels like the first song could have been trimmed down significantly, and placing this one at the very beginning would have made for a stronger opening. This track sets the atmosphere much more effectively, without feeling forced, overly formulaic, or derivative in any way. It achieves what the first song tried to do but with greater ease and authenticity.
#### Pagan Fires
The first half of the song erupts with a furious and chaotic energy, with searing black metal vocals that ride the relentless instrumental wave. A haunting choir or synth weaves through the chaos, adding a layer of eerie atmosphere. As the track transitions into the second half, it shifts into a more mysterious and captivating mood. A beautifully haunting clean section emerges, gradually building into another storm of frenzied riffing. The shifts in tempo, from half-time to double-time drum patterns, amplify the complexity and drive. This unyielding momentum carries the listener through to the very end.
#### Thy Power of Our Ancestors
The simplicity in certain sections of this song has its place, offering moments that are easy to appreciate. However, this same simplicity can sometimes hold the track back from reaching its full potential, especially when compared to more dynamic parts. This sentiment seems to resonate with a few songs on the album so far, or at least within smaller sections of them. Some of these tracks are on the longer side, but they manage to incorporate two or three distinct switch-ups. As someone who’s no stranger to writing multi-part songs, I can relate to the experience of loving the beginning, disliking the middle, and then enjoying the ending or even struggling with the whole journey until a satisfying conclusion. Certain elements just don't age well over time, and this is the case at least at the start of this track. I would have enjoyed it if it ended with the second to last part, maybe *you'll* appreciate this one more.
#### Under the Cold of Thy Shadows
This final track bears a resemblance to the first, with a similar progression and playing pattern, though it doesn't convey the same mournful acceptance as "The Awakening." Instead, it feels more bittersweet and emotional. The longer intro solo is perfectly placed, setting the tone for the rest of the song. Near the end, there's a haunting, almost operatic vocal delivery that, while seemingly apathetic, surprisingly complements the song. The guitar work, too, carries a deep sadness, enhancing the overall mood.
## Conclusion
This album offers a lot of variety, It’s emotionally charged and raw at times, with each transition feeling intentional and significant, reflecting the artist's purpose behind them. While this isn't a bad album by any means, it's not without its flaws. Some sections drag on a bit too long, and the stylistic genre shifts don't always hit the mark for me, though they work better in certain spots. For instance, I wasn’t particularly fond of the title track’s switch-up at 1:20—the instruments felt a bit lifeless there, but that might be more of an acquired taste. On the other hand, I absolutely loved the moment at 2:18 in "Pagan Fires." The somber solo takes the rhythm in a haunting direction, leading to a calculated end that seamlessly thrusts you back into a raw, progressive black metal riff accompanied by shrieking, cavernous vocals. I’m sure I will listen again.
**BMZ Rating: 6.5/10**
**Support Calderum here:** [https://calderum.bandcamp.com/album/desecration-of-the-bastille](https://calderum.bandcamp.com/album/desecration-of-the-bastille?ref=blackmetalzine.com)
## Your thoughts on Descration of the Bastille
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your own review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Beyond the Gates '24 - A Tribute to the Gods of Old!
URL: https://blackmetalzine.com/beyond-the-gates-24-a-tribute-to-the-gods-of-old/
Last updated: 2026-07-16T17:16:16.000Z
## Introduction
Beyond the Gates, the well renowned metal festival in the heart of Bergen in western Norway. Bergen is the home of several of the Norwegian black metal bands and gods we all love. Beyond the Gates is a festival that focuses on exactly that, they know what great qualities their city and country has to offer, an uses that to its fullest potential in their 4-days of festival. A wide range of the darker metal subgenres has found a place within the gates, but the main focus of the festival lies with the goat, Black metal!
If you want to learn more about the festival, I suggest you check out my review from last year that holds a bit more information! You can read more about it here:
[Beyond the Gates: 4 Days of Unparalleled DarknessBeyond the Gates (Bergen, 2023). We journeyed to this Black Metal utopia for four days of unparalleled darkness, exclusive shows, and a mesmerizing 30th-anniversary set by Dimmu Borgir. See the full story!Black Metal ZineVetle](https://blackmetalzine.com/beyond-the-gates-2023/)
This year the festival had four huge headliners including **Mayhem**, **Behemoth**, and **Satyricon**, who performed two different sets, headlining the two final days of the metal madness.
The other black metal bands performing at the festival included: **Mānbryne**, **Whoredom Rife**, **Black Anvil**, **Trelldom**, **Watain**, **Darkspace**, **Cult of Fire**, **Ritual Death**, **Syn**, **Akhlys**, **Owls Woods Graves**, **Aura Noir**, **Vreid**, **Vemod** and **Blood Fire Death** (Bathory tribute).
You might have noticed a numerous amount of Terratur Possession bands in the list above, and the reason to that is that Terratur Possessions is co-organizing the festival. So if you are fond of the bands on their roster, this is a festival to keep your eyes on.
One of the best aspects of Beyond the Gates is that there are never any bands overlapping. That means that every band you see on the flyer above is actually possible for you to watch! One of the greatest pains for a metalhead at a festival is to have to chose between bands that are overlapping.
Another great aspect of the festival is its location and its venues. Being in the heart of Bergen and using Kulturhuset, USF Verftet and Grieghallen is just fantastic. Each venue has its own charm and fills their purpose. The first two days of the festival happens in Kulturhuset (day and night shift concerts) and the main festival down at USF Verftet that includes the two stages Røkeriet and Hallen. In last years edition of the festival Hallen was used for the first time. I was not so fond of the audio there last year but I can happily announce that it was abit better this year!
The last two days of the festival is held within the brutal building Grieghallen. This venue is mighty, it has tons of seats that are free for anyone to use, but also has a big floor in front of the stage for those of us who wants to stand. The audio in the venue is great, and as previously said: Tailor made for the bands playing here.
## Concert Highlights
I was privileged with accreditation this year aswell as last year so I set out for the concerts with my camera and a beer in hand. Opening up the festival in Hallen on the Wednesday was the Terratur Possesion band **Whoredom Rife**.
With a smoke filled stage and blue lights shining, **Whoredom Rife** took to the stage. The band has become a powerhouse of Nidarosian black metal. Their corpse paint faces filled the room with a ominous feeling and a terror swept over me as the vocalist K.R stared me down in the fotopit. Their sound is big, and their style, aggressive. I found their concert a very fitting opening to the festival and by the amount of people showing up aswell concludes it.
**Mānbryne** is another band on Terratur Possessions roster that I've bin listening more and more too lately. I was very curious to hear them perform live. I had previously not seen any live recordings so I was amazed when I first saw the band on stage. The vocalist Paweł Marzec sits behind a small alter all the way up front on the stage. The altar had candles lit and a hourglass on the desk, a big backlit logo was shining on the front of it. The members wearing black and red facepaint were mostly steadyput at their places on stage transferring atmosphere rather than energy to the crowd. Their drum sound was slightly louder than the guitars but their overall sound was good, when I was standing in the back of the room I did'nt feel any need for ear protection. I really enjoyed their set and the untraditional colour of facepaint, I will gladly see them again!
**Mayhem** celebrated their 40 year anniversary with a setlist with songs from the past years and the special guests Messiah and Manheim on the last three songs, Deathcrush, Necrolust and Pure Fuckin Armageddon. I'm not so invested in Mayhem myself so I dont know all their material that well but their live show was very entertaining. Attila really shines on stage and is a good performer. From doing some crazy voodoo wizardy stuff with a inverted bone cross, to wearing a beret alongside his corpsepaint, my eyes were fully glued to his presence.
In the background **Mayhem** had videos running with memories of their rich history and they would also play audio-clips from old recordings and interviews with the early band members. The overall concert was a great experience and for the hardcore Mayhem fans a memory for life, I would assume.
> **Bønnas hot take:** *I've seen *Mayhem* several times in Bergen, both in Grieghallen and at Røkeriet, but this time was something special, the way they brought us back in time through their set list worked really well for me, and finishing it all off with Manheim and Billy on stage, as a full on punk band made it a unique experience.*
**Trelldom** was the first concert ever the band had performed. The band staring Gaahl on vocals has existed since the 90's and is well liked by many metalheads. I was very curious to see them perform their first show but I was sadly very disappointed. The setlist included very slow and jazzy / proggy songs and I found it upright boring. I think if the concert was earlier in the day with such a set I would handle it better but I did not have patience to stay for their whole set.
> **Bønnas hot take:** *Trelldom would have benefited from a different time slot as I was so pumped after the Mayhem gig their proggy jazz did not really do it for me. Røkeriet was absolutely packed and it felt it was a missed oppurtunity to close out the evening with a bang. I guess my expectations was more in the style of Ghaals Wyrd which absolutely slayed on that same stage a few years prior.*
**Dødheimsgard** was a pleasant surprise to see live for the first time. The colorful front man Vicotnik was extremely entertaining to watch on stage. He was running back and forth, jumping down in the fotopit, throwing color powder on the crowd, rolling around and even crowdsurfing. I got exhausted on his behalf. The other members I cant say too much about because Vicotnik had my full attention but I can say that I really enjoyed their audio in Grieghallen and enjoyed their music as much as their front man.
**Bønnas hot take:** *Dødheimsgard is Vicotnik. I mean, the band itself is absolutely awesome but what makes it stand apart from all other acts is Vicotniks truly captivating antics on stage. If you ever get the chance to watch Dødheimsgard or Dold Vorde Ens Navn (another awesome band he fronts) make sure to not miss it, the same goes for Ved Buens Ende of course but his role in that band is very different.*
**Aura Noir; *Bønnas hot take:* *Hell yeah, this is how you put on a show. A late night experience at the smallest of the venues, Kulturhuset, the stage for the early day shift and the late night shift gigs. The perfect club venue when you're in a party mood. I got up close and personal and this was easily the most engaging show for me personally during these four days. If you never been to a Aura Noir show, make sure to revive the inner punk in you and join these black metal thrashers at your first oppurtunity.***
**Slaughterhead** was one of the two lucky bands who got the chance to play at the first edition of **Beyond the Gates Young**, an initiative by the organiser for young bands of the region to perform for a larger audience. The four guys of Slaughterhead hails from Bergen and they deliver energetic thrash metal just like it used to be. The "Young" concept is not only about the bands, but the audience too. At the two Young concerts, kids of any age were alowed in the venue. So with that in mind I had to swap out the beer for a juice box at these two gigs. Slaughterhead however were blasting on stage, crabwalking, shredding, playing ripping guitar solos and showing both kids and the old folk how to mosh!
**Vreid; Bønnas hot take:** *As a true Sognametal believer I'm always enjoying a *Vreid* show. This was another quality performance. As always the *Windir* songs stands out to me as those are the ones I have the closest personal connection to. As I saw their special 1184 show at Karmøygeddon a few years ago I was secretly hoping for something similar here at Grieghallen but I totally understand their need to play mostly Vreid songs. They could easily have taken the same role as Satyricon, and played two sets, it would have been absouletely magical with a full on Windir set in such a setting.*
**Satyricon** was the headliner playing both the Friday and Saturday of the festival. As a long time listener I was beyond stoked to get to see them not only once but twice this weekend. This would also be my first time ever seeing them live so my expectations were high! Satyricon opened with "Walking the path of sorrow" followed up by "Du som hater Gud", two disgustingly great songs. From my favourite album "The Age of Nero" I was treated by "Commando", "The Wolfpack", "Black Crow on a Tombstone" and "Die by My Hand". The concerts in themselves were not too special from other of their sets I've seen online. However for the first night under "Pheonix", Heidi Ruud Ellingsen, a Norwegian actor and singer sang, and Malin Wongraven, the wife of frontman Satyr danced. I was hoping for Sivert Høyem to perform said song with Satyricon, but Heidi Ellingsen was not a disappointment!
> **Bønnas hot take:** **Satyricon* are true professionals and they had put in the work for their two shows. What I felt was a bit lacking was the missed opportunity to do something more with their presentation. It was two really good standalone shows, but it could have been something much more, I guess I'm too jaded at this point.*
**Bathory** or **Blood Fire Death** if you will was arguably the main event of the festival. The Bathory tribute was announced to be a mashup of members from bands attending the festival to perform a tribute to the old gods of metal. The super mashup consisted of following people: Kritian "Gaahl" Espedal, Sigurd "Satyr" Wongraven, Ivar Bjørnson, "Apollyon", Kjetil Grutle, "Blasphemer", Bård "Faust" Eithun, Frederick Melander, "Wraath", Erik Danielsson, "Kvitrim", and "V. Einride". Oh man how they fucking delivered. I felt like i was in a superheroe movie watching all of them coming together to make a dream team of black metal.
I have no idea if this was rehearsed in any way but it sure looked like it, not a single flaw for me to point out. I was beyond amazed and found this set very special. On stage the band had a altar of candles with a portrait of the man himself Quorthon on. I can only assume that he was very proud, looking down from Valhalla, to see that performance.
If you want to see the Bathory set for yourself I will link a great video from one of my fellow photographers Gronnenhell who captured the whole set! [Check that out here!](https://youtu.be/EF32k0yQhmM?si=PT%5F3S3hoEVZe-c%5Fp&ref=blackmetalzine.com)
## Conclusion
Beyond the Gates 2024 was truely fantastic, this beeing my second year at the festival and loving it, the black metal gathering is quickly becoming one of my favourites of the sort. The festival embodies deep history, expertise, professionalism, and great music with some fantastic co-organisers.
The privilege to experience the amount of Norwegian black metal, and seeing old legends playing these fantastic sets is for many difficult, but Beyond the Gates makes it a tidy bit easier by gathering it all in one giant fest.
I really enjoy the fact that there are never any bands overlapping and everything is taking place in the heart of Bergen. There are friendly faces all around, both new and old, and it's easy to make new acquaintances and friends in these surroundings.
The lineup was a hit or miss for some, but there are gold to be found for anyone willing to dig. For me, the lineup hit in many places. There's simply too many bands to write about so the highlights above are just scraping the surface! Still, writing this two weeks after the festival I suffer abstinence from the great time I had amoung colleagues and friends in the pit, the crowd and vibe in the many spots around the venues!
You better get ready for next year, Beyond the Gates! Black Metal Zine is planning its return with, stronger in number than ever!
## Beyond the Gates Links:
Festival page: [Beyond the Gates](https://www.beyondthegates.no/?ref=blackmetalzine.com)
Festival Instagram: [@beyond\_the\_gates\_festival](https://www.instagram.com/beyond%5Fthe%5Fgates%5Ffestival/?ref=blackmetalzine.com)
Festival Facebook: [Beyond the Gates | Facebook](https://www.facebook.com/beyondthegatesbergen/)
Festival fotos: [Official Galleries](https://www.jarlehm.com/Archive/Music/Festivals/Beyond-the-Gates?ref=blackmetalzine.com)
Black Metal Zine’s fotos by [Vetle Aksdal (KingGorthaur)](https://www.instagram.com/vetleaks/?ref=blackmetalzine.com) can also be found on our [Instagram!](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com)
---
Have you been to this festival? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
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### Digging Deeper: Ireland Pt.1
URL: https://blackmetalzine.com/digging-deeper-ireland-pt-1/
Last updated: 2025-11-29T20:16:28.000Z
Ireland’s cultural heritage is a mesmerizing tapestry made up of stunning landscapes, thousands of years of history, and a lively black metal scene, that outside of a internationally established bands isn't that well known in the rest of the world. This digging deeper section takes aim at uncovering those rough diamonds and gold nuggets hiding amongst the potatoes in the irish soil.
Ireland is well known for its long history of adversary and defiance, which these bands cleary use as inspiration for their lyrical themes and music. those are widely used by the bands to tell their story. So let's dive in with the first five bands.
## Gaoth — The Obsidian Dialogue
Gaoth is a one-man black metal band from Wexford, south of Dublin. The band makes Atmospheric black metal with a sprinkle of DSBM. Their album *The Obsidian Dialogue* was my first encounter with them and this album did leave me with a good impression of the project. It has such a great atmosphere, I recommend listening to this with headphones.
**Support Gaoth here:** [https://gaoth.bandcamp.com/album/the-obsidian-dialogue](https://gaoth.bandcamp.com/album/the-obsidian-dialogue?ref=blackmetalzine.com)
---
## SODB — Don Seantalamh a Chuid Féin
Sodb is a black metal band from Dublin, I would describe their style as raw black metal with some atmospheric hints here and there. They've only put out one demo so far, but it does sound very good and it deserves a bit more attention.
**Support SODB here:** [https://fiadh.bandcamp.com/album/don-seantalamh-a-chuid-f-in](https://fiadh.bandcamp.com/album/don-seantalamh-a-chuid-f-in?ref=blackmetalzine.com)
---
## Geasa — Angels Cry
Geasa, a black metal band from Dublin, released their first album back in 1999 titled Angel's Cry. It's a mix of Celtic folk and black metal. The follow-up albums are okay at best, but this debut deserves a bit more praise. The only thing I don't really like are some of the vocals, mostly the clean parts, they sound terrible (in my opinion).
**Support Geasa here:** [https://seasonofmistcatalogue.bandcamp.com/album/angels-cry](https://seasonofmistcatalogue.bandcamp.com/album/angels-cry?ref=blackmetalzine.com)
---
## Kingdom — Bloodtide
One of the first black metal bands out of Ireland was Kingdom, and again, they are from Dublin. They only produced a demo and an EP (Bloodtide), but the EP is great. It is fast-paced, with menacing vocals, and it has a bit of a Norwegian black metal sound to it. Their vocalist, Brian O'Connor was also the vocalist in Geasa for a while, seemed to quit that band right before the recording of Angels Cry. It's a shame Kingdom split up so quick as it would have been very interesting knowing what could have been.
**Support Kingdom here:** [https://irish-metal.bandcamp.com/album/kingdom-bloodtide-ep-2000](https://irish-metal.bandcamp.com/album/kingdom-bloodtide-ep-2000?ref=blackmetalzine.com)
---
## Verminous Serpent — The Malign Covenant
And last but not least, Verminous Serpt a black metal once again from Dublin (You would think that all black metal bands emerge from Dublin, but that's not the case, we will travel more around the island in Part 2 of this series). This band has a hint of death metal influences in it, but at its core I find it a more black metal band than death metal. Their sound is raw with a hint of death, but also a bit of doom influences. The album is great and definitely worth a listen.
**Support Verminous Serpent here:** [https://verminousserpent.bandcamp.com/album/the-malign-covenant](https://verminousserpent.bandcamp.com/album/the-malign-covenant?ref=blackmetalzine.com)
---
## Your thoughts on Irish black metal?
Are there more Irish gems to be uncovered? If you have any suggestions, you can share them on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: Depressive Witches — Lost, Forgotten and Heartbroken
URL: https://blackmetalzine.com/review-depressive-witches-lost-forgotten-and-heartbroken/
Last updated: 2026-07-15T18:30:23.000Z
**Band:** Depressive Witches
**Album:** Lost, Forgotten and Heartbroken
**Genre:** Black 'N Roll
**Country:** France
**Label:** Unsigned/independent
**Released:** May 10, 2024
## Introduction
Depressive Witches, well, are depressive, hence the title, you wouldn't think that they are very productive while being depressed, but they sure are. These witches are very, very productive. This is their third full album in 3 years (Bad Flask in 2021, Distant Kingdoms in 2022). When we count the live album as well, that would be 4 albums in 3 years. In my book, that is pretty productive.
The first album got me hooked instantly to the band. The black 'n roll music is just a fun subgenre. It's serious but not serious and like Heath Ledger said (as the Joker), why so serious? Well, he is right, after 30 years of black metal I have seen a few things and some folks take it all far too serious. But that, of course, is my opinion, so don't get your panties in a bunch if you have a different opinion.
So brothers *Torvuus and Sick Bab* know how to make a fun album, but the question is of course, can they keep up the level they achieved on the previous 2 albums?
## Lost, Forgotten and Heartbroken
So when a third album is released, you have certain expectations because well after 2 you know what you should get when a band releases a third one. That is also the case with the third album of Depressive Witches. From the moment you turn this on, you get a sense of familiarity, and you just know that this record is made by Depressive Witches. Is that a bad thing? Absolutely not, it mostly means that they know what they are doing and found a certain flow, and that is never a bad thing.
Protected by Death and Sorcery, the first song of the album, starts off with a black metal sound, with some nice riffs, drums, and vocals to match. From the second half of that song, the 'n roll influences take over, and there is a more melodic part of the song. This sound continues in the second song, All my Girlfriends are Dead. It's all just very energetic, and it just keeps going, and you just know when you hear the vocalist screaming all my girlfriends are dead, that this will be sung along when they play it live.
**Tracklist:**
1. Protected by Death and Sorcery
2. All My Girlfriends Are Dead
3. Wasted Witch
4. Controversial Rock'n'Roll
5. Lost, Forgotten and Heartbroken
6. Dance of the Witch
7. Alcoholic Forest
8. All for the King
9. Far Away
The fourth song, *Controversial Rock'n'Roll* starts off with a very familiar riff, and that's because it's a variant on the opening of *AC/DC's Dirty Deeds Done Dirt Cheap*, but it fits the song very well. I, of course, could be wrong, but played both songs at the same times, and it's very similar, so I'm pretty sure. One other song I really liked is *Dance of the Witch,* it's very rock 'n roll, and it's just a fun song to listen to (but that goes for all the songs to be honest).
I won't explore and detail all the songs because I believe music is a journey you must undergo yourself. You can read all you want about it, but we give a guide to what we like. In the end, you need to make that judgement for yourself, of course.
What I do like to mention is the album artwork of the album, it looks wonderful. I couldn't find how made it, but kudos to him/her, though! So now you know what I think of the album, it's time for the….
## Conclusion
Within this subgenre, Depressive Witches are one of the best, in my opinion, and they prove that again with their third solid album. If you love some good riffs, nice drumming and just a fun record. Give this a try (and their previous records, you can read our review of Distant Kingdoms [here](https://blackmetalzine.com/depressive-witches-distant-kingdoms/)) i'm sure you'll have a good time with it.
**BMZ Rating:** 8 out of 10
## Your thoughts on Lost, Forgotten and Heartbroken
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your own review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Vault Review: Covenant — Nexus Polaris
URL: https://blackmetalzine.com/vault-review-covenant-nexus-polaris/
Last updated: 2026-07-15T18:30:24.000Z
**Band:** Covenant (The Kovenant)
**Album:** Nexus Polaris
**Genre:** Symphonic Black Metal
**Country:** Norway
**Label:** Nuclear Blast
**Released:** March 24th 1998
## Introduction
What to write about this album, there are many reviews of it, there are folks that like it, and folks that hate it. But for me, I remember this record as if it were yesterday. I was a young adult when I bought the album and bought it on the same day I bought Quake 2, so those two entirely different things are a set item in my mind. But for those that don't know the band, here is a small introduction.
Covenant, later known as The Kovenant (which, had to be done due to legal reasons, but for me, it will always be Covenant though, I'm stubborn like that), is a pioneering force in the Norwegian black metal scene. The band was formed in 1993 by Stian Arnesen, known as Nagash, and Amund Svensson, known as Blackheart. Their debut album, “In Times Before the Light” (1997), was a raw and atmospheric black metal record that captured the attention of the underground metal community. Nexus Polaris, their second album, was a different kind of beast. It had a different sound than the previous album, but as far as symphonic black metal albums go, Nexus Polaris is one of the pillar albums that still stand tall even though it's been 26 years since its release.
## Nexus Polaris
The album has 8 tracks (the versions online now on the streaming platforms have 10, but those are remix versions of the new world order). The run time is decent, with 43 minutes and a bit.
**Tracklist:**
1. The Sulphur Feast
2. Bizarre Cosmic Industries
3. Planetarium
4. The Last of Dragons
5. Bringer of the Sixth Sun
6. Dragonheart
7. Planetary Black Elements
8. Chariots of Thunder
As said, when I listen to this album, I remember it as if it were yesterday when I listened to it for the first time. And my thoughts on it back then haven't changed, even as it's been 26 years (almost). The production of the album is great, and it's mixed very well. There are plenty of bands these days that could take note on how to do it properly with this album (and other older black metal albums, that is).
The fact that everything comes together so very well is also the reason I think why this album can stand it's ground so many years later. There are not many symphonic black metal bands out there that can hold a candle to this album. The latest Vargrav — The Night Hold ([our review](https://blackmetalzine.com/review-vargrav-the-nighthold/)) is one of those bands that do a pretty good job, though.
But back to the album itself, from the first moment that the intro of the first track, *The Sulpher Feast* starts, I'm instantly transported back to 98'. The entire track is just a cosmic delight, from the vocals to the drums, everything just fits. That also goes for the soprano vocals of *Sarah Jezebel Deva* that all combined to make it a grand cosmic opera.
And, it being a grand cosmic opera, goes for the entire album. The second track, *Bizarre Cosmic Industries,* continues with the vocals of Sarah combined with the icy vocals of Nagash. His vocals have been a benchmark for me for a very long time, and I'm glad to see that he returned (with his other band Troll), now let's hope there will be a new album with the Covenant. The band itself tours around some festivals, playing Nexus Polaris in its entirety, so there is a small chance.
Another favorite song is the sixth one, *Dragonheart*. This track starts a bit more up-tempo and accompanied by Nagash vocals it gets off to a great start, Sarah then chimes in with her powerful vocals to give it that operatic feel.
> We demand a change of existence
> And who are you to defy?
> Ironic is the world's dismay…
> We command and you obey!
>
> Lyrics from Dragonheart.
I could go on and on about each track, but most of us know this album pretty well, and for those that do not know it, just give it a spin and I doubt you will be disappointed. I do recommend listening to it with headphones, that makes it sound even more grand in my opinion.
## Conclusion
I have a lot of favorite black metal albums and most of them are from before the 00s, that also goes for this album. If you never heard Nexus Polaris than you really need to check them out, but as said above, most of the readers will probably know the album since it's pretty well known. For me, this album is a masterclass in symphonic/melodic black metal, but there are plenty of people who don't like it, which is also fine.
For a rating, I would give this album a ***9,5***
***Excellent: This is a standout album with superb talent and creativity. It’s impactful, memorable, and likely to be celebrated within the black metal genre.***
---
## Your thoughts on: Nexus Polaris by Covenant (The Kovenant)
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: Seth — La France des Maudits
URL: https://blackmetalzine.com/review-seth-la-france-des-maudits/
Last updated: 2026-07-15T18:30:25.000Z
**Band:** Seth
**Album:** La France des Maudits
**Genre:** Atmospheric Black Metal
**Country:** France
**Label:** Season of Mist
**Released:** 14 July 2024
## Introduction
Does this band need an introduction? For the most of you, that won't be necessary. The band itself has been around since the end of the 90s and released their first album, *Les Blessures de L'âme* in 1996\. But for most folks, the band really entered their consiousness with the *La Morsure du Christ* album, released in 2021.
Myself I've known the band since those first two albums, I also saw them live once back then, although that's a bit too long ago for me to remember how the show was (it was in 2001). I lost track of them after that and, as said for the most, I reconnected with the music/albums again in 2021 with the release of *La Morsure du Christ*.
And now we are 3 years further and Seth is back with a new album, their seventh full length is titled *La France des Maudits* (which means *France of the cursed ones*). So let's see what they conjured up this time.
## La France des Maudits
So three years in the making, and enough folks have been waiting on this release for a while. So what do you get when you buy this album on your favorite format (which, of course, should be tape. *Where's my tape deck?? -Editor*) or on the streaming platform of your choice.
Let's start with the overall sound of the album, which is good. Everything is mixed in very well and the vocals of *Saint Vincent* are not too far to the back or too much to the front of the track. I prefer the vocals of *Vicomte Vampyr Arkames* a bit more, but *Saint Vinc*e*nt* delivers a good range of vocal types.
What I do miss on this new album (and some previous ones as well) is the speed and furious sound the can make. The first album is much faster and a different kind of black metal all together. This new album follows the same path as the previous album, with a slower tempo black metal and more melodic and symphonic elements. I'm not saying that's a bad thing at all, so don't get me wrong, but my personal preference is the style of their first album.
But that's personal, of course, and could and should differ for everyone. I'm not saying that the album doesn't have blast beats and fast drums because it has. But overall, it's more tame. The album contains the following tracks (see below) and has a runtime of 46 minutes and a bit.
**Track list:**
1. Paris des maléfices
2. Et que vive le diable!
3. La destruction des reliques
4. Dans le cœur un poignard
5. Marianne
6. Ivre du sang des saints
7. Insurrection
8. Le vin du condamné
One of my favorite tracks, *Insurrection,* which is the seventh onr. This song has some fast-paced drums in the first section and the vocals are great, they make a good match. The same goes for the guitar riffs and it all makes for a very nice and well-rounded package.
There is also an interlude around the 4:30 minute mark which slows things down, and you hear the following lyrics (see below) being told, and here is where the vocals really shine. You just feel the agony in his voice.
> “Ô Prince des Maudits, toujours à nos côtés
> Quand lassés des secrets, du soi-disant Sauveur, Qui reste sourd la nuit, aux peines sanglotées. Mais toi tu apparais, soucieux de nos malheurs!”
>
> Seth—Insurrection
## Conclusion
Overall, it's a good album, and I enjoyed listening to it. Is it their best work so far? No, not for me. I prefer the first album over this. But that doesn't mean it's a bad album at all. It's good and that's enough. What I do like is the overall aesthetic of the band. The clothing, the covers of the albums and their video clips. They really go all in and that's great.
So are you into atmospheric black metal, with some good vocals and an overall good performance. I recommend you try this album. And now for the grading of said album.
**BMZ Rating:** **7 – Good:** A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.
**Support Seth here:** [https://innomineseth.bandcamp.com/album/la-france-des-maudits](https://innomineseth.bandcamp.com/album/la-france-des-maudits?ref=blackmetalzine.com)
## Your opinion on: La France des Maudits
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: Blodørn — Dødsjakt
URL: https://blackmetalzine.com/review-blodorn-dodsjakt/
Last updated: 2026-07-20T14:11:12.000Z
**Band:** Blodørn
**Album:** Dødsjakt
**Genre:** Viking Black Metal
**Country:** Norway
**Label:** None
**Released:** June 9th 2024
## Introduction
The Norwegian black metal scene has been around for a while (as we all know), but still, there are new or newer bands emerging out of those beautiful mountains and fjords. One such band is Blodørn. They first made their presence known with an EP in 2017 and their first full album saw the light of day in 2020, but that one wasn't on my radar at all.
Which is a shame because the band is made up by the two founding members of Ulvhedner, Arild and Svein Terje. Blodørn came to be as a creative outlet for Arild as Ulvhedner became more melodic over the year. As such, you can't really say they are new kids on the block, but the band is a new entity.
Now they released their new work Dødsjakt onto the world. We grabbed our shields and swords and dove in head first.
## Dødsjakt
The intro of the first song, which is also the title of the album, Dødsjakt sets a great atmosphere. Every time I hear an intro like that I get pulled into a song more (or an album) so that's a good sign. The song itself isn't that fast-paced, but it's very well put together. I especially like the vocals, they are harsh, just the way I like it, old school, icy and grim.
**Track list:**
1. Dødsjakt
2. Ferdens ende
3. Ulvens vrede
4. Skarp den eggen
5. Stupbratt
6. Stillhet i dalen
7. Flagget satt
8. Den stille natt
As you can see, this new album contains 8 new tracks with a run time of 46 minutes. The songs are all of a decent amount of time, not too short, and not too long. The first 2 tracks aren't that fast, with the third track, *Ulvens vrede* picking up the tempo a bit, the drums are getting faster and the riffs sharper. The middle section of the album is the best part for me as the songs are a bit more aggressive.
At the end of the album, especially with the last song on the album, *Den stille natt (The Silent Night)*, the tempo goes down a bit, and we enter a more folkish type of music. But it must be said the atmosphere it sets on the first song remains throghout all the way even with the last song.
The overall quality of the album is, as mentioned, well put together, and you can hear that these two blokes have been making music for a long time.
## Conclusion
For those that love black metal with a nice atmosphere, some slow paced songs and some faster ones. This is a release for you. For those that like Ulvhedner you can give this a try as well. You won't be disappointed.
Are there any faults with the album? Not really no it's an album that's mixed properly, well-made and, overall, just a good album. Is it the best album of the year? Probably not, but it's an enjoyable listen, and that's what counts the most.
**BMZ Rating: 7 out of 10 – Good:** A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.
**Support Blodørn here:** [https://blodornnorway.bandcamp.com/album/d-dsjakt](https://blodornnorway.bandcamp.com/album/d-dsjakt?ref=blackmetalzine.com)
## Your thoughts on Dødsjakt
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your own review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: Nether — The Blood of Rats
URL: https://blackmetalzine.com/review-nether-the-blood-of-rats/
Last updated: 2026-07-15T18:30:26.000Z
**Band:** Nether
**Album:** The Blood of Rats
**Genre:** Black Metal
**Country:** Belgium
**Label:** Void Wanderer Productions
**Released:** July 25th, 2024
## Introduction
If you ask me what's a country that produces good quality black metal these days, I would probably say France and Belgium. Nether, a black metal band from the latter, is back with a new full-length album. Their previous album *Between Shades and Shadows* was released 4 years ago and was my Album of the Year for 2020.
Their new album is called The Blood of Rats, and the band has this to say about their new album and the meaning of the title;
> “The Blood of Rats” is not just an album; it's a battle cry against the pervasive forces in our society that resemble rats, constantly trying to infect and erode what we hold dear. With this album, Nether invites you to stand against the tide and reclaim your glory.
>
> Nether
That's a bold statement if you ask me, and which such a bold statement, I expect some fierce riffs and pummelling drums. That was the case on their previous album, so let's see if that still the case on this new album.
## The Blood of Rats
As said, a bold statement, but let's start off with what it brings to the table. The Blood of Rats, contains 7 new tracks with a runtime of almost 43 minutes and none of them are instrumental. The production of the album is great. I liked the sound of the previous album and this one seems to be a continuation of that sound. It's a bit heavier (thicker) here and there, but overall, it sounds good.
Track list:
1. For Your Own Glory
2. The Dawn of Autumn
3. No Proof of Light
4. The Blood of Rats
5. There's No Horizon
6. Bow for Your Redeemer
7. The Obelisk
The band named this a “it's a battle cry against…” and you really do get that feeling while listening to this album. There is a ferocity behind the tracks that feels like a battle cry. The vocals of J. help with that feeling of a battle cry. Those vocals and the drums that just keep going give it a very nice pace. This record just keeps going, but compared to the previous album it's a bit less fast-paced, at least to my ears.
That less face-paced feeling is mainly due to some riffs they use. For example, on the 4th track, *The Blood of Rats,* the opening riff is slow and very heavy (which I really like) but it does make for a slower start. Those kinds of riffs are used more often on this album. The track does pick up and has some fast-paced sections. But the overall feeling is that the album is a tad slower than the previous one.
One of my favorite tracks on the album is the sixth one *Bow for Your Redeemer*, it just has a complete package, drums that keep going, pleasant riffs and the vocals to match the aggressiveness of the song.
## Conclusion
So we come to the conclusion, and what does this conclude? This new album *The Blood of Rats* by *Nether* is a good continuation of their previous album *Between Shades and Shadows*. Music wise, it's all very well packaged. The only thing I would love to hear on the next album is a bit more variation on the album. The tracks on this album all soundalike and when an album lasts 25 minutes that's okay(ish) but when lasting 43 minutes, a bit more variation would be enjoyable.
All in all, it's a decent album, and if you are a fan of [Melodic black metal](https://blackmetalzine.com/playlists/genre/melodic-black-metal/), you should give this a try. And after you've done that, you can also try their debut album (if you haven't heard that already).
BMZ Rating: **7 – Good:** A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.
## Your thoughts and rating for The Blood of Rats
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your own review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: Hulder — Verses in Oath
URL: https://blackmetalzine.com/review-hulder-verses-in-oath/
Last updated: 2026-07-15T18:30:27.000Z
**Band:** Hulder
**Album:** Verses in Oath
**Genre:** Black Metal
**Country:** United States/Belgium
**Label:** 20 Buck Spin
**Released:** February 9, 2024
## Introduction
Question time? Have you ever been to a concert of a band, and thought that sounds a lot better than I thought it would sound when performed live? For me, that answer recently got answered with a big Yes it does!
2 weeks ago, I saw Hulder as a support act for the Abbath performs Immortal tour. And even though Hulder was the first band of the evening, it was along with Kampfar also the best I heard that night. The sound was spectacular, and it was clear to everyone that Marz (Marliese) is a mesmerizing force on stage. Having seen her perform live made me appreciated her latest release even more and it made it apparent I needed to do a proper review of it.
Her previous album was released in 2021, so it took 3 years to summon this latest album from the black abyss. Let's see if what has been summoned from those depths are worthy our time.
## Verses in Oath
**Track list:**
1. An Elegy (Instrumental)
2. Boughs Ablaze
3. Hearken the End
4. Verses in Oath
5. Lamentation (Instrumental)
6. An Offering
7. Cast into the Well of Remembrance
8. Vessel of Suffering
9. Enchanted Steel
10. Veil of Penitence
Hulder has summoned a new album into existence. This album contains 10 new tracks, with track 1 and 5 being instrumentals. The run time of the album is a bit over 40 minutes. Which is a decent amount of time, I don't really mind if an album is short, but those longer albums which tend to go over an hour are way too long for my attention span.
The first song, as said, is instrumental, but it sets a good atmospheric stage for what follows. The first feeling I got when listening to was how much it reminded me of the 90's black metal era, and that feeling continues through the entire album. It has some more modern sections, such as the sixth track, *An Offering*. But that 90's vibe has a strong presence throughout the entire album.
I must admit, I gave Hulders first album only 1 listening session and haven't listened to it after that, but I'll give that one a few more spins as well. On this, their second offering, 2 songs stand out for me. The first one being the title track, *Verses in Oath*. This has a very thick sound which is very much to my liking, also the drums, masterfully handled by hired gun Charles Koryn, are really good. The other track that stands out for me is the eighth track *Vessel of Suffering*.
This track is short, and it just goes, the drums and riffs keep firing. This song was also played at the live show I saw and, and as mentioned above, the band really slayed it out there. Anyway, this song also has that 90's vibe going for it. It's just a great song overall.
And that goes for the rest of the album as well, the production is good, the songs are good and it's overall a good album. Is it the best album out there? No it's not, but it's a good and decent black metal album, and it doesn't have to be more than that. Not every album out there has to be a 10 because, let's be real, most aren't. But *Verses in Oath* is a good black metal album, and it deserves your attention for at least one full album session.
## Conclusion
So *Verses in Oath* is a good black metal album, and I rate it a 7 out of 10\. Since this is the second full album, I am excited about what the future brings. If you ever get the chance to see this band live, don't hesitate and just go watch it, you won't be disappointed.
**BMZ Score: 7 out of 10 – Good:** A solid and enjoyable album overall. It boasts strong songwriting and performance quality, delivering a cohesive and satisfying listen.
## Your thoughts on: Verses in Oath
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you’d like to, you can also [submit your own review](https://blackmetalzine.com/review-submit-your-own/?swcfpc=1) of an album you like.
### Review: Yr — Maanelyst
URL: https://blackmetalzine.com/review-yr-maanelyst/
Last updated: 2026-07-15T18:30:28.000Z
**Band:** Yr
**Album:** Maanelyst
**Genre:** Black Metal
**Country:** Norway
**Label:** Hellstain Productions
**Released:** June 21st, 2024
## Introduction
Yr is one of the latest black metal entities to come out of the Oslo scene. What breaks the mold for them is that seemingly the two guys behind this project are not already involved with plenty of other bands, as is often the case. So we have to go in blind on this one.
The band consists of the two main men, Doedskald and Nekrosis, complimented by Ormstungr on bass and Zyak handling the drums when performing live.
## Maanelyst
Uncompromising, unrelenting, Norwegian rawness. These are the first words that comes to mind during my virgin journey through this, their debut EP.
**Tracks:**
1. Doed og Begravet
2. Kvessa Tunger
3. Nidhogg
4. Stormtatt
5. Offernatt
Just to establish this early on, Maanelyst is a very strong EP. Considering it's Yr's first official output one can only wonder what they can bring to the table in the future. I won't dissect this track by track, but if you happen to like any of the more known Norwegian bands, specially some of those originating from Bergen, you will most likely nod your head in silent acknowledgement while listening to this. Think Taake rehearsing alongside Gorgoroth, while some of the Helheim guys chime in with some melodies.
This is groovy while never letting their foot too far off the gas pedal.
To give you one track as a good representation of their sound, I'm going for Stormtatt. It has that nice ebb and flow, shifting tempos without loosing any agression.
This being an EP makes you want to repeat it as soon as it's over, you feel like staying as long as possible in their universe.
## Conclusion
This is how you make your presence known within a saturated black metal scene. Agression & rawness with enough hooks to keep you interested throughout all five tracks. Bring me more please!
**BMZ rating: 8 out of 10**
V**ery Good:** An impressive album that rises above many others. It features innovative ideas, captivating lyrics, or excellent musicianship that makes it stand out.
**Support Yr here:** [https://yrbandofficial.bandcamp.com/album/maanelyst](https://yrbandofficial.bandcamp.com/album/maanelyst?ref=blackmetalzine.com)
**You can order the album here:** [https://hellstain.eu/products/yr-maanelyst-ep](https://hellstain.eu/products/yr-maanelyst-ep?ref=blackmetalzine.com)
## Your thoughts
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more! And if you'd like to, you can also submit your own review of an album you like.
### Review: Rotting Christ — Pro Xristou
URL: https://blackmetalzine.com/review-rotting-christ-pro-xristou/
Last updated: 2026-07-15T18:30:28.000Z
**Band:** Rotting Christ
**Album:** Pro Xristou
**Genre:** Black Metal
**Country:** Greece
**Label:** Season of Mist
**Released:** May 24th, 2024
## Introduction
Rotting Christ, if you don't know this band, you have been living under a rock for at least 30 years. This band doesn't need any introduction to be honest, but here we are. The band is back with a new album titled Pro Xristou. It's been almost 5 years since their latest full album *The Heritics* but in that time they released some live albums and a few compilations.
The band is also still going strong with performing concerts, and that, for me, is where this band really shines. I've been listening to Rotting Christ since '94 and in that time the music changed, but their live shows (saw them live for the first time in 2006 if I recall correctly) are astonishing and the energy there is just something you'll have to experience for yourself.
Lucky for you, there will be a new tour with Rotting Christ as the headliner (with Borknagar and Seth as support). So if you have time and the opportunity to go, just go and experience it for yourself, you won't be disappointed, I'm sure about that. The new tour, of course, will be centred around the new album, so let's dive into it.
## Pro Xristou
**Track list:**
1. Pro Xristou (Προ Χριστού)
2. The Apostate
3. Like Father, Like Son
4. The Sixth Day
5. La lettera del Diavolo
6. The Farewell
7. Pix Lax Dax
8. Pretty World, Pretty Dies
9. ᛦᚵᛑᚱᛆᛋᛁᛚ
10. Saoirse
So you bought the new Rotting Christ, and you know what to expect, well sort of, the last few albums have a certain sound to them; that goes as well for this latest work from the greek legends. The moment you hit play on your device, you hear a sound that's very familiar.
It starts off with the first song on the album *Pro Xristou* which is more like a summoning. And what they do is summon a lot of the older gods, like Hades, Ra, and Asmodeus. It's a good start, and it fades into the second track of the album, *The Apostate,* and this song sounds very familiar, but I'll get to that.
One of my favorite songs of the album is the third track *Like Father, Like Son*, the vocals are spot on (as always, to be honest, not the same as it used to be, but still great). And by hearing the lyrics, you just know this will be sung alone very loudly at their concerts. It all merges very well, and it's a great song overall.
---
> *Pride and honor – Passion, love, and faith*
> *Belief to your own spirit - This is your father’s saying*
> *Spread your wings and fly - Fly to the edge of a dream*
> *Be yourself and rise – Rise, reborn, and scream*
>
> *Lyrics from Like Father, Like Son*
---
Another song I truly enjoyed on this album is the fifth track *La Lettera del Diavolo (The Devil's Letters)* from the first note this song sounds more the older Rotting Christ songs. It starts off fast-paced, and it transforms into a bombastic song. The vocals by Amdroniki Skoula complete the track. This is what Rotting Christ is all about if you ask me.
So far, you would think, well, this is the best album they made, but sadly that's not the case. Even with those songs, the rest of the album is, in my opinion, tame. Sakis vocals are still great, even though they are not the same as the olden days (which is to be expected, of course). But if you listen to the album a few times, you get the feeling that it's okay, but nothing more than that.
One other thing I want to mention that's a let-down for me is the copying of riffs, there are plenty of sections on the album that sound very familiar. For example, the Apostate, the intro sounds very similar to *Dies Irae*. And that goes for more songs. A lot of the riffs used are from Sakis solo album it seems and are almost an exact copy. For example, the riff on The Sixth Day is very similar to that of My Salvation. The guitar part of the verse of Pix Lax Dax is a somewhat replica of The Dawn of a New Age, but just played a bit slower. Is this a bad thing? Depends, but it doesn't show a lot of creativity if you re-use riffs from previous albums, in my opinion.
I understand that the younger or newer fans will love this album because it's more a continuation of the sound they have produced since *Κατά τον δαίμονα εαυτού (which is a far better album).* But for the older fans or the fans that like the older albums over the newer ones, it all sounds very tame. That older sound does show up on the album, like on the fifth track mentioned above, but that's also the case for the ninth track, *Yggdrasil*. The drums on that track are just hypnotic and combined with the chanting like vocals makes for a great Rotting Christ track.
## Conclusion
So if you read the above, I get that gives off a bit of mixed signals, is it a good album or is it not? We can make that answer as complicated as we want it to be, yes it's good, but just above average. It's not a great album and for me and that's mainly because, overall, the album just feels tame. Yes, it has some great songs on it that remind me of the older Rotting Christ, but that's about it.
So how would I rate this latest album? That's a tough one. I love Rotting Christ, and it's difficult to grade them, but as said above, this album is nothing more than above average. So that would be the rating I give.
**BMZ Score: 6 – Above Average:** This album shows promise with several standout moments. It shines in places, either through memorable tracks or other unique aspects like vocals, drums etc.
## Your thoughts on: Rotting Christ — Pro Xristou
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Limbonic Art — Opus Daemoniacal
URL: https://blackmetalzine.com/review-limbonic-art-opus-daemoniacal/
Last updated: 2026-07-15T18:30:30.000Z
**Band:** Limbonic Art
**Album:** Opus Daemoniacal
**Genre:** (Symphonic) Black Metal
**Country:** Norway
**Label:** Kyrck Productions & Armour
**Released:** June 28, 2024
## Introduction
Does this band need an introduction? The answer to that should probably be no. The band is a well-known established act within the black metal scene, and they've been around for more than 30 years now, as they were founded back in 93' by Daemon. I was around 16 when they released their first full album, Moon in the Scorpio, and that album is still to this day among my all time favourite black metal albums.
In the following years they released another 3 stellar albums (In Abhorrence Dementia, Epitome of Illusions, Ad Noctum — Dynasty of Death) but thereafter, I lost track of them. I did listen to their newer albums, but not as much as the earlier ones (and I don't think I'm alone in this).
But, 30 years later and the band (well band, it's a solo project these days), released a new album. Limbonic Art will always be something special to me, but let's see if that sentiment still holds true for this record.
## Opus Daemoniacal
**Track list:**
1. Ad Astra et Abyssos
2. Deify Thy Master
3. Consigned to the Flames
4. Vir Triumphalis
5. I Am Your Demon
6. The Wrath of Storms
7. Ars Diavoli
So 7 years in the making, this new album contains 8 brand new tracks and it has a run time of 50 minutes. Let's start with focusing on the production of the album because that's very well done. It all sounds very clean, but not too overproduced, the instruments are in the correct spots (which is always a plus) and the vocals aren't drowned by the instruments. That's a good thing because the vocals, for me, are one of the highlights on this new album.
I loved the vocals when I was a teen, and they still work for me, they are harsh, but not too harsh, you can just feel the fierceness in them. Daemon, after 30 years, still got it and his delivery is strong on all 8bsongs.
Of those 8 tracks, 2 stand out of for me, the first one is the third track of the album with the title *Consigned to the Flames*. This track is very fierce with awesome riffs, the drums just keep going and Daemons vocals compliments this entire package, the track also fades into the fourth track *Vir Triumphalis* very well.
The best track of the album (for me) is the sixth track, *I Am Your Demon*. The intro with the beating drums is very enjoyable, and it starts off with fury. The drums are relentless, just the way I like them, the song slows down a bit, but that brings out Deamon's vocals more to the foreground. If I have to pick out one track for folks listen to it to get a feel for the new album, it would be this one.
## Conclusion
So Limbonic Art is back, that part is obvious, but did they deliver on this new album? That's a hard question and something everyone needs to answer for themselves. Though I did enjoy the album overall, but is it good if we match it to our scoring chart, then no it's not.
The album overall is a bit tame, and it misses the symphonic part that made the first albums of Limbonic Art great. It has some symphonic elements, of course, but it doesn't come close to, for example, Moon in the Scorpio. It all feels a bit tame. I'm glad to see that Limbonic Art are back, but I hope that if there is a new album after this one, he goes back a bit more to the roots of let's say the first 4 albums. And as said, make it more symphonic because that made Limbonic Art stand out for me.
**BMZ Rating: 6,5 – Above Average:** *This album shows promise with several standout moments. It shines in places, either through memorable tracks or other unique aspects like vocals, drums etc.*
## Your thoughts
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Akhlys - House of the Black Geminus (2024)
URL: https://blackmetalzine.com/review-akhlys-house-of-the-black-geminus/
Last updated: 2026-07-17T14:13:36.000Z
**Band:** Akhlys
**Album:** House of the Black Geminus
**Genre:** Black Metal
**Country:** United States
**Label:** Debemur Morti Productions
**Released:** July 5th, 2024
## Introduction
Akhlys, the renowned black metal band from the US, is back with its 4th full album *House of the Black Geminus*. It's been 4 years since their latest work *Melinoë* was released to the masses. But as well known (read; hope) “Good things come to those that wait” and that's certainly the case now.
My introduction to the band was with when that aforementioned third album, *Melinoë* was released. It was suggested to me by a friend to give that album a spin, he was sure I would like it, and he wasn't wrong (he mostly isn't when he recommends something though). But as said, it has almost been a 4-year-long wait for this new album, and I had for the most part lost track of them during this time.
As such, the new album took me by surprise because someone on our discord server said a new album was released. So I dove into the abyssal terror they created with their latest release, peered into the darkness and madness the album creates, and was ready to share my thoughts on it.
## House of the Black Geminus
As said, I survived the abyss the band created on this latest album, and an abyss it is. From the moment you press play on your record player or your favorite streaming service, this album grabs you by every fibre of your being. And it won't let go until the very last second and the album stops playing, and even after that happens, there is still a lingering feeling that remains with you.
So the album stopped playing, it left this strange feeling, and you wonder what the hell just happened, that were my thoughts after the first play through. To be fair, you get used to that feeling and that thought didn't occur after my second spin. But the first time hearing this was a special experience, that's for sure.
**Track list:**
1. The Mask of Night-Speaking
2. Maze of Phobetor
3. Through the Abyssal Door
4. Black Geminus (instrumental)
5. Sister Silence, Brother Sleep
6. Eye of the Daemon — Daemon I
As seen above, the new album contains 6 new tracks with a run time of almost 53 minutes, and those minutes fly by fast because the abyss they created doesn't know time, it seems. But that isn't a bad thing though, I love it when you put on a record and time just passes without you actively knowing.
And that passing of time starts from the moment *The Mask of Night-Speaking* starts. The haunting opening sets such a great atmosphere, it is mesmerizing, and that continues through the rest of the track. It all has a very eerie feeling to it. I could go on and on about it, but to be honest, you need to experience this album for yourself (advice: listen to it on headphones for the first time).
The second track, *Maze of Phobetor* starts off very fast-paced, with pummelling drums and icy cold vocals. The entire album is put together very well. It's mixed great, and it sounds spectacular on headphones or speakers alike.
I'm not going to do a track by track highlights because this album is a discovery you need to undertake by yourself. Just know that it's all very well put together.
One other thing I want to mention is the fact that this album reminds me a lot of the soundtrack of Quake 1 and 2, those were made by Nine Inch Nails, but it has that same industrial feeling. For me, that is a bonus because those soundtracks are among the best made for any games.
## Conclusion
*House of the Black Geminus* by *Akhlys* is a very well-made album and was definitely worth the wait. This album will end up on my Album of the Year list, I'm pretty sure about that, even though the year is far from over.
I recommend this album well to everyone that loves black metal, give this album a try and dive into that abyss yourself, I am sure you won't be disappointed when you emerge (if you do emerge that is).
BMZ Rating: **9 – Excellent**: This is a standout album with superb talent and creativity. It's impactful, memorable, and likely to be celebrated within the black metal genre.
## Your thoughts on *House of the Black Geminus*?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Ernte — Weltenzerstörer
URL: https://blackmetalzine.com/review-ernte-weltenzerstorer/
Last updated: 2026-07-15T18:30:31.000Z
**Band:** Ernte
**Album:** Weltenzerstörer
**Genre:** Raw Black Metal, Doom Metal, Atmospheric Black Metal
**Country:** Switzerland
**Label:** Vendetta Records
**Released:** June 7, 2024
## Introduction
In 2004, *V. Noir* founded the death metal band *Parazide* with 3 others, making a demo-EP called Reborn, which sounded like a more groovy *Cannibal Corpse* mixed with *Mortician*. Since he created Ernte in early 2019, the music has become more and more black as the releases go. *V* recruited *Witch N*. From bands *Shever* (2003) and *Ashtar* (2012), both of which were a mix of Doom metal and other extreme styles. Ashtar's 2023 release was also a sort of collaboration between the two artists as Noir was responsible for the drumming and production side of the album while Nadine (Witch N.) handled the vocals and other instrumentation. Both artists have demonstrated their capabilities time and again, and hopefully, you'll enjoy this, their latest and, in my opinion, most actualized black metal tape together.
## The Album
1. The Witch (Was Born in Flames)
2. Ruler of Chaos, Bringer of Storm
3. Silent and Bleak
4. Trip to a Solitary Moon
5. Vessels of Sacrifice
6. The Fire Lake: Death of Souls
7. Profound Eyes
##### 1\. The Witch (Was Born in Flames)
Opening with a distinguished, raw black metal tone, a simple drum beat carrying with it depraved, screeching vocals. All the while, a catchy repeating riff drones through a good half of the song, creeping or perhaps slithering towards an unsuspecting listener.
While this seems par for the course, that doesn't hurt the quality herein fact, I think it's more of what you'd want to hear out of a simple black metal song; at least that's what draws *me* in. Pragmatic, catchy riffs that lull you into this cold, and truly lonely dimension.
A pained verse rings through to the latter half of this song into a melodic solo met by a catchy double kick section that breaks up some pace established earlier.
##### 2\. Ruler of Chaos, Bringer of Storm
The transition into the second song feels perfect here, fading out at the last moment and then starting abruptly. Now with a similar drum pattern, but it's quicker. Whatever evil had been lumbering towards, now stands before us. Towering above. Simple yet sinister riffs leave a lot of room for the vocals in this song, which gives off a storytelling vibe which is complementary to these musicians.
I'm going to guess and say that these two like doom metal, at least for the few songs I've heard give that impression. This isn't without blast beats though, nearly halfway in there's a well-timed blast pattern alongside a frantic vocal delivery. The guitars and drums return to their normal patterns, and then they give us some kind of second intro before racing towards the end of another verse.
##### 3\. Silent and Bleak
Where do I begin? This one is just straight up, no-bullshit songwriting.
A clean intro that doesn't linger, just two separate guitars accenting. Most black metal bands threw caution to the wind forever ago, and from my understanding, Ernte is no exception.
This song is a step above your everyday black metal song. This I had to pause for, and rewind more than a few times. There's a lot of anger, frustration, and pain in Witch N’s voice.
The outro solo is perfectly timed, emotional and does well to welcome the quick end of the song.
##### 4\. Trip to a Solitary Moon
This track commences with a torrent of drums and chaotic wailing vocals. There's a break around two minutes with a clean looping riff that builds tension, and not long after the tension is finally released with a darker version of the intro and verse riffs. Highlighting the harsh, extreme vocals. This part is moody yet empowering, a perfect choice of progression and melody here that we will sit through for a minute before being greeted by a necessary accentuated solo helped by the dark rhythm from before.
The ending is similar to the intro with its fury, eerie melodies crash into the vocalist once more before finally fading out.
##### 5\. Vessels of Sacrifice
Song five is called Vessels of Sacrifice, and it begins with a nice semi clean intro riff that gives us a short break from the standard of the album. But this is short-lived and the melody expands, and the rest of the band joins in. This song feels like “The Witch” part two or even a remix with how similar some of these sections are.
This is the case for most of the album, it’s consistent and reflective of what the band wants it to sound like without trying to reinvent the wheel.
##### 6\. The Fire Lake: Death of Souls
This is not the only time by now that you could have heard the development of a formula work well enough to stay the course of familiarity yet distant enough in other aspects to keep your brain and ears in check.
At times the monotony sets in, but never long enough before something interesting happens.
The intro sounds like a transition that would be in a live recording, which I think suits well.
The monotony I was referring to is brought on by constant slower backbeats, and while they have their place in rock and metal, it's common to hear them be overused. (Kick, snare, kick, snare.) While there are parts of this song I don't love, it evolves a lot in the 6:25 run time and reignites interest from section to section. The last few minutes are filled with fast and lengthy drum patterns, an appropriate guitar solo and a very catchy progression that lets you know that we're not finished just yet.
##### 7\. Profound Eyes
A faster start and a dismally inspired melody to pull you into this one. This song is a sonic culmination of the entire album's best emotions and structure. Like a fantasy novel transposed into a blackened, mythical world.
It's as you would expect, with nothing to overcomplicate the process. The ending is clean, with a final shrieking word. It fades out not too quickly, crafting a tangible, emotional atmosphere that often after listening to can only be quelled by a pensive “Wow”.
## Conclusion:
There's a lot here that I believe many black metal musicians could learn from in that you don't have to overcomplicate things and just as well… You don't have to appeal to tradition as much as your contemporaries.
I won't lie and say that I loved every second of this album, but the mixing, the powerful vocalist and the tried and true black metal sound and structure build a trve blackened experience. You can bet I'm waiting rather impatiently for their next release!
**BMZ Rating:** 7 out of 10
## What do you think about this album?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Codex Mortis — Tales of Woe
URL: https://blackmetalzine.com/review-codex-mortis-tales-of-woe/
Last updated: 2026-07-15T18:30:33.000Z
**Band:** : Codex Mortis
**Album:** Tales of Woe
**Genre:** Black Metal
**Country:** The Netherlands
**Label:** Black Lion Records
**Released:** June 21ste, 2024
## Introduction
The Dutch blokes from Codex Mortis are back with their second full album. These guys earned their stripes within various Dutch black metal and death metal bands. I listened to their first album What Befalls of Tained Souls pretty often, and it is quite the banger, so it's time to dive into the new album *Tales of Woe.*
## Tales of Woe
**Tracklist:**
1. Forsaken
2. Capricious Disembodied Villain
3. Chosen
4. Trenched in Blood
5. Fire, Screams and Death
6. It Dies with Me
So you bought the album (let's be old-fashioned and just ignore the idea of streaming platforms), you return home, and you pop this into your stereo set, what can you expect?
Not a moment of rest, that's for sure. From the instant this album starts to play, it's full speed ahead. The first track of the album *Forsaken* doesn't allow you time to catch a breath, it goes hard from the first second, and it just keeps on pummeling your ear drums. The riffs are great on that track and the vocals are harsh, there are some DM vocals in the mix, which I don't care for, but that's just my personal taste, others probably won't mind them at all. But for a first song on an album, it's a great one, it grabs your soul and never lets' go.
And that pace goes throughout the entire album, the album has 8 tracks, but the runtime is only 27 minutes. Is that short runtime a bad thing? In my book it ain't, I like fast-paced albums that don't throw in nonsense and fillers on an album to stretch it's time. You try to tell something through your music (at least that's the idea behind music for me) and if that story takes you 27 minutes to tell, that's fine with me.
The first song where the tempo quiets down is the third track of the album *Chosen*. This track starts with a nice melodic piece, but after that is over it goes full force again. This song has some very pleasant riffs in it and the tune in some places is pretty catchy, with a pleasant flow throughout.
And that flow I was talking about continues through the last songs as well. With *Fire Screams and Death* being one of my favourite songs of this album. That song just goes, and as said above, I don't like the Death metal style vocals, but for this song it fits this perfectly. The outro of the has a great riff and a more classic rock vibe to it.
After those 27 minutes, this album is done with your soul, and it cleansed it pretty well or totally crushed it, depends on your take on the proceedings, I guess.
## Conclusion
One thing is apparent with this release, they are all great musicians, you can hear that they know what they are doing. Since my taste is black metal and not death metal, I would like them to see go more that style and lose this kind of vocals, but that's the only “complaint” I have. The production of the album is excellent, so no faults there.
If you are into fast-paced black metal with a hint of Death metal mixed through it, you should give this a shot, I'm sure you'll like it.
BMZ Rating: 7,5 out of 10
## Share your thoughts
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Mythraeum — Oblivion Aeternam
URL: https://blackmetalzine.com/review-mythraeum-oblivion-aeternam/
Last updated: 2026-07-15T18:30:33.000Z
**Band:** Mythraeum
**Album:** Oblivion Aeternam
**Genre:** Black Metal
**Country:** USA
**Label:** M-Theory Audio
**Released:** June 6th 2024
## Introduction
Mythraeum is a Black Metal Band from the US, focusing lyrically on Spirituality and Nature. Their latest release which we are going to examine now is their second full-length following a series of split releases since their establishment in 2014\. They are by far not an unknown band, as they already can cross off a gig at Wacken Open Air from their bucket list. For me, this record was the first time I heard of them, but I was really intrigued by the album cover, leading to the discovery of this great Band.
## Oblivion Aeternam
**Tracklist:**
1. Dawn of Reckoning
2. Crown of Sepsis
3. Harbinger's Chant
4. Halls of forgotten Will
5. The Hunters Dream
6. Halls of Mythras (Reincarnation)
7. Terrestrial Despair
8. Skies Torn Asunder
9. Through the Nether
10. Beyond the Void
The intro Dawn of Reckoning starts with a nice string section / ragtime piano raising the expectations for the Album. A great start for a promising time.
Crown of Sepsis kicks in fast and harsh, but except for the vocals and lead parts, is overall highly technical in a more death metal direction like Veil of Pnath. Production quality is pretty good overall, but the song structure is really mixed through with a lot of sweep picking.
Harbinger's chant has slight piano and choir in the beginning before plunging in a tech-driven riff madness. Overall, a very riff-driven song. The vocals, for me, are quite the highlight for the band as they are very harsh and seem to pack plenty of emotions behind them.
Halls of forgotten, the 4th song, has a very pleasant acoustic intro before the lead guitar takes over again and, for me, personally, steals the show throughout the whole album. But this track then goes into a more traditional Black Metal direction, which I mostly enjoy.
## Conclusion
A well written and produced record by a band already proven their capabilities with having the honor of playing in Wacken. If you are a fan of more technicality in Black Metal, I can strongly suggest checking Mythraeum out. For me, the Album is a solid 7/10 with only loosing point because for my personal taste, the shreddy lead guitars pushed the atmosphere quite in to the second row. A “problem” I've realized plenty of US Bands encounter with their deep connection to the fantastic and technical death metal scene on their side of the pond. Nonetheless, a great record.
BMZ Score: 7 out of 10
## Your Thoughts on Oblivion Aeternam
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Mòr — Hear the Hour Nearing!
URL: https://blackmetalzine.com/review-mor-hear-the-hour-nearing/
Last updated: 2026-07-15T18:30:34.000Z
**Band:** Mòr
**Album:** Hear the Hour Nearing!
**Genre:** Raw/Atmospheric Black Metal
**Country:** France
**Label:** Les Acteurs de l'Ombre Productions
**Released:** April 12th, 2024
## Introduction
So we have a 'new' kid on the block, well not exactly new according to Metal Archives, the band was founded in 2014\. They released a demo in 2015 and a live album in 2022 (which contains the same songs as the full album we review here), but they released their first full album in 2024, so in my book this is a new discovery.
But as we all known new doesn't mean that you deliver a bad album by default (and that's a good thing) otherwise we wouldn't have the new influx of black metal bands we have the last few years.
Another thing we do know about the band is that they are from France, and to my experience that's usually a good thing. I love the French black metal scene, and they released some great albums this year alone. Moreover, one of my favorite BM albums is from Gorgon (The Lady Rides a Black Horse) so Mòr being French is a bonus.
So we have an old band with their debut full length, how will it stand up to their contemporary countrymen?
## Hear the Hour Nearing!
**Track list:**
1. The Vanishing of Matter
2. Eden
3. Third Path
4. The Apprentice
5. Cave of Shadows
6. The Letter of Loss
7. Sulfur
8. Sutcivni Los
9. Smaragdina
I could write a very, very short review about this, and just tell you it's a great album and give it a score, but that wouldn't be much of a review. So I'll go into a bit more detail (not too much though, because I strongly believe listening to music is a journey, and you need to undergo that journey by yourself).
The first track of the album, *The Vanishing of Matter,* gives a great picture of the rest of the album. You get that dissonant feeling, but there is also a thrash underlining throughout the song. This song is made to be blasted out of your speakers to form a wall of sound. From the first time I heard this song, it reminded me of the Belgian black metal band Wiegedood, they both have that massive, dense soundscape with that sweet dissonant touch.
And that feeling of being immersed in their sonic world stays throughout the entire album. Some songs are more thrash like, such as the third song of the album titled Third Path that starts with a more thrash vibe, but that wall of sound never dessolves.
*The Letter of Loss* is one of my favorite tracks on this new album. It has that dense sound, great guitars and the drums go off like machine guns, which I truly enjoy. Another thing worth mentioning is the vocals. They are spot on, the screams are nasty, and you really get the feeling that the vocalist is trying to make a point.
Finally, the cover and the production of the album. The cover has a very primal look to it, you can see mountains, elements of a star-filled sky and alike. It strikes me as an expression of our primal needs and lusts, and it fits the music like a glove. What also helps is the proper production of the album. All the instruments are mixed in well and they are placed at their proper place. The same goes for the vocals, nothing is overshadowing one or the other.
So after many listening sessions with this album, it's time to give a conclusion
## Conclusion
I can be very short about it, do you like dissonant black metal with a thrashy vibe to it? Give this album a try, you won't be disappointed. For all the other black metal aficionados out there, do the same and give this album a try! I enjoyed it and looking forward to the future of Mòr
**BMZ Rating:** 8 out of 10
## Your thoughts?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more.
### Review: Widertod — Anemoia
URL: https://blackmetalzine.com/review-widertod-anemoia/
Last updated: 2026-07-15T18:30:34.000Z
**Band:** Widertod
**Album:** Anemoia
**Genre:** Melodic Black Metal
**Country:** Germany
**Label:** Vendetta Records
**Released:** June 7th, 2024
## Introduction
In 2022, Widertod released their first EP, which was self-titled, Syf wrote a review for that album (read [here](https://blackmetalzine.com/widertod-widertod-ep/)) and we had an interview with the band (read [here](https://blackmetalzine.com/interview-widertod-ger/)). After 2 years, the band is back with their first full album titled Anemoia.
The album title has a bit of a story behind it, the term means/is used for the following “Nostalgia for a time or a place one has ever known.” For example, Anemoia often occurs in relation to historical periods that have passed; one may feel anemoia after reading Little Women or watching a Joe Wright movie. A sudden feeling of nostalgia for a time when people wrote letters with feathered pens that left their hands ink-stained.
I think most of us know that feeling, so with knowing that, we dove in to the album.
## Anemoia
So 2 years in the making, and it's here, what does this album bring the listener and more important, does it give off that feeling of Anemoia? The album consists of 8 new tracks with a runtime of 46 minutes.
1. Apollo
2. Endzeit
3. Sakrament
4. Rote Erde
5. Chat Noir
6. Apex
7. Winter Solstice
8. Anemoia
From the very beginning, the album launches into full throttle, with blast beats and piercing vocals. I understand that this vocal style isn't for everyone, but whether you like it or not, they are consistently spot-on throughout the album. Personally, I'm a fan, of this style of vocals so that's a bonus.
The instrumental aspect of the music is equally impressive. The drums fire off like machine guns, and the riffs are abundant, yet everything is seamlessly mixed into a cohesive package. Nothing feels out of place or illogical, and this applies to the entire album.
A standout track for me is the fifth song, “Rote Erde,” which translates to “Red Earth.” It opens with a piano section that evokes a sense of bygone eras, moments you didn't experience firsthand, perfectly tying into the album's overall theme.
This same nostalgic feeling is brilliantly captured in the eighth track and the album's closing song, “Anemoia.” It's difficult to describe, but there's a palpable sense of belonging in this track, especially at the beginning and in the vocals.
## Conclusion
For fans of melodic black metal with a great atmosphere, this album should be a no-brainer, just give it a spin and i'm pretty sure you will enjoy it. It's a good step up from the EP, which was well-made as well. For the rest of the black metal fans, just give this a chance and you might like what you hear.
I enjoyed this album very much, it's well-made, and it's a good listen from start to end. I also liked the album artwork, simple but effective (the artwork is made by the guitarist, bassist of the band Alec M.), but shoutout to whoever created it. Furthermore, I'm excited about what this band has in store for us in the coming years.
BMZ Rating: 7,5 out of 10
## Your thoughts on Anemoia
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Necrophobic — In the Twilight Grey
URL: https://blackmetalzine.com/review-necrophobic-in-the-twilight-grey/
Last updated: 2026-07-15T18:30:35.000Z
**Band:** Necrophobic
**Album:** In the Twilight Grey
**Genre:** Blackened Death Metal
**Country:** Sweden
**Label:** Century Media Records
**Released:** March 15, 2024
## Introduction
In 2024, it’s time to make the case for Necrophobic being one of the most consistent bands, not only in black metal, but metal as a whole.
Necrophobic is back with their tenth album, four years after their latest release. Originally, a part of the burgeoning Stockholm scene starting in the late 80s, Necrophobic has built quite the discography for themselves, differentiating themselves from most bands of their era with their unique mix of different metal genres. Initially influenced by Slayer and other early death metal pioneers, Necrophobic would take a different path from their fellow Stockholm bands that were gaining moderate mainstream success with their strain of groovy buzz saw death metal. Necrophobic instead opted for a more melodic blend of death metal and black metal, reminiscent of Dissection or even Finnish doom-death, rather than anything from Stockholm. While they would never reach the level of success of Dismember or Entombed. Their recognizable style paid off eventually, as they are still going strong after more than thirty years with no weak moments in their career.
## In the Twilight Grey
Although their debut is widely regarded as their greatest effort, it was on their second album Darkside that Necrophobic really defined their sound, adding more complex double guitar melodies and moving overall to a more mid-range, black metal register. Since then, the band has more or less stayed in this lane. Such is the case with their newest album, apically titled In The Twilight Grey. The sound of this album is intense, pristine, and melodically dense. Necrophobic flexes their ability to write multilayered, dark melodies that are both catchy and evil. There are often three, even four guitars playing simultaneously, which would make K. K. Downing and Glenn Tipton proud.
**Track list:**
1. Grace of the Past
2. Clavis Inferni
3. As Stars Collide
4. Stormcrow
5. Shadows of the Brightest Night
6. Mirrors of a Thousand Lakes
7. Cast in Stone
8. Nordanvind
9. In the Twilight Grey
10. Ascension (Episode Four)
The album opener Grace of the Past lures the listener in with a wonderful clean melody which evolves into a merciless blast beating verse. The song transitions to a mid-pace triplet section in the middle, where the band blends in some hints of heavy metal as well as adding a nice solo. The second track ups the energy, sounding like a modernized version of Burzum’s Ea, with a devastatingly evil chorus. As Stars Collide sounds almost folk with its lead guitar melody, but with a hint of darkness underlying it. Stormcrow has one of the most immediately catchy choruses in recent black metal. Every song has these moments that make them stand out without interfering with the flow and coherence of the album.
Shadows of the Brightest Night and the title track are both seven-minute epics. I prefer the former — I find the title track to be a bit of an underwhelming closer with its upbeat chorus, although it has grown on me on re-listens. But both tracks allow the band to showcase all the tricks in their sleeves. Shadows starts with a tritone-based riff, a rare case where the tritone ends up sounding very pleasant and even melodic, thanks to the layers of guitar. This riff acts as the main theme of the song, rather than just a throwaway intro. The band does switch things up with a chuggy verse riff and an atmospheric chorus. The techniques on display aren’t necessarily anything new, but it’s the seamless flow of a lengthy song like this that really proves the experience and skill of these musicians.
## Conclusion
I really can’t think of anything negative to say about this album. The performances are excellent. There is no riff wasted, and the songs are just versatile and enough to keep you engaged for the whole run time. Vocalist Anders Strokirk, who contributed vocals to Nocturnal Silence and returned to the band in 2014 after a two-decade break, sounds exceptional for a 52-year-old, which almost makes me wish the vocals were mixed louder on some songs.
With this tenth album, I firmly believe that Necrophobic has achieved the status of one of the most consistent metal bands in history. Their legacy lives on in metal, as they have been cited as an influence by some of the most promising new bands like Mefitis, for a good reason.
**BMZ Rating:** 9 out of 10
## Your Thoughts on In the Twilight Grey
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Kirkebrann - Mot Trellenes Forfall...
URL: https://blackmetalzine.com/review-kirkebrann-mot-trellenes-forfall/
Last updated: 2026-07-15T18:30:36.000Z
Hrafn and Draug, photo taken in 2012 by Harald Strømnæs
**Band:** Kirkebrann
**Album:** Mot Trellenes Forfall…
**Genre:** Black Metal
**Country:** Norway
**Label:** Hellstain Productions
**Released:** 28th of June 2024
---
## Introduction
Kirkebrann is a Black Metal Band from Vestfold and Telemark, Norway. The Band was founded in 2004 and are active for 20 years. Already with 6 releases under their belt, this only being their second full length after some split releases with various great bands. Their style is pretty straight forward Black Metal yet melodic without losing its razor sharp edge.
## Mot Trellenes Forfall...
**Tracklist:**
1. Offer
2. En Slaves Frihet
3. Englemaker
4. Manifest by Murder
5. Tårer av Sand, et Liv i Grus
6. Malstrøm
7. Nattevred
8. Den Som Hater
9. Parasittenes Planet
10. Vandringa
11. Narkose Psykose
12. Jakten på Visdom
13. Vi Går med Stormskritt
---
**Offer**, the first track starts off with a melancholic lead guitar but don't be fooled by it. About 10 seconds after the band releases an uncompromising black metal fury with the same guitar line lingering in the background before reaching a more midtempo bridge. The vocals are furious shrieks in similar fashion as the likes of true norwegian black metal greats e.g Taake. The production is very cold and haunting but yet pretty clear, noticable during the chilling slow tempo solo over the blasting drums.
**En Slaves Frihet** is going full throttle right from the start into a nice bass break before kicking in again with midtempo riffing. It's a very nice black'n'roll kind of style similar to some mid 2000's Satyricon. The song continues that way with a bit of Thorns up-picking before going full tempo following the drums.
The third track just starts at full speed without any care. **Englemaker** is more melodic than the first two songs which by no means makes it weaker. It's still pure Black Metal carnage just with a touch more "structure" in a nice, old fashioned way.
---
**Manifest by Murder**, like the name implies, kicks in with a chilling scream like at a crime scene. It continues full tempo through and through until a change in pace occurs around the 3 minute mark when a Freezing Moon like breakdown with really obscure vocals comes in before it goes back to a nice full speed end.
The 5th track is again more Black'n'Roll riffing. I don't really know how to describe rhe vocals this time. They are like a very rough coughing but not in a bad way, just different to the rest. Overall this track stands out a bit and will be definetly lead to excessive headbanging when played live.
**Malstrøm** is again an 180 degree turn , kicking it off with a great lead guitar and followed up by Gorgoroth type off riffing. The vocals here just continues to be amazing. Big respect to Draug for that performance. It is a rather short song but it kicks its way through with brute force.
**Nattevred** starts really different than anything before with a mouthharp and viking stle chantingy before the guitars kicks in agian with very melodic riffing. It nearly has some similarities to punk but also it seems that this song especially is heavily influenced by Enslaved.
The 8th track **Den som Hater** is the longest one with a runtime of nearly 9 minutes. Overall it's a banger throughout with some atmospheric slower parts in between all the blastbeats. It is hard to describe a 9 minute masterpiece but I will stick to it and call it by it's name, an absolute banger.
**Parasittens Planet** is like a war machine wiping out a whole planet as the song title implies, to cleanse it from Parasites. It fits the album perfectly following the 9 minute magnus opus leading into this 3.5min sonic bombardment. It powers through and through and it continues into...
**...Vandringa** , the 10th track directly follows the apocalyptic mess that Parasittens Planet left and further continues to destroy with riffing and blast beats at a tempo comparible to Marduk. Theres one thing that really stands out, another quick break with some kind of horn blowing before releasing melodic guitars that finish the song off.
**Narkose Psykose**, if a fitting name for the song as the intro feels like someone having a psychosis. It's a fast paced heavy hitting gem on this record reminding me a bit of Urgehal. At the end of the song the lead guitar carries you through a choir that feels like a narcotic-induced dream.
The second to last song, **Jakten på Visdom** starts of very Immortal like guitar wise. Again important to point out is that the vocals just continue to impress with the ferociousness. Big kudos to Draug for keeping the same level of aggresiveness throughout the whole record. The overall musicianship is on par with anything that you would expect from the Black metal greats if even not at a higher standard.
---
The last song is a short yet great piano instrumental that finishes the album off. My two cents on that, I wish the next album starts with piano and continues on that level.
## Conclusion
I very much appreciated this record. It is a well written masterpiece blending differnt elements together, yet sticking to the immense unforgiving brutallity of True Norwegian Black Metal. I am more than excited about what Kirkebrann will come up with in the next years. They are definetly a band that you should have on your radar and rose to the top for me with this album. My personal score for this album is definetly not exaggerated but a solid 9.5/10 and an Album of the year candidate for me.
**BMZ Rating:** 9,5/10
**Support Kirkebrann here:** [Music | Kirkebrann (bandcamp.com)](https://kirkebrann.bandcamp.com/music?ref=blackmetalzine.com)
**You can pre-order the album here:** [https://hellstain.eu/products/kirkebrann-mot-trellenes-forfall-black-vinyl](https://hellstain.eu/products/kirkebrann-mot-trellenes-forfall-black-vinyl?ref=blackmetalzine.com)
## Your thoughts on Kirkebrann?
When you have listend to this album, feel free to let us know what you think of it. You can discuss it all with us on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we share and talk about all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Digging Deeper: Norway Pt.3
URL: https://blackmetalzine.com/digging-deeper-norway-pt-3/
Last updated: 2026-07-15T18:30:36.000Z
In this series, we have a look at some bands that necessarily does not get as much attention as they deserve. It will be based on particular countries, sub-genres, or scenes.
There's so much to be found in the depths of the Norwegian soil, so here we go with our third instalment in this series.
---
## Draugenatt:
A duo that formed their project back in 2012, recently put out their second album. They have recruited some fellow black souls from their local scene around Oslo to make for a full line-up to debut sometime later this year! Pagan and heathen Norwegian black metal echoing the life of our collective past.
**Support Draugenatt here:** [https://draugenatt.bandcamp.com/album/blod-og-tt](https://draugenatt.bandcamp.com/album/blod-og-tt?ref=blackmetalzine.com)
---
## Kraft:
Born from the creative overflow from two members of another Norwegian underground act, Last Lightning, guitarist Kristian and drummer Kacper brew a certain flavorful concoction. Still pitch black but brimming with atmosphere and melodic hooks that keep you listening with growing intensity.
**Support Kraft here:** [https://www.youtube.com/@KraftBlackMetal](https://www.youtube.com/@KraftBlackMetal?ref=blackmetalzine.com)
---
## Krapyl:
Leave it to the kids to make some of the most exciting black metal to come out of Norway for years. Still in their teens, these guys have a great foundation to climb the Norwegian black metal ranks for years to come. Opening for the legendary Svarttjern recently shows that they take no prisoners.
**Support Krapyl here:** [https://www.instagram.com/bandetkrapyl/](https://www.instagram.com/bandetkrapyl/?ref=blackmetalzine.com)
---
## Infernal Wind:
Not much is known of this solo project, as Ggatzshriiegk is listed as handling all instruments. Raw black metal with hints of crust punk. This is energetic and occult at the same time.
**Support Infernal Wind here:** [https://blackomen.bigcartel.com/product/infernal-wind-fiende-av-lyset-lp](https://blackomen.bigcartel.com/product/infernal-wind-fiende-av-lyset-lp?ref=blackmetalzine.com)
---
## Myrvandrer:
Crawling back towards the light, Myrvandrer is the anthesis of DSBM, with their uplifting melodies and ethereal song structures. This is the kind of music you should have playing in your ears while enjoying the fresh air outside. Myrvandrer tip-toes between black metal agression and soft acoustic parts, definitely a must listen.
**Support Myrvandrer here:** [https://myrvandrer.bandcamp.com/album/lenge-leve-livet](https://myrvandrer.bandcamp.com/album/lenge-leve-livet?ref=blackmetalzine.com)
---
## Thoughts on this new article series?
Please tell us some of hidden treasures you have discovered, be it Norwegian or any kind of black metal. You can do so on our social media channels, or join us on [discord](https://blackmetalzine.com/discord), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Kawir - Κυδοιμος | Kydoimos
URL: https://blackmetalzine.com/review-kawir-kydoimos/
Last updated: 2026-07-15T18:30:39.000Z
*‘Kydoimos’ — an archaic term used to describe the tumults of battlefields; the noises of war or the sound of arms clashing.*
**Band:** Kawir
**Album:** Κυδοιμος | Kydoimos
**Genre:** Black Metal
**Country:** Greece
**Label:** Soulseller Records
**Released:** 19th of April 2024
---
## Introduction
Kawir is well known in Greek black metal history for more than just being one of the longest-running band of its kind, but also for keeping to their Hellenic themes and mythos with unwavering loyalty. Since forming in 1993, the group has created a space for themselves within this genre by continually releasing albums that are equally filled with ferocious soundscapes as they are laced with atmospheric storytelling. Previous records such as *Οφιόλατρεια (Ophiolatreia)* and *Εξιλασμός (Exilasmos)* showcased aggressive riffs combined with epic tales—catalyzing deep dives into ancient Greek legends and pagan spirituality.
Throughout time, Kawir’s music grew; it evolved from the raw and primitive thrash heard on early demos into more sophisticated pieces with melodic complexities. Their talent lays in blending traditional Hellenic instruments and lyrics in Ancient Greek, alongside typical black metal ferocity, which enables them to always sound new even when everyone else might start sounding alike.
## Κυδοιμος | Kydoimos
In their most recent release entitled *Κυδοιμος (Kydoimos*), Kawir continues exploring Greek mythology but this time around concentrating on ‘kydoimos’ — an archaic term used to describe tumults and confusion of battlefields; the noises of war or the sounds of arms clashing. The concept reverberates throughout the album not only in its lyrics but also through its very fabric as 'noise' becomes music reflecting the chaos of a battlefield during wartimes. Thus making it a fitting tribute to the ancient Greek battlefields.
---
#### Tracklist:
1. Τειρεσίας (Teiresias)
2. Φλεγρας πεδίον (Fields of Flegra)
3. Κενταυρομαχία (Centauromachy)
4. Εκατόγχειρες (Hecatonchires)
5. Μυρμιδόνες (Myrmidons)
6. Αχιλλέας & Έκτωρας (Achilles & Hector)
7. Η κηδεία του Αχιλλέα (Achilles Funeral)
8. Εχετλαίος (Echetlaeus)
9. Κυδοιμός (Kydoimos)
10. Πόλεμος πάντων πατήρ (War Is the Father of All)
---
*Κυδοιμος (Kydoimos)* is highly detailed workmanship where right from track one and onward's listeners are engulfed into fast-paced drumming accompanied by scorching guitar riffs while commanding vocals guide them through. Therthonax, the band’s frontman, delivers each line with both fierceness and reverence, making his voice a befitting conduit through which tales about gods and demigods constitute the lyrical backbone for this album. The fact that it's in ancient Greek makes it even more appealing to me.
Black metal’s traditional elements have been blended with regional instrumentation & melodies, thereby building layers upon layers of sonic depth within this record; however, one should take note of guitar work characterized by intricate solos that meander across songs like Moirai-woven threads of fate. But what strikes most is how electric guitars, bass drums sound more energetic when contrasted against folk instruments such as lyre flute, which add a melodic quality giving it an overall richer texture.
Production quality deserves special mention here. Unlike early black metal’s lo-fi appeal, *Κυδοιμος (Kydoimos)* has been mixed clearly yet powerfully enough to let everything come out distinctively without losing touch with the genre’s gritty aggressiveness; thus these epic tales can be heard better enabling listeners get closer to the ancient storytelling.
## Conclusion
Far beyond just being an album filled with songs, *Κυδοιμος (Kydoimos)* represents a lively mythic tapestry interwoven through sharp riffs and blast-beat-infused pummeling drums— Greek heritage celebrated via black metal. Kawir have not only stayed true to their beginnings but pushed them further than ever before in terms of quality and sound. It is an aggressive masterpiece crafted for those who may be new here as well old fans alike because it combines aggression with artistry in such a way that no one can walk away from listening unsatisfied either way.
Among a throng of other bands, what makes Kawir special is their dedication to thematic and musical integrity. It is records like *Κυδοιμος (Kydoimos)* that show how they are still influential and creative in the black metal genre. This album represents historic fights by capturing its chaos and grandeur, and it does so with an onslaught of brutal sound that is also well arranged into beautiful music; thus, inviting us all to swim deeper into Greek myths. This will always be among one of my most beloved albums by Kawir, serving both as far echoes from the past that honor the ancient Greek world, and as a new book in the story that's called Kawir. You can listen to this ancient story by clicking the video below the score.
**BMZ Rating: 8,5 out of 10**
**Support Kawir here:** [https://soulsellerrecords.bandcamp.com/album/kydoimos](https://soulsellerrecords.bandcamp.com/album/kydoimos?ref=blackmetalzine.com)
## Your Thoughts on Kawir and its latest album?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on discord, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Karmøygeddon 2024 - Blackened hordes under the blazing Norwegian sun!
URL: https://blackmetalzine.com/karmoygeddon-2024/
Last updated: 2026-07-16T17:16:17.000Z
## Introduction
We once again returned to the local metal party at Karmøygeddon for the 19th addition of the festival happening every year in May. This time we brought a full team of three Black Metal Zine writers, some where there to document and some more to enjoy the best weekend of the spring.
The locals Boenna (editor) and KingGorthaur (photographer) eagerly await this festival year after year as our kick-off for the festival summer to come. This time we were also graced with the presence of our most recent colleague Kilian, coming all the way from Austria.
With this context we grabbed our gear and put on our bunads, also known as battle vests, and headed off to Kopervik for 3 days of metal and beer!
This years lineup
One of the fine aspects of Karmøygeddon is the huge variety in bands and sub-genres. Other black metal festivals leave me with little breaks for food and activities as I want to catch every band. Karmøygeddon however leaves me room for some shopping and time to devoure some kebabs when for instance a power metal band is playing, hehe. However with bands playing more melodic and uplifting tunes the black metal acts hit even harder when they perform!
Another thing I love about the festival is the atmosphere all around. Everywhere you turn there are people enjoying themselves, smiling, laughing and drinking beer together under the Norwegian blazing sun that the metal gods keeps granting Karmøygeddon.
Metalheads of Karmøygeddon
Speaking of metal gods... Karmøygeddon is full of them. Legends like Grutle Kjellson (Enslaved), Ørjan "Hoest" Stedjeberg (Taake), Anders "Doedsadmiral" Hansen (Nordjevel) and Rune "General Gribbsphiiser" Røstad (Slagmaur) were all seen amongst us mortals on the festival grounds!
With Karmøygeddons motto beeing "A more pleasent Hell" roughly translated from Norwegian, the festival surely applauds the greatness metal music means for alot of us.
## KingGorthaur's Highlights
**Ulvhedner:** is a band I really enjoy listening to, and it just also happens to be our editor Boenna who is this black metal bands vocalist. Ulvhedner hails from a small town at a end of a fjord and plays wonderful fjosmetall, their take on the sognametall created by Windir. With 25 degrees outside and dressed in old Norwegian knitted jumpers on stage, the band members truly did shine, though be it in sweat... and even before a single note played!
The local band were the lucky winners to open up the first day of the festival. A lot of black hearts turned up for their gig starting at 15:00 Thursday afternoon. Their melodic tunes paying tribute to the Norwegian rural culture translated great in the dim venue and made a memorable opening for Karmøygeddon! PS. I have pictures for proof!
**Mork:** is another band I've been listening to for years but never had the chance of seeing live... until now. With the great privilege as a photographer I got to see this amazing band on the frontline. There's something with the aesthetics of black and white corpsepaint amidst occult thematics that speaks to me and Mork delivers exactly that.The Norwegians have emerged as a powerhouse in the scene, and their presence on stage exuded it.
Mork also played the small venue and the heat there was wrathful! Still the masses showed up and filled the room with great energy.
Gaerea
**Gaerea:** is a band that I've been listening to once in a while, never really fully indulged but always appreciated. I was intrigued to see them live on the big stage at Karmøygeddon and from the very first moment I was impressed!
The hooded Portuguese band had a fantastic sound in the venue and their stage presence was immersive. The energetic vocalist and his way of engaging the crowd made us all a part of the perfomance. Their masked presence also makes you concentrate your attention and focus only on their antics on stage. I will surely catch them live again on the next chance I get.
Shaarimoth
**Shaarimoth:** This was possibly my favourite show of the whole festival. The first sign of them was a blood pool outside the backstage entrance to the RTS venue. With the backstage looking like a murder scene I was very interested in how the rest of the gig would unfold. With incense burning on stage and blood covering artists, the room started to fill with anticipation. A looming bass intro was creeping through the room and set a sence of horror in its walls.
Their presence were no less horrific. With thundering guitars and plummeling drums ripping my soul, the vocalist gazed with frenzy eyes out to the audience... looking for his next victim. Their set was filled with raw emotion and terror that left me hungry for more of Shaarimoth. Their sound technician also helped them achieve the best audio I have ever heard in that venue.
## Kilian's Highlights
**Ulvhedner**: As my colleague already pointed out, Ulvhedner was also a highlight for myself as Boenna is a friend. It was truly awesome to see them live. What an amazing show they delivered to start of the festival. Standing in the front row and immediately getting greeted by him without having seen each other in person was definitely cool. For the show itself it was pleasure through and through.
Ulvhedner
**Gaerea:** I've seen them already three times, they never fail to deliver an amazing show. The artistic nearly mannequin like stage presence their lead singer delivers never fails to impress. I can only imagine how they must have felt playing an hour full force completely covered from head to toe in 25 degrees yet delivering an energy loaded set without any sign of exhaustion. Simply amazing.
**Tsjuder:** A first for myself but what an experience. At first it seemed that their guitar player encountered some slight problems with his microphone but nothing that wasn't resolved within the next 2 songs. Their first. Tjsuder based set I enjoyed personally a bit more than the Bathory set but simply because (please don't crucify me) I know more songs from Tsjuder than i know from Bathory. Nonetheless both sets were simply awe inspiring for myself and I hope that I can share the experience for myself with my band to at some point in time playing for an awesome crowd like you can only find at Karmøygeddon.
**H.E.A.T:** Definetly a drastic style change but what a show. It was like, I can only imagine, Motley Crüe in the 80's. The audience seemed to know nearly every line and the singer plowed through the songs with such a force that it didn't even stop him from delivering when he fell off the stage.
"Raise your fucking horns!"
**Vreid:** What needs to be said about Vreid? Nothing, they continue the legacy of Windir and they do it with style. Definitely a highlight and if you get the change to see them do it, you will not be disapointed.
KingGorthaur certainly seemed to enjoy himself at their set!
Coming to my personal favourit: **Stratovarious**, they were simply fantastic. Playing every classic from Black Diamond to Hunting High and Low, they had the audience in their tight grip from the first note they played. I always wanted to see them live and it was fantastic to experience them at Karmøy alongside Sonata Arctica. The only thing a bit disappointing was that they didn't played longer but how is the saying? All good things need to come to an end , even if I would have liked them to continue for at least another hour, it was fantastic to experience their show.
## Gallery
\[robo-gallery id=15257\]
## Conclusion
Wrapping up another year of Karmøygeddon feels both nice and sour at the same time. It's always bittersweet ending such a fine time that we have together with our common friends at Karmøygeddon. The sweet taste comes back when im reminded that it's just a year until the next time, and for the 2025 addition, Karmøygeddon will celebrate their 20th anniversary.
The first set of bands was published on Friday the 7th June and include black metal bands such as: Rotting Christ, Borknagar, Slagmaur, Hellripper, Helheim, Einherjer, Covenant, Whoredom Rife, Cor Scorpii, Sodomisery, Drakar and Varathron. This is the first drop of 28 bands and we know atleast 10 more is due to be announced, including two more headliners to accompany Rotting Christ.
First bands announced for 2025
Next years ticket sales has gone through the roof, not more than a week after the tickets went for sale, all the 3 day passes are gone. Hope you managed to get your tickets and we will see you there!
## Links
Official [Karmøygeddon Facebook](https://www.facebook.com/KarmoygeddonMetalFestival?locale=nb%5FNO)
Official [Karmøygeddon Instagram](https://www.instagram.com/karmoygeddon/?hl=nb&ref=blackmetalzine.com)
Official [Karmøygeddon Ticket Sale](https://karmoygeddon.ticketco.events/no/nb/m/e/karmoeygeddon%5Fmetal%5Ffestival%5F2025?ref=blackmetalzine.com)
Official [Karmøygeddon Website](https://www.karmoygeddon.no/?ref=blackmetalzine.com)
Black Metal Zine photo’s by [Vetle Aksdal (KingGorthaur)](https://www.instagram.com/vetleaks/?ref=blackmetalzine.com) and can also be found on our [Instagram!](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com)
For official festival photography, check their social media platforms!
Have you been to this festival? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram and Threads at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
[Our contact information can be found here](https://blackmetalzine.com/contact-us/?swcfpc=1)
### Digging Deeper: The Netherlands, Pt.1
URL: https://blackmetalzine.com/digging-deeper-the-netherlands-pt-1/
Last updated: 2026-07-16T17:16:18.000Z
The black metal scene in the Netherlands isn't as well known as its Scandinavian counterparts, but there are many bands or albums that are waiting to be discovered or rediscovered for that matter. This series of articles looks at different Dutch black metal bands and the albums of said bands which should have been more recognized as hidden gems.
---
## Sauron — Universe of Filth
Sauron, a Dutch black metal band from Tilburg, has released one of my favorite black metal albums, its name? Universe of Filth. And if you check today's news, not much has changed since this album was released in 2003\. There is no full album version on YouTube, but there is a playlist [here](https://www.youtube.com/playlist?list=OLAK5uy%5Fmh9iIjBV6zXCx2eCLrWenzxmWx4fYQRMI&ref=blackmetalzine.com).
---
## Zeegang — De poëzie van vallende sneeuw
Utrecht-based black metal band Zeegang released De Poëzie van Vallende Sneeuw (The Poetry of Falling Snow) in 2021\. This album is raw and atmospheric, and staring at the album artwork makes you feel lost. A very nice album!
---
## Codex Mortis — What Befalls of Tainted Souls
Hailing from Amersfoort, also known as de Keistad (or Rock City if you will) comes Codex Mortis a black/death metal band. Their first album, What Befalls of Tainted Souls is a very pleasant blend of those styles, and it slaps from the beginning until the end. A second album, *Tales of Woe,* was released on May 24th, 2024
---
## Grafjammer — Schalm & schabauw
Grafjammer released this album in 2018, and it's a mix of black metal with a hint of black 'n roll. The lyrics are all in Dutch, but the themes are mostly about the maritime past of The Netherlands and Dutch folklore.
---
## Zwart — Heem
Zwart released their debut album in 2022, the style of the album is raw, and dissonant. If you like that kind of style of black metal, go check it out, you won't be disappointed.
---
## Should we keep digging?
This concludes the first part of Digging Deeper: The Netherlands.
Please tell us some of hidden treasures you have discovered, be it Dutch or any kind of black metal. You can do so on our social media channels, or join us on discord, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Houle – Ciel Cendre et Misère Noire
URL: https://blackmetalzine.com/review-houle-ciel-cendre-et-misere-noire/
Last updated: 2026-07-18T09:07:30.000Z
**Band:** Houle
**Album:** Ciel Cendre et Misère Noire (Ashen Skies and Black Misery)
**Genre:** Marine Black Metal
**Country:** France
**Label:** Les Acteurs de L'Ombre Productions
**Released:** June 7th 2024
## Introduction
The ocean, it has fascinated us humans for centuries, well, millennia even. The vast reach and depth of the seas has some mystical power that appeals to most of us humans. It's like a spellbinding force that wants to pull you down into its depths, and it will spit you out when it's done with you. This fascination with the ocean and it's mystique is interpreted by French black metal band Houle and their debut album Ciel Cendre et Misère Noire in a most captivating way.
Houle creates, as self-described; Marine Black Metal. Personally, I'm not very fond of all the sub-genre labeling within our scene, but that's probably just my age-induced grumpiness talking. But the label they use does fit the aesthetics of the album and the way the band presents themselves very well.
The band images are remarkable, and I absolutely loved them from the moment I saw them. As you can see, the images have a marine vibe to them, with the band standing on a ship wreck. But did the album fair better, navigating the cliffs and rocks, better than that ship? It's time to set the course and let the lighthouse guide us through these tracks…
## Ciel Cendre et Misère Noire (Ashen Skies and Black Misery)
It's the first album by Houle, and what does that get you? The album contains 8 tracks, with the 6th track being an instrumental, making the total runtime close to 45 minutes.
1. Introduction
2. La danse du rocher (The dance of the rock)
3. Mère nocturne (Night mother)
4. Sur les braises du foyer (On the embers of the hearth)
5. Derrière l'horizon (Behind the horizon)
6. Et puis le silence (And then the silence)
7. Sel, sang et gerçures (Salt, blood and cracks)
8. Née des Embruns (Born of the sea spray)
So, an ocean of stories to sing about, but what can you expect when you put this album on for the first time? The atmosphere—oceans full of it. The entire album just oozes of salt water and rust. As mentioned above, the bands choice of images help with this, but so does the cover artwork. It all gives off a vibe that I really like.
But the music is what counts the most, and on that front, they didn't disappoint me. Everything, from the vocals and the drums to the riffs, is well put together and mixed properly (which isn't always the case these days).
What really stood out to me were the vocals, done by Adsagsona. They are harsh when they need to be, but when used for the storytelling parts of some tracks, you can feel the agony in other parts. They just grab your attention. On the fourth track, *Sur les braises du foyer*, around the 3:30 mark, there is a scream that's so chilling it will go through your entire core and being.
#### Née des Embruns (Born of the sea spray)
The last track of the album is the track I would recommend if you want to get a feel for what Houle is. The track builds up with an instrumental part, and starts to swell up and what's that wave is big enough it hits you like a brick. The tempo varies, which makes the 12-minute it lasts fly by. The lyrics (of all the tracks) are very nice also, they are in French, so I had to translate them. But it's all well written, and bonus points for including them. Below you'll find a section for the track *Née des Embruns*.
*From this troubled sea*
*Full of chimeras and doubts*
*The wind carries from port to port*
*The broken cries of the bitter lover*
*Of these waters*
*Forever the scourge*
*She rises, the harlot of the spray.*
*She rises, the harlot of the spray!*
I could go on and on about it, but in a nutshell, the album has lots of depth to it and just drips atmosphere. If you are into Atmospheric black metal, this is a not-to-be-missed album.
## Conclusion
Houle really surprised me with this album. Great vocals and drums, for example, but also the story telling of the album is very nice. I do hope the band releases translated lyrics on Bandcamp or ma for example, so that non-French speakers know what it is about (that goes for all bands though).
In short, this album will end up on my album of the year list, undoubtedly.
**BMZ rating: 9 out of 10**
**Support Houle here:** [https://houle.bandcamp.com/album/ciel-cendre-et-mis-re-noire](https://houle.bandcamp.com/album/ciel-cendre-et-mis-re-noire?ref=blackmetalzine.com)
## Social Media & Thoughts
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Coldborn — The Unwritten Pages of Death
URL: https://blackmetalzine.com/review-coldborn-the-unwritten-pages-of-death/
Last updated: 2026-07-15T18:30:41.000Z
**Band:** Coldborn
**Album:** The Unwritten Pages of Death
**Genre:** Black Metal
**Country:** Belgium
**Label:** Final Sacrifice Records
**Released:** 10 May 2024
---
## Introduction
Originating from the dark Belgian realms of black metal, Coldborn is a child out of the brain of Norgaath. He's in several active Belgian black metal bands, for example; Enthroned, Nightbringer and Grimfaug. Coldborn released their debut album ‘Lingering Voidwards’ eight years ago, and it displayed a gloomy expressiveness and icy atmosphere which attracted attention. The release of their follow-up effort entitled *The Unwritten Pages of Death* has been a long time in the making, and with large gaps like that, you start to wonder what has become of a band.
But the wait is over, and the new album has been listened too often, so let's dissect it.
## A Cold Return: The Unwritten Pages Of Death
*Death’s Unwritten Pages* make the return of Coldborn dynamic, evolving from their established sound and thrusting them into other sonic dimensions. The rough and surrounding atmosphere of this album shows that Coldborn can create very deep and engaging music.
One thing that makes the album so appealing to me is its great mix, which combines fierceness with sophistication so that each individual track could affect the listener. This good mixture lets harsh vocals cut through the mix, but it all blends together very well. Such harmony between singing and instrumental background needs to run through the entire album, to make it coherent, at least that's the case for me. It doesn't necessarily mean that goes for everyone, obviously.
The drumming on *Death’s Unwritten Pages* deserves special attention, as every beat seems to be thought out carefully to contribute to the overall dark moodiness of the release. Whether it was done utilizing a drum machine or Norgaath playing the drums, one cannot deny accuracy and strength injected into percussion, therefore supporting a complex arrangement throughout the songs on the album.
---
#### Tracklist:
1. Foreboding
2. Silenced is The Choir of Euphoria
3. Cold Void Rife
4. The Antechamber of Eternal Sleep
5. Harps of Death Chiming Reverberant
6. Cornucopia Hungers for More
7. Life’s Aureole No Longer Gleaming
8. A Spectral Dance of Midnight Sorrow
---
The fifth track called *Harps Of Death Chiming Reverberant* is certainly among those worth mentioning because haunted melodies together with soothing piano echoing through its texture create such an eerie feeling… This composition represents everything what this album is about for me – traditional sounding instruments merged with their black metal style, resulting in something very intimate yet hard-hitting at the same time. This album is about death, and this track embodies that feeling for me very well.
All in all, *Death’s Unwritten Pages* proves that Coldborn has returned and that they released an LP which expands upon their first album. Most significantly, by being experimental without losing touch with fundamental aspects typical for themselves. The harsh and cold sounds mixed with the vocals make for a compelling album.
The visual side of *The Unwritten Pages Of Death* can’t be ignored either; just like their previous releases, they’ve gone for something quite striking with this one. The front cover has an icy blue hue to it which matches up perfectly with the title and lyrical themes contained here in – death being a central one obviously! Desolation oozes out from every pore depicted in that artwork, making sure you feel cold inside while looking at that artwork.
## Conclusion
As a whole, *The Unwritten Pages of Death* makes for a captivating second effort from Coldborn. This record provides an excellent example of black metal done right, it's nothing new per se, but it's executed very well and that's what more important to me. I find its production value, powerful singing and the drums very nice. It is these things together which give this album such unity thematically, but also visually speaking, together with the artwork, it makes for a complete album and not just several songs on a disc.
So if you are into atmospheric black metal, just give this a spin when it's released.
**BMZ Rating; 7,5 out of 10**
**Support Coldborn here:** [https://coldborn.bandcamp.com/album/the-unwritten-pages-of-death](https://coldborn.bandcamp.com/album/the-unwritten-pages-of-death?ref=blackmetalzine.com)
## Your thoughts on Coldborn?
When you have listend to this album, feel free to let us know what you think of it. You can discuss it all with us on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we share and talk about all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Digging Deeper: Norway Pt.2
URL: https://blackmetalzine.com/digging-deeper-norway-pt-2/
Last updated: 2025-11-29T20:44:58.000Z
In this series we take a look at some bands that necessarily do not get as much attention as they deserve. It will be based on particular countries, sub-genres or scenes.
Norway seems to be a bottomless pit of awesome, lesser known bands so this is our second dig deep down into the Norwegian soil.
---
## Valdaudr:
Featuring former and present members of Norwegian death metal act Blood Red Throne, these guys certainly have their pedigree within the Norwegian metal scene. Their black metal is delivered with a strong sense of the traditional Norwegian sound but with a modern punch to the overall production.
**Support Valdaudr here:** [https://soulsellerrecords.bandcamp.com/album/drapsdalen](https://soulsellerrecords.bandcamp.com/album/drapsdalen?ref=blackmetalzine.com)
---
## Blodørn:
Side project by the two founding members of Ulvhedner, with Arild being the main composer. This is a less melodic and folk take on black metal than their main band. Think Viking-inspired Darkthrone.
**Support Blodørn here:**
---
## Infernal:
Old school blasphemy Norwegian black metal. The band recently re-surfaced and we are eagerly awaiting their new material.
**Support Infernal here:** [https://infernal-norway.bandcamp.com/album/eternal-disharmony](https://infernal-norway.bandcamp.com/album/eternal-disharmony?ref=blackmetalzine.com)
---
## Todesking:
Black is the *new* black. This project by some of Stavanger's most prolific metal musicians is precisely what our scene needs to stay alive. Take no prisoners, accept no bullshit, straight for the jugular black metal. Listen at your own risk.
**Support Todesking here:** [https://todesking.bandcamp.com/album/todesking](https://todesking.bandcamp.com/album/todesking?ref=blackmetalzine.com)
---
## Avertia:
Melodic, heavy metal influenced Norwegian BM. This is remarkable songwriting combined with excellent musicianship. Make sure to catch them live if you have the chance!
**Support Avertia here:** [https://avertia.bandcamp.com/](https://avertia.bandcamp.com/?ref=blackmetalzine.com)
---
## Thoughts on this new article series?
Please tell us about some of the hidden treasures you have discovered, be it Norwegian or any kind of black metal. You can do so on our social media channels, or join us on discord, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Necht - The Prophecy of Karnifor
URL: https://blackmetalzine.com/review-necht-the-prophecy-of-karnifor/
Last updated: 2026-07-15T18:30:41.000Z
**Band:** Necht
**Album:** The Prophecy of Karnifor
**Genre:** Atmospheric Black Metal / Melodic Black Metal
**Country:** Canada
**Label:** Independent
**Released:** 17th of May 2024
## Introduction
Necht is an Atmospheric / Melodic Black Metal Band from Calgary, Canada. The band was founded in 2022 and plays a grimm yet melodic mix of Black Metal. Lyrically Necht focuses on the Cult of the ENKARI, a mythical sometimes described as the first civilization on Earth and their everlasting battle in the name of their god B’ahn. The cult is based on the controversial discoveries made by the German explorer Karl von Mecklenburg.
##
The Prophecy of Karnifor
##
Tracklist:
---
1. Visions of Qa’ar
2. Within Her Jaws Dwells the Dark Promise of Our Death
3. Stirred by Shadow, I Did Wake
4. To Me, the Obelisk Calls
5. Into Bondage Born
6. By the Fires of Ascension Shall I Reach the Sky
7. By Blood and Bone Do We Bind
8. Blackened Loom the Walls of Ishpan
9. For Violence was Wrought Upon Me
---
The First track *Visions of Qa’ar* is a fantastic scythe and choir ridden instrumental that could have been recorded at a ceremony of said Cult of Enkari. It's a short and good introduction of what is to be expected of the album.
*Within Her Jaws Dwells the Dark Promise of Our Death* kicks right in with a blast beat breakdown followed by heavy tremolo picking. The vocals kick in with Gorgoroth/Marduk like shrieks before transitioning back and forth with heavy low growls. Overall its very well written and produced with the bass taking a very prominent role in the production. Followed by a melodic Dissection / Dark Funeral-like interlude halfway through the track with very nasty shrieks and another slow rolling breakdown. Ending the song is a really nice atmospheric riff that transitions you to a battle mode for the God B’ahn with a choir in the background.
*Stirred by Shadow, I Did Wake* picks up on the choir with a mid tempo beginning with again very present bass rumbling through followed by fast paced oldschool tremolo picking and again a great mix between shrieks and growls. Followed by choirs over a fast tremolo picked melody line into a short break before a horrifying shriek kicks off the second half of the song in the well liked lines of Immortal riffage. The sudden double stops are for me definitely inspired by bands like Belphegor before the song ends again in a choir.
*To Me, the Obelisk Calls* follows up on the previous track by again a slow paced beginning with crazy nearly tech death assuming bass fills before dropping into a great symphonic black metal like riffing with again astonishing vocals. Overall this song is more mid-paced except for some in between fast parts. Something in the writing reminds me of a mid 2000s Behemoth like structure. The song ends in a very aggressive riff and barking vocals like you would imagine them coming from Mortuus.
The fifth song starts off with a very nearly DSBM style intro before the blast beats go full power stopping in Thorns/Mayhem style guitar riffs. Again vocals like Mortuus on Viktoria with the exception of the hard growls. With an overall length of nearly 9 minutes this song definitely goes through a lot of transitions with battlefield like speeches in between. A drum break in the middle starts off a riff inferno somewhat reminiscent of old Emperor again with the bass being so present in the mix that it takes over a more lead style role. The song then ends off with the same riff as the intro.
Picture courtesy of [https://theheadbangingmoose.com/2023/05/15/concert-review-wacken-metal-battle-canada-final-lees-palace-toronto-on-05-13-2023/](https://theheadbangingmoose.com/2023/05/15/concert-review-wacken-metal-battle-canada-final-lees-palace-toronto-on-05-13-2023/?ref=blackmetalzine.com)
*By the Fires of Ascension Shall I Reach the Sky* has from the beginning a more technical approach to it. Then after around a minute it comes back to a more traditional black metal style. The vocals tend to sound a lot like Rotting Christ in between the high shrieks. Synths overlay some parts of the song in a very pleasant way, not taking away space from the guitars but working more like a second melody line with choirs and speeches again at the end of the song.
The seventh song starts off mixed in a way that it's at first completely centered left in the mix. Overall the mixing is highly different to the songs before. Still the song is fitting well with the rest but a trend in the songwriting definitely is starting to show, not in a bad way but especially on this track it feels like you already heard it somewhere previous. As it is again over 7 Minutes long it starts to get a bit heavy but after around 4 minutes the counter melody after a short breakdown feels like it is written by Jon Nödtveit of Dissection with the occasional Snorre Ruch / Euronymus like upstroking. The vocals are again very gnarly and fit the overall music perfectly.
The eight track is like the first one, an instrumental in the likes of film music / Summoning / Dimmu Borgir. Which shifts the mood a bit but its definitely nice to listen to. I would appreciate more of that in the album as it is really well composed.
The 9th and last track of the album *For Violence Was Wrought Upon Me* leaves no stone unturned directly from the start, hitting hard in a more Symphonic Death Metal way. Before transitioning in a nasty Archgoat style which fits it nicely as the closing track.
## Conclusion
Overall a very good debut record. With the backstory of the music it gives of a very mystical touch to it and feels like Lovecraft stories but in a musical way. The overall production quality is very pleasing but some additional mastering in a way that the instruments overall have a more equal volume would be a bonus point. A solid 8 is in my opinion a fitting rating for it as the music is very well written and the young age of the band just adds to it. A very solid Debut record that's really worth checking out.
**BMZ Rating: 8 out of 10**
**Support Necht here:** [https://necht.bandcamp.com/album/the-prophecy-of-karnifor](https://necht.bandcamp.com/album/the-prophecy-of-karnifor?ref=blackmetalzine.com)
## Your Thoughts?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on our [discord ](https://blackmetalzine.com/discord?swcfpc=1)server, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Nobody — Despair Is Where My Thoughts Swim
URL: https://blackmetalzine.com/review-nobody-despair-is-where-my-thoughts-swim/
Last updated: 2026-07-15T18:30:42.000Z
---
**Band:** Nobody
**Album:** Despair Is Where My Thoughts Swim
**Genre:** DSBM/Post-Black Metal
**Country:** USA
**Label:** End My Life Records
**Released:** May 17th, 2024
---
## Introduction
*Nobody* is a DSBM band consisting of D, U and Void. D is also known as Troll, from the band Sorry… which he and Void were members of; before leaving in 2024\. They have already released two EPs in the past, *‘Fading into Obscurity’* being their first material.
## Despair Is Where My Thoughts Swim
---
#### Tracklist:
1. Life's Ephemeral Tale
2. Faces Pass Me in Crowded Rooms
3. In This Emptiness
4. Perpetual Torment
5. Days Drift By
6. A Silent Prayer
7. Bleeding a World Undone
8. The Path of Ashes
9. Obscurity's Embrace
10. In the Quietus of Night
11. Myspys (Lifelover cover)
---
The first song, Life’s Ephemeral Tale, starts with some clean guitar and a hi hat groove; with vocals reminiscent of Silencer’s *Nattramn.* These aren’t for everyone, but personally, I love these types of shrieks. They work perfectly with the riff that plays under the vocal performance and all together sounds insanely well put together. The drumming on this album is superb, switching from violent blast beats into simple drumming taking a backseat role when it needs to. Between the heavy guitars, there are moments in the song where clean guitars come over these riffs, and it sounds remarkable.
Faces Pass Me In Crowded Rooms doesn’t have a clean start, it just goes into a nice depressive riff with a simple groove. The vocals come in sharp, and it switches to another section with a melancholic, almost hopeful sounding riff. Going from the hi hat to the ride, it then places in double kicks before cutting off into a tom-snare beat with a distant guitar. Drums go back to something similar to the start, with a beautiful melody and riff competing for space. Then the blasts come in, and they come in with strength; it’s honestly impressive to drum that fast.
The third song, In This Emptiness, is similar in beginning to the last song, with a heavier riff, however. Two guitars play, one on lead and the other sort of chugging in a way? Instead of the wails in this song, there are more lower growls. This song also has tom-snare beats where more natural screams are done before the shrieks come back and some heavy guitars play. I would’ve preferred some faster drumming here, but it still sounds fine, and I like the synth(?) that plays afterward, giving the song a great atmosphere. The song wraps around a bit to the same drums from the start and the same riff, building on it and then ending the song.
Perpetual Torment starts similar to the first, with a simple beat and a clean melody, with a sample over it from what I assume to be a movie. A very nice piano is played over this as the vocals and heavy guitars come back; with probably my favourite riff on the album playing. The drums switch between different grooves, going to a simple one, as the guitar switches to a simpler melody and sort of slows down. The song builds up a bit again and then goes to a frantic groove and clean guitar with another sample playing that goes into an excellent riff with some different vocals on it; the piano comes back for the last part of the song and accompanies the guitar really well.
The halfway song of the album, Days Drift By starts with some drums, a clean and heavy guitar both playing different riffs leading to a simple lead and clean vocal. Switching to the clean again and letting the build atmosphere, with the heavy guitar almost taking a back seat. The clean guitar plays over it before going back to the same riff from earlier, having the wailing vocals end the song.
A Silent Prayer fades into a heavy riff building to a clean melody playing over the guitar with the same sort of style as the last song; the clean vocals and the atmosphere being in the forefront, it all works very well. The normal sort of vocal comes in with the guitars getting heavier and playing a creepy melody, getting faster and then slowing in an on-off type way. It switches to a heavier riff and then lets the clean guitar take over with a piano coming in somewhat too; building a good sound, going back to that creepy melody from before; ending the song.
Bleeding a World Undone starts similarly to the second and third song, with a better riff this time and a mix of lower vocals and high-pitched screams. This riff sounds more akin to a basic black metal guitar(?) but works really well; going into a different melody with the drumming getting faster and going more into the same sort of style that the rest of the album has. More melancholic melodies and more vocals, switching with like the other instruments are between two different sections. Another movie sample plays before the starting riff comes back to end the song.
Song eight, The Path Of Ashes, starts with an odd distorted melody similar to the melody from A Silent Prayer with the same sort of clean vocal style. The drumming slows down, and a piano plays before a rock-ish lead guitar plays, switching to a more normal lead with synths over it and the grooves getting faster and heavier with the guitar. The rock melody plays again, ending the song.
Obscurity’s Embrace begins with a heavy melody and atmosphere, a piano playing over the guitar before the piano drops out, and a creepier riff plays with the more standard vocals coming in. The vocals switch like the last few songs, with some faster drumming as a lead melody plays before a heavier guitar starts. A really fast groove starts with an S.O.D type riff, unique to this genre and a sick way to end a song.
The last song, In the Quietus of Night starts with a cool riff and simple beat going into a faster groove with vocals coming in and another guitar playing; switching to a slower section, one guitar playing a melody and the other palm muting. The drums get faster before slowing down and letting the guitars play a sick riff, switching to the same sort of drumming from before with another riff with some unique singing type vocals where the blasts come back. The song goes back to the start of the song and builds on it; ending the album. After this song, there is a Lifelover cover, but since it’s a cover, I'm not going to review it.
## Conclusion
Overall, this album is a great release in this style of DSBM that bands like Nobody and Sorry… have paved. An 8.5 would be a reasonable ranking for this, well-rounded and great debut album. You can check it out for yourself by clicking the video below.
**BMZ Rating: 8,5**
**Support the artist here:** [https://nobodyofficial.bandcamp.com/album/despair-is-where-my-thoughts-swim](https://nobodyofficial.bandcamp.com/album/despair-is-where-my-thoughts-swim?ref=blackmetalzine.com)
## Your Thoughts?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on our [discord ](https://blackmetalzine.com/discord)server, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: WitcheR — Boszorkányszimfóniák
URL: https://blackmetalzine.com/review-witcher-boszorkanyszimfoniak/
Last updated: 2026-07-15T18:30:43.000Z
*Gather around for the Witches will perform their Symphonies.*
**Band:** WitcheR
**Album:** Boszorkányszimfóniák (Witch Symphonies)
**Genre:** Atmospheric Black Metal
**Country:** Hungary
**Label:** Filosofem Records
**Released:** May 8th 2024
## Introduction
Did you read that album title and though, what the hell does that mean? Obviously, you are not alone because I had the same reaction. I actually had to translate it because my Hungarian isn't that great (just read, not present at all). But it means *witch symphonies*, which does have a very nice ring too it.
But who is WitcheR? WitcheR is a Hungarian black metal band that plays the atmospheric subgenre. We've done a review of their last album, [Lélekharang](https://blackmetalzine.com/the-lelekharang-rings-calling-us-home/) which I quite enjoyed. This time they released an EP with covers of famous classical orchestral arrangements. I like classical music, so let's see what they brewed up this time.
## A Symphony of Witches
The new EP comes with 7 tracks, all the tracks are covers of famous classical orchestral works minus the last song, which is a rework of a previous released WitcheR song called Summernight Melancholy.
---
#### Tracklist
1. Hymn of the Cherubim: Op. 41, No. 6\. (Pyotr Ilyich Tchaikovsky cover)
2. Sarabande: Suite No. 4 in D Minor, HWV 437 (Georg Friedrich Händel cover)
3. Åses død (The Death of Ase): Peer Gynt Suite No. 1, Op. 46, No. 2\. (Edvard Grieg cover)
4. Spring Waltz (Mariage d'Amour): (Frédéric Chopin cover)
5. Three Shakespeare Songs: The Cloud-Capp’d Towers: No. 2 (Ralph Vaughan Williams cover)
6. Carmina Burana: Fortuna Imperatrix Mundi: 1\. O Fortuna (Carl Orff cover)
7. Summernight Melancholy
---
All the songs on the album are instrumental, so there isn't really much to say about the vocal part of the album because well there aren't any. But for example, the sixth track of the album is the O Fortuna score my Carl Orff, which almost everybody knows.
The Same goes for the *Spring Waltz* by *Frédéric Chopin*. So ill focus on those 2 songs to see how they sound and if WitcheR did them any justice. The overall production of the album is well done and also credits need to go to the great album artwork by Grafit & Hamu Artworks, it fits the theme of the album very well.
##### O Fortuna
So we start off with *O Fortuna*, which is a medieval Latin Goliardic poem written in the early 13th century and part of a larger collection known as the Carmina Burana. It was transformed into a classical score by German composer Carl Orff in 1935-1936 as the opening and closing movement of his cantata also titled *Carmina Burana*.
This piece is very famous and, like previously mentioned, almost everybody knows it in one form or another. But a song that well known and transforming into a metal (black) version isn't an easy task, especially doing it right. But this version is to my liking, it starts off very bombastic, and it demands your attention. The guitar work, below it, makes for a nice alternate version. They didn't tinker too much on it (which is a good thing in this case) and just let the music work it's magic.
##### Spring Waltz (Mariage d'Amour)
We start off with a fun fact, Chopin never wrote a spring waltz; thus this version does not belong to him. The correct name is Mariage d'Amour and composed by French pianist Paul de Senneville in 1987\. Most of the versions you hear are either from Richard Clayderman or George Davidson (source: [Jacobspiano.com](https://jacobspiano.com/2017/05/31/chopin-ever-write-spring-waltz/?ref=blackmetalzine.com))
But Chopin or not, it's the original is beautiful, so I was excited about the version of WitcheR. And from the start of the song I liked it, and the mix of the different instruments are apparent to hear. It also gives me a feeling of melancholy, which I like.
The use of the guitars makes this version less subtle than the original version of the song, which isn't a bad thing, but this song should be tender and that tenderness isn't really around anymore.
## Conclusion
WitcheR delivered a nice compilation of classical covers. It isn't black metal per se (the band is, this album isn't) but that's okay, a change of spice once in a while won't hurt you. If you are into atmospheric music or Classical music (or both) than give this album a try. It's an enjoyable record to put on and just drift away in thoughts.
**BMZ Rating 7 out of 10**
**Support WitcheR here:** [https://witcherband.bandcamp.com/album/boszork-nyszimf-ni-k](https://witcherband.bandcamp.com/album/boszork-nyszimf-ni-k?ref=blackmetalzine.com)
## Your thoughts
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Lhaäd — Beneath
URL: https://blackmetalzine.com/review-lhaad-beneath/
Last updated: 2026-07-15T18:30:44.000Z
**Band:** Lhaäd
**Album:** Beneath
**Genre:** Atmospheric Black Metal
**Country:** Belgium
**Label:** Amor Fati Productions/Independent
**Released:** March 20th 2024
## Introduction
*Lhaäd is a Belgian black metal solo project by artist Lykormas that focuses more on the melodic, and expansive aspects of the genre. Wailing, titanic themes blanket the short discography of Lhaäd, yet you will hear ambient synths, a lot of deep ocean sfx, and generally well-thought-out audio production that extends a little further from something like raw black metal. There's more of a structured stance here, but never pulling punches in its chaos and sheer power that saturates each song. His first album Below is similar in many ways, and worth checking out if, by the third song now, you're interested. I think one of the most significant differences in these two albums would be the immense pressure and feeling of being alone that is a recurring theme yet… Here there's another element, a far more sinister feeling of dread floods the latter half.*
## A look Beneath the surface
---
#### Tracklist:
1. Beneath I
2. Beneath II
3. Beneath III
4. Beneath IV
5. Beneath V
6. Beneath VI
---
**1\.** Diving into Lhaäd's latest album *Beneath* with the first track immersing listeners in an underwater soundscape, with ambient noises and a murky atmosphere. By the 50-second mark, the song shifts into overdrive, delivering an intense, raw energy amplified by powerful, blistering drumming that grips the listener. By 1:50, it evolves into an irresistibly groovy sound that's hard not to head bang, too. *Beneath I* features a haunting ambiance, with Lykormas (the project's only member) enhancing it with reverb chanting and harsh vocals for an aggressive, soul-stirring effect. The vocals standing out here echo the raw power of 1349's Olav Bergene (Ravn), amplifying the track's brutality. From this point, the song conveys unfiltered hatred, upholding its ferocity without calm or serenity until it suddenly ends.
**2\.** *Beneath II* begins with a grim droning reminiscent of Emperor or Immortal. I can see this appealing to fans of the old-school second wave. At 1:10, it surprised me with a captivating melody. The song then progresses with more intriguing verses and even more interesting phrases I least expected. Featuring many insane riffs and the occasional trance-inducing moments with odd time signatures and dissonant, extended chords. This is truly one of the most black metal songs I've heard in a long while.
**3\.** The next part, *III*, presents a turbulent body of water, thrashing violently before sinking below. It smoothly transitions from the end of *II*, setting a perfect shift for the calm beginning here. Suddenly, like a rogue wave, blast beats crash into the composition, introducing a shift in intensity.
Unsettling, melodic, eerie, and mystifying. By the midway point, the song grows into a structured, melodic experience with well-thought-out rhythmic progressions. It drones on until the end with menacing vocals, almost chant-like. This song might have my favorite outro.
**4\.** Ruthless in its aggression, this song is consistently brooding, heavy, and melancholic, at times even terrifying. Lykormas's use of recurring progressions creates sinister, incantation passages, and depraved aura. I love these simple riffs that are easy to fall back on. Utilizing more routine with the rhythm sections and choosing strong extended chords or elevating phrases moving into other parts to give a good crescendo for the aforementioned parts of the song. With this being the shortest of the album to me, it felt like the perfect transition into the 5th track.
**5.** If it wasn't haunting enough now it is. There's a level of tension being built from song to song, and here is where I think the energy went. Flooding the first half with lightning fast blast beats and orchestral swells continuing on for minutes at times, pulverizing all ears. The song breaks down halfway with an eerie, whispered passage; unintelligible to me due to a language barrier but foreboding nonetheless.
More than a minute passes before again being hammered with relentless drum phrases, rushing towards a violent, immediate end.
**6\.** The 6th and final song starts with a lingering intro of the same three chords. Sticking with you for a moment, chanting as if to beckon some great evil below. Hefty, marching grooves begin to envelope after. Packed to the gills with catchy, melodic guitar grooves. This song is a bit slower starting but not to be underestimated; it gives us fragments more than we've heard through the rest of this album thus far, and were it not for the previous song, I would say this is my favorite.
## Conclusion:
Lhaäd's *Beneath* feels like an anchor, pulling you to the murky depths of a raging, blackened sea. I think the album masterfully blends the more sinister, haunting ambiance of melodic black metal, and the relentless aggression of raw black metal. Fostering an unforgettable experience that will linger long after the music fades, and the tides roll back to fathomless dark.
**BMZ Rating: 8,5 out of 10**
**Support Laähd here:** [https://thenoxentity.bandcamp.com/album/lha-d-beneath](https://thenoxentity.bandcamp.com/album/lha-d-beneath?ref=blackmetalzine.com)
## Your thoughts on beneath by Lhaäd
Do you like it or hate it? You can share your opinion on our social media channels, or join us on our [discord ](https://blackmetalzine.com/discord)server, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Digging Deeper: Austria
URL: https://blackmetalzine.com/digging-deeper-austria/
Last updated: 2025-11-29T20:31:11.000Z
In this series, we have a look at some bands that necessarily does not get as much attention as they deserve. It will be based on particular countries, sub-genres or scenes, this is our dig into the snow-covered hills of Austria.
Influenced by the Norwegian second wave, bands like Abigor and Summoning pioneered the Austrian scene. Known for incorporating atmospheric and introspective elements, other notable bands include Bethlehem, Dornenreich, and Belphegor. Austrian black metal often explores themes of folklore, nature, and mysticism. Let's dig a bit deeper in the search for some uncovered gems;
---
## Schauer:
Atmospheric without being soft, melodic without loosing their edge, Schauer has all the right elements that's keeps our callous hearts beating for black metal.
**Support Schauer here:** [https://kvltundkaosproductions.bandcamp.com/album/abschied](https://kvltundkaosproductions.bandcamp.com/album/abschied?ref=blackmetalzine.com)
---
## Misanthropic Might:
War-themed Austrian black metal. What could possibly go wrong? These guys delivers the goods.
**Support Misanthropic Might here:** [https://misanthropicmight.bandcamp.com/album/feindt](https://misanthropicmight.bandcamp.com/album/feindt?ref=blackmetalzine.com)
---
## Alastor:
Nature, mysticism, and darkness goes hand in hand for these guys. Their overall sound takes inspiration from the Nordic scenes, but still making it their own.
**Support Alastor here:** [https://alastorinthewoods.bandcamp.com/album/umava-2019](https://alastorinthewoods.bandcamp.com/album/umava-2019?ref=blackmetalzine.com)
---
## VarulV:
Raw, aggressive, like a wounded wolf. Listen to this when you need some motivation to run fast as fuck through the forest.
**Support VarulV here:** [https://varulvaustria.bandcamp.com/album/kerker-todt-und-teyfl](https://varulvaustria.bandcamp.com/album/kerker-todt-und-teyfl?ref=blackmetalzine.com)
---
## Rivendell:
Epic, one man folk black metal. When you require more summoning in your life.
**Support Rivendell here:** [https://rivendell.bandcamp.com/track/the-voyage](https://rivendell.bandcamp.com/track/the-voyage?ref=blackmetalzine.com)
---
## Thoughts on this new article series?
Please tell us some of hidden treasures you have discovered, be it Austrian or any kind of black metal. You can do so on our social media channels, or join us on discord, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Beenkerver - De Rode Weduwe
URL: https://blackmetalzine.com/review-beenkerver-de-rode-weduwe/
Last updated: 2026-07-15T18:30:45.000Z
*The church in flames, their God became a Goddess, So beautiful was she in her fierce rage*...
**Band:** Beenkerver
**Album:** De Rode Weduwe
**Genre:** Atmospheric Black Metal
**Country:** The Netherlands
## Introduction
A Dutch black metal band, Beenkerver, have been making a name for themselves in the metal scene with their intense, atmospheric music. Coming from the [Netherlands](https://blackmetalzine.com/playlists/country/dutch-black-metal/), a country rich in folklore and legend, they draw on these dark tales for inspiration and weave them into their sound.
And I sound like an old broken record, but I'm a bit of a sucker for history and folklore related lyrics and albums. So the band and its albums are off to a great start for me because it's solely based on Dutch folklore. Before we start with the album itself, I want to mention the artwork of the album, which is made by Bram Bruyneel. It looks like something out of an old fairy tale, and it is a perfect match for this concept album.
## Album breakdown
Beenkerver’s second full album is called *De Rode Widow*, which is Dutch for *The Red Widow*. This is a concept record that wraps itself around The Red Widow of Gelderland mythos. In it, we follow an unjustly accused woman who was executed only to return as a ghost dressed in red seeking revenge against those that wronged her. Such a story of unfairness and retribution echoes throughout the entire album and makes for a compelling and haunting journey.
---
#### Tracklist:
1. De Rode Weduwe
2. Breng Mij Haar Hoofd
3. Vel Over Been
4. Vergane Rozen
5. Haar Wraak Is Prachtig
6. Oktober
7. De Biecht Van Een Blinde
---
##### The Drumming on Track Three Deserves Special Mention
Track three, *Vel over been,* stands out on this album because it showcases some serious musicianship by Beenkerver. The drums are particularly impressive, they have complex patterns played hard and fast which give an unstoppable sense of momentum to the piece while being executed with precision timing. Equally, stunning are the vocals; from guttural growls to piercing screams, these different techniques express all the raw emotion behind what happened with The Red Widow.
##### Highlighting Track Five: Haar wraak is prachtig
*Haar wraak is prachtig*'s (Her revenge is beautiful) title alone should be enough to make anyone excited (for those that can read Dutch, that is). It's about the revenge Sophia (the red widow) got on the town. Below you'll find the translated lyrics of the track.
*The earth trembled, the sky turned blood-red*
*The houses collapsed, the whole village in distress*
*The church in flames, their God became a Goddess*
*So beautiful was she in her fierce rage*
*Soon everyone knew, Sophia's revenge was here*
*Full of regret and mourning for this woman's death*
*The bailiff watched as the village was destroyed*
*By forces, he did not know, an awe-inspiring end*
*Her vengeance was great, her fury broke house and hearth.*
*The sky tore open and spoke full of hatred*
*Her vengeance wonderful, a murderer succumbed*
*But the bailiff hid in cowardice and left the region.*
*Sophia's rage was not yet extinguished*
*Came from hell, too far to dream away*
*Her goal was revenge out of madness, pact with evil*
*Her own house in flames, the villagers banished*
*And so only the sheriff remained out of harm's way*
*He had fled as perpetrator, coward, rotten*
The lyrics, as you can see, are very well written and tell a great story. It also happens to be my personal favorite song. I think it tells such a great story through the music and the lyrics, which are a perfect match. And the story of revenge is something timeless and the myth about the Rode Weduwe sums it up perfectly, a wrongly accused woman has a lust for vengeance.
## Conclusion
In conclusion, *De Rode Widow* is a well put together album and then some. It’s not just a collection of songs but somewhat of a world on its own. It uses a known folklore story from The Netherlands and the band makes it their own.
This LP invites you into The Red Widow’s story where we can feel every ounce of pain or anger before finally sharing in her triumph too. So, after that's all said and done. Go listen to the album yourself and form your opinion, the only thing I can do is recommend you the album.
**BMZ rating: 7,5 out of 10**
**Support Beenkverver here:** [https://beenkerver.bandcamp.com/album/de-rode-weduwe](https://beenkerver.bandcamp.com/album/de-rode-weduwe?ref=blackmetalzine.com)
## Your thoughts on Beenkerver's latest album, *De Rode Weduw?*
Do you like it or hate it? You can share your opinion on our social media channels, or join us on discord, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Funeral Storm — Chthonic Invocations
URL: https://blackmetalzine.com/review-funeral-storm-chthonic-invocations/
Last updated: 2026-07-16T17:19:17.000Z
**Band:** Funeral Storm
**Album:** Chthonic Invocations
**Genre:** Black Metal
**Country:** Greece
**Label:** Hells Headbangers Records
**Released:** 10 May 2024
---
## Introduction
Funeral Storm, a Greek black metal band, released their sophomore album, *Chthonic Invocations*, today. Active since 2002, according to Metal Archives, the band's initial foray into the scene was a 2012 split record with Mortuus Sum, titled *Inverted God*. Their debut album, *Arcane Mysteries*, dropped in 2019—a release I unfortunately missed. Notably, the band features Stefan Necroabyssious from Varathron as their frontman and vocalist, a fact that adds a layer of anticipation for fans familiar with his work. The latter also goes for me. I've been listening to Varathron for many years now, and it's one of my favourite Greek black metal bands.
Greek black metal, a longstanding and integral pillar of the genre, is celebrated for its distinctive sound. Since it's been five years since Funeral Storm’s well-received debut, and *Chthonic Invocations* arrives with the promise of building on that foundation. But let's see if that promise holds true.
## About the Album
*Chthonic Invocations* delivers eight tracks, totaling 37 minutes of authentic Greek black metal. Here's a glance at the track list:
---
1. Whispers from the Beyond (Intro)
2. Behold the Dark
3. The Void
4. Funeral Pyre
5. The Epitaph of the Dead
6. The Covenant of Old
7. Mistress of the Night (The Gathering Begins)
8. The Calling of the Father
---
Expect a classic Greek black metal experience when you first spin this record. The album kicks off with an intro, *Whispers from the Beyond*, which crafts an ominous atmosphere with eerie whispers that, and that eerie feeling bleeds into the subsequent tracks. That eerie feeling that's what I like most about Greek black metal, for me, they are the masters of it. Perhaps it's the ancient Greek blood that ruins through their veins, but it works, that's for sure.
## Album Highlights
The third track, *The Void*, stands out with its guttural vocal onset and relentless, trance-like drumming—creating an immersive atmosphere. Fans of Varathron will recognize Stefan's distinctive voice, but his vigorous delivery adds a fresh dynamic that enhances the album’s appeal.
The album consistently offers atmospheric black metal tracks characterized by compelling riffs and powerful drums. The overall ambience is almost ritualistic, complemented fittingly by the album’s artwork.
## Conclusion
*Chthonic Invocations* is a solid recommendation for enthusiasts of Greek black metal seeking a straightforward, no-frills approach. The album boasts a well-crafted atmosphere and coherent structure. Looking ahead, one can only hope it won’t take another five years for Funeral Storm to release their next creation.
**BMZ rating: 7 out of 10**
You can listen to the album by clicking the video below, or you can support the artist by buying the album, which can be done via the Bandcamp link (below the video).
**Support the artist here:** [https://funeralstormgreece.bandcamp.com/album/chthonic-invocations](https://funeralstormgreece.bandcamp.com/album/chthonic-invocations?ref=blackmetalzine.com)
## Let's Talk about Funeral Storm
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/2E4KAYFa89?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Digging Deeper: Norway Pt.1
URL: https://blackmetalzine.com/digging-deeper-norway-pt-1/
Last updated: 2025-11-29T20:43:46.000Z
In this series, we have a look at some bands that necessarily do not get as much attention as they deserve. It will be based on particular countries, sub-genres, or scenes, and to make it easy for ourselves, we have chosen Norway to kick things off.
Norwegian black metal, we all know of the more famous bands, but the scene has a lot more gems to offer. Below you will find 5 bands we believe are worth your attention, so check them out and let us know what your impression is.
---
## Andakt:
One man project by Savarak, also of Raumer. Ritulistic, shamanic and satanic black metal. Bombastic and in your face, very excited for what is next for this project.
**Support Andakt here:** [https://andaktofficial.bandcamp.com/album/ritual-of-angzhar](https://andaktofficial.bandcamp.com/album/ritual-of-angzhar?ref=blackmetalzine.com)
---
## Ene:
Another one man project, but this music is stripped back more to the core. Drums, guitar, and bass. Think early Burzum. This is a great soundtrack accompanying your daily walk in the forest.
**Support ENE here:** [https://ene-norway.bandcamp.com/album/et-alter-av-forakt](https://ene-norway.bandcamp.com/album/et-alter-av-forakt?ref=blackmetalzine.com)
---
## Moor:
Forest metal from the west coast of Norway. Fast-paced and riff-packed.
**Support Moor here:** [https://www.youtube.com/@moorband999/videos](https://www.youtube.com/@moorband999/videos?ref=blackmetalzine.com)
---
## Feigd:
If you like any form of Sognametal (Windir, Vreid, Mistur etc.) then do yourself a favour and check out Feigd:
**Support Feigd here:** [https://www.youtube.com/channel/UC0OkJAHH8gcRq-vHhpkObUw](https://www.youtube.com/channel/UC0OkJAHH8gcRq-vHhpkObUw?ref=blackmetalzine.com)
---
## Myrholt:
Not to break the theme for this first article in the series, Myrholt is another one-man band. This one hailing from the northern part of Norway, simply called Norland. Myrholt clearly draws inspiration from his surroundings, and this makes for some great black metal, make sure to check out some of their albums!
**Support Myrholt here:**
---
## Thoughts on this new article series?
We know we missed a ton of bands, but more will come, but please tell us some of the hidden treasures you have discovered, be it Norwegian or any kind of black metal. You can do so on our social media channels, or join us on discord, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: ACOD — Versets Noir
URL: https://blackmetalzine.com/review-acod-versets-noir/
Last updated: 2026-07-15T18:30:47.000Z
*French powerhouse ACOD is back with a new album. We dove in and are ready to share our thoughts on it.*
**Band:** ACOD
**Album:** Versets Noir
**Genre:** Melodic Black/Death
**Country:** France
**Label:** Hammerheart Records
---
## Introduction
ACOD is a renowned band in the black/death metal scene that originated from France. They released their latest album, *Versets Noir,* so it's time to dive into the latest work of ACOD and see what they cooked up this time.
I first got to know them when they released *Fourth Reign over Opacities and Beyond*, which was their fifth record; this was even though they had started off their journey with *Point Zero* in 2009.
After their fifth album, I had some expectations when this album was announced to the world, so the question is: Were the expectations matched by the new release or not?
## Versets Noir
To answer that question, I can say yes, they were met by the production quality of *Versets Noir* because it is outstanding, just as the fifth album was. This album also has great sound engineering – each instrument can be heard clearly in the mix without losing anything or overpowering another part. The drum work deserves special recognition for providing a powerful rhythmic base for heavy guitar riffs and intense vocals.
What sets *Versets Noir* apart from other records is its atmospheric character, which can catch you off guard at any moment. This group knows how to create dark and immersive atmospheres very well indeed, and they do not disappoint with this album either: right from the beginning until the end, haunting melodies together with unrelenting riffs keep playing in your mind long after listening.
---
#### Tracklist:
1. Habentis Malefica
2. The Son Of A God (The Heir of Divine Blood)
3. A Thousand Lives In A Second
4. May This World Burn
5. Black Trip (Samael cover)
---
*A Thousand Lives, In A Second* third song on *Versets Noir,* shines bright among others – here we see what happens when different things get mixed by one band like ours! The drumming section especially stands out because of complex beats used throughout the track duration; however, everything flows nicely into another part, making the whole song sound coherent while the vocals mix very well with it. It's a great song overall.
Track number five, called *Black Trip*, is actually a cover version originally performed by Swiss act Samael but reworked into their style. ACOD definitely knows how to adapt someone else’s material so that it fits perfectly within a given context. Here they have managed to retain its core essence and added some fresh elements which make it their song.
## Conclusion
To sum everything up, Versets Noir should be considered as an integral part of their discography, it's a continuation of their previous work, and it's a great foundation for more to come. Whether you’ve been following this group for years or just got introduced to them today; do yourself a favor and take a listen.
I enjoyed the album and can't wait to what they have in store for us in the coming years. You can listen to the full album by clicking on the video below, when you do let us know on our channels what you think of the album.
**BMZ Rating: 7,5/10**
**Support ACOD here:** [https://acod.bandcamp.com/album/versets-noirs](https://acod.bandcamp.com/album/versets-noirs?ref=blackmetalzine.com)
## Your thoughts on this album
Do you like it or hate it? You can share your opinion on our social media channels, or join us on discord, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Interview: Labyrinthus Stellarum
URL: https://blackmetalzine.com/interview-labyrinthus-stellarum/
Last updated: 2026-07-15T18:30:47.000Z
*On the 6th of April this year, Labyrinthus Stellarum released their second album, Vortex of the Worlds, we wrote a* [*review*](https://blackmetalzine.com/review-labyrinthus-stellarum-vortex-of-the-worlds/) *about this great album. Now it's time to ask the gentlemen from Labyrinthus Stellarum some questions. So sit back and enjoy the read.*
Finding our way through the cosmic maze:
##### Firstly, thank you for the opportunity for this interview. Can you introduce yourself and the band to the audience?
We are a cosmic black metal band from Odesa, southern Ukraine. Our band was formed in 2021 by Alex Andronati and his friend Oleksandr Kostetskyi. Later in 2022, the band was joined by Alex's brother, Misha Andronati. The first album, *Tales of the Void,* was released on the 24th of March 2023.
##### You released the first album in 2023, which was well received, did any of you had previous band experience?
None of us had any previous band experience. Moreover, the band Labyrinthus Stellarum initially was just an experiment. We wanted to release music for the first time, and we were really impressed by the community response on the album.
##### 2024 a new year, and a new album released, can you tell us something about the creative process?
The process of creating our new album was different from the way we created the first album. In a band, the responsibilities are strictly divided: Alex writes all the music, lyrics and records vocals, Misha records the guitar and does the mixing and mastering.
##### The reason I like the album is the heavy space/cosmic influences, any reason why the band chose that style?
Since childhood, we have both loved sci-fi: films, books, games, and TV series about space and extraterrestrial creatures. But the first impetus that pushed us to this theme was that we stumbled upon an old drawing by Alex Andronati, which later became the cover art of *Tales of the Void*.
##### Are there other bands or genres that influenced you?
When we were writing and recording our first album we were influenced by bands like *Lustre, Eldamar, Mesarthim*, *Windveill*. However, the situation with our second album, *Vortex of the Worlds* was different. We wanted to create something new, something unique. Regarding the sound of the album, we tried to make it heavier and more diverse than *Tales of the Void*, while not losing atmosphere and melodic elements.
In addition, the album is more dynamic and saturated. The album contains many experiments with sound and elements of electronic music. For example, the album opens with a synth that is based on a sample of the vocalist's voice, the song From the Nothingness uses a cowbell as one of the synths, and the chorus of Downfall uses a vocoder.
##### The band is from Ukraine, due to its difficult situation currently, how hard is it to make a new album under these circumstances?
Due to the War in Ukraine, Misha Andronati moved to Germany and is currently living there. That's why it was much more difficult to write the second album. Which is the least problem compared with what is going on right now in Ukraine. The best way anyone can help us is to support Ukraine to win this war (donations, spreading the information, etc.) That is very important.
##### There have been some changes in the lineup, can you tell us more about that?
Oleksandr Kostetskyi left the band a couple of months after the release of *Tales of the Void*. The second album was written without him. Currently, there are two lineups: studio lineup that consists of Andronati brothers, Alex and Misha. And the live lineup that consists of vocalist Alex Andronati, bassist Kirill Kurtev who is also the creator of gore grind project *Shit Rotator*, guitarist Vladyslav Kyndiuk and drummer Dmytro Bokhan who also plays drums in Cheshires. Moreover, Dmytro helped us with drum programming for the album *Vortex of the Worlds*.
##### Are there any plans for a tour? And with which bands would you like to tour?
Currently, we don't see any possibilities to tour outside of Ukraine due to the martial law. Although, we're planning a tour in Ukraine supporting the new album in summer. We think that it would be really cool to tour with bands like *Darkspace* or *Mesarthim* because the concerts would have a special cosmic atmosphere.
##### One of the questions we asked the band is their vision of the black metal scene in their home country, so can you tell us a bit about the scene in Ukraine.
We are proud of the black metal scene in Ukraine, there are plenty of bands that are not only known in our country, but also are popular around the world.
##### Is there anything you want to add?
Currently, we are working on our third album and already have a couple of 90%-ready songs. We hope that it will be released next year.
---
*We would like to thank the gentlemen from Labyrinthus Stellarum for the interview, you can list their latest album by clicking the YouTube video below*
## Your thoughts on their latest album
Did or didn't you like their latest album? share it with us on our social media channels, or join us on [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Walg — IV
URL: https://blackmetalzine.com/review-walg-iv/
Last updated: 2026-07-15T18:30:48.000Z
*The Stephen King of Dutch black metal is back, Walg released their fourth album, and we opened that 'book' and dove right in.*
**Band:** Walg
**Album:** IV
**Genre:** Atmospheric Black Metal
**Country:** The Netherlands
**Released:** 24th of April 2024
## Introduction
Walg, the [Dutch ](https://blackmetalzine.com/playlists/country/dutch-black-metal/)black metal duo, is back with a new album. These guys are the Stephen King of Dutch Black Metal. And why that's the case? Because they have released an album every year since 2021 and all of them have been good, some better than others, but overall all good. And that's the same (for me at least) as with Stephen King; many books, some better than others, but not a single bad one ever released.
So it's the year 2024 and as a Swiss clock work the gents are back with a new album. The first three albums are titled I, II, III, so it's not difficult to guess the name of the new album. It's of course IV.The duo it hasn't changed and also for this album Robert K, and Yorick K have worked their magic, so let's see what this new album brings us.
## IV
So, a new album, and what does it bring us this time? Well, it's a continuation of the previous albums, it bares the same sound (profile) as their previous albums, so when you put this album on, and you sit down for a listen, you know what you are getting. Is that a bad thing? No, of course not because what they do, they do very well and the album is made with dedication and love.
For those that know the band and have listened to the previous albums, this section won't be for you since you know what you will be getting. But for the readers that don't know Walg and this is their first introduction to them, what can you expect? The album from start to finish oozes atmosphere, the use of clean vocals mix very well with the harsher vocals. But the use of effects also helps to elevate the album.
---
#### Tracklist:
1. Radeloos
2. Vuurdoop
3. Wanneer het glas breekt
4. Als een korrel zand
5. Kringloop van zelfhaat
6. Geen einde in zicht
7. Ongezien
8. Foltering
9. Speel met mij
10. Schijnsel van de ziel
---
Take the fourth song, *Als een korrel zand* (which translates to as a grain of sand). The intro of the song starts off with some folk(ish) tunes and then the harsh vocals kick in, which binds it together. Then the speed picks up, but you can still hear a hint of that folk undertone. The same goes also for the sixth track *Geen einde in zicht (no end in sight)* which is one of my favorite tracks on the album, it just has everything, great atmosphere, awesome vocals and pummeling drums. It's just a great song all around.
## Conclusion
As said as in the intro, Walg haven't produced a bad album so far, some are better than the others. In the review of *III,* I said; *It’s impressive nonetheless that Walg produced 3 of these albums in a short amount of time and still made it so that the new album is better than the last one.* Is that line still going up? For me, it hasn't since it's more of a continuation of the third album. But overall, it's a great album and I enjoyed it!
So for fans of atmospheric / melodic black metal, go give this album a try when it's out. I'm pretty sure you won't be disappointed.
BMZ Rating: 8 out of 10
**Support Walg here:** [https://walg.bandcamp.com/album/iv](https://walg.bandcamp.com/album/iv?ref=blackmetalzine.com)
## Thoughts on IV by Walg?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on discord, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Review: Labyrinthus Stellarum - Vortex of the Worlds
URL: https://blackmetalzine.com/review-labyrinthus-stellarum-vortex-of-the-worlds/
Last updated: 2026-07-15T18:30:49.000Z
**Band:** Labyrinthus Stellarum
**Album:** Vortex of the Worlds
**Genre:** Atmospheric Black Metal
**Country:** Ukraine
**Released:** 6th of April 2024
---
*From the moment you put this on, it gives you a feeling of being in the vastness of space, it's haunting but also beautiful at the same time.*
## Introduction
Old line-up with Alexander
Labyrinthus Stellarum is a relative new black metal band that emerged out of Ukraine. Their debut album Tales of the Void gained a lot of traction and is one of my favorite albums of 2023.
The band consists of three members, which have changed a bit since the first album. For their second full length, the band consists of the brothers *Alex* and *Misha Andronati* and *Dmytro Bokhan*. On the first album, guitars were recorded by Alexander Kostetskyi and Misha Andronati. Vocals, arrangements and drum programming was made by Alex Andronati. On the second album guitars were recorded by Misha Andronati only and drum programming was made by Alex Andronati and Dmytro Bokhan. Alex Andronati was also responsible for composing the music for both albums. So a small change in the lineup, let's see what changes it brings to the album *Vortex of the Worlds*.
## Space Black Metal
The previous album Tales of the Void oozed of the Cosmos and all things outer space related and this is also the case on the new album. From the moment you put this on, it gives you a feeling of being in the vastness of space, it's haunting but also beautiful at the same time.
I always liked the idea behind black metal with a space ambiance, and that started with the album *Nexus Polaris* by *Covenant*. It's been 28 years since they released that album, but I still remember the feeling it gave me when listening to it for the first time. That feeling returned when listening to *Tales of the Void,* *Labyrinthus's* first album. That feeling is still around because this output has much of the same feel and style as their debut. That certainly does not mean the album is worse or bad, don't get me wrong, it's more a sense of the same great ambiance and soundscape that you are already familiar with it.
I could go on and on about the sound of the band and the feeling it gives me, but it's something you need to experience for yourself. The album consists of 6 new tracks with a runtime of 36 minutes.
---
#### Tracklist:
1. Transcendence
2. Downfall
3. Interstellar Wandering
4. From the Nothingness
5. The Light of Dying Worlds
6. Vortex of the Worlds
---
The track *The Light of Dying Worlds* is one of the tracks that gives a great impression of the band and the new album. The opening of the song feels like you are in space and part of a great adventure. The drums (programmed, but done right) keeps on pummeling and makes for an ominous feeling. I could go on and on about the album and its tracks, but ultimately, you have to listen to the new album yourself and just experience it.
## Conclusion
So, is the new album an improvement over the first album? For me, it's a big yes it is, you can tell the band is further etching out their sound, and it shows they have matured on their second album. It's a stellar composition overall, and I'm eagerly awaiting a CD release of this masterpiece (and for those that collect them, a vinyl release).
BMZ Rating: 9 out of 10
---
**Support the band here:** [https://labyrinthusstellarum.bandcamp.com/album/vortex-of-the-worlds](https://labyrinthusstellarum.bandcamp.com/album/vortex-of-the-worlds?ref=blackmetalzine.com)
## Your Thoughts On This Album?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on discord, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### From The Vault: Celtic Frost - To Mega Therion
URL: https://blackmetalzine.com/from-the-vault-celtic-frost-to-mega-therion/
Last updated: 2026-07-16T17:19:18.000Z
*Celtic Frost evokes pulp monsters and Gothic landscapes without sacrificing compositional structure on this classic album.*
## Introduction
Looking at this album, you are greeted with the gaze of a horned creature using Jesus Christ as a slingshot. This is Satan I by the legendary Swiss artist H.R. Giger, known for his mix of surrealism, eroticism, and horror. Arguably one of the most influential visual artists of the 20th century, Giger reached his peak in relevance after designing the Xenomorph for Alien, but he also has a long history of collaborating with music artists. The story goes that Tom Warrior and Martin Ain were fans of Giger’s Necronomicon book, a collection of his art published in 1977, and treated it like their personal Bible. They fell in love with Satan I and wrote a letter to Giger, asking if they could use it. Giger agreed to give the painting to the band for free on the condition that they also include his unpublished art piece Victory III. In retrospect, it’s hard to imagine a more fitting cover art for this album than Satan I.
Victory III by H.R. Giger
The title To Mega Therion is another reference to Satan, meaning “the Great Beast” in Greek. The term is coined by occultist Aleister Crowley, founder of the Thelemic religion, who proclaimed himself the great Beast after taking part in a ritual while high off his mind. In Greek isopsephy, To Mega Therion translates to 666\. The beast is said to emerge from the sea, marking the coming of the apocalypse according to the Book of Revelation. To Mega Therion is littered with references to the Armageddon and Satan, but they are often more subtle than on many subsequent black metal releases, where the satanism can get downright comical.
The Beast of the Sea by Jean Bondol from Tapestry of the Apocalypse
Categorizing this album has always been a challenge. To start off, is this album even black metal? Does it matter? There are elements of thrash, doom, even death metal, and yes, black metal too. The impact of this album can be felt in Morbid Angel and Darkthrone, in Godflesh and Type O Negative. What can't be denied is that this album has its place in the extreme metal canon.
When talking about the historical impact, it's important to know the context of this album. And not just the musical context, but the geographical: while the US was entering an era of relative metal mainstream relevance and the Florida death metal scene was in its infancy, European metal ecosystem was still mostly focused on heavy metal and speed metal. This was the case in Switzerland too when Celtic Frost’s story began with Hellhammer, founded in 1982\. The band immediately established their own unique style of minimalist and noisy metal on demos like Satanic Rites (1983). The band changed name and line-ups and by the time it was recording To Mega Therion, the number of Swiss metal bands had grown at least three-fold according to Metal Archives: there was Coroner playing technical thrash, Excruciation with a mix of thrash and proto-death, and the death metal group Messiah who I recommend checking out as well. Elsewhere in Europe you had Bathory and the Teutonic wave of thrash metal (which many include in the conversation for the first extreme metal bands, but in my humble opinion, even Bathory was playing a variation of speed metal until finding its own style on 1985’s Return of Darkness and Evil). But nothing really sounded like Celtic Frost.
While the rest of the metal world was moving towards faster guitars and lower octaves, Celtic Frost took a left turn: they stripped down their instrumentals, particularly the drumming, and turned down their tempo. While Celtic Frost/Hellhammer had never exactly been a speed beast, their debut Morbid Tales still had plenty of Motörhead-esque fast paced parts, for example on Into the Crypts of Rays and Nocturnal Fear. And while I love this side of the band too, it’s clear to me that Celtic Frost’s strength doesn’t lie in the speed and technicality – there were already bands who could beat them in those fields – but rather in their command of melody and tonality. Thanks to that realization, To Mega Therion sees a band fine-tune their craft by focusing on their competitive advantage. The end-product is a mature record that can stand on its own even outside the historical context.
## Tonality and riff structure
Let it be noted that the specific note selection isn’t exactly important to understand, as these songs probably came about as outbursts of unpolished creativity, not as conscious exercises in music theory. But it’s worth looking at it briefly to see how different the band was from its contemporaries and in a technical sense, what exactly gave the riffs their unique, dark sound (rather than just calling something “dark”, since that can mean anything in music).
Celtic Frost writes a riff by establishing a tonality and then immediately escaping it with a variation (this riff style can later be found all over Burzum’s debut among others). It’s expectation and subversion in the same sentence. Great example of this is the second riff of The Usurper, where the band plays a simple 1-2-1-3 power chord sequence, but the 2-chord is moved up a semitone on the second repeat, establishing a mood of uncertainty. Unlike their contemporaries who still may have used chromaticism in the form of bluesy licks or descending bridges (think For Whom The Bell Tolls), Celtic Frost stresses the variated notes with phrasing, letting them ring at the end of a note sequence and occupy an equal place with the consonant notes. Here the slower tempo allows the listener to focus on the ugliness and weirdness of the melodies. Furthermore, while the music is dissonant, there are clear tonal centres where the riffs are allowed to resolve. This is vital for keeping the songs memorable and not too jarring. In terms of pure dissonance, I don’t think any metal band reached the level that Celtic Frost was at until the Tampa scene really took off in the late 80s. In addition to the familial minor seconds and tritones, which were already common in Bay area thrash, Warrior uses major scale notes to add to the alienness of the music. This happens from example at 0:48 and 1:48 in The Usurper when Warrior raises the root from E to F#, and at 0:43 in Jewel Throne. Major notes were rare in speed metal that used minor blues as its tonal backbone but would become more and more common in dissonant metal later with bands like Immolation.
The fourth song, Dawn of Meddigo is the high point of the album, with its linear structure and epic atmosphere. Right from the opening this song stands out with a melody that climbs and descends simultaneously. This is probably the most prophetic song for the black metal genre due to its open notes that creep in the air, hinting at the coming second wave of black metal. The song continues with another expectation-subversion riff as I called them earlier, establishing verse and chorus, until it climaxes with a doomy horn section using a melody so weird that you won’t hear anything similar anywhere else (in case you’re interested, the melody goes F#---A-Bb-G-G#---- and the reason it works, I believe, is that the G-note should resolve back down to F#, but as it’s a semitone apart from G#, it can naturally resolve up as well, again borrowing from a major scale – I promise that’s enough theory for one review). The song then transitions into a headbanging, almost NWOBHM style riff. Around the four-minute mark the intro riff returns, which I appreciate, and the song finishes with the repetition of the verse and chorus.
The rest of the songs mostly follows these techniques and tonal rules. The band employs a variety of standard techniques like mid-paced chugging and galloping as well as some tremolo picked power chords reminiscent of Discharge to present bruting, chromatic melodies. There are doomier parts like on Circle of the Tyrants – the electric guitar hadn’t sounded this heavy since Tony Iommi - and some thrash metal such as the second half of Jewel Throne. There’s also the ambient song Tears in a Prophet's Dream, which adds to the atmosphere and offers a breathing stop before the closing track, Necromantical Screams, which sees the band put all their tricks into one epic six-minute song. The riff style is quite monolithic throughout the album, and if you're not paying attention to the tonal nuance, it's easy to miss out on what makes them interesting. Guitar solos mostly stick to a Kerry King -style noisy shredding to create a contrast with the otherwise murky but precisely played instrumentals.
## Nature of Man
*"Part god, part man, if I walked by their side."*
(Beyond the) North Winds
The nature of man has always kept philosophers occupied. Mythology is filled with half-man, half-animal hybrids and demigods. According to Aristotle, a man who resides outside the comfort of social structures is either a beast or a God. It is widely agreed that metal music marks a rejection of the social (universally appealing metal doesn’t truly exist) and embraces the liberation of the aristocratic individual through strength and conviction. In metal henceforth, man is both a beast and a God.
Modernism has added a third pillar to this building: the machine. There is the Maschinenmensch of Metropolis, Terminator (1984) and the replicant of Blade Runner (1982). Humanity is losing its essence to a new opponent, but this time not to the wild and untamed beast of nature, but the cold and logical structure of technology.
Celtic Frost is entertained by this trinity at least on a subconscious level. The intro to their debut LP Morbid Tales, aptly titled Human, consists of bestial screams, distorted by audio technology. On their comeback album Monotheist there is a song titled A Dying God Coming into Human Flesh. On To Mega Therion, as in Gieger’s art, these three forces collide to create a picture of dystopian humanity: a mix of occult lyricism and triumphant orchestration, of animalistic riffing and grunting, backed by the metallic sound of the electric guitars and occasional industrial noise.
Vocally, Tom Warrior can preach with the conviction of an end-times' prophet and roar with the fury of a primal animal. He mixes Sturm and Drang dramatism and punk nihilism while guiding the listener through the fantasy wasteland of the album. The lyrics paint picture of a dystopian, war-torn land under a dying sun where humans, titans and gods battle for the right to rule over their despotic realm. Aesthetically they seem almost close to NWOBHM lyrics, only there are no heroes or honour. Rather than glory, battles lead to massacre and burning bodies, necessary sacrifices on the way to power, only deemed pointless once another conqueror inevitably arises to overthrow the previous one. The lyrics have certainly aged better than many extreme metal lyrics from this time, being neither too edgy nor cheesy. Humanity’s soul and whether it is worth redeeming remains the central question.
## Conclusion
After 40 years, I genuinely think this is still one of the heaviest pieces of music ever made, and it doesn't achieve this heaviness with aesthetics, gimmicks, shock-value or dead-end maximalism (more noise, more speed, more notes, ever lower octaves; it’s amazing to realise that the whole album is in standard tuning) but rather with an authentic feeling of doom and nihilism. To me this album, together with Hell Awaits, is solidified as the foundation of not just black but death metal too.
Perhaps the only real downside of the album is that it can get overwhelming with its doom and gloom - and I would argue that only speaks to the success of the music. The band already achieves its goal with just the first couple of songs - the rest of the 40 minutes is simply enhancing and deepening the experience. To Mega Therion predicts the coming decade of gothic and extreme metal while carrying a sound that holds up after dozens of replications.
BMZ rating: 10/10
## Your Thoughts On This Classic?
If you haven’t listened to this classic already, make sure to do and then please feel free to share your opinion. Is it even black metal, where do you rank it among the classiss? You can discuss it all with us on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we share and talk abot all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Inferno Metal Festival: Setting Easter Ablaze!
URL: https://blackmetalzine.com/inferno-metal-festival-setting-easter-ablaze/
Last updated: 2026-07-16T17:16:18.000Z
*We stuffed KingGorthaur's pockets full of beer vouchers and sent him on an airplane across the country to report back from what happened during easter in our capitol of Oslo...*
#### An introduction:
The world famous Inferno Metal Festival is located in the very heart of Oslo, the capital of the black metal country, Norway! Every year when the residents of Oslo flee the city to the mountains for the easter holiday, dark clothed metalheads arrive in masses through the city's bricklayed streets.
These metalheads have gotten a nickname by Norwegian media, "blackpackers". The name was given because of Oslo's and Norway's rich history and influence on the metal scene, and specificly the black metal ganre that these metalheads have come to experience.
"The Corpsepaint guy"
Oslo and it's local areas are breeding grounds of bands such as [Darkthrone](https://www.metal-archives.com/bands/Darkthrone/146?ref=blackmetalzine.com), [Mayhem](https://www.metal-archives.com/bands/Mayhem/67?ref=blackmetalzine.com), [1349](https://www.metal-archives.com/bands/1349/5575?ref=blackmetalzine.com), [Tsjuder](https://www.metal-archives.com/bands/Tsjuder/1379?ref=blackmetalzine.com), and [Svarttjern](https://www.metal-archives.com/bands/Svarttjern/96784?ref=blackmetalzine.com) to name a few.
The Inferno Metal Festival brings alot to the table for the fans of the extreme scene, as the festival organize guided bus tours to historical locations such as Euronymous's apartment, the record store Helvete, and a trip to Holmenkollen Kapell. The latter has been rebuilt on top of the ashes that was left after it was burnt down in 1992, of which Varg Vikernes later was convicted. The guided bus tour is hosted by the local Anders Odden, frontman of Norway's first death metal band *Cadaver* and involved in black metal bands such as *Satyricon* and *Order*.
With the festivals great reputation and great bands on the lineup, I applied for and was granted a press/photo pass. So I packed my camera, dug up the battlewest from my yard and staked the course to Oslo!
## The venues:
The concerts at Inferno are held at the Rockefeller Music Hall and in the associated venue called John Dee. Both venues are in the same building and Rockefeller as the main stage has a mesmerizing 3 levels that the audience can enjoy their favourite bands from. Rockefeller was first opened in 1986 and has been a essential venue for rockers in Oslo since.
All 3 levels of Rockefeller has it's own bar, and if my counting was correct this venue alone had a total of 6 bars, which is great for beer thirsty metalheads! Throughout the 4 day festival I didn't have to wait longer than a minute in total in the bar queues.
The other, smaller venue is called John Dee and it's located in the basement of Rockefeller. There is a small flight of stairs from Rockefeller to get to the John Dee venue. The stage there is quite a bit smaller than the main stage in Rockefeller and the room has signifacnt less audience capacity, but it wasn't much of a problem for most bands.
The only issue was when very popular bands such as *Crypta* and *Cattle Decapitaion* were performing. The venue was then at max capasity and security wouldn't let more people in. So if there's a popular band you would like to catch, make sure to go down and secure a spot a bit beforehand!
#### Day concerts:
For festival goers who purchase the 4 day festival pass, there are so called *day concerts*. These concerts are spread around on local venues and bars. The concerts started around 14:00 and 15:00 every day, but as a tired festival photographer I only managed to drag my ass to one of these shows. These concerts also have tickets at the door available for those who do not have a full festival pass.
I went to see *Automaton* at the bar called Brewgata. It was a tiny stage in front of the bar alongside the enterance. I think around 100 people managed to squeeze in together to enjoy the Greek's stoner doom. I actually went because I thought the local high energy band *Autonomie* was going to play, but how wrong was I. Instead of *Autonomie*'s thrashy metal I was served slow and atmospheric doom. Although I was expecting something entirely different due to the bands similar names, I was still able to enjoy myself.
There was a ton of other great bands I wanted to watch at the day concerts but because of my personal schedule I only went to see this one show. Some of the other bands performing the day concerts included: *Signs of the Swarm, 200 Stab Wounds, Forcefed Horsehead, Visegard, Dwaal* and *Zustand Null*, to name some.
#### Some of this years Highlights:
There were a ton of bands I really enjoy on this years lineup, and some that I dont care too much about. But down below are my thoughts of some of the black metal bands that played this years festival!
##### Misthyrming:
D.G.
First of all, *Misthyrming* is a band close to my black heart. Ever since the debut [Söngvar elds og óreiðu](https://www.metal-archives.com/albums/Mis%C3%BEyrming/S%C3%B6ngvar%5Felds%5Fog%5F%C3%B3rei%C3%B0u/489952?ref=blackmetalzine.com) was released, I've been a fan. I was able to watch them live once before on a much smaller venue at the Karmøygeddon Metal Festival and loved it. So seeing them opening on the big stage at Rockefeller for the last day of the festival was lovely. *Misthyrming* came on stage with great energy. Their makeup made them look like they came straight from a coal mine to ignite the new day for us at Inferno.
Their beautiful melodic guitar riffs sounded really nice in the venue, something a few other bands sometime struggle with delivering in a live setting.
Comparing the two times I've seen them live, I think its safe to say that *Misthyrming* does deserve their spot on the big stage. However I feel like their music translates alot better in the small and more personal venues where the whole room gets swept away by *D.G*'s energetic black metal fury.
##### Carpathian Forest:
*Carpathian Forest* was a first time experience for me. The stage was decorated in Norwegian flags, and creepy long-nosed masks were hanging around the set. *Nattefrost*, the frontman and vocalist of *Carpathian Forest* has had some rough years with health issues. Despite his history, his vocals were still strong and grim. The band had disturbing pictures rotating on the background screen including photos of *Nattefrost* on the hospital bed, filled with medical tubes.
*Nattefrost and son performing All My Friends Are Dead*
*Nattefrost* also brought his son up on stage to perform a cover of the legendary *All My Friends Are Dead* song by Norwegian punk rock band *Turbonegro*. This was a tribute to late *Hank Von Hell* who was the frontman of mentioned band.
My first live experience of *Carpathian Forest* was great, the tip of their spikes may have started to rust a little but the pointy edge is still sharp!
---
##### Vorga:
*Vorga* is a up and coming black metal band from Germany that I recently got recomended by some members of the Black Metal Promotion community. I quite liked their first full-length album [*Striving Toward Oblivion*](https://www.metal-archives.com/albums/Vorga/Striving%5FToward%5FOblivion/991064?ref=blackmetalzine.com) that was released in early 2022 and was curious to see them live.
*Vorga* is a science fiction inspired black metal band and its members use a different style of cropse-paint. Corpse paint is not even a fitting description, as their makeup is more black than white and very Star Wars-y. Anyways... *Vorga* was set to play the small stage at John Dee, and the the masses of Inferno quickly filled the room.
A big red neon pentagram with a brass deer skull was popping out on the stage when I turned the corner down to the venue. The makeup of the members lit up in the neon light and created a stunning sceanery as their cosmic riffs howled through the room. Their live sound was loud and clear, and their energy and stage presence was refreshing. *Vorga* is definently a band I would like to see again on stage.
Vorga, pentagram and skull
##### Nordjevel:
*Nordjevel* was possibly the band I was most excited for at this years Inferno. I've been a loyal listener ever since I heard their first album, the self-titled [*Nordjevel* ](https://www.metal-archives.com/albums/Nordjevel/Nordjevel/556432?ref=blackmetalzine.com)from 2016\. This was my first time seeing them live and I had high hopes! I've seen stunning concert photography from their previous concerts and was hoping for no less this time.
*Nordjevel* was playing the main stage in Rockefeller on the festivals first day, at 19:30\. Corpse painted Norwegians took to the stage to deliver their black tunes. It was not hard to tell that *Nordjevel* knew their audience, their setlist was hard and fierce. Ripping riffs, cold growls and thundering blast beats dictated every metalheads head movement while the flames came shooting of the stage.
Pyro is something I dearly love, and a thing I expected from *Nordjevel*. Especially at a festival with the name Inferno. However, comparing the stage setup with the likes of Midgardsblot Festival last year, *Nordjevel*'s Inferno setup could not compare. That is one of the negative sides of a in-doors festival, we would'nt want Rockefeller to end up like Holmenkollen chapel or Fantoft after all.
Doedsadmiral of Nordjevel in flames
##### Tilintetgjort:
*Tilintetgjort* is a band I discovered through Black Metal Promotion aswell, the album cover of the [*In Death I Shall Arise*](https://www.metal-archives.com/albums/Tilintetgjort/In%5FDeath%5FI%5FShall%5FArise/1111906?ref=blackmetalzine.com) release along with their name translates to *obliterated* is what first caught my eye. I spun the album and was totaly caught up in their music. The avant garde, experimental black metal release was one I really liked and ended up writing [a review for.](https://blackmetalzine.com/tilintetgjort-album-review/)
So naturally, when I saw they got announced for the festival, I was stoked!
*Tilintetgjort* played the small venue downstairs and filled the room with eager black metallers. The vocalist *Svik* (Norwegian for betrayal) came on stage dressed in a robe, reminiscent of an omnious munk. The other band members wearing corpsepaint, stood firm on the stage, gazing out onto the audience.
Svik of Tilintetgjort
I quickly noticed that these musicians knew how to perform as *Svik* was constantly moving around and throwing his hands in the air while growling out to the venue. Their riffs were as distinct sounding live as on their recorded output, much to my appreciation!
The audience also seemed to enjoy themselves as much as I did, serving as evidence to the band that they truly delivered the goods tonight.
---
## What makes Inferno stand out? Pros and cons:
It can be difficult deciding what festivals to attend when there are literal tons of metal festivals in this world, and many in Norway alone to chose from. So I will try my best to point out the details and info about Inferno that might make the choice easier for you.
##### The most important first; the bands:
Inferno's band portfolio usualy consists of bands within the extreme side of the spectrum. The genres black metal and death metal being the most dominant on the festival flyers. Genres like doom, thrash and folk is also present at the festival but in fewer numbers.
This year, doom bands like *Automaton*, *Konvent* and *Candlemass* played great concerts. We were also treated with folk band *Finntrol*l this year. And for the misfits of the festival poster, we got the side project of *Behemoth* frontman *Nergal*, *Me and That Man*. The atmospheric cello was also played by talented *Jo Quail* at her concert in John Dee. The God of Hellfire, Arthur Brown and his carnival were also performing!
##### Some Inferno headliners from the previous 3 years:
*Kampfar, Taake, Dimmu Borgir, Gorgoroth* (step in for *At the Gates*), *Emperor, Abbath, Watain, Amorphis, Triumph of Death, Venom,* and *Mayhem!*
The band schedule is almost perfection at Inferno. There might be some overlapping of the bands, but there are never two bands playing at the exact same time. There is a 45 minute time between the bands, so in theory if the bands play 40 minute sets, you have 5 minutes to grab a beer and get ready in the next venue.
I did however not take that chance to wait for the last song with most bands, as I wanted to get in place before the next bands started, ahead of the big masses moving across the venues.
##### The accomodation:
With Inferno always beeing held during the Norwegian easter holidays, there are several options available through renting via Airbnb and other sites. This is because as I mentioned earlier, most locals has vaccated the city, seeking refuge in the mountains, enjoying soaking up the easter sun while skiing.
**Clarion Hotel, The Hub:** The official festival hotel is the Hub. Special deals are given to attending metalheads at the hotel if you order before a certain date in wait for the festival, usualy around 1 month. A choice I went with for my stay. The hotel beeing only a 5 minute walk at max from the venue is a huge plus side of staying there. But the hotel also has something airbnb's usualy don't offer; a lovely fucking breakfast! The best friend for hungover metalheads is the lavish trays of food to pick from at the hotel restaurant in the early hours before things kicks off again in the afternoon.
This all sounds great, but is it all running as a well oiled machine at the hotel?
One major con for me was the late check-in; there are no check-in available before 15:00\. As I arrived in Oslo thursday morning at 11 am, I was hoping to check in earlier and get a power nap in before the concerts started, however when first band *Vomit Forth* played in the bar Goldie, I was still sitting in the hotel lobby awaiting access to my room.
Now, the hotel does have an option to leave your luggage in a storage until your room is available. You can then go and enjoy live music and check in later in the day, but who wants to break away from the festival during the shows to do that?
The other con is the prices in the Hub bar... It has to be mentioned that I require gluten free beverages due to celiac disease, and the only beer option with this in mind was a 0,33 liter local beer to the price of 170 NOK. That's equivalent to 16 dollars or 14,5 euro!
Atleast I could enjoy my expensive beer while artists like *Nergal, Attila* and *Konvent* roaming around the lobby!
##### The Inferno Music Conference:
This so another event held at the hotel. If you haven't heard of the conference before, in short it's the largest gathering for people who share metal music as their work and livelihood. At this conference people associated with magazines, writers, journalists and other festival arrangers can come and connect with eachother. The conference also hosts talks where the partaking speakers talk about their heartfelt subjects.
Some of this years speakers included Dayal Patterson (Cult Never Dies) and Harald Fossberg doing "Black metal in writing", as they are authors of several books on the topic.
"Podcasts Killed the Radiostar" was another theme on the program with the speakers Shayan (Trivax, Ibli Manifestasions podcast), father and son of the youtube channel A&P reacts, Pedro and Antonio Almedia, Frank Godla (Metal Injection) and Jackie Smith (Into the Necrosphere).
Read more about the Inferno Music Conference: [Here!](https://www.infernomusicconference.com/?ref=blackmetalzine.com)
##### Inferno Art and Ink:
For all days of the festivals there was a big room in the first floor of the hotel decorated with the artworks of a few selected artists. A few random names for you to get an idea of them are Kim Diaz Holm, Martin Mentzoni, Trine Grimm, and Zbigniew M.Bielak.
For you guys who like to lay under the needle, there were several great tattoo artists who had a whole section of Rockefeller set up to do ink! Artists such as the Morbid Impaler couple, Carmen PG (Blekk N Roll), Sefi Blood, and Carlos Black Shadows was some of my lucky mentions there.
More info of artists and pictures of their work can be found at their official Instagram account: [Here!](https://www.instagram.com/infernoartandtattoos/?ref=blackmetalzine.com)
Art and Ink website links can be found here: [Inferno Art ](https://www.infernomusicconference.com/art-exhibition?ref=blackmetalzine.com) [Inferno Tattoo](https://www.infernomusicconference.com/tattoo?ref=blackmetalzine.com)
## Gallery:
**\[robo-gallery id="14298"\]**
## In conclusion:
To wrap up this review I would conclude that Inferno does live somewhat up to the rumours and hype that swirls around it. Four days and nights, fully endulged in metal from the accomodation, music and most importantly the amazing metalheads. I say amazing, because I truly mean it.
The only things dragging the experience down ever so slightly is that it's taking place during the easter holiday, meaning stores and food options are scarce, making the few options available, and the festival as a whole, more expensive.
I traveled by myself for this festival and didn't know what to expect. But when I was returning home, I felt enriched by new friendships, be it the security guard who always chit chatted, my fellow photographers in the pit, or the attending public who reached out and asked "Who is your favourite band tonight". Those are the kind of conversations where metal magic occurs.
Despite some lacking information of the whereabouts of the festivals infrastructure, such as the availability of the food stands on the balcony (4th floor Rockefeller) and the photographers lounge (thank you [Terje](https://www.instagram.com/terje%5Fottesen/?hl=en&ref=blackmetalzine.com) for telling me!), Inferno proved itself to be a great gathering of like minded people.
The festival and it's variety on offer is a is worthy of bucket list inclusion for any lifelong fan of the Norwegian black metal scene, as well as any metalhead with a taste towards the extreme.
I thoroughly enjoyed myself at Inferno, and I would love to come back to this festival another time.
## Links
Official website: [Inferno Metal Festival](https://www.infernofestival.net/no/Festival/News.aspx?ref=blackmetalzine.com)
Official instagram: [Inferno Festival Norway](https://www.instagram.com/infernofestivalnorway/?ref=blackmetalzine.com)
Official facebook: [Inferno Facebook](https://www.facebook.com/InfernoMetalFestival)
Black Metal Zine photo's by [Vetle Aksdal (KingGorthaur)](https://www.instagram.com/vetleaks/?ref=blackmetalzine.com) and can also be found on our [Instagram!](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com)
For official festival photography, check their social media platforms!
Have you been to this festival? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
[Our contact information can be found here](https://blackmetalzine.com/contact-us/)
### Interview: Furze – Caw Entrance
URL: https://blackmetalzine.com/furze-caw-entrance/
Last updated: 2025-11-10T11:59:20.000Z
When Crown of Rebellion got the chance to have a conversation with *Woe J. Reaper* related to his latest **Furze** output. He did not miss his oppurtunity to dive deep into the world of psychedelic satanic black metal and what brought it all to life.
##### The promotional release of *Caw Entrance* is my first experience into the world of Furze. The work is quite interesting. A unique and experimental approach to traditional black metal. Hypnotic riffs, pummelling drums. Cold and haunting vocals. Exceptional bass work as well. Many tones are used during the work. All this makes for a truly fascinating and exciting experience. What exactly inspired you to create this work?
Thanks a lot! It’s a profound interest in staying devoted to the creativity that I've been spending most of my life on, **Furze**! It's impossible to sum up in a few words, but it's what I do and this drive I have, well, I guess it's my legacy.
Likewise, it's diving further and further into darkness, just like life does. These moments captured are full of emotions, and that’s what I cherish from other’s works of art as well. If I can contribute something truly unique to Black Metal (in the form of Black Psych Metal), a goal is reached, definitely.
##### This question might tie into the first one, but if not, I’d like to know what goes into the creative process of Furze. Where do you start? Is the creation of each piece the same, or are there many inspirations?
It goes back to an atmosphere from a riff, or something… then things build up after each other. But there is not too much of a logical system as such either. A magnet towards an old lyric might just happen out of nowhere, after creating a whole new fresh arrangement. It’s the internal lamp showing a new way.
As everyone knows by now, I've got a love for doing different reel to reel recordings (analogue) basically since the get go (which was at the classic 4 track cassette stage haha!). This is because I believe the overall sound, as well as the way effects behave in smaller details, is just better done analogue. And if it is one trend I would welcome it is the one of analogue sound producers, gear productions and rebirth as industry standard. Competence and rebirth! Because all music simply sounded better before, and that is my honest opinion. A lot of the magic lies in the past recording ways.
##### What exactly is the *Caw Entrance* according to you?
Let's not overthink it. It’s a coil. It's against false entry of death. Not only that, but it's about seeing things as they come.
It’s a mighty new level of Black Psych Metal. It’s a logical reference to the ancient Celtic war god Lug, put in relation to the World War, which is growing each second. And it's up to the person who hears it to deal with it!
---
##### I noticed your lyrical themes according to the Metal Archives which are Abstract and Satanism. When writing lyrics, what inspires you. Do you draw from various spheres? I would believe so as Satanism, being a way of life has many layers and many beliefs that vary based on an individual perspective and experience. On the concept of Abstract. This too is self explanatory but even so, has many observations and could be based on perception. Before I get carried away, back to the question at hand. What inspires you lyrically?
It's sometimes an inspiration (to sound really stupid) of “prophetic overwhelmingness” and then the following observation of it (and whats written down), some adjustments after some further thinking, and, voila! a text is born. Ok, it’s the psych, it’s the psych’s perception yes.
And sometimes it's more directed poetry I guess. Against religion of course…. The overall reality of degradation of **life** ,in all it's clocking details, and how I see masses of mankind master it, and how I just **try** to master it, and, not to forget, how it all changes. Into presence, from the past, back into presence, into hell…
##### Would you care to share your view on black metal? Do you think it’s become stale? Or do you, like me believe that the essence has been lost. With so many copies of uninspired releases surfacing each day. Not to say that there are not those who still retain the essence of the early days. What I mean is that it was the ultimate sin to copy another in those days. Take a look at Necromantia, Master’s Hammer, Mortuary Drape, Darkthrone, Mayhem. All different, yet all black metal…and this is what many do not understand. There is a misconception that black metal consists mainly of tremolo picking and blast beats etc. Although it could be,there is a certain magic or intent that is present within true black metal. An Adversarial Fire. So it does not matter if you have all the ingredients of what makes a black metal record musically. Without the intent, it cannot be. Now there are many artists in the underground who retain the essence of what black metal is which includes your project Furze. What is your view on this state of black metal?
I think many music interested souls would agree with me that there are only two types of music: the good and the shit, yet sometimes with elements which works and some which don’t. However, it’s a **complete fact** that Black Metal must be a result of ones true feelings and inner inspirations. But, that could be argued for regarding about **all** kinda styles for that matter…
You are right that the drive for doing so was of virgin death importance back in the days. Black Metal must reflect the darkest sides within ourselves and the ones shown to us through history (apropos adversarial fire). It's about blotting a sphere/touch only the few can feel or see, perhaps. **Furze** is a penetrating name and this a task to penetrate into the unexplored, yet using and dwelling in very very old school recording ways to manifest it. Sometimes too ambitious to get there, but somehow getting there. So one thing I've done since before it was common to do so is mingling psych rock elements into Black Metal. **But** having said that, it's in my heartfelt experience (having been listening to early *Venom* since 1992/93) **Present** in the first wave as well, but it was never too developed in the so called second wave. Rather the pagan style come galloping from late 80's *Bathory*.
So to a certain degree **Furze** was early on it simply because I bought psych and prog simultaneously with death/black in the early 90's. I first loved *Anekdoten* in '93, but I also saw *Ulver* live in Oslo same year and my favorite albums were like *Under A Funeral Moon*, *Into the Pandemonium* and *Epicus Doomicus Metallicus*, to give you an idea of diversity (of course a lot more too).… Others doing BM did for sure too buy experimental music in this period , but it wasn’t at least mingled with Black Metal and developed *over time* from the 90's onwards like **Furze** have done it, I think. I had my first riffs going in the spring of 1992\. Even though *psych experiments* came heavier in by ’96 onwards when we were 3 metal guys moving in with 3 hippies in a collective…. **A very little** dash of riffs from this early period is on the 2-tape set of the '98 demo out on Devoted Art Propaganda where the bonus tape has stuff tape-recorded between '92 & '98 if anyone is interested.
I experienced the days as a young individual and I'm forever grateful to have been exposed to a lot of the great classic (black) metal releases and demos back when they came out (early 90s, cryfully not the mid-80's which were simultaneously adopted anyway). Of course, each generation who grows up have it's way of getting exposed, then it's up to the individual to find its path. So, since it's no longer a small movement, mankind has fucked this up as well.
I guess we all dream about experiencing something from the days before our own! Who wouldn’t want to see *Slayer* in 1983-85 or *Black Sabbath* in 70-75 ??? Or *Fifty Foot Horse* in ’68?
In Blood by Metal!
**CAW ENTRANCE!**
##### Besides the release of *Caw Entrance*. Do you have any other plans. Future projects etc.
There will be more releases coming on Devoted Art Propaganda (Pol) licensed from Polytriad Fingerprints. I think I’ll wait with the exact announcements. I can mention that DAP released a special 25th Anniversary 2-set tape of debut demo *Necromanzee* in November 2023 and now *Caw Entrance* is out already April 2024, so yes we are working on more!
I guess *Caw Entrance* will be available as on-demand hoodies if you search up Devoted Art Propaganda. They did the album on all formats (LP/CD/TAPE) as well as a shirt. If you’re interested in the **Furze** catalogue, some stuff is available at the **Furze** bandcamp. **Furze** have been changing labels far too often throughout the years (seen from a fan’s angle) so it might have been confusing to know about or get a new release…now we’re cooperating and building up with steady releases on forth licensed to Devoted Art Propaganda.
##### Thank you for taking the time to answer these questions. Final words belong to you. Anything you would like to share?
Stay Furzed , and devoted!
Scream bloody lore.
---
https://open.spotify.com/album/48HlnRS7G1w4anRrwQzOPy?si=r1tUFA8bSHCu8AoWl6c7hQ
**Follow and support Furze here:**
**Bandcamp**: [https://furze.bandcamp.com/album/caw-entrance](https://furze.bandcamp.com/album/caw-entrance?ref=blackmetalzine.com)
YouTube: [https://www.youtube.com/@furzeofficial3853](https://www.youtube.com/@furzeofficial3853?ref=blackmetalzine.com)
**Facebook:**
**Instagram:**[https://www.instagram.com/furzeofficial/](https://www.instagram.com/furzeofficial/?ref=blackmetalzine.com)
## Community
Do you know and like this band (or not), or did you just discover them, share it with us on our social media channels, or join us on [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
##
##
### Review: Warorath – Verikirous
URL: https://blackmetalzine.com/warorath-verikirous/
Last updated: 2026-07-15T18:30:50.000Z
**Band:** Warorath
**Album:** Verikirous
**Genre:** Black Metal
**Country:** Finland
**Label:** Independent/Self released
## Introduction:
Warorath opened 2024 with their debut album, Verikirous (“Blood Curse” in Finnish). I’m excited to talk about this record because the band comes from my home city of Jyväskylä in Finland. These guys are also young, with the drummer being only 19 to my knowledge, so I must give credit to the young guys keeping black metal alive.
## Verikorous:
#### Tracklist:
1. Vihani varjoissa
2. Sielunvihollinen
3. Vääristymä
4. Maailmojen Tuhoaja
5. Kosmos
6. Verikirous
7. Inho
Warorath plays a typical Finnish style of minimalist black metal, with clear influence from bands like Horna and Behexen. The guitar riffs are triad-based, sometimes varying with power chords and single note melodies and harmonies. Rhythm section is punky, and the melodies have a slight folk tone to them, following mostly Aeolian or harmonic minor scale. In other words, very typical Finnish black metal. Which is not an insult, seeing as this formula of songwriting has proven rather fool proof. The fact that bands like Havukruunu and now Warorath are still doing it more than twenty years after the hay day of the style is proof of that.
Warorath executes the riffs with ferocity and energy without forgetting the fun of it. There’s a comforting feeling of Finnish melancholy present throughout. Basically every song is filled with catchy melodies and head-banging beats. With only seven songs, the album overall is short but sweet.
Unfortunately, I wasn’t able to find the lyrics to these songs, but from what I’m able to make out, they mainly tackle themes of misanthropy, pessimism towards the world and a rejection of Christianity. They are in line with and add to the general negativity of the album. Although I can’t dissect the lyrics in depth, as a Finn I appreciate the fact that they are in Finnish.
For such a new band, I’m impressed by the range of abilities that they portray on this album. The opening track Vihani Varjossa (“In The Shadow Of My Hatred”) kicks off with no brakes, showing a more aggressive side of the band, while proving to the metal listeners that they are the real deal. The transitions on this song and everywhere else on the album are smooth and well earned. The title track as well as Maailmojen Tuhoaja (“Destroyer Of Worlds”) showcase their dynamism with longer runtimes, multiple sections and different riff ideas. The band is able to use the rhythm section to give the songs nice momentum and break the monotony. The title track transitions away from the more melancholic, consonant riffs to colder, traditional black metal dissonance mid-song and then right back without sounding jarring at all. On Kosmos you have nice dual guitar harmonies that make for a rather beautiful moment. The closer Inho (“Loathing”) on the other hand might just be the densest song on the album, with thick dual guitar riffs and blast beats. The album ends with a nice clean guitar passage, proving the melodic sensibility hidden under the black metal murkiness. This side could perhaps be developed even further in the future, building more atmosphere and colourful instrumentals into the songs.
## Conclusion:
With no weak songs on it, Verikirous is a strong albeit a little derivative debut and so far, one of the best black metal albums I’ve heard this year. I look forwards to what Warorath does next and how they can grow and develop their own style while staying true to their Finnish roots.
BMZ Rating: 8/10
**Support them here:** [https://warorath.bandcamp.com/album/verikirous](https://warorath.bandcamp.com/album/verikirous?ref=blackmetalzine.com)
##
Your Thoughts On This Album?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on discord, where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Interview: Petit Nuage Noir
URL: https://blackmetalzine.com/interview-petit-nuage-noir/
Last updated: 2026-07-15T18:30:51.000Z
*Polish black metal outfit Petit Nuage Noir released their second album not long ago, we had the opportunity to ask Aahros some questions about the new album, their creative process and more. So let's dive in.*
##### \- Firstly, thank you for the opportunity for this interview. Can you tell me something about the band and its members?
Our group is international. It was formed by two people: Aahros and Gypsy. Before the formation of the group, we knew each other for some time. The band members also play in other Black Metal line-ups, (Flammae, Coldrope).
Ideologically and musically, we completely share each other's views. What else is needed for comfortable work in a group?
##### \- You guys released your second album in a short period of time. Can you tell us something about the creative process for writing and making a new album?
Almost a year has passed since the release of the first album. I wouldn’t call the creative process simple because we work with each other remotely. But we keep in contact almost every day. We discuss instrumental parts, lyrics. Communication is important in the creative process. We are friends. Common goals and ideas strongly bind us.
##### \- Let's elaborate on the name of the band; in French, it means Little Black Cloud. What's the idea behind the name of the band? It sounds cute. Contrary to the music.
The underlying idea is our cult, which is hidden behind a black veil. This is a sacrament that we are not talking about at this time. Perhaps you will find out about this sometime later.
##### \- Which bands/genres influence your creative process when creating a new album?
We are huge fans of Black Metal. I believe that Black Metal is the most individual genre musically and ideologically. We don't need to look up to anyone. We make music the way we see it ourselves.
##### \- With the new album released, are there any plans to tour with it? And if so, which bands would you like to take with you on the tour?
Yes, we would like to tour Europe and America. But at this time there are circumstances that make this impossible. I hope in the future the situation will change, and we will be able to give concerts.
Personally, I love performing with underground bands. Which are not known to the public. It is a great honour for me to be a part of the legacy of Black Metal. I would like to take my Black Metal
bandmates on tour with us.
##### \- Can you tell us and the reader something about the state of the Polish black metal scene? It has produced a lot of great black metal bands as of late. Any ideas why that is?
Black Metal from Poland is very strong and continues to develop. Recently, more and more interesting bands have appeared, including those formed by young people. Perhaps this is due to the availability
of music for listening, the ability to communicate and look for comrades online, or maybe simply because this is the most correct music, and carries a strong ideological note.
##### \- What are some of your favourite black metal bands out of Poland that readers need to check out?
There are plenty of bands from Poland playing Black Metal. And each is fascinating in its own way. We can talk about this for a very long time. I will highlight just a few bands; otherwise the list could take several pages: *Black Altar*, *Hyl*, *Pleń*, *Besatt*, *Dominance*, *Kalt, Vindur, Sznur, Piołun*.
##### \- I've been listening to black metal for quite some time now, but I still remember the first few bands I've listened to and the feeling it gave me. When did you start to listen to black metal?
I first heard Black Metal more than 25 years ago. For me, it was something incredible. To the point of trembling in the body. I practically never took off my headphones. My parents thought I was going crazy. I was also extremely surprised, and at first, I couldn’t understand how they managed to play like that.
Over time, I became imbued with the mystery of ideology and began to look for a group to join. It took several years before I started playing in bands. I remember there was a time when I played drums all alone. I was sad to realize that I was not playing in a Black Metal
band. But I didn’t give up and continued searching. Currently, I am involved in five Black Metal bands.
##### \- Thank you for your time and for answering the questions. Is there anything you want to add?
Be strong in your beliefs. Don't lose heart and don't give up in difficult times. Be true to your principles.
AVE BLACK METAL!
---
## Community
Do you know and like this band (or not), or did you just discover them, share it with us on our social media channels, or join us on [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Khold - Du Dømmes til Død
URL: https://blackmetalzine.com/khold-du-dommes-til-dod/
Last updated: 2026-07-15T18:30:53.000Z
**Band:** Khold
**Album:** Du Dømmes til Død
**Genre:** Black Metal/Black 'n' Roll
**Country:** Norway
**Label:** Soulseller Records
---
## Introduction:
The corpse-painted men of Khold hail from the mountain kingdom of Norway. Khold was formed 24 years ago in the year 2000\. The band officially consists of four members, but there is also a fifth member in Khold. This member happens to be the wife of frontman Gard, Hildr, who is the lyrical mastermind behind all of their releases. Hildr also writes lyrics for Gard's other band, Tulus, which involves several other members of Khold as well.
Khold have had a steady ouput to date and their latest release *Du Dømmes til Død* making their total counter tick to eight full-lengths.
I first discovered Khold ten years ago when the album *Til Endes* was released. At that time, I was a struggling teenager, and Khold completely spellbound me with their captivating guitar hooks and punchy vocal delivery. Their music served as a form of musical therapy for me. Since then, I have been a fan of Khold and Tulus, thus I've eagerly been awaiting their new release!
## Du Dømmes til Død
#### Tracklist:
1. Myrdynk
2. Vannviddfaren
3. Heks (Du Dømmes til Død)
4. Skoggangsmann
5. Misgrep
6. Trolldomsdømt
7. Lædel
8. Galgeberg og Retterbakke
9. Dølgsmål
Du Dømmes til Død, translates to "You're sentenced to death" from Norwegian. The album consists of nine songs and has a runtime of 33 minutes. Straight from the start of track Myrdynk we are treated with classical slow and chewy riff's, my head starts to nod, and Gard's cold, and gritty vocals comes in with a story telling delivery, yet singing. Myrdynk has a slow pace, not unknown to Khold as a lot of their songs rest on a mid-tempo.
Myrdynk transitions into next track Vanviddfaren that opens with a greater tempo. Black 'n' rolly riffs are crushing my eardrums and grabs a hold of my attention. Vanviddfaren gives us great headbanging sections with the song breaking down to slower tempos torwards the end of the track.
The main attributes of *Du Dømmes til Død* are the groove and black 'n' roll elements. Pace switches from slow-mid-fast with chewy, heavy and melodic riffs. Sarke's drumming is also on point with his nice use of cymbals and deep, void filling drum sound. One of my favourite aspects of Khold is the Norwegian lyrics written by Hildr and the lyrics on *Du Dømmes til Død* simply confirms my conviction of that!
The tracks all flow very well trough the album, making the 33 minutes fly by like lightning, making Du Dømmes til Død one of the strongest Khold releases to date.
## Conclusion
I really enjoyed Khold's - *Du Dømmes til Død* and will certainly come back to this album alot. I am a long time Khold fan and really like this type of groovy and headbang-inducing songs. I really look forward to catching them live at Inferno Metal Festival this coming week!
I am sure that Khold isn't everyone's cup of tea, they do not reinvent the wheel with this release, nor is that necesserely needed or desired. But give the album a chance, pop a cold beer and enjoy Khold's groovy black 'n' roll that only Khold knows how to make.
Rating: 9/10
Support Khold here: [Bandcamp](https://soulsellerrecords.bandcamp.com/album/du-d-mmes-til-d-d?from=search&search%5Fitem%5Fid=3833574084&search%5Fitem%5Ftype=a&search%5Fmatch%5Fpart=%3F&search%5Fpage%5Fid=3284745372&search%5Fpage%5Fno=0&search%5Frank=4&logged%5Fin%5Fmenubar=true&ref=blackmetalzine.com)
## Your Thoughts On This Album?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on discord, where we discuss all things black metal! Make sure to follow our Facebook page, Black Metal Zine, to receive notifications when we publish articles. Also check out our Instagram at @blackmetal.zine for concert pictures and more!
### Review: Ad Mortem - In Honorem Mortis
URL: https://blackmetalzine.com/review-ad-mortem-in-honorem-mortis/
Last updated: 2026-07-15T18:30:54.000Z
*Black Metal for me is harshness, and you can interpret that in many ways, but the vocals need to convey that feeling for me, and Ad Mortem does that excellent.*
#### Introduction
**Band:** Ad Mortem
**Album:** In Honorem Mortis
**Genre:** Black Metal
**Country:** Germany
**Label:** Purity Through Fire
Ad Mortem, a band unknown to me, will drop their first full album on the 21st of March, we had the opportunity to listen to it before that date, and we are ready to share our thoughts on it.
Like said, the band was unknown to me, but that makes reviewing a new album and accompanying band even more fun because you go in totally blind (well deaf to be honest), without any expectations. It's a blank canvas ready to be filled.
So the question to ask is what kind of picture did they paint with their first release?
## In Honorem Mortis
The picture is grim and with many layers, the grim part I mean that in a good way, from the start of the album to the end, it's a barrage of great riffs and pummelling drums. And that's right up my alley. There is enough change to make it a great listen from end to finish.
The fourth track of the album, *Der Letzte Feind* is a great example of the above, and if I had to pick one song to that showcase the band, this song would be it. The riffs are great, the vocals are icy and try to pierce your soul, so it's a great showcase of what the band can do. But the other songs (there are 8 songs in total) are also great.
One of my other favourites is the seventh track of the album *Todesstreben*, especially the vocals are what makes it a great song (for me), they sound very vile and that's what I like about black metal vocals, that vileness and iciness needs to seep through. Black Metal for me is harshness, and you can interpret that in many ways, but the vocals need to convey that feeling for me, and Ad Mortem does that excellent.
Furthermore, before we end with a conclusion, an honourable mention to the creator of the magnificent artwork. It's made by [Northem Art](https://www.facebook.com/Northem.art/). It's outstanding and when I was younger (long, long time ago), I used to judge the book well CD by its cover before I bought it. And this album art would definitely make me buy the CD back then.
## Conclusion
Do you like black metal that's fast but still contains many melodic sections, then this album is a must-listen for you. For all the other black metal fans out there that are not sure, go check it out.
BMZ Rating: 7,5 out of 10 (explanation of ratings [here](https://blackmetalzine.com/about/#bmzratings))
You can buy the album here: [In Honorem Mortis | Ad Mortem (bandcamp.com)](https://admortem666.bandcamp.com/album/in-honorem-mortis?ref=blackmetalzine.com) and listen to *Todesstreben* by clicking the video below;
## Community
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Interview: From the Vastland
URL: https://blackmetalzine.com/interview-from-the-vastland/
Last updated: 2026-07-15T18:30:54.000Z
**From the Vastland from Iran & Norway have been active for a while now and so far released 7 full albums. We definitely felt it was time for us to have an in depth conversation with the main man; Sina.**
#### \- Firstly, thank you for the opportunity for this interview. Can you tell me something about the band and its members?
You are welcome, it’s a pleasure. Thanks to you as well! Alright, From the Vastland is a black metal band which I started in late 2010 in Tehran/Iran as a one-man band project. However, later on in 2013/2014 it became a full member band when I moved to Norway and started to work with Norwegian musicians such as *Tjalve (Horizon Ablaze/Svartelder/Ex-1349/Ex-Den Saakaldte)*, *DestrucThor(Myrkskog/Ex-Morbid Angel/Ex-Nordjevel)*, *Vyl (Whoredome Rife/Ex-Keep of Kalessin/Gorgoroth)* and later on *Spektre (Gaahlswyrd/Immortal/Svartelder/Horizon Ablaze)*.
#### \- The band released seven albums in the course of 11 years, with the last one being in 2022\. Are there any plans for a new album?
Yes, I have a new album ready to record and our plan is to record it in April. I have been working on this new album since the release of the last one, and now finally I have all the songs ready to record. Really happy about the songs and excited to hear the final result after recording. I’m hoping we can release it by the end of 2024; however, it also depends on the label company’s schedule. So, let’s see.
#### \- Can you tell the reader something about the creative process of making a new album?
Well, the inspiration basically comes from anywhere, but I would say most of the time I get inspired by other music I have listened to through the time. It can be from a long time ago, I’m probably not aware of that, or I'm not thinking about that right at the moment, but it's somewhere in the back of my head. Plus, because of the concept of the band, I read a lot about mythology (specifically Persian mythology) which also inspires me a lot.
When it comes to writing new material, I start a song based on the visuals I have in mind, but of course, as a guitarist, the actual action of writing a song is mostly based on a guitar riff, and then I take care of everything else like the song structure, the arrangement, lyrics etc, however, there have been times when I started a song based on a drum pattern or just the lyrics. But during the process of making a song, I also review it a lot to see if it gives me the same feelings/image I had in mind and if not, then there will be changes… In the end, I have made the song based on that image I had in mind and the story that I wanted to tell.
#### \- A lot of the creativity you have comes from Mesopotamia. How did you incorporate that into the music? For example, do you do a lot of research on the subject?
Yeah, I have always been interested in history and mythology, reading books and articles about it (not only Persian mythology but also Norse, Maya, Egypt…) but as an Iranian, when it comes to the Persian mythology, which is the main concept of the band, I found it very proper theme and concept for the band.
You know, Persian mythology is full of epic stories about the battle between gods and demons, light and darkness, heroes, evil spirits, creation, the cosmos etc., It’s also strongly connected to the nature and all its elements and the power it holds in different forms.
So, yeah, writing the lyrics takes a lot of time for me since I do a lot of research to find different sources, choose the right subjects and make sure I have enough legit information about them to write the lyrics about. I also really try to stay loyal to the original story as much as possible. So, I always have to go through a bunch of books, online articles and different sources to write lyrics, but I really like it and at the end when I have the lyrics ready, it feels really good.
#### \- Are there other bands or genres that influence you, while making music?
Yeah, other music influences me for sure; however, I wouldn’t say it does directly while making my own music. I mean it's somewhere in the back of my head, all the music I have listened to or what I have been listening to during that period even if I'm not thinking about it. I wouldn’t say only one genre, probably mostly black metal, that’s what I listen to most of the time, but also some other genres. When it comes to black metal, of course, you find great bands from anywhere in the world, and sometimes it comes as a surprise, but during all the past years I would say mostly the Norwegian and French scene. They have been a big part of my inspiration and have influenced me a lot.
#### \- You are originally from Iran; the country still has a small black metal scene, but it's alive. Are you still in contact with some of the bands, or do you keep up with the scene?
Yes, that’s true. You know, it’s illegal in Iran and when it comes to the metal scene in general, everything happens in real underground, especially when we talk about black metal, which is considered blasphemy by the authorities. Indeed, they do whatever they can in order to stop, censor or control the music scene in the country, but still, there are really good bands out there that are taking the risk by being active in the scene. And with the help of social media today (even though they are all blocked in Iran and people have to use VPN to access them), they spread their music. It’s really not easy, you know… And yes, I’m following the scene, even though it’s not easy when there is not an official scene going on (no festivals, no record label, no gigs…) but I’m in touch with some old and new friends in the country and always try to keep up with the scene.
#### \- The first two albums were made entirely by you; how did you come in contact with the current members Tjalve and Spektre?
Right. So, it’s a long story, but I would say it all started back when I had my first black metal band in Iran (2003 – 2009) and in 2007 one of my albums was released on vinyl by a Norwegian label company. That release got me in touch with the Norwegian scene. Later on by that, I also got involved in a Norwegian documentary film about black metal (Blackhearts Documentary) as one of the main characters and finally by that I started to work with the Norwegian musicians. I got the chance to play my first-ever concert and the Inferno Metal Festival 2013 in Norway, and I was really lucky to have *Tjalve* on Bass (plus *DestrucThor* on Guitar and *Vyl* on drums). Since then, *Tjalve* has been an official member of the band. Later in 2014, I moved to Norway and we all kept on working together… And It was in 2015 when Spektre joined us for a gig at the *Midgardsblot* festival and since then, I have been lucky to have him as a permanent member of the band. I’m really happy that I have the chance to work and play with the guys, not only professional amazing musicians but also great people. I really enjoy working together with all of them.
#### \- The Norwegian scene has been going on for a long time now; can you tell something about its current state in your own words?
Yes, right! I would say it’s still very alive and going strong! Especially the extreme metal scene (and of course, black metal on top). There are many festivals throughout the year, from big international ones like Inferno Metal Festival or Beyond the Gates to small local ones here and there, even if it’s a one-time event. Plus, every now and then there are new bands coming, super groups by known musicians or even unknown bands by local teenagers. You know, black metal is not unknown to no one here in Norway, you hear news about the festivals or bands on the main news channels (even the national TV/Radio channels), in newspapers. They get support from different governmental (or semi gov.) organisations. You can see Tips for blackpackers on the official website of the Oslo city from the municipality etc.
So, in short, for a black metal musician and fan it’s amazing here in Norway.
#### \- Is there anything you want to add?
I will take the oppurtunity to thank each and every one of our fans and friends, festivals, magazines/webzines, Podcasts, Radio shows, organisations who showed us support during the past 14 years. Your support always gives me more motivation to continue my path and follow my passion. So, thank you all! Keep up the great work and support your favourite musicians, that’s how you keep them going. Cheers to you all.
#### \- Thank you for your time. It's appreciated.
You are welcome. Thanks to you for this opportunity and the good interview. I highly appreciate your support.
---
**Below you can check out From The Vastland's latest album;**
#### Community:
Did you find this interview interesting? Who would you like us to talk to next? You can share it all on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Jordsjuk - Råtner på Rot
URL: https://blackmetalzine.com/review-jordsjuk-ratner-pa-rot/
Last updated: 2026-07-16T17:19:19.000Z
**Band:** Jordsjuk
**Genre:** Black Metal
**Country:** Norway
**Label:** Indie Recordings
## Introduction:
**It rocks, it rolls, it grooves, and it blasts. It ebbs and it flows. Is this Satyricon or Khold? Djevel or Tulus? It's definitely Norwegian black metal, performed by some of the younger veterans of the scene. Jordsjuk is the collective effort of Renton, Sagstad, and Mannevond.**
Mannevond is getting closer and closer to obtaining the title of Norwegian BM's Throat G.O.A.T. as he has been serving his angry shrieks for bands such as **Djevel, Urgehal, Endstille, Koldbrann,** and recently joined Swedish legends **Craft**. Sagstad is the excellent axe wielder involved in bands such as **Trollfest, Tottal Tömming**, performing live for **Nordjevel**, and previously in **Sarkom**, as well as a short time live with **Finntroll**. Skin basher Renton is also currently in the excellent **Nattverd** and a former member of **Trollfest, Djevel, Koldbrann,** and **Sarkom.**
So, their pedigree is unquestionable. How does it all gel together on this, their debut EP?
---
## The EP
#### Tracklist:
1. Stein til Byrden
2. Siste Skanse
3. Råtner På Rot
4. Viva La Apocalypse
---
This is dark roasted coffee served with a piece of even darker chocolate, the perfect blend for a gloomy, rain-filled afternoon. The variation in tempos and grooves really resonates with me. These songs, making up this EP, may not be the most varied, but they serve as a strong representation of what this band is all about. They have already made their live debut at this year's [Orgivm Satanicvm](https://www.facebook.com/orgivmsatanicvm) in Oslo back in January. Apparently, they delivered exceptionally well, so make sure to watch out for more live dates from this talented trio, joined by live bassist Birger Larsen.
## Conclusion:
With this EP consisting of four rather short songs, one can hope they will explore more experimentation on their full-length album. This soundscape truly immerses me. If you are a fan of solid black metal with a touch of black 'n' roll, reminiscent of bands like mid-2000s **Satyricon, Tulus,** and **Khold**, make sure to invest in **Jordsjuk** early on. They are bound to gain significant attention soon.
Score: 8/10
**Support them here:** [https://jordsjuk.bandcamp.com/album/r-tner-p-rot](https://jordsjuk.bandcamp.com/album/r-tner-p-rot?ref=blackmetalzine.com)
## Your Thoughts On This EP?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Ihsahn - IHSAHN
URL: https://blackmetalzine.com/review-ihsahn-ihsahn/
Last updated: 2026-07-16T17:19:20.000Z
**Band:** Ihshan
**Album:** IHSAHN
**Genre:** Black Metal, progressive extreme metal
**Country:** Norway
**Label:** Candlelight Records
---
**When a band releases a self-titled album decades into their career, it’s usually a red flag that they are running out of ideas. A self-titled album should be a personal statement about the artists and demonstrate the full array of their skills. I fail to see how IHSAHN achieves that.**
## Introduction:
**Black metal legend** Ihsahn is back with a self-titled album filled with symphonic metal with black metal touches. Don’t expect Ihsahn to get back to a classic Emperor sound here though: most of the songs consist of alternative metal riffing with orchestral backing and Ihsahn’s shrieky vocals, which somehow feel very out of place within the album’s soundscape. It wouldn’t really be fair to judge this as a black metal album, as even though there are traces of black metal in the melodies and vocal style, the album is closer to prog or alternative metal. I will try to assess it free of bias within that context.
---
## The album:
**Tracklist:**
1. Cervus Venator
2. The Promethean Spark
3. Pilgrimage to Oblivion
4. Twice Born
5. A Taste of the Ambrosia
6. Anima Extraneae
7. Blood Trails to Love
8. Hubris and Blue Devils
9. The Distance Between Us
10. At the Heart of All Things Broken
11. Sonata Profana
---
**Unfortunately**, this doesn’t make for a strong symphonic or prog album either. Starting from the overall sound of this thing, it’s notable how sterile and flat everything sounds, from the drums to the guitar tone. The orchestral elements try to add a sense of grandiosity to the songs, but the synthesizers that they are played with have no authenticity to their sound and the end result is melodramatic at best. The intro track is case in point, sounding like a Disney movie soundtrack.
There’s no doubt that everything here is performed by a skilled musician. Every note is played clearly and precisely, with only the vocals being weak in terms of performance. I’ve never been a big fan of *Ihsahn*’s harsh vocal style, but here it sounds extra dry and impassionate, like he is straining his vocal cords too hard. While the instrumentals don’t lack in precision, there is no energy or soul behind the playing. As an example, *Hubris and Blue Devils* begins with instrumental noodling à la *Robert Fripp*, only without the personality of *Fripp*’s guitar playing. This is easily one of the proggier cuts, but for prog metal everything here sounds so… safe. There are no compositional risks taken here. Really this album doesn’t offer anything that I haven’t heard executed better on a *Dream Theater* or *Nightwish* album.
The album’s highpoints to me are the more atmospheric cuts that don't try to force metal riffs and orchestral instrumentals together. The penultimate track, *At the Heart of All Things Broken*, actually does achieve some level of emotional payoff with its nine-minute run time. While not super original, the song at least feels like it’s going somewhere with the chugging guitars and orchestral build-up. *A Taste of the Ambrosia* on the other hand has nice, doomy double guitar action and strong melodies, even if the orchestral meddling in the middle goes nowhere in my opinion.
## Conclusion:
When a project releases a self-titled album decades into their career, it’s usually a red flag that they are running out of ideas. A self-titled album should, in my view, be a personal statement about the artists and demonstrate the full array of their skills. I fail to see how IHSAHN achieves that. For fans of symphonic metal there will be a couple gorgeous instrumental sections, and for the rest a few fun riffs, but overall IHSAHN shows a seasoned musician comfortable, perhaps too comfortable, in their selected lane of music. There’s not enough energy for metal, and not enough wonder for prog.
**Score: 5/10**
BMZ Score *5 – Average: The album is neither exceptional nor terrible. It may have a mix of good and mediocre tracks, but it doesn’t stand out in any significant way.*
## Your Thoughts On This Album?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Svart Lotus - Som Et Vondt År
URL: https://blackmetalzine.com/review-svart-lotus-som-et-vondt-ar/
Last updated: 2026-07-16T17:19:21.000Z
**Band:** Svart Lotus
**Album:** Som et vondt år
**Genre:** Black Metal, Doom, Metal
**Country:** Norway
**Label:** Nekroelvis Records/Hellstain Productions
---
## The Album
#### Tracklist:
1. Fyrelogi
2. Distraction industry
3. Som et vondt år
4. Indifference and wrath
5. Hat og forakt
6. Cryptic lights
7. Lurking fear
8. Svart Lotus
---
#### Som et vondt år - *Like a painful year*
**The intro *Fyrelogi*** mystifies, it's a little frightening; confusing even. There’s a lot going on from changing instruments to background noises, whirring, a violin, and what I am convinced is an Exhale (a plugin) creating an eerie melody and finally a sample from the Silent Hill movie. “Look at me, I’m burning.”
The intro concludes. I watched Silent Hill years ago but I wasn’t paying attention so I’m not sure I can really understand what is going on with the lore of the album YET. I do know that the album cover is from a silent film titled Dr. Mabuse the Gambler.
***Distraction Industry*** is fast and loud with a headbanging riff that transforms into a very well structured song having the catchy intro be used throughout the verses, keeping the songs energy. The breaks in this are great as well, allowing enough difference between the vibe you get at the start, and the dark presence built here is akin to some early Sabbath where they're not trying too hard to make the music sound dark, it just DOES and it's seamless.
**Next up, *Som et vondt år*,** the albums title track.
Plenty of doom metal riffs and heavy, blackened primal vocals.
Impressive bass parts, also featuring clean singing giving me a High on Fire or maybe a Baroness feel. The album is less black metal and more blackened, where there are typical bm drum fills, tremolo picked riffs and witchy vocals scattered through as opposed to being the sole foundation of each song. You have to enjoy the clean vocals dueling with the harsh demonic lows, a plus for the cleans here is they go along with the melody of the riff creating a depressive, ghoulish ambience. (courtesy of Øyvind)
I like their approach to the genre a lot because I enjoy all types of metal, and sometimes music writes itself and you don't get to tie it to one specific sound. It just evolves into something new if you cultivate it properly, and these four have learned how to do just that.
---
#### A look behind the curtains:
*Svart Lotus* was formed in 2012 by Tor R. Stavenes, *1349* bassist, as a solo project, soon included Eivin Brye from *Djevelkult* & *Disintegration* on drums shortly after material was written, later adding Sigve Jordheim (guitars) in 2013 and Øyvind Kaslegard (bass), also from *Disintegration*. Their music mixes black metal, doom, heavy metal, and hard rock, with touches of groove and thrash, not trying to hold any one label, just to make what comes natural to them.
---
#### Back to the album:
**Indifference and Wrath** (ft. Jan “Nag” Romøren)
From the start, this song delivers strong death metal vibes, mixing in palm muting and thoughtful melodic sections; a refreshing twist on the usual second wave black metal. It keeps the genre's cold essence, adding punk and hardcore elements. The band excels at blending groovy death metal with black metal vocals, layering growls and zombie-like screams. Tight drum patterns lead them through intriguing twists, requiring tight synchronization and skill from the entire band. I don't want to pick favorites yet but this has to be on the top 3 for the album.
**Hat og Forakt** (Ft. Eldur)
I know Opeth fans are going to love this one, it's alluring intro with dueling guitar and bass riffs, the painful, emotional singing from Eldur of Fortíð sets the macabre tone. This song could be their best in terms of production and overall concept which says a lot considering its longer runtime. If it were any other black metal song it might be stretching itself a bit thin but here we get a blend of many different styles that sound awesome, using choral melodies growing alongside intense kick patterns, acoustic guitars and headbanging rhythmic sections with chunky, violent palm muted riffs. Some might see this as oversaturated, but I couldn't disagree more. The ending is drawn out but keeps up with the established tone while a sample of the famous, Pale Blue Dot segment from Carl Sagan's book of the same name marches along.
**Cryptic Lights** seamlessly blends the velocity and darkness of death metal with the essence of black metal, particularly through its vocals and riffs, yet it ventures into a unique progressive structure. The track distinguishes itself with a haunting guitar solo by Jarrett Pritchard, who also is responsible for mixing and mastering the album. Its tone shifts from dismal to eerily atmospheric, with droning guitar riffs crafting a chilling ambiance. This song not only maintains the album's intensity but enriches it with its distinct, haunting progression.
**Lurking Fear**
"Let there be night!" makes a compelling opening line. Additionally, the album's vocal mixing, with its heavy reverb, suggests the screams were recorded in a cavern. The riffs, especially in the chorus are crafted to enhance this cavernous sound without overwhelming it, subtly building their atmosphere. This element, whether inspired by the song's title or its inherent mood, subtly weaves a sense of creeping terror into the music.
**Svart Lotus** (ft. Nag)
The intro's captivating acoustic riff, matched by a rising rhythm that doubles the melody's triplets, sets a frigid tone early on. A thunderous riff then dominates from the rhythm, punishing us for a few minutes while Tor shouts and then the song begins leading to a break where the tempo stays strong and the song shifts into a mysterious or maybe an introspective mood. Heavy, gnashing vocals fade out giving the band what is essentially a 2 minute jam session down to the final chugging breakdown and melodic end to an adventurous tape.
**Favorite song**: It's between *Cryptic Lights* and *Svart Lotus*, I choose both as they're each GREAT black metal earworms.
## Conclusion
This album is packed with classic black metal riffs, emotive, pained vocals, dense, punchy drumming, guitar solos, a few “core” elements here and there; and all enhanced by Pritchard’s exceptional production. All artists delivered their best, reflecting significant effort and craftsmanship, developing something cold, grim and fascinating as hell; I think it will appeal to open-minded black metal enthusiasts for years to come.
**I rate this album a 9/10**
Support them here: [https://svartlotus.bandcamp.com/album/som-et-vondt-r](https://svartlotus.bandcamp.com/album/som-et-vondt-r?ref=blackmetalzine.com)
Buy physical here: [https://hellstain.eu/products/svart-lotus-som-et-vondt-ar-cd](https://hellstain.eu/products/svart-lotus-som-et-vondt-ar-cd?ref=blackmetalzine.com)
## Your Thoughts On This Album?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Perisynti - Lihaksi Tullut Perkele
URL: https://blackmetalzine.com/review-perisynti-lihaksi-tullut-perkele/
Last updated: 2026-07-16T17:19:22.000Z
**Band:** Perisynti
**Album:** Lihaksi tullut Perkele
**Genre:** Black Metal
**Country:** Finland
**Label:** Schattenkult Produktionen
## Introduction
Perisynti is back with their sophomore album after 18 years, a gap that was somewhat filled with a split and an EP. A new discovery for me, but what a refreshing one. Let's dig deeper.
In this age of Spotify and social media, music seems to be pushing towards sounding loud and clear all at once. The room for dynamics is crammed to make the small Bluetooth speaker on your countertop fill the room with whatever black metal is on the Spotify radio that very moment. With remastered versions and even re-recordings of your old favorite extreme metal albums being the order of the day, should we all just submit to this auditory slaughtering of what made us embrace this kind of music in the first place? And yeah, I am aware of modern trve kvlt black metal,the raw and vampiric stuff, but that is something else altogether, and I do enjoy a lot of that as well. What I don't enjoy so much is the sound that some of the bigger names in our scene go for, so overproduced it's hard to even tell if it's a human or a drum machine playing. Okay, enough of my old man rant, let's talk about Perisynti.
## The Album:
## Tracklist:
1. Saatanan voima
2. Jahven valheet hautaan
3. Pimeyden kansa
4. Synnin valta (ei murru)
5. Hän on
6. Harmageddonin taistelu
7. Lihaksi tullut Perkele
8. Perisynti
It was almost 15:00 CET, aka BMP premiere o'clock. My big mug of coffee had not fulfilled its duty, so I needed some fresh black metal to help. With the count-in from the sticks on the opening track *Saatanan Voima*, drums and guitars filling my living room, I quickly awoke from my overproduced metal slumber. I instantly felt like I was at a local punk show, then quickly realized this was more like being a fly on the wall in Darkthrone's rehearsal space in the mid-90s. My assumptions were quickly confirmed by the band's drummer, who was active in the YouTube chat.
He shared several details and stories from the recording of the album. It's impressive to know the drums were recorded in single takes, given that they are very dynamic and expressive in how they are played. The use of roto-toms makes the fills stand out from your typical black metal run-of-the-mill drumming. The guitar work is also excellent, with keyboards filling in to create a dynamic and powerful sound overall. The mixing and mastering leave plenty of room for all the instruments to breathe without forcing it to sound clean and filtered. The vocals are perfectly matched, angry Finnish punky snarls sprinkled with some Swedish Naglfar-style sensibility of flow and delivery.
I will not break down this album song by song. I will say that, to me, this is a truly compelling listen through and through. Since their lyrics are all in Finnish, I truly can't tell if they are singing about Satan or Santa. I think both live in Finland anyway… What I can tell is that this is really good craftsmanship when it comes to songwriting and a sense of dynamics. It made me realize why I still have a proper stereo setup at home, much to my neighbors' agony and distress.
## Conclusion:
This was a much-needed album for me, awakening the callous metal heart in this tired old body. Now I can't wait to go to my next show, to get more of this energy delivered straight into my veins. Just like most of us have grown accustomed to ordering a quick and easy take-away meal to our door, we still need to cook ourselves a hearty meal of meat and potatoes once in a while to not forget what truly made us who we are.
I rate this album 8 out of 10 cups of black coffee cooked on the burning remains of a finnish church.
Support them here: [https://schattenkultproduktionen.bandcamp.com/album/perisynti-fin-lihaksi-tullut-perkele](https://schattenkultproduktionen.bandcamp.com/album/perisynti-fin-lihaksi-tullut-perkele?ref=blackmetalzine.com)
## Your Thoughts On This Album?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Concert Review: Afsky & Heimland
URL: https://blackmetalzine.com/concert-review-afsky-heimland/
Last updated: 2025-11-10T11:59:24.000Z
*Boenna & KingG survived a night of mixing Danish dynamite with Norwegian hellfire.*
## Introduction
When the Danish sensation Afsky chose to open their Nordic tour in our neighborhood and bring along local heroes Heimland, my friend KingG and I had no other option but to suit up, grab our cameras and notebooks.
Being a smaller venue, it created an intimate and friendly vibe all around. This was further emphasized by the fact that band members and festival organizers mingled among us mere mortals, enjoying the party just as much as the rest of us. Ole, the main man in Afsky (leading his solo project with a band of hired guns), was behind the merch desk, signing autographs, and taking photos with fans.
## Heimland
As the clock struck 20:00, four corpse-painted dudes entered the stage. There was no mistaking it, Heimland was here, and they meant business. It was my first time experiencing new frontman Fanden, and he dominated the stage just as much as former vocalist Gnist.
A special moment occurred when Fanden held out the microphone into the crowd for Gnist to deliver the final scream of Heimland's set.
**KingG:**
*Heimland sent thundering riffs through the dimmed streets of Kopervik. The small venue quickly filled with long-haired, beer-loving metalheads. With their grooving guitars and heavy bass lines, Heimland's black metal created a beautiful atmosphere. Lord Thamuz sat towering over the drum kit, masterfully controlling the audience's headbanging.*
Overall, Heimland gave us exactly what we wanted: fast-paced and energetic Norwegian black metal, a fitting opener for Afsky's Norwegian leg of the tour.
## Afsky
After a short changeover, Afsky was ready to demolish Kopervik, and we were all here for it. With two tiki lamps burning, plenty of smoke, a big fan, and excellent stage lights, it created a truly captivating experience. Afsky's style of black metal fit perfectly on this small club stage. I found myself truly lost in their performance and visuals. Even during a quick toilet break, the spell wasn't broken as the smoke filled the entire venue, making it a bit challenging to find the way to the toilets at the back. If it weren't for the music, I would have thought I was in one of Amsterdam's coffee shops…
Back on stage, Ole was an energetic frontman. I was truly impressed by his guitar work and vocal delivery. The other band members up front, guitarist Simon and bassist Martin, delivered their parts and engaged the audience throughout the show, with guitars and fists raised high.
I was particularly impressed by drummer Martin's effort. Ever the stoic character, he sat behind the kit with perfect posture, letting his arms and feet do the talking. It was cool to see that he was, in fact, not a machine once he stepped away from the kit at the end of the show.
**KingG:**
*Afsky set in to create a foggy atmosphere for its audience. With the smoke machine pumping and fires burning in the venue, Afsky took to the stage. The smoke's setting off the fire alarm didn't seem to bother anyone as Afsky's heartfelt riffs were deafening the alarms until the management could silence them.*
Overall, Afsky stood out to me as an excellent live band. Their one-hour set flew by as we all lost track of time. Afsky would certainly be a fitting addition to the Karmøygeddon festival poster, the local festival based around the same venue, kicking off on May 2nd this year.
The Afsky tour continues today in Stavanger, see tour poster below and Afsky's [facebook](https://www.facebook.com/afskymusic/) for details.
## Afsky gallery:
## Heimland gallery:
## Tour poster and links:
**Afsky facebook for tour tickets:**
####
Support the bands:
**Afsky:** [https://afsky.bandcamp.com/](https://afsky.bandcamp.com/?ref=blackmetalzine.com)
**Heimland:** [https://edgedcircleproductions.bandcamp.com/album/forfedrenes-taarer](https://edgedcircleproductions.bandcamp.com/album/forfedrenes-taarer?ref=blackmetalzine.com)
####
Community:
What's your latest concert experience, are there any shows you are looking forward to? You can share it all on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Rhûn - Conveyance in Death
URL: https://blackmetalzine.com/review-rhun-conveyance-in-death/
Last updated: 2026-07-16T17:19:23.000Z
**On Rhûn’s debut there are many ideas fighting for their moment to shine, but the band doesn’t quite know how to tie them together into cohesive songs, even less so an album. This is engaging for the listener as the atmosphere never gets stale, but it doesn’t allow for real emotional payoff.**
## Introduction
**Band:** Rhûn
**Album:** Conveyance in Death
**Genre:** Black Metal
**Country:** United States of America
**Label:** Independent
*Rhûn* is a Portland black metal project founded by Aaron Charles in 2021\. Charles has had some success throughout the 2000s with his other band, *Falls of Rauros*, another black metal project named after Tolkien. The first question one might have is: what’s the purpose of this new project? *Falls of Rauros* is still active and released an album as late as 2022\. Two Tolkien inspired black metal bands, what’s the difference?
When looking into the musical quality of the two bands, the difference becomes more apparent. While *Falls of Rauros* plays *Agalloch* style folk black metal with many consonant melodies and acoustic passages, *Rhûn* seems to exist for Charles to explore his songwriting skills outside the expectations of his other band. And like an exercise it feels. The styles on this album fluctuate from Immolation’s vein of dissonant metal to frantic riffing in the style of Immortal and atmospheric melodies more common to American black metal. One moment *Rhûn* might be playing bittersweet melo-black and on the next song *Paradise Lost* inspired gothic metal. There’s hardly a unifying structure or flow to the album, which leaves it feeling more like a collection of songs. Although the songs, for what it’s worth, are quite good.
## The Album
#### Tracklist
1. Morningstar
2. Tomb of Andesite
3. Bone Ornament
4. Howl of Gleaming Swords
5. Citadels in Ruin
6. Night's Glacial Passing
*Conveyance*... kicks off with the six-minute *Morningstar*. The guitars chug oppressively while some reverb notes hang above them. The song has a linear song structure, moving from a passage to another and building momentum progressively, making this one of the highlights on the album. Unfortunately, in my opinion, Charles succumbs to one of the biggest pitfalls of metal songwriting. He halts the momentum early on and restarts the song with a new chugging riff in the middle, which disrupts the flow. This time the riff goes nowhere, and the song is forced to restart again with an atmospheric chord progression which finishes the song. While the individual riffs are nice, the song falls apart under scrutiny.
I think *Morningstar* summarises the album as a whole. There are many ideas fighting for their moment to shine, but Charles doesn’t quite know how to tie them together into cohesive songs, even less so an album. Tonally the songs are sometimes brutal, other times confused or sad. This is engaging to the listener as the atmosphere never gets stale, but it doesn’t allow for real emotional payoff.
The album reaches its high point on *Howl of Gleaming Swords*. This should have clearly been the closer or the song before the closer, as it is both epic and coherent, with memorable themes repeating throughout the seven-minute song. *Howl*... demonstrates the strength of *Rhûn*’s melody writing: the lead melodies are instantly recognisable and emotionally poignant.
I don’t want to be too harsh on *Rhûn* as it’s evident that the project is just about someone playing stuff that he likes and expanding his writing abilities, which I’m all for. Many of the melodic ideas here are excellent, and I have high expectations for what *Rhûn* can do in the future once the writing becomes more refined and Charles figures out the right tone he wants to have with the project.
BMZ Rating: a 7 out of 10 (Good: The album is enjoyable and well-crafted. It demonstrates strong songwriting, production, or performances, and has a cohesive sound. It offers a satisfying listening experience.)
## Your Thoughts?
**Support the band here:** [Conveyance in Death | RHÛN (bandcamp.com)](https://rhun-official.bandcamp.com/album/conveyance-in-death?ref=blackmetalzine.com)
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Petit Nuage Noir - Staring Into The Void
URL: https://blackmetalzine.com/review-petit-nuage-noir-staring-into-the-void/
Last updated: 2026-07-15T18:31:00.000Z
**So let's see what they bring to the table this time, is it still a brewing black cloud or has it evolved into a massive thunderstorm?**
**Band:** Petit Nuage Noir
**Album:** Staring Into the Void
**Genre:** Black Metal
**Country:** Poland
**Label:** Independent
## Introduction
The little black cloud is back! For those thinking what kind of drugs did you take, think again, *Petit Nuage Noir* is French for "a small black cloud". It's been a year since their debut album [*Among the Graves*](https://blackmetalzine.com/petit-nuage-noir-among-the-graves/) dropped, and in our [review](https://blackmetalzine.com/petit-nuage-noir-among-the-graves/) of said album, I said the name was cute for a black metal band, but they still managed to deliver one of my favorite albums of 2023.
It's now 2024, and they are back with a new album which bares the title *Staring Into the Void*. So let's see what they bring to the table this time. Is it indeed a little black cloud or did it transform into a massive thunderstorm?
## The Album
As said, I liked their 2023 release *Among the Graves* and I was eagerly awaiting new work by them. And for me, they deliverance on their second album is a natural continuation of the first album, with good riffs, great drum work and black metal vocals that makes your skin crawl. It's the perfect combination of elements that make for a great black metal album in my world.
From its runtime of 42 minutes over 9 tracks, it's quickly apparent that the album is fast-paced. From the moment the first song starts, it just keeps going relentlessly. This kind of pummeling is probably not for everyone, but it fits me very well.
Take the fourth song, *Mediocre* (and yes, that's really the title of the song), for example; the drums start rolling from the start and it sets a mood, even when the icy vocals sweeps in, it just keeps going and it does so for allmost 5 minutes. The vocals are as cold as ice (even Foreigner knew it abot them, way back) and the style of singing has a bit of story telling vibe to it which I also like. It makes you want to read the lyrics and dive a bit more into the idea's behind the song.
This continues throughout the album; one other favorite song for me is the last track of the album, which describes my favorite pastime, "Staring into the Void" (while listening to black metal, of course). If you like drums that go off like machine guns, this is the track just for you. *Gypsy*, the drummer of the band (and also *Coldrope*, which is another great band) deserves all the praise. The drums just keep going together with the vocals make for a great experience. Moreover, worth mentioning is the last section of the track, around the 3:30 minute mark, the drums go like crazy, and you hear one final icy scream, and it just cuts off at the end. It's a perfect end to a great album.
## Conclusion
After being blown away by their debut album, does Petit Nuage Noir elevate to a new level of awesomeness? No, but that wasn't necessary, the new album is good and I thoroughly enjoyed it. If you are a fan of fast,black metal on the rawer side, you should give this album (and their previous one) a try. And if you like what you hear, you go out and support the artist!
BMZ Rating: 7 out of 10 (Good: The album is enjoyable and well-crafted. It demonstrates strong songwriting, production, or performances, and has a cohesive sound. It offers a satisfying listening experience.)
Support the band here: [https://petitnuagenoir.bandcamp.com/album/staring-into-the-void](https://petitnuagenoir.bandcamp.com/album/staring-into-the-void?ref=blackmetalzine.com)
## Your Thoughts?
Do you like it or hate it? You can share your opinion on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Hellir - Wheel of Ghosts
URL: https://blackmetalzine.com/review-hellir-wheel-of-ghosts/
Last updated: 2026-07-16T17:19:24.000Z
**Band:** Hellir
**Album:** Wheel of Ghosts
**Genre:** Black Metal, Blackvapor
**Country:** USA
---
## Tracklist:
1\. Wolfking
2\. Salt
3\. Moria
4\. Alkali
5\. Low Sky
6\. Frost
7\. Flail
## Dissecting the album:
**Wolfking** is the first track off of *Wheel Of Ghosts* and it wastes no time as it has a short introduction from a glistening synth followed by a heavy guitar riff which solidifies the emotion of the song. Each kick from the drum instills a sense of dread, like a stalking, creeping monstrosity. But it's not long until we get a short break as the next section is marked by sorrowful, yet catchy singing and the way the song transitions is perfectly timed and gives off an uncanny feeling, which seamlessly morphs into a clean, haunting melody crafted by guitarist Daniel. Remarkably, Daniel is credited with writing, recording, and producing the entirety of *Wheel Of Ghosts* on his own from late 2022, with the exception of a guitar solo on the fifth track, "low sky," which was written by his friend Harry Reyes.
**Moving on, about track 2, Salt.** It begins with a synth that could fit right into a video game, Some of them Hellir uses for inspiration, The Legend of Zelda, The Callisto Protocol, and various other books and movies. Following the intro, a slow, punishing riff marches forward, evoking the dense atmospheres and intriguing grooves reminiscent of bands like Cough and Lord Mantis. After the slow, dredging verse it turns into a spacious environment, still stalking with its minimal drums until we get a twangy, bluesy riff that fits perfectly with the vibe of the song and gives life to a sound that can on occasion overstay with its monotony and generic structure.
If you couldn’t tell by now, Hellir is a bit experimental with a sound ranging from atmospheric black metal to synthwave and other varying music styles, the next few songs will teach you; hereon it gets darker and more probing, The atmosphere shifts, feeling heavier in its metal sections yet whimsical and euphoric in its electronic bridges, with a nod to Peter Steele's essence to me personally.
**Inspired by 'Lord of the Rings,' the next song on the album, Moria** mirrors the grandeur of its narrative influence. It starts with an intriguing spacey synth or possibly a pad, building up to a compelling groove with a pronounced bassy tone that makes sitting still impossible.
The Lord of the Rings inspiration hits with a Gollum-like guttural phrase “I carry the ring, I hear it speak, I hear it speak to me.” and afterwards around 8:40 there’s a saxophone section that reminds me a little bit of White Ward.
Now, I've drawn a lot of comparisons to other artists here but I don't want to make it seem like what I'm describing isn't original or well thought out. Plenty of the choices made in this album I have seldom heard anywhere else, or at least never taken notice *enough* to be moved by them. There are plenty of unique features from multiple different genres that go well here when brought together, and I think that's the point. It is supposed to be adventurous and I believe the next song is a perfect example of that very concept.
**Alkali** opens with a reverb-drenched acoustic section, followed by vocals that expand into almost religious chant-like melodies, this part evokes a cavernous depth. I rather enjoy hearing pieces like this as it is sometimes jarring but can be woven with a proper dissonance to encapsulate sinister undertones. As I said we know what we're in for with the record up to this point but somehow each of these songs presents us something new to make our ears perk up.
With a ghostly intro that evolves into progressive, djenty rhythms, giving harsh vocals room to shine along the way, It then moves to heavier sections with reverb-laden vocals that introduce gothic choir type vocals, building up to a climax with an eerie piano piece that creates a dismal atmosphere. It picks back up into a dark, yet beautifully structured chorus that I can't help but play over and again.
The idea behind the lyrical content is that within certain forms of media you have relatable characters or events that take place and Daniel does a great job of making us feel the most engaging fragments with emotional choruses and song structures that guide you through the struggles of the main character.
**The hardest hitting song of the album Low Sky,** is similar to Wolfking in that we get a short intro that throws you straight into a dark world. This song is brutal, There's barely any respite, and pummels us for almost 2 minutes before we get to the guitar solo by Harry Reyes. There's maybe some death metal influence in there, of which I am a big fan, but if I broke it down even more I might say it's blues inspired. There's a lot to unpack here, especially being a guitarist myself; I think the walk down into a rising arpeggio is very smart. It carries the rest of the rhythm along but detracts us long enough to sharpen the melody giving a new vibe entirely. This song sounds like boss fight music to me and it's slowly becoming my favorite.
**Frost** is a song featuring a gothic intro with a groovy rhythm and a first verse that emits a mysterious aura, seamlessly transitioning into a symphonic, progressive, blackened experience filled with emotional melodic phrases and a chorus brimming with desperation.
**Frost concludes and fades out into the last song, Flail.**
I don't want to spend too much time on this one because my first couple listens really made me feel like if I had heard it earlier than now I wouldn't really understand it.
I will say this, it sounds like a perfect storm of the previous experimental song's unique qualities. There's a short piano section about halfway in and it could end here and be perfectly fine, but it picks up, and it becomes earthshattering, dark and slow worming its way into the listener's brain like a mantra until it cuts mid sentence, leaving just a few last seconds reverberating and fading away.
## Conclusion:
Bringing together synthwave, black metal, sprinkle in a dash of core with the groove metal, and you get this album. The production overall is pretty good, it's a little different from what I'm used to and I explore a wealth of other genres from softer music to the heaviest I can find. From a producer's standpoint here I think it's impressive to be able to merge these genres as typically it can be hard to walk the line between what is and isn't black metal depending on your favorite era. *Wheel of Ghosts* has a lot of second wave black metal but incorporates a little third wave as well, but I would find it hard to say that this is a foundation that Hellir sits on. This is a culmination of many styles, sounds, and emotions all into an experience that, just in under 25 minutes, is a welcomed surprise for experimental black metal.
8.5/10
Support them here: [https://hellir.bandcamp.com/music](https://hellir.bandcamp.com/music?ref=blackmetalzine.com)
## Your Thoughts On This Album?
Do you like it or hate it? You can share your opinin on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Prognan - Sjene Nad Balkanom
URL: https://blackmetalzine.com/prognan-sjene-nad-balkanom/
Last updated: 2026-07-16T17:19:24.000Z
**Band:** Prognan
**Album:** Sjene Nad Balkanom
**Genre:** Melodic / Theatrical Black Metal
**Country:** Croatia
**Label:** Independant
## Introduction
Are you as much of a fan of movies as you are of music? The mastermind, Kob, beautifully combines both passions with his band Prognan. Kob is a composer and owns his own label/studio called InfraSound Trailer Music. He has contributed musical pieces to movies such as Logan, Jurassic World, Doctor Strange, and many others. When he isn't busy creating music for Hollywood, he creates grand and theatrical black metal under the moniker Prognan. He is currently joined by the only other band member, Basher, on drums.
Prognan was formed back in 2008 and has since then released two EP's, one full-length and a compilation album. This new release Sjene Nad Balkanom is a direct follow up to the previous full-length album called Naši životi više ne postoje.
Sjene Nad Balkanom translates to "Shadows over Balkan" and is a made up story about a man who is lost in time, and is searching for the truth. Kob had this to say about the album in our [recent interview](https://blackmetalzine.com/interview-prognan/):
> "Sjene Nad Balkanom" is a completely different album than our first album. When I started doing it, I didn't want to create another "Naši Životi Više Ne Postoje." That album fits the time period it was set out to capture with the music we did. This one is musically different as well as lyrically. Each track is a story and a date in life of main protagonist. You get to know him, you get to know his friends and you have a lot of reading to do. More than you thought. If you just listen to it without lyrics, you are missing out big time.
>
> Kob, Prognan
## Sjene Nad Balkanom
The album is 1 hour and 15 minutes long, almost as long as a full movie. This is fitting because listening to Sjene Nad Balkanom is as much a visual experience as it is a strictly aural one. What do you mean by that, you may ask yourself? Well, with Kob's astonishing eye for detail and his use of samples of war, tavern brawls, and shrieks of human agony, all you have to do is close your eyes and instantly feel immersed in this world he has created, filled with chaos and violence. To reference other artists with a similar use of samples, one can look to the Ukrainian band 1914\. They are also masters of this; just listen to their creepy intro with Zeppelin Raids filled with sirens or the outro of repeating gunshots in "8 x 50 mm. Repetiergewehr M.95". The difference is that Prognan goes one step further and delivers its music and incorporated samples with 3D sound.
Church bells ringing are heard right from the start in the intro of "Marseljski Atentat". Vehicles are driving from left to right in my headphones, soldiers are running around, and shots are fired all around my ears. It's like sitting in a Dolby Atmos film theater. Kob's guitar riffs are powerful and familiar, with hints of riffs from previous releases, providing the thin red line of a story throughout the albums.
Prognan is not afraid of experimenting. Kob has added a big boogie-woogie part in the track "Tri Nacije", rapping in "Nikad, Nikad Bolje, Nikad Biti Neće" as well as "Miris Baruta I Ognja", and a live concert setting in the 6th track "Za One Koji Su Hrabri Samo Kada Ginu", which, by the way, is a stunning track.
I always know what I'm getting when I listen to music by Prognan, and with every listen, I notice small details I missed in my previous playthrough. Sjene Nad Balkanom is definitely one of those albums where a lot is going on in the songs. Some of the tracks get slightly too messy for my taste, which slightly lowers my overall rating of Sjene Nad Balkanom. However, with pros like ever-changing themes, beautiful melodies, and great storytelling, Sjene Nad Balkanom is an album that will receive many more playthroughs!
## Conclusion
Black metal? Check!
Death metal? Check!
War? Check!
Creepy fucking violins? Check!
3D sound? Check!
Am I in for a interesting listen? Hell yeah you are!
I can only suggest you to listen to the whole album, there are stand out tracks for sure, but this album is ment as a story and it would be a shame to not listen to it as such!
BMZ Rating: 9 / 10
Support the band: [Prognan | Bandcamp](https://prognanband.bandcamp.com/album/sjene-nad-balkanom?ref=blackmetalzine.com)
## Your thoughts On This Album?
Do you like it or hate it? You can share your opinin on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Morbonoct – The Higher Purpose
URL: https://blackmetalzine.com/review-morbonoct-the-higher-purpose/
Last updated: 2026-07-16T17:19:25.000Z
**Band:** Morbonoct
**Album:** The Higher Purpose
**Genre:** Symphonic Black Metal
**Country:** Ukraine
**Label:** Independent
## Introduction
Hailing from Kherson, Ukraine, *Morbonoct* mastermind Alexander Medvedev would release his debut LP *Anmet* in 2021 as a solo project, handling all instrumentation and vocals. *Morbonoct* regularly delved into deep, spiritual themes and told tales of cosmic horror. Joined by the Polish David Welnicki on the vocals in mid-2023, *Morbonoct* would continue to dive deeper into the realm of Symphonic and Cosmic Black Metal and deliver their latest offering, *The Higher Purpose* consisting of six tracks and boasting a runtime of one hour. Listeners are in for a journey of cosmic cold, doom, groove, choir, and melancholy.
---
## The Higher Purpose
Premiering on YouTube on the 16th of February 2024, the record immediately grabs the listener's attention with an epic bass-slapping intro, a unique element for a black metal record.
Here’s the tracklist for *The Higher Purpose*:
1. Mortal Shell
2. Labyrinth of the Damned
3. The Prayer
4. Comet King
5. Death and Rebirth
6. Beneath the Veil of Time
---
**Enter Mortal Shell - an 11-minute opening banger.** The riffs play out for a minute, setting listeners up for the record's mood. Welnicki's vocals come through as a haunting reminder for us mere mortal humans of the cosmic mysteries of unexplored outer space and whatever it is that might be lying outside our observable horizon… Whoever's in charge of the mixing and post-production here has done a fantastic job of adding enough reverb to make those grim, demonic screams sound spacey, no pun intended; they do not take away focus from Alexander's magnificent orchestration of keyboard, bass, and guitar riffs nor clash with them but rather complement and accentuate those to reach a new peak in *Morbonoct*'s artistic catalogue. Around the 4-minute mark, a gush of melancholic choir segments pushed far back in the mix, not far enough to be inaudible but just far enough to serve as an eerie memoir of the daunting fate humanity had always suffered and continues to suffer- the weakness of the flesh and the inevitable death of all beings.
---
*"Mortal shell so fragile and weak*
*Worthless meat, our destiny is bleak*
*in death's grip, our secrets we keep*
*unbearable reality until beyond we meet"*
---
These are the words with which *Morbonoct* expresses a yearning for a reality beyond the current, suggesting that the present existence is unbearable until reaching a state "beyond," possibly alluding to an afterlife or a different plane of existence altogether. An array of shimmering sounds and space ambiance take over the track near the 6-minute mark and is intercepted by a final breakdown moment before the choirs return, and the song slowly fades away. A marvelous display of the heights Black Metal can reach.
**Track No. 2: Labyrinth of the Damned** creeps through the speakers with a doom-esque start and slowly gets groovier and groovier until it crescendos and the space lasers raise the green flag for the vocals to shine right through, this time being a lot more raw and emotionally charged. The drum work shifts pace halfway through the song and gives the record a goth/post-hardcore punk influence as the tremolo picking continues, and it all combines into headbang fuel right around the 15-minute mark. The rest of the song is mostly the same- more lasers, switch-ups between blast beats and punk groove, and the disappointing absence of the opening bassline. The second half of this song is where the record begins to exude its singular con amongst a horde of pros- *its unwarranted extended runtime.*
**Track No.3: The Prayer** comes through with the same bassline I long yearned for, more of the same choirs halfway through and three verses. It honestly feels like a mixture of the previous two songs. It doesn't stand out for me, and its 10-minute runtime is unjustified because even if you throw in some acoustics and ambiance, it doesn't save the mediocre riffing from making the song feel like it has long overstayed its welcome. From here onwards, trying to dissect each song seems pointless given just how similar they all play: a minute of ambience, a minute of acoustics, a minute of choirs and a minute of riffs and screams that don’t stand out all that much.
So, let’s skip to the conclusion
## Conclusion
This record is rich in sound, variety and artistry, all of which are best displayed on the opening track. The vocals are powerful and fit the aura and atmosphere the record is trying to deliver. Bass shines through as the hero for me, while the guitars and drums are very standard and solid, they just don’t stand out from its contemporaries as much as the other aspects of this record do. Where the album fails the hardest is being concise. It will take a good moment and stretch it out and over-play it until it loses its magic, and it does this repeatedly until the record starts to get predictable. I would rate the album 7/10\. If they reduced the runtime of some songs by a third or maybe even a half, this would easily bump it into the 9/10 territory.
I would recommend everyone to check out the first track, *Mortal shell*.
BMZ Score: 7 / 10
Support the band here: [https://morbonoct.bandcamp.com/album/the-highest-purpose](https://morbonoct.bandcamp.com/album/the-highest-purpose?ref=blackmetalzine.com)
## Your thoughts On This Album?
Do you like it or hate it? You can share your opinin on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Vault Review: Ved Buens Ende – Written in Waters
URL: https://blackmetalzine.com/vault-review-ved-buens-ende-written-in-waters/
Last updated: 2026-07-16T17:16:19.000Z
####
One level above merely excellent composition is the ability to create an independent style
particular to yourself. On this cult classic, Ved Buens Ende succeeds in sounding like no other band
with their twisted sense of melody and jazzy rhythms.
## Introduction
Ved Buens Ende was (they have reformed a couple of times since initially splitting up in 1997 but nothing has come of it) somewhat of an unofficial black metal super group, consisting of people who spearheaded the Norwegian avant-garde black metal scene as members of other prominent bands alongside Ved Buens Ende. Drummer-vocalist Carl-Michael Eide (“Aggressor”) plays in Aura Noir and Virus, the spiritual successor of Ved Buens Ende; guitarist Yusaf Parvez (“Vicotnik”) plays in Dødheimsgard among other bands; bassist Hugh Stephen James (“Skoll”) plays in Arcturus. He also provided bass for Ulver’s black metal albums and Fimbulwinter’s sole long-play. It’s worth mentioning that these people are all multi-instrumentalists, and I only listed the role they play on this album.
When you look at the history of black metal, everybody knows the post hoc categorisation of first wave black metal followed by the Norwegian black metal scene, which most consider the defining black metal sound to this day. After the implosion of the latter, black metal split into regional and ideological subgroups. In Norway, a wave of avant garde black metal sprouted into the scene during this time. When talking about black metal beyond 1993, this wave easily gets overlooked when compared to the more eyebrow raising nazi black metal or American blackgaze and hipstery post-black metal. The style of Norwegian avant garde was characterized by heavy use of electronics, synthesizers, folk influence and other “proggy” elements. It was a big departure from the minimalist ethos of black metal (almost like what post-punk was to punk) and the “nerdier” appeal explains why the black metal crowd ignored it for the most part. Many albums from that scene have, however, gained a cult status in the underground.
Written in Waters isn’t exactly a typical example from that scene. For one, there are no synthesizers, weird time signatures (for the most part), and the soundscape appears traditionally black. But under the surface of black metal tropes there is a complex and original pallet of composition choices. One level above merely excellent composition is the ability to create an independent style particular to yourself. Ved Buens Ende succeeds in sounding like no other band with their twisted sense of melody and the driving momentum of
their rhythm section which makes the songs flow like a current of water. It’s hard to say who has the best performance among these musicians. Aggressor’s drumming in particular is jazzy and sounds like an endless sequence of drum fills without losing the groove. Vicotnik’s guitar playing is tight and precise in a way that’s more common to death metal, and the note choices are delicate but unexpected. Atypically for a black metal album, Skoll’s bass is very audible, and the basslines are actually great, acting as their own
independent melodies that offer counterpoint to the guitars, and sometimes even take up the role of main melody beneath all the confusingly dissonant guitar notes. The production is another strength of this album with every instrument sounding clear and crisp.
Pictures of bandmembers from around the time of Written in Waters...
The opening track I Sang For The Swans begins with a three-minute instrumental, that acts like an overture for the whole album. It would be tempting to call this intro pointless, as it is so clearly cut apart from the latter half of the song, but it serves a very important role in introducing the musical language of the band right at the beginning. The riffs use a call-and-response technique between lower, more rhythmic notes and open, high notes, creating a wide and atmospheric soundscape. In the base level, the root note alternates between E minor, a major third and a minor third. These same notes reappear in the bassline of the verse, implying that the two parts of the song are more connected than one might think at face value. Many of the notes here, like tritones, minor seconds and major sevenths appear not only in the latter half of the song, but everywhere in the album. It appears to me that Ved Buens Ende, together with Immolation, laid the groundwork for dissonant metal, which would flourish in the 2000s.
Eventually, the intro reaches a climax, and the guitar is allowed to ring out in the air, until it descents into the main riff, which is played in a more traditional strumming technique. This shift to simplicity allows the vocals to enter and capture the listener’s full attention with a wailing melody that has a tinge of microtonality in it. The clean vocal style is very unique to this band, sounding nothing like typical black metal singing. But rather than feeling out of place, the theatrical delivery and oriental-sounding melodies add to the alienness of the music while giving the songs direction and memorability, which could easily be lost if they instead tried to shoehorn in as much dissonant weirdness as humanly possible. Eventually the song introduces some black metal shrieks by Vicotnik, reminding the listener that they are still listening to a black metal album.
The lyrics appear as disparate poems, obscure trains of thought, yet there is re-emerging imagery that ties them together: desert fields, flying, feathered beings, an approaching storm… We can see the desert and the storm in the album cover, which recalls the art of Salvador Dali. In the centre stage are these pale, skeletal figures, that look like they are made of glass, twisting in agony. There is clearly a story, but it’s abstract and I won’t bother unravelling it here. I will say that there is a feeling of true Lovecraftian horror
(as well as Greek tragedy) here: I’m not talking about the tentacled monsters and ancient aliens that have become synonymous with it, but the incomprehensible horror at the outskirts of human reasoning. Lovecraft’s early work in particular included many stories of fantastical lands where human logic failed, like in the story of this album. This line from the opening track always manages to waken similar awe and discomfort in me:
*“Let the fallen hear:*
“It never rains around here.”
Third song It's Magic slows things down with arpeggiated chords, before delving into some of the most chaotic composition on the album. It’s also on this song that Aggressor has his most manic vocal performance yet, his wails standing somewhere between pain and euphoria.
Den Saakaldte, one of the longer songs, is also one of the most straight-forward ones. The song starts off with some pretty standard black metal chords. Here the presence of the bass is really highlighted, and the bass melody is almost reminiscent of classic Tommy Iommi riffing. This song suffers a little from a general lack of direction with lots of stylistic variation. The doomy middle-section stands out in its epicness. The song slows to a halt, until it explodes into orchestral cacophony near the middle-point of the album. After this it transitions into possibly the most old-school point of the album, with blast beats and growling vocals making their first appearance after this opener. Overall, it does make for one of the best climaxes here, even if the song is a bit disjointed.
Autumn Leaves is the Ved Buens Ende song you can play your grandma: it features no distorted guitars or harsh vocals. If the female vocals here sound familiar, that’s because they were sung by Lill Kathrine Stensrud, who also provided vocals and played a flute on – again – Bergtatt. Weirdly, the song doesn’t feel out of place and manages to maintain the dark atmosphere.
Remembrance of Things Past is the emotional finale of the album, and structurally one of the best. Here the band goes full prog with a jazzy intro transitioning to a tremolo-picked frenzy. The middle-part has one of my favourite riffs on the album, a weird mix of the signature upstroked middle eastern chords and galloped melody. The album descends into an extended orchestral part, calling back to track four. This time it’s easy to hear the pianos, accordions and violins battling dissonantly. The cacophony is cut by a knock on the door and a voice answering, a part that sounds almost like a studio mistake but with this band it’s hard to say if that’s the case. This is clearly a transition point in the story, as the song then continues with the same melody as earlier, just with an acoustic guitar playing it. Two things are worth noting here: firstly, the riff is special in how natural it sounds both with and without distortion; secondly, this is the only part on the whole album that acoustic guitars are used (there are clean electric guitars at various points, but never acoustic before this). It feels like a sort of awakening from a story point of view, a shift from obscurity to clarity through chaos. We come closer to finding out the origins of the protagonist, with these lyrics especially sticking with me:
*“Witches painted me,*
*Like the mysteries created me…*
*Like where the poets breathe,*
*I were woven into blasphemies…”*
These lyrics are first growled by Vicotnik, then sung by Aggressor over the distorted guitars, and finally over the acoustic, adding to the idea of awakening. There are some problems with the lyrics of the last two songs, as the lyrics given for track nine are sung on track eight, and the actual lyrics sung on track nine are muffled and hard to make out. The instrumental on the closing track includes accordions and a piano rather than guitars. The music has now achieved consonance, but the piano is out of tune and the accordion just feels alien to a black metal album. Despite coming close, the album doesn’t offer resolution to the listener. It feels like even after making the journey out of the desert, there is irreversible damage that’s left.
Ved Buens Ende, current day
The reason why genre fusion typically fails is that bands use it to compensate for their lack of originality by mashing together unrelated genres in a way that enhances neither one. While Ved Buens Ende does take elements from folk (You, That May Wither), speed metal (Den Saakaldte) and jazz (Coiled in Wings), they never leave the context of black metal. Since these genres have always had an influence on black metal (safe for maybe jazz) they don’t clash with the music, allowing the band to focus on the songwriting rather than aesthetics.
I’ve heard criticisms of this album accusing it of postmodernism, but this is a misunderstanding of postmodernism. If I had to describe this album with an art term, it would be surrealist. From the cover art to the subject and compositions, everything is dreamlike and contradictory, but unlike postmodernism, this album doesn’t try to make the musical and ideological elements of black metal
meaningless by deconstructing them but expands them to portray ideas that linger outside the immediate human awareness. For a purist, that sort of transcendentalism might be distracting, but for others it provides new artistic frontiers to explore.
Ved Buens Ende never released an album after Written in Waters, and so it stands as the sole work of art from these three musicians together. Though they released music through different projects, the lightning in a bottle moment was never recaptured, and the quality of those works doesn’t quite reach as high as this. According to Vicotnik, who was only 18 when Written in Waters was released, the band became too analytical and perfectionist, and this ruined their improvisational and creative way of working. Despite this, their influence lives on in the post black metal and dissonant metal of the 21st century.
10/10
---
Ved Buens Ende, live at Inferno 2022
## Your Thoughts On This Classic?
If you haven't listened to this classic already, make sure to do and then please feel free to share your opinion. You can do so on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Interview: Corax B.M
URL: https://blackmetalzine.com/interview-corax-b-m/
Last updated: 2025-11-10T11:59:27.000Z
Hailing from Athens, Attica - Greece. Corax B.M. Founded in 2021\. We've had the honor to interview the band. Discussing the debut full length along with other topics related to the their inspiration as a band their writing process and more.
#### *First I want to discuss the name of the band, Corax B.M. Any reason you chose this specific name and how does it tie in with the overall concept of your music?*
The name Corax is my Nickname. I always wanted to do a Black metal solo project, but I couldn't play the drums. So I found a good drummer (Morker) and we started recording our first songs. Then Peisithanatos and Ennea came, and we became a solid band under the name CoraxBM. Corax in Greek means Crow and I can't imagine something more dark and Black than this beautiful bird has to offer. The concept of the band fits perfectly with our quote that darkness flies high.
#### *You recently released your debut full length titled “Pagana” although I didn’t understand the lyrics as most of them are in your native language, Greek. The music itself speaks many words. The atmosphere and the influences of traditional Hellenic BM, Early Rotting Christ and Necromantia come to mind. I believe you recorded this album with 2 bass guitars. One 6 string and a 4 string, which also reminds me of Necromantia. Yet, you retain your personality throughout. You described your music as Pagan Black Metal with influences of Thrash and Hardcore. I want to discuss the concept or vision of the album. Is there anything you would like to share regarding this?*
Yes, of course. As you mentioned previously, the lyrics are mostly in Greek. The specific reason is that I can express the feelings of the band better in my native language. No problem with English, though. We are an open-minded band, and that's why we decided to use a Vi Bass guitar and a 4-string bass on the Pagana album. I and Peisithanatos we are bassists, and we felt that with these instruments it is like singing in our native language. Of course, we are Greeks. And of course, we love Necromantia and Rotting Christ, but we have many Punk and Hardcore influences too from the Greek Punk H/C scene. We think that we have achieved that Pagan feeling as we sang in our language and the 2 basses give a darker and heavier riff and lead sound. Of course, the additional vocals of Ennea in the album make the difference.
#### *What goes into your creative process as a band?*
Simple things, my friend. I have an idea, a riff for example. When Peisithanatos visits me for a beer we take the Vi basses and I start riffing and he starts leading. We don't trouble our minds very much. If the riff is good and the lead fits here we go… We like to have our minds and souls free. Black Metal gives you the freedom to do whatever you want under the black Veil.
#### *What are some of your inspirations musically and lyrically?*
From the music, we get plenty of inspiration. Such as Hellenic BM, Scandinavian BM, Punk and Hardcore and for me, a lot of Old Sepultura stuff. But I have to say that we owe much to the Greek traditional songs that inspired me for the Lyrics. Ok, as a BM band we will discuss Christ and Satan about Lucifer and Prometheas but believe me my friend…. There are stories in the Greek villages (myths and spells) that are also very dark and creepy… Pagana song says such stories…
#### *Were you always interested in creating black metal or did you have any other explorations before this?*
I had some other bands and projects before CoraxBM (not BM) and also Peisithanatos. For Morker, CoraxBM is his first band. Morker is a Metalcore drummer and his influences are from that style. My background is from various genres. In my early age (12-20) I was into Punk H/C Thrash etc. In my 20s to 30s I became a Gothic Metaller. And life's difficult experiences and hard moments brought me to BM 13 years ago and now in my 43 years of age, I feel that I found a great musical place to be. Peisithanatos also has played in plenty of bands with different styles. We are Black Metallers in heart and soul, but we appreciate good music even if it is not Metal.
#### *Is Corax B.M a studio project or are there any plans to play live?*
We are a live band. For our e.p Spread the Occult, we performed 4 times live. On the first of March, we have a live presentation of our album Pagana in Athens. And, of course, if we are invited to other venues and places to present our work, we will be glad to do it. We enjoy playing our music live, but not every week …or month. After all, we are a Black Metal band, and we think that 5 to most 10 live performances per year are excellent for us.
#### *What are some future plans for the band?*
As I said before, we have a live presentation on the 1st of March in Athens. And after this, we'll play some other gigs to promote our music. And not only in Greece. We will find gigs in Germany, Poland, Holland, Belgium, Austria, and Bulgaria. And, of course, if some other countries want us to go.
#### *Thank you for accepting this interview. Any final words you would like to share?*
Thank you for having us.
No to stereotypes
Black Metal is freedom!!!
## Your Thoughts?
Please let us know what you think about this interview and band on our social media channels, or join us on [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
## Links
Facebook :
Instagram : [https://www.instagram.com/coraxbm/](https://www.instagram.com/coraxbm/?ref=blackmetalzine.com)
Bandcamp : [https://coraxbmthecircle.bandcamp.com/album/pagana](https://coraxbmthecircle.bandcamp.com/album/pagana?ref=blackmetalzine.com)
Spotify: [https://open.spotify.com/artist/0taoRitYPctZQO8GdXAOAl](https://open.spotify.com/artist/0taoRitYPctZQO8GdXAOAl?ref=blackmetalzine.com)
### Review: Pyra - Those Who Dwell in the Fire
URL: https://blackmetalzine.com/review-pyra-those-who-dwell-in-the-fire/
Last updated: 2026-07-15T18:31:04.000Z
## Introduction
**Band:** Pyra
**Album:** Those Who Dwell in the Fire
**Genre:** Blackened Death Metal
**Country:** Italy
**Label:** Immortal Frost Productions
Pyra, a Blackened Death Metal band from Italy, are about to release their first full album, and we are ready to share our thoughts on it with the rest of the world.
But who are Pyra or better yet, who are the bandmembers? The band was unknown to me, they did release an EP in 2022, but since there is a tsunami of black metal releases each year, I don't expect to know of all of them.
So who are the members behind Pyra. Well, according to Metal Archives, they all use the first letter of their names; I. on guitars, L. on vocals, guitars and bass. And finally, we have E. who handles the drums.
All the members have prior experience in other projects, which includes bands such as Progenie Terrestre Pura, An Ocean Between Us and Dead Chasm. Most of these bands are unknown to me, but I do know of Progenie Terrestre Pura, which is a black metal band with sci-fi influences. So, with the formalities out of the way, what can you expect from their full album debut?
## Those Who Dwell in the Fire
The album contains 6 brand-new tracks with a run time of a bit over 43 minutes. Which is a decent about of time, not too short and not too long. Personally, I'm not that big of a fan of albums that last more than an hour, but that's having more to do with my attention span than the lack of quality.
1. Cacus
2. Summit of Existence
3. Palingenesis
4. Becoming
5. Purified in Infinity
6. Funeral Pyre
So you bought the CD, or you're listening to it for the first time through your favorite streaming platform, what is there to expect? The build up on the first song, “Cacus” is strong, it sounds like a storm coming your way. It swells and builds momentum, then the guitars kick in. This momentum build up goes on for a minute or so as the storm keeps building towards its most furious just as the vocals come in.
About the vocals, that's the only thing that I, personally, don't like about the album. For me, they come off as too monotone. They do change sometimes in a few of the songs, but overall, it's way too close to pure death metal vocals for me to fully enjoy them. But I also know that's a personal taste and others might not mind it, or even like it. I am more into the icy and cold vocal style typical of black metal, so this just ain't my cup of tea. But the vocals are one part of the music, and you know what they say “The whole is greater than the sum of its parts” so we will focus more on the whole for now.
And the sum of the parts makes for a decent album. You can hear it's all put together very well, the instruments sound great, and the vocals are mixed great with the instruments so that it makes for a coherent album. The album itself, for me, sounds more towards the Doom sound than black metal / death metal, but that could, of course, be my interpretation of the sound.
The song that appealed the most to me is the fourth track “Becoming” from the start of the song it's fast-paced with nice drums and riffs. Like I said, the vocals are not my kind, but they do fit very well with the music.
## Conclusion
Pyra delivered a decent debut album, and I am excited about what will come in the future. To what kind of listener would I recommend this album? If you are in to blackened Death with Doom influences, this album will be a perfect fit for you. For all the others, just give it a try and form your own judgement.
BMZ Rating: 6,5/10 (Above Average: The album has some standout moments and demonstrates competence in its execution. It may have a few memorable tracks or showcase some unique elements.)
## Your Thoughts
Below, you will find the music video that got released for the track “Summit of Existence”
You can Order / Stream Album here: [https://lnk.to/TWDITF](https://campaign-statistics.com/link%5Fclick/O1MglZCIhQ%5FMuq15/b9fc24f694b49767738323a168ac8e9c?ref=blackmetalzine.com)
What are your thoughts on the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Moreover, take a look at our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Køldbrynger - Totenblut
URL: https://blackmetalzine.com/review-koldbrynger-totenblut/
Last updated: 2026-07-15T18:31:05.000Z
#### When executed properly, art can disturb us, creating some of the strongest emotional reactions possible. Køldbrynger achieves this effortlessly.
## Introduction
**Band:** Køldbrynger
**Album:** Totenblut
**Genre:** Raw Black Metal
**Country:** Germany
**Label:** Journey to the End
There is something to be said about our under appreciation of the feeling of being disturbed. Humans knowingly avoid this feeling to the point that even the English language appears to be unsure how to speak about it. You can call something disturbing, but the feeling of experiencing that *something* is not usually what we mean by getting disturbed, which can also mean the very mundane feeling of losing your focus on something due to an external “disturbance”. What I want to focus on here is that feeling that borders fear. It has something to do with the uncanny and humanity’s inability to look away from horror even when physically repulsed by it.
When executed properly, which is not an easy task, art can evoke this feeling in us, creating some of the strongest emotional reactions possible. There’s only so much joy or sadness one can feel before it becomes numbing, and our attention moves on to a new feeling. Disturbance only seems to deepen the longer you are exposed to it. Saturn Devouring His Son by Goya, The Lighthouse by Robert Eggers, and obviously plenty of metal, achieve this. Carcass, Mayhem, and Wagner Ödegård are some of the best examples to me.
Køldbrynger achieves this effortlessly.
## The Album
This German project is headed by guitarist, vocalist, and bassist Køldbrynger, with producer Kalthavn providing drumming on all and vocals on a couple of tracks of this album. After being founded in 2021, Køldbrynger has released a selection of demos and an EP over the last two years. Totenblut is his first solo album.
The sound and style follow raw black metal tropes – Køldbrynger himself describes the music as “Hessian maniacal black metal". The soundscape here is violent, barren, and visceral. Two to three riffs per song is enough when the riffs are actually good. It doesn’t need to be said, but you can make a black metal album without tons of guitar effects and background synthesizers. I don’t necessarily dislike those when they are utilized well to add to the substance of the compositions, but if they are only there to distract the listener from the lack of substance, you could do better without them.
The vocals are unhinged in just the right way. Singing might actually be the biggest strength of multi-instrumentalist Køldbrynger. One of the biggest highlights of the album is on III. Kugelsturm, where the song alternates between vocal lines from Køldbrynger and who, I assume, is Kalthavn. The low, beastial feature vocals create a great contrast.
The lyrics don’t aim for unnecessary poeticism. Instead, they are direct and blunt like an attacking weapon. Whether it’s in front of war, homicide, or your hand, the lyrics describe the worthlessness and expendability of human life. There’s no god to save the victims of this violence. Køldbrynger describes the ties to other humans not as a valuable thing that makes life worthy, but rather a binding prison that makes death unworthy:
*“Nur die Nähe von Menschen hält mich noch in dieser furchtbaren Welt”*
The final lyrics of the album, however, do say that a light has redeemed the main character upon death, so I have to wonder if there is something more nuanced beyond the nihilism.
Throughout the album, there are audio clips that sound like they are from a horror film, a common trope for metal albums ever since Sabbath. As usual, these add a lot to the disturbing atmosphere I talked about earlier and even the cohesiveness of the album. On my first listen after finishing the sixth song, I thought the album might end, as the piano outro felt like it mirrored the ending of the first song, only for track seven to kick in with the screams of a woman, sounds of stabbing and the cracking of a skull. The latter is accompanied by the beginning of the main guitar riff, which adds to the feeling that the guitars indeed are like weapons, crushing bone and flesh on their way. This all works like a musical assault on the listener, which is exactly how I want to feel when listening to this type of music.
After this *Blutzorn* (Blood rage) of a song, the outro, listed as a bonus track, opens with a clean guitar melody and more horror audio. The screams in the background are muted while the guitar melody feels unbothered and monotone, not particularly creepy by itself, on top of them, almost like it’s acknowledging that human life continues even in the presence of pain and horror. Similarly, in the first moments of the album, we hear a man whistling care freely while digging… something (we all know it’s a grave). Life has no value here. We are able to keep living and close our eyes and ears from the ones who are dying. Perhaps that’s the most disturbing idea brought up by about this album.
Overall, Køldbrynger doesn’t reinvent raw black metal, but executes it well to make for an experience, that is violent, and a hundred-percent black metal.
BMZ rating: 8 / 10
## Your Thoughts
What are your thoughts on the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Moreover, take a look at our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Beyond Melancholy - A Lifelover…
URL: https://blackmetalzine.com/review-beyond-melancholy-a-lifelover/
Last updated: 2026-07-15T18:31:06.000Z
#### Beyond Melancholy’s newest release, ‘A Lifelover…’ is a middle of the road release from them, but still a good album on its own. It hits all the notes that the genre needs, and it has a great depressive atmosphere.
## Introduction
**Band:** Beyond Melancholy
**Album:** A Lifelover…
**Genre:** Raw BM, Depressive Suicidal Black Metal
**Country:** Italy
**Label:** Unsigned
Beyond Melancholy’s newest release, ‘A Lifelover…’ is a middle of the road release from them, but still a good album on its own. It hits all the notes that the genre needs, and it has a great depressive atmosphere. The band has released countless EP’s, splits and 3 albums before this one, with this album cementing their style further. Considering their earlier releases, mainly the EP ‘Hypothermia’ you would not be crazy to assume that the title of this is likely a reference to the popular band Lifelover. An inspiration like this is not uncommon, but this take on their music is interesting to say the least.
## A Lifelover...
The album itself, and the track ‘The Time Has Come’ starts with no count in, it just starts the music. There’s no melancholy before the heavy music, no intro. Like the name of the band, this is beyond just being melancholic; no time for soft guitars. A single distorted guitar playing a melody and a simple drum pattern is the start to this, with screams; or should I say phlegm hinted cries being sprinkled over the depressive, repetitive music. A second guitar bleeds in to play a lead melody, both guitars fighting to reach your attention first. The song fades out in a slow way before leaving you with a short silence.
The next song, ‘Absent From Life’ starts with a clean intro this time, and it’s a good one! It’s not complex but the emotions it can send is very much the opposite. It quickly ends and the heavy guitars and drums come back in, with vocals, just like the last song; all around a pretty standard heavy section but regardless a good intro to the song. The drums get faster and the riff changes, a lead comes in with an absolutely sick melody; the vocals switch out to a more Trist (Sebevražední Andělé) style sound and the lead guitar drops out. The song goes back to the intro riff with the slow drumming, the clean guitar joining soon after it comes back in. The song is slowing down from the high and then the drums and distorted guitars stop. It’s only clean for the outro. The outro melody is just beautiful, no words for it.
The third song, ‘Romantic Depression’ starts again, with no count in like the first song. It starts basic and then a clean guitar (or maybe a synth?) plays over the heavy bit, switching to a rock and roll type beat, like most Black Metal songs have; quickly back to the melody from before, with a lead guitar on top of the pile. The lead guitar is typical, but that doesn’t mean it’s bad; not at all. The music starts to build up and the synth drops out, coming back in as the climax clearer and louder than before and it’s just a great melody. No words for it really. The song fades out after this.
The sudo-middle song, ‘A Lifelover…’ starts with a great riff, reminds me of another band but I can’t think of which. It’s good, and it goes through the same-ish drum pattern the song before did, then slowing down which just fits so well and sounds great. A drum fill follows into a slightly faster beat, with the guitars staying the same. It feels like a new section, but it’s tied to the other. Probably my favourite section of the song, the slow bit is great, but the title of this song should’ve been used for a later song. This is just an ok song.
Track five starts slow and with a great distorted melody, a melancholic lead guitar joining on top that almost brings me to tears on a first listen. The next melody after the other guitar drops out is great as well, the song speeding up and switching from the melody to a riff that fits super well with the rest of it. Slowing back down, and it starts to sound similar to the last song before going back to the intro melody, those vocals from song two coming back and just fitting so well; the lead joining in and giving the song maybe one of its highest points. It follows the same pattern of drumming and riffing from before, tapering off and ending the song.
The second last song, ‘Lost Inside’ has a melody similar sounding to the first song, but different. This one feels more dissonant and like something is wrong, *really* wrong. Then, like the songs that followed, it goes to a riff that’s nothing special, but still good. A new melody follows, which is potentially one of my favourites on the album. It’s just some chords then some notes but damn if it doesn’t make you feel hopeless. A great DSBM riff that just captures the genre and what it means follows this and a lead guitar goes on top, turning this into something real special. Slowing back down from the high, it lingers and starts to speed up a bit; with that great melody from before coming back. The chorus, so to speak, starts and it’s just so good. I can’t get over it, it's just so special. It loops back to the formula of slow and fast and, again, fades off.
The last song of this album, ‘Left To Himself’ starts with a great riff; just melancholy. It starts the formula of slow and fast, with another melody like from the last song. Again, this just is special to this album, it feels. Within this cycle of slow-fast, it switches out the riffs played; spicing things up a bit to not get stale. The drums leave and clean guitars play a melody, with some ambience in the background; just perfect. The drums come back and a melody that sounds like the clean one plays over the riff, giving this album the climax it deserves. Clean guitars return to end this interesting journey. A great ending song overall and a good album overall too.
## Conclusion
Although a bit on the safe side, sticking to the same ideas, it executes them well enough to not just feel like one song repeated over and over. Keeping the album majority distorted is a good idea too, keeping it in the more straight up depression rather than the melancholy that a clean guitar serves.
Rating: 8/10, not the most original, but one of the best at doing what’s been done.
## Your Thoughts?
What are your thoughts on the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Moreover, take a look at our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Den Edele Dood - The Glorification Of All Things Light
URL: https://blackmetalzine.com/review-den-edele-dood-the-glorification-of-all-things-light/
Last updated: 2026-07-16T17:16:20.000Z
## Introduction
**Band:** Den Edele Dood
**Album:** The Glorification Of All Things Light
**Genre:** Ancient Black Metal
**Country:** Smallingerland, Friesland/Netherlands
**Label:** Canti Eretici Productions
## Side A
I describe the first track, “The Glorification Of All Things Light,” as magnetic. Taken from the album of the same name by the Dutch solo act “Den Edele Dood” (or “The Noble Death” translated to English), the song begins, and you're hit with a wall of sound from a church organ, a brass section, and synthesizers. We have our theme established, and the song picks up with thundering blast beats and I believe a guitar, which is interesting as it is atypical in most of De Jong’s work, primarily he plays bass. We do get a moment to breathe at 1:12, though the song doesn't change much. In the bridge, the blast beat drops out while the melody remains the same. However, there is now additional noise, including Maurice's tormented moaning slowly fading out. If this is your first time listening to one of his albums, it may be unsettling or even fascinating. The second song, “The Entombment of the Sacred Heart'' begins quietly, ramping up with a shared structure of the first song, suggesting that Den Edel Dood intended this continuity. This song extends the ambiance of its predecessor, creating a monotonous, chant-like atmosphere that is present in every track. At 2:57, the drums drop out, and the melody, now filtered, sweeps over a sample of the 'Litany to the Sacred Heart,' which has been slightly altered from the original Catholic prayer. “Heart of Jesus, Son of the Eternal Father, have mercy on us. Heart of Jesus, formed in the womb of the Virgin Mother by the Holy Ghost, Heart of Jesus, united substantially to the Word of God, Heart of Jesus, of infinite majesty, Heart of Jesus, holy temple of God, Heart of Jesus, tabernacle of the Most High, Heart of Jesus, house of God and gate of heaven.” After the prayer, the song resumes its original form with more furious drumming and the initial melody, culminating in the last 30 seconds with a violin fade-out. The overall atmosphere of this piece evokes the experience of a soldier who has endured war, faced indescribable events, and now finds it all ending as abruptly as it began.
## Profile
> Maurice de Jong, also known as Mories, is a renowned Dutch composer and musician born on September 5, 1973\. Famous for projects like Gnaw Their Tongues and Seirom, his work blends ambient, black metal, drone, electronic, and avant-garde music to create unsettling, nightmarish soundscapes. Recognized for his prolific output, de Jong has consistently released at least three albums annually since 2007\.
>
> \-Rewrite of his Wikipedia introduction
## Side B
Continuing on to my favorite part of the album. Track four, “I Was Send From Heaven'' starts off with a strong chord progression with a wealth of instruments, I hear horns, an organ, brass, or maybe even a string section. (Obviously mostly midi) It's loud but sits well, and like most of the album, with the constant barrage of blisteringly fast drums this song sort of buries them behind a wave of noise and it's a lot to process everything going on, even this far into the tape.
This song sounds like a battle between angels and demons, and the overall movement of the melody with the organ and other instruments seems to give a mysterious, hopeful tone climbing up ever higher right up to the end.
We are victorious, or so we thought.
From this point forward, the album transitions into a darker atmosphere, characterized by a more experimental feel, while still maintaining its theme. The fifth track, titled “Spiraling Into The Inferno,” masterfully evokes the theme of a fall from grace. As we plummet further into the album, articulating the experience becomes challenging, relying more on the emotion it invokes and its overall cohesiveness. Mories employs blast beats, harsh noise, choral phrases, and liturgical instrumentation across all his projects. However, in this context, these elements are twisted into an unconventional form, offering a haunting yet, to me, almost divine experience that I have found in few places.
Last but not least is 'Strange Lights In The Woods.' It begins with a short, eerie intro featuring an otherworldly synth that gets stuck in your head. This piece gives me the feeling of having just experienced a close encounter of the fourth kind. In my opinion, Mories excels at creating an unsettling atmosphere that lingers long after the music has stopped.
After the intro, a strange melody emerges from the pad that, upon close listening, reveals a somewhat somber progression. This incongruent dissonance, combined with tormented vocals and furious drums, pulls you in like a tractor beam. Not only does the melody persist until the end, but the absence of breaks forces us to sit through this intense experience. However, being the second-shortest song on the album, it doesn't overstay its welcome.
## Conclusion
Listening to the whole album at once works best, especially with Maurice's music, which, I think, is meant to be enjoyed as one big piece. It's just the right length and flows together well. This made me enjoy the album even more, as it didn't overstay, or linger too long. This might not be my favorite album from Maurice, but it's definitely high on the list! I give it a 7 out of 10! Of his other albums, I recommend 'Abyss of Longing Throats,' 'Gospel of the Burning Idols,' and 'GENOCIDAL MAJESTY’
## Thoughts?
What are your thoughts on the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Moreover, take a look at our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Inquisition - Veneration of Medieval Mysticism and Cosmological Violence
URL: https://blackmetalzine.com/review-inquisition-veneration-of-medieval-mysticism-and-cosmological-violence/
Last updated: 2026-07-15T18:31:08.000Z
#### On their ninth album, Inquisition paints a microcosm of the dark middle-ages, an era where heroism and evil were not mere aesthetics but reality.
## Introduction
**Band:** Inquisition
**Album:** Veneration of Medieval Mysticism and Cosmological Violence
**Genre:** Black Metal
**Country:** Colombia (later USA)
**Label:** Agonia Records
Seattle’s Inquisition needs no introduction at this point. Formed by Dagon in 1988 in Colombia, the band has remained one of the most essential and consistent American black metal bands. On their newest effort, Veneration of Medieval Mysticism and Cosmological Violence (truly an Inquisition album title if I ever saw one) the two-man band doesn’t reinvent the wheel, nor do they need to. The album, released by Agonia Records on the 26th of January, is full of raw, melodic guitar work, blast beats, and guttural singing, with the occasional atmospheric interludes and more dissonant riffs thrown into the mix.
Inquisition, to me, stands out best with their ability to take very consonant, you could even say happy melodies, and turn them into authentic black metal madness, like a triumphant celebration of evil. They achieved this best on their two albums at the beginning of 2010s (I’m not spelling out those titles to save ink).
## The Album
One this newest album, Inquisition sounds a bit more ethereal, utilizing reverb heavy leads that sound almost shoegazy. It’s certainly not Deafheaven though, so don’t worry. In fact, I think Inquisition can condense the music to the purest elements of black metal with nothing extra, while still sounding like themselves. These reverby leads are best utilized on songs like Memories Within and Empty Castle in Ruins or the opening Witchcraft Within a Gothic Tomb. There are other interesting production decisions, such as the weird humming sound the guitars make on Sorcery Through Crystal Eyes in Search of the Devil or the clean singing and melody-laden guitars on the outro to the title track. These moments nicely break the monotony that many black metal albums are prone to.
The most fascinating track here is Light of My Dark Essence, which is characterized by a polka beat that makes it stand out from the normal blast beats that most songs have. I’ve always liked polka beats in black metal because of the weird contrast they create (polka is usually upbeat and happy, while black metal… isn’t). The song also alternates between a 3/4 and 4/4 beat, which is needlessly jarring and doesn’t really add to the composition, but again, it stands out. The band lays beautiful clean background vocals on top of the somber guitar melodies, and the middle-section of the song uses some delicious dominant seventh chords, which you don’t hear too often in metal.
Lyrically, you have your standard satanism here, but with the twist of added medieval fantasy, as the titles may have spoiled. There’s dark magic, gothic castles and prayers to Lucifer woven into these songs. It all together paints a microcosm of dark middle-ages, an era where heroism and evil were not mere aesthetics but reality. Thus, philosophically, the album fits interestingly in the family of Enslaved or Summoning, unlike the more cosmic black metal of their previous albums.
## Conclusion
Overall, this is a decent album in a genre saturated with the average. It doesn’t reach the epic heights of their early 2010s albums in my opinion, or the bestial rawness of their early stuff, but it’s a worthy addition to their strong discography.
BMZ Rating: 7 / 10
## Your Thoughts?
What are your thoughts on the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Moreover, take a look at our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Assaka - The Diabolical Miasma
URL: https://blackmetalzine.com/review-assaka-the-diabolical-miasma/
Last updated: 2026-07-16T17:19:25.000Z
## Introduction
**Band:** Assaka
**Album:** The Diabolical Miasma
**Genre:** Raw Black Metal
**Country:** Japan(?)
**Label:** Unsigned
‘The Diabolical Miasma’ a true raw black metal demo, is a real treat for the ears. It starts with an intro, like many demo tapes, that builds a creepy ambience, with a bell ringing out; like the funeral toll.
It leads us perfectly into the first proper song, the title track “The Diabolical Miasma” It begins with a slow beat accompanied by a single guitar playing a distorted melody; almost tipping over the edge into an amateurish black metal sound, but just keeping us on the right side. After the vocals come in for a short while, the riff changes into a more typical black metal riff with blast beats and some almost unnerving vocals; not in the way you’d usually expect. These vocals sound like somebody in pain but still has to muffle their scream, and it fits the music well. The drums break off as a new riff similar to the last plays, a great bridge to the next part. The drums come back, and we are back to the drum patterns from the start, almost feeling like doom metal inspired music at this point.
Second song, “Hellish Abhorrence” is straight to the point, no slow starts here; blast beats and vocals and the whole package is just there at an instant after a shirt count in. Just like the last song, the riff is typical of black metal; no groundbreaking stuff here, just some heavy stuff. Then it goes into a slower bit with an absolutely sick riff with that slow drumming like from the last song, that quickly goes back to the intro riff where it goes back and forth between both riffs. It stays on the slower riff with the drumming getting more kick heavy, before quickly going to the intro to end the song.
The second to last track, “Vomit on Sacred” doesn't even have a count in this time, just a good riff that lingers at the end a bit to let the vocals come in and keep you on your toes. The song keeps this pattern for the remainder of it. Due to the short length and the repetitive, though still good riff, it feels like a half-baked idea rather than a proper song fit for a demo.
The final song, “Possessed by Death" like earlier in this demo, has a hi-hat count going into this really cool riff, that feels almost like an early Mayhem riff if that makes sense. The vocals come in like the rest of the songs from before, and it lingers on this; same as the rest, but then it changes the riff into these droning power chords, quickly going back to the same as the start, then slowing it down like the first two songs did. And then probably one of the best riffs from this demo comes in, this nice riff with what sounds like a pulse from the guitar which just adds to it. The riff stays around for the perfect amount of time, before going back to the typical riffing and drumming, as the song and the demo as a whole comes to an end.
## Conclusion
This demo is a very raw, atmospheric and almost well baked record; with only a few sections that bring it down. The second last song, for example, could’ve been much, much better, but it ends up being a very basic song that hadn’t gotten the attention it deserved. The way the songs linger on their riffs and sections reminds me of other records and the mixing doesn't really sound like many albums I’ve heard before, making this very much a one of a kind to me; even more because of the different vocals. I don’t know how to feel about the vocals as a whole really, some variation would’ve been brilliant, but the peculiar style they chose for it fits most of the songs; so it never really clashes with the music itself.
BMZ rating: 7,5 / 10
## Thoughts?
What are your thoughts on the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Moreover, take a look at our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Griffon - De Republica
URL: https://blackmetalzine.com/review-griffon-de-republica/
Last updated: 2026-07-16T17:19:26.000Z
## Introduction
**Band:** Griffon
**Album:** De Republica
**Genre:** Atmospheric/Melodic Black Metal
**Country:** France
**Label:** Les Acteurs de l'Ombre Productions
De Republica is a concept album about the French Republic and all the benefits and its struggles. In the band's own words, it comes down to this;
*“On one hand, the album is an ode to the Republic, defending the rule of law, egalitarianism and freedom, and on the other, a work sacralizing Revolution as a popular expression of the struggle against despotism and the attainment of freedom.”*
An album about history is right up my alley, the only downside is it's in French, so I had to use a translator to get a bit of feeling what it's about. The band did include a small English note about each song and which time-period it's about.
---
## Vive la République
So the album itself contains 6 tracks with a run time of 36 minutes and 51 seconds. Those 6 tracks elaborate on different periods in history that have something to do with a republic. Besides the lyrics, what can you expect when you listen to this album?
This album is full of different layers and there is something new to discover with each track, for example, in the second track, they use sound effects of a roman legion marching (the track is about the Roman Empire, so at least that's what it sounds like to my ears). This track “The Ides of March” is one of my favorite tracks, and it tells about the assassination of Julius Caesar. This was a decisive turning point in Roman history, ending the Republic and starting a 15 century long period of Monarchy.
The entire album is well put together. The instruments sit nicely in the mix and blend in very well, nothing is muffled, and you can hear every detail, it's especially nice when listening to the album with headphones on. Another thing that stood out are the orchestrations (which are done by Sinaï, Antoine who are the guitarists of the band). It just feels complete, and it transported me to those periods, this is for example, noticeable in the opening track, L'homme du Tarn; “1914, Jean Jaurès, socialist deputy from Tarn, was the only French deputy to oppose the rise in tension in Europe before the First World War. For this, he was assassinated. He is now an icon of socialism, a true hero of peace.” you hear the sound effects of gun fire in the distant; it creates a great atmosphere, and since the track is about the first world war, it just fits.
Overall, it just feels like an album that's well put together and a lot of thought and craftsmanship has gone into and it shows. From the drums to the vocals, back to the guitars, it's just a great package.
## Conclusion
This is a great album and I thoroughly enjoyed it. If you are into Melodic Black Metal with a great atmosphere, this album should be on your radar. It will be released on the 16th of February on all the favorite platforms, but you can listen to the first track by clicking on the video below.
BMZ rating: 8 / 10
## Thoughts?
What are your thoughts on the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Moreover, take a look at our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Vault Review: Nazgûl - De Expugnatione Elfmuth
URL: https://blackmetalzine.com/nazgul-de-expugnatione-elfmuth/
Last updated: 2026-07-16T17:19:27.000Z
Zakrathor (front) and Thornset (back) - Metal Archives
## Introduction
**Band:** Nazgûl
**Album:** De Expugnatione Elfmuth
**Genre:** Symphonic/Epic Black Metal / Self described as Orcish Black Metal
**Country:** Italy
**Label:** Gollum's Treasures
Nazgûl was formed in Palermo, Italy in February 1997 by founding Orcs, Zakrathor and Thornset. When founded, the band carried the name of “Ahriman” but was quickly changed to Nazgûl.
Nazgûl released their demo “Omne Est Paratum” in 1998 and their only full-length album “De Expugnatione Elfmuth” in 2002\. As you might notice by the names of the releases, they are both in Latin and so are all the lyrics on the records.
De Expugnatione Elfmuth contains 14 epic tracks where 4 are instrumental pieces and 10 tracks all with Latin lyrics. All lyrics can luckily be found translated to English on [Metal Archives.](https://www.metal-archives.com/albums/Nazg%C3%BBl/De%5FExpugnatione%5FElfmuth/17289?ref=blackmetalzine.com)
Now this is a “from the vault” review due to its release was now over 20 years ago, which also means I have had the time to spin this record over 50 times by now. I can already spoil that I fucking love this record, and why do I love it so much? Because De Expugnatione Elfmuth is what you get when the Orcs are making music drunk, and have been smoking “Old Toby” as they were old chimneys, in celebration after successfully burning down “Westfold” and murdering the peasant's that lived there!
## De Expugnatione Elfmuth
The album starts off with the track “Proemium” which is a choired song, setting the theme for the album already. “Hult-Garth” takes over and starts off with a calm synthesizer before the brawling guitars and programmed drums come blasting. The instruments suddenly stop again, and a low voice is speaking, high-pitched muffled screams abrupt, and brings the song further into the black metal parts. The music is all over the place, and it's precisely what I would presume an Orc-hestra would sound like (pun intended) if played by nasty Angbad-Orcs!
The record's most popular song, “Elficidium” opens up with a fun flute melody that at least gets me whistling like an idiot. It's accompanied by string instruments like violin, some synths, drums and underlying guitars. When your mouth starts to ache from the whistling, horse cloves of the Nazgûl are heard closing, ending the happy flute melody. Trumpet like sounds and rapid - fire drums carry on and brings darkness to the track. Where the Orcs go, terror and darkness will follow. The songs contain deep growling vocals as if a Balrog is speaking, and the Nazgûl muffled screaming style is heard through-out the album.
Nazgûl - De Expugnatione Elfmuth
> Here he comes to reveal himself in all his power.
> An enormous black figure, vomiting flames,
> Covered by auculeses, starting to incinerate, transfix,
> Tear to pieces,
> The army flaked off.
> Orkian, jumped on the back of the devastating steed,
> Trained by dwarfs in the caves since hundreds of years,
> Thrusting, into his eyes, his broadsword,
> Flooding with blood, the ground below between
> The screams of the beast.
>
> Lyrics from Charcharon - Damnosus Impetus
This record is a fun one! Nothing else can make me want to move and whistle like I am a drunk Goblin at a renaissance party, hosted by the Witchking of Angmar himself. It's great orc-hestrated fucking chaos. Musically, going from a beautiful melodic keyboard piece on the track “Nigrum Praesagium,” to flute on songs like “Elficidium” and “Impetus Quartae Lunae Novae”, to full on raw black metal with the most disgusting vocal's (in a good way) that you can find.
The Italians in Nazgûl spellbound you to a medieval atmosphere filled with Ringwraiths, Goblins, and Wargs. They tell a tale with this record, in a fun and possibly over the top way but it works so damn well! Reading the lyrics on Metal Archives is also a trip in itself.
> Who now are bleeding at the sound of thousand
> whips
> Which tear their skin and pain and suffering
> The blood mixed with sweat pushes
> The ship towards a silver sea where a tired
> Sun plunged.
> Everything is ready for the battle
> The tympanus stress the forced march of ogres
> and trolls
> Eager for fighting just for pleasure.
> They parade under a grey sky
> Full of hatred like the damn's master.
>
> Lyrics from Solvitur ad Elfmuth - Ante Bellum
De Expugnatione Elfmuth is unlike anything else I've heard and pushes the boundaries of black metal. I think some might discard this release as “unserious black metal” and over the top with all the synth and rare vocals, but that is what makes this release so important. It's defying the rules of “true black metal”, it's original and weirdly great!
## Conclusion
I think this is one of the greatest hidden gems out there in the endless releases of black metal. I might even dare to say it's my favourite black metal album of all time.
Furthermore, I can only suggest you to sit down and listen to this crazy piece with an open mind. True Norwegian Black Metal or beautiful atmospheres is not what you will find. Have some beers, bring out the medieval sword you have on your wall (we all know you have one) and immerse yourself in Nazgûl's, Tolkien inspired masterpiece!
BMZ Rating: 10 / 10
Support the artist at: [Bandcamp - Nazgûl](https://nazgulita.bandcamp.com/album/de-expugnatione-elfmuth?ref=blackmetalzine.com)
### Review: Spectral Whisper - Following the Path of the Black Arts
URL: https://blackmetalzine.com/spectral-whisper-following-the-path-of-the-black-arts/
Last updated: 2026-07-16T17:19:27.000Z
## Introduction
**Band:** Spectral Whisper
**Album:** Following the Path of the Black Arts
**Genre:** Black Metal / Atmospheric
**Country:** Germany
**Label:** Astral Nightmare Productions
Spectral Whisper is a black metal project hailing from Kassel, Hesse in Germany. The band was formed in 2017 and is currently split-up. The band called Mysteria Mystica Aeterna are the men behind Spectral Whisper. There are six albums in total that has been recorded in the past, and it has now been decided to release these, under the name of Spectral Whisper, to the public.
The band has three albums behind their belt so far, and another three are due to be released. The last one to be released was “Following the Path of the Black Arts”. The band has previously released “Witchcraft - Compendium of Black Arts, Necromancy and the Sinister Path” in 2022 and “Enchantress of Black Curses” in 2023.
With every release so far, the band changes their band logo. Here is what the band has to say about Spectral Whisper:
> Today is the release date of the Spectral Whisper album “Following the Path of the Black Arts” on Astral Nightmare Productions. The album features the complete lineup of Mysteria Mystica Aeterna. Some have asked us why we release albums, while in fact the band is split up. The reason is, all these albums are old recordings. We only released them digital on a platform called Fidbak.audio and showed them to a few people only. Two years ago, we decided to release them on CD format, one after another. In fact, there are 6 albums. Three are now released, three will follow. The release order is not the recording order. The real chronological is:
>
> 1\. The chassalian occultist
> 2\. Strigae
> 3\. Enchantress of Black Curses
> 4\. Witchcraft
> 5\. Ars Occulta
> 6\. Following the Path of the Black Arts
>
> First we weren't sure if we should release the first two under the Spectral Whisper moniker because they are entirely different, but finally, we decided to release them too. Spectral Whisper was never a real band, it's just the name we chose afterward to release these albums under one name.
>
> MMA
>
> Mysteria Mystica Aeterna, 16 January 2024
## Following the Path of the Black Arts
The stunning album cover of this release drew my attention straight away when I was scrolling through the countless releases on the BMP YouTube channel. Upon hearing the first few seconds of the first track “Necromancer” I knew, I was in for a true black metal experience.
Low distorted guitars create an atmosphere from the get go. Plummeling drums with great use of the cymbals enter before Noxathra's vocals comes growling like a bloodthirsty wolf. The tracks have wondrous synthesizers creating harmony to the cold guitars. I get some Emperor vibe's listening to these. At the 2 min 50 sec marker, the track “Necromancer” takes a new path, going slower with a simple repeating guitar riff, double bass drums leads the pace back before traditional black metal carries on the rest of the track. This album does this really well, filling it songs with variety that draws your attention and leads you on to new musical pathways.
The next track starts off with a nice little drum build-up and transitions into blast beats with a mean riff thundering alongside it. I really have to applaud the drumming on this album, the main force of speed and power are carried by drummer “M.D.B” while “Noxathra's” riffs bear a slower and looming pace, thus creating deep felt atmospheres.
The transitions between sections are swift and firm, the change of speed really enhances the feel of the tracks and indulge you to bang your head. Overall, the sound is deep and filling and the production of it is really well. Following the Path of the Black Arts is 30 minutes of pure German black metal, saluting synthesized atmospheres and the rawness of early black metal.
## Conclusion
If you are a fan of early Norwegian black metal, atmospheres and synth as well as great drumming, then this release is for you. I'm not going to recommend any stand-out tracks from this album, as it's a short release and therefore best heard in its entirety.
So do yourself a favour this Monday afternoon, fill up a strong cup of coffee, get your headphones on and relax in a good chair with Spectral Whisper blasting your other thoughts away!
BMZ Rating: 8,5 / 10
## Thoughts?
What are your thoughts on the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Moreover, take a look at our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Interview: Sacrilegious Impalement
URL: https://blackmetalzine.com/interview-sacrilegious-impalement/
Last updated: 2026-07-16T17:19:28.000Z
## Introduction
*The blasphemous black metal band* [*Sacrilegious Impalement*](https://www.metal-archives.com/bands/Sacrilegious%5FImpalement/78799?ref=blackmetalzine.com) *out of Finland's cold forests were kind enough to participate in an interview with us. Last year, the band released their newest album, Infinite Victor, after a 10-year hiatus. For the interview we discussed* [*Infinite Victor*](https://blackmetalzine.com/sacrilegious-impalement-infinite-victor/)*, music creation rituals as blood drinking, necromancy, and drinking absinthe with soil from the grave of Jim Morrison.*
Sacrilegious Impalement - Band Photo
*If that last bit wasn't intriguing enough, in true Finnish ways, pour a cup of coffee, add vodka, and enjoy the rest of the read.*
##### Who are you, and why did you decide to form Sacrilegious Impalement?
**\- Von Bastard**: I needed a channel to exhale my musical and philosophical outputs. A Black Metal band resonated and suited the most for this purpose. Some of you know me from [FRONT](https://www.metal-archives.com/bands/Front/3540404097?ref=blackmetalzine.com) or [Evil Angel](https://www.metal-archives.com/bands/Evil%5FAngel/5699?ref=blackmetalzine.com#band%5Ftab%5Fmembers) as well.
##### What is the story about the bands' name? What is its origin, and were there ever any other name suggestions in circulation?
**\- Von Bastard:** Let’s look at the name closely. Sacrilegious Impalement. At first look it seems very blasphemous and offending, first thought would be Longinus impaling Jesus with his spear, or the rusty nails piercing God's only son. There’s nothing wrong with that imagery, I very much caress that vision myself too. But it isn’t just that. Let’s look closer. **Sacrilegious**. Well, one of the most blasphemous things you can do to the church is questioning their teachings and doctrines and what they force on to you. If you question their “truths” it is a sacrilegious, forbidden act. **Impalemen**t. That is linked to the aforementioned forced truths of the church. When you question them and find your truths, it can be considered a metaphor as piercing through the force fed lies. As you can see, the name is both very brutal and spiritual at the same time, and that represents our offerings very well.
##### How do you see yourselves as a band? Do you have a set goal for Sacrilegious Impalement?
**\- Von Bastard**: We are a unit, no one is more important than the other. Everyone's work is equal in the end. On stage, we are like a vortex from hell. Our only goal is to stay true to ourselves and do our work only the way we all can stand behind.
##### What is your process of making new material like? Is there a ritualistic scheme you follow to fire up the musical
machine? Are all members a part of this process?
Infinite Victor - Album
\- Von Bastard: Occasionally there can be rituals used to strengthen the channel from beyond. For example, drinking blood with vodka, or even necromancy. When I was in Père[ Lachaise,](https://en.wikipedia.org/wiki/P%C3%A8re%5FLachaise%5FCemetery?ref=blackmetalzine.com) I asked permission from the [Lizard King Morrison](https://en.wikipedia.org/wiki/Jim%5FMorrison?ref=blackmetalzine.com) to take soil from his grave, then devouring some of it with absinthe. The results were strong and… let’s say interesting. This is not for everybody to try. Occasionally I just rape the guitar and see what comes out of it.
When I have the channel open, I try to stay in that state and capture most of it and translate it through my guitar. From there I just work the music for our songs, adding bass lines, second guitar, drum patterns etc. I usually do a pre-demo which I show to the other guys and from there we work the final result where everyone gets to add their input, and fingerprints to the songs.
Every so often I write lyrics too. But this is something I want to be left for the vocalist to handle. To give him the freedom to channel his things to the songs. I think it’s essential that the vocalist can fit the words to his mouth to spit them out just the way he wants.
I am very honored to work with Wrathprayer as our vocalist/lyricist. Without bias, he is one of the most underrated lyricists out there, at least here in Finland. I find that too many lyrics are disguised as smoke and mirrors, a kind of pseudo spiritual mambo-jambo. Wrathprayers lyrics are something genuine as flesh and blood, cold pure manifestations of human, and it’s blind delusional faiths towards something that is not. The real deal, that can be too much for someone.
##### What/who has inspired and influenced you as a musician or as a person? Is there any band or person Sacrilegious Impalement would love to collaborate with?
**\- Von Bastard:** Far too many to mention… But the first and therefore the most important was Glenn Danzig’s Samhain. That was the reason I picked up guitar in the first place. Of course, thereafter, the path has taken more routes to where it is right now.
I don’t know about collaborations… I have received around ten offers to do a split release but have turned them all down. Some of them were from the bands from the top of the game in this genre. But I am not going to sell my principles just because of that. You see, if we ever do a split release, there has to be a strong bond and connection between the bands. Not just for the sake of releasing something. For example, I’d consider doing a split with my good friends of Exordium, or Goatsodomy because we share a special connection that money or a shiny new release can’t buy.
##### Regarding your music video of Storming Death: How was the creation process of this video, who has the ideas for the thematics as the barbed wire strings and razor guitar pick? Is this solely for the video, or can this also be found in your live performances?
\- **Von Bastard:** I wrote, directed and cut/edited the video. Of course, we would use those on the live sets also, but the gigs would be only about one song long. It's a pity that the human body can't hold up a whole gig of barbed wire bass or razor blade guitar picks.
There is a second video for Infinite Victor coming up. This time for Wolves Cry for a Final Battle.
##### How did Infinite Victor become the piece it is today? Was there a constant plan or idea for this album in the 10 year gap between the album and Lux Infera? What does Infinite Victor portray for/to you personally?
**\- Von Bastard:** Infinite Victor was born from the pure fact that my flame lit ablaze once again for Sacrilegious Impalement. We could have done meaningless albums in this ten-year period, but they would have lacked the soul. We are never going to do a record if it doesn’t deserve to be released. They have got to have more in-depth meaning to justify their existence. Though, that decade was not wasted as I worked with FRONT & Evil Angel.
Infinte Victor is an honorary title for Death, the fourth horsemen, the ultimate victor. Everyone dies. In time, mankind dies and the concepts of god dies with it. Nothing is left but cold Death. **Start to prepare for your turn.**
##### For Wrathprayer: How and when did you start off as a vocalist? Has music/singing been a big part of your life before starting in bands? Which black metal vocalist has your favorite vocal style?
**\- Wrathprayer**: I started in 1992 out of necessity when a vocalist of a band I was in back then left suddenly on our way into a studio to record a demo. There were some live occasions earlier where I did some vocals too, but that was the exact moment I started, in 1992.
Music has been, and still is, a big part of my life, either composing or listening to some. I haven't done singing before in any bands.
There are quite a few vocalists with a good tone, to name a few I like: [Darkthrone](https://www.metal-archives.com/bands/Darkthrone/146?ref=blackmetalzine.com), [Cosmic Church](https://www.metal-archives.com/bands/Cosmic%5FChurch/90126?ref=blackmetalzine.com), and [Clandestine Blaze's](https://www.metal-archives.com/bands/Clandestine%5FBlaze/988?ref=blackmetalzine.com) vocals.
##### \- For Von Bastard: When did you first start playing string instruments, and do you have talent with other instruments? Who do you see as legends behind the guitar and bass within black metal?
Von Bastard - Photo by Soile Siirtola
**\- Von Bastard**: When I first heard Samhain & Misfits. My goal was just to learn one riff or song from them, and I’d be completed. Soon I knew all those songs and moved to other bands which resonated with me the most: Mayhem, Burzum, Dissection, Thorns, Deicide, Motörhead, Slayer… Too many to continue the list. Anyway, soon I realized that I could do my stuff too. From there, I started to master the craft of channeling from the unknown. Guitar obsesses me the most, you can do so much different stuff with it, but I mess around with other instruments too. For example, on Infinite Victor, I recorded the bells with WWII era grenade shells & human leg bones. Master legends can be found from those bands I mentioned.
##### Where is Sacrilegious Impalement headed next? Is there new material brewing already?
\- **Von Bastard:** There is. When writing this, we have already recorded some songs from around 2011\. We have shitloads of unrecorded songs piled up from over the years. Furthermore, new material is coming together very promisingly. Definitely not going to take another 10 years, this time, to release a new album.
##### Is there a special place on this earth that you or the band dreams of performing at?
**\- Von Bastard:** Post-apocalyptic area.
##### What is one message Sacrilegious Impalement would like to convey to its listeners and fans?
**\- Von Bastard**: First, listen to some Sacrilegious Impalement. Then go to do just your thing. Whatever that is, put your whole mind and body to it. And the next time, try to overcome what you did the last time.
#### Your Thoughts?
Please let us know what you think about this interview and band on our social media channels, or join us on [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Interview: Prognan
URL: https://blackmetalzine.com/interview-prognan/
Last updated: 2026-07-16T17:16:20.000Z
## Introduction
We had an interview with "Kob” from the Croatian black metal band Prognan. The band has been very active lately and released their first full album “Naši životi više ne postoje” in 2023 and will release a second full album this year with the title “Sjene nad Balkanom” So get a cup of the blackest coffee and enjoy the interview.
---
## How did Prognan start as a band, and what does the band name mean to you?
Hello, KingGorthaur. Thanks for the opportunity!
I wish I could tell you some epic and amazing story about the name and the beginning of the band, but the truth is that this was one among many bands we've had a thought of creating when we were teenagers.
I was still in high school, 17–18 years old, played in numerous bands that didn't have anything to do with extreme metal, and I've always wanted to play that type of music. After many attempts of actually trying to find people to be part of it, my buddy from high-school one day decided that we will create a band and play music that we like, even if we don't find anyone else to play with. As fate would have it, this was the one that stuck, and where we ended up having a full line up done and ready in a matter of months. We started rehearsing to the best of our abilities (which were pretty limited at that time), did a demo and started playing live shows, and that was it.
Regarding the name, it was something that as immediately I had said it, we all went like: “Yeah, it fits perfectly with the music.” That was late 2007.
## War is a big theme for Prognan, why does this interest you so much and. Where does the interest come from?
When we started playing, we did some kind of terrible pagan black metal which, honestly, I was never a fan of. When you are younger, you always have these big dreams of conquering the world with your music and stuff like that, but I've always felt that pagan lyrics didn't evoke any emotions in me. In the end, I was just happy that I had a band where we could play some loud music, haha.
As we got older, we decided to create music from a famous I.G. Kovacic poem called “The Pit” which was about World War 2 and the atrocities committed against civilians. That was the first time I had a feeling of: “This is important and don't mess this up…” I've started playing my guitar differently and compose and arrange music a bit better.
In the end, plenty of people liked that EP. As fate would have it, they would have to wait for 11 years to hear something from us again, but that was clearly the beginning where I knew I wanted to do lyrics about the history of Balkan, not just World War 1 and 2.
Furthermore, in 2012 when the song came out, there were not many black metal bands singing about it, so this was something drastically different and new. Now, just about every other band does it.
Moreover, as I got older and started to investigate the past and history of my family, I was shocked to find out who they were, how big the history of my ancestors was and how they lived and died.
Basically, all the albums, past and future ones, are about some part of my family. Not all of it is 100% the truth because it is an album, and you always have to have that part of theatricality, but most of it is. The third and fourth album (since we all knew what they'll be about because we always knew we will do 3 more albums after “Naši Životi Više Ne Postoje”) are especially important to me because they are closely related to my grandfather.
## As you said, Black Metal with a war theme is getting more and more attention with bands like Kanonenfieber and 1914\. What are your thoughts on why this seems to appeal to so many people?
I am not 100% sure, but I can give my thoughts on why that seems to be regarding our albums.
We are living in a world where morals seem to disappear, where lies become truth, where nothing is sacred and where most people, especially young men, don't have any identity of who they are. Do you know how many individuals in my life talk openly about cheating on their wife, stealing at work, only thinking about their asses and no one else? It is absolutely insane how big that number is!
And then comes some band singing about how your grandfather, who never went to school, left his plow on the farm field, took up arms and went & fought in a war to protect his wife and children, his house and his country. You feel that. That's part of your history. That house and that field are still there. It is because of him, his sacrifice that you are still here.
In a world where everything goes to shit, you need those brave men and women to step up and say: “That is enough!”
On the other hand, can you imagine yourself standing in a trench filled with mud and blood where your superior is holding a speech to your regiment saying how you'll probably die today running towards bullets and bayonets…but you and all your army friends go and do it even though you know you'll most likely die there? Can you imagine yourself doing that?
At that moment, you realize that there's something bigger than yourself, an idea, something worth fighting and dying for.
Those were the people waging the war for freedom, and I think a lot of us would love to have the same set of principles and ideals they had, at least the good side they fought for.
Or maybe I'm entirely wrong and an irredeemable romantic…
## How is your creative process for Prognan? Do you gather your musical/lyrical ideas through time?
The only good thing about recording albums is that creative process. Everything else is a pain in the ass.
It is a bit different with my band, since I know the storylines for all the future albums. The main thing for me is how to do and create something that will evoke some kind of emotions, but in an honest way.
Our music can sound theatrical with those big riffs and orchestra, but you always have to find that perfect line of blending those two in a way where theater is there, but you are so into it that you don't even realize you are in it. Does that make sense?
To elaborate even more - I absolutely don't care how much money I'll make with any of my albums. I love that people support our music, but that's not the main motivation behind it. I am here to create an experience that will drag you in, and you won't stop thinking about it for a few days, weeks, months etc. That's what at least I'd like to do and hopefully succeed at it.
The real art, however good or bad, it evokes some kind of emotion and, if it's any good, it whitstands the rest of time. Now, every band wants to do that, and we all hope we end up creating a masterpiece, but the time will show whether we did it or not. The least we can do is to give our best at that moment and be proud of it, even if that doesn't happen.
That's what drives me to create and, most importantly finish those albums. Those 10–12 tracks you hear on it, at least 10 more were recorded and scraped from the album because in this or that way they didn't fit the narrative.
## What are your musical roots? What did you grow up with, and where did the passion for metal come from?
I grew up in a pretty poor household, where having an instrument was a piece of luxury we couldn't afford. But as far as I remember, it was all about the music. One day couldn't pass without me listening to melodies.
My parents weren't musical at all, so I don't really know how I ended up loving it so much. I think it was because it made me escape into some uncharted worlds and feelings in my head I never knew existed at that time. And then also came movies. Everyone watched them for the picture, and I watched them because of the combination between picture and music.
Before taking that musical journey, I was a good writer. My poems and writings were always ranked among the top three in any competition and I got many awards for it. So when I got into metal, I always wondered and dreamed about creating the blend between film, soundtracks and metal, but with strong lyrical accompaniment. The thing was - I was not a good guitarist, and I didn't know any music theory whatsoever.
When I started creating film music and trailer music, that's when I learned music theory, orchestration, arrangement, production, mixing, mastering and many other things… and then it just clicked. I realized I could do the music I've always wanted to create, so I did just that.
## Prognan has many influences in its music, like thrash, death metal and film music. How important are these influences to your music?
You are going to laugh, but I don't really have any influence since I came back to metal after 11 years. I haven't listened to metal music in ages. I haven't played guitar in ages. My influences are the same they were a decade ago, but I can't use them because they shaped the era that is now long time gone. Nor do I want to use them since that's what they have created and that was their musical output and I have my own. Of course, you are subconsciously shaped by all possible influences around you, not just music, but I actively try to avoid most of them that are not connected with the storyline I have in my head.
I know myself pretty well - I am a dreamer, so I need to have a strong schedule, or I'll just wonder off adding more stuff,- changing the story, exploring many more genres and combining them and probably never finishing the album.
The only thing that really influences me is the story. The character. He is angry - maybe the riff that sounds fast and angry is more leaned towards thrash metal. I need to create an atmospheric passage - perhaps the riff is more black metal. I genuinely don't care what genre the music will be. That's the reason many people add so many genres to our albums.
On this new album, you can even hear early blues and jazz, as well as modern rapping style. I know it sounds crazy, but the main thing that is important is that it fits the story. I couldn't be a director; that was an expensive venture to dive in, but I know music, and I'm painting and creating those worlds I have in my head with notes. That's my weapon of choice.
This is the reason all our albums are long. Like a movie, you either love it or don't. There's no middle ground. And I really fucking love it.
## Who are your musical inspirations today?
As you probably know, I'm surrounded by movie music, so that's what I'm listening to when I want to relax. Or classical also. And then you realize that a lot of metal and movie soundtracks kind of “borrowed” some classical music (Gustav Holst Planets is literally everywhere).
I'm not naming any bands because the only thing I'm actively promoting on our Facebook page are bands from Balkan. Our scene is full of amazing bands and if I can give my few cents and show it to someone, I'd gladly do it.
## How do your other projects effect Prognan, and can you tell a bit about your passion for film music? Is Prognan your main project?
Prognan isn't a project at all. It was done and not active for 11 years until we've picked it up again. I could have been perfectly fine if the band never played again, but my God damned brain always has to complicate stuff more and more. We said to do one album and that was it, and now we've ended up covering the entire history of Balkan states from World War 1 until World War 2 in these 4 albums.
For example, since I had the idea of doing four albums, as I was finishing recording and creating our first one, “Naši Životi Više Ne Postoje”, I knew that at some part of the second album there will come a moment (I'm desperately trying to avoid spoiling the story here) where everything will become interconnected in a way the listener won't expect it. To do that effectively, it meant I had to go back and re-record 50-60 % of the first album again to a different musical key and change the scales so when that moment comes; you hear it on the second album, you'll be in shock that it happened the way it did.
That's part of my craziness I wrote about earlier… but that's also the great part of creativity in all people who do some kind of art.
You spend extra details on something that a person might not even notice it, but later on down the line on a third or fourth album he or she will realize it and be like: “Wait a minute, I know this one…” and suddenly recognize it was a part of the first album.
That's why I'm all about motifs. We constantly do that in soundtracks. Plant a seed of a melody that appears here and there until it explodes at the moment you really need it to explode.
Furthermore, their other non-metal “project” is not a project at all. It is my business. I'm not just a composer, I also run a publishing business with my team and with around 80 composers that work for us. That's why not many metal labels like me because it ends up I know more about running a label (since I run my own) and about legal stuff than they do. So I guess Prognan will always be independent haha.
Passion for film music will always be there. I can create and shape the worlds inside your head with not one spoken word. If that is not magical, I don't know what is. Isn't it amazing that we are sitting at home, in our room, and we have an entire orchestra at our fingerprints and endless possibilities of creation? Just 20 years ago, we couldn't do that.
## Can you tell a bit about Sjene Nad Balkanom? How has this release come along compared to your earlier work?
“Sjene Nad Balkanom” is a wholly different album than our first album. When I started doing it, I would rather not create another “Naši Životi Više Ne Postoje.” That album fits the period it was set out to capture with the music we did. This one is musically different as well as lyrically. Each track is a story and a date in the life of the main protagonist. You get to know him, you get to know his friends, and you have a lot of reading to do. More than you thought. If you just listen to it without lyrics, you are missing out big time.
It has a lot of acting and nonmusical elements, but it is necessary to be there. It sucks you right in. It is also controversial because there's a thing that happens on this one, and you are witnessing it front seat, where I was having doubts if I should put it on the album or not. But it absolutely needed to be there since, when the next track starts, you are crazy from anger and emotions like the main character is. Life is not all daisy and roses, is it? I am not trying to shock you for a shock value, I'm trying to show you the world those people lived in, which was a pretty shitty one.
It's longer than the previous one, with many influences. Because of how long it is, you really get to know people in it so you really end up caring for them. By the end, I think plenty of listeners will get emotional and goosebumps where the story leads them. At least that's what I want to happen. If it doesn't, then my job was done very poorly, haha.
Bigger production, much more people, it took twice as long time to finish it. I know for sure that nothing like this was created in the Balkan with such a big scope and magnitude.
That being said - fuck, this was a hard one to do. The first one I thought was hard, but it was miles easier since I've had this story in front of me and I just had to follow it chronologically. Everything you hear on this one is 100% made in my head, but what took such a long time was to interconnect everything not just musically, but lyrically also.
The first one had this big orchestra and “Balkan Trumpet”, this one doesn't have it. It is still there, but not in a way it was on “Naši Životi Više Ne Postoje.” This one is not epic nor big in scope, even though the storyline might lead you to believe it is.
It is a story about a man lost in time who is in search for the truth. It had to be more intimate and reflect that 1930s period.
## Two full lengths and one compilation album is a lot of material for two years, how time-consuming has it been?
A lot. Because I'm insane, and I always have to add more and more stuff to do.
Last year was 15 years of the band. That sounds like a crazy big number, so we had to commemorate it in some way. What better way than to record everything again with better quality. The first album ended up being released in 2023 even though I thought we would finish it in 2022\. It took more time than I wanted it to take.
This new album took twice as long time than the first one because, on top of creating the interconnected storyline for this one, I've also decided to do voice acting, sound design, field recording for it and then also mix it in a way so you have a feeling like the sound is going all around your head. Did I have to do it that way? No, but those small steps are what's making it sound the way it does.
But you cannot rush the genius…or madness of creating the record haha
## To wrap up the interview, do you have any final words?
I would like to give my gratiude to Black Metal Zine for the interview and a thank you to everyone who has taken their time to read it! I also want to remind you that the new album Sjene Nad Balkanom will be released the 25th of January!
### Review: Eranthos - Death Entropy
URL: https://blackmetalzine.com/review-eranthos-death-entropy/
Last updated: 2026-07-16T17:16:21.000Z
## Introduction
**Band:** Eranthos
**Album:** Death Entropy
**Genre:** Black Metal
**Country:** Germany, Stuttgart, Baden-Württemberg
**Label:** Independent
The German black metal band Eranthos is back with a new EP. Their last work, “Eternal Decay” was released in 2021, so almost two years later, it's time for a second EP.
I listened to Eternal Decay when it was released, so I knew the band before I started listening to the new EP. So let's see what they brought to the table this time.
## Death Entropy
The new EP contains four songs with a runtime of 16 minutes. The first song with the title “Consumed by Light” hits you in the face the moment it starts. What I like about that is that it keeps your attention on the music; it basically demands it. That wall of sound that hits you reminds me of Wiegedood; that band is one of my favorite bands of the last decade, so in my book, it's absolutely a good thing that they went for that sound.
Being a wall of sound doesn't mean there aren't any details in the music; there are plenty to be heard, the riffs are sharp, and the drums are outstanding. They sound like you need to take cover because of enemy fire; they just sound relentless. The vocals are very nice, too. The only thing I would like to see is a bit more variety; there are some on the last track, “Death Entropy" but a bit more would be nice. But to be honest, that's a bit of nitpicking on my part and just preference, I guess.
My favorite track of the EP is the third one with the title “Portal of Aeons”, this song just has it all. It has a bit more change in tempo and hints of atmospheric black metal, but it still gives off that wall of sound that I like. So if you want to get a feel for what Eranthos is about, you should give this track a try. But with a runtime of 16 minutes, you should just listen to the entire EP.
## Conclusion
So what's the conclusion about this EP? As you could have guessed from the review, I liked it and I can't wait for a full album by the band. With 2 good EPs, it's time for a full album, in my opinion. Just give the album a try and let us know what you think about it on our social media platforms. I'm pretty sure you won't be disappointed. And with that being said (well typed), it's time for the BMZ grade...
BMZ rating: 7,5 out of 10
You can listen to the album by clicking on the YouTube video below (it premiered on the Black Metal Promotion YouTube channel), and remember, if you like it, you buy it! You can do so here: [Death Entropy | Eranthos (bandcamp.com)](https://eranthos.bandcamp.com/album/death-entropy?ref=blackmetalzine.com)
## Thoughts?
What are your thoughts on the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also, check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Svdestada - Candela
URL: https://blackmetalzine.com/review-svdestada-candela/
Last updated: 2026-07-16T17:16:21.000Z
## Introduction
**Band:** Svdestada
**Album:** Candela
**Genre:** Black Metal/Crust Punk
**Country:** Spain
**Label:** independent
Remember the last time you listened to a new album, and it took you by surprise? Well, that is what happened when I listened to the new album Candela by Spanish Svdestada.
As you're all aware of, there are a lot of black metal or blackened bands out there, and it's impossible to know all of them. That was also the case with this band. We got a request for a review, and they described themselves as crust punk/black metal, that combo piqued my interest.
## Candela
So what about the album? The new album was released on the 5th of January and contains 7 new tracks. It has a run time of 33 minutes, and those minutes fly by rapidly. The first track of the album, “Nudo” has a nice build up, but as soon as the vocals kick in the track goes into overdrive. The drums sound great and I really like the fast-paced tempo the track has (this goes for the entire album).
What really surprised me, is how well the album/music is put together, Crush Punk is not something I listen to (I am familiar with it though), but this album feels more like a blackened hardcore album than a blackened crust punk album, and that's a good thing (for me at least). I like the fast-paced Hardcore, and that mixed with Black Metal influences makes for a great combo.
The last track of the album, “Candela” is the longest track of the album with a runtime of almost 12 minutes. Which on an album that's 33 minutes long in total is a big chunk of said runtime. But this track is my favorite track of the album. It has a lot of depth to it, with fast-paced parts and some more mid-tempo sections. All the lyrics of the album are in Spanish (those are available on Bandcamp, for example), but the vocals on the album tell a story even if you don't understand what the words mean.
## Conclusion
Who should listen to this album? Well, everyone should give it a try. But if you are into music that just goes and keeps going, this band is for you. Like I said, the album took me by surprise, but I thoroughly enjoyed it. You can give the album a listen below (by clicking on the YouTube video) and if you like it, don't forget to buy the album. You can do so here: [Candela | Svdestada (bandcamp.com)](https://svdestada.bandcamp.com/album/candela?ref=blackmetalzine.com)
BMZ rating: 7,5 out of 10
## Your thoughts on this review.
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### Vault Review: Mayhem - De Mysteriis Dom Sathanas
URL: https://blackmetalzine.com/vault-review-mayhem-de-mysteriis-dom-sathanas/
Last updated: 2026-07-16T17:16:22.000Z
## Introduction
*Band: Mayhem*
*Album: De Mysteriis Dom Sathanas*
*Origin: Oslo, Norway*
Genre: Black Metal
Label: Deathlike Silence
Mayhem formed in Oslo, Norway in 1984\. They’re the most notorious band in all metal, and for good reason. The band’s history is a disturbing one that tells a tale of destruction, self-mutilation, suicide, and murder. Per Yngve Ohlin ("Dead"), while not Mayhem's first vocalist, had a significant impact during his time with the band. He became known for his onstage self-harm and is credited as one of the pioneers of black metal, being among the first musicians to don corpse paint. Dead was more than just a peculiar individual. He actually believed he was not human and knew that he would eventually die by his hand. He used corpse paint and dirty clothes (which he would actually bury in the ground the day before a show) as a way to make himself look like an actual corpse. Furthermore, he eventually committed suicide in 1991; fulfilling his own dark prophecy. Stian Johannsen who replaced Dead for a short period of time had this to say about him:
“He \[Dead\] didn't see himself as human; he saw himself as a creature from another world. He said he had many visions that his blood had frozen in his veins, that he was dead. That is the reason he took that name. He knew he would die.”
Ohlin’s body was discovered by founding member Øystein Aarseth (Euronymous) with slit wrists and a gunshot wound to the forehead. His suicide note read as follows:
“Excuse the blood, but I have slit my wrists and neck. It was the intention that I would die in the woods so that it would take a few days before I was possibly found. I belong in the woods and have always done so. No one will understand the reason for this anyway. To give some semblance of an explanation, I'm not a human, this is just a dream and soon I will awake. It was too cold, and the blood kept clotting, plus my new knife is too dull. If I don't succeed dying to the knife, I will blow all the sh’t out of my skull. Yet, I do not know. I left all my lyrics by “Let the good times roll”—plus the rest of the money. Whoever finds it gets the f\~cking thing. As a last salutation, may I present “Life Eternal”. Do whatever you want with the f\~cking thing. / Pelle. I didn't come up with this now, but seventeen years ago.”
Aarseth immediately went to the local shop, bought a disposable camera and photographed the body. The image was used as the cover of Mayhem’s bootleg live album “Dawn of the Black Hearts”. Rumors have also been confirmed that Euronymous made necklaces out of fragments of Ohlin’s skull, which he then handed out to musicians who he deemed “worthy”.
Euronymous was eventually murdered by bassist Varg Vikernes in 1993 after Varg heard a rumor that Euronymous was going to torture and murder him upon using an unsigned contract as a way to get them to rendezvous. Varg traveled with Thorns guitarist Snorre W. Ruch to Aarseth’s apartment, a struggle broke out and Varg stabbed Euronymous in the head with a pocket knife. His body was found with 22 additional cut wounds. Varg was sentenced to 21 years in prison for both the murder of Aarseth and a string of church arsons. It was the maximum prison sentence in Norway.
During an interview with Consequence of Sound in 2019, Former bassist Jørn Stubberud (Necrobutcher) whom Varg replaced recalled the incident: *“OK, I can tell it right now because I’ve been holding it in for many years, but actually, I was on my way down to kill him myself. And when it happened, I saw the morning paper, thinking ‘F\~ck, I have to get home to my place and get out all the weapons and drugs and sh\~t I had in my house because they’re coming to my house because I’m probably going to be the No. 1 suspect for this.' But little did I know that the Norwegian police already knew that Count Grishnackh \[Varg\] was going down also to kill him. Because they bugged his phone, and he actually talked about this killing before he went to Bergen, so the cops already knew that he was coming, so they were probably thinking to themselves, ‘We didn’t nail this guy for the church burnings, so let’s nail him for murder, and get rid of this f\~cking guy in Oslo the same time.’ So that's basically what happened.*”
With only vocalist Attila Csihar and Drummer Jan Axel Blomberg (Hellhammer) remaining, Mayhem was no more.
## The Album
Mayhem’s album “De Mysteriis Dom Sathanas” had already been recorded, but the release had been delayed due to complaints filed by Euronymous’ parents, who objected to the album because it featured Varg on bass. It was eventually released on May 24, 1994\. Songwriting for the album began in 1987.
“De Mysteriis Dom Sathanas” is the quintessential black metal album. Although inspired by first wave black metal acts such as Venom, Bathory and Celtic Frost, I still consider this album to be the true foundation upon which black metal as we know it was built. Musically, “De Mysteriis Dom Sathanas” is a work of compositional complexity with guitar parts consisting of swift tremolos, memorable riffs and fluid melodies. Hellhammer drives it all forward upon a perpetual onslaught of blast-beats, expert-timed fills, and lightning double-bass currents. Attila Csihar delivers an absolutely fiendish vocal contribution as various gutturals and haunting chants are unleashed. And considering the album’s stripped-down recording, Varg’s bass parts, though superlative, are hardly audible and only serve to provide some extra depth to the album. It also features the track “Life Eternal” which was written by Dead and happens to also be the finest cut on the album.
“De Mysteriis Dom Sathanas” was dedicated to Euronymous even though it contains Varg’s bass parts, which Hellhammer promised to re-record but never did. The promise was made in vain to Euronymous’ parents as a way to silence them so they could finally release the album. Hellhammer can’t even play bass... Despite all the chaos and drama surrounding the record, it stands as one of the most important black metal albums of that era.
## Conclusion
The post-Aarseth era of Mayhem has always symbolized more experimentation, as the band has remained dark but has also moved further away from traditional satanic themes. Their music continues to set a standard for how hard black metal musicians should have to work to stay relevant in a thriving scene. Albums like their latest full-length “Daemon” only solidify this collective’s reputation as one of the most innovative and flat-out unbreakable bands in metal.
BMZ Score: 10 / 10
Experience “De Mysteriis Dom Sathanas” by Mayhem right here:
## Your Thoughts on this classic?
Everybody has an opinion about this album, so don't feel shy to share yours with us. You can do so on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Ofermod / Black Altar / Acherontas - Drakonian Elitism (Split)
URL: https://blackmetalzine.com/review-ofermod-black-altar-acherontas-drakonian-elitism-split/
Last updated: 2026-07-18T12:33:53.000Z
## Introduction
**Band:** Ofermod / Black Altar / Acherontas
**Album:** Drakonian Elitism (Split)
**Genre:** Orthodox Black Metal
**Label:** Odium Records
Ofermod’s Michaya Belfegor and his occult practices are no secret. As a member of the International esoteric cult, Dragon Rouge (based in Sweden), Ofermod’s music is naturally a reflection of his experiences with the great work: ritualism, black & red magicks and Draconian current. Draconian current has been described by Yiannis Ktls (Serpent Noir) during one of our discussions as something someone has to “be crazy enough to step into” or merge with. A double-edged sword is the Dragon’s current and one must be adept to harness it. On December 22, an album dedicated to the current was released…
## The Album
“Drakonian Elitism” is a split LP between the aforementioned Ofermod, Polish black metal doomsayers, Black Altar and Greece’s Acherontas. An opus! One brimming with all things ritualistic and evil. Alas, the Dragon is awakened upon the intro, as chants set to ceremonial rhythms set a most mystifying tone. Highly cinematic and casting forth from the darkest chasms of your subconscious mind, images of forbidden rituals performed under the guise of nightfall. As always, Michayah provides an experience unique to the album; putting the very best of his talents on display upon a myriad of riffing techniques and wisely comprised, unpredictable arrangements that somehow feel familiar all the same. From the complex melodicism of “Vinum Sabbathi” to the towering imposition of “Agios Ischyros Belial” with its grande, almost blackened death metal-like progressions and “Atavistic Chants of Leviathan” as it closes out Ofermod’s contribution with more of those epic cinematic elements that overlap onto a sonic tapestry of melodic sequences and hearty chants.
Black Altar are Poland’s spearheading orthodox black metal band, led by one Shadow. Not much to be known about their occult practices and their discography is an obscure one comprised of mostly splits and EP’s but a noble one nonetheless. Their purveying of only the most genuine occult-inspired black metal has - along with their ability to create BM of the world-class variety - made them one of the most highly respected and renowned Polish black metal bands. Black Altar’s contribution is one that proudly stretches the almost impossible-to-reach bar of excellence set by Ofermod. Every bit as sinister but even more palatable as you’re welcomed onto the flip side of this awakening with “Via Draconis” - an immersive piece that features even more dramatic chants set to captivating melodies redolent of fellow Poles Mgła and just as drenched in misery. The sheer momentum of Black Altar’s benefaction properly mirrors the powerful energy of the current as if it were formed therein. “In the Labyrinths of Sitra Achra”, “The Oracle of Divine Madness” and the outro - feasts of fire for both the practicing occultist and the occult BM enthusiast. Summonings, Incantations and diabolical proclamations made under the seal of true Polish orthodox black metal.
Acherontas, hailing from Athens, Greece and also steeped in mystique, engage the listener with a more cerebral bestowment: intense, bewildering and radiating unfiltered diabolical energy. Like the great summoning of Leviathan itself, as mighty bellows that speak unknown languages of the spirit reverberate into an atmosphere most brutal. A two-cut contribution but a noteworthy one and a uniquely ambient way to close out what was previously a high-energy onslaught.
## Conclusion
And so the Dragon has spoken, but to what truths remains a mystery. From what tomes were these lyrics taken? And what sort of connotations are they casting upon our world? Powerful magic! And real enough to influence lifelong allegiances to its practices, but for us, this sacred knowledge and these profound experiences will more-than-likely remain a mystery. Albums like “Drakonian Elitism” offer a rare look into the world of occultism as provided by actual practitioners, and orthodox black metal is one of the last true forms of the genre that has yet to be tainted in the slightest by commercialism or popularity. A dominating effort where one collective brings out the very best in another. The finest split release of the year.
BMZ score: 9/10
Experience “Drakonian Elitism” by Ofermod, Black Altar and Acherontas right here as presented by Odium Records:
## Share your thoughts
Did you like the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Interview: Angrenost - Transcendence Through Entropy
URL: https://blackmetalzine.com/interview-angrenost-transcendence-through-entropy/
Last updated: 2026-07-16T17:19:30.000Z
Angrenost from Portugal formed in 1995\. A band that represents the true essence of black metal. The Adversarial Flame is present in this work. We have had the honor of conducting an interview with “Pursan” (vocalist/lyricist) of Angrenost. Discussing various topics surrounding the Great Work and inspirations, among other discussions.
##### *Angrenost which is also known as Isengard. Which was a great fortress and the domain of* [*Saruman*](https://tolkiengateway.net/wiki/Saruman%22%20/o%20%22Saruman?ref=blackmetalzine.com)*, located within a valley at the southern end of the* [*Misty Mountains*](https://tolkiengateway.net/wiki/Misty%5FMountains?ref=blackmetalzine.com) *near the* [*Gap of Rohan*](https://tolkiengateway.net/wiki/Gap%5Fof%5FRohan?ref=blackmetalzine.com)*. This taken from the fantasy writings of J.R.R Tolkien. Is this statement correct in the origin of the name for you. Is there any specific reason you chose this name, and what does it mean to you*?
Indeed, the name was chosen as it serves perfectly the ideals that the band defends from its inception in 1995 till present days. Angrenost is a word we selected from J.R.R. Tolkien’s universe, same as Isengard but written in Sindarin, an elvish language that means *Iron Fortress*. This is the only link it has with Tolkien, as there is no particular inspiration coming from his work.
Archetypical, however, it conveys for us what we defend as a band as well as what we believe Black Metal should be as an extreme form of art. We believe that the philosophy and values that define what the Black Metal movement stands for, should be hermetic and inaccessible. The iron fortress, apart from being designed to be impenetrable and insurmountable, only has one door to enter. This single door symbolizes to us the unique immutable and incorruptible path that Black Metal should defend at the core of its circle, inaccessible and indifferent to external forces.
In the inside of this inaccessible circle, is the tower of Saruman. The wizard, who, taken by the desire of power, renounces the light to trail his ascension. The Tower is a powerful archetype and symbolizes for us the defiance of the firmament and God. A symbolic way to unite earth and the divine by one’s own hand, the hand of man, expelled from heaven.
In a way, and to some intent, we had the foresight of choosing the name Angrenost for our art, as nowadays, the real threat to the Black Metal movement, idealized many years ago by individuals such as Euronymous, comes from so many bands abusively labeling themselves as Black Metal to promote their music.
If I really think about this subject and look back at the past, not even in my wildest dreams I could imagine that Black Metal would turn into what it is today, where for example you have bands such as Gaerea being considered the most important Portuguese Black Metal band of present times, when in my view they have absolutely nothing to do with Black Metal. It is hilarious and, frankly speaking, I feel embarrassed when I think of such cases.
One could argue and try to create many drawers and shelves to aesthetically frame all Black Metal albums and bands, but, in my view, there is only one form of Black Metal. The orthodox one, the one that is inspired by archetypes such as the Devil, darkness and negativity, the one that does not allow a single ray of light to penetrate its circle. All of these represent, in a succinct and general way, the values we defend and translate through the name Angrenost.
##### *What would you say is the drive for a band like Angrenost?*
Angrenost serves as a vehicle to explore the dark side of human nature. The problem of many religious doctrines is preaching the peregrine dogma that Man will only be worthy of transcending to the divine once all evil is eradicated of him, as if he would only be worthy if only made of light.
Now, this notion, is in itself the negation of what the human condition means. Man is complete, imperfect, but complete, psychically and spiritually made of light and shadow. It is the negation of shadow, or evil if you will, that makes Man an incomplete being.
In Angrenost, we dive into this relation of evil and Man, and the relation of the latter with God, with the denial of God as an act of defiance at the divine dogma, in favor of one’s own discovery.
To fully know oneself, Man must allow himself to have an intimate relation with his inner demons, which is why we can say that at the core of Angrenost is the metaphysical concept of “The Devil in Man”. The adversary, the chaos as a propeller of internal growth and evolution. Transcendence through entropy.
We are also inspired by the biggest of all enigmas. The fall of Man in matter, personified in the myth of the fallen angel, the crystallization of the unmanifested and the corruption of flesh.
Where it relates to esoteric concepts, we drink from the source of knowledge and teachings typically hidden in “secret societies”, to build our own methodology. Such methodology allows us to construct a unique philosophical view of deep metaphysical concepts such as death, chaos, the Devil, God and the archetypal relation of these with Man.
##### Your third full length titled Magna Lua Ordem Mística which translates as “The Mystical Order of the Great Moon” released November 17th 2023 via the label Norma Evangelium Diaboli. A label I have been following for many years. Many devoted and true artists tied to this circle. It is the reason I discovered your band. Any thoughts you would like to share about the opus. What is the vision and esoteric meaning behind this special release?
Regarding NoEvDia, all I can say is that it’s not by chance that it has the immaculate reputation that precedes it. Any serious band would like to collaborate with NoEvDia; however, very few are provided that opportunity. That is not by chance.
To enter a label so hermetic and exclusive as Norma Evangelium Diaboli, the music by itself is not enough. I remember the day that the first contact took place. They heard Magna Lua Ordem Mística, still the pre-mix without the intervention of Tore Stjerna (NBS / Necromorbus Studio) and were appreciative of the album, but still asked to read the lyrics and have additional information about the philosophy behind the album and the band before they shared a formal interest to work with Angrenost and release the album through EAL Productions.
We only closed a deal, once they understood what the band represents and the concept behind the album. I believe this illustrates how serious and judicious they are when signing a band under their seal. The door to access NoEvDia is quite narrow, so we are very pleased by the opportunity to collaborate with a label that is so aligned with our values.
Magna Lua Ordem Mística (Mystical Order of the Great Moon), uses the eight lunar phases, from the New Moon to the Balsamic phase, as an esoteric concept to illustrate Man’s path. From the moment of birth, where he leaves the ethereal plane to inhabit a body, to the moment of his death, where he leaves his body to return to the ethereal plane. From when the soul tears through the waters of Ain Soph and severs the bond to the divine to inhabit a body, Man begins his journey. Through the terrestrial plane, from purity to perdition, unto his death and return to the divine.
Conceptually, Man reaches the apex of his earthly experience in the lunar phase equivalent to the Full Moon (track V - Água Real: Na ampulheta o Diabo, enxofre por firmamento), when the Devil’s archetype is fully manifested, and from when Man’s decay starts, up to his death and when Moon has her last breath of life in the Balsamic phase.
The cycle is perpetual and, in this process, where Man defies the divine laws searching for his individuality and self-deification, we emphasize the concept of search for improvement through entropy, “Ordo ad Chao”.
The Magna Lua album is symbolically very profound, complex, and intricate to allow me to explain it in few words and the space of an interview, but what I can say is that it illustrates well the nature of our beliefs and philosophy as an orthodox form of art.
Each track was thought through and conceived lyrically, musically and visually in a way that it describes each of the phases of human experience from birth to death. And for this reason, each song has been composed differently and the album should be understood to its full extent if listened while reading the lyrics and seeing the artwork; continually, from the beginning to the end, without choosing any particular song.
##### *What are your inspirations, lyrically and musically?*
Frankly speaking, while I am an avid reader, I cannot say it directly influences the writing process for Angrenost. Examples of some writers I admire are Fernando Pessoa and José Saramago, being the latter my preferred writer, who I consider to simply being a prodigious and unmatchable genius.
Without, obviously, wanting to compare to, I identify myself with the writing process of Fernando Pessoa, who, at a certain time, stopped reading other authors to write in the utmost personal and irreplicable way.
While there is a strong iconography and esoteric imagery in the lyrics of Angrenost, all that is written is done in layers and with non-direct meanings so that nothing is direct nor obvious. If on one side, it is true that the most versed is the neophyte in the occult arts, the more the content of the lyrics can be appreciated; on the other hand, the “poetry” itself gives room for each one to conceive their own images.
Where it relates to the music, it has been written by A. Ara, starting from the concept and lyrics and built within his own personal process and further inspirations. While we obviously follow certain canons of Black Metal art and the aesthetics of the second wave of Black Metal from where we come from, those are just pieces of the larger puzzle.
In my personal view, after the 90s, I consider for example albums such as “Fas - Ite, Maledicti, In Ignem Aeternum” by Deathspell Omega, or “Revelations of the Red Sword” by Svartidaudi, to state a few, as masterpieces. Still, I don’t believe there’s any direct connection between these examples or others with what we are doing in Angrenost at this time.
##### *What goes into the creative process of Angrenost?*
It all starts with the urge to philosophically explore a concept and materialize it through art.
In Angrenost, the process starts with the lyrical component… the lyrics are very important. The musical composition only starts after the concept and lyrics are defined. Only once the lyrics are finalized, the musical composition process begins, where the music “dresses” the lyrics so that there is a coherent translation of the concept as a whole.
For Magna Lua Ordem Mística, the creative process was no different than this… while each song should be composed to provide meaning to the lyrics, we wanted that as a whole it would transpire to the album an evocative and ritualistic ambiance, in a way ecclesiastic and religious.
For this specific album, the visual component was also meticulously idealized to serve the imagery that we wanted to portray. To achieve this, we commissioned from, and worked closely with, the artist Manuel Scapinello, the album cover and eight scenes, each tailored to the eight album tracks.
As previously mentioned, the album should be experienced as a whole: musically, lyrically, visually and conceptually.
##### *Do you have any plans for playing live or not?*
In the past, it was completely out of question to play live. We always defended that Black Metal should not serve as entertainment. However, nowadays, while we defend the same principle, we don’t completely exclude the option of playing live. This will, however, depend a lot on the people involved, the venue, the concept behind and will be assessed case-by-case.
It’s not really a priority for us, but who knows. The most important for Angrenost is the Creative process.
##### *What are some future plans for Angrenost?*
It is always a bit odd to project the future.
As mentioned earlier, the creative process of Angrenost always starts with a concept and the lyrical component. As we speak, we already have a concept idealized and have finished the lyrics for a future work. However, at this point, I would rather not advance any details.
##### *Is there anything you would like to say to the supporters of your music?*
The art we create is very selfish and centered within ourselves. The only thing I can assure you of is that the day a single ray of light penetrates our circle, Angrenost will cease to exist.
##### *Once again, thank you for accepting the interview. Any final thoughts you would like to share?*
As we are quite reserved and private with what we do, I would just like to thank you for providing the space to expose a bit more what Angrenost means. Nothing more to add.
## You can find more about the band on their social media pages:
Facebook:
Bandcamp: [https://angrenost1.bandcamp.com/](https://angrenost1.bandcamp.com/?ref=blackmetalzine.com)
Spotify: [https://open.spotify.com/artist/3TpBWgKzzg1CXzE9H7TIZ9](https://open.spotify.com/artist/3TpBWgKzzg1CXzE9H7TIZ9?ref=blackmetalzine.com)
Instagram: [https://www.instagram.com/angrenostofficial/](https://www.instagram.com/angrenostofficial/?ref=blackmetalzine.com)
## Your thoughts?
Did you like the album by Angrenost? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Vault Review: Dimmu Borgir - Stormblåst
URL: https://blackmetalzine.com/vault-review-dimmu-borgir-stormblast/
Last updated: 2026-07-16T17:19:31.000Z
## Introduction
**Band:** Dimmu Borgir
**Album:** Stormblåst
**Genre:** Melodic / Symphonic Black Metal
**Label:** Cacophonous Records
Dimmu Borgir - the name is synonymous with epic, but it wasn’t always so. There was a time during the height of the second-wave when the thought of this band playing a festival like Wacken Open Air in front of - I don’t know how many thousands of people - backed by an actual orchestra was about as ridiculous as the idea of seeing them in a club setting these days. In 1996, Dimmu Borgir were far more in touch with the spirit of what’s referred to as true Norwegian black metal, and this truth is evidenced by their first two albums. Each one saw the project harmonizing with a much different kind of vibe than what other bands like Mayhem and Satyricon were giving off at the time. Both recordings apically composed yet well within the scope of reason when it came to the utilization of symphonic elements… Only in service to the music without overpowering every second of runtime…
## The Album
Following the release of their debut, “For all tid”, Dimmu Borgir released what is undoubtedly their finest album in 1996’s “Stormblåst”. What you get with this brilliant work of artistic charm and soulful elegance is not anything misanthropic or crudely irreligious, but something authentic in its classically inspired style and warmth for both the language and the ever-proud Norse spirit; that ancient energy that binds each and every Scandinavian black metal congregation together despite all variations in style. It’s this essence of Heathenism that has - over the years - been lost by Dimmu Borgir as they’ve ascended further and further into the realm of mainstream notoriety. You’re more likely to see kids eating nachos in front of Dimmu Borgir as they play these days, rather than seeing people being actually moved by a truly artistic musical experience. A sort of traveling black metal circus… But I digress…
As you take in the opening track, “Alt Lys Er Svunnet Hen” with its gentle piano lulls that carry seamlessly over into easy melodic parts consisting of mellow, yet potent guitar riffs accented by the ethereal quality of the keyboards, you’ll either discover, or remember as if for the first time just how influential this band was. Other even more soulful cuts like the titular-track and “Dodsferd” unfold in stream with a different kind of energy this time… With these two, you’ll find yourself immersed in the amber glow of a certain kind of soul-stirring satanic radiance; the kind by which it seems most of the early Norwegian black metal horde were bound. The album closes with a foreshadowing of the grandiose symphonic approach that would later be taken by the band in “Guds Fortapelse - Apenbaring Avv Dommedag” as a flamboyant intro brings forth what feels like a maelstrom of a track compared to its predecessors.
These days, the Dimmu Borgir experience is pure world-class entertainment. Big labels, big budgets and killer costumes are the name of the game. It’s all festivals all the time, and you can’t really blame them. They’re just too big for any kind of normal stage. Shagrath, Silenoz and crew are making a living spreading Satan’s message of war and apocalypse across the globe… and there’s nothing wrong with that. The industry needs bands like Dimmu Borgir, Nordjevel, 1349 and the like who show the world just how epic, surgically precise and dynamic black metal can be when the restrictions are taken off and the throttle pressed to the floor. Save the genre-purism for the Taakes and the Gehennas of the scene.
BMZ Score: 9 / 10
Experience “Stormblåst” by Dimmu Borgir right here:
## Thoughts on Dimmu Borgir - Stormblåst
Did you like the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Bloedmaan - Castle inside the Eclipse
URL: https://blackmetalzine.com/review-bloedmaan-castle-inside-the-eclipse/
Last updated: 2026-07-16T17:19:31.000Z
## Introduction
*Band: Bloedmaan*
*Album : Castle inside the Eclipse*
*Location: Belgium, Flanders*
*Genre: Black Metal*
*Lyrical Theme: Vampirism, Darkness, Desolation, Lovecraftian*
*Label: Immortal Frost Productions*
Bloedmaan or in English, Bloodmoon released their first debut EP on the 15th of December. I've been listening to it a lot, and I'm ready to share my thoughts about it.
The band consists of sole member Ronarg. You may have heard that name before because he's also in two other great [Belgium](https://blackmetalzine.com/playlists/country/belgian-black-metal/) bands, Antzaat and Ars Veneficium. In Antzaat he takes care of the vocals and guitar, and in Ars Veneficium he mostly takes care of the guitar parts. So he ain't a new kid on the block. So, with some albums under his belt, you would think he got this down to a science, but is that the case?
## Castle Inside the Eclipse
Therefore, what can we expect from this EP? There are 5 tracks on the mini-album with a runtime of 28 minutes. Which is fairly long for an EP (or I just don't have any patient whatsoever, that's also a possibility). If you look at the wonderful artwork (which is painted by Ronarg) you get a hint of what the album is about, the main theme of the EP is Vampiric and the artwork itself gives off a major Castlevania vibe, with a hint of Bloodborne (which of course is the greatest game of all time) so he's off to a great start.
But the most important thing on an album is, of course, how is the music itself? If you are familiar with his other bands, you can hear some similarities, but for me, that isn't a bad thing. It's a well constructed EP with some great riffs and drums, and the vocals is how I like them in black metal, icy and harsh. The entire package creates a great atmosphere.
And that entire package makes for a great EP. The moment I saw the cover when the release was being announced it drew my attention towards it and for me, it did not disappoint. From the beginning to the end, that Vampiric atmosphere just keeps on oozing.
One of the highlights of the album is the track “Winged Flight Under the Pale Moon”. The title alone makes me want to listen to it straight away. It starts off rather slow, but it builds up to a faster tempo, while maintaining a great melodic vibe. This is the track I would recommend if you are looking for a feeling of what Bloedmaan is about. This is also the track with the better lyrics of all the tracks on the EP, and bonus points for making the lyrics available on [Bandcamp](https://immortalfrostproductions1.bandcamp.com/album/castle-inside-the-eclipse?ref=blackmetalzine.com) and [Metal Archives](https://www.metal-archives.com/bands/Bloedmaan/3540532548?ref=blackmetalzine.com).
> *Deep in the night*
> *Fear the light of the moon*
> *Come, let us take flight.*
> *We shall feast on innocent hearts tonight.*
>
> From: Winged Flight Under the Pale Moon
Another track that drew my attention is the last track with the title “The Hunter's Dream”. As soon as I saw that, it made me think of the FromSoftware game Bloodborne where you play as a hunter and the main hub of the game is called The Hunter's Dream. I checked the lyrics if it had any hint of this, but besides a focus on the Moon (which is also of great importance in the game) there weren't any leads, but It wouldn't surprise me if this track got inspired by the game.
> *And it’s this beacon of darkness*
> *upon the highest of mountains*
> *it sleeps, it dreams, it sings,*
> *its bittersweet symphony of the night*
>
> From: The Hunter's Dream
## Conclusion
Do you love atmospheric/melodic black metal? If you answer that question with a yes, this EP is for you and you really need to give it a listen. The EP is well put together, and I am really looking forward to what Ronarg will bring to the altar when he releases a full album under the Bloedmaan brand. You can listen to the album on your favorite streaming platform or by clicking on the YouTube video below. The only thing left to do is to give a rating...
BMZ Rating: 8 out of 10
## Your thoughts on Castle inside the Eclipse?
Did you like the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Vault Review: Ragnarok - Nattferd
URL: https://blackmetalzine.com/vault-review-ragnarok-nattferd/
Last updated: 2026-07-16T17:19:32.000Z
## Introduction
**Band:** Ragnarok
**Album:** Nattferd
**Genre:** Black Metal
**Label:** Head Not Found
The final battle prophesied - the cataclysmic last conflict between the Gods and the giants foretold by the ancients, but not to be realized until the forming of said great battle-inspired Norwegian black metal band known as RAGNAROK! Since 1994, during the height of second-wave glory, RAGNAROK have become notorious as one of the Norwegian scene’s most important black metal bands. Boasting a proud discography that stretches back to 1995 with their debut LP, “Nattferd”, and having pushed the limits of the genre without ever straying from the true BM blueprint, RAGNAROK are in many ways the quintessential black metal band. Underrated even as pioneers due to all the stiff competition but champions of the dark arts nonetheless. Now, without further ado, let’s get into RAGNAROK’s debut - the aforementioned “Nattferd”.
Hmm, yet another Norwegian black metal band whose debut outshines Mayhem and Satyricon’s. Not quite on the same level as Emperor’s of course, but the point I’m trying to make is that the early Norwegian scene was so fertile and so competitive that even great albums like “Nattferd” were lost in the sauce. You could safely categorize RAGNAROK’s debut as one of the original true black metal albums. While their counterparts crafted volumes of Satanism, medieval and Vampirism, RAGNAROK took the route of heritage and lore. History and chronicles of old celebrated and lain before you packaged in all the blackened trim: ghastly gutturals, lyrics in Norwegian, the heavy yet dry buzz of the guitars, modest production quality and an overall sense of nostalgia. “Pagan Land” and “Age of Pride” - the former an earthy and enchanting, pagan-inspired cut that evokes thoughts of wonder and of ancient occult works performed to the enthrallment of clan folk as they celebrate a solstice and the latter nothing more than a straightforward guitar-driven black metal track with rolling riffs set to blast-beats.
## The Album
Notwithstanding its baser qualities, “Nattferd” is a compositional labyrinth devoid of hooks or catchy melodies; only the serpentine slither of unpredictable progression upon unpredictable progression, but not without that warm sense of familiarity - that old Norwegian brand that we all have come to recognize and appreciate. I truly like the simple approach taken regarding percussion. Tracks like “Daudens Natt” feature martial cadences that serve to do nothing more than to hold the experience together, rather than the Hellhammer way of trying to prove to everyone how great you are during every second of the album runtime. Less is more! And it’s my opinion that drums should NEVER overpower other phases unless you’re into shit like deathcore or tech-death, so at its core, “Nattferd” is also a work of discipline and traditionalism.
RAGNAROK has gone on to release one of the Norwegian movement’s finest discographies, and all done in accordance with what makes for the genuine Norse experience. The Gods! The lore, the ages old traditions of generations past and a palpable sense of unbridled wickedness to stoke the inner flame into an inferno of Heathen pride. True… Norwegian… black metal through and through, even more so than what the titans of the scene were turning out back then, is “Nattferd”. And RAGNAROK? Still unbreakable and still burning with passion all these years later. The greatest era in black metal represented so finely here - the kind of definitive style that contemporary underground black metal bands attempt to emulate every day, but almost always fall short. A genre-defining album…
From the Vault score: 9/10
Experience “Nattferd” by RAGNAROK right here as presented by [Black Metal Promotion](https://www.facebook.com/bmpromotion666?%5F%5Fcft%5F%5F[0]=AZWa9yDN800BW-DH1KYFRjUTdy0ESfz4ETZ5PerX763Wc5yZid0u6859MGIlmHgTIx4GPphNZZGy5cnwclbP9XSLQFeLjPHUb%5FeddT3K3CV-0vDcpT-MwhNCtS5E0anO2WrhhJ01foS-MOyq8C6nfi1TKKLc2GbGGZp%5Fu1haAk6Y-Yn-H9iaOvuuIvkWX6%5FXfUk&%5F%5Ftn%5F%5F=-]K-R):
## Thoughts on his?
Did you like the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Windthrow - Katabasis
URL: https://blackmetalzine.com/review-windthrow-katabasis/
Last updated: 2026-07-16T17:19:32.000Z
## Introduction
**Band:** Windthrow
**Album:** Katabasis
**Genre:** Blackened heavy metal
**Label:** Independent
Straight out of Sweden, Windthrow unleashed their sophomore album, “Katabasis,” on December 8th, following their 2019 debut, “Treacherous Beckonings.” Steering the ship as the sole composer and artist is Robin Pettersson, the creative powerhouse behind Windthrow’s music. While evolving their sound since the debut, the hallmark of their music remains the stunning guitar craftsmanship. Identifying as blackened heavy metal, their music resonatsd with melodic black metal akin to Sacramentum and Dark Funeral, as well as the galloping riffs and guitar solos of Iron maiden. For those who relish the guitar work and style of classical heavy metal, with an extreme, blackened edge to it, “Katabasis” is an album worth diving into.
## Katabasis
Derived from ancient Greek, “Katabasis” directly translates to “a descent” or “a journey downward.” In literary context, it often implies a voyage to the underworld – a journey towards the dark and gloomy “Stygian Halls”, featured as the second track on the record. The album encompasses seven tracks, clocking in at 41 minutes and 10 seconds.
The album unravels with an acoustic prelude, delicately intertwining harmonizing guitars that set a compelling tone, sparking curiosity about the journey ahead. However, the second track, “Stygian Halls,” punches you in the gut with relentless blast beats and tremolo riffs, immediately grabbing my attention. Amidst the compelling melodic black metal tapestry, which was already enjoyable, it was at the 1:27 mark that the album took an exhilarating turn. The galloping riffs reminiscent of Iron Maiden surged forth, accompanied by an amazing guitar solo left me in awe.
##### Tracklist
1. The Mountains Beyond
2. Stygian Halls
3. Thunraz
4. Rid I Natt!
5. Storm
6. New Light
7. Katabasis
Following the trajectory set by “Stygian Halls,” Windthrow showcases remarkable guitar prowess, highlighting melodic and captivating riffs while delivering fittingly raspy black metal vocals evocative of the underworld. Culminating the journey, the album concludes with the title track – a riveting composition filled with infectious riffs surely resulting in headbanging. It’s a fittingly robust conclusion to a consistently solid album.
## Conclusion
Windthrow managed to merge classical elements from both melodic black metal and heavy metal, carving out a distinctive sound that’s truly captivating. Among the standout moments are the galloping riffs showcased in “Stygian Halls” and the exquisite melodic passage, crowned by an incredible solo that kicks in at the 3:55 mark of the title track. This powerful half-minute segment not only showcases Windthrow’s guitar mastery but also serves as a stellar conclusion to the album. Overall, it’s a solid release well worth diving into.
Listen to the album yourself on the YouTube link below!
BMZ Rating: 7/10
## Thoughts?
Did you like the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Nornír - Skuld
URL: https://blackmetalzine.com/review-nornir-skuld/
Last updated: 2026-07-16T17:19:33.000Z
## Introduction
**Band:** Nornír
**Album:** Skuld
**Genre:** Black metal
**Label:** Northern Silence Productions
*Nornír* gets their name from the Norns who are godesses from Norse mythology. The album "Skuld” is the name of one of the three Norns, consiting of Urðr, Verðandi and Skuld. In Norse mythology the Norns are responsible for shaping the course of humans destinies by twining the threads of fate.
"Skuld” marks the complete endeavour of Nornír's three albums, as it's the follow-up album to the 2019 release of "Verdandi” and its predecessor "Urd” from 2017.
Urdarbrønnen at the root of Yggdrasil might not be the place where the Germans of *Nornír* resides, but they do a terrific work of transfering us there through their music.
#### Album: Skuld
Odin's ravens are chirping in the sky as the intro “Vigr” starts. Old horns of war are heard from a field not so far away as the morning rain begins to drip on the leather coated tent. The thunder rumbles as the warriors have gathered their weapons and are preparing for war. Brave fighters march to defend their families as a beautiful Norwegian poem is sung by Lethian before the final blow is rung in the horns and the battle brakes out.
“Krigsrop” is the track bringing the black metal to us after my imagination of how "Vigr" could look like. “Krigsrop” translates to “Battlecry” from Norwegian. Agression transendce as Lethian's own battle cry is accompanied by fast gitar riffs and drums. One of my first thoughts are of the resemblance between Lethian's vocals to those of Onielar out of Darkened Nocturn Slaughtercult and Bethlehem. Ice-cold sadness and mournful dispair fills my thoughts as she screams at the 1min 48sec mark before one of the best drum build-ups hammers me into energetic headbanging.
"Skuld” is fast-paced and explosive in its delivery. The instruments show little to no mercy, and the vocals are some of my favourites. The long frying screams sends chills down my spine. The clean vocals and tribal sections are a beautiful contrast and a brake to the relentless fury Nornír sends my way. Alot of the lyrics are sung in Norwegian and they sound very nice with Lethian's accent. The tracks “Vigr”, “Helvegen”, “Galdr”, and “Valr” really entwines the Norse feeling to the entire album, I really appreciate this.
Photo: [Lense of Sense | Facebook](https://www.facebook.com/lense.of.sense)
*Nornír* left no wool un-spun twining this album together. Standout guitarsolo's, super drum fils, primal atmosphere and captivating riffs for a solid 45 minutes! The Germans also grant us a wonderful cover of Wardruna's fan favourite song Helvegen as track number five on this record. It starts off much like the original with traditional instruments and acoustic guitars accompanied by clean vocals before the black metal adaption is interwoven masterfully.
The great adoptation of Helvegen is not all that is impressive about "Skuld”. The mashup of flavours reminiscing Wardruna, Darkened Nocturn Slaughtercult, Heilung and Devilgroth makes a powerful brew, the kind you drink and leaves you longing for more.
#### Conclusion
After listening to the album on Black Metal Promotion, I listened to it again straight away. That's roughly 24 hours ago and I've spun the record 6 times more after that. The "Skuld” T-Shirt along with the last copy of the x222 clear red/black splattered vinyl has been ordered. Now I can only hope the Norns twine their threads of fate in my favour and sends *Nornír* on a longship towards Norway so I can experience this band live!
BMZ Rating: 10/10
## Thoughts?
Did you like the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Funeral Winds - 333
URL: https://blackmetalzine.com/review-funeral-winds-333/
Last updated: 2026-07-15T17:51:29.000Z
**Band:** Funeral Winds
**Album:** 333
**Genre:** Black Metal
**Label:** Osmose Productions
Old true black metal, as so prodigiously bestowed upon us by none other than Funeral Winds. Back to back records, back to back years and realized under a fresh blood pact with Osmose Productions. Since black metal’s humble yet nefarious second-wave blossoming, FW has been in the thick of the action. A true champion of the underground and a noble purveyor of the purest black art is Funeral Wind's visionary, HCX (Hellchrist Xul). His discography, a collection of volumes to remind us of the fact that true black metal is real and that not too many are quite as agreeing with the essence of said form of art than he. On January 26, Funeral Winds will unveil its latest diabolical endowment in “333”.
Choronzon - the demon of dispersion and keeper of the abyss - the last obstacle to be faced in one’s quest for enlightenment. A legendary entity; one which Aleister Crowley claims to have so boldly summoned to his horror and dismay. For one to summon Choronzon, he must first be adept and then be willing to destroy his ego to achieve gnosis. Conceptual gold here, but does the music hold up to its brilliant theme?
When compared to Funeral Winds’ previous album, “Stigmata Mali”, “333” is a ghastly recording, nasty and wretched black metal that admonishes the polished aesthetic of its predecessor. Label debut in the books, now time to get back to the business of spreading evil in its purest form. From its unvarnished quality in product to HCX’s considerably more fiendish vocal contribution all the way down to its rather one-dimensional mix, a true throwback to BM’s simpler days is “333”. Everything we’ve come to love about Funeral Winds to be beheld in the definitive tracks: “Sovereign of Shadows” with its engaging alternations in tempo and “Ancient Wrath Unleashed” with its captivating melodic passages - a rare delving into the more soulful side of black metal for Funeral Winds.
All in all, probably the most wicked black metal album I’ve lain ears upon all year, but it’s business as usual for HCX. He’s always possessed an uncanny ability to tap into forces unseen, capture their energies and relay to us their sonic manifest with an unbridled level of sinister. “333” is certainly no exception. Upon Funeral Winds’ signing with Osmose, I expected an exodus from this particular realm of creativity into the sphere of what could be considered to be commercial or even mainstream. Should’ve known better! With “333” Funeral Winds take about three or four steps back into the shadows and deliver a genuinely proper and yes, a true black metal experience.
One of the most volatile demons, one malevolent black metal album. A well-put-together and an even more smartly imagined piece that evokes hate one minute, disgust the next and suspense all the way through. And HCX’s presence, like some unforgiving dark master of ceremonies, is truly something to behold. As always, his efforts offer so much more than just a perpetual onslaught of black metal gutturals. Real BM swagger and a truly menacing presence overall, but in service to the music rather than gleaming in the spotlight. Bestial! A celebration of true old black metal: primitive, intimidating and crafted with the worst of intentions. A fine return to form.
BMZ rating: 8/10
### Review: Askon - Sacred Silence
URL: https://blackmetalzine.com/askon-sacred-silence/
Last updated: 2026-07-16T17:19:34.000Z
## Introduction
**Band:** Askon
**Album:** Sacred Silence
**Genre:** Blackened death metal
**Label:** Independant
The German underground band Askon have been tormenting society since the year of the Norwegian butter crisis, 2011\. Now, what does Askon have to do with the horrible crisis, you might ask? Well, nothing. But Askon's new full-length release, Sacred Silence, runs like melted butter and fills all the cracks in my brain just like on a piece of toast. This hits both my sweet and savory spots...
The band consists of duo Manuel Roß “Sarolf” (vocals) and multi-instrumental J.D. Redbeard. Askon has previously released one full-length album and a demo. Their music is very death metal influenced but adds nice touches of black. The great vocals done by Sarolf for instance, is a good reference of this. Sacred Silence is their new full-length and was released on the 6th of December 2023\. The album is recorded in J.D. Redbeards very own studio and all mixing / mastering is done by him.
I've spun the record a lot now, and my review is conducted below.
## Album: Sacred Silence
The norse thematics priding the killer album cover is made by the talented Swedish artist Vilhelm Thoresson. The art depicts the two band members on both sides of the hammer Mjølnir. Vocalist Sarolf is depicted on the left and J.D is depicted on the right. The figure in front is not Maria of Heilung, although that was my first thought, it still depicts an old germanic priest!
The album itself consists of 11 tracks and has a total runtime of 47 minutes.
Heavily rooted in death metal, Askon still masterfully blends in the black. The opening track “Old Man's Curse” shares a simular riff as Vreid's recent track “Flammen”. The German's don't save any gunpowder and has all guns blazing with carpet-bombing drums, rapid fire vocals and brawling guitars. The production of this album is just about flawless, the sound is great and well mixed. The sound is much purer in contrast to their previous album “The End is Near”. A disliking for some, and love to others.
The shrieking black metal vocals and death metal guitars sound great to me. I also thoroughly enjoy the lyrical flow of the tracks. Especially the chorus of “Ashes Over Variszi” which can be heard at the 3:12 minute mark. The album hits the sweetspot for me with its many groovy riffs that hook me in and makes me go nodding like a dashboard hula dancer.
The album offers various song structures. More atmospheric black sections are present on songs like “Blackened Forest” at the 3:02 minute mark. While the track “Sacred Silence” is packed with death metal riffs from the first beat and “Still Alive” carries a death metal vocal style.
Overall a great sounding album with bands like Sacrilegious Impalement, Grima, Khazaddum and Vreid coming to mind as musical references!
#### Conclusion
The duo in Askon has taken their music a step further and manages to share all their talent in this record. Sacred Silence is a heavy and energetic album, to much liking to someone like me who gets my dose of slow atmo black filled quickly. The album is well worth a chance and Askon has spent a lot of time in the shadows, now is time for some black flame!
If you're not the kind of person to listen to whole albums, I have two suggestions for you. Track two “Insidious Empire” and track three “Ashes Over Variszi”. These tracks show off Askon's might, balancing both genres and forging them together as great as Sindre and Brokk did Mjølnir.
Rating: 9/10
Listen to the album yourself on the YouTube link below or find it on streaming platforms. Physical copy is also available!
## Thoughts?
Did you like the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Laang - Riluo
URL: https://blackmetalzine.com/review-laang-riluo/
Last updated: 2026-07-16T17:19:35.000Z
## Introduction
**Band:** Laang
**Album:** Riluo 日落
**Genre:** Atmospheric Black Metal
**Label:** Talheim Records
Now, as the tides of black metal aggressively sweep shores the world over, we continue to scavenge the Scandinavian scene, all the while as we unknowingly look over what’s happening within the genre in places like Chile, Ecuador, India, and Taiwan. Black metal truly is the finest art; a language spoken by so few yet pervasive in its influence as one of the dark arts’ most important forms of provocative expression.
From out of Keelung City, Taiwan emerge Laang - an aspiring atmospheric black metal collective whose ambitions stretch far beyond the bonds of 90’s BM worship. Uber-contemporary in their approach to the craft and boasting a style that falls somewhere between Trivium and Wolves In the Throne Room, for Laang, the realization of their vision is a matter of not only brandishing their many talents but also of attempting to create the most immersive experience possible. So, stash the corpse paint and hang up the bullet-belt for a bit. These dudes wear regular clothes and their latest LP, “Riluo 日落”, sounds nothing like “Dark Medieval Times”…
## 日落
From its subtle progressive moments to its very Metalcore-like sense of rhythm/melody and overlaid by the drama of epic atmospheric components but ultimately driven by conventional black metal riffing patterns underneath a fierce current of percussive onslaughts, “Riluo 日落” is possessing of all the stuff that typically creams the silkies of today’s extreme metal fiend. Ever picked up Darkest Hour vibes from a black metal song? Me either until I took in the opening track “Baoyu” with its possibly unintentional but palpable core sensibilities. Vocally reminiscent of DH’s earlier works, namely “Undoing Ruin” and complete with all those catchy melodic breaks and popping rhythms but always alternating back into the familiar tremolos, blasts and ethereal, “The Haunting” era Sear Bliss-worshiping atmospheric components that constitute the atmospheric BM experience.
You know when you listen to an album cut, and you can hear another band’s style permeate throughout its every minute but yet you can’t fucking place the comparison even though it’s right there before you? That’s what’s going on here. Much to take in and tracks like “Giu Xiang” with its, ah, there it is, Killswitch Engage “As Daylight Dies” vibes and “Yequ” that towers over every other cut on the album with an almost Septicflesh level of grandiosity.
## Conclusion
Like almost every group of young musicians, Laang swung for the fences with their latest record and put together what sounds like every outstanding idea they could think of; forgetting or perhaps having not yet grasped the concept of less is more. The result? A rather convoluted recording. “Riluo 日落” falls short when it comes to feeling like a real black metal album. It’s without the same heart & soul, and devoid of that element of sinister that we all have come to recognize and feel when we experience black metal. It feels very much like one of today’s many SiriusXM Liquid Metal, trendy metal albums. But all things considered, “Riluo 日落” does stand as a respectable extreme metal record. The cultural influences are stunning and the atmosphere engaging, Laang just don’t seem to be in touch with or care much about tuning into the essence of what makes for genuine, heartfelt black metal.
Our rating: 6.5/10
Experience “Riluo 日落” by Laang right here:
## Please let us know what you think
Did you enjoy this album? Are you on the same page as us regarding the score? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Varathron - The Crimson Temple
URL: https://blackmetalzine.com/review-varathron-the-crimson-temple/
Last updated: 2026-07-16T17:19:36.000Z
## Introduction
**Band:** Varathron
**Album:** The Crimson Temple
**Genre:** Black Metal
**Label:** Agonia Records
Birthed by an ancient evil during the dawning of Hellas’s rise toward eventual black metal infamy, Varathron - a veritable institution of the blackened arts - has achieved legend status over the past 35 going on 36 years by laying genre innovative paths anew, all the while as they’ve remained firmly rooted in the true Greek BM foundation that they themselves played a key role in setting: the epic, the drama, the theatrics and the unbridled wickedness of it all. Now, as Boreas whips the North winds into storm and as the bitter chill of wintry death incarnate sweeps the land, Varathron have awakened from their five years long bestial slumber with benefactions of crimson death… On December 1, through a blood pact with the prestigious Agonia Records, Varathron released “The Crimson Temple”.
## Album: The Crimson Temple
Astute as always in their natural understanding of what constitutes genuine Greek black metal, Varathron have bestowed upon us ten epic chapters to one celebration worthy volume that whips the imagination into a maelstrom. Utterly visual and beautifully theatrical but also dominating in their level of unadulterated metal swagger, comprehensive album cuts like “Hegemony of Chaos” and “Sinners of the Crimson Temple” - rich and decadent - sonic feasts for black metal enthusiasts of all eras.
Varathron have dialed up the intensity of their music more and more as the years have passed and this brandishing of well-earned adeptness is certainly present here in the form of racing sequences and flamboyant percussive onslaughts but also those big, fat, juicy riffs of old; from the swamp and for His glory as you’ll so naturally be reminded of the band’s legendary debut, “His Majesty at the Swamp” while those doom-reveling progressions resonate so authoritatively into a synth and sitar-accented atmosphere. Oh, and thrash heavy chugs along with mighty heavy metal solos galore to get your cholesterol circulating.
“To the Gods of Yore” stands as the album’s outlier due to its death metal-infused parts; all brutal and done in the vein of early Pestilence and Asphyx before a reverting back to BM proper as atmosphere and malevolence once again take over. The ancient days and the ancients themselves brought to life, if only in spirit, for its duration. Ritualistic in vox and even tribal in rhythm, with bongos drawing to the fore of the imagination images of grand summoning performed by bonfire’s light.
Le package totale! Bathory worship, engaging riffs, complex melodies, a myriad of percussive techniques and all the atmosphere you can handle but without anything gaudy or pretentious. And it’s all done in ways both old and contemporary. True black metal through and through, yet refined and dynamic in ways that admonish the early 90s approach. There’s some of that here, but it’s done solely in homage to the early scene that Varathron built alongside the likes of Rotting Christ and Necromantia.
##### Conclusion
Considering what a monumental 11 months it’s been for black metal thus far, it was a bold move in my opinion to release “The Crimson Temple” so close to the year-end. As you’ve been packing your fat gullets with Marduk, Tsjuder, Azaghal and Satanic Warmaster, Varathron have been behind the backdrop awaiting the opportune time to unleash their opus. I’d say the gamble has paid dividends, or at least it should. Much work was obviously put into the crafting of this latest work, and when artists like the ones who comprise the Varathron lineup are as much in the zone as these guys are, great happenings are bound to transpire.
Our rating: 9/10
Experience “The Crimson Temple” by Varathron right here as presented by Agonia Records:
## Thoughts?
Did you like the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Vargrav - The Nighthold
URL: https://blackmetalzine.com/review-vargrav-the-nighthold/
Last updated: 2026-07-16T17:16:23.000Z
## Introduction
[*Vargrav*](https://www.facebook.com/Vargravofficial?%5F%5Fcft%5F%5F[0]=AZXUKt1iV9XGaKTUWOqC4N6WQ-tlJbuH6GsB7Dk9hxEL0RJaS9tVb2P6O4ww01lRsb8FhEq40aCd4cJsPbvMwFZex-2X7qWKRE%5Fi%5FAlRAYXY%5FZumIXY5VjknhS-67Nh0ppkDZ89qVfBixIOV-9tsm6QlwGco2bBV61Opl3EUdHcBW2tDh8s1HC%5FNbRxTGuqfePw&%5F%5Ftn%5F%5F=-]K-R) *\- The Nighthold*
*Country: Hyvinkää, Uusimaa,* [*Finland*](https://blackmetalzine.com/playlists/country/finnish-black-metal/)
*Genre: Symphonic Black Metal*
*Release date, album: 15th December 2023*
If there was ever a sub-genre of black metal that needed reinvigorating, it’s the oft-maligned symphonic BM genre. Dominated by mainstream acts and without much in the way of what could be considered true innovation or even forward-thinking over the decades, symphonic black metal has all but gone the way of the dodo. But alas, Finland’s Vargrav have emerged from the realm of where all is epic and grand with their third offering, “The Nighthold”, which is slated to drop on December 15 via Werewolf Records.
---
## The Nighthold
**Jeger:** In this, Vargrav’s latest volume, there is simply no compromise. A dozen epic album cuts that challenge contemporary work ethic and remind us of the days of old when an album release was something special and to be taken with appreciation rather than the whole “let’s cut two records a year!” approach that has become so popular over the years, particularly within the scope of underground black metal. And the baser aggression of what I’m hearing so far supersedes the album’s symphonic elements that are reined into the backdrop where they belong. How proper. With “The Nighthold”, Vargrav balances the scales with equal parts epic/cinematic during the intro, “Moonless Abyss of the Nighthold” and the interlude, “Curse of the Plaguewood Lake”, and brutal/dark during “Through the Woods of Breathing Shadows” and “Encircle the Spectral Dimension”. Each track an escape from both the depression of reality and the rawness of typical underground black metal. And what better way to have it than in the captivation of legend and the fabled? “The Nighthold” is the product of imaginative lyricism that within some parts of the record manifests through the enchantment of chilling spoken-word vocals that serve to deepen the contemplative facets of the recording; those cinematic moments that along with the chorales create the kind of immersive experience you look for when you play a symphonic BM album.
Not your space aged or other-dimensional Dimmu Borgir-worshipping album in the vein of “Eonian” but not “Stormblåst” either. “The Nighthold” holds fast somewhere between the two. To remain in touch with what makes for true black metal is obviously of importance to Vargrav, as this latest effort so gracefully sneaks the divide between what’s pure and what’s epic. The soul-stirring, inner flame-stoking nature of “A Dark Consecration” and “Creator of the True Realm” with their sheer power and relentless momentum to see you into the further of “Ghostlands” where the experience culminates in just under ten minutes worth of what sounds like the soundtrack to Sphere or Prometheus.
**Kermit:** I wasn't too familiarwell with this band from before, but reading a bit about them triggered my curiosity. One of my favorite albums of all time is Nexus Polaris by Covenant (I refuse to call them The Kovenant just so you know). So if you send a message out in the world telling me that (*The Kovenant, editor's comment* ;) ) Covenant is a band you hold dear and inspires your sound, you can call me intrigued.
But the question remains: Does it really give off that vibe of the early 90s Symphonic black metal? Like Jeger said, this sub-genre of black metal hasn't seen too many stellar albums in a long while. Well, after an excellent intro “Moonless Abyss of the Nighthold” we start straight off the bat with pummeling drums, layered with a symphony of sound. That sound indeed has something of a Nexus Polaris feel to it, so I can see why they refenced them. That entire sound is mixed well throughout the album. The vocals are great, and the new members from Moonsorrow (and the new singer) really make for a complete package.
## Conclusion
**Jeger:** A valiant effort is “The Nighthold” and my hat goes off to any collective who so daringly choose to take the symphonic route. Today, when everyone wants the early 90s experience, albums like this one are a breath of fresh air. Just not everyone’s cup of tea. To the old soul lost in thirty years ago, keep on moving because this is contemporary symphonic black metal and things like rawness and genre purity just do not exist here. This album is even engineered to be loud, crisp and invigorating to the senses, whereas a lot of today’s output is crafted in homage to the unfiltered style of years ago. A journey! And a none-too-taxing one for fans of this particular sub-genre.
Rating: 8/10
**Kermit:**
I gave the album 10 full spins before I was ready to give my conclusion and rating. Like I mentioned I can hear the Covenant influences seep through it. Is it as good for me as that album, no it's not, but it's an enjoyable experience nonetheless because if not, I wouldn't be able to listen to it 10 times. You can hear that they really thought about what to do with this album, and it's very well put together. As Jeger said, if you are looking for that true 90s vibe, this ain't the album for you, but are you looking for something different with a great atmosphere, you need to give this album a spin.
Rating 7,5/10
Most churches burned wins so:
---
## Tell us!
Are you looking forward to this release? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Ulvhedner - Fjosmetall
URL: https://blackmetalzine.com/review-ulvhedner-fjosmetall/
Last updated: 2026-07-16T17:19:36.000Z
## Introduction
Country: Norway
City: Sauda
Genre: Atmospheric Black Metal
Lyrical Theme: Folk
Release date, album: 15th December 2023
Label: [Hellstain Productions](https://hellstain.eu/?ref=blackmetalzine.com)
Ulvhedner the Norwegian black metal band, announced their new album Fjosmetall, which is also a celebratory album because the band has existed for 30 years as of 2023\. In those 30 years, there have been some changes in the lineup, including the loss of long-standing bassist Ove, but the two members who started the band is still active and the driving force in Ulvhedner.
The band started in 1993 under the name Ulvhedner, but the name changed several times, most noteworthy they had the moniker Mithrim for an extended period of time. But eventually, they changed their name back to Ulvhedner and used that name ever since. In those 30 years they released 3 albums,”Før i tida” (English: back in the day) in 2009, the album “Legd” in 2020, and now it's time for “Fjosmetall”.
The thing I like the most about this band is the fact that they do things differently, even though they have been around for 30 years, they make a different kind of black metal. It's all drenched with a coating of yesterday, that feeling that everything was better back in the day, and that feeling is strongest on the new album Fjosmetall, but also in their stage presence. Their promo pics are great (see example above)
## Fjosmetall
What about the new album, you say? The new album consists of 8 tracks with a run time of 46 minutes, and from the get go you get that feeling of nostalgia. Fjosmetall translates to Barn Metal, so that should give a pretty good indication about the kind of Black Metal this is.
The first track, intro “Ljåsmeden” really gives up a great vibe, you really get a feeling that brings you back to the old days. The track title means The Scythe Blacksmith in English, and the sound effects used in the track are great. My Norwegian is almost non-existing, so I don't really have a clue what the intro is about, but it gives off a feeling that I really like.
With that nostalgic feeling set, what does the rest of the album deliver? All the tracks from the first one to the last one are well put together, and it feels like a solid album. The vocals are great, the screams, but also the slower parts. The track Arbeid i skogen (Working in the forest) is a slower song, but the flow of the music/instrumentation is great. The lyrics (I translated them from Norwegian to English) really fit the feeling of the album. Below you'll find an example from the track mentioned.
> *Saddling the horse once again*
> *Strap on our skis, get your backpack on*
> *The road home is long and hard.*
> *Working in the forest is not for any kind of man*
>
> From: Arbeid i skogen
The track Gravhaugen (Burrial Mound) is a faster paced song. Right from the start, the drums are pummeling like he's smiting a mighty axe. The vocals just hit you in the gut, you feel a kind of agony in it and that just hits you. That also goes for the second part of the track when it goes back to a more slowed down tempo and the vocals are more in a way of story telling. The lyrics of this track (and all the tracks for that matter) are great, I hope they upload an English version to MA and Bandcamp as well.
> *You carry the burden of your predecessors on your shoulders*
> *You drag the sins of your ancestors as your chain*
> *Your regret no one else can answer*
> *Your torment no one else can endure*
>
> From: Gravhaugen
I could keep going on and on about the feeling this album gives me, but you just need to experience it for yourself. The album will be released on the 15th of December on streaming platforms, CD, tape, and vinyl. And if it's up to me, I would go for a physical media. The album art on this album deserves it. It is hand drawn by [Helbiyon](https://www.instagram.com/helbiyon/?ref=blackmetalzine.com) and it looks just remarkable! One of the best drawings/artwork for an album I've seen in a while, their label Hellstain Production has done a great job with this design.
## Conclusion
Like I said, I could keep going on about the album, what's good about it, but you need to experience it for yourself. Is it without flaws? No it ain't, but that's okay, most albums aren't and that doesn't mean it's a bad thing. I'm excited for what the band brings in the coming years, but for now, they released a great album.
I rate this album an 8 / 10
Below you will find a YouTube clip from the release of Øve Nuten
## Thoughts?
Are you looking forward to this release? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: RüYYn - The Flames, The Fallen, The Fury
URL: https://blackmetalzine.com/review-ruyyn-the-flames-the-fallen-the-fury/
Last updated: 2026-07-16T17:19:37.000Z
## Introduction
Country: France
Town: n/a
Genre: Black Metal
Lyrical Theme: n/a
Label: Les Acteurs de l'Ombre Productions
It's finally happening! RüYYn (pronounced as ruins) will release their first full album on the first of December. The album will carry the title Chapter II: The Flames, The Fallen, The Fury. After their excellent EP (which was self-titled RüYYn) I was really looking forward to what the band will create when they would release a full album and lo and behold, it's here!
The EP was a bit of a surprise for me when it was released. I loved the music it contained and the atmosphere it created, those paired with the splendid artwork made for an excellent EP release. More than 2 years have passed, and a second offering is now presented in front of us. So let's discover what RüYYn's sole member, Roman, has concocted for us.
## Chapter II: The Flames, The Fallen, The Fury
The new album consists of 6 new tracks with a run time of 42 minutes. And one of the first things that caught my eye were the album titles. They are named Part I to Part VI, and that's it. That means, at least to me, that the entire CD is one story, but personally, I'm not very found of this type of naming scheme. I like individual named titles because that gives off a sense of what the track is about, especially when you combine them with the lyrics. The lyrics are available, so it helped me getting some sense of what's going on narrative wise, but not much. But that's titles and lyrics, of course, a personal preference. Someone else could probably not give a rats ass about stuff like that, and that's also fine.
I won't go through all the tracks because I believe you need to experience a new album for yourself, it's a journey you have to take alone. But to give you an idea what this album is about, you could say track one (Part I) covers a lot of the basis. The first second it sets an atmosphere and after a while the drums kick in and gives the song a bit of an oomph. Roman's vocals are good and fit the songs like a glove. I like black metal vocals a bit more icy, but these are great nonetheless. These types of vocals are great for telling a story, and that's the feeling I'm getting while listening to this album. The lyrics are decent, but I had a bit of trouble making sense out of them, that doesn't mean they aren't good or anything, but there is no clear story behind them (at least not for me).
> *Dancing flames and drums of war*
> *blood and flesh, pleasure in ruin*
> *there will be no requiem*
> *at the end, the silence will reign*
>
> From: Part I
I find it impressive that a band consists of one person, since there is a lot to be done before an album is finished, but Roman does it all, the drums, guitar, bass, and vocals, and that's admirable (that also goes for all the other one-person bands). For example, the drums sound great and I don't have a feeling it's a drum computer (but nowadays you never know, they do get better and better).
Another track that deserves a special mention is the one titled Part III. This track is the shortest of the album, but it packs a punch. It starts off with a bit of a build up, but after the 50-second mark it kicks off, the vocals are fierce and the drums and riffs are great. This is the track I would recommend if you want to know what this album is about.
> *Alone I walk the madness*
> *the blood of my brothers strew the ground*
> *I am the ancient icon*
> *I am the burnt god*
>
> From: Part III
The third track also premiered on the Black Metal Promotion YouTube channel, you can listen to the track here:
## Conclusion
So, after 2 years and a bit, was it worth the wait after adoring the EP as much as I did? The answer for me would be a yes. The album is crafted together well, and I haven't mentioned it yet so far, but the album art also deserves some praise, it's created by [Joanna Maeyens](https://joannamaeyens.com/?ref=blackmetalzine.com).
Roman delivered, and I'm glad he did, and I'm excited about the upcoming albums this project will release. A live show I could attend would be great as well.
I rate this album 7,5 / 10
## Social Media
Are you looking forward to the release of this album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: White Death - Iconoclast
URL: https://blackmetalzine.com/review-white-death-iconoclast/
Last updated: 2026-07-16T17:18:30.000Z
## Introduction
[White Death](https://www.facebook.com/unholywhitedeath?%5F%5Fcft%5F%5F[0]=AZX73RSoAwtg-luWkLyDDXlmOfMfMBOcxN71%5FMlMhU9iOyveitjaRAmwWH9%5FnlRkjNN0PdgogGCFIq2tP3yjhBPbs4CZGuSi16PCZUJwz6z8O4GeqlDytohesKzGUhn6jLitnsM9DaQKib8b8BKQ1VS4qBdV6Uaf7qZ5QyDXOiT4CLlqfffh0jxifOwPBzmgW-0&%5F%5Ftn%5F%5F=-]K-R) \- “Iconoclast”
Origin: Lappeenranta, Etelä-Karjala, Finland
Genre: Black Metal
Label: [Werewolf Records](https://www.facebook.com/werewolf.rex?%5F%5Fcft%5F%5F[0]=AZX73RSoAwtg-luWkLyDDXlmOfMfMBOcxN71%5FMlMhU9iOyveitjaRAmwWH9%5FnlRkjNN0PdgogGCFIq2tP3yjhBPbs4CZGuSi16PCZUJwz6z8O4GeqlDytohesKzGUhn6jLitnsM9DaQKib8b8BKQ1VS4qBdV6Uaf7qZ5QyDXOiT4CLlqfffh0jxifOwPBzmgW-0&%5F%5Ftn%5F%5F=-]K-R)
Release date album: 29th of December 2023
Onward in stride with the Devil and under the mark of true black metal do White Death make their way onto the scene. Strident in momentum and fueled by jerking off apparently…
> “This new album is like the Anttila catalog. They sell all kinds of shit, from toys to furniture. The Anttila underwear pages were the most masturbated magazine in[ Finland](https://blackmetalzine.com/playlists/country/finnish-black-metal/). If you know what to search for, you can find it. You just need to try a bit harder to cum, but eventually, you will.”
>
> \~Vritrahn
How lewd… and undeniably black metal. After all, at the end of the day, it’s an f\~cking rock show. However, what you’ve just read doesn’t truly translate into White Death’s music as it would your typical Impaled Nazarene album? For White Death, the realization of the darkest art is a matter of tradition, of straying not from the beaten black metal path and of homaging the bestial. On December 29, as another cursed year comes to a close, and as new promises of nightmares fresh and despairing become ever-starker, White Death, in conspiracy with the ever-scrutinizing Werewolf Records, will unveil their latest offering, “Iconoclast”.
## Iconoclast
Not really a matter of nostalgia here, nor is it a throwback to early 90s legend as so many of you would love it to be. It took time for the Finnish style to develop into what it is today; a respected and recognizable brand, and “Iconoclast” is simply a representation of how that particular scene has grown over the course of decades past. And when a band can represent genre-growth all the while as they honor tradition, that is what’s called, say it with me now: TRUE BLACK METAL. And White Death agrees with it, as evidenced by the melody, the melancholy and the unbridled wickedness of the titular track and “Summum Bestiae”. The former a nasty cut that alternates between greasy black & roll defamations and rolling, Sargeist-worshipping melodic arrangements. The latter a harkening back to the early 00s - the days of “Satanic Black Devotion” and Horna’s “Sudentaival” - when the Finnish genre movement had firmly established its identity/momentum. In other words, prepare for nothing less than the genuine Suomi experience: rich and melodic, Satanic and powerful.
Satanic Warmaster, Azaghal… White Death? Worthy of such illustrious company, White Death are proving to be as they further their depraved descent into the deep and hallowed halls of the Finnish underground through the release of records like “Iconoclast”. And with no shortage of old-fashioned aggression: “Strife For Blood” and “To Die a Thousand Times” to raise those horns and whip you into a state of the purest Satanic rage. Passion! And underlying every comprehensive second of the recording, like the warmth of a hearth as it permeates the keep during the most frigid of nights, the soothing comfort of the purest Satanic energy penetrating the backdrop and into the atmosphere of each album cut like the morning dew as it evaporates into the air of a new day.
## Conclusion
No shortage of thrills here, from the textured vocal attack to the layered guitars and just the overall tempo of the album. A compositional game of guesswork, but without the bewilderment of too many shifts in tempo or the repulsion of gaudy, overreaching arrangements. Proper black metal; the kind of stuff produced by the likes of those aforementioned and now by White Death, in the true Finnish way and with a touch of dark humor to boot. For us, it was the Sears Catalog lingerie section that gave all the guys a boner. “Iconoclast” is more like the nude Polaroids of your mother we found in your dad’s sock drawer - worthy of your time and to be shared with friends…
I rate this album an 8.5/10
Experience “Celestial” from “Iconoclast” right here as presented by Werwolf (Satanic Warmaster):
## Social Media
Have you listened to the album? Share your thoughts with us. Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Vault Review: Dissection - The Somberlain
URL: https://blackmetalzine.com/vault-review-dissection-the-somberlain/
Last updated: 2026-07-16T17:19:37.000Z
*This is the first review in a new section called From the Vault. This section will focus on albums that made a mark on us or others from the past. The albums will be at least 5 years old (for now).*
## Introduction
Origin: Strömstad, Västra Götaland, Sweden 🇸🇪
Genre: Melodic Black Metal
Label: No Fashion Records
Dissection achieved legend status, and they did it through the release of a mere three LP’s. That along with founder Jon Nödtveidt’s nefarious nature and notorious crimes. Jon was a full member of the second grade and a Priest of Satan within the Misanthropic Luciferian Order, now known as Temple of the Black Light. And though the order operates on a strictly esoteric level these days, during the MLO era, talks of human sacrifice circulated throughout the ranks and Jon was at the center of it all. He was eventually incarcerated for a random murder and subsequently spent ten years behind bars. But we all know the story, just as we all remember the tragedy of Jon’s demise, so no need to rehash all the gory details. What we’re celebrating today is Jon’s early work as a prodigy within the Swedish black metal scene. In 1993, during the height of second-wave Norwegian domination, Jon and Dissection quietly released one of the genre’s most beloved gems in “The Somberlain”.
Compared to the Norwegian product, Dissection’s early output was teeming with heart, soul, and elegance; the product of passion not akin to the misanthropic nature of early 90s BM. And “The Somberlain” saw the band in a rather innocent state as burgeoning black metal artists who happened to also be the best at what they did. Jon’s melodic style of guitar play sparked a revolution within the Swedish movement and basically throughout what was at the time an aspiring genre. For Dissection, sound compositions and what is musically proper was the name of the game. As a result, albums like “The Somberlain” and 1995’s “Storm of the Light’s Bane” have aged more gracefully than any other two black metal albums I can think of.
Just compare “The Somberlain” to Mayhem’s debut, “De Mysteriis Dom Sathanas”, and there you’ll find all the proof you need as to just how ahead of the curve Jon was as a songwriter. Had Mayhem spent a little more time honing their craft and a little less time steeped in depravity, they would’ve still fallen short of Dissection-level glory. It’s something that just came natural for Jon. Musically, he was destined for greatness and esoterically, he was destined to transcend the primitive confines of Diabolism.
“The Somberlain” is classic to the core, yet it could be released today, and would blend right in with the current BM climate. Timeless and boasting celebrated tracks: the titular cut and “The Grief Prophecy / Shadows Over a Lost Kingdom”, “The Somberlain” is in many ways the quintessential melodic black metal album. One of the first and by far one of the finest. Jon, with his unequivocal sense of what made for the most immersive musical experience possible, conjures up from some mystical corridor of the mind, “Crimson Towers”, “Into Infinite Obscurity” and “Feathers Fell” - a pair of delicate acoustic interludes and one reflective outro that deepen the mood as they transport you, ever-so-willingly as you go deep into the sphere of medieval. Proper homages to both fantasy and forgotten times, and that trademark Dissection tonality that rings with such authority couldn’t sound any sweeter.
“The Somberlain” was much like Rotting Christ’s debut, “Thy Mighty Contract”, in that it basically made black metal albums like Darkthrone, Satyricon and Mayhem’s earliest offerings sound like they were recorded in some dingy basement by a number of loosely organized hooligans. Artists like Jon and Sakis Tolis who so naturally grasped black metal’s potential, proved with their debuts just what the genre is capable of.
Dissection would go on to release their opus in 1995’s “Storm of the Light’s Bane” and Jon would also continue his desperate soul search as his interest in the occult turned into an obsession. That same year, Jon joined the MLO and neither he nor the music would ever be the same. What started off as a musical career founded upon two genre-defining records turned into something far more complicated than I think it should have. Jon had made up his mind in prison that Dissection would take on a new form following his release and so “Reinkaos” was written and new-blood members in guitarists, Set Teitan and Tomas Asklund, were brought in to replace longtime members, Peter Palmdahl and Ole Öhman. A new vision for the band and a new meaning for the music - esoteric black metal with powerful connotations and formulas linked to The Eleven. In other words, “Reinkaos” was something unrecognizable in comparison to “The Somberlain”. A gorgeous record in its own right, but altogether something that stood off to the side of true black metal’s beaten path.
I choose to remember Jon and Dissection for their first two albums. Part of me feels like “Reinkaos” was more the product of what I consider to be an unsound mental fortitude, unlike “The Somberlain”, which was something vastly more artful and of the greatest importance to the genre. Here’s to the innocence of youth lost but never forgotten thanks to “The Somberlain”.
From the Vault Friday score: 9,5/10
Experience “The Somberlain” by Dissection right here, as presented by Dissection Official below:
## A trip down memory lane
For us, this album is a pleasant trip down memory lane, does it invoke the same for you? Or you never heard of this album before and this is your first time? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Xasthur - Inevitably Dark
URL: https://blackmetalzine.com/review-xasthur-inevitably-dark/
Last updated: 2026-07-16T17:19:38.000Z
## Introduction
**Band:** Xasthur
**Album:** Inevitably Dark
**Genre:** Black Metal
**Label:** Lupus Lounge
The reality of the [USBM](https://blackmetalzine.com/playlists/country/u-s-a-black-metal/) scene as it stands today - one of the international stage’s most innovative and ever-shifting movements - wouldn’t be what it is without the work of Scott Connor and his brainchild Xasthur. Alongside Judas Iscariot, Leviathan and Krieg, this institution set the stage in the 90s; solidifying an identity for said scene, all the while as second-wave Scandinavian domination took its grip. Boasting one of black metal’s most prolific yet unconventional discographies; one that has seen the project take on a few different identities, Xasthur has kept fans of black metal in a state of bewilderment since the beginning. Now, as the pages of black metal history are being turned ever-more-frequently in what’s become an early-90s worshiping international scene, Xasthur have emerged from the void with a new volume of instrumental shadow spells in “Inevitability Dark”.
## The Album
“Inevitably Dark” is what feels like the product of deep thought and reflection; the kind of internalization that no doubt brings to the surface an intense myriad of emotions from fear to depression and basically every ill state of being in between. Panic and dismay feel like the dominating states of mind here, as tracks like “A Future to Fear II” and “Abandoned Intuition” play out like soundtracks to very bleak and starkly horrifying existences. In this new Dark Age where absurdity dominates wisdom and all have succumbed to hysteria, it seems that “Inevitably Dark” couldn’t have arrived at a more proper time. A foreshadowing of further descent into madness is “Inevitably Dark” but also a celebration of the obscure: “Euphoric Bad Trip” and “Hypnotized By Lies” to see you on your way into fantastical contemplative realms where complex acoustical arrangements and jazzy percussive sounds emanate into a canopy of mysteriously visceral black metal. Downright playful during some parts and utterly miserable during others, “Inevitably Dark” provides an unpredictable experience for the taker in, but unfortunately, a boring one as well. One hour and 46 minutes worth of what should only be about 40 minutes worth of mind-rapping takes place here. Considering the none-too-palatable nature of the album, it's just not reasonable to expect even the most artsy-fartsy of BM enthusiasts to sit through this entire thing. The talent and passion are there, but overall, “Inevitably Dark” is a work of audacity in expectation.
A pushing of the limits as far as what should be acceptable within the sphere of black metal recording. It’s not like these types of albums are something new, but I can think of many that are just a lot more interesting and don’t expect so much from the listener. Some parts of the album offer nothing more than repetitive tinkering, while others just leave you in a perpetual state of falling asleep. In fact, that’s probably one of the entirety of the album’s most redeemable qualities. Yes, “Inevitably Dark” will ease you into that state of vulnerability where sleep can finally take you. Yay…
## Conclusion
Disjointed, awkward and unappealing in every possible way, Xasthur’s latest is a gamble lost, a failed experiment and an exercise in redundancy. With the state of black metal being what it is today, it really makes you wonder why anyone would release something so risky. Don’t we have enough to endure? Why would you want your fans to subject themselves to such thoughtless self-indulgence and sonic masturbation? A Head-scratcher here that opened up with some promise, but ultimately failed to hit even the most exposed of sweet spots. In short, I feel like black metal is better off without pretentious recordings like “Inevitably Dark” and my heart goes out to anyone who has chosen to introduce themselves to Xasthur with this particular album.
The BMZ rating: 5/10
Experience “Inevitably Dark” by Xasthur right here as presented by Prophecy Productions:
## Thoughts?
Have you listened to this release? What did you like about it? Or what didn’t you like? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Shavalyoth - Μαρχωσιάς
URL: https://blackmetalzine.com/review-shavalyoth-marchosias/
Last updated: 2026-07-17T14:29:17.000Z
## Introduction:
Shavalyoth - Μαρχωσιάς
Origin: Dodecanese - Greece
Genre: Melodic / Occult Black Metal
Themes: Ancient deities, Horror, Occultism
Label: Independent
## Μαρχωσιάς
It's now the dark month of November, Halloween flew past like one of the leaves blowing off your front door porch. The autumn is my favourite season of the year with its colder temperatures, the fresh air and the beautiful colours of the now dying nature. It's the perfect time of year to listen to the harsh but yet wonderful genre that black metal is.
When I was coming home from work last night I was brutaly attacked by my neighbours christmas lights that were decorating their whole house. My calm and silent dark November was now lit up by thousands of small festive bright lights! After witnessing that atrocity I needed some time to recoup. What better way get back to normality than to sit down and put on some raging black metal? I was unsure of what to listen to this night but suddenly rememberd a little message I recieved some weeks ago from the band Shavalyoth. I scrolled back in my inbox and found the link from the conversation I had with them back then.
Their link sent me to their newest EP called, *standby for some copy paste action*; Μαρχωσιάς. This 4 track release has a runtime of 14 minutes, not a time consuming EP you might think but it sure leaves its mark once you devote yourself to it.
---
**Tracklist:**
1\. Ύμνος Στον Λύκο Της Αβύσσου (feat. Apostate Archangel)
2\. Μαρχωσιάς
3\. Βάαλ (Ο Βασιλεύς Της Κολάσεως)
4\. Σαμαηλ (Ο Πρίγκηψ Του Ερέβους)
The EP opens up with a dramatic dark symphony that has Apostate Archangel doing what seems as abit of a story telling in greek. The intro then transitions into the next tracks gloomy synthesized beginning before heavily distorted and muffled guitars with vocals comes in as a layer over the synth. Heavier and clearer guitars kick in at certain sections of the track that helps enhance the feeling of the distorted and muffled backlayered guitar, I like this alot.
The EP sounds abit like early Dimmu Borgir to me, especialy the third track. The synth works very well with the plummeling drums and guitar sound. The piece has overall a very fine melody both in lyrical delivery and riffage. The fourth and final track also has a grieving sounding piano that is really beautiful. A magic touch with some Harakiri for the Sky influence perhaps?
## Conclusion
Shavalyoth has managed to create a dark, and gloomy sounding EP with a great pace and fantastic musicianship. I am definently intrigued to check out their earlier releases including a demo and one full-length album.
I am sure that fans of melodic and symphonic black metal will find this EP satisfying. You just gotta sit down and put it on to find out!
My rating of this EP is 8 / 10!
Have you listened to this release? What did you like about it? Or what didn’t you like? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Ildskær - Blod og Jern
URL: https://blackmetalzine.com/review-ildskaer-blod-og-jern/
Last updated: 2026-07-16T17:19:39.000Z
## Introduction
**Country:** [Denmark](https://blackmetalzine.com/playlists/country/danish-black-metal/)
**Location:** Aalborg, Nordjylland
**Genre:** Black Metal
**Themes:** Danish History, Sorrow
**Label:** Vendetta Records
A new Ildskær so that means it's time for some history lessons. The band released their second full album on Vendetta Records. I liked the first album, it was the complete package with artwork that really drew my attention, so what does the band bring the second time around?
Before we answer that question, first a bit of history relating to the concept of the album.
In 1864, Denmark experienced a significant turning point after the death of King Frederik VII and the rise of King Christian IX. The country, caught up in a wave of nationalism, faced a crucial decision as the cabinet led by D.G. Monrad presented Christian IX with a constitution. The constitution would strain relations with Prussia over the disputed duchies of Schleswig and Holstein. Despite his German heritage, Christian IX felt compelled to sign the document.
Prussia, led by Chancellor Otto von Bismarck, eagerly awaited an opportunity to engage in conflict. In early 1864, war was declared, marking the beginning of a transformative period for both nations. Denmark's army positioned themselves on the famous Dannevirke defenses as the Prussians and their Austrian allies crossed the river Ejder. The battles that followed at Dybbøl and Als resulted in significant loss of life and shared mass graves.
The war lasted for nine months, ultimately leaving Denmark humiliated and devastated, while Prussia emerged as the dominant power in Europe. The conflict showcased the high stakes and profound consequences driven by national ambitions and ideals.
As you can see, Danish history is an important part of their music. That was the case with their first full album “Den Rædsomste Nat” and with the second full album that hasn't changed. History class is dismissed, it's time to talk about the album.
## Blod og Jern (Blood & Iron)
Painting “The Battle of Als” by Wilhelm Camphausen
The new album is 46 minutes long spread over 5 tracks, with the longest track being the fifth one. That track has a run time of 11 minutes and 30 seconds, so it's quite long. But what can you expect when you pop this new album in your CD player, or for the new younger audience when you start streaming it?
Atmosphere, would describe it in one word. The album has loads of it, and that starts off with the great painting used as the artwork for the album. It's depicts The Battle of Als, and it gives you an idea/image of the mayhem that surrounds a war.
The sound effects also contribute a lot to the atmosphere, at the start of the 4th track “**Gjennem Ild og Røg**” you can hear the trumpets and the sounds of war, and that really gives it an extra dimension. You can find those effects throughout the album.
I could go on and on about the atmosphere of this album, but it's something you'll have to hear for yourself, I do recommend headphones though that gave me the best experience.
To get a feeling of what this album is about, the 3rd track on the album, “Jylland i Brand” gives the best overview. The vocals are great and right up my alley, the instruments all sound good. The only problem I have with the album, well, not with the album but with the sound, is that it sounds a tad muffled lacking a better word. I get that an album about war has a particular sound to it, but it sounds a bit off to my ears. On headphones, though, it sounds better. That muffled sound isn't present on the first album, so it's probably an artistic choice, which, of course, is fine!
## Conclusion
So, overall, what are my thoughts on the new album Blod & Jern? It's a good album and if you love atmospheric black metal that's based on history, you should check them out. You can buy the album on [Bandcamp](https://ildskaer.bandcamp.com/album/blod-jern?ref=blackmetalzine.com) or stream it from your favorite streaming platform.
I rate this album a 7,5 out of 10
## Your thoughts?
Have you listened to this album? What did you like about it? Or what didn't you like? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Vault Review: Cult Of Eibon - Black Flame Dominion
URL: https://blackmetalzine.com/review-cult-of-eibon-black-flame-dominion/
Last updated: 2026-07-16T17:19:40.000Z
## Introduction
Band: [Cult Of Eibon](https://www.facebook.com/TheCultOfEibon?%5F%5Fcft%5F%5F[0]=AZW6vJsX-WeDoBHjql9CczSEV%5Fu3OrzTKqCcuvC4GsiIahoDAejJ9jEG0CXC-jsNEhzqzhLatDaeXlR565tzJ6JZcKcRfLjlescyzNfpnYlyq6ekc7XV7S6TIIBD1-xO02lc%5F2MLFUcnhTFVOZqZwpq-zE9bCu1%5F37ZPoAcU83PRjcZy6LzPhvlermAXBGKzM0w&%5F%5Ftn%5F%5F=-]K-R)
Album: Black Flame Dominion
Origin: Athens, Greece
Genre: Black Metal
Label: [Iron Bonehead Productions](https://www.facebook.com/IronBoneheadProductions?%5F%5Fcft%5F%5F[0]=AZW6vJsX-WeDoBHjql9CczSEV%5Fu3OrzTKqCcuvC4GsiIahoDAejJ9jEG0CXC-jsNEhzqzhLatDaeXlR565tzJ6JZcKcRfLjlescyzNfpnYlyq6ekc7XV7S6TIIBD1-xO02lc%5F2MLFUcnhTFVOZqZwpq-zE9bCu1%5F37ZPoAcU83PRjcZy6LzPhvlermAXBGKzM0w&%5F%5Ftn%5F%5F=-]K-R)
Since the early days of genre development, it’s been the Greeks who have proven to be the entirety of the international black metal scene’s most artful purveyors of the craft. From the fabled days of Rotting Christ’s early demos all the way through to today, for bands like Kawir and Cult of Eibon, culture and romance have stood paramount over Devil worship and misanthropy. The Greeks are the first, in my opinion, to truly unlock the artistic potential of what was, until the inception of their proud scene, a somewhat crude movement. Now, we find ourselves somewhere between the Renaissance and the total commercialization of black metal. The former a celebration of genre trueness that takes place mainly underground. The latter a double-edged abomination on the surface that has on one hand made black metal accessible to the masses, while on the other made a mockery of what the early days stood for. The aforementioned Cult of Eibon, hailing from Athens, [Greece](https://blackmetalzine.com/playlists/country/greek-black-metal/), have, since 2016, made it their modus operandi to refresh everyone’s memories as to how it all started in Hellada.
## Black Flame Dominion
For Cult of Eibon, there’s no shame in their game: the total and complete relishing in those days of old when “His Majesty At the Swamp”, “The Black Arts / Everlasting Sins” and “Thy Mighty Contract” were released. Everything from the guitar tone to the tempo of the music, an homage to those seminal records and the legendary bands who created them. It’s become a throwback-dominated genre, which is only natural, as black metal is driven in large part by genuine artists who understand the importance of remembering where it all came from. Cult of Eibon are a duo whose efforts have served Greek BM very well. Their debut EP, “Fullmoon Invocation”, their LP, “Black Flame Dominion” and their recent split with Ceremonial Torture, “Necronomical Mirror Divination”, all done the olde Hellenic way with all proper classicism and romanticism to lead their strident charge through the underground.
“Black Flame Dominion” is Cult’s only full-length to date, and that actually couldn’t be any more black metal. Since the beginning, BM has been all about the creative exploration of different ways to deliver the goods from demos, comps, EP’s, splits and of course LP’s. Naturally, Cult of Eibon are keeping up with this tradition. The previously mentioned “Black Flame Dominion” was released in 2021 via Iron Bonehead Productions.
## Conclusion
With “Black Flame Dominion”, Cult of Eibon quite simply break out the crayons and the construction paper for all the mainstream BM enthusiasts who need to know or remember what true Greek black metal should sound like. Not that contemporary Greek bands like Lucifer’s Child aren’t great, but when it comes down to the Necromantia and Thou Art Lord of it all, nobody does it like Cult of Eibon. Every cut on the record, from the classically Greek and ever-dramatic intro, “The Fiery Pillars of Ninazu” to the Rotting Christ-worshipping titular cut all the way through to the epic-in-composition, “Crossing the Stargate of Xitalu” that bridges over to the climactic, “The Mournful Chime of Charon’s Bell”, a celebration of what’s true, historic and musically proper. Not a second’s worth of over-indulgence: no flurrying notes, no ridiculous blast-beats, and no pissing contest to see who can kick the fastest paradiddles. Only classic riffs and memorable melodies founded by martial percussive techniques that bond it all together under the seal of classic Greek BM. As it was, so too shall it be today, thanks to bands like Cult of Eibon who dare not let anyone forget the glory of those first pure days. Let them burn their cathedrals and wage their Unholy War over in Scandinavia. For now, it’s time to experience the epic, the warmth and the magnificent drama of true Helladic black metal.
8.5/10
Experience “Black Flame Dominion” by Cult of Eibon right here as presented by [Black Metal Promotion](https://www.facebook.com/bmpromotion666?%5F%5Fcft%5F%5F[0]=AZW6vJsX-WeDoBHjql9CczSEV%5Fu3OrzTKqCcuvC4GsiIahoDAejJ9jEG0CXC-jsNEhzqzhLatDaeXlR565tzJ6JZcKcRfLjlescyzNfpnYlyq6ekc7XV7S6TIIBD1-xO02lc%5F2MLFUcnhTFVOZqZwpq-zE9bCu1%5F37ZPoAcU83PRjcZy6LzPhvlermAXBGKzM0w&%5F%5Ftn%5F%5F=-]K-R):
## Thoughts?
Do you like this album and band? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: ILD - Kvern
URL: https://blackmetalzine.com/review-ild-kvern/
Last updated: 2026-07-15T18:31:24.000Z
#### Introduction
ILD - Kvern
**Country:** Norway
**Location:** Skien, Telemark
**Genre:** Black Metal
**Themes:** Nature, Death, Solitude, Despair
**Label**: [Vendetta Records](https://vendetta-records.com/releases/?ref=blackmetalzine.com)
---
My first introduction to ILD was back when they released their debut album “Fandens Lykteskjær” and that hit me like a perfect storm. It was about two years ago now, and I was reading about them on a [Norwegian ](https://blackmetalzine.com/playlists/country/norwegian-black-metal/)music blog. I cranked up my stereo and let the sparse tones fill my living room. By immersing myself in the soundscape and the ambience, I felt transported to another time and place. The simple pictures used as album cover and illustrations depicting older times came to life and the characters started telling me their stories. One of my absolute favorite albums of 2021.
Now the time has come to once again sit down by the fireplace and listen to their latest offering, “Kvern”. Will it be able to encapsulate me in the same way as its predecessor, or is my dopamine chasing mind racing too fast to register any of it? Join me in the discovery.
---
#### Kvern
As with “Fandens Lykteskjær” the album opens with an ambient piece setting the mood and building the suspense. I can already tell by the sound of the churning coffee grinder in the intro that we are sat around the fireplace ready to brew some true black norwegian java. At first, I notice there's a lot more low end punch to the mixing of this than the previous one, it takes me a short while to get adjusted but from then on, I'm all onboard.
There is not a lot going on in these compositions, but what's there sits perfectly balanced with each other and everything adds to the somber atmosphere that slowly builds with each song. The focus seems to be about creating a route for your current state of mind to escape into this world of our past. As pictured on the cover art, I feel as I am in a small cabin, with the wind howling outside, but we have a warm fireplace, freshly grounded coffee, tobacco and good company. It reminds me of my upbringing and our vacations spent mostly at our cabin in the mountains. (I was not allowed the pleasures of neither coffee nor tobacco back then, mind you).
#### Tracklist:
1. Den sorte kunst
2. Til gjeste
3. Opp i røyk
4. Det trekker så kaldt
5. Og nå skal du dø
6. Over flammehavet
Total runtime: 45 minutes
---
#### Conclusion
This is not really an album that I would choose to only listen to a few tracks of, it's more a *take your time and commit* kind of album for me, which is absolutely my favourite. Why chase the next quick fix when you can sip your coffee and sink deeper into your chair and forget what's been lingering on your mind all day. This album will let you breathe and ebb and flow along with it.
To summarize, if Death Cult Armageddon is the pinnacle of black metal music for you, then I suggest you find something else to listen to today, but if you have the time to let your body and mind relax for 45 minutes, it will quickly turn into 90 or more as this deserves a multitude of spins to truly show itself in full bloom.
I rate it 8,5 out of 10
---
---
Have you listened to it?
Please let us know on our social media channels, or join us on [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Herzog - Furnace
URL: https://blackmetalzine.com/review-herzog-furnace/
Last updated: 2026-07-16T17:19:40.000Z
## Introduction
HERZOG - Furnace
Origin: [Belgium](https://blackmetalzine.com/playlists/country/belgian-black-metal/) 🇧🇪
Location:
Genre: Black Metal
Label: Amor Fati
From out upon the fringes of the scene, away from all the pervasive early 90s worship and along where the visceral side of black metal is joined with the experimental, is where you’ll find Belgium’s HERZOG - a new black metal entity whose focus is not on either future nor past as suffering is timeless. Their brand of cathartic, highly intense and gravitationally unforgiving black metal like nothing you’ve ever experienced and on November 24, HERZOG, in conspiracy with Amor Fati, will unveil their debut LP, “Furnace”.
I expected transcendence. After all, bands today are either doing things the old way or attempting to reinvent the game, with not much else in between. But what I’m met with here is more of a dark reflection into self as a catalyst to an even blacker mode of expression. As if afire over an unseen inferno themselves, every progression and every composition blazes with feverish energy under Déhà’s daring approach to product - a mad scientist’s method that has yielded an overbearingly ominous and chasmic album. All phases glaring through the mix just before their ghastly emanations radiate into a most cavernous backdrop. Like the desperate echoes of a thousand souls in peril, as powerful as can be expected vocal contribution proving to be the meat of the recording, particularly in “Acheminement” and “Oath of Weakness”. The former a flexion of brute muscle in guttural form. The lowliest bellows and the mightiest roars to bludgeon and batter. The latter an ascension in comparison as the intensity is dialed up a bit and a misery-drenched, early Sargeist-heralding vocal scourge is incurred.
It’s as if every cut on the record was composed with the worst of intentions. Agony incarnate, dread in sonic form and without even a sliver of mercy or compassion to embrace you as every second of the album plays out like the soundtrack to one losing all that ever mattered. With “Furnace”, HERZOG boldly traverses the depths of despair and owns each square foot of cathartic real estate. A reasonably experimental work; one that feels much like an exploration of the human condition as lain before you, packaged in all the blackened familiarities: tremolo riffs, blast-beats and epic comps.
I’d say that in the scheme of comparison, HERZOG are earning their place among the likes of bands like Mgła and Horda whose excursions into the spheres of suffering, misanthropy and nihilism feel similar to what I’m experiencing here. Only one drawback - I would’ve honestly appreciated a more conventional approach to product. A palatable touch; something similar to Satyricon’s self-titled album or the aforementioned Sargeist’s “Let the Devil In” would’ve served this recording well. More than a valiant effort and a worthy debut is “Furnace”. Something not quite transcendent, but definitely different from what you’ve come to expect from the underground.
I rate this album a 7.5/10
## Your Thoughts on the album?
Experience “Melted Tesseract” from “Furnace” right here as presented by Amor Fati:
Did you like it? Or not? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Pénitence Onirique - Nature Morte
URL: https://blackmetalzine.com/review-penitence-onirique-nature-morte/
Last updated: 2026-07-16T17:19:41.000Z
## Introduction
Pénitence Onirique - Nature Morte
**Country:** [France](https://blackmetalzine.com/playlists/country/french-black-metal/)
**Location:** Chartres, Centre-Val de Loire
**Genre:** Black Metal
**Themes:** Alchemy, Esoterica, Philosophy, Self-discovery
**Label**: Les Acteurs de l'Ombre Productions
Let's start off with a confession, I love French black metal. I like the atmosphere, the language (when used in Black Metal) and overall the scene as a whole. One of my favourite black metal albums of all time is the French band Gorgon's - The Lady Rides a Black Horse. That album is just a masterpiece, and if you ask me, every self-proclaimed black metal fan should listen to it at least once in their lifetime.
So when we received a promo for a new album with French origins, I dove right in. After several spins, I feel like I'm ready to share my thoughts with all of you. I do have to make a small second confession, I was not familiar with the previous work of Pénitence Onirique., as this is their third full album. They previously put out “V.I.T.R.I.O.L.” in 2016 and “Vestige” in 2019\. So I went in blind when approaching this third full length of theirs.
## Nature Morte
Let's dive in; what can you expect when you listen to this album for the first time? Their third outing contains 7 new tracks with a run time of almost 46 minutes, which is a decent amount of time, not too long for my short attention span.
Music wise, the album is well put together, the instruments sound clear, and the vocals are mixed in excellent as well. You can hear they put a lot of time and effort in to this new instalment and it shows. One of the highlights on the album are the drums, they have a new drummer who goes by the name [Iendar](https://www.metal-archives.com/artists/Iendar/1014827?ref=blackmetalzine.com) as of this year, and since I haven't listened to the other albums I can't compare, but the drums are really on point and sound great, and when they go off, they just keep going relentlessly.
Another thing they do very well is creating an overall atmosphere. According to the band themselves, it's a concept album about, and I quote “*The concept is a fictionalised interpretation of René Girard's work on mimetic desire, the scapegoat and ritual sacrifice.*” Gigard's main contribution to philosophy was within the realms of the psychology of desire. Girard said that human desire works similarly to other desires, rather than as a spontaneous result of human individuality, as many theories of psychology had debated earlier.
Since there are no lyrics available it's hard to get a good grasp on any more in-depth meaning of their concept, but I do get a feeling that it's a story you are listening too, so even if you don't understand the lyrics they still bring that sense of being on a journey with them.
To give you a quick speed run of what the general vibe and style this album is about, I would recommend 2 songs, the first one is the third track of the album, the title track “Nature Morte”. It has a nice build-up and the vocals are great and also contribute to the atmosphere on this track in particular and the whole of the album in general. After a few minutes, the drums kick in, and they sound furious, brings an extra punch when mixed with the vocals, this sounds great. The rest of the song just keeps going, and it's pretty hard to keep your head still when listening to this track, make sure you have enough length on your cord if you're listening on headphones...
The sixth track “Pharmakos” has a more middle eastern sound to it in the build up, but when it goes, it GOES. Buckle up before you blast this one on your stereo. I could dwell further into the weeds, but I rather you listen for yourself with an open mind.
The album is available on different streaming platforms, so after done reading this interview, you have no excuses for not checking it out, and if you like it, please support the artist however you see fit.
## Conclusion
French Black Metal, I love it that's clear, are all the black metal bands from France good? No of course not, but this band surprised me with a great album. If you are into melodic black metal, you really should give this a try, and I'm excited about what the future hold for this French blackened horde.
I rate this album an 8/10
## Your Thoughts
Did you like it? Or not? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: One of Nine - Eternal Sorcery
URL: https://blackmetalzine.com/review-one-of-nine-eternal-sorcery/
Last updated: 2026-07-16T17:16:24.000Z
## Introduction
One of Nine - Eternal Sorcery
Origin: USA 🇺🇸
Genre: Medieval Black Metal
Label: Wolves of Hades
As we are today, draped in a veil of absurdity in this brave new world for the fool where Ignorance thrives and all have succumbed to the way of the layman, there’s not much in the way of solace for the old soul to be found; no promise of wiser days to come, only the assurance of our further descent into madness as the flames of hysteria are fanned hotter by the desperation of millions each passing moment. But to those under the Black Mark, if you turn your ears to the underground and listen close enough, you’ll hear a distant call from days of yore; enchanting whispers to guide you to where sword and steed are the measures of men. On October 27, through ancient rites and a blood pact with Wolves of Hades, One of Nine will unveil their debut offering “Eternal Sorcery”.
## Eternal Sorcery
Torch lit corridors through dungeons forlorn illuminated before you now as you begin your journey. “Lurkers of the Half-Light” - what feels like a brief homage to Marduk’s “Those of the Unlight” to set the tone, but the early 90s revelry stops there. As you venture a bit deeper, it’s to the violence of purely aggressive black metal as each surging progression unfolds into the next before medieval acoustics bridge the gap between “The Silence of Heaven” and “Dark Magic River”. Both cuts, balancing the scales with equal parts of modernity and old-school; resulting in a most Watain-like experience. Other more transcendental tracks like “Moonlit Sacrifice” and “Wrathful Rebirth” enrich an already full-bodied recording with enrapturing cinematic during the intro to the former and dreamlike acoustics throughout the latter. Whispering spoken-words and the tapping into of ancient energies to cool what’s been an otherwise fevered onslaught of medieval black metal that pushes the limits of intensity, rather than the more wholesome aesthetic of akin projects like Hulder and her most recent works. “Eternal Sorcery”, despite its cover art and title, exudes the same level of complexity, muscle and occult spirit as albums like Serpent Noir’s “Death Clan OD” or Thy Darkened Shade’s “Liber Lvcifer II: Mahapralaya”. A true genre-spanning effort and a testament to the brilliant evolution of black metal that strays not afar from the spirit of medievalry is “Eternal Sorcery”.
## Conclusion
The time has come to unlock the gates to realms forgotten and uncover the ancient secrets of sorcery - magic that echoes from the mystical yore into the tatters of our perilous today. And the black metal this awakening is sound tracked to is nothing less than of the world-class variety. A powerful debut released under the seal of a true underground institution. True BM’s place is within the underground! And One of Nine are making their impact beneath the surface with a most profound footprint. It’s as if they’ve been at it for years, and their channeling of respected collectives such as the Azaghal, Emperor and the aforementioned Watain only sweetens the deal. The sheep drone on! And there’s no escaping this onset into global collapse apart from in the wisdom, tales, and magic of years already spent. Sorcery is eternal! Experience it now…
This album gets an 8.5/10
### Review: Nahasheol - Serpens Abyssi
URL: https://blackmetalzine.com/review-nahasheol-serpens-abyssi/
Last updated: 2026-07-16T17:19:42.000Z
## Introduction
**Nahasheol - Serpens Abyssi**
**Origin:** Amsterdam, The Netherlands
**Formed in:** 2022
**Label:** Wolves of Hades / Argento Records
**Genre**: Black Metal
**Release date:** 3rd of November 2023
Prepare to ascend off this mortal plane into a great Luciferian awakening. A new age is upon us; a stretching of the black metal genre’s fabric over previously unfathomed spiritual territories, and it’s by the guiding light of Lucifer that we’re able to traverse these newfound depths of Satanic darkness. A perilous venture without said luminance it would surely be, but alas the pathway to enlightenment lays before us and the benefaction of His many blessings awaits those bold enough to take their first steps. And if you make your way far enough into the shadows, you’ll surely encounter Nahasheol – at home and thriving within the depths – in the throes of ritual and baring diabolical gifts of their own. On November 3, Nahasheol, through ancient rites and a sacred pact with Wolves of Hades / Argento Records, will unveil their debut LP, “Serpens Abyssi”.
## Serpens Abyssi
As per most albums of this variety, with “Serpens Abyssi”, you can expect to absorb energies both violent and palpable as they emanate from the core of every passage, from the rhythm section up and through the azures. The atmosphere alive and pulsating with the crepuscular radiance of The Father and raining down upon us from impossible heights, relentless flurries of overwhelming compositions: complex riffing patterns and towering rhythms to bolster a most accomplished vocal contribution. Commanding roars to match the music’s terrifying level of intensity echoing mightily through the mix in conflict with, but somehow dominant over, every other phase.
This is a textbook occult black metal experience, complete with unpredictable twists and turns throughout some of the genre’s rarely traversed environments, but tied together by a fundamental level of repetition; a little ear candy here and there to keep you entranced as each hypnotic moment passes. Sheer power and unstoppable momentum from the awe-inspiring “Arcanum Mortuus” with its gorgeous tremolo riffs and sweet as honey melodies to the midway point in “The Awakening”.
Where never-before-conceived spiritual heights are reached, all the way through to the final moments of “Devan Thanatha” – the record’s most powerful offering. All phases revved and dialed into the red in a controlled but dangerously intense unleashing of the most magnificent arrangements. The voices of a thousand souls crying out godlike Luciferian incantations loud enough to reach even Him as he sits proudly upon the highest throne of The Eleven.
## Conclusion
It’s as if they’ve been at it for decades. There’s no awkward moments and no wasted recording space filled with gaudy intros and weird cinematic elements. Straightforward despite its many complexities; a fine example of musical wisdom in action. And the project was only hatched last year. A future as bright as the Morning Star ahead for Nahasheol, even considering the brilliant output being released by their esoteric counterparts.
There’s a welcomed level of discipline to this recording that, I feel, is missing from many of the like albums that have been released by Nahasheol’s fellow occultists recently. We’re still talking black metal here. Transcendental in nature? Absolutely, but grounded in those above-mentioned fundamentals. The result is an album of epic and dreamlike but also appropriate proportions. So praise be unto the Light Bringer! And may he guide you through the shadows forever more…
**9.5/10**
## Links
Bandcamp: [Serpens Abyssi | Nahasheol (bandcamp.com)](https://nahasheol.bandcamp.com/album/serpens-abyssi?ref=blackmetalzine.com)
## Your thoughts?
You can listen to the album via the Black Metal Promotion stream or by clicking on the video below
Did you like it? Or not? Please let us know on our social media channels, or join us on [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Primordial - How it Ends
URL: https://blackmetalzine.com/review-primordial-how-it-ends/
Last updated: 2026-07-16T17:16:25.000Z
## Introduction
Primordial - How it Ends
**Origin**: Dublin, Ireland 
**Genre**: Celtic Folk / Black Metal
**Label:** [Metal Blade Records](https://www.facebook.com/metalbladerecords?%5F%5Fcft%5F%5F[0]=AZWp1-yVOC6-o%5F3ZrsoElIW8SNv3A5nRGMhDpuqys1VLKtmT2Y47gYAV6PCrsC7AxsrXdzTHQUj2IWogJneXsQ6EipbteDlIcXYFVDBO%5FTcHpMzEvvJgU20YkhXjV0fnqYThlT55qzNwd4sgXOqnIPxfEEufgRQVjsSwrwovhddq2GAJM35KBKqEex-ASw7BwWk&%5F%5Ftn%5F%5F=-]K-R)
**Formed:** 1992
**Release date:** September 29th, 2023
Dublin’s Primordial - their history, a rich one that dates back to 1991\. As one of black metal’s original folk projects, their music has served as inspiration to hordes the world over. It’s in the struggle, it’s in heritage and in history where the heart of Primordial’s art beats. The warmest and the purest crimson coursing through past generations, brought to life by a very in-touch corp of artists. After all, the real meat off the black metal bone is in what they do; to honor heritage is the BM way. To face hardships without losing heart, and to hold tight to tradition; not simply Devil worship and blasphemy. If black metal were rooted only in the latter two concepts, there would be little hope for its future and the movement would’ve died by now. It seems that few collectives understand this more clearly than Primordial. On 09/29, the pride of Irish blackened metal, unveiled their latest offering, “How It Ends”, via Metal Blade.
## How It Ends
A livelier record than their previous “Exile Amongst the Ruins” LP is “How It Ends”. It feels like the concept or story behind the music takes place in a different time further into the future than the theme of the previous record. Faster progressions, blackened to perfection, blaze through equally engaging album cuts: the titular track and “We Will Not Serve” - alive with olden spirit and pulsating with martial rhythms. All phases in service of A.A. Nemtheanga’s heartfelt-as-always style of vocalizing. Over an hour’s worth of material, no wasted recording space. And as the struggles deepen and the ploughs rust under golden sunset, it’s to the sweetest melodies and the most profound poetry. Not a tremolo nor a blast-beat to be found thus far; only soulful heritage pieces and epics like “Call to Cernunnos”. The latter a rhythmic affair to tantalize the spirits of Celtic legend into a fevered state. You can hear their voices now as they cut through each pounding second of this one. Words of wisdom, words of strength and an overwhelming sense of pride to be heard and experienced here - the only way Primordial know how to do it; it hasn’t sounded this sweet in some time…
“Exile Amongst the Ruins” was a taxing experience, fraught with off-putting Biblical references and quasi-medieval soundscapes. A decent album and a nice representation of what the band has done finely for more than 30 years, but simply not on the same level as “How It Ends”. With this latest chapter, you’ll absorb every note and sequence wholly and without reservation. “Traidisiúnta” - perhaps the finest example of ethos-framing music the entire album has to offer, and “All Against All” - purely instrumental interludes that tie the album together nicely. Some cuts are designed to be overpowered by A.A’s vocals, while others let the band have their way. These alternations and the shared responsibility of each artist behind his instrument are what keep you locked into this thing. A full plate with all the blackened trimmings to pack your ravenous gullet. “How It Ends” culminates with another epic in “Victory Has 1000 Fathers, Defeat Is an Orphan”. Folk, heavy metal and black metal influences bound by rock-inspired cadences and accented by gentle acoustics. Guitar work is the bread and butter of this brilliant and powerful closer.
## Conclusion
Get lost in it… You’ll be glad you did. Beyond fulfilling and a true testament to Primordial’s profound yet oft-overlooked talent along with their deep-running understanding of what makes for great black metal. No growls, no grunts and no warmongering. “How It Ends” is beyond those things, but not in a pretentious way, quite the opposite, in fact. This music is laboured from earth and ash - hands filthy and withered to uncover a world of heritage just below the surface of where typical black metal can be found. Something deeper, a grande yet honest adventure into the past where perseverance and heart were all that mattered.
9/10
Experience the titular-track to “How It Ends” right here, as presented by Metal Blade:
### Review: The Magus – Βυσσοδομώντας (Vissodomontas)
URL: https://blackmetalzine.com/review-the-magus-vissodomontas/
Last updated: 2026-07-16T17:16:26.000Z
## Introduction
Origin: Athens, Greece
Formed in: 2022
Genre: Black Metal/Heavy Metal
Label: The Circle Music
The year is 1989, and one of the most influential bands in the [Greek](https://blackmetalzine.com/playlists/country/greek-black-metal/) Black Metal scene was born. Its name? Necromantia. It was formed by Baron Blood and The Magus. They released some of my favorite albums during my teenage years, for example, their debut album “Crossing the Fiery Path” and the outstanding split with Varathron “The Black Arts / The Everlasting Sins”. I lost track of the band during the 2000s, but to my surprise they released a great album in 2021, which turned out to be their swan song. After that album's release, Necromantia disbanded, and The Magus formed a new band in 2022, which fittingly bears the name of the man himself.
As I have always been fond of Necromantia it made me a tad sad when the news hit that they had chosen to disband. But lo and behold, The Magus announced his new project's first full album, Vissodomontas (Greek: Βυσσοδομώντας), so my black, cold heart almost started pumping again out of sheer excitement, and I was eager to listen to the new album. Thankfully, we received a promo, and I have been deep diving into the dark matter of this album ever since to get a sense of what it's all about.
## Vissodomontas
When a long tenured musician within the scene comes forth with a new project, it's always exciting. Join me in discovering and dissecting what this new project sounds like.
The album consists of 9 new tracks with a run time of almost 55 minutes, and the first track, “This is my Church” really sets a mood and great atmosphere and talks about Lucifer being the foundation for a church of its own.
> *It is I, LUCIFER, the Brightest of Angels,*
> *The Greatest of Demons, the King of the World*
> *who taught you the Truth.*
> *It is I, LUCIFER who guided you through adulthood*
> *It is I, who taught you sorcery and science*
> *It is I WHO MADE YOU WHOLE!*
>
> Lyrics of The Magus, track 1; This is my Church.
The mood has been set, but what about the rest of the album? What can you expect when you listen to it for the first time? The entire album is well put together, and you can hear the craftsmanship that Magus, El (guitars), and Maelstrom (drums) possess. There are also a bunch of guest artists who helped put together the album: King Dude, IDVex (1/2 SOUTHERN NORTH), Hel Pyre (W.E.B.), Iraklis Gialatzides (SWAN CHRISTY), Manos Six (Manos Six and the Muddy Devil) & Christos Antoniou (SEPTICFLESH) who did the arrangements for the live choir.
As you can see, that's quite the list of guest artists, but the question is, does it show on the album itself? And for me, it does. Like I said, the album is well put together and coherent from start to finish. The album just oozes atmosphere, and the lyrics fit the music and make it coherent overall. I am not into the whole Luciferian mindset, but that shouldn't matter for the experience lyrics combined with the music bring the listener, and it doesn't.
## Track Highlights
Every album has a few tracks that just pop out, and for me, one of those tracks is the second, **“The Fall of Man”**. Right from the start, it is fast-paced with great riffs, and the vocals of The Magus match it perfectly. In the midsection of the track, you hear a choir, and that sounds great, and you can hear Christos hand in incorporating it.
The fifth track, **“Idolatrous Discord”** is another great one. It's fast-paced with great riffs, great vocals. Furthermore, worth mentioning is the drumming, which is on point during the entire album. This track has just a great arrangement overall, as the choirs give it that ominous sound, which fits the entire theme of the song.
> *The Heads of the Hydra speak*
> *when the moon is hidden*
> *between the veils of the night*
> *foul blood will flow*
>
> Lyrics track 5
“Ama Lilith,” the 6th track of the album, is the last highlight for me. This song is another banger, but what really sets it apart is the midsection with the chanting and the female vocals. The mix of those 2 creates a fantastic atmosphere. As a listener, you are transported to a different time and place while under its hypnotic spell. They did an impressive job with that.
Okay, special mention is needed for the album closer, “Give the Devil His Due: The Story”, as it starts off with a blues intro. I won't spoil where it goes from there; please listen for yourself.
## Conclusion
A new band for The Magus and a new album. It makes me happy that the great man is back in this fashion (although he's in other bands as well, of course) and doing what he does best. It's not up there as a contender for album of the year, but that's not necessary; not every album needs to be that. Not only that, but it's a good album overall, and I enjoyed listening to it.
BMZ Rating: 7.5 out of 10
The album is out now, so if you want to check it out for yourself, you can do so on your favorite streaming platform, or order it in your preferred format. You can also listen to it via the video below.
## Your thoughts on this review.
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## Unleashing the Darkness Within
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### Review: Woe - Legacies of Frailty
URL: https://blackmetalzine.com/review-woe-legacies-of-frailty/
Last updated: 2026-07-16T17:19:42.000Z
---
## Introduction
Woe - Legacies of Frailty
Origin: Philadelphia, Pennsylvania, USA 🇺🇸
Formed in: 2007
Genre: Black Metal
Label: Vendetta Records
Skeletons silhouetting the once luminous but now faded crepuscular of humanity’s accomplishments. Soulless drones lost to technology and dead to the cause… Worthless and doomed to fail us all as tomes of yesteryear are reopened; their familiar spells cast once more - in rue of evolution and development - curses to bring forth Dystopia. An unsavory history erased and transgressions revolving back around like ancestral curses. There is no hope. Not for you, nor for I as our tomorrow hangs in the balance. The scales? Quivering within the weakest and the most unprepared of hands. The future awaits! A most inglorious one… No one will sing our praises, for these are the “Legacies of Frailty”.
Woe is an [American](https://blackmetalzine.com/playlists/country/u-s-a-black-metal/) black metal project out of Philadelphia, Pennsylvania, that was originally formed as a solo venture by multi-instrumentalist Chris Grigg. The project quickly grew into a full lineup and, under the Woe moniker, a total of five LPs have been released; all of reputable status and fine enough representations of a thriving USBM movement. Their latest foreshadowing comes in the form of “Legacies of Frailty” - released on September 29 via Vendetta Records - a fresh outlook upon an age-old truth: history repeats itself…
## The album
With “Legacies of Frailty”, Woe admonish the ways of old and brings to the threshold black metal of the contemporary variety. How fitting. After all, it’s our FUTURE that is doomed, and this vision of dissension snowballing into a state of global collapse is a bit more than your typical end of days-signaling BM record. This concept is worn and has been explored by many of the genre’s renowned legends of the scene, so there’s not a lot to be impressed over when it comes to conceptualization. But what the recording lacks in innovation, it valiantly substitutes with soul: “Fresh Chaos Meets the Dawn” and “Scavenger Prophets” - a temped tandem of rites - each cut aglow with a soft kind of warmth that emanates through a canopy of slow-burning melodic sequences and swells of ascending upon descending tremolos. Proper tone set and onward into a new Dark Age we go… only to discover more of the same and not much else.
From underneath scarce but impactful atmospheric elements and dreamlike progressions - like the deepest part of the river as it creeps along almost unnoticeably at flow - so too shall Woe continue to overwhelm you with stock black metal riffs and lazy cadences in service to a none-too-engaging or unique vocal contribution. One-dimensional and without variation, even through some of the album’s up-tempo passages in tracks like the closer “Far Beyond the Fracture of the Sky”. Where has this energy been? Capping things off nicely here with a little something called energy in this too-little-too-late effort of a finale.
## Conclusion
The end is nigh! And to it, we progress a little more each day. Dumber; oblivious to what’s become a worldwide rash of absurdity spreading like shingles over wisdom forlorn. A theme admirably explored but without the proper soundtrack. It would be a slight to call “Legacies of Frailty” a “bad album”. It’s like the old saying goes: “I wouldn’t kick her out of bed”. Furthermore, it’s got its moments, and it’s a well-packaged product, but overall, well… “Legacies of Frailty” is boring. Like if Ben Stein wrote a black metal album. Hyped up and even celebrated by many it seems is this latest effort, but I’m a man of many sweet spots and “Legacies of Frailty” missed nearly every one of them.
6/10
Experience “Legacies of Frailty” by Woe right here as presented by Black Metal Promotion:
## Your Thoughts?
Please let us know on our social media channels, or join us on [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Chaos Luciferi - Carne mutilata alla deriva
URL: https://blackmetalzine.com/review-chaos-luciferi-carne-mutilata-alla-deriva/
Last updated: 2026-07-16T17:19:43.000Z
## Introduction
Chaos Luciferi - Carne mutilata alla deriva
**Origin:** Venice, Italy
**Formed in**: n/a
**Genre:** Atmospheric Black Metal / Dungeon Synth
**Label:** Self released
**Release date:** 5th of October 2023
Chaos Luciferi is a one-man band from Italy, and it combines Atmospheric black metal with dungeon synth to create a special kind of vibe. This new album “Carne mutilata alla deriva” is a concept album about a famous legend/fairy tale from Venice told by Chaos Luciferi with a horror twist.
So a famous legend, you say?
> *The legend takes place in the *Sotoportego dei Preti* in the Castello district, which houses a small red brick heart. The underpass is quite a popular place because the couples who touch the heart together hope that the local legend is true and that their love will remain eternal. Legend has it that a fisherman, named Orio, rescued a beautiful mermaid called Melusina. From their meeting a deep love story was born: Orio asked the mermaid Melusina to marry him, and she agreed with the promise, however, not to meet her on Saturday in the days before the wedding.*
>
> **Orio didn't respect the request*: on the third Saturday, curiosity got the better of him and at the usual meeting place, the fisherman didn't find the mermaid, but an enormous sea snake that turned out to be Melusina herself, struck by a curse. The curse turned her into a monster every Saturday, and the only way to end the spell was marriage. Orio decided to marry her anyway: the mermaid Melusina turned into a woman and gave birth to three children, but despite years of joy, the woman died because of an incurable disease.*
>
> *Left alone, Orio continued to work to support his family: on his return from the sea, however, he noticed that the house was always in order. Suspicious, he decided one day to come back earlier to thank whoever was helping him in secret, but waiting for him, he didn't find a person, but a snake. Scared and worried about his safety and that of his children, *Orio instinctively killed the animal*. Only in the following days, finding the house messy on his return, he realized he had killed nothing but Melusina. The red brick heart placed in the underpass wants to remember and celebrate this tragic but authentic love story.*
>
> From: [10 legends of Venice: the noir side of the Serenissima | Visitvenezia.eu](https://www.visitvenezia.eu/en/venetianity/tales-of-venice/10-legends-of-venice-the-noir-side-of-the-serenissima?ref=blackmetalzine.com)
The tale has been rewritten with a more horror like twist, but the jest of it stays the same. I like these kind of concept albums because, for me, they give an extra dimension to the album itself. I obtained the lyrics, so that made it a lot easier to compare the legend and the albums version of this fable, with the horror twist.
> *With effort, I manage to maneuver my boat and set a course towards that creature; she's a mermaid, with long amber fins, radiant like the moon in the calm after the storm. I load her in the hold and bring her to safety. I'm no longer alone in this infinite sea; I have with me the mother of the entire lagoon.*
>
> Translated lyrics from the album.
I like the story and the lyrics are nice as well. They are a bit further apart from the original tale, but that's okay. The next step is the music on the album. Does it match the chilling story told by the concept of the album?
## Carne mutilata alla deriva (Mutilated Flesh Adrift)
With concept albums like this I find it important for my overall immersion that the music truly matches the story, does it fit the vibe the lyrics want to convey to the listener?
The first track starts of with an organ pipe intro that really sets a mood, after a while, some other instruments join in and there is a kind of hymn mixed in with the rest. It really has a dungeon synth vibe which is not my normal cup of tea, but I must admit, so far, I am liking this.
“Incontro durante la tempesta” which translates to the meeting during the storm, introduces the black metal part of the album, and the tempo picks up. The things that stand out the most for me are the drums (not really sure if it's man or a machine, it's so fast I think it's a machine, but I could be wrong) but they do sound nice. The vocals are the other part that stood out. They are very harsh and feel ice-cold, and that's just the way I like black metal vocals to be. That, of course, is a personal preference, but, but it really matches the vibe of the album.
Another song that stood out for me was “Funerale tra le onde” or “Funeral Among the Waves”. This song starts off very slow and has a more Doom like feel to it. But again, mixed in with the harsh vocals, it really is a great song.
## Conclusion
This was my first introduction to the band and I liked what I've heard so far. The concept of the album is great and music wise it sounds good also. There is enough change on the album to keep you listening to the album. I'm eagerly awaiting what's in store for this band in the (near) future.
I give this album a 7/10
You can check the album out by clicking on the video below, and if you like what you hear, don't forget to support the artist and by the album.
## Did you like the album or not? Tell us why.
Please let us know on our social media channels, or join us on [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Interview: Aegrus
URL: https://blackmetalzine.com/interview-aegrus/
Last updated: 2026-07-16T17:19:43.000Z
## Lux Tenebris & Darkseer Inculta
Origin: Kouvola, Kymenlaakso, Finland
Formed in: 2005
Genre: Black Metal
Label: [Osmose Productions](https://www.osmoseproductions.com/?ref=blackmetalzine.com)
Aegrus - Finland’s most impactful black metal band as of late and true champions of the Satanic way, are so much more than your traditional or typical “Satanic” black metal outfit. For Aegrus, Satanism and Devil worship are a substantial part of life; one for which they’ve sold theirs souls… And the music created by what I consider to be the cream of the contemporary [Finnish](https://blackmetalzine.com/playlists/country/finnish-black-metal/) black metal circuit is of the most freeing and transcendental consortium. Self-development and the channeling of outer forces through self being the main catalysts to their scene-dominating scourge. During my latest interview, Darkseer Inculta and Lux Tenebris give us some insight into their relationship with Satan/Lucifer, their creative process, thoughts on the current & past scenes and, of course, their forthcoming album, “Invoking the Abysmal Night”.
##### Aegrus operates with a full lineup of musicians, rather than the billions of soloists and duos out there in the black metal world. Consequently, I think it’s important for the band dynamic to be restored within the genre. Furthermore, I feel like anything that challenges a musician gets tossed out the window these days. What has been the value of the band dynamic for Aegrus?
**Darkseer Inculta:** In Manus Satanas was the first release we did as a whole band together. Until that, we operated as a duo, excluding a couple of demos and one EP in the beginning. That worked fine in itself, but since we play all rehearsals and live shows with a complete line-up, there wasn't really a reason to not do the same with recordings as well. In my opinion, it has brought more dynamic and variation to our sound & style. Serpentifer is also a much more talented and able drummer than me.
##### Your forthcoming album “Invoking the Abysmal Night” is a bit more experimental compared to 2019’s “In Manus Satanas”, particularly with tracks like “Nocturnal Rites of Faust” that crossover genres. What inspired you to take more risks with this one?
**Lux Tenebris**: There's more variation in that album than ever before, but everything came naturally or transcendentally if you will. I always reflect inner and outer influences to my music, be it my inner emotions, the twilight breath of Satan or just adaptation of something musically impressive that got me under its spell. When it comes to “Nocturnal Rites of Faust”, I listen to other music genres than black metal too, so my musical influences come from everywhere and can show up emanating like this.
Furthermore, clean guitars and solos aren't exactly new territory for us since we have played those parts many times before, but maybe it stands out more discernibly this time.
##### What was the songwriting/recording process like for the new material?
**Darkseer Inculta:** There wasn't anything different this time around compared to any of our past releases. Lux Tenebris composed all the music, while I wrote most of the lyrics. That has been our way of creating music since the very beginning. Final arrangements are made in our rehearsal chamber as a whole band together when the songs are finished. We have always recorded everything by ourselves. That way we can work at our pace without any hurry or pressure.
##### What are your plans as far as live rituals following its release?
**Lux Tenebris**: A week after the release of “Invoking The Abysmal Night” we are having a release event in Finland, in which Ruttokosmos, Vornat and AntimateriA (in which I play too) are participating. All bands are from the same region as we are originally, so that's a special event worth checking for.
Next spring, our first Central European show is to happen in Switzerland at Black Hole Fest V with Gorgoroth and Sargeist among others. It would be great to add some other gigs along that trip, for example in Germany, in Belgium or in France, but let's see what happens.
##### As with most genuine black metal bands, Aegrus’ creative well runs deep and beyond the musical aspect of things. It’s said that self-development and transcendental knowledge are the driving forces behind the band as a whole. Are these disciplines and epiphanies sought through the practice of Satanism?
**Lux Tenebris**: Satanism and Devil worship are the foundation of my life, my philosophy and naturally Aegrus is deeply bound with my life. The things mentioned by you reflect my goals in life, in which self development is the constant driving force and transcendental knowledge is the higher state to aim for.
**Darkseer Inculta**: Partly yes, partly no. Although Satanism, or rather I'd say Devil worship is a huge part of me, some of it was already rooted in me back in the day before I could even identify what all of this really is and what it means. Over the years, I've developed my own interpretations of what that whole concept is for me personally and how it is affecting my life and the way I feel/see things.
When it comes to self-development, that should be a part of every living creature in general. To learn, to evolve. Not just being limited to being a part of Satanism.
##### The lines between what separate Satanism and Luciferianism seem to be converging within the realm of black metal. These days, more and more artists are creating material that’s inspired by the illumination of Lucifer, rather than how the genre was originally formed with Devil worship being the main influence. How important has Lucifer been to the band’s creative process?
**Lux Tenebris**: As a spiritual person, I see Satan and Lucifer as the same entity, only looked at from a different perspective. Devil worship goes hand in hand with Luciferian illumination and the force called Satan/Lucifer is the real God: keeper of real knowledge hidden behind the curtains of darkness only available for those who have the will strong enough to discover it.
I'm lucky enough that I've found inner peace with HIM, and I strongly feel we are now living in symbiosis. I am gaining unspeakable things from HIM and giving no less than my soul for exchange. So naturally, Lucifer plays a big part in our lives, and that being said, in the creativeness of the band.
**Darkseer Inculta**: As Lux Tenebris already described it quite comprehensively, Satan/Lucifer are basically the same coin with different sides. Each of them represents different aspects of Devil worship to me as the other is more related to primal instincts, feelings etc. while the other being more involved with spiritual ways, knowledge, self-development and so on. Can't really put everything into words, but I think you get the idea.
##### Has any of Aegrus’ music been inspired by ritual?
**Lux Tenebris**: Not by ritual since ritual has all an all different character than composing songs, but definitely inspired by constant outer powers filtered through my body.
#####
I was once told in one of my interviews that Satanism cannot be commercialized. There was sound reasoning behind this, but it seems like that’s precisely what some mainstream bands are doing - cashing in on Satanic principles and concepts. Take away the Satanic elements of some of these bands, and they would have little else to sell. How do you feel about the use of Satanic imagery, concepts, and philosophies to sell records?
**Darkseer Inculta**: This is one of those topics that I don't really care about. I guess if money and fame comes through your creations, and music you have poured into your heart & soul, blood & sweat, then it comes. But for us, fame and fat wallets have never been the goal. As cliché as it sounds, first and foremost, we do this for ourselves. We have sold our souls to Satan…
**Lux Tenebris**: Satanism was already commercialized by LaVey during the 60s, so it has been done long time ago. If someone does this kind of successful music with his whole heart, I guess then it's fine, but of course, there are lots of these trolls and posers who are making “Satanic” music only because they get money from it, and it's cool to be evil according to the majority. I generally tend to ignore those kinds of people, since they are too shallow and lack the perspective that I seek from the others who I'm voluntarily dealing with. Honest and genuine people are the ones who earn my time and respect, no matter the subject. Life is too short to care about everyone or everything.
##### Aegrus formed years after the “Dark War” that took place in the 90s between Finnish and Norwegian hordes. From your perspective, is that competitive flair still alive between the two scenes?
**Darkseer Inculta**: No. Such a thing doesn't exist anymore, or at least I'm unaware if it does. Not that I really even care about that nonsense.
**Lux Tenebris**: It was around 30 years ago, so that era has been buried in the past. I think it was mainly VV who sent death threat letters to Mika Luttinen from Impaled Nazarene. Actually, Mika with his brother Kimmo got tens of the same kinds of letters from France too. Namely, it was Vlad Tepes guys along with Mutilation who sent letters to them and also to Osmose they sent dead rats among others, haha. But that's part of the juvenile past of Black Metal, and today the Finnish and Norwegian Black Metal scenes are really vital on their own.
##### What’s the most valuable thing you’ve learned about yourself through self-development, and how have you applied it to Aegrus?
**Darkseer Inculta**: That's quite hard to answer because I believe many things happen naturally and unconsciously without thinking about it too much. These are much easier to notice in real life situations rather than how I make music, but at least our lyrics have become more thoughtful and deep throughout the years.
**Lux Tenebris**: I can't say only one thing, it's too hard. The process is going on all the time. Currently, I feel I am the best version of me. I feel inner peace, I am stronger than ever, and I feel I've gained a deeper understanding of the essence of this absolute. Time will tell how it translates into Aegrus.
##### Do you have a message for the horde?
**Darkseer Inculta**: Check our new album when it comes out and possible gigs/other related news about Aegrus. Hail Satan!
**Lux Tenebris**: Open your mind and soul to the obscure. That way, you can reach to the next level and beyond.
A special thank you to Darkseer Inculta, Lux Tenebris and Aegrus.
## The Album
The new album will be released on the 27th of October, but you can listen to it in full on the Black Metal Promotion YouTube channel, or by clicking on the video below.
## Your Thoughts?
Please let us know what you think about this interview and band on our social media channels, or join us on [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Wayfarer - American Gothic
URL: https://blackmetalzine.com/review-wayfarer-american-gothic/
Last updated: 2026-07-16T17:18:35.000Z
## Introduction
“Wayfarer - American Gothic”
**Origin:** Denver, Colorado, [USA](https://blackmetalzine.com/playlists/country/u-s-a-black-metal/)
**Formed in**: 2011
**Genre:** Americana Black Metal
**Label:**[ Profound Lore Records](https://www.facebook.com/profoundlorerecords?%5F%5Fcft%5F%5F[0]=AZWwuI0CduFHGZOTZ-7EWMOaRgJXPnUrQrJl6mmH-HVM81zIAC3NTjrOXWDJupTLkiQXFk62eDyuQ3-Fd2yr4v%5FjyWqmxuKfvdracwnmrjKp2WtsEQXWvfFrg3Tvu-pbvTz1pprVgkNc1X9BTUt79CKxoSzFqcsOCoLd5bvX84K7Ew4ku3h8-HQJl0DZ1KfDC%5Fw&%5F%5Ftn%5F%5F=-]K-R)
**Release date:** 27th of October 2023
A dark history and a bleak outlook upon our now revealed. Seeds of greed and corruption buried in Western soil, watered by bloodshed and sprouting their cursed roots across the land and through time into the neo-dark age we call today.
“What we have now is a world full of oil drillers, and railroad barons. Cattle thieves and company men. This is the new American Gothic.”
For the past ten years, Wayfarer have astonished critics and enthusiasts with their groundbreaking brand of Americana black metal. Staying true to the black metal way by embracing the darker side of history while breathing life anew into its forlorn tales. Wayfarer have proven to be a vital part of the USBM movement and a source of pride for their home state of Colorado.
The notorious Western wild - the land of hardship, unforgiving terrain and a bleak sort of dread that naturally accompanies the desolate landscape. All captured and brought to life through genuine BM that pays homage to the blood, labor, and sacrifice of those throughout history who have called the West home. In much the same way as how bands like Ireland’s Primordial so eloquently detail the perils of yore, so do Wayfarer, only with an even darker vision into years past; a touch of Western gothic to drive in the pine coffin nails and etch the tombstones. On October 27, Wayfarer will release their highly anticipated new album, “American Gothic” via Profound Lore.
## American Gothic
“American Gothic”, when compared to Wayfarer’s previous record “A Romance With Violence”, is an album of the somber and soulful consort. A deep-running melancholy that courses throughout even the liveliest parts of the album to be experienced, along with more than a subtle touch of brutality. A sinister ambience to absorb, heartwarming melodic sequences to savor, and that telltale Western twang that calls to mind images of stallions in full stride under the cool glow of a pale moon over the canyon and sacred bonfires ablaze in the desert night. Each epic album cut alive and pulsating with newfound energy: black and bold, dramatic and visual from the opener “The Thousand Tombs of Western Promise” that lays down the thunder of a thousand horses trampling the plains with every dominating cadence and full-attention-demanding guitar riff, to the midway point in the stunning mood piece “A High Plains Eulogy” with its dreamlike lulls, all the way through to the blackened psychedelia of the closing track, “False Constellation”, an unforgettable black metal experience.
Not a second of runtime lost to redundancy; only enrapturing passages that beg to be heard over and over again as each track tantalizes the same sweet spot but in its own unique way and with varying degrees of impact. Dirty loose string Western vibes in “Reaper On the Oilfields” give way to ear candy riffage and old-timey, headbanging rhythms in “To Enter My House Justified”. But never too far from out of the shadows will you venture, for despite the album’s propensity for rousing up the old horns with its many high energies, metal as fuck parts, “American Gothic” is a depressive and at some points even an enraging sort of metaphorical reflection of a very dark past into the hopeless present. In a class of its own and artful to the core, one of the finest American black metal albums I’ve ever heard.
Experience “To Enter My House Justified” from “American Gothic” right here as presented by Profound Lore:
## Conclusion
Corruption never ends; it just puts on a different suit and hat with each passing era. And what this nation was founded on, so too shall it be buried by: the greedy aspirations of evil men. The spirit of the oilman and the cattle thief alive and well within every dirty businessman and every poor desperate victim of the capitalist machine. Dark days behind and even darker ahead as we spiral further into our inglorious future. “American Gothic” is an album to be remembered by…
BMZ Rating: 10/10
## Find us on social media and share our thoughts
You're a fan of Wayfarer or a first-time listener? Please let us know on our social media channels, or join us on [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Interview: Midgard of Ouija
URL: https://blackmetalzine.com/interview-midgard-of-ouija/
Last updated: 2026-07-16T17:18:35.000Z
## Exclusive Interview
**Origin:** Huesca, Aragon, Spain
**Formed in**: 1995
**Genre:** Black Metal
**Label:** Negra Nit Distro
*Spain’s OUIJA! An institution and one of the proud Spanish black metal scene’s seminal bands. Since 1995, they’ve carved into the hearts of those fortunate enough to have experienced their music the deepest of blasphemies through their message of rebellion and self-discovery. Sages in their knowledge of most things adversarial and real life champions of what true black metal has always and should always stand for. During my latest interview, Midgard of OUIJA gives us some history of the band, some insight into the current scene, a look into his own spiritual beliefs. Thoughts on the overall state of humanity and an in-depth rundown of the concept/creative process behind OUIJA’s latest album, “Fathomless Hysteros”. Eyes on the board… The spirits are calling…*
#### MI: Hails and welcome. Ouija formed in Spain in 1995 during the bridge between the second wave and the new wave of black metal. How did you form the band, and how would you describe the Spanish scene back then?
OUIJA was born after the dissolution of LEVIAL, a band that played Death Metal. Let me tell you that the change from making Death Metal to Black Metal was something very gradual and natural so to speak. At that time, the first wave of Black Metal was breaking into the entire world scene, and we were not oblivious to that new trend that was being generated, and little by little we delved into those sounds and created OUIJA. The sensations we felt in this stage of changes, as I have already said, were very gradual since we did not make Black from the beginning, we made a fusion between Black and Death, which later would lead to Black. From that time of transition, we can say that we have a demo recorded live in the rehearsal room, which we will surely release very soon. And about the memory I have of our first stage with OUIJA, we were young people of 20 years old, we enjoyed everything to the fullest since everything was new then. What am I going to tell you; times of endless madness... Times very different from today's times. In my opinion, more authentic than now, but each era has its pros and cons.
#### MI: Ouija is a unique and an interesting choice for a band name. As someone who’s experienced the paranormal, I can’t help but wonder if it was inspired by your experiences with the unknown.
OUIJA was a name that the whole band liked at that time and I still remember it: we were all gathered in the rehearsal room looking for a name for the band and OUIJA was chosen by majority. It has a sonority that seduces and at the same time infringes respect. I like to see the scared and terrified faces that people make when they ask you what your band is called. This normally happens with people who have nothing to do with Extreme Metal. I can see what they think on their faces - these are crazy people. It is a name with a lot of punch, so to speak, which is what we were looking for.
And about the second question, I can tell you that I believe in contact through the spirit board. What's more, I practice that contact. It is the communicating vessel between this dimension and another, of which we know nothing. The important thing is to channel and find that strength that is inside you, which is what opens the gate to be able to interact with the other side. If you have control over this inner energy, everything flows and the summoning is always answered.
#### MI: Much of your lyrics are blasphemous in nature, particularly with 2013’s “Ave Voluptatis Carnis”. The cover art alone for this album is legendary in my opinion (Christ being raped by daemonic seductresses). What is it about Christendom and their little savior that inspired you to create this album?
OUIJA's lyrics will always be loaded with a total anti-Christian spirit. It is our nature to hate everything established, and even more so such miserable and vile dogmas as those given by the Christian church can be. Although, I have to say that we hate all religions equally because they are all destructive and the only thing they want to do is enslave us with their false morality and submit us with their doctrines. Regarding whether that album is our most blasphemous piece, I would say that in the lyrics, all our works follow the same line. If I said the cover is the most sacrilegious and explicit we have ever had, I was the one who gave the idea of this orgy to Igor Mugerza who captured this with complete mastery and giving it that sublime touch of perversion that we were looking for said cover.
#### MI: Aside from blasphemy, Satanism has been of obvious influence to the band. There are many orders whose ideas of what Satanism stands for vary considerably. For some, His Infernal Majesty is but a figurehead for atheism. Others practice theistic or gnostic forms of Satanism through ritual and magick. How has Satanism been of influence to Ouija?
You can call it Satanism or with a thousand names already given. It does not matter what name you give to it. The important thing is the Rebellion, not being a servant, not following their path and deviating along other more abrupt ones that will lead us to knowledge. We are adversaries and rebellious beings. That is Satanism - being yourself and not slaves to our sins. There is no greater influence than disobedience.
#### MI: Your latest album, “Fathomless Hysteros”, is a fine piece of contemporary black metal and a specimen of how today’s BM should sound. But can you explain the album’s concept?
The concept would be to renew ourselves with the new times but continue maintaining our original spirit and express it in this way in the new album. This album, “Fathomless Hysteros”, I would say it is our most complete album. I would not say the best because the three albums are very different from each other, and it is difficult to compare them. Furthermore, the public is sovereign, and they are the ones who must judge which one of them is better. The whole band is very satisfied with the final result of this work. Our sound has matured like good wine, and that is reflected in it. I would dare to say it has the OUIJA DNA but with the freshness of the most modern and current sounds. I think we have adapted well to this current age and take the best of it and at the same time be faithful to our roots and way of understanding this music.
#### MI: What was the songwriting/recording process like for the latest album?
Regarding the lyrics, I can tell you that I'm who does this work, say that it follows the same wave that we have always followed. Perhaps, like everything, with the pass of time, my writing evolves, and it becomes more complex and twisted. Possibly, my lyrics today are deeper than in the past, but I think that is something very normal since as the years go by, even if your base is the same, there are things that you see and treat from another prism. I don’t mean they soften, possibly even become more extreme. However, I always say that people read my writings and draw their own conclusions, since occasionally, I write in a very metaphorical way and for me, it can mean one thing and for you another, it depends on the prism with which I am looking at it.
About the composition of the music, I can say that Map and JM101, our guitarists, are the ones who compose the music. They are responsible for this function, they merge, mix riffs and rhythms until the song is completely outlined. Once this task is done, Fulgur - our drummer - already introduces the percussion and Shogoth - the bassist. Finally, I already do the lyrical work, both in the creation of the lyrics and their assembly with the music. In short, a team effort.
#### MI: Do you feel like new bands are focusing too much on the early 90s scene? These homages are important to a certain degree, but too much of anything is usually not a good idea. I get promos daily for albums that are throwbacks to that era and personally, I’m bored with them.
The little like and the much is tiring. But currently there are few bands that have a marked personality. The vast majority join the fashions of the moment because it is easier to sell their product that way. Possibly, this new phenomenon that you mention will saturate the scene more than it has until the public demands another type of product and most of these bands disappear or join the next trend of the moment. As I say, in the end only the strongest will prevail.
#### MI: Like most black metal bands, you’ve spent your time toiling the underground, where true black metal belongs. Have you ever had mainstream aspirations for Ouija?
In the 90s when we were very young, we did have those aspirations, but they soon dissipated, since as you say, we have always been a band focused on the underground. And for reasons of life itself, we have sometimes had to slow down the band's career, and this factor I would say is what has maintained us in this status. Perhaps twenty-five years earlier, depending on how the events would have developed, the film today would have been different. But ultimately, the important thing is that here we remain stronger than ever and faithful to our principles.
#### MI: There’s always been what feels like a sense of competition between different schools of BM, particularly between the Finnish and Norwegian scenes of the 90s. In your neighboring Portugal, Black metal has become a burgeoning genre, particularly over the past 15 years or so. How do you feel about the current state of the Spanish black metal scene, and would you say that there’s competition between it and Portugal’s?
There is no competition with the Portuguese scene, or at least as far as I know. It is a scene that I, personally, respect a lot, and I believe we are united by more ties of union than differentiating us. Currently, in [Spain](https://blackmetalzine.com/playlists/country/spanish-black-metal/) there are bands of great quality. The problem is that it always costs a lot to be accepted outside our borders. The Spanish brand is superb in many things, but not for Extreme Metal. The public prefers to listen to a shitty Norwegian band than a good band from Southern Europe or South America. Sad but true as life itself.
I am going to mention some good bands from Spain Cauldron, Balmog, Ered, Marthyrium. There are many more, but these are very fascinating to me.
#### MI: What does the future look like for Ouija? Any new album aspirations yet?
The future is very uncertain, and even more so in a world as compulsive as the one we live in now. We are too much a slave to the system and headless puppets towards an imminent drift. But despite all this, our future plans are to prepare for important festivals and also prepare new songs for a new EP. It would be the next project.
#### MI: Do you have a message for the horde?
To end the interview, I am going to leave a truly combative message to the Black Horde, saying that we are under a new change in the world order and humanity, with each passing day, is more stupid, cowardly and submissive. They are hanging a yoke around our necks so that we live like androids; totally submitted to them - those f\~cking vermin hidden under the great elitist spheres that want to enslave us - turning us into puppets of the system manipulated and controlled by their dirty hands. Black Metal has always been music that has fought against all this; breaking everything established like its damned and infamous doctrines. Take off the blindfold and start seeing the sh’t they would like to feed us and poison us with. Start thinking for yourself and don't let them think for you and mark your path. It is better to be a hungry and free wolf than a fed and subdued lamb.
Thanks so much for the interview.
A special thank you to Midgard and OUIJA.
## Reach Out
Please let us know what you think about this interview and band on our social media channels, or join us on
[discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com)
where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: IKU-TURSO - Ikuinen Kirous
URL: https://blackmetalzine.com/review-iku-turso-ikuinen-kirous/
Last updated: 2026-07-16T17:18:36.000Z
## Introduction
IKU-TURSO “Ikuinen Kirous”
**Origin:** Oulu, Pohjois-Pohjanmaa, Finland 🇫🇮 • Netherlands 🇳🇱
**Formed in**: 2017
**Genre:** Black Metal
**Label:** Purity Through Fire
**Release date:** 27th of October 2023
As of late, Finland’s IKU-TURSO: named after a sea monster in Finnish mythology, have quietly, under the prestigious Purity Through Fire banner, been toiling the darkest abyss that is otherwise known as the European black metal underground. And what they’ve surfaced from underneath is black metal, not akin to the traditional Finnish variety. Powerful and dense as steel; old Suomi and Dutch steel that lacerates through the typicality of the current scene, but always true to black metal’s roots. A throwback? Somewhat…
## Ikuinen Kirous
There’s a sleazy black & roll element to IKU-TURSO’s forthcoming album, “Ikuinen Kirous” that surfaces from behind an otherwise gothic backdrop: greasy riffs and rotten gutturals to be expected as you take in tracks like the opener, “Nikotimsefuopua” with its Cradle of Filth-heralding vibes and “Een Zucht Van Verdriet” in all of its early-90’worshiping glory. Ethereal tremolo’s cast Shades of Emperor’s “In the Nightside Eclipse” over a martial percussive foundation; just enough atmosphere and the just right level of experimentation to each album cut, to dazzle the contemporary BM enthusiast, all the while as the stubborn curmudgeon is appeased.
With no real stylistic ties to any particular school of BM besides what can simply be referred to as European or International. IKU-TURSO are very much an entity of their own, and they prove it with dramatic shifts in tempo and an array of unique progressions throughout. A thrashing during some parts and some triumphant heavy metal influence during others. An entire scene-spanning offering that pushes the limits of what’s considered true black metal, but reined in by traditional recording and production techniques.
## Conclusion
Call it true black metal, call it gothic, call it Vampyric; it all applies here within the frigid clutches of IKU-TURSO and “Ikuinen Kirous”. Despite some heartfelt yet rather off-putting vocal scourges during “Ebenezer”, an otherwise desperate and fiendishly intense cut, the rest of the album plays out as smooth as an early morning crest befalling desolate shores. A unique Leviathan of a record that will pull you deep into the darkest crevasses one moment and rip you violently from the depths into a spiraling flight the next. A record to be proud of, and just another fine example of the genre’s capacity for evolutionary branching out as it stands firmly rooted in the ways of old.
8/10
## Links
Bandcamp: [Ikuinen Kirous | Iku-Turso (bandcamp.com)](https://iku-turso.bandcamp.com/album/ikuinen-kirous?ref=blackmetalzine.com)
## Reach out
Are you looking forward to this album and if so, what are your expectations? Please let us know on our social media channels, or join us on [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Impalement - The Dawn Of Blackened Death
URL: https://blackmetalzine.com/impalement-the-dawn-of-blackened-death-review/
Last updated: 2026-07-16T17:16:28.000Z
The new album by Impalement with the title “The Dawn of Blackened Death” will be released on the 27th of October, we were lucky to receive a promo of the new album. So, after several thorough listens, we are ready to share our thoughts about it.
## An introduction to Impalement
The band released their first full album in 2020, and it was well received by the press and fans alike. They combine black metal with death metal influences, and they do a good job at it. The band consists of Beliath and Torturer, he is the drummer who takes care of the drums in the Studio. For the live performances, there are session members from Triumph of Death, Nordjevel and others.
In 2022, they toured with Marduk and Vader in the “United Titans Tour” and they will tour this year with Gorgoroth on the “Fear the Eternal Return” tour, which will take place in November/December 2023\. That will also be the tour I plan on attending, so I'm going to see the band live in action. I hope it will live up or even match the performance on the albums.
But that's for then, let's shift our focus back to the new album;
## The Dawn Of Blackened Death
So what can you expect from this new album, after you bought it or loaded it up on your favourite streaming platform? You can expect a 41-minute lasting assault, divided over 7 tracks.
The first track of the album, “The Herd Marches On” encapsulates perfectly what this album is about. Just relentless music that grabs you by the throat and doesn't let go. For me, that's the perfect sound to start up the day because it gets the blood pumping, and I'm ready for another day at the office.
As mentioned in the [Asagraum](https://blackmetalzine.com/review-veil-of-death-ruptured-asagraum/) review, when I was young and used to judge an album by its cover. If the cover was to my liking and well-made, I had the idea that the music would be good too. So, is this the case with the cover of this Impalement album? The answer to that question would be yes, I would have bought this album in the 90s solely by looking at the album artwork. The artwork made by Carlos “Black Shadow” Aguilar just oozes quality, and it really draws your attention towards the album.
Another track that gives an example of what this new album brings is the third track, “Legio Nihil”, this war themed song really packs a punch. With drums that go off like machine guns and the vocals of Beliath give the impression he's shouting orders to the troops.
---
1. The Herd Marches On
2. Dawn of Blackened Death
3. Legio Nihil
4. The Old Ones
5. Will to Power
6. Death to the Gods
7. Chosen by Tragedy
## Other Highlights
“Will of Power”, the 5th track, is another highlight of this album. This is the shortest track out of the 7, but it hits you hard, and it really gets your blood pumping.
The same goes for the track “Death to the Gods”, Beliath vocals sounds like he means business and we as listeners gotta pay attention. All the mentioned tracks encapsulates what Impalement is about. So if you want to get a feeling if this album is for you, give those a try.
## Our thoughts
What are our thoughts on “The Dawn of Blackened Death” by Impalement? I can be quite short about that. I really like this album. Likewise, I also liked the first album “The Impalement” and I'm glad to see that they keep this momentum going, and I'm excited to see them live together with Gorgoroth.
So, as a short conclusion? Just give the album a spin, I'm sure you'll like it.
7,5 of 10
## Links
Website: [https://www.impalement.ch](https://www.impalement.ch/?ref=blackmetalzine.com)
Facebook:
Bandcamp: [https://impalementofficial.bandcamp.com/releases](https://impalementofficial.bandcamp.com/releases?ref=blackmetalzine.com)
Instagram: [https://www.instagram.com/impalement\_official/](https://www.instagram.com/impalement%5Fofficial/?ref=blackmetalzine.com)
## Your thoughts?
Are you looking forward to this album and if so, what are your expectations? Please let us know on our social media channels, or join us on [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Interview: Melan Selas - A mystical journey towards the truth
URL: https://blackmetalzine.com/melan-selas-mystical-journey-towards-the-truth/
Last updated: 2026-07-15T18:31:29.000Z
Melan Selas from Trikala, [Greece](https://blackmetalzine.com/playlists/country/greek-black-metal/). Formed in 2015\. They describe their music as black metal with epic and atmospheric elements. As well as certain sections that are a bit more aggressive, the result is a beautiful yet dark experience. *Much like the attainment of Ascension, one must walk the path of perdition*. We have had the opportunity to interview Melan Selas. Discussing the new album “[Zephyrean Hymns](https://www.metal-archives.com/albums/Melan%5FSelas/Zephyrean%5FHymns/1172128?ref=blackmetalzine.com)” and various other topics surrounding the band.
#### *First, I would like to know what the name Melan Selas means and how does it tie in with what you want to project with your music*
“Melan Selas” means “Black Light” in ancient, but also in modern Greek. It represents a contradiction between darkness and light, while it indicates how close these two elements are as well. In fact, if you would like to approach the light, you have to walk through the dark. This is vividly portrayed in our songs, especially through the lyrics from a philosophical standpoint.
#### *Your lyrical themes consist of Ancient times, Nature and Philosophy. With that being said, would you care to elaborate on the vision of Melan Selas*
Melan Selas' art is a mystical journey towards the truth. The character of our music, the epic and the atmospheric parts, also the furious and thrashy ones, all stand as fertile ground on which one can be part of a spiritual quest. In an attempt to sense the deepest meaning behind every shade of existence. This is what our lyrics are about, given in various forms, mostly through symbols and allegories. Connecting with nature is the key when it comes to exploring what surrounds us, but also what we are made of. Finally, ancient times, and the Hellenic past more specifically, is always a source of endless inspiration.
#### *Zephyrean Hymns which is your latest album released on September 22nd. Quite a beautiful experience I would say, upon first listening to the album, I took a walk in the forest and it seemed perfect. Especially when it got to the song “Darkened Cliff” at that moment I just found myself staring at the sky. The emotion and somewhat dreamy atmosphere took me away from all mundane thoughts. I was drifting away and connected with something higher, I’d call it spirit. The transition of that song from the first half to the second and right through to the end just felt magical. There are many beautiful moments on this album, but this particular track stands as my current favorite. Now, of course I know that the way music is perceived is always personal. So my question is, does the vision of the album somehow coincide with what I experienced or is it something else according to you?*
We are glad that this track gave you this particular feeling. It appears that you truly experienced its essence, and this is something we aimed for. For us, it's always about the ascension of the spirit to something otherworldly, something great and inhumane in the most magical way, in the attempt to reach the boundaries of human nature.
#### *There are some traces of classic style Hellenic Black metal on the album, but not without its own unique feel and atmosphere. Some thrash elements are found as well. Along with several beautiful passages and melodies. What would you say your inspiration is?*
Our inspiration comes from our various musical influences, but also from life itself and the need of self-expression. This is how our music blend takes its final form.
#### *Are you open to doing live shows, or are there any upcoming live shows for you?*
Currently, we are awaiting to play our first live show after a long time, on the 4th of November in Larissa, Greece. More shows will come after this, so stay tuned!
#### *Is music and black metal the only art form you are involved in, or is there any other work you would like to share?*
D.K. is also active in the thrash metal band Riffobia and is creating music for his heavy metal project called For My Sanity. He is also a member of Katavasia. Astraea is experimenting with rap lately, while she is also working on some other personal projects, including playing music, but also writing poetry and more.
#### *Is there anything you would like to say to the fans of your music?*
We would like to thank all of our fans for all the support and interest they have shown towards the band so far. This truly makes us stronger. Continue listening to music passionately, feeling it to the fullest, in the most thoughtful way possible.
#### *Do you have advice for individuals wanting to start their bands or projects?*
We encourage everyone who is feeling the artistic urge for creation to act to bring his or her work to light. Play music, listen to music, be true to yourself and always stay focused on your vision.
#### *Thank you for accepting this interview. Final words are yours. Is there anything you would like to say?*
Thank you very much for having us. Live life passionately and thoughtfully. Cheers!
#### Links:
Facebook:
Bandcamp: [https://melanselas.bandcamp.com/](https://melanselas.bandcamp.com/?ref=blackmetalzine.com)
Spotify: [https://open.spotify.com/artist/6HiUxgwthPicZO56vEX35P](https://open.spotify.com/artist/6HiUxgwthPicZO56vEX35P?ref=blackmetalzine.com)
YouTube: [https://www.youtube.com/channel/UCQ0i9xAz9i4y-pjYa958PKw](https://www.youtube.com/channel/UCQ0i9xAz9i4y-pjYa958PKw?ref=blackmetalzine.com)
#### Your thoughts?
Have you heard of Melan Selas before? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Asagraum – Veil of Death, Ruptured
URL: https://blackmetalzine.com/review-veil-of-death-ruptured-asagraum/
Last updated: 2026-07-16T17:16:29.000Z
[*Dutch*](https://blackmetalzine.com/playlists/country/dutch-black-metal/) *black metal band Asagraum will release a new album on the 20th of October. The album bears the name Veil of Death, Ruptured. We were lucky enough to get our hands on it early, so we gave it plenty of listening sessions and here are our thoughts about it.*
## Introduction
I've been following Asagraum for a while now, and it's great to see that they get more and more attention from the black metal scene. They have a clear no – nonsense vibe and want to relive the best era black metal had (the 90s). And luckily (or sadly, depends on how you look at it), I'm old enough to have experienced a large portion of that era. I liked the first album, **“Potestas Magicum Diaboli”** then the band really convinced me with their second full length, **“Dawn of Infinite Fire”**, it was fast-paced and ferocious.
The points that sold me for the second album, was the overall quality, the vocals, and the drumming. So let's see what Asagraum brings to the table this time around with their third album, **“Veil of Death, Ruptured”**, and if they make me feel like the 90s 2nd wave era coming to life again.
## Veil of Death, Ruptured
Veil of Death, Ruptured, has a runtime of 36 minutes and 30 seconds, the record contains 8 tracks which of 2 of them are instrumental tracks. It's also including the released single **“Impure Fire”**. Furthermore, worth a mention is the album artwork by Bert Mulder. It looks excellent, and I love the composition and the colour scheme.
When I was younger and Spotify and all that other streaming stuff wasn't around. I would judge a CD by its cover and if the cover was to my liking I would buy the album. On those merrits alone this album would have been an instant pick up by me in the 90s.
So what can you expect when you buy or stream this album? A well produced black metal album, where the instruments are mixed well and everything is in the right place. The entire album is well put together. From the beginning to the end.
You can definitely hear progression in terms of style, but for me, the second album sounds more aggressive than the new one. But that's also personal taste, so your opinion, of course, could be entirely different.
1. Ignem Purificat Lilitu
2. Fearless Dominance
3. Opus ad Errantem (Instrumental)
4. De verloren tijd
5. Impure Fire
6. Veil of Death, Ruptured
7. Opus ad Aeternum (Instrumental)
8. De waanzin roept mijn naam
## Highlights
“**Ignem Purificat Lilitu**” the first track, is a good indication of what to expect for the rest of the album. The riffs are nice, and the drums are also on par.
**“De Veloren tijd”** is the 4th track of the album and one of my highlights, it's a track that starts off mid-tempo, but that's more of an interlude, after a some clean vocals (in Dutch) the tempo picks up. It creates a great atmosphere and the entire track is in Dutch, so for me, it gives an extra layer of atmosphere.
The 6th track “Veil of Death, Ruptured” starts with some melodic beat and after a bit it really starts to pickup. The icy vocals of Obscura pierce through the instruments, and the drums just keep on going. This, together with “De Verloren tijd” are my favourite songs of the album.
## Conclusion
So what is my conclusion after listening to this album by Asagraum a lot; There's a clear progression in the production of the album, and it all comes together very well, my personal taste makes me like the second album a tad more, but just a tad.
BMZ Score: 7 / 10
For all fans of black metal in general, just give this album a spin, and I'm sure you will like it. And if you do, be so kind to support the artists and buy the album on your preferred format.
## Links
Label:
Website: [https://edgedcircleproductions.com/ecp-shop](https://edgedcircleproductions.com/ecp-shop?ref=blackmetalzine.com)
Bandcamp: [https://edgedcircleproductions.bandcamp.com/album/veil-of-death-ruptured](https://edgedcircleproductions.bandcamp.com/album/veil-of-death-ruptured?ref=blackmetalzine.com)
Facebook:
Instagram: [https://www.instagram.com/edgedcircleprod](https://www.instagram.com/edgedcircleprod?ref=blackmetalzine.com)
Band:
Facebook:
Instagram: [https://www.instagram.com/asagraum](https://www.instagram.com/asagraum?ref=blackmetalzine.com)
## Your expectations and thoughts?
Are you looking forward to this album and if so, what are your expectations? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Frozen Wreath - Mea Culpa
URL: https://blackmetalzine.com/review-mea-culpa/
Last updated: 2026-07-15T18:31:29.000Z
## Introduction
Frozen Wreath, a two-man black metal outfit out of [Hungary](https://blackmetalzine.com/playlists/country/hungarian-black-metal/), released their second full album Mea Culpa. They play atmospheric black metal and with the days getting shorter and the weather getting more grim, this album suits that atmosphere very well.
One of the band members of this outfit may be known to some of you, since he's one of the forces behind the black metal band WitcheR. I'm pretty familiar with that band, so let's see what Frozen Wreath delivers with their second album.
## Mea Culpa
With a run time of almost 50 minutes, it has a decent runtime. Long albums are okay, but they need to grab my attention and keep it hooked to the album, this new album delivers on that front throughout the album. Mea Culpa oozes atmosphere from the beginning to the end and because there is enough variation in the tracks, you keep on listening. Not everyone has that problem, of course, with longer albums, but for me personally, it's nice to see that there is enough variation to keep my mind busy.
As said, this album oozes atmosphere and the folk elements incorporated into the album, and they set a great mood throughout the entire album. Along with the folk elements, what also binds it together is the production of the albums, the instruments are mixed well (on headphones and speakers) and the vocals sound great.
I enjoyed listening to the album a few times and I never had the feeling I was bored, or done with the album. Listen to the two tracks mentioned below in the highlight section for an introduction to what this album is all about.
1. Az én vétkem
2. Megrepedt vályogfalak
3. Vénülő kezek
4. Szabadíts meg a gonosztól
5. Az atya, a fiú..
6. Nem felejtek
7. Búcsúlevél
## Hightlights
One of the highlights of the album is the first track **“Az én vétkem”** which translates to “My Fault” in English. If you have to listen to one song on the album to get a feeling what it brings to the table this is the track. It just breathes atmosphere. All the lyrics are in Hungarian, but the translations are available on the metal archive website. I enjoy reading those because it gives me a sense what the song is about and why a song sounds the way it does.
> *Through my fault, through my fault,*
> *Through my most grievous fault,*
> *My only sin was*
> *Hating life…*
>
> Lyrics from **Az én vétkem**, Translated to English
Another track I truly enjoyed is the third track “Vénülő kezek” which translates to “Ageing Hands” it's the longest track on the album with a run time of 9 minutes and 45 seconds. And it managed to grab my attention for the entire span of the song. The lyrics are nice (as said, I've looked them up on MA) and it is the story telling of an old man halfway through the song is a nice change.
> *Life carved deep valleys in my ageing hands,*
> *Tears no longer help my distorted reflection,*
> *I slowly wither, as the budding flower will on my grave,*
> *Evil joke from life that the whole thing is just dying…*
>
> Lyrics from Vénülő kezek, Translated to English.
## Conclusion
Just listen to the album and give it a try, I'm pretty sure plenty of folks would love it. Is it the best album of the year? Perhaps not for everyone, but it's a decent contender. And Frozen Wreath deserves all the attention it can get.
BMZ Score: 8 / 10
You can give it a try via the YouTube video below, and if you like what you hear, don't forget to support the artists and buy the album.
##### Feedback, BMP & BMZ links:
Have you listened to this album by Frozen Wreath? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Killing Mondays: Black souls need black coffee.
URL: https://blackmetalzine.com/killing-mondays-black-souls-need-black-coffee/
Last updated: 2026-07-16T17:16:30.000Z
## All Mondays suck
*We all know the feeling; it’s Monday the week just started, and you feel like crap and wish it was the weekend again. It’s a feeling that’s shared all around the world. We get it, and we know that feeling all too well. So to help you all get through Monday, we made a list of 5 releases you should listen to and make the day a bit less dreadful. So grab a cup of the blackest coffee and let’s start.*
---
## Hallig / Friisk - Hallig / Friisk
Hallig and Friisk (both hailing from Germany) released a split. Hallig latest album is from 2018, so it's been a while since they delivered any new material. But here they are together with Friisk who released their debut album in 2021\. Both are bands are wonderful and to see them team up only enhances it.
## Gallóglaigh - Realms Unknown
Realms Unknown is Gallóglaigh third album, but the band wasn't known to me, but after a spin when it premiered I was convinced. The vocals are great, and the instrument work also. It really deserves a listen.
MA: [Gallóglaigh - Encyclopaedia Metallum: The Metal Archives (metal-archives.com)](https://www.metal-archives.com/bands/Gall%C3%B3glaigh/3540507749?ref=blackmetalzine.com)
## Sorathian Dawn – Radiant Terror
Australian black metal band Sorathian Dawn released their second full album after 11 years since their debut album. If you are into melodic black metal, you should give this a try.
MA: [Sorathian Dawn - Encyclopaedia Metallum: The Metal Archives (metal-archives.com)](https://www.metal-archives.com/bands/Sorathian%5FDawn/3540344781?ref=blackmetalzine.com)
## Salacious Gods - Oalevluuk
[Dutch](https://blackmetalzine.com/playlists/country/dutch-black-metal/) black metal band Salacious Gods have been around since the end of the 90s. I only know the first 2 albums, but this 4th instalment, which was released 18 years after the third album, is some decent quality black metal.
## Gorgon – The Lady Rides a Black Horse
The Lady Rides a Black Horse is one of my favourite black metal albums of all time. It has everything. It sets a mood with the opening track, the vocals are harsh and relentless and the drums keep going like there is no tomorrow (and that's just how a Monday feels). So grab a coffee, put on your headphones and give it a spin.
## Your Thoughts and Recommendations?
Do you have any recommendations for albums that just got released? Please let us know in the comments below, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Beyond the Gates 2024 - Exciting first band announcement!
URL: https://blackmetalzine.com/beyond-the-gates-first-bands/
Last updated: 2025-11-10T11:59:52.000Z
###### An introduction:
[Beyond the Gates](https://www.beyondthegates.no/?ref=blackmetalzine.com) is an annual black metal utopia situated in the heart of [Bergen](https://en.wikipedia.org/wiki/Bergen?ref=blackmetalzine.com), western Norway. Nestled among seven majestic mountains, Bergen has been the birthplace of renowned bands like **Immortal**, [**Gorgoroth**](https://blackmetalzine.com/august-playlist/), **Gaahl’s Wyrd**, **Taake**, and **Burzum**. The inception of Beyond the Gates, an extreme metal festival, took place in 2012 following the retirement of its predecessor, [Hole in the Sky](https://en.wikipedia.org/wiki/Hole%5Fin%5Fthe%5FSky%5F%28festival%29?ref=blackmetalzine.com) (2000-2011).
Beyond the Gates in Grieghallen - Captured by Jarle Hovda Moe
Every year, Beyond the Gates graces the city of Bergen in the summer month of August, captivating metal enthusiasts. The festival primarily takes place at USF Verftet, a cultural powerhouse that was once a sardine factory. In the 2022 edition, Beyond the Gates expanded its horizons by utilizing the renowned venue, Grieghallen.
Beyond the Gates understands the frustration metalheads often face when their favorite bands clash or overlap in performance times. To alleviate this concern, the festival ensures that there are no band schedule conflicts. Attendees can take breaks between performances to relax, savor delicious food, and enjoy refreshing beverages before heading to the next band.
The festival has announced their first set of bands for the event taking place from the 31\. July to 3\. August 2024\. A total of eleven bands are found on the first festival flyer and includes: Behemoth, Satyricon, Venom, Watain, Trelldom, Vreid, Djevel, Dødheimsgard, Cult of Fire, Darkspace, and Manbryne.
##### First festival flyer!
##### Beyond the Gates has this to say:
> *We say this every time, but we do promise that next year is going to be something you’ve never experienced before.*
>
> *On the back of that statement, please welcome the juggernaut that is* ***Behemoth*** *. The band hasn’t played in Bergen since 2012 and the fans has been eager to see this powerhouse of a live band on the West coast of Norway for a long time.*
>
> *We’re also very excited to be able to present* ***Satyricon*** *, who is releasing a new album next spring. The band will return to the live scene for the first time in five years!*
>
> *Founders and innovators are a description that fits the two headed demon,* ***Venom*** *and* ***Watain*** *. Both bands will grace Beyond the Gates with a visit next year with their spectacular and energetic live shows.*
>
> *Now this is a gem* ***, Trelldom*** *, featuring the iconic singer* ***Gaahl*** *, who will do their first live appearance ever since their formation in the early 90s we can’t wait to see what the enigmatic singer has in store for us.*
>
> ***Vreid*** *will celebrate 30 years of Sognametal, while Norwegian black metallers* ***Djevel*** *and* ***Dødheimsgard*** *will grant us with exclusive sets.*
>
> *Completing the first round of names are the Czech’s* ***Cult of Fire*** *with their massive liveshow, the mysterious* ***Darkspace*** *from Switzerland and Polish* ***Manbryne*** *, who will do their first concert outside of their home country.*
>
> *As always, the festival will be stacked with numerous activities you can experience in addition to the live concerts: Guided tours, fairs, market and so forth. Grab your limited Gold Passes now. These includes all live concerts, including the Day and Night Shift concerts.*
>
> Beyond the Gates | Management
##### A taste of the black metal bands performing!
##### Behemoth
The Polish black / death metal band Behemoth fronted by Adam "Nergal" Darski has brought twelve full lenght albums to their fans. Behemoth are known for their theatrics and majestic live performances and satanic / blasphemous lyrics and imagery!
##### Satyricon
Satyricon does not need much of an introduction, the well established Norwegian band consisting of frontman Sigurd "Satyr" Wongraven and drummer Kjetil "Frost" Haraldstad has 30 years of experience in the scene. Satyricon has a total of ten full length albums and the eleventh coming up spring 2024!
##### Venom
Venom is one of the most experienced bands on the poster, since their establishment in 1979 in the United Kingdom, Venom has influenced and paved way for the musical genre we all love! Venom is often considered as the first black metal band.
##### Watain
The Swedish legends Watain from Uppsala was formed in 1998 and are known for their blazing inferno on stage. With a total of seven full length albums in their catalogue Watain never disappoint!
##### Trelldom
Norwegian band Trelldom hailing from Bergen was formed in 1992 and is led by front man Kristian "Gaahl" Espedal known from bands like Gorgoroth, God Seed and Gaahls Wyrd. Despite existing for over 30 years the band has never performed live, Beyond the Gates will be their first show!
##### Vreid
Vreid was formed in 2004 by members of legendary Windir. Windir split-up after their founder, main composer and vocalist Valfar died of hypothermia after being caught in a blizzard. Vreid has released nine albums bearing a melodic and groovy black metal style often called sognametal.
##### Djevel
Djevel is another Norwegian band formed in 2009\. Djevel is the Norwegian word or name for "devil". The three piece band consists of guitarist Trånn Ciekals, drummer Bård "Faust" Eithun and vocalist and bassist Eskil "Kvitrim" Blix. Together the band has released eight albums!
##### Dødheimsgard
The Oslo band Dødheimsgard was formed in 1994 and has established themselves as a force to be reckoned with. The band has ties to other black metal acts such as Ved Buens Ende and Dold Vorde Ens Navn. Dødheimsgard has a total of six albums released so far.
##### Cult of Fire
Cult of Fire hails from the city Prague in Czechia, since its formation in 2010 the band has released four albums. The band change their logo with every major release. The band is heavily themed within Hinduism and Buddhism and have beautiful aesthetics on stage!
##### Darkspace
Darkspace was formed in 1999 in Bern, Switzerland. The space themed atmospheric black metal band has released four albums and two demos!
##### Manbryne
The rather new band Manbryne was formed in 2017 and hails from mighty Poland. The band has released one full length album and has their second album arriving in autumn 2023\. Manbryne are signed to record label Terratur Possessions!
##### Links
Festival Homepage: [Beyond the Gates Official](https://www.beyondthegates.no/?ref=blackmetalzine.com)
Festival Facebook: [Facebook | Beyond the Gates](https://www.facebook.com/beyondthegatesbergen/)
Festival Instagram: [Beyond the Gates | Instagram](https://www.instagram.com/beyond%5Fthe%5Fgates%5Ffestival/?ref=blackmetalzine.com)
Official Tickets: [Tickets - Beyond the Gates Official](https://www.beyondthegates.no/tickets?ref=blackmetalzine.com)
Official festival photos: [Gallery - Beyond the Gates Official](https://www.beyondthegates.no/gallery?ref=blackmetalzine.com)
BMZ festival review: [Beyond the Gates: 4 Days of Unparalleled Darkness](https://blackmetalzine.com/beyond-the-gates-2023/)
##### What are your thoughts?
Have you been to this festival? Did you like it? Or hate it? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
[Our contact information can be found here!](https://blackmetalzine.com/contact-us/)
### Killing Mondays: black coffee and blacker music
URL: https://blackmetalzine.com/killing-mondays-black-coffee-and-blacker-music/
Last updated: 2025-11-10T11:59:54.000Z
##### Mondays suck
*We all know the feeling; it's Monday the week just started, and you feel like crap and wish it was the weekend again. It's a feeling that's shared all around the world. We get it, and we know that feeling all too well. So to help you all get through Monday, we made a list of 5 releases you should listen to and make the day a bit less dreadful. So grab a cup of the blackest coffee and let's start.*
##### Moonlight Sorcery – Horned Lord of the Throned Castle.
Let's start off with the new album of Moonlight Sorcery. This will be released on the 29th of September, but it got an early premiere on the Black Metal Promotion YouTube channel. This album is the debut album by the band after 2 excellent EPs; Piercing Through the Frozen Eternity and Nightwind: The Conqueror from the Stars. As said, this album will be released by the end of the week, but you can give it a listen on the BMP channel or by watching the video below.
##### Aphelium Aeternum - Dark Interstellar Mysteries
This album is the debut album of Aphelium Aeternum, and they are off to a great start. The band and album are labelled as symphonic black metal, and that's what they deliver. The album has loads of symphonic parts, but there is a great melodic side to it as well. So give the album a try and let us know in the comments what your thoughts are for this album.
##### Verderbnis - Paria
Melodic Black Metal from [Germany](https://blackmetalzine.com/playlists/country/german-black-metal/), what could go wrong, you would think? Well, nothing in this case! The band released a great album with great riffs and awesome vocals. This is their debut album, and I'm excited about the future and any new album they release.
##### Old Ruins – Always Heading East
Old Ruins released an EP back in 2020 and this year they released their first debut album, Always Heading East. The style of the music is melodic black metal with heavy metal fluences. The thing that appealed even more to me is that all the lyrics are based on the video game Diablo, which I'm a big fan off. So that's a plus in my book! So drop what you are doing for work and give it a spin.
##### One from the Vault; Vinterland - Welcome My Last Chapter
Vinterland the band that made an impact with only one album. They released this album in 1996, and it was their first and, sadly enough, their last album. If you like black metal or melodic black metal for that matter, you **need** to listen to this album. It is a must, in my humble opinion.
##### Your Thoughts and Recommendations?
Do you have any recommendations of albums that just got released? Please let us know in the comments below, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Enterré Vivant - 四元素 (Shigenso)
URL: https://blackmetalzine.com/review-shigenso/
Last updated: 2026-07-15T18:31:30.000Z
##### Enterré Vivant; An Introduction
The collaboration between Erroiak and Sakrifiss De Transylvanie, brings together their blend of French and Japanese influences in a band called Enterré Vivant, or *Buried Alive* in English. They blend melodic, atmospheric black metal with experimental elements, creating a sound that’s certainly [avant-garde](https://blackmetalzine.com/playlists/genre/avantgarde-music/) and boundary-pushing. Their musical journey so far includes two EPs and two full-length albums. Their latest releases being a 3-song cover of Jacques Brel’s “Les bonbons” and their previous full-length, “Les Ténèbres ne sont pas formées d’ombre,” from 2021.
“Shigenso” came to my attention while scrolling through uploads on Black Metal Promotion. What immediately caught my eye was the album cover, featuring a man pulling a carriage with a woman under a parasol. It’s not every day you stumble upon these types of Japanese/Asian black metal cover arts. What made it even more intriguing was the label “France/Japan” in the description. The fusion of the two cultures promised a unique listening experience, and “Shigenso” delivered, which is why I felt the need to give it a written review.
##### 四元素 (Shigenso)
Enterré Vivant’s album takes the listeners on a captivating journey through the four elements, masterfully capturing the essence of each. It kicks off with “風 (Le vent),” a dedication to the element of wind, painting vivid atmospheric elements – gong tones and hymns blend seamlessly with enchanting flute melodies and a French monologue. Marking the record’s uniqueness and ability to fuse different cultural elements.
1. 風 (Le vent)
2. 火 (Le Feu)
3. 水 (L’Eau)
4. 水 (La Terre)
As we savour the unique introduction, it’s crucial to remember our anticipation as black metal enthusiasts. Our moment arrives around the 4.25 mark, delivering the powerful essence we’ve been waiting for. “火 (Le Feu)” kindles with flames, chants, and acoustic elements, evoking a campfire ambience before unveiling beautiful atmospheric black metal.
“水 (L’Eau)” stands out with its enchanting introduction featuring waterfall sounds, war chants, sword clashes, and mesmerizing tremolo melodies one could listen too endlessly.
“水 (La Terre)” kicks off with the sound of boots marching in the mud and rhythmic drumming, transporting the listener into the heart of a jungle ceremony. It maintains the atmospheric black metal essence, weaving in captivating melodic elements, creating a powerful experience.
##### Highlights
Allow me to emphasize the remarkable vocal prowess displayed throughout this record. The diverse array of vocal styles infused into the album adds depth to the album. From familiar, searing screams of black metal to the unique vocal styles previously mentioned, the album takes you on a journey. Notably, you’ll encounter what could be described as “froggy” vocals, reminiscent of the iconic style of Inquisition, that we know so well. These diverse vocal elements come together to elevate the album's landscape, making “Shigenso” a captivating experience.
If I were to single out my favourite aspect of this album, it would undoubtedly be the beautiful tremolo melodies, that when intertwined with the other atmospheric guitar elements, really moves me as a listener. It immerses you into the musical landscape in a mesmerizing way. If I should pinpoint one of these moments, it would be the section starting at the 5.30 mark in the fourth and final song, lasting for about 5 minutes. The section includes the “froggy” vocals, and amazingly touching guitar work with beautiful tremolo melodies.
##### Conclusion
“Shigenso” by Enterré Vivant is one of the unique black metal albums of the year, exploring the four elements – wind, fire, water, and earth – with experimental elements and amazing songwriting. It takes the listener on a really moving journey. I would recommend everyone to listen to this album, particularly fans of atmospheric black metal that appreciates longer passages with beautiful guitar work.
BMZ Score: 8,5 / 10
##### Band links:
Facebook:
Bandcamp: [https://enterrevivant.bandcamp.com/](https://enterrevivant.bandcamp.com/?ref=blackmetalzine.com)
##### Feedback, BMP & BMZ links:
Have you listened to this album by Enterré Vivant? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### New Track from Trivax's Upcoming Album – Eloah Burns Out
URL: https://blackmetalzine.com/new-track-upcoming-album-trivax-eloah-burns-out/
Last updated: 2025-11-10T11:59:55.000Z
##### Eloah Burns Out an Opus about Death
On the 29th of September the band will release their new album “Eloah Burns Out” but before that time has arrived they released a new single titled Alpha predator, this is accompanied by a lyrics video.
You can watch the new video here
The new album is an opus about Death, and the band has the following to say about it;
*“As the album is themed around Death and its many facets, “Alpha Predator” speaks from one of the most important accounts relating to death, which is the core perspective of the murderer.*
*The apex killer, the terminator, and the one who seeks to end all external traces of life because it is simply his purpose and destiny to do so.*
*This song is a tapping to the shadow side, the primitive side of man and nature, which is something that exists within each one of us. It is filled with a strong, confident, almost macho – yet harsh and bitter intent, true to the deepest and darkest parts of our very own nature.*
*In the end, the song acknowledges the futility of it all, that we are hardwired to kill, only to some day reach our mortality.*
*Behold, for my will is fire!*
*This hunt will not stop until the funeral pyre…”*
##### About the band and new album
On September 29, 2023, Cult Never Dies, a UK-based publishing house and record label, will release “Eloah Burns Out,” a captivating concept album that narrates the story of Death. The album, crafted by the band Trivax, will be available in multiple formats, including CD, 12" LP, cassette, and digital versions. To secure your copy in advance, pre-orders can be made through the label's web store, which offers options for both the UK & ROW store and the EU store.
Trivax came into existence in the late 2000s, led by guitarist and vocalist Shayan. It is worth noting that the band's origin, Iran, may come as a surprise given the country's strict regulations on music, particularly within the realm of black metal. These stringent laws have resulted in severe consequences, such as punishment, imprisonment, and even death. Seeking a more conducive environment for their musical pursuits, Shayan relocated to the UK, where he found a kindred spirit in bassist Sully. Similar to Shayan, Sully had fled Syria to escape imprisonment due to his association with metal. Completing the powerful trio was M. Croton, an accomplished British drummer with years of experience under his belt.
We here at BMZ had a nice [interview](https://blackmetalzine.com/trivax-liberation-and-the-divine-journey/) with Trivax and are eagerly awaiting the new album!
##### Links:
**Band:**
Facebook:
Instagram: [https://www.instagram.com/trivax\_official/](https://www.instagram.com/trivax%5Fofficial/?ref=blackmetalzine.com)
Bandcamp: [https://trivax.bandcamp.com/](https://trivax.bandcamp.com/?ref=blackmetalzine.com)
**Cult Never Dies Online:**
Website: [https://www.cultneverdies.com/](https://www.cultneverdies.com/?ref=blackmetalzine.com)
UK & ROW Web store: [https://cultneverdies.myshopify.com/](https://cultneverdies.myshopify.com/?ref=blackmetalzine.com)
EU Web store: [https://cultneverdies-eu.travelling-merchant.com/](https://cultneverdies-eu.travelling-merchant.com/?ref=blackmetalzine.com)
Facebook:
Instagram: [https://www.instagram.com/cultneverdies/](https://www.instagram.com/cultneverdies/?ref=blackmetalzine.com)
### Review: Sacrilegious Impalement - Infinite Victor
URL: https://blackmetalzine.com/sacrilegious-impalement-infinite-victor/
Last updated: 2026-07-16T17:19:45.000Z
Sacrilegious Impalement
## Introduction
Sacrilegious Impalement hails from deep within the cold forests of Finland. The band was forged in the city Lahti, in the blasphemous year of 2006\. They have an impressive and crushing discography composed of a demo, two EPs, and now four full-length albums with this, their latest release, Infinite Victor.
Sacrilegious Impalement is a five-piece band made from experienced members from bands like [Urn](https://www.metal-archives.com/bands/Urn/500?ref=blackmetalzine.com), [Evil Angel](https://www.metal-archives.com/bands/Evil%5FAngel/5699?ref=blackmetalzine.com), [Goatsodomy](https://www.metal-archives.com/bands/Goatsodomy/37857?ref=blackmetalzine.com), and [Satanic Torment](https://www.metal-archives.com/bands/Satanic%5FTorment/77876?ref=blackmetalzine.com).
As their album Infinite Victor was released earlier this year, and been up on [Black Metal Promotion's](https://www.youtube.com/@bmpromotion?ref=blackmetalzine.com) YouTube channel for about 4 months and finding myself listening to it countless times, I figured it was time for a review!
## Infinite Victor
First things first, what a fucking stunning album cover they went for! It caught my eye straight away when I was scrolling through the countless albums BMP has premiered. With a name like Sacrilegious Impalement and the album art to match, I had to check it out. That was 4 months ago, subsequently, multiple of the featured songs have made their way to my regular playlist.
Infinite Victor starts off with the track “Reign in Hell”, an eerie and dark instrumental intro for the album. It transitions into the first song of the album, “Storming Death”. The vocals done by “Wrathprayer” are harsh and gritty but very destinguised. The drums bear a deep and fulfilling sound, whereas the guitars are cold and harsh, a brutal contrast to each other.
Infinite Victor has a total of twelve tracks and a runtime of almost fifty-one minutes. The tracks transition into the next one before you manage to notice! Sacrilegious Impalement takes a hold on you and blast their catchy melodic riffs in such a pace that before you even know it, the album outro is already rolling.
---
Sacrilegious Impalement - Infinite Victor
##### Tracklist
1. Reign in Hell
2. Storming Death
3. Infinite Conqueror
4. Coronation of Death
5. Wolves Cry for a Final Battle
6. Fury of Struggle and Slaughter
7. Triumphator
8. Quelling Sanctuary
9. Last Calm of Sentient Flame
10. Winds Howl for Death the Creator
11. AMSG SI IV
---
Fourth track, Coronation of Death has a fantastic drum sound that I truly enjoy. I also have to applaud the guitar sound and overall sound mixing on this album. However, this track stand out to the others. It's heavily melodic and at parts a bit black'n rolly. This sounds great, and I love it.
Summarizing Infinite Victor, i'll use a Tsjuder term. “Non compromising black metal” is what Sacrilegious Impalement has to offer. Now they might have a different sound compared to Norwegian masters Tsjuder, but the attitude is the same! I write this as the fifth track “Wolves Cry for a Final Battle” starts again. The intro consisting of howling wolves and furious barking combined with terrific standout riffs will never grow old on my ears. I believe this track will be a fan-favorite for sure.
## Highlights
Infinite Victor is an album full of highlights and I suggest everyone to listen to its entirety! However, multiple of the songs are great as standalone as well.
The eight track “Quelling Sanctuary” is a track that covers most of the fantastic music Sacrilegious Impalement has to offer. The song starts off slower than the others with a high-pitched guitar that buildups. As the guitar fades, the drummer takes over the rest of the buildup, until they are both combined and gritty vocals hit simultaneously. “Quelling Sanctuary” has it all! Fast pace, brutal vocals, dark drums and cold guitars all make this a must-listen. This track quickly made its way onto my regular playlist.
Another highlight I would recommend is the more catchy and upbeat “Wolves Cry for a Final Battle”. The heavily sound-sampled intro with the fast and snarky drums leading the wolves on from howling to growling is genius. The riffs used in here are catchy and quick. The main chorus is upbeat and hooking. I can't imagine anything else than a good fucking atmosphere if this were to be played live.
## Conclusion
Sacrilegious Impalement has released a crushing album that is doomed to be blasted for years to come! Packed with crunching drums and dreadful guitars, carries the listener through the cold forests of old Finland.
I would recommend this to any fans of Scandinavian originated black metal, and for fans of riffy guitar pieces. I thoroughly enjoyed this album and believe if YOU give it a chance, you'll do too!
BMZ Score: 9 / 10
---
---
## Links
Metal Archives: [Sacrilegious Impalement | Encyclopaedia Metallum](https://www.metal-archives.com/bands/Sacrilegious%5FImpalement/78799?ref=blackmetalzine.com)
Facebook: [Sacrilegious Impalement | Facebook](https://www.facebook.com/sacrilegiousimpalement.official)
Instagram: [Sacrilegious Impalement | Instagram](https://www.instagram.com/sacrilegious%5Fimpalement/?ref=blackmetalzine.com)
Bandcamp: [Sacrilegious Impalement | Bandcamp](https://sacrilegiousimpalement.bandcamp.com/?ref=blackmetalzine.com)
YouTube: [Sacrilegious Impalement | YouTube](https://www.youtube.com/channel/UCI8r0lcVqvlRhAe32M%5F%5Fpfw?ref=blackmetalzine.com)
Official Website: [Sacrilegious Impalement](http://www.sacrilegiousimpalement.com/?ref=blackmetalzine.com)
## Your thoughts?
Have you listened to this album? Did you like it? Or hate it? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
[Our contact information can be found here!](https://blackmetalzine.com/contact-us/)
### Review: Marduk – Memento Mori
URL: https://blackmetalzine.com/marduk-memento-mori-death-is-imminent/
Last updated: 2023-09-01T19:58:12.000Z
##### Death is imminent; introduction:
Marduk, the [Swedish](https://blackmetalzine.com/playlists/country/swedish-black-metal/) black metal outfit, released a new terror upon the world, which bears the name Memento Mori. And to be honest, this band doesn't really need an introduction. I have been listening to them since 95 and have been a fan ever since. Around the end of the 90s, I saw them perform live many times, and it was always a blast to see them.
And so here we are many years later and Marduk still going onwards like the panzer division. It's been 5 years since their latest album, Viktoria and, to my knowledge, there hasn't been this much time between albums yet. It's been 5 years, so they really took their time to bring us Memento Mori.
##### Memento Mori
The first track of the album starts of with the sound of the tracks of a panzerwagen and that sound and feeling captures the essence of this album perfectly. They keep crushing everything in their path, even after all these years.
The general theme of the album should be clear by the title of the album alone, but for those that don't get it; the album is about Death and the fact that you are going to die. In the song “Shovel Beats Sceptre” there is a line that really hits home with the idea of that we all die.
> “Has it dawned on you yet?
> Have you begun to grasp
> That life is not a clock
> But an hourglass?”
>
> Lyrics from Shovel Beats Sceptre (Track 4)
So you bought the album or opened up your favourite streaming platform and want to give the album a first spin? What can you expect? The album has a decent runtime of almost 42 minutes and contains ten tracks.
1. Memento Mori
2. Heart of the Funeral
3. Blood of the Funeral
4. Shovel Beats Sceptre
5. Charlatan
6. Coffin Carol
7. Marching Bones
8. Year of the Maggot
9. Red Tree of Blood
10. As We Are
But what this album gives you the most is a feeling of dread. That something is about to happen. That feeling is strongest in the song “Blood of the Funeral” that song is just relentless which some furious drumming and nice riffs. Around the 3-minute mark, there is a sound that just sounds terrifying if the grim reaper himself is about to knock on your door.
The entire album is top-notch and really a step-up again after Viktoria, that album didn't really land with me. This album though reminds me a bit more of the old Marduk I fell in love with many years ago.
##### Highlights
For this album, we thought, let's switch it up. So instead of the opinion of one, we also give you the opinion of another writer of BMZ. So we start off with the opinion of MyrkAlv:
“Memento Mori” delivers precisely what you'd expect and desire from Marduk. The title-track setting the tone with suspenseful tank belt sounds, and guitars that gradually build up to the signature wall of sound that characterizes Marduk so well. With ferocious vocals, machine gun-like blast beats, and lightning-fast guitar riffs, Marduk unrelentingly pummels you to the ground.
The arrival of Simon “Bloodhammer” Schilling, the former drummer of Belphegor, has undeniably enriched Marduk's sound. His ability to execute blast beats at a mesmerizing tempo is one of the album's standout features. The drumming's speed, reminiscent of a machine gun firing, is a significant reason why “Memento Mori” deserves recognition as one of this year's most ferocious and brutal records.
In my opinion, “Memento Mori” is an improvement from “Viktoria”. The latter album has mixed reviews, with some ranking it low among Marduk's releases. Whether “Memento Mori” marks a comeback or not, it undoubtedly stands as a formidable album that I will continue to listen to throughout the year.
**MyrkAlv tracks highlights**; As “Memento Mori” translates to “remember you must die”, the fourth track, “Shovel Beats Sceptre” encapsulates the essence of time running out. It begins with church-like bells chiming, subtle drums resembling a beating heart or a ticking clock, and an ominous echoing vocal delivering the lines:
> “Are you prepared?
> Is your rat-nest in order?
> Will your mind be at ease
> When the shadows grow taller?”
>
> Lyrics Shovel Beats Sceptre
Another highlight track; My favourite segment of the entire album occurs during the third track, “Blood of the Funeral”. This song is a relentless wall of sound, charging forward with ferocity and incredible speed. My personal highlight comes around the three-minute mark of this track when the brass trombone elements are introduced. They create an ominous atmosphere, melding in with the brutality and speed of the music. This section transports me into the depths of Mordor on a pitch-black night, being chased by an army of orcs, and I absolutely adore it.
**The highlights of Kermit;** One of the highlights for me is the first track, “Memento Mori”. It starts off with the tracks of a panzerwagen (at least for me, that's what it sounds like, so ill stick with that). The mustic starts to swell, and you hear the growls and screams, and you just know they mean business right from the start. I really love that. The drums are great and like MyrkAlv said, it's a good thing they brought in a new drummer, that indeed gives another dynamic to the sound.
Another highlight for me is “Year of the Maggot”. This track also has an ominous sound to it that just brings a feeling of dread. It starts off fairly slowly with a build-up, but when it goes, it really goes! Pummelling drums like machine guns, the vocals sound angry and the riffs are great. This is one of the must-listen too tracks to get a feeling what this album is about.
**KingGorthaur's highlighted track:** One of my favourites out of the album, “Coffin Carol” greatly depicts the skill of new drummer “Bloodhammer”. The drums plummel as gunfire above a trench-dugged soldier's head. The drums carried throughout the 4-minute-long song at rapid speed and with various fillers feels like beeing under bombardment. The small breaks that are given lets you draw a breath of fresh air before guns ablaze again!
##### Conclusion
Like said in the beginning, it took Marduk 5 years to deliver us a new album, was the wait worth it? For me, that's a definite yes. All the tracks are great, the lyrics are good, and it's a good step up from the last album, “Viktoria”.
I could go on and on about it, but just buy it or listen too it on your favourite streaming platform and enjoy the ride.
BMZ Score: 9 / 10
##### Links
Facebook: [Marduk](https://www.facebook.com/Mardukofficial/)
Metal Archives: [Marduk - Encyclopaedia Metallum: The Metal Archives (metal-archives.com)](https://www.metal-archives.com/bands/Marduk/386?ref=blackmetalzine.com)
##### Your thoughts?
Have you listened to this album? Did you like it? Or hate it? Please let us know on our social media channels or join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Forgotten… - Whispers Of Existence
URL: https://blackmetalzine.com/forgotten-whispers-of-existence/
Last updated: 2026-07-16T17:16:31.000Z
## A small introduction
Forgotten... a black metal outfit hailing from [Greece](https://blackmetalzine.com/playlists/country/greek-black-metal/), released their first EP which bears the title Whispers of Existence. The current line-up for the band is 3 members strong, but the EP itself was made with the help of a number of different session musicians.
The current line-up is on vocals and guitar **Georgios Chatziioannidis,** who is also a member of Mountain Hermit. Also on guitars and its arrangements is **Kostas B.** (Apocalyptic Leaders, Thymata) and on bass is **Retrofornicator** (Ex-Azzaya, Ex- Malade)
The members have the following to say about the EP: *"Whispers Of Existence" stands as the inaugural opus of Forgotten…, a black metal entity destined to plunge listeners into the depths of existential contemplation. This EP is a haunting testament to the band's relentless pursuit of atmospheric darkness, offering a glimpse into the enigmatic realms of the human psyche"*
So, with that small introduction done, let's dive into this EP and see what they brew together for our enjoyment.
##### Whispers Of Existence
What can you expect when you buy this EP and play it on your favourite stereo? Well, that question has a pretty straightforward answer, a no - nonsense EP with some quality music on it. It may be a bit rough around the edges, for example the mixing of some of the instruments (but that could also be my preference or ears, of course). But for a first EP, it's a pretty good start.
And a good start it is, straight from the first tune it goes with a furious pace that sounds relentless. Just the way I enjoy my black metal. The vocals sound harsh and fit the song perfectly. The vocals on the rest of the album are a bit less to my liking. That doesn't say they are bad per se, but it's just not my preference. The vocals are a mix between death metal and dsbm and that's simply not for me, but like I said, that's personal.
Music wise, I dig the album, the drums are great, and the riffs are good. There is a decent pace in the songs and it just keeps on giving. The last track of the album is a tribute to an Edgar Allan Poe poem
The runtime is 23 minutes and contains the following tracks:
1. Is This the Gift You Call Life
2. The Illusion of Truth
3. Bound in Misery
4. Woods of Torment
5. Pilgrims of an Unknown Future
6. A Dream with a Dream (Tribute to Edgar Allan Poe)
## Highlight(s)
For me, the track that sells this EP is the first track of the album, **"Is This the Gift You Call Life". Li**ke said before, the music starts straight from the start with fast-paced drums, and it's just the style I like. So if you want to check out this band, give this track a sound, and it should give a good idea of what this band is capable of.
Another highlight of the band / album is the logo, which is made by Aether Vortex Designs. The three nooses represent the three dots behind the band name, and it's a nice detail.
## Conclusion
The first steps are the most important ones, and that also goes for a band, in my opinion. You need to make people like your music to get them to stick around. For me, Forgotten... has done this with Whispers of Existence. I'm really looking forward to what this band brings in the future. This is a diamond in the rough, but a diamond nonetheless.
BMZ Score: 6,5 / 10
## Links:
UKEM Records Website: [https://www.ukemrecords.co.uk](https://www.ukemrecords.co.uk/?ref=blackmetalzine.com)
Facebook:
Instagram: [https://www.instagram.com/ukemrecords/](https://www.instagram.com/ukemrecords/?ref=blackmetalzine.com)
SoundCloud: [https://soundcloud.com/ukem-records](https://soundcloud.com/ukem-records?ref=blackmetalzine.com)
Bandcamp (Whispers of Existence): [Whispers Of Existence (EP) | Forgotten... (bandcamp.com)](https://forgottenbm.bandcamp.com/album/whispers-of-existence-ep?ref=blackmetalzine.com)
## Your thoughts?
Have you listened to this album? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### A packed FORTRESS FESTIVAL line-up reveal
URL: https://blackmetalzine.com/fortress-festival-first-line-up-reveal/
Last updated: 2025-11-10T11:59:59.000Z
***Fortress Festival, located in the [United Kingdom](https://blackmetalzine.com/playlists/country/uk-black-metal/), released a press statement about the first reveal of the 2024 festival line-up.***
##### Press statement Fortress Festival
The festival, set to take place on 1-2 June 2024 in Scarborough, North Yorkshire, aims to become the biggest black metal festival in the UK. The weekend early bird tickets are on sale now at only £109!
The First of June. 2024… Under the watchful gaze of the carrion crows that beset the castle's crumbling battlements…the hordes of darkness will stir. The mournful bells of the woebegone church will ring out upon the hillside: soon to be lost amid the ravenous battery of an ancient warlord. And from the ashes of the past, a new stronghold will arise… "Fortress…"
*Scarborough, UK; 27.08.23*: **Fortress Festival** will return in June 2024 following a successful sold-out first edition. Taking place across two stages at Scarborough's iconic Scarborough Spa, and with a capacity of 1,800, a devastating line-up comprising some of the world's finest and most highly regarded black metal acts will unleash their carnage.
The first wave of confirmed bands includes a host of UK exclusive shows, including **Blackbraid** with a debut and exclusive UK show following the recent release of the phenomenal 'Blackbraid II', **Panopticon** with a 'Roads to the North' anniversary full album set, **Furia** with an exclusive UK show promoting the yet-unreleased new album 'Huta Luna', **Obsidian Kingdom** with a 'Mantiis' full album set, **Fellwarden** with its worldwide live debut, **Lamp of Murmuur** with a UK exclusive performance and **Falls of Rauros** with their first-ever UK show.
Joining this line-up of exclusive shows, will be Danish atmospheric black metal band **Sunken** and UK black-death-doom act **Abyssal**.
**Jon Krieger** of **Blackbraid** said, "*It's official! Blackbraid will be coming to the UK next year, for the mighty Fortress Fest. I can't express how excited I am to not only bring Blackbraid to the UK for the first time, but to be doing it at such a unique festival, surrounded by some of the best black metal artists in the world. This will be our only UK appearance next year, so we wanted to do our best to make sure it was truly one to remember. A big thank you to Fortress Fest for making this one possible, see you next summer!*"
**Austin Lunn**, the sole member of **Panopticon**, said, "'*Roads to the North' was the sound of a young man, only 31 years old at the time, reflecting on changes and growth in life, as the symphony of life plays on regardless of mistakes and broken strings. 2024 will be ten years since its release, and it feels like the right time to bring this album in its entirety to the stage for yet another time of reflection on the simultaneous, incredible beauty and horror of this time we have on earth*."
**Frank Allain** of **Fellwarden** said, "*Whilst Fellwarden was always conceived as a studio project foremost, I've always stated from the get-go that I wouldn't rule out the prospect of performing live should the right opportunity arise. Fortress Festival 2024 is that opportunity. Nevertheless, Fellwarden will not be an entity that performs for the sake of it, that plays shows regularly as a 'gigging band'.*
*As a musical outlet steeped in narrative and atmosphere, it is imperative for us that anything we engage with aligns with this philosophy. So, as it currently stands, Fortress Festival 2024 is all that is in the calendar – and it may very well stay this way in perpetuity, who knows. It therefore promises to be a special performance and quite possibly the only opportunity to witness this material in the live environment.*"
**Obsidian Kingdom** said, "*We're going to bring 'Mantiis' to the stage this one time. And Fortress Festival seems the perfect place to do it, since the members of its organisation are so very keen on the album, and the UK being one of the first countries which would ask us to perform it back in the day.* *Next 1st June we'll be in North Yorkshire, going through those fourteen bites one after the other, and celebrating that there is some beauty - or at least some sense of humour - to be found in the most vile things on Earth. And we especially hope to see you there*."
Fortress organiser and **Reaper Agency UK** owner, **Gary Stephenson**, said, *"The festival follows the immeasurable success of 2023's Fortress, a sold-out event which has rightly taken its place within the glorious pantheon of UK black metal history. Fortress 2023 joins Reaper Agency's impressive track record so far, which consists of nine sold-out UK festival shows in just three years of activity.*
*"Fortress 2024 is set to snatch that mantle and wield it a ruinous blow with bigger crowds, more merch stands, more ferocious bands and even greater infamy in its wake... all taking place upon the sun-scorched coastline of this historic North Yorkshire town."*
The first set of **early bird weekend tickets** for Fortress Festival are **on sale now for £109** and can be purchased via [https://reaperagencyuk.bigcartel.com/](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=40af4dddbb&e=e61414c871&ref=blackmetalzine.com). Two more sets of early bird tickets are planned, rising in price each time.
##### Overview
**FORTRESS FESTIVAL 2024**
1-2 June 2024
[Scarborough Spa](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=8f522c2f6b&e=e61414c871&ref=blackmetalzine.com)
Scarborough, North Yorkshire, UK
Line-Up:
**Blackbraid** *2024 UK exclusive/debut*
**Panopticon** *'Roads to the North' anniversary full album set 2024 UK exclusive*
**Furia** *2024 UK exclusive*
**Obsidian Kingdom** *'Mantiis' full album set 2024 UK exclusive*
**Fellwarden** *worldwide live debut, 2024 UK exclusive*
**Sunken**
**Lamp of Murmuur** *2024 UK exclusive*
**Abyssal**
**Falls of Rauros** *2024 UK exclusive/debut*
**MORE BANDS TBA**
##### Links:
**Tickets**: [https://reaperagencyuk.bigcartel.com/](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=19e6bbb46f&e=e61414c871&ref=blackmetalzine.com)
Early bird weekend tickets: £109\. Two more sets of early bird tickets are planned, rising in price each time.
Standard tickets and day tickets to be released later. Standard tickets will also be available via the Scarborough Spa Box Office.
**Fortress Festival online**:
Facebook: [https://www.facebook.com/fortressopenairfestival](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=fe96e8a778&e=e61414c871&ref=blackmetalzine.com)
Forum: [https://www.facebook.com/groups/724096719323328](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=852201cfb7&e=e61414c871&ref=blackmetalzine.com)
Facebook event: [https://www.facebook.com/events/598748152453198](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=6ea5cc1646&e=e61414c871&ref=blackmetalzine.com)
**Reaper Agency UK online**:
Facebook: [https://www.facebook.com/ReaperAgencyUK](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=8e878338d2&e=e61414c871&ref=blackmetalzine.com)
Instagram: [https://www.instagram.com/reaperagencyuk/](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=9d8b4d0c89&e=e61414c871&ref=blackmetalzine.com)
### Review: Soulless - The Supreme Resurgence
URL: https://blackmetalzine.com/soulless-the-supreme-resurgence/
Last updated: 2025-11-10T11:59:59.000Z
##### An introduction to Soulless
Soulless, the remarkable one-man band hailing from Indonesia, unveiled its latest album, "The Supreme Resurgence," in May. This marks the artist's fourth full-length release, following 2021's "Shine in Purity." Soulless specializes in beautiful melancholic black metal with a captivating atmosphere. Prior to discovering this album, I had no previous knowledge of Soulless, which allowed me to approach it without any preconceived expectations.
When it comes to exploring new music, I often rely on album artwork to catch my attention. That's exactly how I stumbled across this masterpiece while searching for something to listen to during one of my late-night walks on [Black Metal Promotion](https://www.youtube.com/@bmpromotion?ref=blackmetalzine.com). Since I typically pair my walks with [atmospheric and melancholic black metal](https://blackmetalzine.com/playlists/genre/atmospheric-black-metal/), it seemed like the perfect fit. The artwork depicts a dark and gloomy landscape with trees and mountains, but what caught my attention was the woman in gold illuminating the center. This unexpected element piqued my curiosity about what the music had to offer.
To my delight, Soulless didn't disappoint. The music perfectly matched the mood I was seeking, and I have been regularly listening to the album ever since our first encounter. Given the strong connection I felt, I wanted to provide a review for "The Supreme Resurgence."
#####
The Supreme Resurgence
The album consists of only five tracks, each leaning towards the lengthier side, resulting in a total runtime of just over 45 minutes. The opening track, titled "The Supreme Resurgence," sets the mood with clean melancholic guitars accompanied by subtle echoes of thundering in the background. As the composition progresses, multiple well-layered elements deepen the overall musical experience, serving as a defining characteristic of the album.
1. The Supreme Resurgence
2. As If Our Time Runs No Longer
3. Let There Be Dreams
4. We Will Prevail
5. My Ashen Hope
Throughout the tracks, there are alternating sections that contrast the beautifully sorrowful passages, reminiscent of the aforementioned opening, with faster and denser segments. These sections feature soaring tremolo melodies, blast beats, and harsh authentic vocals that effectively convey a sense of hopelessness. It is this contrast that truly sets the album apart.
As I mentioned earlier, the vocal delivery can be interpreted as an expression of hopelessness or despair. However, in line with the album's title, hope is not completely lost. The latter half of the album features song titles with positive messages, such as "We Will Prevail" and "My Ashen Hope." This departure from the norm in black metal is a breath of fresh air and something I genuinely appreciate.
In the concluding minutes of the album, a sense of hope is encapsulated in a majestic manner that lingers even after the music fades away. It leaves a lasting impression, reinforcing the overall theme of resilience and optimism.
#####
Highlights
I firmly believe that albums should be experienced from start to finish, particularly atmospheric records that maintains a consistent theme throughout. However, if I were to highlight a standout moment, it would be a section emerging from the 7-minute mark of “We Will Prevail”, lasting for about one and a half minute.
This passage stands as my absolute favourite segment of the entire album. It embodies the sections I previously described, characterized by the dense layers of music with a mixture of both harsh and choir-like vocals, soaring guitars, and beautiful melodies. It is truly amazing how one man can create music sounding like an entire orchestra.
#####
Conclusion
Soulless has truly proven to be an amazing band, consistently creating astonishing atmospheric records. Despite my earlier statement of being unfamiliar with Soulless' work, this album has piqued my curiosity and inspired me to delve deeper into their discography.
"The Supreme Resurgence" is an album that should be experienced from start to finish, whether it's during a walk on a dark evening or inside on a rainy day. It has firmly established itself as one of my favorite albums of the year. I will definitely keep an eye on Soulless in the future, and I highly recommend that everyone else do the same.
BMZ Score: 9 / 10
---
---
---
##### Band links:
Facebook:
Instagram: [https://www.instagram.com/purestriver\_](https://www.instagram.com/purestriver%5F?ref=blackmetalzine.com)
Bandcamp: [https://soullessdsbm.bandcamp.com](https://soullessdsbm.bandcamp.com/?ref=blackmetalzine.com)
##### Feedback, BMP & BMZ links:
Have you listened to this album? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Necroxifer — Acheron
URL: https://blackmetalzine.com/necroxifer-acheron/
Last updated: 2025-11-10T11:59:59.000Z
##### Necroxifer; a brief introduction:
Necroxifer, a black metal band from Chile and a side project of Alak Drakon the main force behind Condra released their first album “Acheron”. Alak himself is a busy bee and always working on something, if it's not his artworks it's music, and he just keeps on going. Let's see what he produced this time and if it's any good.
##### Acheron
As you probably figured out by now, the album is titled Acheron, which is a river in Greece and also used prominently in Greek Mythology as the gateway to the underworld. The river is also known as the “River of Woe” and it was or is, depending on your views, one of the 5 rivers of the Greek Underworld.
But back to the music itself, how does that flow throughout the album? The album's runtime is 31 minutes and a bit, and for me, that's more than enough. I'm not very found of albums that last an hour or more because of my short attention span, so this is perfect for me. There are 10 songs on the album, but 3 of them are instrumental.
1. Solstice (Instrumental)
2. Rex Coronatus
3. Regressive Light
4. The Queen of the Night (Instrumental)
5. Acheron
6. Serpentis XI
7. Realm of Nothingness
8. The Sacred Feast (Instrumental)
9. Veni Moloch
10. Starless
If there is one band, I could and should compare this album to its Dissection. This album and (Condra also in a sense) capture the essence of that band, but still, Necroxifer gives it their own little twist. The drums are mixed very well and the vocals sound raspy and cold.
Overall, it's a decent album with a great [atmosphere](https://blackmetalzine.com/playlists/genre/atmospheric-black-metal/) and a good start for a debut album (well debut, it's the second album by Alak but the first under this label). I also want to give a mention to the incredible art work on this album. It looks stunning.
##### Highlights
The first highlight of this album is the second track, “Rex Coronatus”. The track starts off great right from the start with some very nice riffs, and it builds up to sounding gritty in a good way. When the vocals kick in, the song comes to life and that brings it all together. But the riffs, for me, are what sets this track apart.
Another track that appealed to me the most is “Serpentis XI” which is the 7th track of the album. The first second starts off with a gnarly scream, and it just keeps building and building, at the halfway mark, the track builds up speed with some impressive drumming. This is the track I recommend getting a good a feel for what Necroxifer is all about.
##### Conclusion
Do you like Dissection? If that answer is yes, you need to try this album! If the answer is no? Well, you still need to check this album and form an opinion for yourself. You can give the album a spin by watching the YouTube video below or on one of the many streaming platforms (Spotify, Tidal, etc.)
I enjoyed the first Necroxifer album. And enjoyment, that for me, is what counts the most when listening to a new album.
BMZ Score: 7 / 10
##### Links:
Bandcamp: [Acheron | Necroxifer (bandcamp.com)](https://necroxifer.bandcamp.com/album/acheron?ref=blackmetalzine.com)
##### Your thoughts?
Have you listened to this album? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Occult Blood - The Room in the Ground
URL: https://blackmetalzine.com/occult-blood-the-room-in-the-ground/
Last updated: 2026-07-16T17:19:46.000Z
## Introduction
Hailing from Eugene, Oregon ([United States](https://blackmetalzine.com/playlists/country/u-s-a-black-metal/)), Occult Blood released their first EP, “The Room in the Ground,” into the world. Black Metal Promotion premiered the EP on their YouTube channel, and now it's time for a review. So, let's dive in.
## The Room in the Ground
The EP consists of five tracks, with the premiere on BMP's YouTube channel featuring an additional bonus song—a cover of “Universal Funeral” by Nattefrost. With a runtime of 28 minutes and some leftover seconds, this EP offers a substantial amount of content. Some might even consider it a full album release, but since the band labelled it as an EP, we will do the same.
So, what can we expect from this EP? To answer that, let's start with a question: Can music make you feel dirty and grimy? The answer lies within this EP. There's a rawness and grittiness to it that resonates throughout, perfectly suiting both the album and the band.
While the grittiness is found throughout the entire album, it's the riffs and distortion that truly give it an extra punch. The vocal work on the EP is decent, delivering a harsh and cold sound that complements the album well. Some may desire a bit more variation in the vocals, but personally, I didn't mind.
1. Toppled Reliquary
2. Cairn of the Mage
3. Ignoble Draught
4. Time's Mace
5. The Room in the Ground
## Highlight(s)
The entire album is well put together, and I would like to hear more from this band in the future, but If I would have to pick the highlights to convince you why you should listen to this EP, it would be the following 2 tracks:
**“Cairn of the Mage” and “Time's Mace”**
The first track mentioned, “Cairn of the Mage,” immediately grabs your attention with its gritty sound. It pulls you in from the start and continues to deliver throughout. To my ears, it also carries a hint of punk vibe, which adds to its appeal. The vocals and well-crafted riffs come together harmoniously, creating a captivating listening experience.
“Time's Mace” also shows off that punk vibe right from the start. The relentless drums drive the energy forward, while the impressive riffs add to the overall greatness of the track. This observation holds true for the entire EP, including this particular song. Time truly flies when listening to it, leaving you wondering where all the time went.
##### Conclusion
So, what's the conclusion from all of this? Well, it may not be the most groundbreaking black metal I've ever come across, but then again, that's the case with most bands these days. And you know what? That's not necessarily a bad thing. Not everything has to strive to be better than the rest. The same applies to this EP. Personally, I thoroughly enjoyed listening to it, and it came as a pleasant surprise since I missed the YouTube premiere.
All I can say is, if you appreciate gritty and raw black metal, I highly recommend checking out this EP. It won't leave you disappointed. As for me, I eagerly await more releases from them and hope they maintain this level or even exceed it.
BMZ Score: 7 / 10
## Links:
Bandcamp: [The Room in the Ground | Occult Blood (bandcamp.com)](https://occultbloodusbm.bandcamp.com/album/the-room-in-the-ground?ref=blackmetalzine.com)
Facebook: [Occult Blood](https://www.facebook.com/occultbloodbm)
Have you listened to this album? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Greek black metal band Forgotten signs with UKEM Records.
URL: https://blackmetalzine.com/forgotten-signs-with-ukem-records/
Last updated: 2025-11-10T12:00:00.000Z
*Forgotten ([Greece](https://blackmetalzine.com/playlists/country/greek-black-metal/)) and UKEM Records released the following press release about the band signing with the record label and the upcoming new album*
##### Statement
We will be releasing the band's debut e.p. 'Whispers of Existence' in late 2023 on CD. A tape version has been planned and will be released by an overseas label, details of which will follow for all those tape lovers!
We have released the song 'Is This The Gift You Call Life' over on the label's YouTube channel, check it out here:
Track Listing is as follows:
1. Is This The Gift You Call Life (4:36)
2. The Illusion Of Truth (5:25)
3. Bound In Misery (5:07)
4. The Woods Of Torment (3:41)
5. Pilgrims Of An Unknown Future (2:48)
6. A Dream Within A Dream (Tribute To Edgar Allan Poe) (1:51)
"Whispers Of Existence" stands as the inaugural opus of Forgotten…, a black metal entity destined to plunge listeners into the depths of existential contemplation. This EP is a haunting testament to the band's relentless pursuit of atmospheric darkness, offering a glimpse into the enigmatic realms of the human psyche.
Head over to the bands' page and give them a like: [Forgotten BM](https://www.facebook.com/profile.php?id=100093169686614)
### Interview: Trivax - Liberation and the Divine Journey
URL: https://blackmetalzine.com/trivax-liberation-and-the-divine-journey/
Last updated: 2025-11-10T12:00:00.000Z
Trivax originally formed in Iran back in 2009, though later relocated to the [United Kingdom](https://blackmetalzine.com/playlists/country/uk-black-metal/). The approach to black metal is of a strong Adversarial fire, the way it's meant to be. Many challenges have been faced in the journey of Trivax, but here we see a band who has triumphed through the hardships and has risen and become all that is by the gift of The Black Flame. I have had the opportunity to get insight from "Shayan" (guitarist/vocalist) into the creative art and all surrounding aspects of Trivax. Also discussing the upcoming full length "Eloah Burns Out"
##### *First, I would like to know how it was for you originally form a black metal band in Iran and dwelling in the Satanic art of the Adversary? Also, care to add what Satan means to you?*
There's a very interesting parallel to this, as the simple act of following this counter-culture puts you in such a small yet tangible minority, which in itself can feel like it's you versus the whole world. That is certainly what it felt like for me when first starting Trivax in Iran back in the spring of 2009\. Not only was it near impossible to find other musicians of the same style to begin with, but the whole idea was extremely frowned upon by nearly everyone in that society.
It almost felt like Neo trying to wake up from the dream when everyone else is simply an agent of the Matrix, basically an extension of the Islamic Republic and its hypnotic hold over the masses. It doesn't matter whether their persuasion came from a place of fear or personal belief, the function remained the same.
To clarify, not only are you in danger from the government for pursuing a non/anti-Islamic path, but your blood is considered "halal" to the average citizen, and should you be discovered in such a light, they too have the legal right to take your life.
I never claimed to be a "Satanist" and I don't like to label myself as such, mainly due to its political associations in the west - but when I reflect on the characteristics of Satan, it is incredibly befitting to that of my own path in life, which is certainly one of adversity and a divine journey.
##### *What is the vision of Trivax?*
Ultimate liberation and freedom, on all the different levels of existence and beyond. It's about annihilating the shackles which hold us back and chain us down, be it through strength and discipline or simply crossing the border with our spirits. The fire within us cannot and will not be contained, ever.
***The single “Azrael” from the forthcoming album. Azrael which is the Angel of Death in Middle-Eastern Theology. Care to share some light on the manifestations and inspiration of Azrael in your own work?***
Azrael is the single most feared figure in most Middle-Eastern folklore. Its cultural grip is strong in almost every country with a Muslim following, though strictly not limited to an Islamic origin. The figure represents Death, and our approach to this was to embrace it from all different accounts, what it truly means - be it through the destruction, the cold, but also the beautiful aspects of it.
This song also takes a slightly inverse and backward invocation of this spirit, not only is he often repelled by those in fear, he also only works commanded by the demiurge. We wanted to focus on the sole power of the angel of Death, beyond that of any boundaries.
As the last line of the song says: "Unchain thy true will, Azrael!"
Basically meaning, take everything with you.
##### *I’ve had the honor of listening to the promo of the new album “Eloah Burns Out” which is released on September 29th. What would you say is the ideology of the album?*
Death. That is all.
##### *This being the second full length. How does it differ from your first album “Sin” in its ideals, practices, Satanic Magick and overall evolution of the band?*
I would say that the intent remains identical to that of "SIN"; However, the execution of it is far more evolved and straight to the point. There's a lot less beating around the bush if I may say?
As far as overall production and the performance of the band, this is one where we definitely honed our craft and the results are simply on another level compared to 'SIN'.
##### *What are some of your inspirations musically and *Lyrically*?*
Anything from Celtic Frost, Bathory and Dissection to traditional Persian folk music.
Lyrically that is hard to pinpoint as this is a very private and personal process for me, so it's almost weird to even talk about it - but if I wanted to give some description, I would probably say that the core of it always lies within the darkest and most unfiltered parts of my psyche. This can be anything from reflections and revelations about myself and the world as a whole. It's all about tapping into the shadow realm and pulling things out into the light.
##### *I am sure there were some obstacles you had to face, being a black metal band from Iran, before moving to the United Kingdom. How did you overcome these challenges?*
Not giving up. I know it sounds simple, but that's really all it takes. I think I heard Lemmy say this before, which would make sense.
Quite often, life will throw us challenges and trials, but what matters is that we perceive all of these as an opportunity for growth. In my perspective, the more you grow, the more free you will become.
It's a Nietzsche-esque school of thought, which only becomes more relevant to me personally the further I trod down the rabbit hole.
##### *Were you always interested in creating black metal, or were there some other explorations before you started Trivax?*
I would say that my first experiences of songwriting actually somewhat coincided with my discovery of Black Metal, so it's always been there more or less. It's actually as time went on that I got to experiment with other styles of composition, even including completely non-Metal projects - But since Trivax was always at the foundational core of my musical expression, Black Metal is the main style that shapes my musical legacy thus far. It's very possible that this might change in the future, but art is art and I cannot make predictions about something as volatile and unpredictable as what inspires it.
##### *Do you have any live shows coming up, if so, where can your fans see you play?*
We are currently in the process of confirming shows in both the UK and Europe for 2024, but there's nothing that we can reveal yet. However, we are confirmed to be performing at the Cosmic Void festival in London next month, which will be our official album launch show for "Eloah Burns Out".
##### *What is next for Trivax, any other projects you’re working on?*
We're still in the process of releasing "Eloah Burns Out", so everything that we do revolves around this second coming of Trivax. We are currently working on another music video, which is arguably even more radical than the one we have just released, so stay tuned!
At some point later we are also considering the possibility of releasing a live album/DVD as well, some may say that it's already been recorded.
##### *What is your view on the current state of black metal? Where so many bands are just following trends without any devotion to the art, that being the art of the Adversary. You can sense when a band is trying to just play a part, for example, without capturing the true essence of black metal. I can say that Trivax have captured this essence. Care to share your opinion on this current state of black metal I am referring to?*
Glad to hear that it's been noticed! For us, the main priority has always been to abide by the honesty and the integrity within our work, so there's never been any urge for, fitting in, shall we say - but of course, I recognize that this in itself is quite compatible with the traditions of this incredible genre and counterculture movement that is Black Metal, and of course, we do respect its traditions and origins.
As far as the current state of it is concerned, I think there are many chameleons, definitely, but this has always been the case and I truly believe that what's a result of real heartfelt devotion will stand the test of time anyway. Look at all the classics that we revere in this genre, their honesty and sheer explosive dedication is what has made them eternal legacies.
I definitely don't think the genre has become stagnant, though. Even if it did at one point, that is no longer the case at this time. There are still some modern classics being born today, be it the most recent releases by Destroyer 666, Akhlys, Misthyrming, or simply whenever Deathspell Omega puts out a record.
##### *Thank you for accepting this interview. Final words are yours. Any thoughts you would like to share?*
Freedom is the only law. It's the only thing that is worth paying life and death for. We are willing to do just that, and "Eloah Burns Out" is a living statement of this. Seek it out and see...
Thank you for the interview!
##### Links:
Facebook:
YouTube: [https://www.youtube.com/user/TrivaxOfficial](https://www.youtube.com/user/TrivaxOfficial?ref=blackmetalzine.com)
Instagram: [https://www.instagram.com/trivax\_official/](https://www.instagram.com/trivax%5Fofficial/?ref=blackmetalzine.com)
Bandcamp: [https://trivax.bandcamp.com/](https://trivax.bandcamp.com/?ref=blackmetalzine.com)
### Beyond the Gates: 4 Days of Unparalleled Darkness
URL: https://blackmetalzine.com/beyond-the-gates-2023/
Last updated: 2025-12-04T16:31:07.000Z
###### An introduction:
[Beyond the Gates](https://www.beyondthegates.no/?ref=blackmetalzine.com) is an annual black metal utopia situated in the heart of [Bergen](https://en.wikipedia.org/wiki/Bergen?ref=blackmetalzine.com), western Norway. Nestled among seven majestic mountains, Bergen has been the birthplace of renowned bands like **Immortal**, [**Gorgoroth**](https://blackmetalzine.com/august-playlist/), **Gaahl's Wyrd**, **Taake**, and **Burzum**. The inception of Beyond the Gates, an extreme metal festival, took place in 2012 following the retirement of its predecessor, [Hole in the Sky](https://en.wikipedia.org/wiki/Hole%5Fin%5Fthe%5FSky%5F%28festival%29?ref=blackmetalzine.com) (2000-2011).
Every year, Beyond the Gates graces the city of Bergen in the summer month of August, captivating metal enthusiasts. The festival primarily takes place at USF Verftet, a cultural powerhouse that was once a sardine factory. In the 2022 edition, Beyond the Gates expanded its horizons by utilizing the renowned venue, Grieghallen.
Grieghallen holds historical significance as the birthplace of **Mayhem**'s iconic album, "De Mysteriis Dom Sathanas," as it was recorded there. In the 2022 festival, **Mayhem** performed the album in its entirety at Grieghallen, adding to the festival's allure and legacy.
Beyond the Gates understands the frustration metalheads often face when their favorite bands clash or overlap in performance times. To alleviate this concern, the festival ensures that there are no band schedule conflicts. Attendees can take breaks between performances to relax, savor delicious food, and enjoy refreshing beverages before heading to the next band.
With this legendary festival located just three hours away from my home, I couldn't resist the urge to witness Beyond the Gates firsthand. Armed with my battle vest and camera, and fueled by a selection of beers, I embarked on my journey to Bergen.
---
###### **Some of this years highlights**:
This year's full line-up, (Heimland replaced Issolei)
I was fortunate enough to receive a press and photo pass from the festival, granting me the opportunity to capture photos at the event for the very first time!
With renowned names adorning the festival's flyers, I was beyond excited (hehe) to finally witness bands like **Gorgoroth**, **Black Curse**, **Deicide**, and **Midnight** live for the first time!
###### Wednesday:
The first day commenced with sunny weather at USF Verftet, luckily the bar at USF entrance served cold drinks to cool down the sunglass wearing black dressed horde gathered before the main gates opened. Opening at exactly 17:00, the massive venue swiftly filled with crazed metalheads, eagerly anticipating the explosive performance by **Spirit Possession**, which kickstarted the festival.
With dimmed red lights enveloping the room, **Spirit Possession** delivered a hard and furious set that was well-received by the audience. Their American black metal reverberated through the venue's speakers, guiding metalheads still making their way from the nearby pubs to the festival grounds.
Next up, **Midnight** took the stage at Hallen, an adjacent venue—an industrial hall that Beyond the Gates incorporated into the festival this year. I was particularly eager to witness this blackened speed metal band, known for their black hoodies reminiscent of the **MGLA** style. **Midnight**'s stage presence and energy were nothing short of phenomenal, igniting an instant mosh pit when they performed "You Can't Stop Steel." Frontman Athenar and his crew engaged with the audience, delivering a high-quality experience despite some minor guitar feedback issues. As the sun peeked through the industrial gates of the hall, it created a mesmerizing **Midnight**\-sun in Bergen that evening.
Heimland | Playing at Kulturhuset for Beyond the Gates
###### Thursday:
The so-called *day shift* concerts kicked off at 13:00 in Kulturhuset, featuring performances by **Sijjin**, **Black Curse** and **Dolch**. As the doors opened at one o'clock, the venue quickly filled to capacity with eager attendees. **Sijjin** took to the stage at 13:30, bringing an incredible energy with them. Kulturhuset became a furnace as sweat flew through the air, propelled by the headbanging metalheads at the front. Despite only being together for four years, **Sijjin**'s members showcased their extensive experience, seducing the crowd with thundering riffs and rapid-fire drums.
**Black Curse** followed suit, taking the stage after **Sijjin**'s already intense set. In the wake of their heavy performance, **Black Curse** felt like an atomic bomb detonating in the venue. As a fan of their 2020 album "Endless Wound," I found their live performance to be uncompromising, seamlessly blending their digital sound with the electrifying atmosphere of the metalheads in attendance. I eagerly anticipate the opportunity to see this band live again.
**Gorgoroth** holds a special place in my heart, and they were the band I anticipated the most at the entire Beyond the Gates festival. And boy, did they deliver! **Gorgoroth**'s performance was scheduled for 20:30 at Hallen, located down at Verftet. Their imposing banner adorned the stage, while crackling fires illuminated the surroundings. The sight alone evoked an evil feeling as soon as you entered the venue. Spiked boots, armbands, and necklaces adorned the musicians on stage.
Standing in the photo pit, surrounded by these ominous figures, made me feel like Frodo or Sam on the [plateau of Gorgoroth](https://tolkiengateway.net/wiki/Plateau%5Fof%5FGorgoroth?ref=blackmetalzine.com). Unfortunately, the sound quality in Hallen was somewhat lacking, not only during **Gorgoroth**'s set. Given that it was the first time Hallen was being used, improvements are sure to come. Personally, I would love to see **Gorgoroth** perform in Grieghallen, but overall, the atmosphere was fantastic, and I was spellbound by Hoest's majestic stage presence.
Gorgoroth | Playing at USF Hallen for Beyond the Gates
###### **Friday:**
**Issolei** was supposed to start off the day at the day shift in Kulturhuset but sadly had to cancel. In short notice the more local band [**Heimland**](https://blackmetalzine.com/heimland-forfedrenes-taarer/) was announced as their replacements. My colleague and I was excited about this as we had seen **Heimland** once before at the Black Nights festival hosted by [Karmøygeddon](https://blackmetalzine.com/karmoygeddon-firstbands/) last year. Despite such a short notice for the band they put on a crushing show. This hellish gig can best be summarized by the combination of blue lights, corpse paint, and true Norwegian black metal, infused with a furious groove and distinctive style.
###### **Saturday:**
**Dimmu Borgir**, the festival headliner, made their only appearance of 2023 at Beyond the Gates, marking their 30th anniversary with a special show that encompassed the music from their storied career. This was a musical jackpot for the fans of early **Dimmu**, as they were treated to the performance of songs like "Over bleknede blåner til dommedag" and "Dødsferd," which hadn't been played since the 90s.
Shagrath, **Dimmu Borgir**'s enigmatic frontman, has truly evolved into a mesmerizing ringleader of this sircus, impossible to ignore even with everything going on during the performance. Grieghallen's stage was adorned with burning torches, billowing smoke, and a spiked, glowing mic stand, among other props. The sound was pristine and pummeling, most likely tailor-made and tuned for **Dimmu**'s 2 hour show this evening. The fusion of synthesizers, thunderous drums, and a haunting choir created a spellbinding atmosphere, heightened by the misty haze emanating from the smoke machine. The entranced crowd became part of the show, transforming into a rabid horde of warriors engulfed in this dimly lit fog.
This all served as a perfectly suited farewell with Beyond the Gates at Grieghallen for this time.
---
###### **Practical information**
Beyond the Gates festival offers much more than just great music, food, and drinks. The "Beyond the Gates Experience" provides a diverse range of guided tours and activities. Here are some highlights from this year's offerings:
- Guided tour of Grieghallen with "[Pytten](https://en.wikipedia.org/wiki/Eirik%5FHundvin?ref=blackmetalzine.com)" the man behind the "[De Mysteriis Dom Sathanas](https://en.wikipedia.org/wiki/De%5FMysteriis%5FDom%5FSathanas?ref=blackmetalzine.com)" recording.
- Black metal landmarks with [Tore Bratseth](https://www.metal-archives.com/artists/Tore%5FBratseth/1388?ref=blackmetalzine.com) (Old Funeral, Bömbers). Tour of key locations in the Bergen scene.
- Guided tour to Fantoft stave church with black metal oracle [Finn Håkon Rødland](https://www.instagram.com/finnhakonrodland/?ref=blackmetalzine.com) and [Are Mundal](https://www.metal-archives.com/artists/Are%5FMundal/55691?ref=blackmetalzine.com).
- [Beyond the Ink](https://www.instagram.com/beyondtheink23/?ref=blackmetalzine.com) Tattoo convention. Get tattooed by some of the best artists who are also metalheads!
- Wine tasting with "[Gaahl](https://www.metal-archives.com/artists/Gaahl/1015?ref=blackmetalzine.com)" was an activity this year.
- Black metal quiz in the Mountain Hall tent at Grieghallen.
###### Accomodations and bars:
Beyond the Gates is conveniently situated in the heart of Bergen city center, where everything is within walking distance. There is a plethora of accommodation options available, including hotels, hostels, and rentals, all in close proximity to the festival grounds.
For rockers and metalheads, several bars and pubs in the area organize special events during Beyond the Gates and often host after-parties. One notable establishment, [Apollon](https://www.facebook.com/apollonplatebar), held a special listening party featuring **Inculter**'s highly anticipated third album.
Another bar, [Hellion](https://www.facebook.com/profile.php?id=100083331099203), organized a listening party for the upcoming **Taake** album titled "Ett hav av avstand." Additionally, during the festival, they had the privilege of featuring Hoest as a DJ on certain nights.
Dimmu Borgir | In the mighty Grieghallen
###### **The bands playing:**
The festival primarily focuses on the extreme metal genre, particularly black and death metal. However, Beyond the Gates also features bands from other genres such as heavy metal and thrash. For instance, this year's lineup included **Eternal Champion** and **Kreator**. Many of the black metal bands performing at the festival offer special sets that cater to their dedicated fan base.
**Enslaved**, for example, performed their album "Eld" in its entirety, while **Taake** exclusively played songs from their first three albums. **Dimmu Borgir** commemorated their 30th anniversary by showcasing songs from throughout their career, and **Primordial** treated the audience to a complete rendition of their album "To the Nameless Dead."
Limited edition merchandise was available for purchase at the festival, including exclusive **Dimmu Borgir** 30th anniversary shirts and **Enslaved** "Eld" shirts. Various vendors and record companies also set up merch stalls where festival-goers could find a wide range of items such as limited edition vinyl records, CDs, cassettes, patches, and more.
Beyond the Gates offers a vibrant and diverse marketplace for metal enthusiasts to explore and acquire unique collectibles and memorabilia.
---
###### **Conclusion**
In conclusion, Beyond the Gates exceeded all my expectations for a festival weekend. It truly embodies a black metal utopia, showcasing the richness of the local black metal history. I formed new friendships and deepened existing ones, all while immersing myself in the world of black metal, enjoying beers in the sun, and indulging in late-night kebabs.
As a first-time photographer at the festival, I felt incredibly welcomed. The accreditation process was efficient, and the security team was friendly and helpful, ensuring our safety by keeping us informed about potential dangers in the photo pit.
Despite my repeated instances of losing my photo pass from my necklace clamp, the amazing spirit of the metalheads and attendees of Beyond the Gates shone through. Every time I misplaced it, someone promptly noticed and returned it to me. Their kindness and honesty were truly remarkable, and I am immensely grateful to all of them. Thank you!
This festival is a must-visit for black metal fans, particularly those interested in the Norwegian scene. It offers exclusive shows, unique venues, and an atmosphere that sets it apart from other festivals. I can confidently say that I will be returning in the future.
*I would like to give a special shoutout to* [*Høvik Hørsel*](https://www.hovikhorsel.no/?ref=blackmetalzine.com)*, a company located at the festival grounds, for providing ear protection options. Whether you forgot your ear protectors or are looking for better quality and more enjoyable options that can eliminate negative sounds, Høvik Hørsel offers basic ear protectors as well as custom-molded protectors that are tailored specifically to fit your own ears.*
---
##### **Beyond the Gates Links:**
Festival page: [Beyond the Gates](https://www.beyondthegates.no/?ref=blackmetalzine.com)
Festival Instagram: [@beyond\_the\_gates\_festival](https://www.instagram.com/beyond%5Fthe%5Fgates%5Ffestival/?ref=blackmetalzine.com)
Festival Facebook: [Beyond the Gates | Facebook](https://www.facebook.com/beyondthegatesbergen/)
Festival fotos: [Official Galleries](https://www.jarlehm.com/Archive/Music/Festivals/Beyond-the-Gates?ref=blackmetalzine.com)
Black Metal Zine's photos by [Vetle Aksdal (KingGorthaur)](https://www.instagram.com/vetleaks/?ref=blackmetalzine.com) can also be found on our [Instagram!](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com)
---
Have you been to this festival? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
[Our contact information can be found here!](https://blackmetalzine.com/contact-us/)
### Kalt Vindur: Polish black metal band signed with The Circle Music
URL: https://blackmetalzine.com/kalt-vindur-band-signed-the-circle-music/
Last updated: 2025-11-10T12:00:00.000Z
***The Circle Music and Kalt Vindur released the following press release about the band signing with the record label and the upcoming new album***
##### Press Release by Kalt Vindur and The Circle Music
[Polish](https://blackmetalzine.com/playlists/country/polish-black-metal/) Subcarpathian black metal act Kalt Vindur has joined The Circle Music roster. As part of the deal with the Greek record label, the band will release its third full-length album, "Magna Mater", in early 2024.
The first music video for the single "Bless Us" promoting the new album is available to view via Black Metal Promotion:
Svart at Kalt Vindur said: *"Bless Us" is a good preview of the music contained on 'Magna Mater', which is a mixture of atmospheric and progressive black metal. The album consists of seven compositions, including one instrumental, different from the rest of the album.*
*"We are excited to be working with The Circle Music for the release of this album. We're definitely in good company with great acts such as Necromantia, The Magus, Melan Selas and Corax B.M among many other high-quality bands*."
Maria Papageorgiou at The Circle Music added: "*We welcome pagan black metallers Kalt Vindur to the family. Hailing from Dukla, Kalt Vindur is the first Polish band to join our roster. Their upcoming third album "Magna Mater" is by far the best they have composed and compared to the previous ones ("Delusions", "... And Nothing Is Endless"), I would say that the band has made enormous progress.*"
##### About the band
The band was established in the spring of 2015 in Dukla, Poland. After personnel changes in the line-up of Artur (Svart) on guitar, Julian (Xakhariash) on drums, Szymon (S) on bass guitar, Wojciech (Celsus) on vocals, the band recorded their first album entitled "Delusions" and released in 2017 by Polish record label Mara Productions. Following that, Kalt Vindur were joined by guitarist Marcin (Ver) for live performances and shortly after became a permanent member of the band.
The band's first album consists of six compositions set in the climate of progressive black metal, characterized by the climate of the Podkarpacie region, demonstrated by the melodies and aggressive rhythms. The themes of the lyrics include man's struggle with his inner demons, weaknesses, as well as events related to the history of the Podkarpacie region, such as the devastating battles of the Second World War, death, destruction and suffering.
In 2020, the second album entitled "...And Nothing Is Endless" was released by Witching Hour Productions, on which the band further developed their style and cemented their unique presentation of Subcarpathian black metal. This time, the music gained even more power and melody with a regional tinge. The compositions became even more violent and heavy. They played concerts alongside such bands as Pandemonium, Hate, Batushka, Jarun, Zmarłym and performed at Siekiera Fest 2021.
In 2022, the band recorded the material for their third album entitled 'Magna Mater'. The drum recordings for the new album were made by new talented percussionist Rafal Chruścicki (Czarnuch), who replaced previous drummer Julian (Xakhariash). The band's style has also evolved this time, making it the most mature work with some surprising changes, but at the same time a multidimensional and coherent album.
Pre-order details and further information about "Magna Mater" will be made available soon.
##### Links
**Kalt Vindur online**
Website: [http://kaltvindur.pl/](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=a038528509&e=e61414c871&ref=blackmetalzine.com)
Instagram: [https://www.instagram.com/kaltvindurofficial/](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=0195639280&e=e61414c871&ref=blackmetalzine.com)
Facebook: [https://www.facebook.com/kaltvindurband](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=1eb5931dd9&e=e61414c871&ref=blackmetalzine.com)
Bandcamp: [https://kaltvindur.bandcamp.com/](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=2c21af323f&e=e61414c871&ref=blackmetalzine.com)
YouTube: [https://www.youtube.com/@KaltVindur/videos](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=d2a602e1a8&e=e61414c871&ref=blackmetalzine.com)
Spotify: [https://open.spotify.com/artist/4PEbO51KZfJYTZKgSfV4F2?si=Gidtk74jS4mb95QFtxevGA](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=b87fd6505e&e=e61414c871&ref=blackmetalzine.com)
**The Circle Music online**
Website: [https://thecirclemusic.gr/](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=395c10e466&e=e61414c871&ref=blackmetalzine.com)
Facebook: [https://www.facebook.com/The-Circle-Music-109161897443413/](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=ac174527ca&e=e61414c871&ref=blackmetalzine.com)
Instagram: [https://www.instagram.com/the\_circle\_music/](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=337c4176b0&e=e61414c871&ref=blackmetalzine.com)
Bandcamp: [https://thecirclemusicfamily.bandcamp.com/](https://3-nation.us3.list-manage.com/track/click?u=956507e30a2064b84227255fe&id=13186a00e0&e=e61414c871&ref=blackmetalzine.com)
### Interview: Temple of Katharsis - The Road to Hades
URL: https://blackmetalzine.com/temple-of-katharsis-the-road-to-hades/
Last updated: 2026-07-15T18:31:32.000Z
Hailing from Greece. Formed in 2011 by Hellmaster 666 and Homados. Temple of Katharsis play a traditional style of [Hellenic Black Metal](https://blackmetalzine.com/exilium-noctis-fragments-of-apocalypse/), inspired by the early bands in the scene, while still adding their own touch to what the forefathers created. With the release of their newest album "[Macabre Ritual](https://www.metal-archives.com/albums/Temple%5Fof%5FKatharsis/Macabre%5FRitual/1154542?ref=blackmetalzine.com)" we have had the honor to interview vocalist and bassist Hellmaster 666.
***The word Katharsis which relates to the Ancient Greek word κάθαρσις meaning cleanse, which expands to cleansing or purification. Currently, I haven’t seen your lyrics but going by my own perception. I see it as purification and cleansing the filth of the ego, this world and all its chains, dogmas etc. All that does not serve the higher self. So it could then be seen as a spiritual act or death of the ego and mundane self. Would you care to explain the meaning of the name “Temple of Katharsis” in your own words?***
Yes. It's basically as you said. When I thought of the name Temple of Katharsis I had in my mind a temple where the soul ends up judged and will take its road to Hades.
###### *You recently released your debut full length “Macabre Ritual” what would you say is the vision and ideology of this record?*
The whole record is clearly a satanic, anti-religious but also occult vision I would say.
###### *Now let’s discuss the music on “Macabre Ritual” Almost traditional Hellenic Black Metal vibrations are to be found on this release, being from Greece, it might seem as a natural gravitation for those on the outside, looking in. Do you agree with this statement?*
Yes, I would say that we were looking at the old-school side. We were always excited by the Hellenic spirit and Scandinavian flavor, always loyal to the 90s spirit.
###### *Lyrically, what are you inspired by?*
Satanism, opposition to every form of religion, darkness, death, and war!
###### *Musically, what are your inspirations?*
Gorgoroth, Mayhem, Burzum, and the 90s Greek scene, of course.
###### *What goes into the creative process of your music?*
I will tell you about the new release in this question. I initially composed some riffs and sent them to the guitarist Zeratul an, and then he prepared all the tracks. Many of the tracks on the record are definitely his from start to finish, and I took over the lyrical content except the track "Archpriest of the Wolves" which both lyrically and musically is by Zeratul. All drum compositions are works of Nodens.
###### *Do you have any interest in other music besides black metal?*
I will speak to you clearly from my side here. I'm a fan of metal music, so I only listen to metal. Apart from black metal, I really like brutal death metal and also black/death metal.
###### *What is your view on artists who just create without any real devotion to the art?*
Creation is art anyway, but not everyone can like everything. It is how everyone sees and perceives it.
###### *Care to mention some of your favorite bands/artists?*
Greek but also the Scandinavian scene where it expresses us fully and inspires us to create music. And beyond that mega beast bands where we started our first steps like Metallica, Iron Maiden, Judas Priest, Black Sabbath, and of course, the mighty SLAYER!!!!!!!!!!!!
###### *Are there any plans for live shows?*
Yes, of course, we want to play live shows. We are open to any proposal for a live appearance in and outside of Greece.
###### *Thank you for taking the time to answer these questions. Final words are yours. Any thoughts you would like to share?*
We thank you for honoring us for an interview. We would also like to thank all our fans who have supported us all these years. Glory to the enthroned Baphomet!!!
---
---
##### Links:
Facebook:
YouTube: [https://www.youtube.com/channel/UCnO4OPByRCN4B9l-t2ia\_3w](https://www.youtube.com/channel/UCnO4OPByRCN4B9l-t2ia%5F3w?ref=blackmetalzine.com)
Bandcamp: [https://templeofkatharsis.bandcamp.com/album/macabre-ritual](https://templeofkatharsis.bandcamp.com/album/macabre-ritual?ref=blackmetalzine.com)
### Rhode Island-based black metal band Black Sorcery releases debut album.
URL: https://blackmetalzine.com/black-sorcery-releases-debut-album/
Last updated: 2025-11-10T12:00:00.000Z
***Black Sorcery released the following press release about the release of their debut album, "Deciphering Torment Through Malediction".***
##### Press release by Black Sorcery
"Deciphering Torment Through Malediction", the debut full-length LP from Rhode Island-based black metal band Black Sorcery, is now streaming in full and available for download; a limited vinyl release available through Eternal Death Records.
Black Sorcery's debut full-length LP "Deciphering Torment Through Malediction" is now streaming and available for download via Bandcamp: [Deciphering Torment Through Malediction | Black Sorcery (bandcamp.com)](https://blacksorcery93.bandcamp.com/album/deciphering-torment-through-malediction?ref=blackmetalzine.com)
Vinyl release (limited to 100 copies) can be purchased via Eternal Death Records: [Black Sorcery 'Deciphering Torment Through Malediction' 12" · Eternal Death · Online Store Powered by Storenvy](https://eternaldeath.storenvy.com/products/36567628-black-sorcery-deciphering-torment-through-malediction-12?ref=blackmetalzine.com)
Rooted in two decades of Rhode Island black metal lineage - with members hailing from past bands Bog of the Infidel, Sangus, Nefarious, and Sorcery - America'sBlack Sorcery emerged out of the plague days of early 2020\. Fittingly for such origins, the quartet play a consciously regressive style of music that rejects the bloated aesthetics of most modern [American black](https://blackmetalzine.com/playlists/country/u-s-a-black-metal/) metal and embraces the arcane forms of the past. Whether it's the paradigmatic early days of Gorgoroth or the contemporaneous turn-of-the-millennium work of Behexen and Satanic Warmaster serving as the aesthetic foundation, Black Sorcery truly sounds like they do not belong to this decade nor this country.
Crude and rude but not without a sense of regal refinement, the band's Deciphering Torment Through Malediction debut album storms right out of the gate and leaves little to the imagination: this is all-caps BLACK METAL forged in the fires of old and tempered with the patience of longtime zealots. Each song of this 40-minute work combines cold, somber melodies with raw, visceral aggression in an unapologetic homage to the early waves of black metal.
No matter the tempo - rippingly fast, folklorish downshift, hypnotic pulse - Black Sorcery keeps proceedings orkish and medieval, such as they were back in the glorious times of Sombre, A.M.S.G., and Drakkar Productions. Form meeting content, their lyrical expression revolves around the themes of torment and mutually assured destruction in the form of curses wrung from a severe disdain towards all human life, and butchered rituals performed in the heat of pure resentment, resulting in one's own self-destruction: the ouroboros of esoteric failure and abysmal ruin. And all these ripped-raw tones are rendered all the more powerful with mastering courtesy of Enormous Door.
No more but definitely no less, Black Sorcery's Deciphering Torment Through Malediction is pure black metal for pure black metal people!
##### Links:
[https://blacksorcery93.bandcamp.com](https://blacksorcery93.bandcamp.com/?ref=blackmetalzine.com)
[https://www.metal-archives.com/bands/Black\_Sorcery/3540491616](https://www.metal-archives.com/bands/Black%5FSorcery/3540491616?ref=blackmetalzine.com)
### Review: Dusk Cult - Night Sky Revelations
URL: https://blackmetalzine.com/dusk-cult-night-sky-revelations/
Last updated: 2026-07-15T18:31:32.000Z
##### Introduction
Dusk Cult, the [Australian](https://blackmetalzine.com/playlists/country/australian-black-metal/) two-man black metal band with members from Be'lakor and Rainshadow, released their second album "Night Sky Revelations". I'm familiar with Be'lakor but not with this side project of theirs, so I went in with an open mind and liked what I heard. So, after listening to the album a few times, it's time for the review.
##### Night Sky Revelations
The new album contains 8 tracks and has a runtime of almost 43 minutes. According to the band, the new album contains elements of doom and folk, but it tries to remain rooted in influences of second wave black metal. And after a few spins of the new album. I can only agree with that. The base of the album is black metal, but the influences from the other styles are there, and it makes for a compelling album.
The new album was produced by **Troy McCosker** who also worked with bands like **Ne Obliviscaris** and **Be'lakor** for example, and he did an outstanding job. The album is mixed properly and the vocals and instruments are mixed very well together, neither of them is taking the front stage, and it sounds at least to me like a proper mix.
1. Black Cloud Worship
2. Lupercalia
3. Western Embers
4. Ascent of Mars
5. Mondaufgang
6. Celestial Fury
7. Lunar Geography
8. Fires in the Gloom
##### Highlight(s)
For me, "Mondaufgang" has to be one of the album's highlights (although this may vary for other listeners). The song starts off at full speed, with pounding drums and powerful vocals that immediately grab your attention. It's a compelling combination that draws you in and keeps you listening, and it's also the track that for me shows off the doom elements the band has talked about. As someone who likes to read song lyrics to better understand a band's message, I'm pleased to say that the lyrics for this album are readily available.
> In moonlit confessions
> The cult assembles along the coast
> The starlight ablaze
> Across oceans of darkness far above
> The principal motive
> The secret arts of nocturnal service
> Salt in the air
>
> Lyrics from Mondaufgang by Dusk Cult
Another standout track for me is the album's final offering, "Fires in the Gloom." Although it's the longest track on the album, it's also the most diverse, with a range of sounds and styles that keep the listener engaged. The song begins with a cozy folk intro that quickly gives way to heavier music, and the drums are a particular highlight for me. Throughout the album, the drumming is varied and dynamic, with slow buildups that change into pummeling blast beats after the interlude midway through "Fires in the Gloom." The vocals also change after the interlude, becoming harsher and colder, which is precisely how I like my black metal vocals.
> On the final eve in dampened soil
> When laid to rest at the doom
> They will be there still
> Under cloudless skies
> The fires in the gloom
>
> Lyrcis from Fires in the Gloom by Dusk Cult
##### Conclusion
This is a solid album and I can recommend it to everyone who likes black metal with some doom/folk influences. The overall package is great, and it all blends together very well. I truly enjoyed the album and I have been listening to it regularly. I'm also looking forward to what the future will bring for this band.
BMZ Score: 7,5 / 10
##### Links
Bandcamp: [Night Sky Revelations | Dusk Cult (bandcamp.com)](https://duskcult.bandcamp.com/album/night-sky-revelations?ref=blackmetalzine.com)
Facebook: [Facebook](https://www.facebook.com/DuskCultMusic)
Have you listened to this album? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles.
[Our contact information can be found here!](https://blackmetalzine.com/contact-us/)
### Review: Avertia - Midnight Returns
URL: https://blackmetalzine.com/avertia-midnight-returns/
Last updated: 2025-11-10T12:00:04.000Z
#### **Introduction**
Avertia, like many of Norway's most prolific black metal acts, hails from the rainy and gloomy city of Bergen. Formed in 2006, they have put out three albums prior to Midnight Returns, which was released on June 25th of this year. Avertia's frontman and main composer, [Kristoffer Georg](https://www.metal-archives.com/artists/Kristoffer%5FGeorg/190470?ref=blackmetalzine.com) is previous also a member of awesome black metal band [Last Lightning](https://www.metal-archives.com/bands/Last%5FLightning/3540483745?ref=blackmetalzine.com), of which [Kacper Sliwa](https://www.metal-archives.com/artists/Kacper%5FSliwa/891353?ref=blackmetalzine.com) has been hired for the drumming on this album.
After some years spent in the eastern part of Norway, Kristoffer Georg relocated back to the west coast and re-assembled a full Avertia line up now consisting of five members, including guitarist [Alfhar](https://www.metal-archives.com/artists/Oliver%5FPettit/820002?ref=blackmetalzine.com) who plays in the band [Heimland](https://www.metal-archives.com/bands/Heimland/3540481172?ref=blackmetalzine.com) which we reviewed [earlier this year.](https://blackmetalzine.com/heimland-forfedrenes-taarer/)
Avertia's music is heavily influenced by 90s black metal bands like Darkthrone, Taake, and Mayhem. With Midnight Returns, they seem to have gone for a more atmospheric and melancholic approach. Let's dive deeper into the album.
#### Midnight Returns
"Ild og Regn" is Norwegian for "fire and rain" and serves as the instrumental intro track for "Midnight Returns. The soft acoustic guitar sets a sad tone with the crackling of a fire-pit in the background. As the track transitions into "Snakkes i Helvete," a more distorted electric guitar takes over.
Avertia has already put me into a pondering state of mind as the drums kick in, bringing the track to a faster pace. This song features some beautiful riffs that remind me of Darkthrone's "En Vind Av Sorg" from the album Panzerfaust. Kristoffer Georg's vocals strike a good balance between grit and well timed touches of higher shrieks, making the lyrics clear. The album's lyrical content explores themes of inner struggles, death, and depression.
##### Tracklist
---
Xavarthan - Night of the Noctural Rites
1. Ild og Regn
2. Snakkes i Helvete
3. Dark Patterns
4. Avfeldig
5. Light of our Dying Sun
6. I Mulm og Mørke
---
###### **Lyrics from Dark Patterns, 1st and 2nd verse:**
>
>
> I see the mountain disapear
> The meaning of life fades
> when will there be light
> Again I face myself
>
> the Next part of life begins
> I am aware of my loss
> There is no forest - there's no path
> only white ice
Midnight Returns has a lot of standout guitar solos and riffs that really pop out to me. One can clearly tell that a lot of thought and emotion has been put into this album. Emotions of grief, depression, and anger are perceptible throughout this melancholic album. I appreciate that the musical image reflects so well what the lyrics portray.
###### F**rom Dark Patterns**, 5th verse:
>
>
> I sink down in the meaning of life
> Caught in a storm of thoughts of death
> a Mystery of patterns
> My time has come
Avertia really hits the sweet-spot for me with Midnight Returns length. The album has a total runtime of 31 minutes which I find to work very well with more mentaly heavy melancholic albums.
###### Excerpt from Light of our Dying Sun, 1st verse:
>
>
> My mind cant figure it out - why are we?
> a lifetime of thoughts - every night
> there is a constant battle between the demon inside-
> and the human you see
---
---
---
#### **Highlights**
The fourth track, "Avfeldig," is a stunning piece. The guitar riff that kicks in at the 0:37 second mark is one of the finest I've heard in a while. This track combines the longing sadness of the guitars with the anger in Kristoffer's vocals.
With that in mind, Midnight Returns is an album that should be absorbed from start to finish, preferably in the darkness of night while the rain falls outside your window.
#### **Conclusion**
Avertia is a band of highly skilled musicians who create thoughtful and heartfelt black metal.
I would recommend "Midnight Returns" to listeners who enjoy melancholic and atmospheric black metal, as well as fans of the Norwegian scene of the 90's.
BMZ Score: 7 / 10
Note: Kristoffer Georg kindly sent me the official lyrics for this album, and I would like to express my gratitude for that.
---
---
---
#### **Links**
Bandcamp: [Midnight Returns | Avertia](https://avertia.bandcamp.com/album/midnight-returns?ref=blackmetalzine.com)
Metal Archives: [Avertia - Encyclopaedia Metallum](https://www.metal-archives.com/bands/Avertia/3540293547?ref=blackmetalzine.com)
Facebook: [Avertia | Facebook](https://www.facebook.com/AvertiaOfficial/)
Instagram: [Avertia @avertia\_official](https://www.instagram.com/avertia%5Fofficial/?ref=blackmetalzine.com)
YouTube: [Avertia - YouTube](https://www.youtube.com/user/Avertia?ref=blackmetalzine.com)
Have you listened to this album? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page [Black Metal Zine](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles.
[Our contact information can be found here!](https://blackmetalzine.com/contact-us/)
### Review: Tsjuder - Helvegr
URL: https://blackmetalzine.com/tsjuder-helvegr/
Last updated: 2025-11-10T12:00:04.000Z
#### **Introduction**
Uncompromising black metal powerhouse duo [Nag](https://www.metal-archives.com/artists/Nag/1675?ref=blackmetalzine.com) and [Draugluin](https://www.metal-archives.com/artists/Draugluin/8164?ref=blackmetalzine.com) have deafened the black masses under the band name Tsjuder since 1993\. Tsjuder was formed in the Norwegian capital Oslo by vocalist Nag and then guitarist Berserk. Draugluin joined their ranks one year later and they released their first demo, Ved Ferdens Ende, in 1995.
[Jon “The Charn” Rice](https://www.metal-archives.com/artists/Jon%5F%22The%5FCharn%22%5FRice/3283?ref=blackmetalzine.com) has been hired to handle the drumming duties on this new album, Helvegr, as this is their first release without [AntiChristian](https://www.metal-archives.com/artists/AntiChristian/4005?ref=blackmetalzine.com) behind the kit since Jontho of [Ragnarok](https://youtu.be/ww8flBMESos?ref=blackmetalzine.com) fame drummed on their 2002 classic, Demonic Possession.
Tsjuder has previously released five hellish albums, four demos and three EP's. Helvegr is their latest installment, will it quench our thirst after this eight year drought?
#### Helvegr
Helvegr is 41 minutes of relentless riffs and thundering drums. Nag's demonic vocals hammer into your eardrums as if Satan himself were commanding it from the first track. This is not unlike the previous albums Tsjuder has released. The band is consistent with its traditions of fast and brutal pace, Norwegian sound, and satanic themes.
Helvegr, however, stands out with a different direction in cover art. Usually, Tsjuder has used a black and white image on their releases with the band logo towering in the middle. Helvegr differs from this with its beautiful blood-red color throughout the art. The band logo is also harder to spot, being faded into the majestic mountain in the back. Despite the modernized album art, the music still preserves the Norwegian black metal sound.
---
##### Tracklist
1. Iron Beast
2. Prestehammeren
3. Surtr
4. Gamle-Erik
5. Chaos Fiend
6. Gods of Black Blood
7. Helvegr
8. Faenskap og Død
9. Hvit Død
The drums are consistently engaging throughout the album with a deep, rounded-out sound that I really appreciate. Tsjuder also utilizes some samples as track intros, most notably on the track "Prestehammeren," which opens with the howling sound of the notorious "Jericho trumpets" - a name given to the screaming noise from the German [Ju 87 "Stuka"](https://en.wikipedia.org/wiki/Junkers%5FJu%5F87?ref=blackmetalzine.com) bombers. Similarly, the track "Chaos Fiend" also opens with a sample, in this case, the ominous sound of a gun reloading.
The album is expertly mixed and sounds fantastic. All the musical parts blend together seamlessly and complement each other perfectly. Helvegr is packed with brutal and intense riffs, which is one of my favorite aspects of Tsjuder's music. The thrashy and fast-paced playstyle will make your head bang uncontrollably. Tsjuder will hold you in a tight chokehold and demand your full attention from beginning to end. And when they finally release you, you'll be left longing for more!
#### **Highlights**
For listeners who want a taste of Helvegr's brutality, the track Prestehammeren is a great choice. The German Stuka siren that opens the track sets the tone for the blitzkrieg that follows. The addition of Norwegian lyrics enhances the song and adds to its dark and sinister atmosphere.
If groovy riffs and a black n' roll style sound is more your thing, the title track Helvegr delivers this on all fronts. The track starts off slower and gradually turns up the headbanging intensity. This is one of my personal favorites from the album!
#### **Conclusion**
Tsjuder proves themselves to be a masterful force to be reckoned with, even after three decades in the Norwegian black metal scene. With Helvegr, Tsjuder once again delivers an evil and powerful masterpiece. Over the course of their three-decade career, Tsjuder has managed to create a signature sound that pays homage to True Norwegian Black Metal while also incorporating elements from other sub-genres.
Helvegr is certainly a top contender for album of the year in 2023\. I can't wait to hear these songs live at festivals next summer!
BMZ Score: 9 / 10
#### **Links**
Bandcamp: [Helvegr | Tsjuder](https://tsjuder.bandcamp.com/album/helvegr?ref=blackmetalzine.com)
Metal Archives: [Tsjuder - Encyclopaedia Metallum](https://www.metal-archives.com/bands/Tsjuder/1379?ref=blackmetalzine.com)
Facebook: [Tsjuder | Facebook](https://www.facebook.com/tsjuderofficial)
Instagram: [Tsjuder @officialtsjuder](https://www.instagram.com/officialtsjuder/?ref=blackmetalzine.com)
YouTube: [Tsjuder TV - YouTube](https://www.youtube.com/c/TsjuderTV?ref=blackmetalzine.com)
Have you listened to this album? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page [blackmetalpromotion.com](https://www.facebook.com/blackmetalpromotionwebsite) to receive notifications when we publish articles.
[Our contact information can be found here!](https://blackmetalzine.com/contact-us/)
### Review: Nidvinter - Winter Wars
URL: https://blackmetalzine.com/nidvinter-winter-wars/
Last updated: 2026-07-15T17:51:31.000Z
**Band:** Nidvinter
**Album:** Winter Wars
**Genre:** Raw Black Metal/Dungeon Synth
**Country:** Norway
**Label:** Kriegsheim Distro
**Released:** June 22, 2023
## Winter Wars
**Tracklist:**
1. Fallen Liege
2. Reign Of Ruin
3. Winter Wars
4. Kristalmaane
5. Pagan Hate
##
A peacefull morning ruined...
One early morning, while scrolling through my [YouTube](https://blackmetalzine.com/playlists/genre/depressive-black-metal/) feed before getting out of bed, I stumbled upon this EP amidst all the regular regurgitated bullshit that demands our attention 24/7\. Skepticism crept in as it started off as dungeon synth, but I decided to give it a chance.
The payoff came quickly, as nasty tom fills and the harrowing screeching from a guitar demanded my full attention. This was something my neighbors needed to hear as well. So, I ran half-naked into my living room, turned on my stereo, and started blasting this EP. While my coffee was brewing, I realized that caffeine now would be like adding fuel to an already intense inferno of hellfire that threatened to engulf my small apartment in flames.
The awesome, chaotic drumming blended nicely with my neighbors' desperate hammering outside my room, and the piercing vocals managed to drown out their cries for some morning peace. By the end of this relentless 25 minute EP, I needed more. However, just as I tried to press play again, the cops rammed down my door and threw me to the floor.
"Please, please officer, just give this fucking music a listen!" I begged. They gave me a chance, but Nidvinter did not. As soon as the music started again, the officers looked at me in disbelief. They then proceeded to take my handcuffs off and put a straightjacket on.
In all seriousness, if you enjoy raw black metal, vampiric black metal, and maybe even some dungeon synth, give these two crazy bastards from Oslo a chance.
**BMZ Score: 8 / 10**
---
---
---
**Support Nidvinter here:** [https://kriegsheim.bandcamp.com/album/winter-wars](https://kriegsheim.bandcamp.com/album/winter-wars?ref=blackmetalzine.com)
## Your thoughts on Nidvinter
Please let us know what you think about this album. You can rate the album yourself on this page, but you can share your opinion on our social media channels, or join us on [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com), where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine](https://www.facebook.com/blackmetalwebzine), to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine?igsh=b21lYXdpNDVpNjQ5&ref=blackmetalzine.com) for concert pictures and more!
### Inferno Metal Festival - First 15 exciting bands announced!
URL: https://blackmetalzine.com/inferno2024/
Last updated: 2025-11-10T12:00:04.000Z
## **Inferno**
[Inferno Metal Festival](https://www.infernofestival.net/no/Festival/News.aspx?ref=blackmetalzine.com) is located in the busy capital city Oslo of Norway. The festival is focused on the extreme metal genres and takes place each year during easter. Inferno was founded in 2001 by former [Borknagar](https://www.metal-archives.com/bands/Borknagar/629?ref=blackmetalzine.com) guitarist [Jens F. Ryland](https://www.metal-archives.com/artists/Jens%5FF.%5FRyland/2068?ref=blackmetalzine.com) and the booking agency [Radar Booking](https://www.facebook.com/radarbooking/).
The Inferno Festival is held at two venues called [Rockefeller](https://www.rockefeller.no/english.html?ref=blackmetalzine.com) and John Dee, which are located in the same building in the center of Oslo. As the festival only has one band playing at a time, attendees can enjoy all the bands they would like to see without missing any performances. The 2024 edition of the festival is scheduled to take place from March 28th to March 31st.
In addition to the music festival, the organizers also offer other activities for attendees. One of these is a black metal bus sightseeing tour hosted by [Cadaver](https://www.metal-archives.com/bands/Cadaver/692?ref=blackmetalzine.com#band%5Ftab%5Fmembers) frontman [Anders "Neddo" Odden](https://www.metal-archives.com/artists/Anders%5FOdden/17031?ref=blackmetalzine.com). For those willing to pay, the tour takes participants to historic black metal locations around Oslo.
Inferno also hosts the [Inferno Music Conference](https://www.infernomusicconference.com/?ref=blackmetalzine.com) every year, which provides a platform for brands, media, and artists to expand their networks and stay updated on the latest developments in the metal industry.
On June 16th, 2023, the first 15 bands were announced for the 2024 lineup. These bands come from various countries and include both Norwegian and international acts. The genres represented typically fall within the extreme aspect of metal, such as black metal, death metal, doom metal, and thrash metal.
#### **First festival flyer**
#### **A taste of the black metal bands playing!**
##### **Borknagar**
[Borknagar](https://www.metal-archives.com/bands/Borknagar/629?ref=blackmetalzine.com) is Norwegian band hailing from the historic black metal city of Bergen. The band was formed in 1994 by guitarist Øystein Garnes Brun. Borknagar has released a total of eleven full-length albums to their discography.
##### **Solstafir**
The Icelandic four piece band was formed in 1995 in capital Reykjavik. [Solstafir](https://www.metal-archives.com/bands/S%C3%B3lstafir/3213?ref=blackmetalzine.com) started out as black metal band but has in the last years gone in another direction playing post-metal/rock. The band has seven full-length releases and five EP's.
##### **Keep of Kalessin**
[Keep of Kalessin](https://www.metal-archives.com/bands/Keep%5Fof%5FKalessin/2845?ref=blackmetalzine.com) is another Norwegian black metal band, founded in 1995\. The Trondheim band has seven full-length albums in their catalogue and 3 EP's. Their latest album *Katharsis* was released in March earlier this year.
##### **Misþyrming**
The Reykjavik band [Misþyrming](https://www.metal-archives.com/bands/Mis%C3%BEyrming/3540392140?ref=blackmetalzine.com) was founded in 2013\. The Icelandic band name means "mistreatmnent" in English. The band has releases three highly praised full-length albums and one split with the other Iceland band [Sinmara.](https://www.metal-archives.com/bands/Sinmara/3540384361?ref=blackmetalzine.com)
##### **Saor**
Atmospheric black metal band from Glasgow, Scotland. The band was formed in 2013 and it's name means "free", translated from Scottish Gaelic. [Saor](https://www.metal-archives.com/bands/Saor/3540373234?ref=blackmetalzine.com) has five full-length releases in their catalogue.
##### **Khold**
[Khold](https://blackmetalzine.com/review-khold-svartsyn-2022/) is a Norwegian black metal band formed in year 2000\. Khold consists of four members and has seven full-length albums released. Khold has strong ties to the black metal band [Tulus.](https://blackmetalzine.com/tulus-norwegian-black-metal/)
##### **Orm**
[Orm](https://www.metal-archives.com/bands/Orm/3540424739?ref=blackmetalzine.com) is a Danish Epic/Melodic black metal band. The three piece act was formed in Copenhagen in the year of 2015\. The band has three full-length releases.
##### **Tilintetgjort**
[Tilintetgjort](https://www.metal-archives.com/bands/Tilintetgjort/3540517647?ref=blackmetalzine.com) is a newly formed avant-garde black metal band from Oslo. The band was formed in the summer of 2020\. The bands first full-length album was released earlier this year. We in BMP did a review of that release which can be found [here.](https://blackmetalzine.com/tilintetgjort-album-review/)
#### **Links**
Festival Homepage: [Inferno Metal Festival](https://www.infernofestival.net/no/Festival/News.aspx?ref=blackmetalzine.com)
Festival Facebook: [Inferno Metal Festival | Facebook](https://www.facebook.com/InfernoMetalFestival)
Festival Instagram: [Inferno Metal Festival | Instagram](https://www.instagram.com/infernofestivalnorway/?ref=blackmetalzine.com)
Official Tickets: [Get your official tickets here!](https://www.ticketmaster.no/event/inferno-metal-festival-2024-pass-tickets/715189?language=en-us&ref=blackmetalzine.com)
Have you been to this festival? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page [blackmetalpromotion.com](https://www.facebook.com/blackmetalpromotionwebsite) to receive notifications when we publish articles.
### Karmøygeddon Metal Festival - 26 great bands confirmed for the 2024 lineup!
URL: https://blackmetalzine.com/karmoygeddon-firstbands/
Last updated: 2025-11-10T12:00:05.000Z
The Norwegian [Karmøygeddon Metal Festival ](https://www.karmoygeddon.no/?ref=blackmetalzine.com)has announced their first batch of bands for next year, so far, consisting of 26 acts! The 2024 festival is the 19th edition of Karmøygeddon and will take place in the small but cozy city of [Kopervik](https://en.wikipedia.org/wiki/Kopervik?ref=blackmetalzine.com). Both Norwegian and international acts appear on this year's festival flyer. So far, the announced bands showcase a great deal of versatility within the metal sub-genres. The lineup consists of acts that range from black metal, death metal, and power metal to traditional metal, and everything in between.
The festival [tickets](https://karmoygeddon.ticketco.events/no/nb/e/karmoeygeddon%5Fmetal%5Ffestival%5F2024?ref=blackmetalzine.com) was put up for sale on the 1st of June. VIP tickets with gallery access were sold out within the first sixty seconds of being available. An astonishing 50% of the regular 3-day tickets also sold on the first day of release and that’s before any bands were announced!
After this years 18th edition the Karmøygeddon management asked their Facebook followers what bands they would like to see for 2024\. Multiple of the more common suggestions from [the comment section](https://www.facebook.com/photo/?fbid=689116986555521&set=a.484725190328036) has made their way into this first drop of bands. Acts like Gaerea, Tsjuder, In Mourning and Yoth Iria are among these.
Here's a closer look at some of the black metal heavy hitters like Tsjuder, Kampfar, Mork, Vreid, Gaerea, Yoth Iria, Ulvhedner, Shade Empire and Shaarimoth that will be performing at the festival taking place between the 2-4 of May 2024.
**First announcement flyer**
**A taste of the black metal acts performing!**
**Kampfar**
[Kampfar](https://www.metal-archives.com/bands/Kampfar/3232?ref=blackmetalzine.com) rose from the ashes of Mock, one of the pioneers of the Norwegian second wave of black metal. The band was formed in 1994 in Fredrikstad and has remained active ever since. To date, they have released a total of nine full-length albums, firmly establishing themselves as a force to be reckoned with in the scene.
> Karmøygeddon announces:
>
> In 2024 [KAMPFAR official](https://www.facebook.com/kampfarofficial?%5F%5Fcft%5F%5F[0]=AZXFOMTuHXZ%5FCKgEgz6iAaINX4%5F%5FSFbOyYbGZ%5FaRBfmdY99-FUytVGjJlFqD8xSuO-FwN2RXxwc6BDC9iiWt-3eKG5NTd2JgGY51PI4gIzJCBkdi1Ypg5uTZYFPL67q9b32P1EtSkeV%5FfILcsgRxloS8UcoVKNU6FAts33QC675nLyJSAS9SDcIi%5FcJEeNrulcE&%5F%5Ftn%5F%5F=-]K-R) will play a few selected shows where the 30 year of history will be done in a way the band have never done before. There will be songs that has never been performed live before by the band.
> This will be a festival show only for selected festivals in 2024\. [Karmøygeddon Metal Festival](https://www.facebook.com/KarmoygeddonMetalFestival?%5F%5Fcft%5F%5F[0]=AZXFOMTuHXZ%5FCKgEgz6iAaINX4%5F%5FSFbOyYbGZ%5FaRBfmdY99-FUytVGjJlFqD8xSuO-FwN2RXxwc6BDC9iiWt-3eKG5NTd2JgGY51PI4gIzJCBkdi1Ypg5uTZYFPL67q9b32P1EtSkeV%5FfILcsgRxloS8UcoVKNU6FAts33QC675nLyJSAS9SDcIi%5FcJEeNrulcE&%5F%5Ftn%5F%5F=-]K-R) is one of the first in line.
> This will happend Saturday 4th May
**Vreid**
[Vreid](https://www.metal-archives.com/bands/Vreid/27072?ref=blackmetalzine.com) was formed in 2004 by members of legendary Windir. Windir split-up after their founder, main composer and vocalist Valfar died of hypothermia after being caught in a blizzard. Vreid has released nine albums bearing a melodic and groovy black metal style. They quickly became a staple of the Karmøygeddon lineup and 2022's performance of the Windir album 1184 will forever stay as one of the all time festival high lights.
**Tsjuder**
Oslo band [Tsjuder](https://www.metal-archives.com/bands/Tsjuder/1379?ref=blackmetalzine.com) was formed in 1993\. These dedicated black metal musicians play a furious and fast paced 2nd wave style of our beloved genre. The group has previously released five full-length albums and a 6th is due later this month.
> Karmøygeddon announces:
>
> The black metal metal band [Tsjuder](https://www.facebook.com/tsjuderofficial?%5F%5Fcft%5F%5F[0]=AZWHL4qVjo4XYzgExMddsfl6jZVlsr4HoDLY3TJmuD2pMByRqEcHvXVGLy%5F91G3FZkpqJwazH-0LCf9STIl6t2EeS4hHbVAczwoAdSS0elF9H6UTsNZv9SwnhtKCbjNKLaV7njc-BiZNo95S2yOPeqtnyCOrFe2rp9dFudzktMHL5oxNXGi%5FeYQfEWkx02JVNRE&%5F%5Ftn%5F%5F=-]K-R) will do a special show at [Karmøygeddon Metal Festival 2024](https://www.facebook.com/events/785600909684491/?%5F%5Fcft%5F%5F[0]=AZWHL4qVjo4XYzgExMddsfl6jZVlsr4HoDLY3TJmuD2pMByRqEcHvXVGLy%5F91G3FZkpqJwazH-0LCf9STIl6t2EeS4hHbVAczwoAdSS0elF9H6UTsNZv9SwnhtKCbjNKLaV7njc-BiZNo95S2yOPeqtnyCOrFe2rp9dFudzktMHL5oxNXGi%5FeYQfEWkx02JVNRE&%5F%5Ftn%5F%5F=-UK-R) on Saturday 4th May on [Gassco](https://www.facebook.com/gassco?%5F%5Fcft%5F%5F[0]=AZWHL4qVjo4XYzgExMddsfl6jZVlsr4HoDLY3TJmuD2pMByRqEcHvXVGLy%5F91G3FZkpqJwazH-0LCf9STIl6t2EeS4hHbVAczwoAdSS0elF9H6UTsNZv9SwnhtKCbjNKLaV7njc-BiZNo95S2yOPeqtnyCOrFe2rp9dFudzktMHL5oxNXGi%5FeYQfEWkx02JVNRE&%5F%5Ftn%5F%5F=-]K-R) stage.
> The band will play 50% off the set with their songs and the rest off the show will feature an exclusive [Bathory](https://www.facebook.com/vikingbathory?%5F%5Fcft%5F%5F[0]=AZWHL4qVjo4XYzgExMddsfl6jZVlsr4HoDLY3TJmuD2pMByRqEcHvXVGLy%5F91G3FZkpqJwazH-0LCf9STIl6t2EeS4hHbVAczwoAdSS0elF9H6UTsNZv9SwnhtKCbjNKLaV7njc-BiZNo95S2yOPeqtnyCOrFe2rp9dFudzktMHL5oxNXGi%5FeYQfEWkx02JVNRE&%5F%5Ftn%5F%5F=-]K-R) show with special guest Frederick Melander the original bass player from Bathory.
**Shade Empire**
[Shade Empire](https://www.metal-archives.com/bands/Shade%5FEmpire/3230?ref=blackmetalzine.com) is categorized as “Symphonic Industrial Death/Black Metal” and hails from Finland. The band formed in 1999 has five full-length releases and another coming out later this year.
**Gaerea**
Portuguese black metal band [Gaerea](https://www.metal-archives.com/bands/Gaerea/3540418247?ref=blackmetalzine.com) is a relatively new band on the scene, being formed in 2016\. These masked men of mystery has released one EP and three full-length albums.
**Mork**
[Mork](https://www.metal-archives.com/bands/Mork/3540372524?ref=blackmetalzine.com) is a Norwegian one-man black metal band formed in 2004 by Thomas Eriksen. Live he is backed by a strong collection of musicians from his local scene around Halden, including former Ragnarok drummer Malignant (also of solo project Dauden). Mork has released six full-length albums.
**Yoth Iria**
Black metal band [Yoth Iria](https://www.metal-archives.com/bands/Yoth%5FIria/3540451390?ref=blackmetalzine.com) is from stunning Greece. The group was formed in 2019 and consists of five members, two of which have ties to the legends that is hellenic black metal supremecy, Rotting Christ. Yoth Iria has released one EP, one split and one full-length album.
**Shaarimoth**
[Shaarimoth](https://www.metal-archives.com/bands/Shaarimoth/55213?ref=blackmetalzine.com) is a Norwegian blackened death metal band formed in 2004\. Shaarimoth’s three members have ties to death metal band Antarctica and the black metal band Gehenna. Shaarimoth has released two full-lengths and a split.
**Ulvhedner**
These Norwegian mountain farmers lives at the very end of a fjord in a small town called Sauda. Ulvhedner formed in 1993 and conveys the Sognametal variant of the norwegian black metal sound, self described as fjosmetall (barn metal). The band has previously released two demos, two EP’s, one split and two full-length albums.
Fun fact: The Blackmetal Promotion website’s editor is also the vocalist of Ulvhedner.
## Links
Festival homepage: [Karmøygeddon metal festival](https://www.karmoygeddon.no/?ref=blackmetalzine.com)
Festival Facebook: [Karmøygeddon metal festival | Facebook](https://www.facebook.com/KarmoygeddonMetalFestival)
Festival Instagram: [Karmøygeddon metal festival @karmøygeddon](https://www.instagram.com/karmoygeddon/?hl=nb&ref=blackmetalzine.com)
Tickets for Karmøygeddon: [Get your official tickets here!](https://karmoygeddon.ticketco.events/no/nb/e/karmoeygeddon%5Fmetal%5Ffestival%5F2024?ref=blackmetalzine.com)
Official festival photos: [Gunnlaug Broshaug @gunnlaugbroshaug](https://www.instagram.com/gunnlaugbroshaug/?ref=blackmetalzine.com)
BMP's festival review: [Karmøygeddon Festival - 3 Days of Friendly Hell ](https://blackmetalzine.com/karmoygeddon-metal-festival/)
Have you been to this festival? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page [blackmetalpromotion.com](https://www.facebook.com/blackmetalpromotionwebsite) to receive notifications when we publish articles.
### Interview: Thy Darkened Shade - Devotion through Art
URL: https://blackmetalzine.com/an-interview-with-thy-darkened-shade/
Last updated: 2025-11-10T12:00:05.000Z
*Thy Darkened Shade, hailing from [Greece](https://blackmetalzine.com/playlists/country/greek-black-metal/), formed in 1999 with their forward-thinking approach to black metal. Invoking the ways of old in terms of taking the genre into various spheres, going against the copy-paste and trend worshiping mindset that plagues the genre these days and this is achieved through meditative, ritual practice and devotion to Spirituality and Gnosticism, accompanied by musicianship of a high caliber. Below we will dive into an in-depth discussion with the main composer/guitarist/bassist Semjaza of “Thy Darkened Shade”*
###### *Thank you for accepting this proposal to conduct an interview. I have been listening since “Eternvs Mos, Nex Ritvs” which was the first album in 2012\. Immediately I could feel something deeply rooted in spirituality, something unknown to the mundane mind, something above all that is related to matter, and once I read your lyrics it validated this fact. First I want to discuss the name “Thy Darkened Shade” what does it mean to you personally?*
I am not really into revealing all the details that I have in my mind concerning TDS.
I rather have people forming their own conclusions. It is much better that way, than offering my own ideas of what this band means to me. At the end of the day, my conscious understanding of what TDS means is changing as well. I perceive some things from different angles through the years.
I also uncover new aspects of it from serious people who share their own experiences for our work. Some people take the time to absorb the work that we offer and give me back their own interpretations. This proved to be fascinating sometimes.
Plenty of listeners' interpretations are valuable and educational for myself. With that being said, and I will be vague here, the main idea behind the name is that it refers to the collective unconscious and everything that resides within it. Within that frame, it represents everything apocryphal/hidden/dark/forbidden and occult and, of course, the shadow aspect of everything that we know. In a way, it combines two of my major interests: occultism and psychology through a strictly Left-hand Path perspective.
###### *The music of Thy Darkened Shade feels very classic. What I mean by classic is not in terms of sound but the fact that the music is very forward-thinking, basically invoking the ways of old with examples such as early Master’s Hammer, Necromantia, Mortuary Drape and Ved Buens Ende, where the genre was always being pushed and not just copy-paste by the standards. Do you agree with this statement? What is your view on this?*
I agree exactly with what you just mentioned, since that's how I perceive our band as well. I started listening to this style of music during the 90s, what really impressed me was the artistic freedom that BM offered. Many releases were a mind-expanding experience for me, they pushed me to learn more about the black arts, too.
BM was defined by the concept, the otherworldly dark and obscure feeling, plus the will to add something unique to the genre. All those who question this should remind themselves that Immortal and Enslaved, for instance, were not calling themselves BM because they didn't resonate with any Satanic concepts.
I still remember how expanded I felt the genre could become when I first heard: De Mysteriis Dom Sathanas, the demos of Thorns, Drawing Down the Moon, The Black Arts / The Everlasting Sins, Goetia, Jilemnický Okultista, Scorn Defeat, Written in Waters, All the Witches Dance, 666 International, La Masquerade Infernale, Emperor vs Thorns, or the Marriage of Heaven and Hell. I just named a few albums that first came into my mind, that were evidence of how innovative BM could become and how diverse.
Nowadays, people ask for a recipe and many bands follow, we are here to change that and remind them what the genre can become.
All the bands we both mentioned plus so many more were contributing to that mindset of expanding the genre. That is proof that creativity was enormous and the copy-paste mentality was the ultimate sin. Every band obviously had their own influences, however, each one of them had a way to make their influences their own. That’s precisely the mindset I have for my own music.
Let us bring more musical and spiritual influences inside the BM frame that no one does, instead of copying what everyone else does, crushing boundaries and creating something new that stems from the very core of this genre.
###### *Let’s discuss the second chapter of Liber Lvcifer which is Mahapralaya released on January 10th. Mahapralaya meaning “The Great Dissolution” in Hindu eschatology. The way I look at it is the destruction of all that is not resonating on the path to Apotheosis, the destruction of the ego and things related to a mundane nature on the material plane. Would you care to correct me on this statement and how it actually relates to the meditations of the work on Liber Lvcifer?*
We need many hours to discuss this, but I will try to summarize some basic themes. For countless years, people have been confusing Lucifer with deities that are totally different from Him. I understood that fallacy by working closely with the energy of Lucifer, I was eager to explore and explain that with Thy Darkened Shade.
Of course, I arrived at this understanding by personal ritual practice. I worked with various magical currents, even used rituals that were fully against what I believed to arrive at these conclusions. I basically arrived at what can be called Prometheanism, in my own view, Prometheanism equals Luciferianism. All my life is centered around Prometheanism and has been an inspirational and transformative force that words cannot describe.
About Mahapralaya, what you state is actually correct. The name refers to the great dissolution, the destruction of the universe as mentioned in the Śivapurāṇa. With the intentions that we used it, the name can have various metaphorical, allegorical and literal interpretations.
Partly it is about total abhorrence of anything that we consider as mundane. We banish the fragments of mundane filth that is still within and without us. It is through scorn (inner and outer), total dedication and adoration that our beings become aligned with our higher selves and the reality becomes transformed into something much more.
We praised creation through destruction on a personal spiritual level. We also wrote about what we considered as the most possible traps of the path that we are born to walk. There are not many rays of light on the second part of Liber Lvcifer. It is even more focused (but not solely) on the dark aspect of the deity (after and at the time of the fall). We also talk about the end of all days and the end of all flesh, and the eternal return back to the primordial mother. With that being said, we view our times on earth as a theistic challenge and a means to an end.
The aim of creating the Liber Lvcifer albums is to give praise and comprehend the deity in as many manifestations as possible, not only on a philosophical level but on a ritualistic and Qliphotic level as well. Based on my everyday workings, my main aim is to invoke the totality of the deity, not only just one aspect, which is basically a projection of a human mind. I am fed up with books/currents and magicians that minimize the totality and greatness of the mighty Sathanas into merely their own limited mind projection.
Remaining in contact with His grand energy shows a totality of a god who knows both good and evil and transcends them in ways still unknown to humankind. I can state the same about the female side of the adversary, namely Lilith, we always offer our praises to Her as well. Also, as I said in another interview, the title is also a true hail to Dissection and Jon.
###### *When did you start playing guitar and bass? Was your approach to music always as it is now. To create textures and layers which are meant for the listener to fully grasp with multiple listens and focus?*
Not everything is so conscious when creating music, what I do and what I always did created very naturally. In many ways, my conscious interpretations came later into the picture. From my very early beginnings when I started composing pure heavy metal, my initial intention was to reflect and express what lies within. In a few words, the aim was to express myself through art.
During the years, this idea developed into something more deep and spiritual, however, the basic idea was basically the same. I really started to understand how to channel my higher self into a metal perspective with the first album of another band called Cave. That first album was a catalyst of understanding myself and Thy Darkened Shade as well.
###### *Lyrically, where does your inspiration come from?*
Again, not everything is so conscious; however, the obvious lyrical inspiration is the unconscious and everything that stems from it. The Left Hand Path, communion with the Dark Gods, the enosis with the higher Self, personal experiences with the occult and a life dedicated to being a practitioner are an endless stream of inspiration. A certain psychologist called Carl Gustav Jung and his views on individuation has been a major inspiration too since day one, the religions of the world as well. Contradictory literature of what I believe can be fully inspirational too. But again, I process everything through my own Left Hand Path practice.
###### *Musically, what would you say you’re inspired by?*
I guess everything that I listen to inspires me in an unconscious way, I fill myself with music until it is time to express music through my vessel. I listen to a lot of music every day, passionately. Everything that I like ends up in my playlist. Usually, it can be anything from any kind of metal to progressive, classic and psychedelic rock, Avantgarde, gothic rock, classical music composers, dark wave, neoclassical dark wave, dark ambient, ritualistic music, martial industrial, jazz, you name it. I adore music, and can call myself a music maniac.
###### *What goes into the creative process of your work with Thy Darkened Shade?*
This is not something that I want to really fully unveil, it is certainly a painful but reflective process that I offer my own self in return. What I can say is that it is always interlinked with the Order of Promethean Fyre, my lucid dreams, the dark gods, astral worlds and my everyday ritual practice.
###### *Let’s elaborate on the vision of your other project with “Cain Letifer” Acrimonious, is it the same as Thy Darkened Shade or does it serve a different purpose?*
It is a different manifestation of the void, even though the bands have an identical Left Hand Path approach. It is crystal clear that the results of the path are very different for each one of us individually. We are coming forth from the same source, and we have very similar aims as brother bands. However, there are obvious differences in terms of artistic expressions.
For instance, even though the main composer of Acrimonious is CL, I know very precisely what ideas to use for Acrimonious and what for TDS and these are very different. We also both feel deep reverence for the Dark Gods and, as an extension, for the genre of Black Metal and its initial aim of being individual and strictly spiritual. We view it as a holy genre, and we focus on the unconscious factors that influence the bands instead of the mundane, cosmic ones. When we focus on the mundane factors and the egos of the members of the bands we listen to, we usually become alienated.
###### *You also mix and master music, including your own. The list includes bands such as Acherontas, Acrimonious, Onirik and recently Heretic Cult Redeemer. Do you only work with artists who have an esoteric nature, a dedication to spirituality and occultism, or can others have their music mixed and mastered by you?*
Yes, I am doing some work in that field through the years, even though I don't resonate with all of them nowadays. I will do even more in the future, since I am always expanding my knowledge. I believe it is significant when you are an artist to have an overall vision of how your albums should sound. My main occupation isn’t being a sound engineer.
People can contact me and if I am going to like their music and have the time, I can mix or master their works.
###### *What are your favorite artists/bands of all time?*
Such an extremely difficult question to get a serious answer. I tried to make a list, but then I became fed up with myself. No matter how many bands/artists I will state here, I will always forget some. It also depends on what genre we are talking about. I believe I really resonate with originators, no matter the genre.
###### *I see you’ll be playing live this year after years of silence alongside the legendary Mortuary Drape, also other bands such as Hell Militia and Dead Congregation. This is part of the “Prague Death Mass” and is scheduled between 27-28th October. Are there any plans for future shows/tours after this? And what are the plans for Thy Darkened Shade. Liber Lvcifer III?*
I want us to do selected festivals, some headline gigs and one or two tours a year. The pre-production of LLIII is fully done, lyrics and vocals as well are constructed. Everything is pre-produced as we speak. I will revisit the pre-production in a few months again to listen if I need to change anything before we will enter the studio to record our next album.
Also, I have an inspiration and the will to do a grand project with an ep box set for TDS, time will tell if and how this will materialize.
###### ***Once again, thank you for accepting this interview. Any final words or thoughts you’d like to share?***
Thanks for the interview.
*Follow the will of the higher Self which stems from the gods of the dark.*
##### Links:
Facebook:
Instagram: [https://www.instagram.com/thydarkenedshade/?hl=en](https://www.instagram.com/thydarkenedshade/?hl=en&ref=blackmetalzine.com)
YouTube: [https://www.youtube.com/watch?v=xHZEY1dUvkU&t=1s](https://www.youtube.com/watch?v=xHZEY1dUvkU&t=1s&ref=blackmetalzine.com)
### Review: Duivel - Heiligschennis
URL: https://blackmetalzine.com/duivel-heiligschennis/
Last updated: 2026-07-15T18:31:33.000Z
#### **Introduction**
Duivel is a black metal band from the Netherlands. Duivel is the Dutch word for Devil. The band consisting of five members gave out their first self-titled EP Duivel in 2019\. Their first full-length album Tirades uit de hel came out in 2020 and the band is now out with the follow-up EP Heiligschennis. Heiligschennis is released by Nomad Snakepit Productions and Ván Records on both cassette and vinyl.
Some of Duivels members have ties to other metal bands such as [Black Anvil](https://www.metal-archives.com/bands/Black%5FAnvil/3540264749?ref=blackmetalzine.com), [Urfaust](https://www.metal-archives.com/bands/Urfaust/19596?ref=blackmetalzine.com) and [Fluisterwoud](https://www.metal-archives.com/bands/Fluisterwoud/4680?ref=blackmetalzine.com). Bassist [Paul Delaney “P.”](https://www.metal-archives.com/artists/P.D./53525?ref=blackmetalzine.com) also has ties to the American punk/hardcore scene.
#### Heiligschennis
Heiligschennis consists of six tracks and has a total runtime of twenty minutes. This brutal EP really flies by quickly and leaves you hungry for more. The songs from track two and five are the main musical performances on the EP as track one and six are ambient intro’s and outro’s
The EP opens with the track “Lijkenkar” which serves as a ambient intro. The tone sets a very eerie feeling for the listener. It sounds like a cart-wagon rolling down a trail with church bells occasionally ringing that is added to the ambient tones.
Track two “Gedoemd tot dolen” opens aggressively with fast riffs and enraged drums. Keyboardist [“K.” ](https://www.metal-archives.com/artists/K./794758?ref=blackmetalzine.com)does a good job of creating eerie tunes throughout the EP. The shrieking vocal style that really stings on this EP is done by no less than four vocalists!
##### Tracklist
1. Lijkenkar
2. Gedoemd tot dolen
3. Satánas
4. Onanerend voor de zwaveltroon
5. Heksenkut
6. Kerkrot
A slow doomy riff and thundering drums makes the intro for the third track “Satánas”. The pace is quickly transformed into overdrive with a satanic scream. The drums stand out in this piece and are the main force of power.
“Onanerend voor de zwaveltroon” is the fourth track on the EP and, in my opinion, also the best piece. The song title translates somewhat into “Masturbating in front of the sulfur-throne”. This song is also very aggressive but has some extremely groovy sections. This groove section really uplifts this track and will get the listeners to bang their heads.
A drum wall break open the fifth track “Heksenkut” before a horrific scream carries the song forward. A eerie guitar riff rings in the background throughout the song. The drums are a bit sharper on this, but sound amazing. Overall, a hooking and compelling song.
Heiligschennis ends with the sixth track, “Kerkrot”. An eerie ambient piece consisting of howling winds and synthesizers.
#### **Highlights**
Although this EP should be listened to in its entirety to fully obtain and appreciate its variety and aggression, there's one track that captures the feel of Duivel greatly.
The track to check out to get a taste of the Duivel is the fourth track "Onanerend voor de zwaveltroon". This is a brilliant song that hooks you in violently. The track has screaming guitars, captivating vocals, great synthesizers and bestial grooves.
#### **Conclusion**
This is a solid EP from the satanic Duivel. It's massive sound is a delight to blast on the speakers. With interesting songwriting and a sence of hardcore influence, accompanied by those nasty hooking riffs, makes this release worth your time.
I recommend this EP for fans of faster black metal who enjoy raging riffs and shrieking vocals!
BMZ Score: 7,5 / 10
#### **Links**
Bandcamp: [Duivel | Bandcamp](https://duivel.bandcamp.com/?ref=blackmetalzine.com)
Metal Archives: [Duivel - Encyclopaedia Metallum](https://www.metal-archives.com/bands/Duivel/3540452436?ref=blackmetalzine.com)
Bandcamp: [Heiligschennis | Duivel | Nomad Snakepit](https://nomadsnakepit.bandcamp.com/album/heiligschennis?ref=blackmetalzine.com)
Bandcamp: [Ván Records | Bandcamp](https://vanrecords.bandcamp.com/?ref=blackmetalzine.com)
Have you listened to this EP? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page [blackmetalpromotion.com](https://www.facebook.com/blackmetalpromotionwebsite) to receive notifications when we publish articles.
[Our contact information can be found here!](https://blackmetalzine.com/contact-us/)
### Review: Prognan - Sve Je Tiho Na Istočnom Frontu
URL: https://blackmetalzine.com/prognan-sjtnif/
Last updated: 2026-07-16T17:19:47.000Z
## Introduction
Prognan is a two-man band with hefty war themed melodic black metal, hailing from beautiful Croatia. The name Prognan bears the meaning exiled, abandoned, or banished in most Slavic languages. The black metal act was formed in the north-eastern city Vukovar in 2008\. Previously, the band has released one demo, two EPs and one full-length album earlier in 2023.
## Sve Je Tiho Na Istočnom Frontu
Sve Je Tiho Na Istočnom Frontu is a fantastic compilation, consisting of eight captivating songs sourced from various locations. The compilation includes tracks from the demo Follow the Blind, the EP Jama, and two songs that were scrapped from their original full-length album due to its length. Five of the albums’ tracks have never been released before and are only found on this majestic release.
This album is highly captivating and immerses the listener into Prognan’s brutal, iron grip. The hour-long album passes at great pace. Prognan are masters of sending the listener on a musical journey through the Croatian war-torn land of the first world war.
Sve Je Tiho Istočnom Frontu is an exceptional piece of art. Kob’s vocals reminds me a lot of [MGLA’s](https://www.metal-archives.com/bands/Mg%C5%82a/44722?ref=blackmetalzine.com) Mikołaj Żentara also known as “M.”s vocal style. The vocals are more leaning into the death metal sound but also bear tones of those typical found in folk metal. There are moments while listening to the album where I can’t help but think of the [YouTube channel BEK](https://www.youtube.com/@vekchannel?ref=blackmetalzine.com) that showcase a lot of eastern European folk music. The way the lyrics are delivered is what makes this resemblance so strong. I can also mention bands like [SatanaKozel](https://www.metal-archives.com/bands/%D0%A1%D0%B0%D1%82%D0%B0%D0%BD%D0%B0%D0%9A%D0%BE%D0%B7%D1%91%D0%BB/3540255488?ref=blackmetalzine.com), [Arkona](https://www.metal-archives.com/bands/%D0%90%D1%80%D0%BA%D0%BE%D0%BD%D0%B0/26171?ref=blackmetalzine.com) and [Hautajaisyö](https://www.metal-archives.com/bands/Hautajaisy%C3%B6/3540403143?ref=blackmetalzine.com) for similarity in vocal sound.
###### Tracklist
1. Grob
2. Utjeha kose
3. Kolašinska brigada
4. Vapaj pokojnika
5. 1300 kaplara
6. Nekoć braća
7. All is Quiet on the Eastern Front
8. Jama (Bonus Track)
Prognan have powerful experimental elements in their music. Multiple of the tracks have sections with choirs filling the background sound, emotional melodic pianos, brass sections, guitar solos, and a filmic soundtrack approach to the songs. The lyrics are all in Croatian except for the seventh track “All is Quiet on the Eastern Front” and that amplifies the folky vibe.
Mixing of the album is faultless. The album has a great heavy sound, the guitars are distorted as expected, and the drums are perfect. The melodic and catchy riffs combined with the storytelling vocals and choirs make this piece memorable.
Throughout listening I pick up multiple references from other musicians. Pieces of the melody from “[The Rains of Castamere](https://www.youtube.com/watch?v=tlkgbwmN9mQ&ref=blackmetalzine.com)” from the TV series Game of Thrones are present on “Kolašinska brigada”. On “All is Quiet on the Eastern Front” there is a bit sped up riff from Fleshgod Apocalypse’s [Sugar “Push! Push! Push!”](https://www.youtube.com/watch?v=Xmq3iyW02b8&ref=blackmetalzine.com) chorus.
## Highlights
Its extremely hard picking a single track for this section! So, I will recommend two.
Kolašinska brigade is the third and longest track on the album. This is a beautiful written song. Both brutal, melancholic, and empowering. This track has everything Prognan can throw at the listeners. A melodic opening transitioning into delicious heavy hitting metal. Brass instruments create a wonderful background to Kobs harsh vocals, and the piano is mournful. This is also the piece with great hints of “The rains of Castamere” melody.
1300 Kaplara is the fifth track and opens like a movie soundtrack. It presents an empowering tone while the rest of the music thunders underneath it, just like a heroic act in a terrible war. This track bears the most folk music influence on the album and gives a good Balkan feel.
## Conclusion
In conclusion, this album leaves a great mark on the listener by honouring and shedding light on the terrifying stories of the brave men and women who endured these wars.
Sve Je Tiho Na Istočnom Frontu is certainly one of my favourite releases this year. I highly recommend this album for enjoyers of war themed metal and for fans of bands like [1914](https://www.metal-archives.com/bands/1914/3540396156?ref=blackmetalzine.com), MGLA, SatanaKozel and Arkona.
I am excited to see what more Prognan has in store and can only hope to experience their theatrical sound live in the near future!
BMZ Score: 9 / 10
## **Links**
Bandcamp: [Sve Je Tiho Na Istočnom Frontu | Bandcamp](https://prognanband.bandcamp.com/album/sve-je-tiho-na-isto-nom-frontu?ref=blackmetalzine.com)
Facebook: [Prognan | Facebook](https://www.facebook.com/prognanband/?show%5Fswitched%5Ftoast=0&show%5Finvite%5Fto%5Ffollow=0&show%5Fswitched%5Ftooltip=0&show%5Fpodcast%5Fsettings=0&show%5Fcommunity%5Freview%5Fchanges=0&show%5Fcommunity%5Frollback=0&show%5Ffollower%5Fvisibility%5Fdisclosure=0)
Instagram: [Prognan @prognanband](https://www.instagram.com/prognanband/?ref=blackmetalzine.com)
Youtube: [PrognanOfficial - YouTube](https://www.youtube.com/@PrognanOfficial?ref=blackmetalzine.com)
Metal Archives: [Prognan - Encyclopaedia Metallum](https://www.metal-archives.com/bands/Prognan/3540283607?ref=blackmetalzine.com)
Have you listened to this album? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page [blackmetalpromotion.com](https://www.facebook.com/blackmetalpromotionwebsite) to receive notifications when we publish articles.
[Our contact information can be found here!](https://blackmetalzine.com/contact-us/)
### Website moved to a new host
URL: https://blackmetalzine.com/website-moved-to-a-new-host/
Last updated: 2023-05-30T21:14:20.000Z
The website moved to a new host, so it's possible there are some small interruptions. We are working on it and all should be fixed as soon as possible.
### Review: Nexorum - Tongue of Thorns
URL: https://blackmetalzine.com/nexorum-tongue-of-thorns/
Last updated: 2025-11-10T12:00:08.000Z
#### **Introduction**
Nexorum is a [blackened death](https://blackmetalzine.com/playlists/genre/) metal band from the Norwegian city of Trondheim. Despite being a new addition to the scene, the band members bring a wealth of experience from other extreme metal groups like Keep of Kalessin, Vredehammer, and Cor Scorpii.
In 2020, Nexorum released their debut album, [Death Unchained](https://youtu.be/BhUsSrA9I6I?ref=blackmetalzine.com), which received heaps of praise from fans. Their latest release, Tongue of Thorns, leans more toward the black metal sound and is available on both CD and vinyl through [Non Serviam Records](https://non-serviam-records.bandcamp.com/album/tongue-of-thorns?ref=blackmetalzine.com).
After listening to this impressive new release a few times, my review is ready.
---
#### **Tongue of Thorns**
Tongue of Thorns is a 45-minute album containing nine furious tracks ranging from four to six minutes long. The themes presented on the tracks include religion, death, demons, and blasphemy. This fast and heavy-hitting album has deep ties to death metal.
The opening track, "Shun," begins with a calm guitar that leads into a hard wall of thundering drums and deep-screaming vocals. Terje's vocals are rooted in death metal but also bear influence from the black metal sound.
Nexorum has crafted some great riffs on this album. The riffs are chuggy, heavy, and very hooking. There are beautiful, melodic guitar sections and solos on the tracks, creating a fine interlude between the verses.
---
##### Tracklist
1. Shun
2. Solvet Saecium in Favilla
3. The Pestilential Wind
4. Elegy of Hate
5. Cult of the Monolith
6. Eldritch Abominations
7. Sinnets Krig
8. Mother of Ghouls
9. Wrath of Zeal
---
The sixth track, "Eldritch Abominations," features an ambient synth while the guitars create a feeling of being in space. It sends the listener on a journey to the Star Wars universe for a little while. The music complements the song's lyrics extremely well.
While Tongue of Thorns is a great album, it would benefit from more songs in Norwegian. "Sinnets Krig," the seventh track, is the only song sung in Norwegian and immediately stands out to me as a fan of Norwegian black metal. It conveys the black metal sound more than the other tracks. More of this for faen!
---
#### **Highlights**
There are several brutal tracks on this album that deserve recognition, making it difficult to pick just one. However, listeners who want a good taste of the album should check out the impressive eighth track, "Mother of Ghouls." It covers all aspects of Nexorum's sound with its massive sound, catchy riffs, and the overall skill of the musicians.
---
#### **Conclusion**
Tongue of Thorns is a great album that takes Nexorum deeper into the blackened sound. I'm interested in seeing how the band will evolve with their future releases. I highly recommend this grim album to listeners who enjoy bands like Vredehammer, Mork, and Blood Red Throne.
BMZ Score: 8 / 10
---
---
#### **Links**
Bandcamp: [Tongue of Thorns | Nexorum](https://nexorum.bandcamp.com/album/tongue-of-thorns?ref=blackmetalzine.com)
Facebook: [Nexorum | Trondheim | Facebook](https://www.facebook.com/nexorum.official/)
Instagram: [Nexorum @nexorum.official](https://www.instagram.com/nexorum.official/?ref=blackmetalzine.com)
Merch: [Nexorum - Non Serviam Records](https://www.non-serviam-records.com/collections/nexorum?ref=blackmetalzine.com)
Youtube: [Nexorum - YouTube](https://www.youtube.com/nexorum?ref=blackmetalzine.com)
Metal Archives: [Nexorum - Encyclopaedia Metallum](https://www.metal-archives.com/bands/Nexorum/3540463900?ref=blackmetalzine.com)
Have you listened to this album? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page [blackmetalpromotion.com](https://www.facebook.com/blackmetalpromotionwebsite) to receive notifications when we publish articles.
### Review: D.R.E.P. - Drastically Reducing Earth's Population
URL: https://blackmetalzine.com/drastically-reducing-earths-population/
Last updated: 2025-11-10T12:00:08.000Z
#### Introduction
D.R.E.P. is an industrial black metal band from the [Netherlands](https://blackmetalzine.com/playlists/country/dutch-black-metal/). The band has been around since 1998 and has previously released three singles. Drastically Reducing Earth’s Population is the band’s first album and also happens to be the band’s name. D.R.E.P.'S three members have ties to other black and death metal acts such as Duivel, Allfather and The Monolith Deathcult. The long-awaited album is now out on both cassette and vinyl by Nomad Snakepit Productions.
I was intrigued to check out this album when I read the extreme album title and saw the factory cover on the Black metal promotion YouTube channel. I’ve spun this heavy hitting album a few times and here is my review.
---
#### Drastically Reducing Earth's Population
Drastically Reducing Earth’s Population is 26 minutes of hateful Dutch black metal. This album flies by extremely fast but is still packed with distorted riffs, ripping vocals, and powerful lyrics. The best part is that the lyrics are sung in the bands' mother tongue, Dutch. The album contains six songs that ranges between two and six minutes.
The vocal duties are shared among all three members: Kombustar, Havoque, and Deportator. Their abhorrent style makes it stand out from the very first note, evoking a similar grit to that of Gollum in Lord of the Rings. All songs are performed in Dutch, which complements the band's sound. The Dutch language's hard consonants are perfect for black metal!
---
##### **Tracklist**
1. Wereldreinheid
2. Mensendamp
3. Beenderendans
4. Karkassenkoets
5. Aardelating
6. Nedergang
---
The pace of the songs are fast and violent, propelled mainly by the drums, which have a round and full sound. From what I understand, the drums on the album are programmed. Although they sound good overall, they can occasionally overpower the other instruments.
The overall sound of the album is industrial, with hints of bestial black metal, punk, and speed. Some songs feature slower parts that are fantastic, enhancing the brutality of the faster sections and making the songs more memorable. I recommend that listeners read the lyrics of the songs while listening, as this can deepen their understanding of the album's message.
---
#### Highlights
Aardelating is the fifth and best track of the album. It opens violently with relentless drums and deafening guitars, and the harsh vocals persist throughout the track. The song also includes some slower sections that are sure to make listeners bang their heads.
I highly recommend this thrilling track as a prime example of the angry tone of the album.
---
#### Conclusion
Drastically Reducing Earth’s Population is a fantastic debut that lays a solid foundation for the band's future material. I highly recommend this album to fans of fast-paced black metal and those who appreciate the Germanic vocal style.
BMZ Score: 7 / 10
---
---
#### Links
Bandcamp: [D.R.E.P. | OFFICIAL](https://wereldreinheid.bandcamp.com/album/drastically-reducing-earths-population?ref=blackmetalzine.com)
Facebook: [D.R.E.P | Facebook](https://www.facebook.com/wereldreinheid)
Instagram: [D.R.E.P. @wereldreinheid](https://www.instagram.com/wereldreinheid/?ref=blackmetalzine.com)
YouTube: [D.R.E.P. - DREP playlist](https://www.youtube.com/playlist?list=OLAK5uy%5FlK9W8LMr%5FKA24W8wjkFMLNswUXoak9uAQ&ref=blackmetalzine.com)
Metal Archives: [D.R.E.P. - Encyclopaedia Metallum](https://www.metal-archives.com/bands/D.R.E.P./3540511964?ref=blackmetalzine.com)
Have you listened to this album? Please let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page [blackmetalpromotion.com](https://www.facebook.com/blackmetalpromotionwebsite) to receive notifications when we publish articles.
### Interview: TEITAN - In Oculus Abyss
URL: https://blackmetalzine.com/teitan-psychotic-black-metal/
Last updated: 2025-11-10T12:00:08.000Z
*Devi Hisgen: sole force behind Teitan*
**Since the nineties, the works of philosopher Friedrich Nietzsche (1844 - 1900) have been an inexhaustible resource for black metal musicians, and for black metal as a subgenre in general. The statement "God is dead" and the concept of Nihilism are two of the most famous examples, but certainly also his work 'Twilight of the Idols, or, How to Philosophize with a Hammer'. The albums 'Grand Declaration of War' (2000) and 'Twilight of the Idols (In Conspiracy with Satan)' (2003) by Norwegian acts Mayhem and Gorgoroth are resounding cases of this, among many others.**
**Besides nihilism, satanism, hedonism and paganism, there are many more philosophies that have served as inspiration for the last thirty plus years. Such as the works of Jean Paul-Sartre and Albert Camus on existentialism and absurdism, for example. The Dutchman Devi Hisgen (also active in Cthuluminati), the mastermind behind the black metal project Teitan, devoted an entire album called 'In Oculus Abyss' (to be released on May 26th via Onism Productions and Void Wanderer Productions) to various philosophical works and novels. It features nine songs in which he has converted his interpretation of existential philosophy into experimental black metal, also known as Psychotic Black Metal. Below you can read the answers to the questions about the history of Teitan and his latest album that Black Metal Promotion had with its creator via email.**
*Logo by Bram Bruyneel*
***In 2008 Teitan started out as a duo playing raw black metal but died a somewhat silent death after its demo 'Dark Ritual' (2009). A decade later Teitan resurfaced with only one member (you: Devi Hisgen) and a completely different sound (dissonant black metal) and aesthetic. Regarding this radical change: why did you decide to keep the moniker of Teitan?***
"Well, at first I wanted to make just one album. I bought my first house in 2017 and built my first home studio up there in the attic. I had no actual experience with producing an album so I wanted to run my first miles as soon as possible. I took the opportunity to write and record 'Weight Of The Void' after Damon told me it would be cool to release a full length Teitan album exactly ten years after the demo. So I started working on that in 2018, just to finish and release in 2019.
Back in 2008 we wanted the style for Teitan to be as chaotic as we could come up with. Back then we were inspired by bands like Marduk and Dark Funeral. Those were the most chaotic bands we knew back then. My taste for music really opened up after puberty haha, so I started listening to a lot of different genres (like psytrance, stoner rock and folk music) and especially more experimental versions of black metal. Now when I think of chaotic and quality black metal, I think of bands like Deathspell Omega, Dødheimsgard and Svartiđaudi and obviously those acts inspired me while writing new Teitan stuff. This way I could also pick up some valuable experience with writing and producing the music I actually appreciate (more than raw black metal haha).
Now obviously I didn't plan to seriously pick up Teitan as a project when I started it. But after the album was released, I expanded my studio and advanced my skills behind the mixing console. I recorded a few more songs and remixed a few of the songs from 'Weight Ov The Void'. I think that 'Vàkuum' almost came without thinking about it and I wasn't planning on releasing it. But when Floris Velthuis heard the songs he showed it to Ward from Void Wanderer Productions and he really wanted to release the EP. When I decided to do so, I actually adopted Teitan as my main solo project and went for it. The name was fine and bared its nostalgic value.
***'In Oculus Abyss' is not an exercise in easy listening, for the untrained ear that is, plus the subject matter (existential philosophy) could be too abstract for your average metalhead. What motivated you to connect the worlds of music and philosophy?***
"Good Question, for it was no conscious decision to do so and this makes me think about what I do in context to the metalscene haha. Obviously I am aware that I operate in a niche. Experimental and avant-garde music has become my instinct when writing anything, so that is what I do. I love complexity and although I am not per se a virtuoso on any specific discipline I really like to add a lot of layers and detail to my work.
As for the theme: I am an existentialist, an absurdist to be exact. It's what keeps my mind occupied all the time. What is reality? What does good and evil mean in any given context? etc etc. I've been reading a lot for the last few years. Obviously, though not strictly, a lot of philosophy. I started with some basics like Plato and all too soon moved to the nihilists and existentialists. What I like about these philosophers, such as Dostojevski and Camus, is that they play with these themes and questions in fictional stories and work out real complex characters.
After reading some of these books I really felt the black metal vibes pumping through my veins and it's so easy for me to get inspired by these ambiances, that I decided to bluntly write an album based on existentialist literature haha. And yes, the metal scene in general can be rather simple or even primitive, yes. But oh well, for me metal is about freedom, diverging and expressing yourself without any compromises. I can honestly say that Teitan has become a way for me to really express myself and if I were to create a following, it should consist of people who can appreciate exactly that. It's fine to actually be part of a small group of people that shares an acquired taste for music and other intellectual subjects."
***In addition to the previous question: apart from your musical and philosophical influences, what other interests do you process in Teitan?***
"I really like to work out themes. So for 'Vákuum' (2021) I wrote five songs where each song represented a theory of how the universe could end. I involved my love for theoretical physics. For 'Weight of the Void' (2019) I worked out a story where I involved my love for ancient societies and their religions. It dealt with a delusional patient that believed he lived in old Sumer and was preparing for a war with the Anunaki. And for future releases I plan to do something with my abhorrence for religion -oh yes, how original, I know. But remember: my expression without compromises- or maybe I work out something from my leftist activist sentiments or my love for psychedelics. And there is always more to say about philosophy and science of course. Also I am really interested in dark and abstract art. Not strictly abstract, I like just enough gestures that the art piece will tickle my curiosity in a sensational fashion. This can be done by anything from photographic art to digital art or acrylic paintings."
*The front cover of 'In Oculus Abyss' painted by Manual Tinnemans (ComaWorx)*
***The stunning artwork that graces 'In Oculus Abyss' was painted by Manuel Tinnemans (AKA ComaWorx known for his collaborations with Deathspell Omega, Pentacle, Urfaust and Misþyrming among others). How was it to work with Manuel?***
"Really good actually! Manuel is one of a kind and I was glad to involve him early on in the process so we had the chance to take the time and inspire each other during the process.
I did an extended foto shoot of my eyes in all kinds of facial expressions at his request. He wanted to make the artwork as personal as possible.
We first met in person at one of his expositions at the Roadburn festival and he is really easy to talk to and his creative eye is overwhelmingly intense. Like you probably have figured by now, I am somewhat of a DsO-fanboy and when looking for an artist for a new Teitan release I looked up who did my favorite album cover (Drought) and that turned out to be Manuel. So I immediately contacted him and showed him my first raw sketches I made for the album and he instantly liked it and the rest is history."
***The titles of "Menstrual Blood and Pomegranate", "Murder Me" and "Public Masturbation" immediately grab the attention of the reader. I have tried to figure out what you are singing to get a better understanding of what they are about, but to no avail. Can you shed some light on said lyrics and what they deal with?***
"Oh, with pleasure! "Menstrual Blood and Pomegranate" is about Jean Baptiste Grenouille from Patrick Süskind’s ‘Das Parfum’. I’m not sure if the book is considered by others a work of existentialism, but it definitely is to me. The character offers us a window to a strange reality through a crippled mind and deals with morality with an exclamation on the senses. Smell in particular. He kills women to extract their scents for his perfume collection.
“*I bathe myself in sweet perfume. Made from the maid, menstrual blood and pomegranate. A base of fear and a heart of hate, menstrual blood and pomegranate*.”
"Murder Me" is about Camus’ 'The Stranger' and deals with morality in a way more direct way. And because of that blunt directness, I wanted to zoom in on some aspects that stand out to me personally. The lyrics deal with only the last few pages of the book, where the consequences are actually about to kick in and the main character (Salamano) deals with it in such a fantastic way. He seems to understand his position in society and decides to go all for it. The night before his execution he gets visited by a priest trying to save his soul, but Salamano instead tells the priest that he is already redeemed and that it is in fact the priest that still cowardly rakes his own redemption for living and dying. The next day he approaches the guillotine with a grin on his face, hoping that all the people at the town’s square will greet him with nothing but sheer hate."
*The first single "Murder Me"*
“*I watch as the sun goes down, I wait as my time passes by, I no longer feel the fear, cause I know my end is near…*”
"Public Masturbation" is about the ancient Greek philosopher Diogenes the cynic. He was truly an early punk. He lived in a wine barrel and owned nothing but a bowl to eat and drink from and later even disposed of that as well, for there was nothing more fulfilling than to live as a dog. The people looked up at him and praised his wisdom. One time Alexander the Great asked if he could offer him anything. He would grant any wish: a mansion, women, money… really anything. And so Diogenes asked him to take one step to the left so Alexander the Great would no longer block his sun. Publicly masturbating was one of his common practices to battle his ego.
“*I am a man, I am a dog. I have no desires other than to be in the here and now.*”
***Also, could you tell me something about "The Die Is Cast"? Since it resonated with me the most.***
"That is so nice to hear! It is actually my favorite song from this album as well! The Die is Cast deals with Plato’s book on The Trial and Death of Socrates. Socrates was set to trial for his critical view on society and how he teaches his young followers to adopt this style as well. The jury decided that he had two options:
1\. retire from all of his teaching and other duties and enjoy a life of luxury.
2\. take a poison that will kill him within minutes
Obviously he chose the latter. And in this book Plato includes all Socrates rants on truth and honesty. What stood out the most to me from all this is that I began to see it like a decision between luxury or legacy. Because this action made Socrates immortal. We are still discussing his views on society, truth and existence. While probably the court of Athens just wanted to silence him, but instead they let his words echo through our academies for thousands of years. And what a theatrical way to conclude your life, such a bombastic outro to such a meaningful journey. That is how I wanted the song to flow as well."
***As the sole member of Teitan, how do you go about and keep overview of the whole writing and recording process? Is it all you? Or do you spar with a trusted set of external ears?***
"I have a few good friends that I always consult when I make something. Rami from Cthuluminati (and my bestie for life) always has a thing or two to say about songwriting and Floris always has a few helpful critiques on the sound when my mixes are taking shape. and Gerhans is always there to cheer for me (together with Floris and Rami of course) when I need some validation. But I do like the fact that I can make all my creative decisions. Not that I don’t like to share my creative processes in my other musical endeavors. But this is my personal outlet where I specifically enjoy this freedom."
***Will Teitan remain a studio-project? Or are there plans to turn Teitan into a live entity as well? Subsequently: what lies ahead in the foreseeable future?***
"I am going to turn the order of this question around. Because it is easier to start with what lies ahead in the foreseeable future. I really want to master making fantastic albums. I am far from done with everything I could do with Teitan. And I don’t know if it will ever attract a serious following. But if it does and I have a decent discography to exhibit, I would definitely do at least a few live shows.
***Anything else that you might want to say or add?***
"Yes, in fact I do. A short note on artificial intelligence and its possible impact on music and artists. Because what music has always meant to me is connection. Metalheads built their identity around the metalscene and often express themselves through a particular set of bands that represents their specific interest in metal. And having a band is more than just a weekend activity and an artist is more than just a person that puts notes in a particular order. So don’t be afraid of what AI might do to music. Just keep focussing on the people that take everything they can get their hands on to express themselves in order to be seen and establish a connection with you. As long as there are people, there will be artists. Making art should first and foremost be about connection rather than careers. Let’s hope that all these developments will drive honest and dedicated artists more into the spotlights than ever!"
*Follow Teitan on Facebook and Instagram:*
[https://www.instagram.com/theblackteitan/](https://www.instagram.com/theblackteitan/?ref=blackmetalzine.com)
*(Pre)-order 'In Oculus Abyss':*
[https://onism.productions/](https://onism.productions/?ref=blackmetalzine.com)
[https://voidwanderer.com/](https://voidwanderer.com/?ref=blackmetalzine.com)
### Review: Profeci - Ubóstwo
URL: https://blackmetalzine.com/profeci-ubostwo/
Last updated: 2025-11-10T12:00:09.000Z
#### Introduction
Profeci, a black metal band from [Poland](https://blackmetalzine.com/playlists/country/polish-black-metal/), has recently released their third full album, titled "Ubóstwo". Although I had not heard of the band before, it is not surprising given the vast number of black metal bands that exists. The band, which was formed in 2018, consists of four members, with the bass player being the only member with previous band experience. Despite this, the band has already released two full albums, and it is interesting to see what they have in store for their latest release.
---
#### Ubóstwo
As previously mentioned, "Ubóstwo" is Profeci's third album, and I discovered the band through the premiere of their latest release on the YouTube channel Black Metal Promotion. After listening to the album several times, I am now ready to share my review.
The album has a runtime of 32 minutes and consists of six tracks. As someone with a short attention span, I find albums between 30 and 40 minutes to be perfect for my listening preferences, as is the case with this album, as noted in some other reviews.
---
**Tracklist:**
1. Stare stworzenia
2. Jaskinie
3. Jedność wielości
4. Głód
5. Bez niej byłbym niczym
6. Dytyramb
The sound of "Ubóstwo" can be best described as atmospheric with a touch of melancholic vibes. While some mid-tempo parts are present, the album truly shines when the drums kick in and it reaches full speed. What stands out the most to me is the coherence of the album, which has a great sound and atmosphere from the beginning of the first song to the very last.
While the vocals are not my preferred style, they are good and fit perfectly with the album's overall tone. I particularly enjoyed the intro of the third song, "Jedność wielości", which starts with what sounds like a folk song (at least to a non-Polish speaker like myself).
Additionally, I must give bonus points to the band for making the lyrics available on Metal Archives and Bandcamp. Although they are in Polish, I used a translator to get a sense of what the lyrics were about and how they matched the overall vibe of the album, and I found that they did.
> *Machina animata*
> *Of blood, flesh and bone*
> *The heart beats, the skin wraps*
> *And thought claims dignity for itself*
>
> Part of "Jedność wielości" translated to English.
---
#### Highlights
There are 2 highlights for me on this album that if you want to get a sense of the album and the band itself, you should give them a listen, we start off with;
"**Głód**" which means hunger in English. This song has it all for me. It starts off slow and builds up and after a while it really gets going with fast drums and with the vocals being a bit harsher than on the other tracks. This is my favorite song on the album, it just oozes quality, And it just keeps going. The mix of the song is also excellent. I've checked it on my speakers and my headphones and both sound great. So if you have to check out 1 song, this is it, give it a try!
> *You devoured yourself*
> *Not to devour us*
> *Like Kronos his children*
> *And like the fate of Oedipus*
>
> **Głód**
"Bez niej byłbym niczym" is the fifth track on the album and would translate to "Without her, I'm nothing." this song is the opposite of the track **Głód** and starts off quiet with a nice atmosphere too it. It has a very melancholic feel to it, and the translated lyrics confirm that feeling. Just listen to it (preferable with headphones) and just drift away.
> *Without melancholy*
> *Without it, I would be nothing.*
---
#### Conclusion
What can I say, it's a good album with some great highlights, and I recommend Ubóstwo to everyone who likes Black Metal in general, just give them a try? While reviewing this album, I also listened to the other albums and I liked them also, so I'm looking forward to what they will create in the future.
BMZ Score: 7 / 10
Have you listened to Ubóstwo already? Kindly let us know in the comments below what you think, and join our [discord,](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our Facebook page [blackmetalpromotion.com](https://www.facebook.com/blackmetalpromotionwebsite) to receive notifications when we publish articles.
---
---
#### Links
Facebook: [https://www.facebook.com/profeci.band](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbEZ1SEYzUFBLXzNKRnRrdWZxdnFmcWtFaGs1Z3xBQ3Jtc0tsM3RNT250c0xwUnBpNVhfOW1UYXFHaFdaRTNqTmVFRVlDUTlLbHN1bmpYVnM3MkF6MFpES1JwTnpCcnBRYTRHelJBM21nYlF1dGRNQkM5ek5raTJCMUp4cHBxV2JtRmRoek1YNmdfU2lDenJnR3J3SQ&q=https%3A%2F%2Fwww.facebook.com%2Fprofeci.band&v=b8qp2J%5FW0cs&ref=blackmetalzine.com)
Instagram: [https://www.instagram.com/profeci.band](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqblFLUlFsR1d6UTZoWG4zNzlrblJMcjBOMWZFd3xBQ3Jtc0tsZHJsNzBDQ0hmQ0RuTDhxdUMxVkNucDNLdy1fVEYyNUlGNTJRRmFWS3IxdzVKQjdqaHhTTTVid2RSNzdkQmQyenN6TFFoRjhuYlo0eEhZMzZnb2xPeDhXWTBka2ZxMGE0ck5URjM2SjNLUlVMcWJ6NA&q=https%3A%2F%2Fwww.instagram.com%2Fprofeci.band&v=b8qp2J%5FW0cs&ref=blackmetalzine.com)
Metal Archive: [Profeci - Encyclopaedia Metallum: The Metal Archives (metal-archives.com)](https://www.metal-archives.com/bands/Profeci/3540463965?ref=blackmetalzine.com)
### Review: Moonreich - AMER
URL: https://blackmetalzine.com/moonreich-amer/
Last updated: 2026-07-16T17:19:48.000Z
## Introduction
Moonreich is a French black metal band formed in Paris in 2008\. The band currently consists of the founding member Arthur “Weddir” and bassist Guillaume “Siegfried”. Guitarist Thomas and drummer Jordan are also listed as musicians on the latest album. The French black metal act has released four albums and two EPs prior to their latest offering, AMER.
Moonreich
> AMER is a direct follow-up to the 2018 album Fugue. The album was released the 12th of May on Les Acteurs de L’Ombre Productions on both CD and vinyl. The production label informs
>
> that heavy, sinister and experimental atmospheres are to be expected on the album.
As someone who had never heard Moonreich before, I went in blindly, not knowing what to expect. After a few seconds into the first track, and hearing those powerfull vocals, I knew that this album was straight up my alley. Here is my review.
---
## **AMER**
The albums runtime is 43 minutes and includes five songs, a perfect length in my opinion.
A suspenseful piece of classic music opens the first track luring me in and grabbing my attention. Suddenly the sound starts to pick up and a brutal wall of drums and guitars punches me in the face. This is nicely followed up by a scream before the vocals shoots in on rapid-fire. There’s no hiding that this is heavily influenced by the hardcore music scene, with its heavy instruments and furious vocals. The song offers a brief releaf with a mid-tempo speed before a groovy riff hooks the listener in again towards the songs ending.
The entire album has an intense presence of anger. The second track amplifies this by going straight up in the listeners face from the beginning. The experimental elements of the album are highly visible on this track. Particularly with its mid-track breakdown, typical of the core subgenres. However, this breakdown suits the music well and leads into a very catchy riff that feels a lot like something you would find on a Gojira album. Towards the end of the track, there's a change of tone. A longing sadness creeps up on me here, heavily created by the guitars.
---
##### **Tracklist**
1. Of Swine and Ecstasy
2. Amer
3. Where We Sink
4. Astral Jaws
5. The Cave of Superstition
---
Upon my first listen of the third song, I was struck by a profound sense of heartache that seemed to permeate the entire track. The melody reminded me of the theme song of Davy Jones by Hans Zimmer, for those familiar with that piece. "Where We Sink" begins with this hint of heartache, but quickly intensifies and accelerates. It's as if the rage is a direct result of the underlying sadness in the song. This track showcases the band's ability to create both brutal and beautiful music in a thought-provoking manner, and it truly captures the raw emotion of heartache.
"Astral Jaws" starts with a [spaceship-like](https://blackmetalzine.com/the-bmp-discord-monthly-playlist-space/) feeling and transitions into a fast-paced track. The drummer's skills really stand out to me on this piece. While it may not be the strongest track on the album, it's still a very well performed piece. The outro of the song is what really lifts it up, with its beautiful guitar solo shining and creating a melancholic vibe. Overall, "Astral Jaws" showcases the band's versatility and musicianship, even if it's not the standout track of the album.
"The Cave of Superstition" is the final and longest track on the album. It starts off slower than the others, but quickly tightens up with brutal drums, rumbling guitars, and intense vocals. The track features a multitude of sections, including a churchy girl choir, bongo drums, and heavy grooves. At the 4:30 mark, an uplifting guitar kicks in and switches the track's tone, before a long scream ends this part.
Moonreich does an excellent job of holding the listener's attention with this song, thanks in part to the experimental sections that surprisingly complement the rest of the track. During the ending of the song, the stunning guitar solo really stands out, and all instruments come together to create a wonderful harmony. Together, they mark the end of an album that Moonreich can be extremely proud of.
---
## **Highlights**
To truly get a feel for this album, I highly recommend listening to the track "Amer." This song encapsulates everything that Moonreich and their fantastic album have to offer. It features the aggressive blackened hardcore sound, a nasty breakdown, and brutal vocals. Packed with groovy and catchy riffs, "Amer" captures the melancholic tone that is present throughout the album, conveying a sense of sadness or heartache. Overall, "Amer" is an excellent representation of the unique and powerful sound that defines this album.
---
## **Conclusion**
This is an amazing album that lures you in and keeps you engaged throughout its entirety. I really enjoyed listening to this and multiple of these great songs has found their way onto my private playlist. The album solidifies their labels statement of being heavy, sinister and experimental, creating both brutal sound walls and calmer melancholic tunes.
I highly recommend this album for any fans of aggressive black metal who also appreciate the hardcore aspect of it and the slower more melancholic parts.
I had never heard Moonreich before, but they have definently left their mark with this stunning release. I will certainly check out their earlier albums!
BMZ Score: 9 / 10
---
## **Links**
Bandcamp: [AMER | Moonreich](https://moonreich.bandcamp.com/album/amer?ref=blackmetalzine.com)
Facebook: [MOONREICH | Facebook](https://www.facebook.com/Moonreich/timeline/)
Instagram: [moonreich @moonreich.official](https://www.instagram.com/moonreich.official/?ref=blackmetalzine.com)
Metal Archives: [Moonreich - Encyclopaedia Metallum](https://www.metal-archives.com/bands/Moonreich/3540293319?ref=blackmetalzine.com)
Have you listened to this album? Let us know in the comments below what you think, and join our [discord](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) where we discuss all things black metal! Make sure to follow our facebook page [blackmetalpromotion.com](https://www.facebook.com/blackmetalpromotionwebsite) to recieve notifications when we publish articles.
### Review: Tilintetgjort - In Death I Shall Arise
URL: https://blackmetalzine.com/tilintetgjort-album-review/
Last updated: 2025-11-16T10:34:14.000Z
#### Introduction
The band members of Tilintetgjort
Tilintetgjort, a [Norwegian](https://blackmetalzine.com/playlists/country/norwegian-black-metal/) avant-garde black metal band, has released their debut album titled "In Death I Shall Arise." The band, consisting of five members, was formed during the first pandemic summer of Covid-19 in 2020\. Tilintetgjort has connections to several other black metal projects; Den Gamle, Hazzlegard, and Sturt are all members of the black/thrash band Whip, while vocalist Svik and drummer Tybalt are members of the black metal band Den Saakaldte.
The band has already released three singles and a demo before this album. Finally, on the last day of March, the highly anticipated album was released on both CD and vinyl by Dark Essence Records. The album is known for evoking feelings and visions of horror, madness, and dread. After listening to the album, I can confirm that these emotions are indeed present. Here is my review.
#### In Death I Shall Arise
The album consists of six songs, with a total runtime of 46 minutes. The songs' playtime ranges from 5 to 6 minutes, except for the final track "Dommedagsmonument," which clocks in at 21 minutes. Despite its length, I was surprised by how quickly the track passed by while keeping me engrossed for its entire duration!
Tracklist
1. Kvikksølvdrømmer
2. Sannhetens Søyler
3. Mercurial
4. Vinter og Høst
5. Hex
6. Dommedagsmonument
---
The album's opening track begins with static noise before a catchy guitar riff sets in. From the first note, the pace is fast, and I can't help but tap my leg to the melody. Svik's vocals kick in around the two-minute mark, and I sence a strong influence by Vicotnick in Dold Vorde Ens Navn with this vocal style. The second track features beautiful drumming and chilling guitars, showcasing the band's ability to play well together and complement each other's skills.
The album's sound is consistently clean throughout. The mix is well-balanced, with transitions, backing vocals, and sound samples blending seamlessly with the instruments and vocals. As a listener, I appreciate this attention to detail in the music. Although all the songs have similarities, each one has its own unique qualities, making this a solid album.
#### Highlights
To truly appreciate "In Death I Shall Arise," I recommend listening to the album in its entirety. It's the type of album meant to be experienced in a music room while enjoying a beer. However, if I had to pick one song to showcase the album's magnificence, it would be "Vinter og Høst." This track features strong vocals that alternate between clear and harsh, a backing choir, and a disturbing outro containing screams reminiscent of insane asylums from cinema movies.
Tilintetgjort does an excellent job of keeping the listener entertained throughout the album. The songs evoke different feelings of unease, being chased, and horror. I was initially concerned that I would lose interest during the final track's 21-minute runtime. However, I found myself captivated by the song's complexity, including its medieval-sounding choir, howling guitars, slower and calming melodic parts, and overall drive. This track pulls me into an imaginary state of mind and keeps me engaged.
Overall, I highly recommend listening to "Vinter og Høst" and the entire album as a whole to get a sense of Tilintetgjort's unique sound.
#### Conclusion
Overall, I thoroughly enjoyed Tilintetgjort's strong debut album. The balance of instruments, sound samples, and vocals are all well-complemented and memorable. It's evident that this is a professional band that plays metal with ease.
I believe that "In Death I Shall Arise" has something to offer to every black metal fan, particularly those who enjoy more complex and daring music. Tilintetgjort has succeeded in creating a unique sound that sets them apart from other black metal bands, and I eagerly await their future releases.
BMZ Score: 8,5 / 10
#### Links
Homepage: [Tilintetgjort](https://tilintetgjort.no/index.html?ref=blackmetalzine.com)
Bandcamp: [In Death I Shall Arise | Tilintetgjort](https://tilintetgjort.bandcamp.com/album/in-death-i-shall-arise?ref=blackmetalzine.com)
Youtube: [Tilintetgjort ](https://www.youtube.com/@tilintetgjort/featured?ref=blackmetalzine.com)
Metal Archives: [Tilintetgjort | Encyclopaedia Metallum](https://www.metal-archives.com/bands/Tilintetgjort/3540517647?ref=blackmetalzine.com)
Facebook: [Tilintetgjort Official Facebook](https://www.facebook.com/tilintetgjortnor)
Instagram: [Tilintergjort @tilintetgjortnor](https://www.instagram.com/tilintetgjortnor/?ref=blackmetalzine.com)
Have you listened to this album? Kindly let us know in the comments below what you think of it and join our [discord](https://discord.gg/bmpromotion?ref=blackmetalzine.com) where we discuss all things black metal all day.
### Karmøygeddon Festival - 3 Days of Friendly Hell
URL: https://blackmetalzine.com/karmoygeddon-metal-festival/
Last updated: 2025-11-10T12:00:11.000Z
Crowdsurfing during the Moonsorrow set
###### Karmøygeddon, an introduction:
The gates of Hell
The Karmøygeddon Metal Festival is a relatively small event located in the west coast city of Kopervik, Norway. It takes place annually during the first week of May and marks the start of the festival season for me. The festival's name and theme are well-suited to the history-heavy island of Karmøy, where [Viking kings](https://avaldsnes.info/en/vikinggard/?ref=blackmetalzine.com) once lived, fought, and raided. Let's find out if they truly live up to their slogan; A Friendlier Hell...
Proudly located in the city center, the festival's towering portal decorated with Vikings serves as the entrance from the main street of Kopervik to the two stages, the bigger, main stage in the massive tent they set up each year and the smaller one inside the Ovenpaa night club and concert venue. Since both stages are for the most part sheltered from the rain, this is a mud and soaked-to-the-skin free festival, unless you fall asleep outside on your way home from partying too hard...
Personally, I prefer the smaller stage because it allows me to be close up to the bands and feel the intense energy of the crowd. It's an intimate setting that enhances the impact of the performances, the bands engange with the audience and makes you feel part of the show.
Overall, Karmøygeddon is an impressive and well-organized event that celebrates the legacy of the Viking kings while delivering a high-quality metal experience to its attendees.
This years line-up
For many festival-goers, the most important aspect of any festival is the band line-up, and Karmøygeddon delivers a satisfying variety of bands from different genres, including black, death, heavy, and power metal. As someone who enjoys a diverse range of music, this festival is perfect for me. The contrast between the different styles of music makes me appreciate the darker and more extreme bands even more. This year's festival featured powerful & mesmerizing performances by black metal acts such as Marduk, Saor, Rotting Christ, Evig Natt, Dold Vorde Ens Navn, Moonsorrow, Ved Buens Ende, Batushka and more…
The main stage
Previous headliners at Karmøygeddon have included Enslaved, Kvelertak, Vreid (performing a special Windir 1184 set), Hypocrisy, Arch Enemy, Helloween, Satyricon, Amorphis, Emperor, and Dimmu Borgir. With the festival's relatively small size in mind, with roughly 2000 metalheads in attendance, it is awesome to witness these amazing live acts up close and personal. I appreciate that I can get to the front row without being crushed at both stages.
Karmøygeddon is a highly renowned festival among both fans and artists, and it's not uncommon to meet some of your favorite bands out in the crowd or in the outside sitting area. Everywhere I looked, I saw smiling metalheads hugging and laughing together. This sense of community and camaraderie is what makes Karmøygeddon such a special festival.
---
---
---
###### Some of this years highlights:
Rotting Christ
Rotting Christ
My favorite concerts of the festival were Rotting Christ and Marduk. Rotting Christ set the stage with the iconic cover art of Triarchy of the Lost Lovers. The crowd was eager for the band to come on stage, and they were roaring with horns up as Sakis walked smiling up on stage with the guitar on his neck. The energy of both the band and the crowd was amazing, and all heads were banging to the tunes, making this show unforgettable. The moshpit broke out almost as soon as the riffs started pounding us through the speakers.
---
Marduk
Next up was [Marduk](https://blackmetalzine.com/new-album-by-marduk/), the band I was most looking forward to seeing, and they did not disappoint. They set the stage background with a huge Marduk banner, and I was ready to get my ears blown off by the crushing tank that is Marduk. The aggressive riffs and momentum were a refreshing blast after the atmospheric and heavy Batushka set.
---
---
---
###### Practical information:
There are several bars or serving areas throughout the festival, and all accept the festival's cashless payment method. However, it's worth noting that only the indoor bars in the building that holds the smaller stage serve drinks and shots. Here you'll also find the excellent pizza restaurant which is a permanent fixture here. The outdoor serving area also offers simpler meals, although I often find myself at the local kebab shop which is conveniently located right outside the festival gates.
Beer garden and merch market
If you're looking for a place to relax and socialize between sets, there are plenty of long tables located behind the crowd at the main stage. Here, you can enjoy a beer and chat with friends. This is also where you'll find the merch market, offering an opportunity to support the bands you love and browse different stands from metal-related shops selling CDs, vinyl, shirts, coffee, fanzines, and more.
---
If you're concerned about your hearing, (which you should be during 3 days of mayhem) fear not, free hearing protection is provided at several spots, which is incredibly helpful if you lose or forget your own. Overall, the festival's bars and social areas offer a great atmosphere for metalheads to relax and enjoy themselves, with plenty of options to suit all tastes and preferences.
Camping ground
For festival accommodations, the festival has its own camp for those who travel with a caravan, RV, bus, or car & tent. The festival also has room for 15 boats in the harbor, but offers no reservation of these, so it’s first come, first served. The camp has easy access to food that is open certain hours of the festival, and toilets are also available. For everyone else, it's either hotels or renting a flat in the area that is best for staying at Karmøygeddon. I, however, am lucky enough to live 15 minutes away by car from Kopervik and can enjoy my own bed after 12 hours of metal partying.
---
---
---
###### Conclusion:
Main stage
Overall, Karmøygeddon is an amazing festival that I highly recommend, especially for fans of Norwegian black metal who can experience acts from all over Norway in one place! But also, for fans of death metal, heavy metal, and everything in between! The atmosphere is fantastic, and the people are lovely. I can almost guarantee you'll make new friends at this harbor city festival. The weather gods often grant the festival good weather too (at least by Norwegian standards). If you ever choose to make the trip you most likely will run into me and some of the other BMP family members as we will be attending Karmøygeddon for many years to come.
---
Please join our [BMP discord](https://discord.gg/bmpromotion?ref=blackmetalzine.com) where we discuss all things black metal, both festivals like this or albums and music in general.
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Official festival photos: [Gunnlaug Broshaug](https://www.instagram.com/gunnlaugbroshaug/?ref=blackmetalzine.com)
Other photos: [KingGorthaur](https://www.instagram.com/vetleaks/?ref=blackmetalzine.com)
##### Links:
[Festival website](https://www.karmoygeddon.no/?ref=blackmetalzine.com)
[Festival facebook page](https://www.facebook.com/KarmoygeddonMetalFestival)
### Review: Heimland - Forfedrenes Taarer
URL: https://blackmetalzine.com/heimland-forfedrenes-taarer/
Last updated: 2025-11-10T12:00:12.000Z
#### Introduction
Heimland, a [Norwegian](https://blackmetalzine.com/playlists/country/norwegian-black-metal/) black metal band, has released its debut album "Forfedrenes Taarer." A Discord member recommended the album to me, saying, "This is your kind of black metal." So, let's see if that's the case.
The band has been around since 2016, but their first singles weren't released until 2019, followed by an EP titled "Fimbulvinter" in 2021\. The debut album was released today (May 5th) in several formats, including cassette, CD, vinyl, and digital. Although I haven't heard the EP, I listened to the album for the first time on the YouTube channel where it premiered, and I liked what I heard, so here is its review.
#### Forfedrenes Taarer
The album contains 7 tracks with a runtime of almost 35 minutes. Which for me is the perfect amount of time for a record. I have the attention span of a flea, so fast-paced black metal that's more my thing than songs that last 10 minutes or more. But that's just a personal preference.
1. Doedens foerstning
2. Ved doedens vugge
3. Lagt i ruiner
4. Iskald raatten jord
5. Forfedrenes taarer
6. Skugger fra ei svunnen tid
7. Ættestupet
The album begins with a nice instrumental intro that sets a great mood. After the intro, the pace picks up with the second track, **"Ved doedens vugge"**, which translates to "At the cradle of death." The vocals on this track are precisely my kind of vocals. They are harsh, cold and full of hatred.
The mixing of the entire album is fantastic; all the songs sound great both on my setup and through my headphones. The album still retains that raw edge of 90s black metal, but with a well-crafted mix that makes the music even more enjoyable.
As previously mentioned, the album is only 35 minutes long, but those minutes really fly by when listening to it. Before you know it, the last track is playing, and you're left wondering if it's over already. For me, this is a great indication of whether an album clicks with me or not, and in this case, this album definitely clicks.
#### Highlights
If you want to get a feel for this band's sound, I suggest starting with one or two songs. In my opinion, **"Forfedrenes Taarer"**, which is the fifth track on the album, is a great choice. This song has a perfect balance of great drumming, good guitar riffs, and vocals that fit the music perfectly. It just gives off a great vibe that represents the band well.
Another song that I highly recommend is **"Ættestupet"**, which is the last track on the album. This song is a great way to end the album, with its pummeling drums that I, personally, love. However, I do have one minor critique: the snares sound a bit harsh to my ears, but that could just be a matter of personal preference. Overall, this is a great song and a very fitting way to end a fantastic debut album.
#### Conclusion
In conclusion, the Discord member who recommended this album was correct: it is indeed my kind of black metal. I am excited to see what the lads come up with in the coming years. If they continue to produce music of this caliber, they have a bright future ahead of them in the black metal scene.
As for who would enjoy this album, fans of black metal from Norway and the Norwegian style should absolutely give it a try. But really, everyone should give it a listen. Both the band and the album deserve it.
BMZ Score: 8 / 10
#### Links
Facebook: [Heimland | Facebook](https://www.facebook.com/heimlandofficial)
Instagram: [HEIMLAND (@heimlandofficial) • Instagram photos and videos](https://www.instagram.com/heimlandofficial/?ref=blackmetalzine.com)
Bandcamp: [Forfedrenes Taarer | Heimland | Edged Circle Productions (bandcamp.com)](https://edgedcircleproductions.bandcamp.com/album/forfedrenes-taarer?ref=blackmetalzine.com)
YouTube: [(4) Heimland Official - YouTube](https://www.youtube.com/channel/UCAxriCcDBHz%5FuLNTWvzAX7w?ref=blackmetalzine.com)
Metal Archive: [Heimland - Encyclopaedia Metallum: The Metal Archives (metal-archives.com)](https://www.metal-archives.com/bands/Heimland/3540481172?ref=blackmetalzine.com)
### Blackbraid II: A New Album by Blackbraid Was Just Announced
URL: https://blackmetalzine.com/blackbraid-ii-by-blackbraid-just-announced/
Last updated: 2025-11-10T12:00:12.000Z
[American](https://blackmetalzine.com/playlists/country/u-s-a-black-metal/) black metal band Blackbraid just announced its second full album, which will be titled Blackbraid II. The new album will have a run time of 65 minutes and will contain the following tracks:
Autumnal Hearts Ablaze
The Spirit Returns
The Wolf That Guides the Hunters Hand
Spells of Moon and Earth
Moss Covered Bones on the Altar of the Moon
A Song of Death on Winds of Dawn
Celestial Passage
Twilight Hymn of Ancient Blood
Sadness and the Passage of Time and Memory
A Fine Day to Die
---
The first single will be released next Wednesday (3rd of May) on the Black Metal Promotion YouTube channel, the track released will be "Moss Covered Bones on the Altar of the Moon". On Friday, the 5th of May, the track will be released on all major streaming platforms.
I'm really looking forward to the new album, and I'm pretty sure I'm not the only one. The debut album of Blackbraid was one of the best albums of 2022, and I'm certainly looking forward to what comes up with for his second album.
The link to the new track will be posted when it's available. In the meanwhile, you can listen to the first album via the video below
##### Links:
Bandcamp: [Music | Blackbraid (bandcamp.com)](https://blackbraid.bandcamp.com/music?ref=blackmetalzine.com)
### Norwegian Black Metal Duo Hengestaur Poised to Take the Scene by Storm
URL: https://blackmetalzine.com/hengestaur-to-take-the-scene-by-storm/
Last updated: 2025-11-10T12:00:12.000Z
Hengestaur, a two-person black metal band hailing from [Norway](https://blackmetalzine.com/playlists/country/norwegian-black-metal/), is creating a stir in the metal community with their raw and genuine sound. Their music, labeled as "the next wave of Norwegian black metal," is gaining recognition for its unyielding, fierce, and intense style that harks back to the genre's roots.
The duo comprises drummer/vocalist Hesj and guitarist Evokatosh, who came together in 2016 and released their debut album titled "ånesott." This album has garnered critical acclaim for its straightforward approach to black metal, featuring searing guitar riffs, thunderous drumming, and vocals that alternate between agonized shrieks and haunting screams.
In an interview with Metal Hammer magazine, Hesj expressed, "We're not attempting to revolutionize or be innovative. We're just producing black metal the way it should be: authentic. We want to capture the raw power and darkness that drew us to this music in the first place."
Evokatosh added, "We're not concerned with gimmicks or fads. We're just two individuals who love black metal and want to perform it the way it was intended to be played."
Despite the pandemic restrictions that have made it challenging for bands to tour and play live shows, Hengestaur has been amassing a fan base through online streaming platforms and social media. Fans have commended the band's shows for their intense energy and unfiltered emotion.
Hengestaur appears to be on the verge of making a significant impact on the black metal scene. If you're a fan of authentic and unyielding brutal black metal, keep an eye on this duo.
Bandcamp: [Ånesott | Hengestaur (bandcamp.com)](https://hengestaur.bandcamp.com/album/nesott?ref=blackmetalzine.com)
This item was a user submission. If you have news about an upcoming release, an event or anything to do with the black metal scene in general.
### Review: Knochen - Ode to Frailty
URL: https://blackmetalzine.com/knochen-ode-to-frailty/
Last updated: 2025-11-16T10:33:47.000Z
#### Introduction
[Polish](https://blackmetalzine.com/playlists/country/polish-black-metal/) one - man black metal band (or project) is back with its second full album, "Ode to Frailty". The man behind the project has the following to say about his latest project:
> *The successor to Meadow Lights which carries its eclectic spirit and pushes it further, exhibiting yet more ambitious and riveting compositions. An emotionally rich journey through soundscapes of fury, sorrow and rapture.*
I liked the first album "Meadow Lights" and was looking forward to giving the new album a spin, after doing that several times, it's time for the review.
#### The Album
The new album contains 6 songs with a runtime of 41 minutes and 29 seconds. Below you'll find the track titles, duration and links to the lyrics (those will open in a new tab).
| 1. | Rogues | 05:09 | [Show lyrics](https://www.metal-archives.com/albums/Knochen/Ode%5Fto%5FFrailty/1129317?ref=blackmetalzine.com#6750465) |
| -- | -------------------- | ----- | ---------------------------------------------------------------------------------------------------------------------- |
| 2. | Metamorph Rising | 07:15 | [Show lyrics](https://www.metal-archives.com/albums/Knochen/Ode%5Fto%5FFrailty/1129317?ref=blackmetalzine.com#6750466) |
| 3. | Thrall of Light | 06:38 | [Show lyrics](https://www.metal-archives.com/albums/Knochen/Ode%5Fto%5FFrailty/1129317?ref=blackmetalzine.com#6750467) |
| 4. | Flee the Vessel | 05:13 | [Show lyrics](https://www.metal-archives.com/albums/Knochen/Ode%5Fto%5FFrailty/1129317?ref=blackmetalzine.com#6750468) |
| 5. | Victory and Contempt | 09:09 | [Show lyrics](https://www.metal-archives.com/albums/Knochen/Ode%5Fto%5FFrailty/1129317?ref=blackmetalzine.com#6750469) |
| 6. | Soil to My Monolith | 08:05 | [Show lyrics](https://www.metal-archives.com/albums/Knochen/Ode%5Fto%5FFrailty/1129317?ref=blackmetalzine.com#6750470) |
Musically, the album sounds great, although there are a few things I would change. But I'll get back to that later. The tracks have well-composed structures, and even though they are on the longer side for my small attention span, I don't get bored after several minutes, which is a positive thing.
The bass on the album is worth mentioning, as it's well executed and shines throughout the entire album. It's something that I find missing on numerous albums these days, but it's clearly present on this one, and I love it. The drums are great, and the guitar riffs are outstanding.
Impressively, Vodian plays all the instruments, sings, and mixes and masters the album himself. However, this brings me to one of the downsides of the album - the mixing and mastering. The album sounds harsh when listening to it on speakers. I checked this with a Discord member, and they had the same feeling. The mid and high frequencies are causing this harsh sound, which is a shame because the rest of the album sounds great.
On that note, when I re-listened to the album on headphones, the problem with the harsh sounds was less noticeable, making the album even more enjoyable than it already was.
#### Track Highlight
**"Flee the Vessel"** is the fourth track of the album and one of the tracks that you need to listen too if you want to get a feeling for what Knochen is about. The drums are firing, and the riffs are great. The interlude at the end is also a nice change of pace. This is my favorite track of the album and a recommendation.
#### Conclusion
I enjoyed the album, and undoubtedly, fans of atmospheric black metal will appreciate it as well. However, if there's one thing I would change for the next album, it's the mixing and mastering of the recording. I highly recommend listening to the album with headphones to fully appreciate its sound quality.
BMZ Score: 7,5 / 10
Links
Bandcamp: [Ode to Frailty | Knochen (bandcamp.com)](https://knochen.bandcamp.com/album/ode-to-frailty?ref=blackmetalzine.com)
Metal Archive: [Knochen - Encyclopaedia Metallum: The Metal Archives (metal-archives.com)](https://www.metal-archives.com/bands/Knochen/3540466732?ref=blackmetalzine.com)
### Review: Towards Hellfire - Death upon the Holy Throne
URL: https://blackmetalzine.com/towards-hellfire-death-upon-the-holy-throne/
Last updated: 2025-11-10T12:00:12.000Z
#### Introduction
"Death Upon the Holy Throne" - now that sets a precedent, doesn't it? The debut album by [Polish](https://blackmetalzine.com/playlists/country/polish-black-metal/) black metal band, Towards Hellfire, was released on February 2nd, 2023\. I must admit that I wasn't familiar with the band or its members, who play in a few other bands as well. However, after the album premiered on YouTube and two members of [our Discord community](https://discord.com/invite/9WBTVvNYEC?ref=blackmetalzine.com) recommended it, I decided to give it a listen.
#### The Album
Towards Hellfire's debut album contains eight tracks with a runtime of almost 40 minutes:
1. Nocturnal Rites
2. Hammer for Betrayal
3. Obsessed by Hate
4. Follow the Path of Chaos
5. Death upon the Holy Throne
6. The Gospel of the Violence
7. Transfiguration
8. The Oath of the Ancient Gods
The album's runtime flies by quickly, which is a bonus in my eyes because I have a very short attention span (so it has nothing to do with the quality of the album itself). As soon as the album starts, the blast beats begin and rarely slow down. This is precisely how I like my drums to sound on a black metal album - relentless and unyielding. The vocals are alright for me personally; they could be harsher and colder, but they fit the album, so that's okay.
One thing I'm missing are the lyrics. I couldn't find them on Bandcamp or on Metal Archives. This is a shame because I like to read them to gain an understanding of what's going on. The good news is that you can understand the lyrics with the type of vocal being used, but that's not always the case.
The album's artwork is outstanding and draws your attention. I would love to see if the lyrics match the artwork. Perhaps the band will add them later on, or fans of the album will transcribe them.
#### Some highlights
"Death upon the Holy Throne" is the fifth track on the album and one of my highlights. This track has it all for me - nice guitar riffs, drums that sound like machine guns, and some slower parts. It's the complete package, and if you need to listen to one song to get an idea of what this band is all about, you should give this a spin.
Another highlight of the album for me is "Transfiguration." This song is the shortest one on the album, clocking in at 3:38, but like I said at the beginning, that suits me since I have the attention span of an amoeba. This song is compact and, like the fifth track, has almost everything - good drums, nice guitar riffs, and a fast pace.
And as said before, other highlights on the album are the drums, those are superb and an other highlight of the album.
#### Conclusion
For fans of fast-paced black metal, this is a must-try, for others, you can give it a try and perhaps it for you, or perhaps it's not, but that's the beauty of black metal, there is so much to choose from. There is something for everyone.
BMZ Score: 7,5 / 10
If you do like the album, don't hesitate to buy the album on Bandcamp and support the artist.
Links
Bandcamp: [Death Upon The Holy Throne | TOWARDS HELLFIRE (bandcamp.com)](https://towardshellfire.bandcamp.com/album/death-upon-the-holy-throne?ref=blackmetalzine.com)
Facebook: [Towards Hellfire | Facebook](https://www.facebook.com/Towardshellfire)
Putrid Cult (Label: [Sklep internetowy (putridcult.pl)](https://www.putridcult.pl/szukaj.html/szukaj=Towards%20Hellfire?ref=blackmetalzine.com)
### Review: Olde Throne - In The Land of Ghosts
URL: https://blackmetalzine.com/olde-throne-in-the-land-of-ghosts/
Last updated: 2025-11-10T12:00:13.000Z
#### Introduction
Olde Throne, a Black Metal band from New Zealand, has recently released their second full-length album titled "In the Land of Ghosts". The band's first album was themed around the Great Famine in Ireland, while their latest release centers around the old ghost tales of Scotland (hence the title "In the Land of Ghosts"). According to the band's Bandcamp page, they describe the album with the following statement:
> "*In the Land of Ghosts" is a collection of ghost stories and dark tales from a land bountiful of which. From the headless horseman of the House of Dun to the ghost soldiers still fighting in the wooded gorge of Killiecrankie.*
Their debut album, 'An Gorta Mór', was an excellent start, and I had it on repeat for a while, which is always a good sign. So, without further ado, here is my review of the album.
#### Album
The new album contains 9 tracks, with the ninth track being a bonus track and a remaster of the demo song "An Torr". The playtime of the albums is 48 minutes.
1. House of Dun
2. Skara Brae
3. Isobel
4. Cliffs of Culzean
5. The Curse of Alloa Tower
6. Duntulm
7. Greyfriars Kirkyard
8. Killiecrankie
9. An Torr (Bonus Track)
If you're a fan of Atmospheric Black Metal, then this album is a must-listen for you. The entire album oozes atmosphere, with effects like a roaring fireplace and the use of instruments like bagpipes, Uilleann pipes (which are Irish bagpipes), and flutes. It all comes together in a neat little package.
Bonus points go to the band for including the lyrics of all the songs on Bandcamp. I appreciate when bands add lyrics, and especially when they're about topics I enjoy, like the Ghost stories featured on this album.
Musically, the new album is a continuation and improvement of their debut album. The vocals are fitting for each song, and there are layers to them, so they don't sound monotone. The drums are great also, the drums on the first album are taken care of by Hymir (member of Sickle of Dust and since 2022 of Vorga) and Hugo Ribeiro, the drums on the second album are done by Quentin Forster. For me, personally I like the drums on the second album more, but that's just a personal preference.
Whether Forster played the drums or programmed them, they sound great on the album. Everything is well-composed and mixed, and every instrument is precisely where it should be in the arrangement.
#### Track Highlights
'Isobel' is the third track on the album and tells the story of Isobel Gowdie, a famous witch from Scotland who was burned at the stake in 1661 after her trial.
> *In the square*
> *They build a pyre*
> *Blackened smoke*
> *Starts to rise*
The song begins with a folk tune and sets a great Celtic atmosphere. The folk part is arranged by Stavros Stavrou, and he did an impressive job; it sounds marvelous. After a while, the drums and guitars join in and bring the entire track together, with the vocals being the cherry on top. As the song progresses, a pyre is built in the square, and blackened smoke starts to rise.
The fourth song, 'Cliffs of Culzean', is another highlight of the album. It tells the ghost story of the Piper of Piper's Brae, who volunteered to investigate sightings of ghosts in a cave below the cliffs. He entered the cave playing his pipe, but was never seen again, and according to stories, you can still hear the piper playing the pipe from below.
> *And through the years*
> *His song still plays*
> *From the ground below*
> *On Piper’s Brae*
The song begins with bagpipes playing and the sound of waves crashing on the shore and cliff, setting the scene for the story. After a minute or so, the guitars and drums join in, and the icy vocals of the track tell the story of the Piper. The drums on this track are fast and keep the rhythm going, much like the never-ending sound of the waves crashing on the shore.
#### Conclusion
As I mentioned at the beginning of this review, if you're into [Atmospheric Black Metal](https://blackmetalzine.com/playlists/genre/atmospheric-black-metal/), then this album is definitely worth checking out. I have no doubt in my mind about that. And for those who aren't familiar with the genre, I encourage you to give it a try. I'm pretty sure you'll enjoy it as well.
BMZ Score: 7 / 10
You can listen to the album below, and if you like what you hear, be sure to purchase it in your preferred format on Bandcamp or through their label's webshop.
Links
Bandcamp: [In the Land of Ghosts | Olde Throne (bandcamp.com)](https://oldethronenp.bandcamp.com/album/in-the-land-of-ghosts?ref=blackmetalzine.com)
Facebook: [Olde Throne | Facebook](https://www.facebook.com/oldethrone/)
Instagram: [OLDE THRONE (@oldethrone) • Instagram photos and videos](https://www.instagram.com/oldethrone/?ref=blackmetalzine.com)
Label: [Welcome to Naturmacht Productions & Rain Without End Records official website](https://naturmacht.com/?ref=blackmetalzine.com)
### Interview: Grafhond
URL: https://blackmetalzine.com/grafhond/
Last updated: 2026-07-15T18:31:35.000Z
**For the last decade or so, the** [**Dutch**](https://blackmetalzine.com/playlists/country/dutch-black-metal/) **seem to be asserting their dominance when it comes to Black Metal. Quality records in all shades have surfaced and keep coming from acts like: Fluisteraars, Kjeld, Terzij de Horde, Laster, Verwoed, Iskandr, Wesenwille, Dodekahedron, Faceless Entity, Grey Aura, Witchfukker, Ossaert, Witte Wieven, Destructo, Teitan, Wrang, Asagraum, Grafjammer, Asgrauw, Helleruin, Schavot, Meslamtaea, Ornaris and now Grafhond. Their debut mini-album ‘In harmonie met de dood’ (‘In harmony with death’) came out yesterday, and we from Black Metal Promotion put our fingers to the keyboard and mustered up the following questions for the two-man army that is Grafhond. Below you can read their answers.**
*Graaf Graf and Nachtvorst of Grafhond*
***When scouring the World Wide Web (apart from the promo) I couldn’t find a whole lot***
***information about Grafhond (which means Grave Dog, right?). Could you tell us who you***
***are and when you started? And in addition to that, how and why did you choose the***
***moniker of Grafhond?***
“Hello, we are Graaf Graf and Nachtvorst from Grafhond. Apart from the literal translation of
Grafhond, which reads as “hound from the grave” or “grave dog”, it also is an old Dutch curse word.
This project was formed in 2017 as a way to express our musical interest in black metal the way we
prefer it. It all started out purely for ourselves without the approval or restrictions in the genre. We
worked intensely in our own world on the songs and lyrics and did not concern ourselves with the
outside world.
Somewhere in this process we met up with Kaos from the Dutch black metal band
Asgrauw who runs his own label Void Wanderer Productions. He expressed interest in our music and
wanted to release the record in cooperation with War Productions. In this period we also came in
contact with the Zwotte Kring which is a collective of like-minded individuals, band like Teitan,
Schavot, Meslantaea and Asgrauw, who share a similar interest in expressing themselves through
Black Metal.”
***As a duo, who does what during the writing process?***
“When Grafhond was formed we were not certain if we would remain a duo. This became clear when
we were working on the songs. Both our main instrument is the guitar. We both come up with the
riffs and song structures and general arrangements. When we decided we would record all the
necessary instruments and vocals ourselves we first started working on drum parts. After this we
wrote and recorded the bass parts and worked on designing the artwork for the vinyl. When all was
recorded we had a clear vision of how we wanted the record to sound but not a clue of how to
accomplish this. We reached out to Andrew van der Schaft who mixed our record. His input in
creating a certain sound was very important for the atmosphere of “In harmonie met de dood”.
The division of roles within Grafhond is not set in stone and can change on our next release. We work
closely together and bring out the best and worst of each other. This friction and energy makes
Grafhond into what it is. A good example for this was when we recorded the vocals. This was an
intense experience where we constantly kept each other focused on delivering a raw and intense
performance from the gut.”
**Since I do not speak/read Dutch: what is the lyrical content about?**
“The lyrics come from focusing on dark emotions and feelings. We both have our share of
darker and troubled periodes in our lives and draw inspiration from this. Some songs deal
with this in a direct manner while others are more cryptical. For example “De Zuivering” is
written with the idea “what if the Plague had a conscience”. “Verwekker” deals with
childhood fears due to an unsafe environment caused by alcohol abuse from a parent. “Gat”
deals with being unable to cope with the realities of life and leaving everything behind while
“Voor galg en rad” is a hateful relief born from a general shared disgust of humanity as a
whole.”
**Are there any plans to bring Grafhond to the stage in the foreseeable future?**
We talk about this every now and then. This never was our main focus. A lot of it depends on if we
can find the right individuals for live performances and if there is an interest in seeing us live. As for
now there are no concrete plans but who knows in the future.
**I have noticed that Grafhond too is part of ‘Zwotte Kring’: what is the connection**
**between you and bands like Meslamtaea, Teitan, Schavot & Asgrauw?**
“The connection is Black metal. All bands take this seriously, there is not a lot of room for ego’s and
there is a mutual respect. It is nice to see that there are still some Black metal bands who stay true to
an original form of expression and it is less about a certain “act” or copying one and other. A good
example of this is the Void Wanderer Productions sampler which was released just recently. We are
honored to be a part of this.”
**Anything else you might want to add/share?**
“Grafhond Godverdomme!!!”
Follow Grafhond on Facebook:
### Review: Labyrinthus Stellarum - Tales of the Void
URL: https://blackmetalzine.com/labyrinthus-stellarum-tales-of-the-void/
Last updated: 2026-07-16T17:16:32.000Z
## Introduction
One of the members of Labyrinthus Stellarum is on our Discord server, and he brought to my attention that the band has released their first album, which premiered on their YouTube channel. I have to say, right from the start, that I like the band's Latin name, which means 'Labyrinth of the Stars.' The band hails from Odesa, [Ukraine](https://blackmetalzine.com/playlists/country/ukrainian-black-metal/), and consists of three members. Since this is their debut album, I gave it several spins, and now it's time for a review.
## About Tales of the Void
Tales of the Void contains 7 tracks with 42 minutes and 39 seconds.
1. Void Dwellers
2. Nebular Temple
3. The Eternity
4. Cosmic Winds
5. The Birth
6. Star Chant
7. Stellar Nursery
First off, I have to mention how perfectly the album artwork matches the title. The red eyes staring out at you, set against the cosmic void in the background, create a sense of dread that captures perfectly the album's theme. The band logo is also worth a mention; it's well-designed, and the stars surrounding it complete the package. But what about the music itself?
Labyrinthus Stellarum plays atmospheric black metal with a space theme, which could also be described as cosmic black metal. Personally, I tend to think of black metal as black metal, without all the sub-genres, but I know that many people enjoy these distinctions, so we'll go with cosmic black metal for now.
Sound-wise, the album is decent. The drums are serviceable (I believe they may have been generated by a drum machine, but I'm not entirely sure), and the vocals match the album's theme well. They're set a bit far back in the mix, but this only adds to the overall atmospheric feel of the album. For a debut album, Labyrinthus Stellarum has delivered a solid effort.
## Track Highlights
The third track on the album, 'The Eternity,' is one of my favorites due to its fast-paced drums that sound great, whether they're machine-generated or not. The vocals are also spot on, and the keyboards are well-balanced and not too overwhelming.
Another standout track for me is 'The Birth,' which is the fifth track on the album. It has a unique quality that makes me feel like I'm floating in a void, especially around the 2.5-minute mark. There's an interlude that sounds like you're drifting between the stars, which adds to the overall ambiance of the piece.
I also enjoyed 'Star Chant,' which features great drumming and riffs. The vocal style at the end of the song has a hymn-like quality that perfectly matches the space/cosmic theme of the album.
Although 'Stellar Nursery' is an instrumental track, it's still one of my favorites. I've listened to it several times on my headphones, and it sounds spectacular. Closing my eyes and drifting away is the vibe I get from this song, and it matches perfectly with the theme of the album.
## Conclusion
The band has dropped a great album for their first release, and I hope they continue in this style for future releases. While there are some things I would change, these are simply personal preferences and do not detract from the overall quality of the album. In particular, I would like to see the next album incorporate a more diverse tone, as the keyboards/synths take over a bit too much and make all tracks feel like one long piece. Nevertheless, this is a solid first release, and I highly recommend giving it a listen.
If you enjoy cosmic/atmospheric black metal, I encourage you to give it a spin. You can listen to the premiere stream in the video below or on Bandcamp. If you like what you hear, consider buying the album to support the artist.
BMZ Rating: 8 out of 10
##
Links
Bandcamp: [Tales of the Void | Labyrinthus Stellarum (bandcamp.com)](https://labyrinthusstellarum.bandcamp.com/album/tales-of-the-void?ref=blackmetalzine.com)
Facebook: [Labyrinthus Stellarum | Facebook](https://www.facebook.com/profile.php?id=100091061775330)
### Review: Aara - Triade III: Nyx
URL: https://blackmetalzine.com/aara-triade-iii-nyx/
Last updated: 2026-07-16T17:19:49.000Z
## An Introduction
[Switzerland](https://blackmetalzine.com/playlists/country/swiss-black-metal/)\-based Aara is back with their fifth full album in four years. The new album, called Triade III: Nyx, is the latest installment of the Triade cycle. I discovered the band with their second album En Ergô Einai and really liked it. After that, the band fell a bit off the radar for me personally, but here they are again with a new album. So let's take a listen to this album and see what they have come up with.
## The Album
There are six new tracks on the album, which concludes the trilogy. The runtime will be 41 minutes, and it will be available on March 31st (although you can listen to the full album on the YouTube channel). The track list includes:
- Heimgesucht
- Emphase der Seelenpein
- Moribunda
- Unstern
- Des Wanderers Traum
- Edo et Edam
Nyx ends the trilogy that Aara started with Triade I: Eos, concluding the story based on the 1820 gothic novel "Melmoth the Wanderer" by Charles Maturin. Although I'm not familiar with that story, according to the band's Bandcamp page, the third installment is described as follows:
> *"'Nyx' stands for the end, and darkness…with the stories of the protagonists coming to a conclusion. Melmoth’s lover ends up in the dungeons of the Inquisition and dies of her grief after the death of the child conceived with Melmoth. But despite all the suffering of the people, Melmoth cannot convince anyone to share the lot of immortality for his soul, and so his time runs out and his existence on earth must end".*
As I said, I'll check out the story that the album is based on because it does seem interesting. Music-wise, the album is a continuation of the previous one. They have a distinct sound with nice riffs, lots of atmosphere, and good vocals. However, for me personally, the vocals are a bit too muted in the background. I think this is by the choice of the mixer or the band.
Another highlight of the music is the drums. J. or Jöschu Käser does a stellar job, and they sound awesome. He's also the drummer of another band I really like, Thron, so I had an idea of what to expect on that front.
## Highlights
The first highlight for me is "Emphase der Seelenpein," which means "Emphasis of the torment of the soul." The entire track just drips with atmosphere, featuring nice blast beats, riffs, and vocals that indeed sound like a tormented soul. This fits the track very well.
> "Hush! So be silent! Let me listen to the storm! It is he who flees with his sighs over this head felled by death!"
>
> Melmoth the Wanderer
"Des Wanderers Traum" or "The Wanderer's Dream" is the fifth track of the album, and starts off with pummeling drums (my favorite kind of drums). The vocals in the beginning sound like a hymn and give off a nice vibe. After that, the ice-cold vocals kick in together with the guitars, and everything blends together very well.
## Conclusion
If you haven't heard of Aara before, go give them a spin right now, if you have heard the previous albums, you know what to expect from the band and this latest installment. The band continues with a good album and I can't wait for their next project/album. You can give the album a spin by watching the YouTube video below. The album itself will be released on March 31st.
BMZ Score 8 / 10
## Links
Bandcamp: [Triade III: Nyx | Aara (bandcamp.com)](https://aara.bandcamp.com/album/triade-iii-nyx?ref=blackmetalzine.com)
### Review: Motherwood - Im Zeichen der Dunkelheit
URL: https://blackmetalzine.com/motherwood-im-zeichen-der-dunkelheit/
Last updated: 2025-11-10T12:00:18.000Z
#### An Introduction
One of our Discord members recommended Motherwood's second album, "Im Zeichen der Dunkelheit." The band was unknown to me, but according to their Bandcamp page, they started in 2016 in [Brazil](https://blackmetalzine.com/playlists/country/brazilian-black-metal/) and released their self-titled debut album in 2017\. Now, almost six years later, they have released their second album. The album is available in digital format, as well as on tape (currently sold out on Bandcamp) and CD.
#### The Album
"**Im Zeichen der Dunkelheit"** consists of seven tracks with a total runtime of 50 minutes, which falls just short of a few seconds. All the lyrics and track titles are in [German](https://blackmetalzine.com/playlists/country/german-black-metal/), and I will provide translations for some of the track highlights in this review. Additionally, I would like to give bonus points (not that we score albums on this website) to the band for including the lyrics on Bandcamp. I always appreciate it when bands provide the lyrics for their albums. The seven tracks are:
1. Im Zeichen der Dunkelheit
2. Nostalgie
3. Der stille Frühling
4. Winternacht
5. Ein Wald
6. Der Konflikt in mir
7. Mein Weg ist frei
I'll start by saying this album just drips atmosphere, from the first song to the last one. The vocals are right up my alley, and the included synths give an extra depth to the tracks where it's been used. The drums are also very nice, and band member Guilherme Malosso is doing an outstanding job with all the instruments. The second band member, Yuri Camargo takes care of the synths and the ambiance, and he's also doing a fantastic job.
The overall vibe of the album is a more of a 90s wave black metal style, there is some rawness to it that I like.
#### Track Highlights
The first track of the album, "Im Zeichen der Dunkelheit" or "Under the Sign of Darkness," begins with a slow buildup of guitars. This track is a good example of the rawness mentioned earlier. It feels raw and a bit lo-fi, but it works for the track. The German lyrics add another layer of rawness to the overall sound. It's a great start to the album.
The second track, "Nostalgie," continues with the raw and lo-fi sound, but there's a lot of atmosphere in that rawness.
The third track, "Der stille Frühling" or "The Silent Spring," brings the raw black metal into an atmospheric style with some nice drums. The audio is clearer than the first two tracks, and the vocals are very harsh, fitting the atmosphere well.
"Winternacht" or "Winter Night" is my favorite track of the album. It has everything: synths, rawness, great vocals, and the sound effects of a howling wind that make it complete.
The fifth track, "Ein Wald" or "A Forest," is an instrumental track that sounds okay. Personally, I prefer these tracks to be either the first or last track on an album, to build an atmosphere or round off the album.
"Der Konflikt in mir" or "The Conflict in Me" is the sixth track on the album. The addition of synth/piano is a nice touch, and the rawness of the first two or three songs is still present. The lyrics of the track are also decent, which isn't always the case with black metal releases.
> A war within me
> My thinking is self-destructive
> I try to save my dignity
> I do not want to be selfish.
"Mein Weg ist frei" or my path is clear rounds up the album and the end of the journey.
#### Conclusion
I recommend this album for fans of atmospheric black metal with a rawness to it. It may not be for every black metal fan out there, but that's not necessary. It's a decent album, and that's what matters to me, at least. You can give it a try below, or find it on your favorite streaming platform.
BMZ Score: 7 / 10
Links
Bandcamp: [Im Zeichen der Dunkelheit | Motherwood (bandcamp.com)](https://motherwood.bandcamp.com/album/im-zeichen-der-dunkelheit?ref=blackmetalzine.com)
### Review: Outlaw - Reaching Beyond Assiah
URL: https://blackmetalzine.com/outlaw-reaching-beyond-assiah/
Last updated: 2025-11-10T12:00:18.000Z
#### Introduction
[Brazil](https://blackmetalzine.com/playlists/country/brazilian-black-metal/) is known for being the home of the Canarinha (their football team), the famous Rio Carnival parades, and the Copacabana, but it's also home to some great black metal bands. This review is about one of them, named Outlaw, and their new release 'Reaching Beyond Assiah'. I first came in contact with the band via a stream on the BMP YouTube channel in 2020\. There premiered their second album "The Fire in My Tomb" and I loved it, the EP "Death Miasma" that followed in 2021 was very nice too and 2 years later, it is time for a review of their latest work which will be released on **March 31st**
#### The Album
The new album contains 7 new tracks with a runtime of almost 45 minutes.
1. Bliss of Soul
2. To Burn This World and Dissolve the Flesh
3. Beyond the Realms of God
4. The Unending Night
5. Everything That Becomes Nothing
6. The Serpent's Chant
7. Reaching Beyond Assiah
The beautiful album art is also worth a mention. It looks glorious and tries to pull you into the vortex between her hands. When I was younger, and I bought tapes or CDs, I always checked the cover of a new release. I thought that if a band puts time and effort into a good-looking album art, the same must be true for their music. So far, that seems pretty accurate (although not all the time, of course).
For this release, it definitely counts. It's all very polished (but not too much) and well put together. The drums sound like machine guns, the vocals are good (although not my favorite kind of black metal vocals, but that's a personal preference), and there are some nice riffs to be heard
#### Track Highlights
'Bliss of Soul' starts at full speed right from the beginning, with the drums keeping the pace and some nice riffs in the mix. The album is also mixed properly, with every instrument where it should be. The lyrics aren't available yet since the album won't be released until March 31st, but they can be heard pretty well with these kinds of vocals.
'To Burn This World and Dissolve the Flesh' picks up where the previous track left off. Halfway through the song, there is a nice interlude and a very nice guitar solo that sets the perfect mood. You can't sit still with music like this.
'Beyond the Realms of God' is one of the most atmospheric tracks on the album for me. It oozes atmosphere with nice drums and guitars. It's also the only track for which the lyrics are available on their Bandcamp page. So, it gives me a glimpse of what the track is about.
> *Beyond the realms of god*
> *The life struggles to survive*
> *Absorbed by black holes and dissolved by the light*
> *The creation goes from dust to dust and the black sun shines*
> *Into the circle of life and death, death will become life*
The drummer of Outlaw does a magnificent job on this album. He's also the new drummer (since 2022) of the Finnish band Ondfødt.
I won't describe all the tracks because I want to leave some room for your readers to experience it for themselves (that goes for all the reviews I write). However, I do want to mention the last track, 'The Serpent's Chant.' This is one of the faster-paced songs on the album, and it just keeps going. It has a hint of black 'n roll in it.
#### Conclusion
This album is well put together and deserves all the attention it gets. You can listen to the full album by playing the YouTube video below, which is currently the only source available, since the album won't be released until March 31st.
BMZ Score: 8 / 10
Links
Bandcamp: [Reaching Beyond Assiah | Outlaw (bandcamp.com)](https://outlaw218.bandcamp.com/album/reaching-beyond-assiah?ref=blackmetalzine.com)
Facebook: [Outlaw | Facebook](https://www.facebook.com/OutlawBlackMetal)
Instagram: [Outlaw (@outlawblackmetal) • Instagram photos and videos](https://www.instagram.com/outlawblackmetal/?ref=blackmetalzine.com)
### Review: Afsky - Om Hundrede år
URL: https://blackmetalzine.com/afsky-om-hundrede-ar/
Last updated: 2026-07-16T17:19:49.000Z
## Introduction
Ole Pedersen Luk, the man behind the [Danish](https://blackmetalzine.com/playlists/country/danish-black-metal/) black metal band Afsky, has released his third full album titled **"Om Hundrede år,"** which translates to "In a hundred years." The Danish black metal scene is growing, and it has produced some great bands like "Ildskær" and, of course, Afsky, which is the subject of this review. Let's see and hear what the new album has to offer.
## The Album
**"Om Hundrede år,"** consists of 6 tracks with a runtime of 42 minutes, but those minutes will fly by when listening to this new album.
1. Stormfulde hav
2. Frosne vind
3. Tak for alt
4. Det der var
5. Tid
6. Fred være med støvet
The sound stage on this album is superb. The acoustic sections bring a lot of atmosphere to the album, and the melancholic sound of the songs, combined with the vocals and guitar, make me feel melancholic as a listener. The way the album transfers that feeling is done very well – at least for me. I'm sure it won't affect every listener the same way, though. I also want to mention the vocals, they are spot on and really fit the feeling of the album. Sadly, I couldn't find any lyrics for the songs, so I couldn't honestly say what the album is about. However, based on the feeling I get, it seems like a sad story is being told.
## Track Highlights
We begin with the first track of the album, titled **'Stormfulde hav'**. The song starts with a peaceful and beautiful acoustic guitar part, which gives a nice melancholic vibe and is a great start to the album. It just pulls you in, especially when listening on headphones. After that, the icy vocals kick in, and I start to feel a bit of dread. That's the overall vibe I got from this song. The vocals become more intense as the track continues, and the drums pick up with some nice blast beats and guitar riffs. Overall, it's just a great start to the album.
**'Tak for alt',** which means 'Thank you for everything' in Danish, is the third track of the album. It starts off with a guitar solo, and then the drums, and vocals kick in, and you can just feel the agony. With songs like this, I would love to read the lyrics and hope the band will make them available on Bandcamp. It's difficult to transfer a feeling you get to a reader, so I can only advise you, the reader, to give this album a try and let us know in a comment what feeling it gave you and why.
**'Tid'** or **'Time'** is the fifth track of the album, and this is my favorite song on the album. The intro is nice and has a bit of a dungeon synth vibe to it, but as soon as the drums kick in and work together with the vocals, this track just keeps on giving. I love the overall vibe of the track.
I won't discuss all the tracks in this review because I feel that a new album, no matter which band you listen to, is a journey, and you have to undergo that journey on your own. The same goes for this album.
## Conclusion
The conclusion is pretty straightforward: go and listen to this album if you love melancholic/atmospheric black metal, and you won't be disappointed. You can give the album a spin by clicking the YouTube video below. The album is also available on all major streaming platforms. So, give it a try, and if you like the album, buy it and support the artist!
BMZ Score 8 / 10
#### Links
Bandcamp: [Om hundrede år | Afsky (bandcamp.com)](https://afsky.bandcamp.com/album/om-hundrede-r?ref=blackmetalzine.com)
### Review: Nemesis Sopor - Firmament
URL: https://blackmetalzine.com/nemesis-sopor-firmament/
Last updated: 2026-07-16T17:19:50.000Z
## Introduction
[Germany](https://blackmetalzine.com/playlists/country/german-black-metal/) is home to many, many great black metal bands. For example, Sarkrista, Schrat, Thorn, and Nemesis Sopor and their fourth full album, titled **"Firmament"**, belong on that list of great German black metal bands as well. The band consists of four members and is based in Dresden. I enjoyed their previous album, **"MMXL"**, which is a concept album about an AI taking control over humankind. Now, almost six years later, it's time for a review of "Firmament."
## The Album
6 tracks with a run time of almost 50 minutes is a quite the length for someone with an attention span of a mosquito, but they flew by quickly.
1. Detritus
2. Argus
3. Apsis
4. Paresis
5. Monument
6. Wall
If I had to describe the album in one word, 'journey' would be the one I'd choose. The entire album feels like a journey, with different paces to walk or run. It has quiet moments, but also blast beats that keep the momentum going. The atmosphere just oozes out of this album, and all the elements, including the vocals, drums, guitars, and arrangements, work together to create it.
Bonus points (not that we grade albums here) for providing the lyrics on their Bandcamp page. The lyrics are also well-written, and I'm glad that my German is proficient enough to understand them. I tried to translate them using several services, but the translations were only decent. I do think that a lot of the meaning is lost in translation.
## Track Highlights
Before we dive into my highlights of some of the tracks on this album, I want to point out that all the tracks are highlights on their own, but some of them appeal to me more than others.
With that being said, let's start with the first highlight, which is the second track of the album, "Argus". As I mentioned, this album feels like a journey, and this track captures that feeling the most. It begins with a slow-paced section featuring some nice guitar work that builds up the atmosphere. Then, the drums kick in with the same low pace. At its peak, the buildup transitions into a faster pace when the vocals kick in. The singer's vocals are great and right up my alley - I love that style. The vocals that do the folk part are also excellent, making for a great mix and an exciting journey.
> *So glows the gleam of your eyes*
> *So thy probing breath brushes my neck*
> *So has thy bitter arm and rebuke*
> *Yet every purpose in me determined*
The second highlight is the track "Monument," which is the fifth track on the album. The track starts off with some nice riffs, immediately followed by blast beats that just keep going. The drummer is doing a marvelous job. The lyrics of the song read like a poem and are very well-written. Around the four-minute mark, there is an interlude with spoken word vocals that sound very exciting and really enhance the vibe of the song.
> Wo Mutter, Vater Tadel stoßen
> Dass ich den Geist achtlos verhauchte
> Muss ich nie wieder rastlos wandeln
> Und heiter Miene inszenieren
## Conclusion
Let me ask you a question: are you a fan of atmospheric/melodic black metal? If your answer is yes, then you need to give this album a spin (preferably with headphones). I loved the album, and for me, it's also on the list for album of the year.
You can listen to the album by watching the video below, and if you like it, don't hesitate to buy it and support the artist.
BMZ Score: 8 / 10
#### Links
Bandcamp: [Firmament | Nemesis Sopor (bandcamp.com)](https://nemesissopor.bandcamp.com/album/firmament?ref=blackmetalzine.com)
Facebook: [Nemesis Sopor | Facebook](https://www.facebook.com/nsopor)
### Review: Nattmann - Udaad
URL: https://blackmetalzine.com/nattmann-udaad/
Last updated: 2025-11-10T12:00:19.000Z
#### Introductions
Nattmann (which translates to Night Man) emerged from Norway some time ago with their first EP titled "Udaad." Our editor, Boenna, recommended it to me, so I gave it a spin. The band hails from [Norway](https://blackmetalzine.com/playlists/country/norwegian-black-metal/), and they describe their music as:
> *Norwegian black metal inspired by our society, morality and executions from the 1600s throughout the 1800s.*
>
> *Drawing focus to the disgrace, horror, atrocities and agony in the events that occurred; Nattmann paints a dark musical landscape of human mindset, power, injustice and abuse of power.*
>
> Nattman's Bandcamp page.
#### The EP
The EP is only 9 minutes long, and are spread over 3 tracks
1. 1687
2. Nattmann
3. Stegle og hjul
Sound-wise, the album is full of atmosphere, with one of the highlights being the vocals. The different types of vocals blend seamlessly, and they are largely responsible for the atmospheric vibe that I get from this album. The drums are decent and not too overwhelming.
---
#### Track-by-Track
"1687" starts off slow and feels like an intro to the rest of the EP. The clean vocals/spoken voice is nice, and after a while, the drums start to pick up, preparing us for the next song.
"Nattmann" starts off with blast beats right from the beginning and keeps pummeling throughout (which is the way I like my drums). The vocals and growls are nice and icy, and they suit the music very well. Bonus points for making the lyrics available on Bandcamp. Although I had to use a translator to understand them, I really liked what I read.
> *Come hell's flame, press on*
> *Here you will find*
> *A rake's labor in the dead of night*
> *Until the day's sun rises*
**"Stegle og hjul"**starts off with a slow pace, some nice drums and guitar riffs, after a bit, the excellent vocals kick in and brings the entire track together. I just love the atmosphere it builds. Somewhere midway in the song it starts to pick up in pace and the blast beats start pummeling away as they should. This entire song just drips atmosphere.
#### Conclusion
The EP is on the short side, and I really hope the folks from Nattmann are working on a full album as I write this. Based on the EP, they could deliver something very nice. For the fans of Atmospheric Black Metal, give this EP a spin. You won't regret it.
BMZ Score: 7 / 10
#### Links
Bandcamp: [Udaad | Nattmann (bandcamp.com)](https://nattmann.bandcamp.com/album/udaad?ref=blackmetalzine.com)
Facebook: [Nattmann | Facebook](https://www.facebook.com/nattmannofficial)
### Review: Smrt - Hiraeth
URL: https://blackmetalzine.com/smrt-hiraeth/
Last updated: 2025-11-10T12:00:19.000Z
#### Introduction
Up for review today is SMRT and their release **"Hiraeth".** This band was unknown to me before (the list of black metal bands grows larger by the day). According to their Bandcamp page, they are a two-man black metal band based in the southern part of Georgia, [USA](https://blackmetalzine.com/playlists/country/u-s-a-black-metal/). They released their first album in 2022, which bears the same title as the band name. With an influx of black metal bands emerging from the States in recent years, let's take a closer look at this fairly new kid on the block.
#### The album
**"Hiraeth"** contains 6 tracks, with the last track being instrumental. The runtime of the album is 32 minutes.
1. Eclipsing Eternally
2. The Waning Moon
3. Resolved in Earth
4. Passing the Setting Sun
5. Hiraeth
6. Lamentation (instrumental)
The album itself is a concept album, with the concept being, according to the band's own words, "Hiraeth is a concept album that follows a person through life as they search for a relationship with death, then die to return to nothingness." I love this idea and am glad that the lyrics are available on the album's Bandcamp page, allowing us to follow the journey of the protagonist. In terms of sound, the album features some great drums, guitar solos, and nice interludes that include piano and acoustic guitar.
Additionally, the artwork used for the album cover is marvelous. I love the entire aesthetic of it, especially the shadowy figure manipulating the fibers of the cosmos.
#### Track Highlights
Let's start with the first track of the album, "Eclipsing Eternally." Right from the start, it has a nice vibe to it. The drums and guitars mix well together, giving it a bit of a black 'n roll vibe. The blast beats are there, but they don't overpower the song. It builds a nice atmosphere, especially when the vocals kick in. While they aren't the best vocals out there, they do the job - and that's what counts (for me, anyway). I also appreciate the lyrics of the album. Most black metal lyrics aren't that great, but the lyrics of this track read like a poem.
> *The echo of time is merciless*
> *Gone in the blink of an eye*
> *Moments fade away*
> *Born to die alone*
> *Was there ever a meaning?*
> *Is this the end?*
> *Death is just the beginning*
"Resolved in Earth" is the third track of the album, the track starts off with some bells going off then the tempo and blast beats pick up, and the track becomes alive (contrary to the subject of the lyrics).
> *And here I lay forever facing above*
> *There's no more pain and no more pleasure to give*
> *Beneath the surface, I have found peace.*
> *Resting eternal decaying with ease*
> *Leaving behind what, I thought, was precious to me*
Almost all mortal beings have an inherent fear of death and the unknown. This album really plays into that feeling for me. The lyrics and the concept are great.
Moving on to the fifth track of the album, **"Hiraeth"** starts off with an acoustic bit, which is a nice change of pace and sets the mood. After a minute, the guitars and drums kick in. I love the blast beats in this song, as well as the change to a more atmospheric piano interlude around the four-minute mark. The entire song has a great atmosphere and vibe to it.
#### Conclusion
If you're a fan of atmospheric black metal with hints of black gaze, you should definitely give this album a listen. I'm confident you'll enjoy it. It's a decent album, and I'm excited to see what they create in the future. You can listen to the album via the YouTube video below, and if you like it, consider supporting the artist by purchasing it.
BMZ Score: 7 / 10
#### Links
Bandcamp: [Hiraeth | SMRT (bandcamp.com)](https://smrt1.bandcamp.com/album/hiraeth?ref=blackmetalzine.com)
### Review: Unfelled - Pall of Endless Perdition
URL: https://blackmetalzine.com/unfelled-pall-of-endless-perdition/
Last updated: 2026-07-16T17:19:50.000Z
## Introduction
[Australia](https://blackmetalzine.com/playlists/country/australian-black-metal/) \- the land of the outback, deadly insects, and black metal. Although I'm not very familiar with the black metal scene there, I do know some bands that I like, such as Denouncement Pyre, a blackened death metal band, and Woods of Desolation, whose founder is also involved with Unfelled. Speaking of which, Unfelled recently released their debut album, "Pall of Endless Perdition." The band is made up of three members: D, who also created Woods of Desolation; Vlad, the drummer of Drudkh; and Mitch, a member of Austere, a depressive black metal band from Australia.
## The Album
Pall of Endless Perdition contains 7 tracks with a runtime of 36 minutes.
1. An Epoch in Bloodshed
2. The Opposer
3. Wreathed Wings
4. Veil of Perdition
5. Transcendent Legacy
6. Evanescent
7. A Diadem Embattled
The album caught my attention when I saw the announcement for its premiere on the Black Metal Promotion YouTube channel, particularly the outstanding cover art created by Yag Mort.
The album features several quality tracks (which I will highlight below), and the overall package is of very high quality. The drums, vocals, guitars, and mix all come together seamlessly, creating a cohesive and impressive listening experience. I thoroughly enjoyed the album, and it's definitely a contender for album of the year in my book.
## Highlights
Let's start with the highlights, beginning with the opening track, "An Epoch in Bloodshed." The track starts off at a fairly slow pace, but once it picks up, it really takes off. Vlad's drumming is remarkable, and the vocals are just the way I like them: cold, icy, and full of agony. Another bonus is that the lyrics are available on their Metal Archives page, and they're all about war, death (hence the grim reaper on the album's cover), and darkness.
> *As all falls silent and cold*
> *Beneath the curtains*
> *Severed by glaive*
> *And folded within winter's embrace*
Onwards to the next one, which is titled **"Wreathed Wings"**. The track starts off with an onslaught of blast beats, which really sets a great mood. They do slow down when the icy vocals of D. kick in. For me, this is one of the best tracks of the album. Halfway in the song, the onslaught starts up again, and they obey you to head bang. You just can't sit still with a track like this.
To conclude the highlights, last one mention and that's of the last track "A Diadem Embattled". This is the longest track on the album, clocking at a bit over 7 minutes long. This song has it all, it has some slow paced guitars, but also blazing fast drums. It's a great showcase of what the band is capable of.
> *Yet twisted and burning in endless fervour*
> *Illuminating a path few have wandered*
> *Led by a crown wreathed in war*
> *Wreathed in war!*
All the tracks on the album are worth a listen too, but these are the highlights for me on the album.
## Conclusion
As I mentioned earlier, I really enjoyed this album - in fact, I loved it. The band has created a stellar package with impressive drumming and strong vocals. I'm excited to see what they have in store for us in the coming years.
If you're a fan of atmospheric black metal with a touch of rawness, you should definitely give this album a spin. You won't be disappointed. You can listen to the album via the YouTube video below, and if you like it, don't forget to support the artists by purchasing it on Bandcamp.
BMZ Score: 9 / 10
#### Links:
Band:
CD, LP, Shirt & Digital Album available here:
[Pall of Endless Perdition | Unfelled items | Season of Mist (season-of-mist.com)](https://shop.season-of-mist.com/list/unfelled-pall-of-endless-perdition?ref=blackmetalzine.com)
[Pall Of Endless Perdition | Unfelled (bandcamp.com)](https://unfelled.bandcamp.com/album/pall-of-endless-perdition?ref=blackmetalzine.com)
[Unfelled, 'Pall of Endless Perdition' (orcd.co)](https://orcd.co/unfelledpall?ref=blackmetalzine.com)
Facebook: [Unfelled | Facebook](https://www.facebook.com/unfelled)
### Review: Blodkarsk - Jarpi
URL: https://blackmetalzine.com/blodkarsk-jarpi/
Last updated: 2026-07-15T18:31:41.000Z
#### Introduction
After our editor Bønna recommended the album "Jarpi" by Blodkarsk, I was excited to give it a listen as a long-time fan of [Norwegian](https://blackmetalzine.com/playlists/country/norwegian-black-metal/) black metal. We decided to team up for a shared track-by-track review of the album, providing our individual perspectives on each of our favorite tracks on the record. "Jarpi" is the second release by Blodkarsk and is available on Bandcamp (in digital and vinyl formats) as well as on various streaming platforms. We'll provide links to these at the end of the review.
#### Jarpi
The second album contains 7 new tracks with a runtime of 40 minutes.
1. Syndefall
2. Jarpi
3. Pæstadrap
4. Over svart blautmyr
5. Hælv geit, hælv mainj
6. Vinternatt
7. Næggelbit
*Jarpi*
###### Kermit:
Norwegian black metal has always hit the right spot for me, with the combination of strong vocals, intricate riffs, and pounding drums creating a unique and powerful atmosphere. Blodkarsk's music delivers a complete package in that regard, with standout elements that make their second album a major highlight.
While there are several impressive aspects to this album, the vocals truly stand out as the most incredible and powerful element.
#### A Double Dissection
###### Kermit:
The album begins with **"Syndefall"** which translates to "falling into sin" in English. The opening riff has a hymn-like quality to it, and though I can't quite place it, it feels familiar. The riff sets the tone perfectly for the track's title and lyrics, creating a cohesive and immersive experience.
*Black wings in the night*
*The bastard trampled on the cliff*
*The shadow came to the shore*
*Warn them who were*
*Hanging naked in a church tower*
*Beat his sore back with a whip*
The entire song is mixed expertly, with a perfect balance of fast-paced and mid-tempo interludes. As previously mentioned, the vocals are particularly noteworthy, adding an extra layer of greatness to the overall sound.
###### Bønna:
After such a fierce opening, the second track begins with a simple guitar, leading us into a mid-tempo black metal stomp that gets my head bobbing and my face grinning. Once again, the vocals demand your attention with a sense of desperation and anguish that I truly crave in black metal nowadays. The blasting is powerful, and when it slows down, it brings you back to nodding and grinning with great guitar hooks.
It's a worthy title track, and the name "Jarpi" or "Jårpi" actually refers to a bird known as the [Willow Ptarmigan](https://en.wikipedia.org/wiki/Willow%5Fptarmigan?ref=blackmetalzine.com) or "Jerpe" in Norwegian. The Jerpe is a game bird known for its elusive nature and adaptability to the harsh Nordic environment, which perfectly fits the music of Blodkarsk, a band that embodies the dark and cold Nordic atmosphere of black metal.
The third track, "Præstadrap," is another banger for me. We're dealing with the harsh realities of the plague that haunted Norway (and, of course, most of Europe) from 1349 onwards. It tells the story of how the ones left behind had to deal with utter death and despair.
*East of the sun, west of the moon*
*Dark clouds over the mountains*
*By the barn, life is taken away*
*The great death, brutal terror*
###### Kermit:
Another highlight track for me is"Over svart blautmyr**"** which roughly translates to "Over the black marshlands." The song begins with a great Black 'N Roll vibe, with the vocals and drums blending seamlessly. I couldn't help but wonder if the band's vocalist has other projects under his belt, or if this is his first band in the black metal genre.
###### Bønna:
The fifth track, "Hælv geit, hælv mainj" - "Half man, half goat", has an excellent opening, building up momentum before going into the blasting. The creature that is half man and half goat is none other than Pan himself, out looking for trouble. This track is another example of great songwriting, and once again, the vocals steal the show.
###### Kermit:
As I write this review, snow is falling outside, making "Vinternatt" (Winter Night) the perfect soundtrack to the scenery. The riffs on this track are great, and the drums are equally impressive, with intricate details that really shine through. The album is mixed great, with each instrument occupying just the right space in the mix. Nothing is too overpowering or muffled, creating a balanced listening experience.
###### Bønna:
The closing number, "Næggelbit," is a continuation of the theme from "Vinternatt." It's now even colder, and we are suffering from the pain of nailbite. We are certain that this freezing night will be the last of our lives. As everything slows down, so does the beating of our hearts and the tempo of our breathing. It's a great closer to this excellent album.
#### Conclusion
###### Kermit:
This was a very nice recommendation and I really enjoyed the album. I haven't listened to their previous output yet because this one has been on repeat for the last few days. But I will certainly check it out as well. I hope their next full length will be at least as good as this one, if it's even better we are potentialy talking about something truly magnificent.
**Bønna:**
At first listen, I wasn't fully convinced by this album. I acknowledged that it was a very solid album, but it didn't instantly make me go crazy. But then I listened to it again. And again. So I ordered the vinyl. I looked for the lyrics. I realized I was a Blodkarsk convert. Now I'm convinced that this album will be on my top list at the end of the year, and if not, we have one hell of a black metal journey ahead of us...
**BMZ Score:** 8,5 / 10
You can listen to the album below and if you like what you hear, consider a purchase at Bandcamp. You will find that link below.
#### Links
Bandcamp: [Jarpi | Blodkarsk (bandcamp.com)](https://blodkarsk.bandcamp.com/album/jarpi-3?ref=blackmetalzine.com)
Metal Archive: [Blodkarsk - Encyclopaedia Metallum: The Metal Archives (metal-archives.com)](https://www.metal-archives.com/bands/Blodkarsk/53999?ref=blackmetalzine.com)
We hope you enjoyed our tag team review of 'Jarpi' by Blodkarsk. It was a unique opportunity for us to share our thoughts and favorite tracks from the album.
Did you like the album? Please let us know on our social media channels, or join us on [discord,](https://blackmetalzine.com/discord?swcfpc=1) where we discuss all things black metal! Make sure to follow our Facebook page, [Black Metal Zine,](https://www.facebook.com/blackmetalwebzine) to receive notifications when we publish articles. Also check out our Instagram at [@blackmetal.zine](https://www.instagram.com/blackmetal.zine/?ref=blackmetalzine.com) for concert pictures and more!
### Review: Petit Nuage Noir - Among the Graves
URL: https://blackmetalzine.com/petit-nuage-noir-among-the-graves/
Last updated: 2026-07-16T17:19:51.000Z
## A black introduction
“Among the Graves” is the debut album by Petit Nuage Noir, which translates to “A little black cloud” in English. It's an adorable name for a band that plays fast and raw black metal. Formed in 2022 and hailing from [Poland](https://blackmetalzine.com/playlists/country/polish-black-metal/), a country with a reputation for excellent black metal, Petit Nuage Noir has just premiered their first album on our YouTube channel.
Before delving into the album, it's worth highlighting the band's logo, which deserves to be in the spotlight. It features crosses that mark the graves, complementing the album's title perfectly, and is one of the better designs out there.
## Among the Graves
The album consists of 7 tracks with a total runtime of 27 minutes and 21 seconds. While those 27 minutes are well-spent, the total playtime is on the shorter side, and it almost feels like an EP - at least to me.
1. I Am Nothing
2. On the Trail of Satan
3. Cult of Lies
4. Echoes of Eternal
5. Oblivion and Decay
6. Wolf of Black Metal
7. On the Other Side
Another aspect that caught my attention is the album cover, which features a [stave church in flames](https://en.wikipedia.org/wiki/Early%5FNorwegian%5Fblack%5Fmetal%5Fscene?ref=blackmetalzine.com). This image is an iconic symbol of the black metal scene of the 90s. I appreciate the vibe that the artwork exudes, and the great band logo ties it all together.
The first track of the album, “I Am Nothing,” starts slowly, but after a while, the blast beats kick in, accompanied by some very nice riffs. The vocals and lyrics match the atmosphere perfectly, making for a great opening track when combined.
## A Deep Dive
> *Among the graves I will forget my name*
> *I will forget where I come from*
> *No friends, no relatives*
> *Neither rain nor snow*
> *Only sorrow and darkness*
> *And boundless bliss*
> *Despair and longing*
>
> Lyrics from the first song I Am Nothing.
The third track, titled “Cult of Lies,” begins with powerful growls and screams complemented by relentless drumming. The song takes a refreshing turn halfway through, incorporating some nice black 'n roll and melodic riffs, providing a break from the ongoing onslaught of drums and growls. The lyrics, fittingly anti-Christian and in line with the song's title, add to its overall impact.
> *They kiss their hands on their knees*
> *How many hundreds of years must pass*
> *How many more senseless wars*
>
> Lyrics from the third track, Cult of Lies.
My favorite track of the album is “Oblivion and Decay.” The track starts off relentless and unforgiving, with pummeling drums and great riffs, maintaining a fast-paced momentum throughout.
The only track I didn't quite enjoy was “Wolf of Black Metal,” specifically some parts with clean singing that didn't sound as appealing to my ears. In my opinion, the singer excels more in growls, screams, and grunts, so I would have preferred for them to stick to those vocals.
## Conclusion
Overall, Petit Nuage Noir has created a decent album with some great songs that showcase their talent for fast-paced black metal. I'm eager to see what they come up with for their next release. You can give the album a listen by watching the video below. If you enjoy the album, buy it and support the artist!
BMZ Score: 7 / 10
## Links:
Bandcamp : [Among The Graves | PETIT NUAGE NOIR (bandcamp.com)](https://petitnuagenoir.bandcamp.com/album/among-the-graves?ref=blackmetalzine.com)
Metal Archives : [Petit Nuage Noir - Encyclopaedia Metallum: The Metal Archives (metal-archives.com)](https://www.metal-archives.com/bands/Petit%5FNuage%5FNoir/3540521482?ref=blackmetalzine.com)
### Review: Median Omega - Insolence
URL: https://blackmetalzine.com/median-omega-insolence/
Last updated: 2025-11-10T12:00:20.000Z
#### Introductions
Median Omega is the new kid on the block, and their debut album, Insolence, has just been released. The album is available in digital format on Bandcamp, offering options such as FLAC, WAV, and MP3\. However, apart from their Greek origin, not much is known about the band or its members. With [Greece](https://blackmetalzine.com/playlists/country/greek-black-metal/) being the birthplace of many renowned Black Metal bands, there is a sense of anticipation surrounding this new arrival. Let's see what Median Omega has to offer with their new album.
#### The Album
The album contains 5 tracks with a run time of 31 minutes.
1. Insolence
2. Nihil
3. Let the Mortals Sing Our Names
4. Prime Meridian
5. The Descendants
In my opinion, the album is quite decent, although I would have preferred if the drums were more prominent in the mix. However, I recognize that this is a matter of personal preference. While the vocals are good, they seem to be muffled and somewhat overshadowed by the other instruments. Overall, I enjoyed the musicality of the album, and one particular track really caught my attention.
Additionally, I must mention the album cover, which is truly wonderful and captures the essence of the music really well.
---
#### Favorite Track
My favorite track from the album is "The Descendants." The song kicks off with a bombastic sound that sets an outstanding atmosphere. The buildup is intense, leading up to a chant before the drums and guitars come in. The lyrics suggest that the song is about a necromancer.
> Fiery tongues
> dancing under the moon light
> \`oh My undead hordes
> rise, rise from the grave
>
> Lyrics from the song "The Descendants"
## Conclusion
Fans of [Greek](https://blackmetalzine.com/playlists/country/greek-black-metal/) and [atmospheric](https://blackmetalzine.com/playlists/genre/atmospheric-black-metal/) black metal should definitely give this album a listen. Although it might not make my top list of 2023, I enjoyed the album overall, and some parts were particularly great. If you want to check it out, you can click on the YouTube video below, and if you like what you hear, consider purchasing it to support the band!
BMZ Score: 7 / 10
#### Links:
Bandcamp: [Insolence | Median Omega (bandcamp.com)](https://medianomega.bandcamp.com/album/insolence?ref=blackmetalzine.com)
Facebook: [Median Omega | Facebook](https://www.facebook.com/profile.php?id=100090779550138)
### Review: Imperial Demonic - Beneath the Crimson Eclipse
URL: https://blackmetalzine.com/beneath-the-crimson-eclipse/
Last updated: 2025-11-10T12:00:20.000Z
#### Introduction
The black metal scene has been steadily expanding with the emergence of great new bands in recent times. Recently, I came across the debut EP "Beneath the Crimson Eclipse" by Imperial Demonic, a melodic black metal band hailing from Belfast, [Northern Ireland](https://blackmetalzine.com/playlists/country/uk-black-metal/). Released through Lion Record, their EP immediately caught my attention with its polished sound reminiscent of the late 90s/early 00s.
Speaking of the polished sound, it's worth noting the exceptional work of Kacper Lewandowski and James Reeve in the recording process at [Third Level Audio.](https://www.instagram.com/3rdlvlaudio/?ref=blackmetalzine.com) The clarity and depth of the mix are unparalleled, resulting in an immersive listening experience.
#### The EP
Returning to the music, the EP's opening moments instantly evoke thoughts of Dark Funeral and, at times, the earlier works of Dimmu Borgir - both during their best eras, in my opinion. The songs are undeniably aggressive, evil, and harsh, with "The Furnace" in particular blasting at full heat right out of the gate. Beyond its aggressive sound, the track serves as a perfect opener with its well-crafted structure and appropriate length.
During my research, while listening to the blasting track "The Path of Night," I noticed that drummer Cameron Åhslund-Glass is responsible for all the music and lyrical work on this EP. His work as the sole writer of both the music and lyrics on the album is remarkable. The talent and creativity required to produce an entire album on one's own are a testament to his dedication and passion for music. The intricate melodies and thought-provoking lyrics reflect his artistic vision and demonstrate his ability to craft a cohesive and compelling body of work. It's evident that his hard work and commitment have paid off in the form of a truly outstanding EP.
Beneath the Crimson Eclipse is a taste of what's to come, and I look forward to their full album release. These five tracks are non-stop action, and I wonder how they will fit into a full album.
#### Conclusion
Beneath the Crimson Eclipse pays homage to the greats of the genre, particularly bands like Dark Funeral, while still remaining their own sound/blend. The result is a sonic assault that is both unapologetic and captivating.
My favorite track, ‘Dawn Of The Infernal Age’, hits like a train and will undoubtedly remain in my playlist alongside ‘The Furnace’.
BMZ Score: 8 / 10
Pre-order CD, Shirt & Digital Album:[](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqa0d1ZE40RzdLWWJZQkdSMjRNajYydnZNM3Ywd3xBQ3Jtc0tuVDJxSHN3eEI0WGQ1ZXl2bk1OWklsVno5TU1BS2RYT0R6M1RfS2RQcVlpM2U2aUtMQThoQTNUNkY5dEg3ekVVN0V4SXlGcDBsU3VqV0lqQXpoVVNSMl9PMnJyWU0yMmZ0Skg2cTQzRGM4azc5cGNiaw&q=https%3A%2F%2Fblacklion.nu%2F&v=KTMs5Jh3W1k&ref=blackmetalzine.com)
- [https://blacklion.nu](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqa0d1ZE40RzdLWWJZQkdSMjRNajYydnZNM3Ywd3xBQ3Jtc0tuVDJxSHN3eEI0WGQ1ZXl2bk1OWklsVno5TU1BS2RYT0R6M1RfS2RQcVlpM2U2aUtMQThoQTNUNkY5dEg3ekVVN0V4SXlGcDBsU3VqV0lqQXpoVVNSMl9PMnJyWU0yMmZ0Skg2cTQzRGM4azc5cGNiaw&q=https%3A%2F%2Fblacklion.nu%2F&v=KTMs5Jh3W1k&ref=blackmetalzine.com)[](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbkdPYlYtb1Q1ZjNvVHYyZ1BhdTktR0w5alpKUXxBQ3Jtc0tseHhORXRGT0RNaVVuQXJUS1kxNk1scmdJYm5TelRTV25VYXUwUzJrS244NmtvbmJkbk5INkllS0hPdG5COGlfS184dk9rUHJCVUVyck8wQWsyMGtNeThGaU1LVmRUR1lPX0thNEQ5MnFibkc4R0dIVQ&q=https%3A%2F%2Fimperialdemonicblacklion.bandcamp.com%2Falbum%2Fbeneath-the-crimson-eclipse&v=KTMs5Jh3W1k&ref=blackmetalzine.com)
- [https://imperialdemonicblacklion.bandcamp.com/album/beneath-the-crimson-eclipse](https://imperialdemonicblacklion.bandcamp.com/album/beneath-the-crimson-eclipse?ref=blackmetalzine.com)
- Facebook:[ ](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbXlVeUhIZG5kakR6c3VENm1rN000RGJCWTFoZ3xBQ3Jtc0ttdXB6dUtxMUNTRTF4NHNlOG5UWnJmRi1PV2hPUDMyTWFHaE5MelJuZjVFa0h2TVVwLW43NERoTE9RWXQ1S1FJWlh5UVZVTFRDZG8yRDVTOVJLMHBucl9TNXF0WVhIM1RVTXluWnBZVzRXNmtlN1EwQQ&q=https%3A%2F%2Fwww.facebook.com%2Fimperialdemonic&v=KTMs5Jh3W1k&ref=blackmetalzine.com)
- Instagram:[ ](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqa0pxT2xxVzNPNlZQaVJBZ3JxYVktNlR5MmVlZ3xBQ3Jtc0ttUUx0TDNxeXE2YUdnczdtUDJ5b3VPdzVWdUd5Y25mSnQ2MlZFMEt0SnFiQXNCQ0QyUUtSN2Y5NV9ibmV6NEdKUFBJZkNLN2txSUxXR0tuOVdaeTRlRm1PZi1lLUlLLWktOU94RVJ3UEhjLXFZb2F1NA&q=https%3A%2F%2Fwww.instagram.com%2Fimperialdemonic&v=KTMs5Jh3W1k&ref=blackmetalzine.com)[https://www.instagram.com/imperialdemonic/](https://www.instagram.com/imperialdemonic/?ref=blackmetalzine.com)
### Review: Minenwerfer - Feuerwalze
URL: https://blackmetalzine.com/minenwerfer-feuerwalze/
Last updated: 2026-07-17T14:14:33.000Z
## Introduction
Minenwerfer ([United States](https://blackmetalzine.com/playlists/country/u-s-a-black-metal/)) is back with its 4th full album titled Feuerwalze. The album was supposed to be released on the 10th of March (on Bandcamp and all streaming platforms) but due to a leak, the band decided to release the album prematurely. The album is available in digital format (FLAC, WAV, MP3 etc.) on Bandcamp, for other formats you can check the band's label. You will find the links at the end of this review.
In this review, I will provide my opinion of the new album and offer a brief historical background on the significance of the battle.
## The Battle of the Somme
The album contains 7 tracks with a runtime of 48 minutes (and a few seconds).
1. Cemetery Fields
2. Feuerwalze
3. Eternal Attrition
4. Nachtschreck
5. Sturmtruppen III (Sommekämpfer)
6. Shrapnel Exsanguination
7. Labyrinthine Trench Sectors
Minenwerfer's previous albums have all centered around the theme of World War 1, and Feuerwalze is no exception. The lyrics on this album focus on the infamous Battle of the Somme. For those who may not be familiar with this significant historical event, allow me to provide a brief history lesson.
The band gives the following description on their Bandcamp page;
*A campaign started on 1 July 1916\. A campaign of muddy, rat infested trenches, endless artillery barrages, and cracks of rifles in the distance. A campaign of unsettling night raids, close quarters combat, and suffocating fumes of chlorine gas.*
*The sound of the treads of the first tanks grinding the bones of those long dead on the battlefield to dust, and of the screams from no man's land of men bleeding out in the night from the previous day's failed offensive.*
*This is the soundtrack for that campaign. Welcome to the Somme.*
The imagery depicted in the lyrics of Feuerwalze was a common occurrence for soldiers on both sides of the conflict. The Battle of the Somme is considered one of the bloodiest battles in human history, resulting in an estimated 1.2 million casualties. On the first day of the battle, the British suffered over 57,000 casualties, making it the deadliest day in the history of the British Army.
**Soldiers digging a communication trench through Delville Wood (Wikipedia)*
The battle was characterized by its brutality and trench warfare, with both sides experiencing heavy losses from artillery, machine guns, and poison gas attacks. Soldiers lived in appalling conditions in the trenches, often contracting diseases such as trench foot and trench fever.
With that in mind, the album starts off with a barrage of sound and for me, it gives a good representation of what it would have been like in the Trenches during that time. It would have been Hell on earth for the people in there and as you can see from the photograph on the right, the landscape was devastated by the barrage of shells or the Feuerwalze which is a military tactic of starting off with a heavy artillery barrage quickly followed by infantry.
That destruction is very well mimicked by the drums on this album because they sound relentless, like machine guns and mortars going off at a terrifying pace. The drums are one of the highlights for me on this album. That also goes for the vocals, those fit perfectly with the setting of the trenches, gnarly, icy and full of despair.
## Some track highlights
**"Feuerwalze"** is the second track of the album and starts off with a relentless sound of drums and guitars, and this keeps going for a while, and to me, it really sounds like a military tactic of shock and awe. We just can't imagine how terrifying it must have been down there in the trenches. Also, worth mention are the vocals on this track, they have a certain anger/anguish to them, the singer is doing an outstanding job.
The 4th track is **"Nachtschreck"** and translates to Night Terrors in English. The track starts off with a sound clip of German soldiers and screams of pain. That pain is also felt by the vocals once again.
The final track of the album, "Labyrinthine Trench Sectors," begins with a powerful salvo of drums that sets the tone for the rest of the song. The relentless drumming continues throughout the track, adding to the sense of chaos and despair. The latter half of the song features a sound clip of the trenches, with the constant sound of mortar impacts creating a haunting and unsettling atmosphere.
Listening to this sound clip, it is difficult to imagine the reality of what it must have been like to be a young soldier in those trenches, surrounded by the constant noise of war and the sight of fallen comrades. It serves as a stark reminder of the harsh reality of war and the sacrifices made by those who fought in it.
It's a very fitting end for the album. The rest of the tracks are good as well, but these 3 are the highlights for me.
## Conclusion
For fans of black metal albums with a historical theme, Feuerwalze by Minenwerfer is an absolute must-listen. Fans of Kanonenfieber and 1914 will especially appreciate this album's focus on the Battle of the Somme and the trench warfare of World War I.
While Feuerwalze may not surpass the previous album, Alpenpässe, in terms of sound, it is still an excellent addition to Minenwerfer's discography. The relentless drumming, gnarly vocals, and haunting soundscapes all come together to create a powerful and immersive listening experience. Overall, Feuerwalze is a worthy addition to any black metal fan's collection.
BMZ Score: 8 / 10
You can give the album a try below, and as always, if you like it, don't forget to buy the album in your preferred format and support the artists!
#### Links:
Bandcamp: [Feuerwalze | MINENWERFER | Osmose Productions (bandcamp.com)](https://osmoseproductions.bandcamp.com/album/feuerwalze?ref=blackmetalzine.com)
Facebook: [Minenwerfer | Facebook](https://www.facebook.com/minenwerfer)
Website: [minenwerfer (minenwerfer1914.com)](https://www.minenwerfer1914.com/?ref=blackmetalzine.com)
### Review: Spectral Damnation - Extra Æcclesiam
URL: https://blackmetalzine.com/spectral-damnation-extra-aecclesiam/
Last updated: 2026-07-16T17:19:53.000Z
## A brief introduction
Let's start with a confession: this band is entirely new to me. A Discord member recommended it for review, and here we are. Spectral Damnation hails from Belgium, and their first EP titled "Out of Control" was released in 2018\. Five years later, they released their first full album, "Extra Æcclesiam."
The album is available on Bandcamp (links below the article) in digital format and CD.
## Extra Æcclesiam
After looking up the band on Metal Archives, I discovered that Ahephaim, Spectral Damnation's drummer, also sings and drums in the band Lebenssucht. The latter released one of my favorite black metal albums (-273,15°C).
Ahephaim's drumming on the album "Extra Æcclesiam" is top-notch, but I noticed that it sometimes sounds a bit dull on headphones, almost like the sound is muffled. It could be due to the album's mixing, or it could just be me, but I noticed it on the first two songs.
On the other hand, Gætn's vocals on the album are fantastic. They have a cold and gnarly quality that I appreciate in black metal vocals. I also like how he mixes up his delivery, adding more dynamic to the album rather than just endless screams of terror.
Speaking of atmosphere, the album artwork brings a lot of ambiance that compliments the music, and I particularly love the red hue on it, which creates a sinister and foreboding mood, perfectly complementing the music's dark and intense vibe.
---
The album was released on the 23rd of February, and it contains 10 songs with a runtime of 49 minutes.
1. Dawn (Intro)
2. Sulfur Dawn
3. Heylel Ben Shahar
4. The Grand Annunciator
5. Serpent on a Cross
6. Opaque Funeral
7. Synodus Horrenda
8. Out of Control
9. Relics Ostension Ritual
10. Extra Æcclesiam
---
## Track highlights
The album opens with "With Dawn," an instrumental intro that sets an incredible atmosphere. It starts with the sound of a raging fire (resembling a fireplace), and then a pipe organ kicks in. The combination of both creates a haunting atmosphere that prepares you for what's to come.
The third track of the album, "Helel ben Shahar," which translates to Morning Star (also known as Lucifer) in Hebrew, is my personal favorite. When the icy vocals kick in, the song comes alive. The blast beats are exceptional, sounding like machine guns firing in the distance. I hope the lyrics will be available someday because I would love to read them.
Next mention is "Serpent on a cross", the 5th track. This song is around 3 minutes long and starts off with some nasty drums and vocals, and the onslaught just keeps on going. I thoroughly enjoyed it, but it's a shame that there are no lyrics available on either the Bandcamp page or Metal Archives.
## Conclusion
Fans of blast beats and fans of bands like Marduk, Belphegor and Enthroned need to give this album a spin. I have no doubt that you will love this album as well as the band themselves.
For me, besides the sound on my headphones, this album is great and I truly enjoy it. Now I'm excited about what Spectral Damnation will bring to the table with future releases.
You can give the album a spin below and if you like it, don't hesitate to buy the album in your preferred format on Bandcamp.
BMZ Score: 7,5 / 10
#### Links:
Buy the album here (digital, CD): [Extra Æcclesiam \[2023\] | Spectral Damnation (bandcamp.com)](https://spectraldamnation.bandcamp.com/album/extra-cclesiam-2023?ref=blackmetalzine.com)
Facebook: [Spectral Damnation | Charleroi | Facebook](https://www.facebook.com/spectraldamnation)
Metal Archives: [Spectral Damnation - Encyclopaedia Metallum: The Metal Archives (metal-archives.com)](https://www.metal-archives.com/bands/Spectral%5FDamnation/3540443256?ref=blackmetalzine.com)
Website: [Spectral Damnation (spectral-damnation.be)](http://www.spectral-damnation.be/?ref=blackmetalzine.com)
Label and Shop: [Shop Spectral Damnation – Necktwister](https://www.necktwister.com/shophome/shop-by-artist/shophome-shop-by-artist-shop-spectral-damnation/?ref=blackmetalzine.com)
### Review: Hâl - Drei Dezennien
URL: https://blackmetalzine.com/hal-drei-dezennien/
Last updated: 2025-11-10T12:00:20.000Z
#### Introduction
The one-man black metal band Hâl from [Germany](https://blackmetalzine.com/playlists/country/german-black-metal/) has released its second full album, "Drei Dezennien." I must admit, I haven't heard the previous album, "Von Nacht und Mahr." The new album, as well as the first album, is available on Bandcamp in digital and CD format. In this review, I'll provide some information about the album and some of its tracks.
#### Three Decades of War
*"Nachtelijk gevecht" by Esaias van de Velde (1623)* \- Hâl album art
The new Hâl album contains seven songs and has a runtime of 41 minutes. What drew me to this album was its artwork, which depicts an image from the Thirty-Year War that occurred between 1618 and 1648\. The painting used for the artwork is by Esaias van de Velde and was created in 1623.
1. Die Glocke schlug zu Prag
2. Von Schanz' zu Schanz'
3. Des Zimmermannes Klag'
4. Knecht und Magd
5. Des alten Neiders Freud'
6. Die Saat aus Pest und Tod
7. Wund das Land und Firmanent
---
All the tracks on the album are linked to the Thirty-Year War and some of the events that took place during that period. I found the concept of the album fascinating. Musically, the album is decent, but to my untrained ears (although I listen to a lot of music, I don't play any instruments), the drums sound a bit off. I'll assume that a drum machine is being used, which isn't necessarily a bad thing, but the mixing of the drums on this album sounds a bit off. For instance, I think the cymbals should have been brought more to the foreground. Nonetheless, the other instruments and vocals sound decent. It's not groundbreaking by any means, but I did enjoy the album.
#### Track Highlights
**"Des Zimmermannes Klag'," which means "The Carpenter's Lament" in English, is the third track on the album. The song starts off slowly and builds up a nice atmosphere. You can hear the cymbals, but because of the mix, they could have been more pronounced. After 40 seconds, the tempo picks up and the drums kick in. The vocals are very gnarly and, for me, are the best thing on this album. My German is okay, and I understand most of it, but I did use DeepL to translate the lyrics to get a better understanding. The lyrics are very nice and tie in with the events of the Thirty-Year War itself.**
> Now he sees how the lamb gives birth to the wolf
> How creation is put to shame
> Cut to pieces by those he loved so well,
> Who knew only kindness from him
>
> Lyrics from the 3rd track (translated to English).
Another highlight on this album is the song "Die Saat aus Pest und Tod," which translates to "The Seed of Plague and Death." It is estimated that between four and twelve million people lost their lives during the Thirty-Year War, but most deaths weren't caused by the war itself but by famine and plagues (such as the bubonic plague). Therefore, the title of the song is very fitting because the war was indeed a seed for plague and death.
> It is the maiden who has been ravished
> That no one looks at any more
> It is the child who was orphaned early
> That everyone now despises
>
> Lyrics from the 6th track (translated to English)
The song starts off with a Black 'N Roll vibe that I quite like, making for a nice build-up of the song. After almost a minute, the gnarly vocals kick in, and the drums pick up speed. For me, this song is the best on the album.
#### Conclusion
Overall, it's a decent album. Although the drums could have been mixed a bit better, the rest of the album sounds decent. It probably won't be the best album of 2023, but it's worth checking out if you like atmospheric black metal with a historical theme. I'm also interested in giving Hâl's first album a spin.
BMZ Score: 7 / 10
You can listen to the album below (the album premiered on our YouTube channel), and if you like what you hear, support the artist by purchasing the album in your preferred format. You can find the links below the YouTube video.
CD & Digital Album available here: [Drei Dezennien | Hâl (bandcamp.com)](https://haalbm.bandcamp.com/album/drei-dezennien?ref=blackmetalzine.com)
Instagram: [Hâl (@hal\_bandofficial) • Instagram photos and videos](https://www.instagram.com/hal%5Fbandofficial/?ref=blackmetalzine.com)
### Review: Funeral Winds - Stigmata Mali
URL: https://blackmetalzine.com/funeral-winds-stigmata-mali-review/
Last updated: 2025-11-10T12:00:21.000Z
#### An Introduction
[Dutch ](https://blackmetalzine.com/playlists/country/dutch-black-metal/) black metal band Funeral Winds has returned with a new full album entitled Stigmata Mali. This marks the seventh full album release by sole member [Hellchrist Xul](https://www.metal-archives.com/artists/Hellchrist%5FXul/10037?ref=blackmetalzine.com). As a fan of their previous two albums, Gruzelementen and Essence, I'm eager to hear what this new album has to offer.
#### The Stigmata of Evil
The new album was released on February 24th, 2023, and is now available on Bandcamp in digital format, CD, vinyl, and tape. The album exudes a strong 90s black metal vibe and truly means business. The vocals, in particular, stand out as the highlight of the album. They are raw and aggressive, perfectly capturing the dark essence of black metal, as one would expect from a band that plays this genre.
> Hateful, raw and Satanic... Black Metal the way it was meant to be!
>
> Funeral Winds Bandcamp
There are 8 tracks and the total runtime of the album is almost 35 minutes.
1. Open the Wounds
2. Stigmata Mali
3. By these Hands, by Your Command
4. Odious Emanations
5. The Angles of Darkness
6. Ferocious Revelations
7. Purified by Acausal Flames
8. The Bornless Forever
#### Track Highlights
The Angles of Darkness" is the fifth track on the new album and the first standout for me. Clocking in at just over three minutes, it kicks off with relentless drums that sound like machine guns, accompanied by Hellchrist's vicious and malevolent vocals. This track perfectly encapsulates the '90s black metal vibe, with no compromises and raw black metal at its purest form.
*Galloping steeds amongst black scorched chapels of doom*
*The Heralds of Satan's might ride amongst the flames of Hell*
*Through sulphurous smoke and ravenous consuming fire*
*We chant our Hateful verses against our adversaries Legions of Damnation*
*Brought forth from the womb of Lilith*
My second highlight from the album is the seventh track, "Purified by Acausal Flames". It begins with the same thunderous drums, resembling machine guns firing, which is a sound I personally enjoy. Although the tempo does slow down at times, the overall feeling of the song remains relentless and determined.
While the other songs on the album share the same style, these two tracks stand out for me. However, one downside of this style of black metal is that it can become somewhat generic after a while. While this is not necessarily a bad thing, I tend to switch to another album after listening to it once through.
#### Conclusion
Overall, I enjoyed the album despite feeling that it can be somewhat generic at times. However, this is not necessarily a negative attribute. I'm eager to see what Hellchrist has in store for his eighth album. If you appreciate raw, malevolent black metal with a '90s vibe, then I highly recommend giving this album a try. You can do so by checking out the Black Metal Promotion premiere below.
BMZ Score: 7 / 10
If you like it, then buy it in your preferred format on [Bandcamp](https://funeralwinds.bandcamp.com/album/stigmata-mali?ref=blackmetalzine.com) and support the artist!
### Review: Autrest - Follow the Cold Path
URL: https://blackmetalzine.com/autrest-follow-the-cold-path/
Last updated: 2025-11-10T12:00:21.000Z
#### About the band
Autrest is a one-man black metal project from [Brasil](https://blackmetalzine.com/playlists/country/brazilian-black-metal/), created by [Matheus Vidor](https://www.metal-archives.com/artists/Matheus%5FVidor/936240?ref=blackmetalzine.com), he also created some other bands but only his project Windveil has an album to its name. The album is available in a digital format (FLAC, MP3, WAV etc) on [Bandcamp](https://autrest.bandcamp.com/album/follow-the-cold-path?ref=blackmetalzine.com). The band is looking for a label and I hope they will find one because I would love to have this album on tape.
#### The Album
The album itself contains 7 tracks (the last track is instrumental) and has a runtime just shy of 43 minutes.
*The gorgeous album art.*
1. December Dusk
2. Follow the Cold Path
3. Watchtower
4. Time Is a River
5. Firelight
6. Pale Night
7. The Place Where I Belong (Instrumental)
The entire album just has a very nice atmosphere to it, and it feels like you connect with nature itself (and according to the Bandcamp page that should be the goal of the album since they play nature - themed Atmospheric Black Metal
> Autrest play nature - themed atmospheric black metal with black gaze and post-black influences.
>
> Autrest Bandcamp
#### A breakdown
While I won't break down every song on the album, I'd like to share some of my favorites. Let's start with track 4, "Time is a River." The song opens with a lovely atmospheric intro before the drums kick in about a minute later. A faint chant in the background ties the entire track together.
The vocals are excellent and blend seamlessly with the overall sound of the track. Around the 4.5-minute mark, the sound shifts to an interlude that, like the beginning of the song, creates a captivating atmosphere. I'm particularly drawn to the album's overall vibe, and "Time is a River" is no exception, even though it clocks in at 9 minutes.
"Firelight" is another standout track that opens with an easy-going vibe, but there's an added level of aggression in the vocals, drums, and guitars that's especially evident around the 1 minute 23 second mark. The drums continue to roll throughout the song, evoking the untamed power of nature that's central to the album's theme.
The album's final track, "The Place Where I Belong (Instrumental)," is an instrumental piece that invites the listener to get lost in the music. Listening to it through headphones feels like being transported to a forest, where one can connect with nature and let the mind wander.
#### Conclusion
This is a stellar debut album in my opinion, I love everything about it and I listen too it quite often. If you are a fan of Atmospheric Black Metal, give this a spin, it's a must! You can give the album a try by watching the premiere again on the video below this article, [Bandcamp](https://autrest.bandcamp.com/album/follow-the-cold-path?ref=blackmetalzine.com) or [Spotify ](https://open.spotify.com/album/1krmbhC6IzwZrUMZsCEHkE?si=VMg9UATtSUOOe1PuRv9htg&ref=blackmetalzine.com) and as always if you like it, buy it and support the artists!
BMZ Score: 9 / 10
### Review: Vandal - 地獄変 / Jigokuhen
URL: https://blackmetalzine.com/vandal-jigokuhen-review/
Last updated: 2025-11-10T12:00:21.000Z
#### Introduction
Japan, land of the rising sun, it's not the first country that comes to mind when you talk about Black Metal, but they do have a pretty decent black metal scene with some outstanding bands, for example, [No Point in Living](https://www.metal-archives.com/bands/No%5FPoint%5Fin%5FLiving/3540429275?ref=blackmetalzine.com). And there is a new star on the horizon, Vandal just released their first EP, and it's titled 地獄変 / Jigokuhen. It's available on [Bandcamp](https://van-dal.bandcamp.com/album/jigokuhen?ref=blackmetalzine.com) in digital format.
#### Album Overview
As said, the album is only available in a digital format on Bandcamp (so FLAC, MP3, WAV...) and their debut album contains 6 tracks with a total run time of 28 minutes. Those 28 minutes fly by when you listen to the music, so that's a plus in my book. The tracks are titled as following:
1. 現実になった悪夢 / A Nightmare Come True
2. 後悔した魂 / Regretted Soul
3. 大罪 / Deadly Sins
4. 業火の紅蓮 / Crimson Lotus of Hellfire
5. 等活地獄 / Sañjīva - Reviving Hell
6. 最後の審判 / The Last Judgment
All the lyrics are in Japanese, but I've used DeepL translator to get a feeling what the songs are about. And in general, it's about human anguish, but I could interpret it wrong of course, but that's the feeling I get from the lyrics.
##### Favourite tracks
My favourite tracks on the album are tracks 2 and 4, Ill start with track 2, titled **"後悔した魂 / Regretted Soul"**. The track starts off with a rumbling in the distant, which could be hooves or an army. The fact that they sing in Japanese is a plus for me, it just adds a vibe to the songs that I appreciate. Around the 1-minute mark, the song starts to pickup, and you can hear a synth - like layer over the drums, a discord member noticed it first, but after checking it again you tend to hear it straight away. This continues through the rest of the track. The lyrics (which I translated) are to my liking as well.
> He who passes me, enters the fortress of affliction.
> He who passes me will suffer eternal torment.
> He who passes me, is aligned with perished souls
> He who passes me, falls into hell.
My second favourite track is **"業火の紅蓮 / Crimson Lotus of Hellfire"**. The song starts off with a sound I describe as being sucked into a void. Then the song picks off some great drumming. To me, it sounds like a human drumming and not a drum machine, but I'm not trained very well to hear that. The Metal Archive page does not list any members for Vandal. I like drums or I don't. The vocals are spot on and the entire song has a nice vibe throughout its length. The synth - like sound is also noticeable on this track, and it reminds me a bit of the computer sounds for the Amiga.
> Life is fleeting
> Light heralds darkness.
> You see nothing.
> The sky fills with black smoke.
#### Conclusion
Vandal delivered a very nice EP, and I can't wait to what they bring to the table if they're ever going to release a full album. The start is great, and I can recommend this album to everyone who likes to listen to Atmospheric Black Metal, you won't be disappointed. If you want to give the album a spin, you can do so via the YouTube video at the end of this page, but as always, if you like the album, buy it and support the artists!
BMZ Score: 8 / 10
### Review: Depressive Witches – Distant Kingdoms
URL: https://blackmetalzine.com/depressive-witches-distant-kingdoms/
Last updated: 2026-07-16T17:19:53.000Z
## An Introduction
In 2018, two brothers from [France](https://blackmetalzine.com/playlists/country/french-black-metal/) formed a band, which they named Depressive Witches. Their debut album titled “Bad Flask” was one of my favourite albums of 2021\. And I'm glad that they released a new album fairly quickly, the new album is titled "Distant Kingdoms" and is available in digital and CD formats.
## Distant Kingdoms
The new album is released in digital format only (for now) and can be purchased via [Bandcamp](https://depressivewitches.bandcamp.com/album/distant-kingdoms?ref=blackmetalzine.com), the album contains 9 new tracks.
- Distant Kingdoms
- In the Hall of the Sleeping King
- Oh, My Dear Wyvern
- Wizard! Open the Gates!
- Pit of Goblins
- Tonight I Will Hide My Heart in Space
- Forgotten Icebergs
- Cancel Your Wedding and Fuck the Witch
- A Land to Lead
---
If you like their previous album, this album won't disappoint you, it has the same vibe to it as "Bad Flasks". The mix is excellent and all the instruments sound as they should, it's all just in balance (at least to my ears it is).
#### Track-by-Track Review:
We start off with **"Distant Kingdoms"**, and as soon as the intro is over, you hear the heavy black n' roll sound that I loved about the first album. The vocals are sharp and with the track/album very well, it's a great start of the album.
Next up is the **"In the Hall of the Sleeping King"**, it starts off slow with some heavy guitar and bass, and builds up a nice atmosphere. I just love the overall sound of this band.
But the third track of the album, titled **"Oh, My Dear Wyvern"** is one of my favourite tracks of the album. It starts with some pummelling drums and when the vocals kick in it gives off a nice vibe. Just check out this song, it has everything too it, black metal and a rock 'N roll groove.
Onwards to "**Wizard! Open the Gates!**" This is probably the song that fits the beautiful album art the most. The track starts off slow with a rock n role vibe. Like the other tracks, it just sounds very well-made and has a nice groove to it.
"**Pit of Goblins**", starts off with some mining sounds. After a while, a heavy bass sets in with some drums, you just feel like you are in a mine with numerous goblins. The pace starts off very slow, but picks up later on. But overall, this song is much slower than the rest of the songs on the album. But ultimately, it's one of my favourite songs on the album.
After the slow tempo of the Pit of Goblins, the pace starts to pick up with **"Tonight I Will Hide My Heart in Space"** but it's still a song with a lower pace, I do like the vocals and the lyrics of this song, for example the quote below, it just has a nice feel to it.
> Stars
> The things you wish
> Fight or to conquer
> That’s the way
**"Forgotten Icebergs"** could be a song about the Titanic, but it isn't. The song has the same groove too it as most of the other songs too it, but it feels a bit like a filler song (it's also one of the shortest songs on the album).
And now the track with the one stellar title; **"Cancel Your Wedding and Fuck the Witch"** the song starts off heavy and groovy, the vocals are great (like on the rest of the album). The tone of the song reminds me a bit of Sisters of Mercy, and that's not a bad thing. The lyrics are short and are repeated over the course of the song.
For the last song, we listen to **"A land to lead"**. This song has a very different kind of vibe too it and is way more folky than the rest of the albums. It feels a bit off with the rest of the album, but the track itself sounds great, and if the brothers decided to make a folk album, I would certainly listen too it.
> It is a land to lead
> Glorious battles to win
> Many monsters to fight,
> Making them spit an ashen sigh
#### Conclusion:
Overall, I loved the album, for me, the first album is the better album of the 2 albums released so far, but it's still a very decent album. I'm looking forward to what they come up with for their third album, but that will probably take a while before that's released.
If you like Black 'N Roll this album will be just the thing for you for me, this is one of the better bands in the subgenre, but you should check it out yourself and form your opinion about that. You can listen to the album below:
BMZ Score: 8 / 10
### Review: Exilium Noctis - Fragments of Apocalypse
URL: https://blackmetalzine.com/exilium-noctis-fragments-of-apocalypse/
Last updated: 2026-07-15T18:31:44.000Z
#### An Exile of the Night
On the 5th of August from 2022, Exilium Noctis released their debut album titled Fragments of Apocalypse. We have the festive stuff behind us, but we are still enduring the winter times (at least for those in the Northern Hemisphere). And this album suits that atmosphere perfectly.
The band released 3 singles before releasing their debut album, but I have to admit I was not familiar with the band. The band itself hails from [Greece](https://blackmetalzine.com/playlists/country/greek-black-metal/) and for me, that is a considerable plus. Bands like Varathon, Rotting Christ, Necromantia are among my favorite bands.
---
---
#### The Album
---
As mentioned, the album itself is their Debut album and released through Sleazy Rider Records. More info will be mentioned below the review. But the album cover self is worth a mention. It sets an atmosphere that I like.
The album contains 7 songs with a playtime of 42 minutes. The tracks are:
- Desecrators
- Night Witches (Die Nachthexen)
- The Coming of Abaddon
- Celestial Onslaught
- Crucify the Rats of Church
- Devouring the Carcass ov God
- Wrath Eternal
##### Desecrators
The first track of the album starts off with a nice and quiet opening. It sets a pleasant atmosphere, and it gives a feeling (for me at least) that it builds up to something grand. The piano section is simple but effective in achieving that feeling. After 1 minute and a bit, the track opens up with drums that sound fast and on pace. But what I really like about this band are the vocals, they are harsh and fierce.
##### Night Witches (Die Nachthexen)
> *They gave their lives for love*
> *They pay back the pain*
> *They turn the grief to hate*
> *They looked into the eyes of death*
The second song sets in with a heavy bass and the chanting lays down a nice thick atmosphere. After a minute, the gates of Hell are opened and the drums start to fire off like machine guns. I love the vocals of this track, and they are excellent on the other tracks as well.
##### Crucify the Rats of Church
The title of the track says enough for me. The song is heavy with pummelling drums and the like said before, the vocals are perfect. I love the riffs and of this song and the lyrics. The lyrics of the song match the title of the song perfectly.
> *Crucify the rats of church*
> *Nail theirs limbs upon the cross*
> *Break their legs and rip their arms*
> *Drown their souls into despair*.
#### Conclusion
I really liked the album, it's not the best black metal out there, but it suits me perfectly. The vocals are wonderful, there are a lot of pummeling drums, just the way I like it. But, like all albums, give this album a spin and form your opinion.
BMZ Score: 7,5 / 10
---
#### Social Media & Info
Buy the album: [Fragments of Apocalypse | Exilium Noctis (bandcamp.com)](https://exiliumnoctis.bandcamp.com/album/fragments-of-apocalypse?ref=blackmetalzine.com)
Information:
Music by Alpha & Omega
Lyrics by Omega
Produced, Mixed by Spyros Charmanis (S recordings studios, Volos, Greece)
Programming & Mastering by Achilleas C. (Suncord Audiolab, Ioannina, Greece)
Arrangements by Exilium Noctis
Featuring Guest Vocals on “Wrath Eternal” by Jens Rydén (Thyrfing, ex-Naglfar, Profundi, Dead Silent Slumber)
### Review: Tulus - Fandens Kall
URL: https://blackmetalzine.com/tulus-fandens-kall/
Last updated: 2025-11-10T12:00:21.000Z
## Tulus, more than 30 years of original aggression.
This Norwegian outfit never disappoints in putting out solid black metal that sounds as the dark spirits intended, yet with their own sense of melody and groove. With all three members also being the core of Khold (with the addition of Rinn on guitar), could Tulus (Sarke, Blodstrup & Crowbel) deliver an album as strong as Khold's no-nonsense powerhouse, Svartsyn, from last year?
---
---
## The album, track by track:
The album opens strongly with the song that gives it its name, 'Fandens Kall'. It truly feels like a calling from a horned demon hiding deep within the wild forest. If this doesn't get your blood flowing and turn up the volume instantly, I'm afraid you are not invited to my weekly 'drink beer and nod your head' party because this will be played until we pass out...
The second track, 'Lek', brings a different sensibility with pummeling drums and bass, along with some stop-and-go riffing and an overall great feel. My head is still bobbing, and now I'm sporting a dirty grin.
'Slagmark' starts off slow, with guitar and bass working great together. If you ever thought black metal can't be both groovy, rocking, and sinister, look no further for evidence to the contrary.
'Allstøt' opens with blasting darkened bliss before calming down at the end to drive its point home.
The next track, 'Isråk', follows this up with great melody lines and concludes side A of the album (for vinyl listeners, that is).
[](https://blackmetalzine.com/tulus-norwegian-black-metal/)
Read our Tulus [interview.](https://blackmetalzine.com/tulus-norwegian-black-metal/)
For the second half of the album, we veer off the beaten path a bit, which is a welcome change of mood, but we're still firmly rooted in the Tulus and Khold soundscape.
'Samulesbrenna' has a slow build-up, with captivating acoustic interludes interspersed between the slow stomp of distorted guitar and bass.
The next track, 'Sjelesmerte', starts off with a steady rock-and-roll groove that gets me back into beer-chugging mode. Then it surprises with a very atmospheric chorus with added female vocals, which is a very nice touch.
'Bloddråpesvermer' brings back the blasting tempo as well as some acoustic guitars to lure you closer before hitting you in the gut again with some blasting. It's very dynamic and a real gem of a song this far into the album.
The last two tracks, 'Snømyrkre' and 'Barfrost', lead us into the snow-covered mountains and have no plans of bringing us back home. We know we are headed into the blizzard, but we follow blindly regardless. As 'Barfrost', a somber outro track, closes out this great journey, we feel as though we are left alone among the trees on frozen, snow-covered ground. It's time to wake up and go home...
BMZ Score: 9 / 10
---
Stream the album on our youtube channel here:
---
Tracklist:
1.Fandens Kall
2\. Lek
3\. Slagmark
4\. Allstøtt
5\. Isråk
6\. Samuelsbrenna
7\. Bloddråpesvermer
8\. Snømyrkre
9\. Barfrost
Guitar/Vocals: Blodstrup
Bass: Crowbel
Drums: Sarke
Cover art by: Kjell Åge Meland
---
##### Links:
[Fandends Kall on spotify](https://open.spotify.com/album/3tPYleDtFv40cUcflEEjge?si=xxRFIgNUQbuoPYuIjUBLRg&ref=blackmetalzine.com)
[Fandens Kall on Tidal](https://tidal.com/browse/album/264056058?ref=blackmetalzine.com)
[https://www.instagram.com/tulusband/](https://www.instagram.com/tulusband/?ref=blackmetalzine.com)
[https://www.soulsellerrecords.com/](https://www.soulsellerrecords.com/?ref=blackmetalzine.com)
### Interview: TULUS
URL: https://blackmetalzine.com/tulus-norwegian-black-metal/
Last updated: 2025-11-10T12:00:21.000Z
**The name of drummer and songwriter Thomas Berglie (also known as Sarke) may not be as illustrious as those of his contemporaries and fellow countrymen Fenriz and Satyr, but with Tulus he created stripped down, punchy and groove laden black metal from its inception in 1991\. Even the implementation of exotic instruments and other out-of-the-box musical additions were already present. For thirty-plus years Tulus stayed true to their own sound and style, and although not always highly active as a band, they are nowhere near finished. Today marks the release of their seventh full-length 'Fandens kall', and a perfect reason to get in contact with Sarke to ask him some questions, which we did. Below you can read a report of our phone exchange.**
*From left to right: Sarke (drums), Blodstrup (Vocals, Guitars) and Crowbell (Bass)*
***In my opinion, Tulus were like the first black n' roll-bands (if you can call it that), long before Satyricon and Darkthrone went that route in the early to mid 2000s. Would you say that is a fair statement?***
"Yeah, I know. I also think a lot of bands, many years after us, get credit for using a-typical instruments and stuff. But if you listen to our first album 'Pure Black Energy' (1996), we used violin and choirs. We liked that from the beginning. So we combined that, groove and Motörhead punk-ish stuff. We brought that into our black metal music, because we are not so much into playing fast all the time, we like the groove."
**About the new album: the literal translation by Google of ‘Fandens kall’ is ‘Hell’s Calling’, would you say that this is somewhat accurate? Or?**
“Yeah, something like that… ‘The Call Of Death’ I would rather say. 'Fanden' is also a bit like: the devil, In a way. But for us the meaning of it is more ‘The Call For Death’.
**Who was responsible for the amazing painting that graces the front cover?**
“Kjell Åge Meland and when you turn the picture upside down, you can see the devil’s face actually. If you can find it, you can see it in the river.”
**Did you give him the free hand? Or was it a collaboration?**
“We gave him some of the new music to listen to and said that we wanted to cover to have a Norwegian touch. We wanted an atmospheric cover. And I like nature, I use it as inspiration. So we told him to use nature as well. I think he did a great job.”
**What’s the difference between the new album and the previous ‘Old, Old Death (2020)?**
“I would say that the new album is a bit more aggressive. Maybe the production is heavier? It’s still Tulus.”
**Compared to ‘Old, Old Death’ I think it’s also a bit more proggy at times with unexpected turns during a couple of songs and the use of a weird sounding acoustic guitar. Don't you think?**
“Yeah, a bit more experimental maybe?”
**What I also like about the record is that it comes to the point rather quickly with a playtime just over half an hour. But then again, this has been the case for most of your albums. Why is this?**
"You know about how Slayer handled their older albums? Where you got music going all the time and it's cool all the way. And it's not one and a half hours or anything, just thirty-four minutes of action and then it's over. I like that. We like to bring that into Tulus as well, say what you have to say and be done with it."
*The front cover of album number seven: 'Fandens kall'* *(painting by Kjell Åge Meland)*
**Is there a song or songs on 'Fandens kall' that you are really pleased with? Or that turned out better than you anticipated?**
"The second song "Lek", that was kind of a special song that I think turned out great in the studio. The first one "Fandens kall" too. But that goes for all the songs, but those two stand out for me. Again, we rehearsed everything so well before we went into the studio that we only were curious about how the production would turn out. We are very pleased with the production, so I think it sounds good."
**You are the main songwriter in Tulus, right?**
"Yes, I will say that. We all make songs, riffs and everything but I create most of the music, and I also take care of the direction and the production bit of the songs. I am the glue in the band, if you will.
**What about inspiration?**
"To get inspiration to make music and everything, it comes in periods. Sometimes you make a lot in one week and you do nothing in a month. Then you do a little bit again. I have to be in a creative mindset to make music, to make riffs and come up with ideas. So I use maybe one-and-a-half/two years to have ideas for a whole album.
So you go and make some, and you change some and maybe you don't use it after all. You think about it. I play guitar a lot and it's also when you have a cool riff or some cool ideas that maybe doesn't fit the Tulus-album. Then you have to throw it away. So you make, of course, several things that never go anywhere."
**Do you write it down and/or make demos?**
"I have it on my cellphone. I use my guitar and I record the riffs on it."
**Then you go into the rehearsal space with whole songs?**
"Yeah, I can have a whole song but sometimes at rehearsal we rearrange it if it doesn't work. Or someone in the band doesn't like everything and then we can change it around. Or create something new. Or some of the guys has another riff or idea that fits the song better. That's also why we record live in the studio, because it's like when we are at rehearsal and do the songs. So everybody is involved in the song writing process and we make the final result at rehearsal and in the studio."
**How do you decide what material is for Khold/Tulus/Sarke?**
“For me it’s easy to separate them. Because I never make music for each band at the same time. There’s a period for every band when I write. With Khold I work together with guitarist Gard, we do a lot at home and make demos. Tulus is more a rehearsal type of band. With my solo-project Sarke it’s more varied and I take inspiration from other bands. They all have their own style and vibe.”
**With your other band Khold you have toured with Carpathian Forest and Behemoth in 2001 and with Satyricon in 2003\. But not with Tulus, what was the reason for this? Any plans for touring in the foreseeable future?**
“Yeah that’s true. We never toured with Tulus. I think back then Khold was the priority, so from 2000 to 2008/2009 we toured and focused on gigs with Khold. Later with Tulus we did just off-ones and weekends… But we would like to tour with Tulus, if it’s the right tour. Because we are getting a bit older and from 2010 up until now we’ve all had kids. So we don’t want to be away for too long, and we have jobs to pay the bills.
For us it’s not a lifestyle to try to make enough money with the music. But of course if a nice band asks us to go on tour with them it would be easier now, because our kids are older. So we’ll see. What’s important for us is that the people are okay to tour with and that the band is big enough to attract a crowd. It would be great to support a bigger band, I’m not sure who, to do some special gigs with.”
**One thing that has occupied my mind for quite some time is: what does Tulus mean? Or is it just a name?**
"No. We've picked that name in 1991, but I can't really remember exactly how. I know we looked at a lot of things back then, and we put a few words together. For us it didn't mean anything. It sounded cool."
**Any last words?**
“I hope that people will check out the new album and watch the documentary. Because I think that it is not only for fans of Tulus, but also for people that like music in general, they can enjoy it too, I think. And the thing with Tulus is, is that it’s nice if people can book us. We’re not a very big band, so we can’t choose where to play all the time. It would be great if festivals or bands ask us and we will come.”
**Find Tulus on Facebook and Instagram:**
[www.facebook.com/TULUSband](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbjVGWk1aRzg3c1NLeWRxMTBLNDlHdmJFaUlJQXxBQ3Jtc0tteE9KOWdxdDEwRldQUlU5aENDNjJfdWdyVktSWlIwaTJqYWdtM1Q5Tzd2TWJkWkliaTVRVDdCM0E3bWtaYkFVeG5sMFZNTjRpRmVmT3VsbjZkYmJpOFhOaXVpdGVWYmtNN01EV2QtU3dqSGp6VVl5MA&q=https%3A%2F%2Fwww.facebook.com%2FTULUSband&v=F5aXLVsTd7g&ref=blackmetalzine.com)
[www.instagram.com/tulusband](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbVNweGZJdEJ0dFBCZV9zV0xFUG9QYWZTal9pUXxBQ3Jtc0trUXJxUWQzV1cwQndwenJFQV9wdmhlUG41aEhQR1NWTUU1S3o4NFYwMWNyVUZoOEhsSlMySDhDZTd1M25TSUZNQXA4NGR1dW9OTUowV1pPWjZwMkloNzB6MFBOWFVHcDJDTzNYQUJhVnVFYVJzcDRkcw&q=https%3A%2F%2Fwww.instagram.com%2Ftulusband&v=F5aXLVsTd7g&ref=blackmetalzine.com)
### Interview: Schavot
URL: https://blackmetalzine.com/schavot/
Last updated: 2025-11-10T12:00:22.000Z
**Nowadays, numerous black metal acts “successfully” carbon copy the sounds and aesthetics of the glorious Nineties' *Second Wave*, but very few actually capture the feel of that era. [Dutch](https://blackmetalzine.com/playlists/country/dutch-black-metal/) multi-instrumentalist Floris of the black metal entity Schavot is one of them. The urge and time to pay homage to the music that shaped him as a teenager in the mid-nineties gained momentum during the lockdown in 2021**. **This resulted in the debut 'Galgenbrok': a portal to a time when Ulver, Ancient, Dimmu Borgir, Emperor and Obtained Enslavement left a lasting impression on its creator. Not long after this Floris had enough inspiration and ideas for a second full-length. Thus releasing 'Kronieken uit de nevel' (Chronicles from the fog) a mere thirteen months later...**
**Here below you will find the conversation that was held via email with Floris of Schavot.**
*Floris of black metal entity Schavot in his preferred surroundings: the woods*
##### ***Do you remember how you found the name for your project? Why Schavot? Subsequently: can you give a brief timeline up until now?***
“It is said that the music from one’s puberty makes the most impression. For me, that period was around the second wave of black metal. To me, the black metal around the period '94-'98 has never been surpassed. For a while, I had the idea to make such black metal, out of a sense of nostalgia. Dark, melodic black metal with lots of blast beats and vicious, shrill vocals.
When the covid-lockdowns came in 2021 I was given time to realize the idea. The debut album 'Galgenbrok' was recorded at home in a time span of a few months. The successor “Kronieken Uit de Nevel” took a little more time and also goes a little deeper. The lyrics are about local folktales and sagas, mixed with a touch of history. The name Schavot (Scaffold) was actually too obvious not to use it.”
##### ***You are also known for playing in Asgrauw, Meslamtaea and Sagenland. How do you find the time to do all this? Was there something missing in the other bands/projects that made you start Schavot?***
“I don't spend an extreme amount of time on music, but I'm really focused and use my time efficiently. In my attic I have a studio where I can record drums and other instruments myself. Every free moment is spent effectively. During the lockdowns, various bands and projects were recorded in a relatively short time. So, it appears that I’m extremely productive; however, that was not always the case.
Each project has a different purpose and meaning to me. Asgrauw and Schavot may have similarities. However, Asgrauw is a full live band, and we write the music together, we have a bit of a punk vibe. Schavot is more melodic, and it’s a one-man band without compromises. Sagenland is a project in the folk-direction of black metal (Ulver-worship, also inspired by the Dodheimsgard debut and Arckanum). Meslamtaea is experimental jazz-infused black metal (inspired by Fleurety, Ved Buens Ende, also jazz-rock like Mahavishnu Orchestra). Every band sounds different.
As I speak, I am working with some wonderful musicians on two new projects. The Color of Rain is a sort of experimental post-black with Cynic influences. And the other project Stuporous is black/doom with Flugelhorn. You can expect more information about both projects next year.”
##### ***Did 'Kronieken uit de nevel' turn out the way you envisioned it? In addition to that: what are the differences between 'Galgenbrok' (2021) and this one?***
“I think that 'Kronieken' is a logical continuation of 'Galgenbrok'. I just continued recording immediately after I finished the debut. So don't expect shocking style changes. But where the debut was more of a style exploration, I think the successor sounds more detailed. I wanted more variety in vocals and put in more different atmospheres. For example, I used the pitch-shifter for spoken words (inspired by Bal Sagoth) more often. Even, there are some odd time signatures here and there; however, that is more of a Meslamtaea thing. Lyrically, I also sometimes deviated from the folktale path from the debut."
##### ***You are, what they call: a multi-instrumentalist (drums, guitar, bass, synthesizer and vocals) which is quite common in the subgenre of Black Metal. During my research I read in an interview with Throne Of Absence that you are autodidact. I assume that drumming comes naturally since it is your main instrument. But what I'm curious about is: how was it to learn the other instruments? Did/does it come easy or was/is it a struggle?***
"Before I taught myself to play the drums, I actually had to learn to play traditional organ because a musical instrument was supposed to be a part of my upbringing. I did it with great aversion, haha! The organ in the end was disassembled, and I made my first guitar amplifier from it! But I did learn some basics about chords and harmonies by playing that organ, though. Being able to read notes has unfortunately disappeared.
In high school I started playing in rock bands and my parents gave me a drum set that I played every free moment. I learned to play the drums by playing along with my favorite metal bands, and never took lessons. With some perseverance, it went well. I started playing guitar for another reason. I couldn't find other musicians to start a black metal band, so I just bought a guitar and started recording with it right away. Furthermore, I find the bass guitar a more interesting instrument than guitar. I like to use bass for additional harmonies, and I also use the fretless bass on some projects.”
##### ***Can you describe, in general, how you go about writing and recording for Schavot? For example: do you hear/create a riff and/or a beat first?***
“I think musical inspiration can hardly be forced. It just comes at unexpected times. When I'm working in the garden or walking. Often I wake up with some melody in my head. Occasionally I record an idea on the way, humming something into the voice recorder, just not to forget it. In the studio, I have DAW sessions for Schavot and all the other projects, that I use as a kind of audio notepad full of guitar riffs. When riffs fit together, I puzzle until a concept song is created. I then (re-)record the final music with drums, bass, guitar etc. etc. With Schavot, the riff always comes first. The drums – and that may sound strange for a drummer – are only supporting. In my other project, Meslamtaea, it sometimes works the other way around. Then I come up with an interesting drum pattern that I have to write riffs for afterward.”
##### ***Following up on the previous question: in the promo-text you mention Dutch history, folklore and otherworldly creatures as lyrical inspiration. For those who are not familiar with the Dutch language, can you share some examples?***
“I grew up in a region with a lot of history and folktales, like the ‘Witte Wieven’. Those tales are always interesting to me. It says a lot about the people of the past, their fears, and superstitions. How do you explain that people disappeared in the swamp? What is the mist that dances across the land in the morning? All kinds of ghostly creatures and supernatural phenomena were invented to explain everything. Moreover, I think those stories had a preventive effect. Because you don't walk through the swamp at night where 'Dwaallichten' are hunting for visitors. The folktales of ghost ships that sometimes loom are also fascinating. Some stories are also happened for real. One track is about Huttenkloas: a notorious criminal and murderer, who was sentenced to be ‘geradbraakt’ alive (tied to a wooden wheel while they break all your bones with iron bars). The new single “Onmens” is about Goeie Mie, a highly valued woman from Leiden, who turned to kill people with arsenic to collect money from funeral insurance.”
*Front cover of 'Kronieken uit de nevel' by Bram Bruyneel*
##### ***How does the artwork of 'Kronieken uit de nevel' relate to the music?***
"Some tracks from the album are about the witch persecution that has taken place on a large scale in the Netherlands. The idea was a drawing in the style of the Dutch illustrator Anton Pieck. I came into contact with the Belgian illustrator Bram Bruyneel who has a background as a history teacher. He agreed with this subject for art and brought in many good ideas. The image is also full of details that may not be historically accurate, but are just interesting for insiders. For example, a church has been drawn from the village where I grew up (as far as I know there has never been a burning of witches). Moreover, he drew me as one of the bystanders. This piece was one of Bram's first full-color drawings."
##### ***You are part of "Zwotte Kring" and from my understanding it is some kind of collective? Can you shed some light on this matter?***
“Recently, and especially during the lockdown period, several bands and projects have emerged in our group of friends. We formed a small network of musicians who make music together and help each other with productions. We started calling this the Zwotte Kring (local dialect for ‘black circle’) ourselves, and on Social Media we mentioned the hashtag #zwottekring a few times. This has taken on a life of its own and the name is now synonymous with our collective.
Nowadays, due to the large number of releases, it is almost impossible to get music in the spotlight. With the Zwotte Kring we try to make our albums, and those of befriended bands, visible just by supporting them. Bands under our banner are currently: Asgrauw, Teitan, Meslamtaea, Sagenland, Grafhond, Schavot, Stuporous and The Color of Rain. Around, there are a number of friends' bands and labels that we actively support!”
##### ***Is Schavot just a studio project? Or are there plans to bring it to the stage in the near future?***
"Never say never, but for now Schavot will only remain a studio project. I do everything on my own and it would take too much time and energy to get this on stage. But to be honest, my personal priority is also more about creating music than playing live. We do play live though, with my band Asgrauw."
##### ***Anything else that you might want to say or mention?***
“Thanks for the interview! Have a look at the Zwotte Kring bands and support the underground scene. Cheers!”
**Find Schavot on Facebook and Instagram:**
[https://www.instagram.com/schavot.band/](https://www.instagram.com/schavot.band/?ref=blackmetalzine.com)
### Review: Grá – Lycaon
URL: https://blackmetalzine.com/gra-lycaon/
Last updated: 2025-11-10T12:00:22.000Z
**Recently, I finally managed to catch up on some of the releases I missed the last couple of weeks. Wait, no, make that last couple of months. One of these was the latest album by Grá titled ‘Lycaon’ released under Avantgarde Music. Thanks to the video clip for ‘Flame of Hephaestus’ which got released a couple of months ago, this album (Grá’s fourth full-length album) was on my watch list for a while now. Especially seeing this will be my first experience with the band (I am going in fresh). Without further ado, let's get in to it, shall we?**
The album kicks off with the opening track ‘White City Devil’ a very Swedish sounding melodic death metal track with some black metal sauce drizzled over it. The longer I listen to the track, the more I am getting *Dimension Zero* vibes due to the harmonic guitar leads and vocals of Heljarmadr (yes, the vocalist from Dark Funeral). Again, very Swedish and I am digging it!
Following the opening track we reached earlier mentioned ‘Flame of Hephaestus’ which got a video clip release last year. A solid track with that has that lovely mid-tempo head bang able black metal flair to it. While writing this review and listening to both the album and video clip video, I notice that the mix on the album is different from the video clip. I've got to love that mastering magic! While we are at it, a big compliment for the mix of the album.
‘Torn Asunder’, the third track, followed the trend of delivering catchy mid-tempo black metal. Again, very head bang able, I think I am getting the hang of Grá and their style! The fourth track ‘Lycaon’ starts off slow and leads into yet another Swedish sounding head bang riff. The more time I spent with this album, the harder I found it to categorize them. Should it be labeled under melodic death or black metal? The fact that I find it hard to pinpoint them is probably the reason I am enjoying this album so much. Right after I wrote this sentence, I got greeted with a blast fueled tremolo section, so it seems I remain stuck in limbo.
In the middle of the album, we get greeted by a Bathory cover for the track ‘Chariots of Fire’. A solid take on this track, nothing more, nothing less! Following the cover we head to track six already titled ‘Ett avskedsbrev’ a track which did not really stick with me. Luckily, they follow it up with the slow and heavy chugmachine ‘Brännmärkt’. I bet this one hits HARD when it's performed live!
We end the album with ‘Jaws of the Underworld’ an instrumental outro track with some solid drum work from Dimman. Very militaristic despite the cheesy sounding brass sounds.
Conclusion, a solid mid-tempo melodic death/black metal album with some solid tracks! Not groundbreaking, but just solid. And guess what? Solid is good.
BMZ Score: 7 / 10
#### Grá
- Website: [http://www.grahorde.com](http://www.grahorde.com/?ref=blackmetalzine.com)
- Facebook:
- Instagram: [https://www.instagram.com/grahorde](https://www.instagram.com/grahorde?ref=blackmetalzine.com)
- Bandcamp: [https://grahorde.bandcamp.com](https://grahorde.bandcamp.com/?ref=blackmetalzine.com)
- YouTube: [https://www.youtube.com/Grahorde](https://www.youtube.com/Grahorde?ref=blackmetalzine.com)
### Vredensdal: New label & new album!
URL: https://blackmetalzine.com/vredensdal-new-label-new-album/
Last updated: 2025-11-10T12:00:22.000Z
Vredensdal signs a deal with Soulseller Records (Gorgoroth, Khold, Svartahrid, Tulus, Sarké....) out of the Netherlands.
From the mouth of Soulseller Records:
> VREDENSDAL, founded 2018 by The Goblin Reaper in Green Bay, Wisconsin – with the intention to alter the typical expectations of what Black Metal can be, integrating multiple influences into a single dynamic force to call out the primal desire within all to look deeper into our own inner shadow. Dubbed “N.W.O.U.S.B.M.” by fans, the music features styles both, the familiar and the unknown, which weave a tapestry of homages to the masters of yesteryear and explore new takes on the genre, most often in a thrashing & grooving madness. Fans of both the classic and contemporary Black Metal sound will find this outstanding act warrants repeated listening.
---
Along with these news they announced their next album "Sonic Devotion To Darkness" out March 31st 2023.
A quote from the band themselves:
> Vredensdal is absolutely astounded & proud to present our 4th album "Sonic Devotion To Darkness" in conspiracy with legendary label Soulseller Records! Signing with and being part of a label whose bands throughout the years have inspired us since our early days is a huge step for us and with this new alliance our venomous potency shall spread further and be more deadly and infectious than ever.
Tracklist:
1\. Between Worlds (Intro)
2\. The Chaos Rite
3\. The Eye In The Well
4\. Nightgrasp
5\. Sonic Devotion To Darkness
6\. Cyclical Despondency
7\. Svøpt I Blod
8\. My Right To The Throne
9\. Eyes Glowing Black
Guitar/Vocals: Goblin Reaper
Bass: Myrvandrer ([@myrvandrer](https://www.instagram.com/myrvandrer/?ref=blackmetalzine.com))
Drums: Lord Mortkin
Cover art by: Marek Soszynski ([@m.p.soszynski](https://www.instagram.com/m.p.soszynski/?ref=blackmetalzine.com))
Photography by Melissa Vredensdal
---
### Interview: Erymanthon of APOCALYPSE
URL: https://blackmetalzine.com/interview-apocalypse/
Last updated: 2025-11-10T12:00:22.000Z
##### *“Extreme Metal is meant to be extreme. It’s meant to be rebellious and provocative. It is meant to sound and appear menacing.”*
I was introduced to “Odes” which is a marvelous work of art by [Apocalypse](https://www.metal-archives.com/bands/Apocalypse/3540449107?ref=blackmetalzine.com) that was remastered recently. Apocalypse is an Extreme Metal act from [Italy](https://blackmetalzine.com/playlists/country/italian-black-metal/). Originally starting off as a power metal band, Apocalypse has since then adopted a more extreme sound. After some line-up changes in the band, multi-instrumentalist and mastermind Erymanthon took over the band and continued on his own.
A major influence on their sound is the Swedish legendary act Bathory, intending to pay tribute to and continuing the musical legacy of Quorthon. The band has incorporated different influences and personal touches into their music, without ever losing sight of their Bathory inspiration.
The band has released five full-length albums to date, and for a special treat, their entire remastered discography will be remastered in Stockholm, Sweden at MiMo Sound Studio, where the legendary Bathory recorded their last albums.
I had the honor of interviewing Erymanthon to get to know more about his recent work, influences and musical journey. This is an Ode to the Last Twilight.
---
##### This year marks the 4th anniversary of your third album, ‘Odes’. When you look back on the album, how does it feel?
I think “Odes” was an excellent album in the sense that we were able to show our Bathory influence without it sounding just like a carbon copy of Bathory albums. There are plenty of different influences and sounds on the album, so it shows a new side of us compared to the debut album, which was much more intended to be a Bathory tribute, hence the similar sound.
It was a very introverted and depressive record because it was written and recorded in a time of great personal sorrow, and it comes across in the music and lyrics. I don’t listen to my music often and this one has some especially painful passages, but I think it is a strong album.
##### The album was remastered at the same studio in Stockholm, where the legendary Bathory recorded the ‘Nordland saga’ and ‘Destroyer of Worlds’. Please tell us how did you come to this decision?
Well, it wasn’t really my decision, but our paths crossed. I first came in contact with Micke, the owner, around two years ago, I think. He was a good friend of Quorthon’s besides being his colleague, so I was always very discrete and respectful when talking to him about my music and my passion for Bathory and all of that. When ‘*Pedemontium*’ came out on CD, I mailed him a copy of it. He ended up loving the album, so when I travelled to Sweden this past summer he invited me to visit the studio, I walked in and within the first minute or so that I was there, he went “*So, do you want to be on my record label?*” Ha ha ha!
Micke is just a great guy. When we met, the chemistry was there right away. We went out for lunch together and had a great time. And of course, he knows this style of music very well after having worked with Quorthon for all that time. He knows what to do to make it sound at its best. So I accepted the offer and joined in. I couldn’t be happier right now. If you listen to the remasters, they sound amazing, and we are working well together, we get along great.
##### What are your memories of working on this remaster? How was the experience?
We didn’t really have the opportunity to work on it side by side because I still live in Italy currently, and I didn’t have the time to travel there regularly. He would send me samples and I would tell him what I thought, what to change and what to keep, and when both of us were happy with the result, we went on with the release. This is the way we work with all the remasters right now.
Of course, I went to the studio in August, and it was an incredible experience. He let me play the same acoustic guitar that Quorthon used on those Bathory albums. He showed me around the studio, the rooms where everything happened. We listened to some of my music together and started thinking about what to do with the remastering. It was moving. It’s an experience that I will never forget.
##### One of the most popular tracks from the album is 'Ode of Last Twilight'. Can you tell us more about writing the track?
I have very distinct memories of that one. I took the intro from another song I wrote for Apocalypse, which appears on the debut album, and I played it a little differently. Then added a couple of heavy, slow, doom-sounding riffs, that are still overdubbed with two or three additional acoustic guitars that play some arpeggiated sequences to add atmosphere. Then choirs, solos, vocals, everything.
It’s a very classic-style Epic song. It’s not very original but very effective, and it works very well. In retrospect, I just think the vocal melody could have been better. I remember the day I was in the studio to work on that recording, I lost a sense of time and I ended up missing the rehearsals I had scheduled with another band I played in. Ha ha ha!
##### Do you have a favorite track from the album?
Not really, no. They all have their meaning and show a different facet of the album. I don't think I can pick a favorite.
##### The album cover looks old-school and nostalgic for this age. How did you go about designing it?
I never think about what is going on already while creating music. The same is true with the album covers. I don’t want Apocalypse to just be a part of this or that trend. So, when I design an album cover, I just pick or make an image that I feel reflects the music the best. In this case, the album is very majestic, but at the same time nostalgic and melancholic.
I grew up with the mountains near me, and they are the quintessence of majesty to me, and if you ever sit down beholding the twilight, you then know for sure that it has this aura of melancholy to it. So, that was the perfect combination.
I found this picture of a mountain that is near where I live, and it was perfect. So, I asked the photographer if I could use it for my album, and he said “Sure”.
##### Tell us more about the reason for steering away from being a Power/Gothic Metal band.
When I created Apocalypse in 2015, I was listening to a lot of Nightwish, Yngwie Malmsteen, Evanescence and so on, so that was the style of music I drew most of my influence. I wrote around a dozen songs in that period, but I was never able to complete them with that bunch of assholes that were the original band. They didn’t even rehearse their parts. I think we had one or two occasions when everybody actually showed up in the rehearsal room. So, I ended up giving ‘em the kick out of the band and aborting the whole thing.
By the time I picked up our old name to start a new project, my interest in music had broadened and changed, so I naturally wrote different-sounding music than what I was writing earlier on. But you can still hear the gothic vibe in some of the passages I write nowadays, and some Yngwie influence in how I play the guitar.
##### What is the reason you think it didn't work out with your band members?
They were terrible; they were terrible! Ha ha ha! The first drummer we had would play the same beat on every track. The bass player would play his stuff on max volume and not listen to anything that was said. When he switched to drums, he would fuck around and behave like an idiot, throwing drumsticks around or sticking them into the ceiling. The next bass player had never held a bass in his hands before. The guitarist had been playing for years, but he was never able to play his parts because he never practiced. The singer was off-pitch all the time, and many times she wouldn't even start singing when she had to. They just never put the effort in. They came up with all these ideas like “Oh we should not play Metal, let's play this or that instead” when I made it clear from day one that I wanted to form a Metal band.
It's my fault too, though. I was what… 14 or 15 years old, had no previous band experience, and no contacts in the scene whatsoever. I just called in some buddies that I knew somewhat played an instrument. Most 15-year-old kids never have big ambitions. You know, I was the crazy one; I was driven; I skipped parties and never hung out to stay home and play the guitar instead; I wanted to do music, record albums and play live and all that, and they did not. I just called them in because at the time I had no better alternatives, nobody at school played music, and I didn’t have many friends, so it was difficult. But they were the most inadequate bunch of freaks to be in a band! I actually asked this girl to join the band as the singer solely because at that time I had a massive crush on her, I knew damn well she never sang before, and she could not sing for shit, ha ha ha! Good times, when you are 15… Ah well, she'll never know. I don't think she reads my interviews, anyway.
##### As one man project, what are your thoughts on the current state of extreme metal?
Aaaahh… I would rather not make enemies here, but Metal nowadays is, for the most part, really fucking boring, at least with mainstream metal. It has become just another trend. You hear any band that comes out on big labels, they all have the same fucking drum sound, the same guitar tone, the same lame-ass plastic-sounding hyper-polished production. C’mon, is this Metal or what? Then you realize they all use the same gear, they are all endorsed by the same guitar brands or whatever, they all play the same preset on their digital amp emulator, and they all play the same down-tuned riffs on their ten-thousand-strings guitars.
They all do the super low growling vocals in the verse and auto-tuned pop like vocals in the chorus that sounds like teen-aged Justin Bieber during a hormonal crisis. I wonder what happened to the original Metal attitude, do it your own way, be rough and fuck off. When you heard the original Metallica, you knew it was Metallica right away. When you heard Pantera, you knew it was Pantera. And the same is true for Type O Negative, Bathory, Malmsteen, Motorhead, Slayer, At The Gates, and I could go on.
Now you pick 10 “modern” CDs off the “Metal” shelf, and they all sound the fucking same, and it is really fucking boring. I’d pick a rough and gritty production one million times instead of a lame, sterile “modern” one. Same thing with vocalists. I hear no passion in a lot of today’s vocalists, no feeling, no screaming your lungs out and pouring your heart into it. If you want real Metal nowadays, look in the underground. There are plenty of crap bands, but there are numerous great ones too. The attitude is still there, it’s authentic and not tampered with by what’s the “flavor of the week”. Check out Kormak, Lilith Legacy, Bloodshed Walhalla, Dark Passage, to name a few. They are all great.
I also think that Extreme Metal nowadays has become too “safe” and “politically correct”. You can’t sing about this, you can’t use that symbol, and bla bla bla. Personally, I don’t give a fuck about supporting any political ideology, it has nothing to do with my way of viewing music, but I think censorship sucks. Art cannot be censored by political correctness and cancel culture.
Extreme Metal is meant to be extreme. It’s meant to be rebellious and provocative. It is meant to sound and appear menacing, it’s a way of letting steam and rage off, the same way as horror fiction novels and movies. Now the world is too concerned about offending some paranoid snowflakes’ feelings. To hell with that. Fuck political correctness and fuck censorship. And I’ll say it again: I stand for freedom; I do not stand for any political ideology at all, so anyone who speculates differently, they can fuck right off.
##### Talking about Extreme Metal, could you please tell us your favorite albums of all time?
Well, when it comes to Extreme Metal, I can say among others, *Hammerheart by Bathory*, *De Mysteriis Dom Sathanas by Mayhem, Filosofem by Burzum, Slaughter of the Soul by At The Gates, As a Song in the Harvest of Grief by Forest, Arntor by Windir.* But I like other styles of Metal too, and other styles of music in general as well. Some others of my favourite albums of all time are *Wishmaster by Nightwish, Rising Force by Yngwie Malmsteen*, some CD's I own with Bach, Beethoven, and Wagner's music, Camminando Camminando by Angelo Branduardi… Now that I think of it, I don’t actually listen to a lot of Metal music, except for a few bands or a few albums by some bands that I really like. I love to play it, and I love to write it, but I don't actually listen to it that much. Every so often a friend will lend me a CD, and I'll play it, or I buy one and listen to it. I own maybe a hundred CDs, 10 vinyls and some tapes, but I am very slow with that. I don't understand why that is, ha ha ha! Furthermore, I do go to local gigs sometimes though, I have friends who play in absolutely kick-ass bands and I like to support the underground.
##### Does Apocalypse intend to perform live anytime soon? If yes, Is there any country or city that you would love to perform in?
Erymanthon
No. I don’t think so. I don’t think Apocalypse would work well on a live stage because most of it is very arranged, with many instruments, and I don’t want to go through the hassle of finding one million musicians or playing with backing tracks. Though we have a drummer now who is meant to help us out with drums on future albums, he is a friend of mine.
I’ll say nothing more for the moment. But I would really love to do a meetup with all of our fans, to talk to them, meet them personally and shake their hands. It has happened here locally sometimes, but I would really like to meet them all and say thank you, wherever they are from in the world.
##### I believe that you are currently working on new music. What’s next for Apocalypse? What can we expect in the near future?
And you are right, ha ha ha! Well we have… let’s see, well, first of all, we are remastering our whole discography up in Sweden and we’ll put all records out again within the first months of 2023\. Apart from that, I think two albums are written, one is almost finished, and we are toying around with some new ideas too. One of them is fast, fast as hell, and really heavy and brutal. If you think ‘Collapse’ was fast, go fuck yourself. That’s how brutal it is.
Another one is very atmospheric and more oriented towards Black Metal, it was finished around one year ago, but we did not put it out eventually because Black Metal is becoming too ‘trendy’ lately and we don’t want to be part of the trend. But it was a good album, so it’s in the archives, we’ll see what to do with it. Then we have yet another one where we try to mix in some Gothic, Symphonic and Neoclassical sounds and influence with the more Epic style of music we have done so far.
It’s not so easy right now because we are trying to come up with a personal musical identity and to go our own way, we are trying different things and seeing what works and what doesn’t work. We are attempting to change a bit and make it sound fresh and original but still sounding like Apocalypse, this is also the reason we didn’t put out a record for almost two years now, but something new will come hopefully next year. I’m still not sure what record will be released first of the ones I mentioned or even if we will release them all, but well, time will tell. Something we will do for sure.
##### Finally, do you wish to add anything?
Aha, I want to thank all of your readers who took the time to read this interview, and I would like to salute all of our supporters worldwide.
I raise my hail and gratitude to all of you.
Keep Metal at Heart.
#### *“Hail the Hordes!”*
---
##### Band Links & Social Media:
**Spotify:** [https://open.spotify.com/artist/4VjQzYulaIn5zSiWnfhwnA?si=Px0qdeHHR3m60xSpV6DTXw](https://open.spotify.com/artist/4VjQzYulaIn5zSiWnfhwnA?si=Px0qdeHHR3m60xSpV6DTXw&ref=blackmetalzine.com)
**Apple Music:** [https://music.apple.com/it/artist/apocalypse/1459212709](https://music.apple.com/it/artist/apocalypse/1459212709?ref=blackmetalzine.com)
**Facebook:**
**Instagram:** [https://www.instagram.com/\_apocalypse\_official\_/](https://www.instagram.com/%5Fapocalypse%5Fofficial%5F/?ref=blackmetalzine.com)
**Bandcamp:** [https://apocalypseita.bandcamp.com/](https://apocalypseita.bandcamp.com/?ref=blackmetalzine.com)
**Website:** [https://apocalypseband.wixsite.com/apocalypse](https://apocalypseband.wixsite.com/apocalypse?ref=blackmetalzine.com)
### Short Review: Ungeheuer – Nachtherrscher
URL: https://blackmetalzine.com/ungeheuer-nachtherrscher/
Last updated: 2026-07-16T17:19:54.000Z
A few days ago I found a gem, and that gem is called Nachtherrscher, and it's the work of Ungeheuer. The band is a solo project of a man who calls himself Nachtgeist. He is from [Germany](https://blackmetalzine.com/playlists/country/german-black-metal/) and this is his first album (according to metal-archives).
## The Lord of the Night
There are 7 tracks on this album with a total playing time of 41 minutes.
1. Quellwärts
2. Schwarze Wässer
3. Stein & Bein
4. Alte Tiefe
5. Bis da Gvatter mi hoit…
6. Nachtherrscher
7. Die Graue Sichel
And I loved every minute of it. The style is atmospheric. There is a pinch of raw Black Metal mixed in. As far as I am concerned, this is the perfect mix. The vocals of Nachtgeist are harsh and icy and fit the album.
The tracks **“Schwarze Wässer”, “Nachtherrscher” and “Die graue Sichel”** are the album highlights for me.
What appeals to me the most are the drums and the overall atmosphere of these songs. It just feels cold and the icy vocals blend into it perfectly, and it creates a cold and harsh atmosphere.
Just give the album a spin, you won't be disappointed.
BMZ Score: 7,5 / 10
**This is the first of the short reviews that's going to be published on this website, and the idea behind these short reviews is to raise awareness of new albums.**
---
##### Social media & more:
Bandcamp: [https://ungeheuer.bandcamp.com/album/nachtherrscher](https://ungeheuer.bandcamp.com/album/nachtherrscher?ref=blackmetalzine.com)
Metal Archives: [https://www.metal-archives.com/bands/Ungeheuer/3540513692](https://www.metal-archives.com/bands/Ungeheuer/3540513692?ref=blackmetalzine.com)
### Review: Walg – III
URL: https://blackmetalzine.com/walg-iii/
Last updated: 2025-11-10T12:00:23.000Z
#### III time's a charm
The Dutch melodic Black Metal assemble Walg is back with their third album, titled III. Let's see what this record has to offer. The first 2 albums were very enjoyable, and as they say, third time's a charm. The digital album contains 11 tracks. That includes an intro and an outro and a bonus track (which is only available on the digital version of the album). All the titles of the songs (and the lyrics) are in Dutch. At the end of the review, you will find a PDF file with all the lyrics in it for every song (in Dutch).
by Chantik Photography
#### Track list:
1. Wanneer We Toegeven… (intro)
2. Daar Waar We Komen Om Te Sterven
3. Zielenleed
4. Geselberg
5. Paradijs
6. Harteloos
7. Labyrint
8. Beerput Der Onwetendheid
9. Verlies & Verval
10. … Dat We Monsters Zijn (outro)
11. Mourning Palace (bonus, cover)
#### A disgusting atmosphere
The intro **“Wanneer we toegeven”** which translate to “when we submit” in English, starts off with some nice atmospheric sounds, and sets the mood for the rest of the album.
---
After a scream of disgust (Walg translates to disgust). We start off with **“Daar Waar We Komen Om Te Sterven”** (translation: Where we come to die). The track starts with very enjoyable drums and the vocals are spot on. It sets a mood which I quite like. The lyrics of the track are about life and that humankind strives for a lot but in the end mostly always fails and well then we die.
The artwork which revealed when the band released the single (shown on the left) really suits the song and makes for a complete package.
---
**“Zielenleed”** (translation: suffering from the soul) starts off building up with some keyboard and guitar play and reminds me of Dimmu Borgir and Old Man's Child. After the setup, the drums start off and the songs' tempo goes up a few notches. The vocals are spot on regarding the title of the song. You can just feel the pain and agony.
I love history, so the next track is right up my alley, the song is titled **Geselberg**, which is a very, minimal hill (2,5 m high), which was used in the Middle Ages to burn witches, this happened between 1587 and 1597\. The lyrics of the song are about those events and how easy it was to point a finger and call someone a witch.
The Geselberg
> *“Vlammen grijpen omzich heen*
> *De geur van verbrand vlees misselijkmakend*
> *Voel de pijn, inhaleer de vuurzee*
> *Met het wijzen van een vinger vinden ze de dood.”*
> *“Flames reach around*
> *The smell of burnt flesh sickening*
> *Feel the pain, inhale the blaze*
> *With the pointing of a finger, they find death.”*
>
> Lyrics from the track Geselberg
---
This track is one of my favorites on the album. The lyrics are great (if you can understand Dutch) and the atmosphere of the song fits great with the theme of the song.
The album continues after that with the songs **Paradijs** (translation: Paradise) and **Harteloos** (translation: Heartless). What I really like about the album so far is the way all the songs really incorporate the name of the band itself, which means disgust in English. The band itself says the following about that:
> *“Walg (disgust) is inspired by the stupidity and overall sickening of humankind.”*
>
> Quote from Walg
And the songs so far make that apparent, but after those songs comes another favorite of my with the title Labyrinth. The song starts with a nice atmospheric and the vocals are sharp. But the lyrics are what I like the most. They are about how we lose our innocence when we grow up, and we never get it back. We can't do anything about it, but we can think back to those times.
Next song I want to say something about is **Verlies en Verval** (translation: Loss and decay). This song together with Geselberg are my favorite songs of the entire album. I just love the atmosphere of this song. The song itself is about loss, and the atmosphere just makes it a complete package. I won't say too much about it, you just need to listen to it and judge the song on your own.
> *“Nooit meer in je ogen kijken*
> *het venster van de ziel gesloten*
> *voor de laatste keer*
> *onder een deken van verlies”*
> *“Never looking into your eyes again*
> *the window of the soul closed*
> *for the last time*
> *under a blanket of loss”*
>
> *Lyrics from the track Verlies en Verval*
That leaves us with the last track, which is a bonus track most of the readers will be familiar with, its **Mourning Palace** by **Dimmu Borgir**. This track will only be available on the digital version of the album.
#### Conclusion
Overall, I really enjoyed the album, some songs resonate more with me than others, but that's a part of listening to music. It's impressive nonetheless that Walg produced 3 of these albums in a short amount of time and still make it so that the new album is better than the last one.
BMZ Score: 8 / 10
---
#### Social Media:
Country: [The Netherlands](https://blackmetalzine.com/playlists/country/dutch-black-metal/) | Year: 2023 (released on 12th of January 2023) | Genre: [Melodic Black Metal](https://blackmetalzine.com/playlists/genre/melodic-black-metal/)
Digital Album available here:
[https://walg.bandcamp.com/album/iii](https://walg.bandcamp.com/album/iii?ref=blackmetalzine.com)
- Walg -
Website: [https://walgmetal.com](https://walgmetal.com/?ref=blackmetalzine.com)
Facebook:
Instagram: [https://www.instagram.com/walg\_metal](https://www.instagram.com/walg%5Fmetal?ref=blackmetalzine.com)
Bandcamp: [https://walg.bandcamp.com](https://walg.bandcamp.com/?ref=blackmetalzine.com)
YouTube: [https://www.youtube.com/WalgMetal](https://www.youtube.com/WalgMetal?ref=blackmetalzine.com)
Metal Archives: [https://www.metal-archives.com/bands/Walg/](https://www.metal-archives.com/bands/Walg/?ref=blackmetalzine.com)
Mastered: [https://audioarchitect.io](https://audioarchitect.io/?ref=blackmetalzine.com)
### Apocalypse – Odes (Remastered) out now!
URL: https://blackmetalzine.com/apocalypse-odes-remastered-out-now/
Last updated: 2025-11-10T12:00:23.000Z
Micke Moberg & Erymanthon
Odes
The [Italian](https://blackmetalzine.com/playlists/country/italian-black-metal/) epic black metal band Apocalypse led by Erymanthon (see also: Feralia) has published on MiMo Sound Records the remastered version of their second album “Odes”.
Originally written, recorded and published in 2019\. Remastering was done by Mikael “Micke” Moberg at MiMo Sound studio in Sweden, the same studio where Quorthon crafted his last albums for Bathory.
You can listen to the album at the end of this page.
MiMo Sound studios are already working with the remastering of the first, third and fourth albums. The release of the third album “Collapse” has been announced for January 6, 2023
https://open.spotify.com/album/47jbo2a1VkMO6cg1WJIFdo?si=Ykd5VFosReefqkMgTAnarA&utm\_source=copy-link
##### Social Media:
Spotify: [https://open.spotify.com/artist/4VjQzYulaIn5zSiWnfhwnA?si=Px0qdeHHR3m60xSpV6DTXw](https://open.spotify.com/artist/4VjQzYulaIn5zSiWnfhwnA?si=Px0qdeHHR3m60xSpV6DTXw&ref=blackmetalzine.com)
Apple Music: [https://music.apple.com/it/artist/apocalypse/1459212709](https://music.apple.com/it/artist/apocalypse/1459212709?ref=blackmetalzine.com)
Facebook:
Instagram: [https://www.instagram.com/\_apocalypse\_official\_/](https://www.instagram.com/%5Fapocalypse%5Fofficial%5F/?ref=blackmetalzine.com)
Bandcamp: [https://apocalypseita.bandcamp.com/](https://apocalypseita.bandcamp.com/?ref=blackmetalzine.com)
Website: [https://apocalypseband.wixsite.com/apocalypse](https://apocalypseband.wixsite.com/apocalypse?ref=blackmetalzine.com)
### Review: Yfel 1710 - Zlatują się Ćmy
URL: https://blackmetalzine.com/yfel-1710-zlatuja-sie-cmy/
Last updated: 2026-07-16T17:19:54.000Z
**I finally got around to checking out Yfel 1710’s second album released back in November (still working on my backlog). This album (released by Pagan Records) is my first introduction to the band, so I was going in fresh, and I must say that I have been pleasantly surprised despite me not speaking the language (Polish). Seeing my backlog keeps growing, I will be keeping this (and future reviews) short and sweet.**
The moment I clicked on play, I got blasted by a wall of aggressive black metal. No intro, just straight blasting influenced by Marduk. Great start! Another first impression is the mix. All instruments have their rightful place in the mix. The album sounds solid, raw, harsh and hell, I feel like I am covered in abrasions after giving this record a spin!
Zlatują się Ćmy is an album with great variety in songwriting. From ice-cold blast fuelled hymns to slow pagan-esque waltzes. They definitely kept me invested while listening to the album in one go. A solid achievement seeing its 10 track album ticks in around 49 minutes…
The only thing I am missing on this album is more reverb/space on the slower songs (like ‘Zlatują się Ćmy’ for instance). These songs are written in a way to get you in a trance (assumption) which is not really happening due to the dry mix. I bet these songs will shine while being performed live, seeing the songwriting is definitely not the issue!
**Conclusion:** Yfel 1710s second album is rock solid. Great songwriting and variety and makes me look forward to their next album. Happy to have discovered this band!
BMZ Score: 8 / 10
## Links
- Facebook: [https://www.facebook.com/yfel1710](https://www.facebook.com/yfel1710 )
- Instagram: [https://www.instagram.com/yfel1710](https://www.instagram.com/yfel1710 ?ref=blackmetalzine.com)
- Bandcamp:[ ](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqa2ZLOHFkVzVIQVY3WGZaNUd3NVFuaEVSaGRpd3xBQ3Jtc0trNWtTZ09qU2tsUEJDam1MNGZYYVdmUVBFMGVFcDNTMWlaVTVrZ0h6MjhpdVRWWXctR05WSzBLbHVDWmtIZjhkV1FLbzI1a3ZZRzN1NDVzNnlhQUM1eFkyOTFIbkZtdVl4UkRtZzh3VWFURGdQQjdpWQ&q=https%3A%2F%2Fyfel1710.bandcamp.com%2F&v=6EI0wxZN2PU&ref=blackmetalzine.com)[https://yfel1710.bandcamp.com](https://yfel1710.bandcamp.com /?ref=blackmetalzine.com)
- Metal Archives: [https://www.metal-archives.com/bands/Yfel\_1710/3540468630](https://www.metal-archives.com/bands/Yfel%5F1710/3540468630?ref=blackmetalzine.com)
## Pagan Records
- Website:[ ](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbU1xZjhuc3lLTmRQSFJZdUYzd0hTNFNVcklEUXxBQ3Jtc0ttT29WY2pIQUdlY1RFWTFSRFVkcmg0R0ZTMnZhV0IxZm1ydGZQMXo5RTg5eFd3dUlld1RoOFoxbnBXWGg5SUUwNmpwWG93X1A1TDdRR1NtMlhZd0xLVWI3bGVSUmhsVEZGNU9JTU9wWjRoLWdQY0tycw&q=https%3A%2F%2Fpagan-records.com%2F&v=6EI0wxZN2PU&ref=blackmetalzine.com)[https://pagan-records.com](https://pagan-records.com /?ref=blackmetalzine.com)
- Facebook:[ ](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbGVVN2FaYldqSVVCNldJWmUtUDNNWGg1VGpHUXxBQ3Jtc0tsb1hiUVdfejIzNkREZVpQN1JhODlRNmIyN181aHdoVzZLZi0xazFJaTNNT09ucFcwVzByYWhjbDBRYTZ0NmxKeU45UDlGRk1DUUlIalljMUtodExPc0tzY2k2Q3BqaE8yaG1fbEhnMnFZSXF4dWFqdw&q=https%3A%2F%2Fwww.facebook.com%2Fpaganrecords&v=6EI0wxZN2PU&ref=blackmetalzine.com)[https://www.facebook.com/paganrecords](https://www.facebook.com/paganrecords )
- Instagram:[ ](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbklHd1hmbjhJdE1ObEtEbXo4U19hUXc5MHVNd3xBQ3Jtc0ttd210SnVZTFpVdVlodDhiVXdhT002YWt6NGtENW1qSlN4NHBHNndFWVhRU1hfRzBsaG1pZHp5NUoyMEFvd1E5NUoxQ3hrZUlKRzBlcGtXaHktUjlPX3B4cFBzZE1pazdFb1lsWXdfLTE1akZhbUcxOA&q=https%3A%2F%2Fwww.instagram.com%2Fpagan.records&v=6EI0wxZN2PU&ref=blackmetalzine.com)[https://www.instagram.com/pagan.records](https://www.instagram.com/pagan.records ?ref=blackmetalzine.com)
- Bandcamp:[ ](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbm4tLU1IMWFubXE3TWxBRHVxdXNqN1p0RmJfZ3xBQ3Jtc0tuNzdPaDdFWUVGcmVmVE5RSFdYODR2V2o4dDNTdUtNcFVnTDJuUjhXQUpSYXhFYktybVRnVFloSnhSbGhCLV94UUdXZzVWSjZWb1ZhMFF3dlRVVFFLdU9vblhqeUdqdXY2RUhSaU5XWUNYUGw1MVZiZw&q=https%3A%2F%2Fpaganrecords.bandcamp.com%2F&v=6EI0wxZN2PU&ref=blackmetalzine.com)https://paganrecords.bandcamp.com
- Youtube:[ http://www.youtube.com/paganrecords](http://www.youtube.com/paganrecords?ref=blackmetalzine.com)
### Review: Trinitas – Total Heresy
URL: https://blackmetalzine.com/trinitas-just-true-black-metal/
Last updated: 2022-11-30T11:00:00.000Z
After releasing an EP of the same name via War Anthem Records in 2019, Trinitas are now around the corner with their first full-length *Total Heresy*, released by Van Records.
The new album contains 9 songs with the following titles:
1. Tomb of the Misanthrope
2. Pyroclastic Crucifixion
3. Trinitas, by the Unholy Sign of the Three
4. Supernova Lucifer
5. Rite of the Necromancer
6. Dust and Shadows
7. A Hail to the Realm of Cernunnos
8. Total Heresy
9. Morgwyn, Burn in the Night
The band can actually be described as a black metal super group. The main songwriter and musical mastermind Marcus E. Norman aka Vargher is known from *Naglfar*, *Ancient Wisdom* and *Bewitched*. Vocalist is Matthias Jell aka Azathoth, former *Dark Fortress* singer and mastermind behind the band *Gràb* and the drummer is the German Stefan Hüskens aka Tormentor known from bands like *Asphyx* and *Carnal Ghoul*. So, already the line-up heralds good conditions to create a true black metal highlight.
Already the first song, **Tomb of the Misanthrope*,* is completely in your face and shows what to expect from the album. No mosh, No core, No trends, No fun. It almost feels like you're back in the 90s, when black metal was still something special and had its secrets and mysteries. Trinitas simply do many things right here. They don't try to reinvent black metal, but try to create an atmosphere that should bring tears of joy to the eyes of every fan of the genre. It's just true black metal. If you don't get along with it or if you prefer more current black metal bands like *MGLA* or *Garea*, you shouldn't read any further because you might be disappointed. But on the other hand you might be surprised by it, this gem is recommended to everyone, as each song is a highlight in itself so, give them a try.
The third Song **Trinitas, by the Unholy Sign of the Three*,* is a vocal masterpiece by Azathoth. He manages to express the atmosphere of the song with his screams and hisses. In general, he shows throughout the album that he is one of the best and, above all, most variable shouters in black metal.
***Supernova Lucifer*** is a mid-tempo banger that appears groovy and sometimes even a little sluggishly doomed. This one certainly would be a real banger live.
**Rite of the Necromancer** offers a hypnotic riff with fast and aggressive parts, and has a bit of a black metal punk vibe like old *Darkthrone*.
***Dust and shadows*** is also rather groovy and kept in mid-tempo. The guitar work here is very melodic, yet straight. In addition, the drumming is remarkable on this track, featuring tasteful double bass parts that round off the song well.
It goes on rather quickly with **A Hail to the Realm of Cernunnos**, which sounds very Swedish, thus more in the direction of the above-mentioned bands like *Naglfar* or *Bewitched*.
But my personal highlights are ***Total Heresy*** and ***Morgwyn, Burn in the Night*,** which offer a perfect conclusion to a great black metal album. On these two songs, *Trinitas* show all their skills again, ranging from fast parts over the good [Swedish](https://blackmetalzine.com/playlists/country/swedish-black-metal/) black metal work to slow doom parts which are perfected by strong vocals.
So, all in all, a forceful black metal album which should definitely be checked out, and you can do so by listening to the full album below or on the BMP YouTube channel itself.
BMZ Score: 7,5 / 10
---
##### Social media & Where to buy
CD & LP available here: [https://van-records.com](https://van-records.com/?ref=blackmetalzine.com)
##### Trinitas
Facebook:
Instagram: [https://www.instagram.com/trinitas\_\_blackmetal/](https://www.instagram.com/trinitas%5F%5Fblackmetal/?ref=blackmetalzine.com)
Metal Archives: [https://www.metal-archives.com/bands/Trinitas/3540460689](https://www.metal-archives.com/bands/Trinitas/3540460689?ref=blackmetalzine.com)
##### Van Records
Website: [https://www.van-records.com](https://www.van-records.com/?ref=blackmetalzine.com)
Facebook:
Instagram: [https://www.instagram.com/vanrecords](https://www.instagram.com/vanrecords?ref=blackmetalzine.com)
Bandcamp: [https://vanrecords.bandcamp.com](https://vanrecords.bandcamp.com/?ref=blackmetalzine.com)
YouTube: [https://www.youtube.com/vanrecords](https://www.youtube.com/vanrecords?ref=blackmetalzine.com)
SoundCloud: [https://soundcloud.com/v-n-records](https://soundcloud.com/v-n-records?ref=blackmetalzine.com)
### New video by Instorm titled Senseless Dominion
URL: https://blackmetalzine.com/new-video-by-instorm-titled-senseless-dominion/
Last updated: 2025-11-10T12:00:23.000Z
Neoclassical melodic death metal folk Instorm just released their new official music video, “Senseless Dominion”. It is the first single from their upcoming album “Psycho Violence”, which will be released on December 9th, 2022 via Metal Carnival Records.
##### The Video
---
This news was submitted via the form. Thank you for the submission, Marina.
##### Instorm on the Internet:
Official website: [https://instorm.net/](https://instorm.net/?ref=blackmetalzine.com)
Facebook:
YouTube: [https://www.youtube.com/user/Instormband](https://www.youtube.com/user/Instormband?ref=blackmetalzine.com)
Instagram: [https://www.instagram.com/instormband](https://www.instagram.com/instormband?ref=blackmetalzine.com)
Spotify – [https://spoti.fi/3tEy8WE](https://spoti.fi/3tEy8WE?ref=blackmetalzine.com)
VK: [https://vk.com/instormband](https://vk.com/instormband?ref=blackmetalzine.com)
Bandcamp: [https://instorm.bandcamp.com](https://instorm.bandcamp.com/?ref=blackmetalzine.com)
#####
### Interview: Resurrecting the Riff with Vredensdal
URL: https://blackmetalzine.com/resurrecting-the-riff-a-vredensdal-interview/
Last updated: 2025-12-17T09:16:27.000Z
## "*In the end it must be metal, the real way.*"
My first introduction to Vredensdal was last year's truly magnificent full length «Silence is Eternal». To me, this was a refreshing take on the tried and tested black metal recipe, and if you haven't listened to it, stop what you're doing, and come back to this interview once it's on full blast.
Vredensdal, a self-proclaimed part of «the new wave of US black metal» consists of one main composer, guitarist, and vocalist known as The Goblin Reaper with the support of an excellent drummer, Lord Mortkin, and more recently a bassist, Myrvandrer. In the short span of 4 years they have so far managed to put out a demo, some singles, 2 EP's, and 3 full lengths. I was curious of what was the inspiration and aspirations for this project, and therefore grateful when Mr. Vredensdal himself agreed to this interview.
---
##### What sparked your interest in music and later what got you determined to make your own?
Well, I grew up around a lot of music, musicians, and people who were genuinely interested in being musical, but I believe I'm the only one who followed through with it.
What got me to make my own music was the realization that music as a whole was a natural second language for me. I understood it and therefore, being the infinitely creative person I am, I had to do it. They call me an eccentric man, I don't believe I am.
##### When making a song, do you start off with a riff and build from there, or do you have a song structure in mind from the start?
The most important priority THE RIFF, I get so bored rapidly with songs that are purely chords and power chords throughout, often times for me, it's so lacking of personality that way.
But it's essential that feeling and emotion must perpetuate through the riffs, and that is where song structure comes in: to express the emotion.
Everything else is purely theoretical, coincidence or experimentation.
##### Your music seems to draw inspiration from many genres, while still being rooted in black metal, do you limit yourself regarding what you allow to become part of the Vredensdal sound?
This is a battle I have, almost daily.
Which is also the same amount of time I spend with my instruments.
This is both a yes and no answer, you see because I have my filter and that filter is my musical instincts.
There is music out there that calls itselves "metal" when it's actually not metal at all and there is a HUGE difference in letting other genres inspire you and basically playing your influences covered in distortion, screams and blast beats.
As I have always said: life is not about "crossing the line" but defining it and knowing when is the right time to stand on either side.
Finally, it must be metal, the real way.
##### You seem very prolific in constantly creating and putting out new material, how and when was the first time you got a sense of that there's a fan base out there appreciating your music?
I was very surprised after the first and only demo, actually, with all the feedback and response etc. While it was small compared to many things, at that time it meant inherently that much more for me because I've always had the mindset of coming from dirt, so to speak.
My motivation to create never ceases and seeing that what I create interests people motivates me even more, and most times in a very dark and twisted kind of way... which of course is excellent.
This is also the key power that comes with no obligations to touring, and I truly like that the ball is always in my court.
##### You have a drummer you're working with and recently recruited a bass player, do you keep complete creative control or do you involve them in the process? Are there any plans to make it a complete live line-up at some stage?
It always starts with one riff, and we build up everything around that riff. We focus on good song structures and sound creation. We set the level for editing very low so that the complete songs sound as organic as much as possible. This music is handmade, and the listeners have to hear that. The only important thing is to keep the music real, that’s it.
Everything is written and composed by me.
However, when looking at a painting you think of the painter and not the paint manufacturer, wherein is just as significant because it was the artist choice to use such quality of paints.
It's the same for me.
When it comes to the other players, who lets be honest are background, they fill perfectly the gaps where needed. If I could play the drums like Mortkin I absolutely would, but there's something very intriguing about energy and how it is transferred.
Where the song is defined by me, its layers are added and given extra flavor with each individual's ability to reflect off my creations. They have their rhythmic and creative freedoms within the realm they are given. That's important to me.
**Fuck live, it ain't happening man.**
##### Having released 3 albums in the span of 3 years, are you en route for the 4th? The EP you released in August is excellent and showcases some different aspects of the Vredensdal world, is it a sign of things to come on the next album?
The 4th album is totally complete with music, art, and everything. We're just waiting on the label go ahead to release the info.
If there is anything I want to get across as a musician, especially within the realm of extreme metal, it's to never expect the same shit twice and neither want for it.
I do what I want, when I want, and the listener will make their own interpretations… excellent chance I'm right on the money each time.
##### How do you find the experience of being part of the black metal underground scene? Is it mostly people and bands keeping to themselves, or is there some sense of community?
The "scene" if you can even call it that has been molested by internet whores, gear snobs and is filled with an intense amount of delusional people who only make music to get the approval of their superiors. I don't have time for that, might is right.
The community is only there for those looking for one and to me, that's not what this music is about, so I don't get fulfillment from others in that way.
I'm not searching for it, I let things happen… go with the flow, stay groovy etc.
I'm only friends with people who actively use their brains, can have a good laugh, and don't take themselves too seriously.
##### Anything you wish to add? The word is yours.
Of course, I would like to add that the sound you now know as Vredensdal is only just blossoming and soon you will be shot through the heart like a rainbow in the dark. I'm already 3 years ahead right now and... BIG news for the band is coming soon, don't sleep on it.
**Fuck saxophones & drink whiskey, cheers!**
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##### Vredensdal links:
Bandcamp: [https://vredensdal.bandcamp.com/](https://vredensdal.bandcamp.com/?ref=blackmetalzine.com)
YouTube: [https://www.youtube.com/channel/UCMBCT3E8NN-r5VaAcYTR6lQ](https://www.youtube.com/channel/UCMBCT3E8NN-r5VaAcYTR6lQ?ref=blackmetalzine.com)
Instagram: [https://www.instagram.com/vredensdalofficial/](https://www.instagram.com/vredensdalofficial/?ref=blackmetalzine.com)
Facebook:
### Interview: Vltima (GER)
URL: https://blackmetalzine.com/interview-vltima-ger/
Last updated: 2025-11-10T12:00:23.000Z
**Vltima, a Black Metal band from [Germany](https://www.youtube.com/watch?v=XdfmXYOGJ%5Fs&list=PLykNNMVjCDfXXqr1QWJ%5Fh3l4RTrPlgxAv&ref=blackmetalzine.com), recently released their debut full-length album “Ouroboros” through [TeufelsZeug Records](https://www.teufelszeug-records.com/en/p/vltima-ouroboros-cd-digipack-vorbestellung-voe-31-10-2022?ref=blackmetalzine.com). It’s a brutal and pure musical menace! And we had the chance to interview the members of the band.**
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##### My greetings to Nebelschleier and everyone! Thank you for agreeing to do this interview. Could you guys, please introduce yourself and your band, Vltima?
Vltima was born in 2021 initially as a one-man project but turned into a full 4 piece Black Metal Commando.
In 2022, we recorded our first full-length album “Ouroboros” which is available now via the band itself and Teufelszeug Records.
It's also listed on streaming platforms like Spotify and Bandcamp, for example.
##### Congratulations on your debut album! The track "Abglanz" from the album first premiered on Black Metal Promotion, and it was phenomenal! Since then, I became intrigued and patiently awaited the album's release. Now that the album is out, what response has the band received?
The response is positive all the way.
We didn't expect so many people would dig this because we never really cared, to be honest.
So, everything works fine for us and our label supports us very well throughout the release.
##### Tell us more about the album and how the band has developed this identity. What does “Ouroboros” mean to you?
Besides the tremendous stories in the mythologies of Ouroboros, we take it as the symbol of what it stands for.
It's the beginning and the end of everything. So, we think it's a good way to start the Vltima engine.
> *The *ouroboros* or *uroboros* is an ancient symbol depicting a [serpent](https://en.wikipedia.org/wiki/Serpent%5F%28symbolism%29?ref=blackmetalzine.com) or [dragon](https://en.wikipedia.org/wiki/European%5Fdragon?ref=blackmetalzine.com) eating its tail. It is The whole divine figure represents the beginning and the end of time, and it is often interpreted as a symbol for eternal cyclic renewal or a cycle of life, death, and rebirth.*
>
> *https://en.wikipedia.org/wiki/Ouroboros*
##### The antagonizing riffs, pummeling drums, soul-piercing vocals full of rage, and the production were exceptionally outstanding. The ascendancy of the second wave was visible. In terms of the lyrical theme, songwriting, and style, what are some influences that inspired the band?
To be honest, there are no necessary influences to mention. It's just our way of playing Black Metal music.
We have a clear focus on how Vltima needs to sound, and lyrically I could throw some words in like dystrophy, melancholy, astrology and occult stuff.
##### Could you please give us a walk-through of the creative process? What goes down while songwriting and recording?
It always starts with one riff, and we build up everything around that riff.
We focus on good song structures and sound creation. We set the level for editing very low so that the complete songs sound as organic as much as possible.
This music is handmade, and the listeners have to hear that. The only important thing is to keep the music real, that's it.
##### What's next for Vltima in the future? What can we expect?
In the last couple of weeks, we finished preparations for our live set, and now we are working on new material.
Writing music is the heart of Vltima. But furthermore, we are excited about our first live presentation. You should not miss that experience.
##### Finally, do you have any shout-outs or a message for your supporters?
We want to thank everyone who listens to our music and keeps the flame burning.
And of course, specials thanks to our label and bands – they all do an impressive job out there.
**We are Vltima, and we play Black Fucking Metal!**
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##### Vltima Links:
- Buy CD Digipack: [https://www.teufelszeug-records.com/en/p/vltima-ouroboros-cd-digipack-vorbestellung-voe-31-10-2022](https://www.teufelszeug-records.com/en/p/vltima-ouroboros-cd-digipack-vorbestellung-voe-31-10-2022?ref=blackmetalzine.com)
- Bandcamp: [https://teufelszeugrecords.bandcamp.com/album/ouroboros](https://teufelszeugrecords.bandcamp.com/album/ouroboros?ref=blackmetalzine.com)
- YouTube: [https://www.youtube.com/channel/UCyzOmDjtYKnzVJXwvtwHaNg](https://www.youtube.com/channel/UCyzOmDjtYKnzVJXwvtwHaNg?ref=blackmetalzine.com)
- Instagram: [https://www.instagram.com/vltimaofficial/](https://www.instagram.com/vltimaofficial/?ref=blackmetalzine.com)
- Twitter: [https://twitter.com/vltimaofficial](https://twitter.com/vltimaofficial?ref=blackmetalzine.com)
- Facebook:
### Review: Noxifer - Anticosmic Hymns of Retribution
URL: https://blackmetalzine.com/noxifer-anticosmic-hymns-of-retribution/
Last updated: 2022-11-09T09:19:38.000Z
**Recently, I was finally able to tune in on time on one of the BMP streams (I am usually always too late…) To my surprise, I was welcomed by some killer death/black riffs by the dudes from Noxifer. This melodic black/death metal band from Mexico just released their debut EP titled ‘Anticosmic Hymns of Retribution’. After giving it a couple of spins, I thought I might as well throw in my two cents.**
Noxifer - Anticosmic Hymns of Retribution
As always, sound first! This really sounds raw and at times garage-like. Although that might sound off-putting, trust me it's not. All instruments are audible, and it adds to the harsh atmosphere they were aiming for. A perfect fit for this debut EP with an overall death metal sound in its mix!
The clear winner of this EP are the great riffs filling up this EP. Whereas I am getting Deicide vibes from the killer death metal riffs, I also hear influences creeping in from bands like Dissection. This mix of styles and creative riff writing is right up my alley. Kudos!
Whereas the riffs are the crown jewel, the vocals are less impressive at times. The screams and grunts of vocalist Alemsahim are solid, his clean parts though are just a miss in my opinion (especially the track ‘Leftlover of Maha Kali’. What happened there?!)? Luckily, the majority of the EP is filled to the brim with harsh and dirty screams. Especially the track ‘The Winter Lament’ has some really great vocals which reminds me of the older material from At The Gates. I’d say keep following that path, then you have an interesting mix of styles!
**Conclusion:** Although a bit sloppy at times (especially the vocals) this is a fine debut EP from Noxifer that contains some killer riffs and aggressive atmosphere. The riffs alone make me look forward to hearing more from these guys!
Favorite track ‘A Sky Full of Nothing’.
BMZ Score: 6,5 / 10
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**Links:**
- Bandcamp:[ https://noxifer218.bandcamp.com](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbkVaV1c2NDlhVW9CR3J3eGhWTVhNN1JYcTl2Z3xBQ3Jtc0tsZ0hnMHJGWUZGSnFzak11TndCUGtXQVNvTFZaY0RfdXA4aXpqY1N2ejIzYURFWXFhRzY4cndsd0poVWdWcWNXRl9FVDB1NGdoaXlKbEwyUzJKNVNhdVdWQ1FkRWtEVWJQNVo2aUkyS3VTdXhQWGZPcw&q=https%3A%2F%2Fnoxifer218.bandcamp.com%2F&v=KZaevbc5G4c&ref=blackmetalzine.com)
- Youtube:[ https://www.youtube.com/channel/UCPKnJZjvGOI57U\_ok-PR1YA](https://www.youtube.com/channel/UCPKnJZjvGOI57U%5Fok-PR1YA?ref=blackmetalzine.com)
- Metal Archives:[ ](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqa1BVLUx2c3ZqZFVuWmR3ZjhVRXN6b3hZSDgwZ3xBQ3Jtc0trUmxUWFdSTDZXOWNveUU2TmN2ZjU2QUowcUxkLUpxUWNLRFgtbXZkVHVhcmlKY1NlTU9ZZWpKSTFoR0YwSzdpdTM3ZEJPd0JQODJQM1cyZGNiR21qcTlsNlQtdmpZTXEzT1c1ekI1QTNWX3ZuUmIwZw&q=https%3A%2F%2Fwww.metal-archives.com%2Fbands%2FNoxifer%2F3540514907&v=KZaevbc5G4c&ref=blackmetalzine.com)[https://www.metal-archives.com/bands/Noxifer/3540514907](https://www.metal-archives.com/bands/Noxifer/3540514907?ref=blackmetalzine.com)
**Infinito Envenenado**
- Facebook:[ ](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqa05JeE15MklMYTVQVDdHSWZyTDg2NnFVNWY3QXxBQ3Jtc0trd284c3YwdEcxdE04OUdJUElfUS1vMHVhcTVYYW1McG1aekJxZmoyRTBmSTNSTS04eV9uZEk3ZGZTVy1HMFJTNWtfeFJQUTNxWHdJcGNBWFpCMU56SUdhcGdVLXdmbEc0V3NtNXZvbnZlNFJXZjhoSQ&q=https%3A%2F%2Fwww.facebook.com%2Finfinito.envenenado&v=KZaevbc5G4c&ref=blackmetalzine.com)
### Interview: NORTFALKE
URL: https://blackmetalzine.com/nortfalke/
Last updated: 2025-12-17T09:10:53.000Z
**Roughly 90 percent of the music that is uploaded daily on Black Metal Promotion is anchored around the structure of a traditional rock band. Meaning: the instruments most commonly used are guitar, bass, drums, vocals and the occasional synthesizer. On the surface that is. However, when you take a spade and really want to get to the bottom of bottoms, you will find that synthesizers and electronic/ambient music in general have always been part of 1990s Black Metal its aural arsenal and atmosphere. Take for instance “Sylvester Anfang” by Mayhem, a dark ambient piece that Conrad Schnitzer (Tangerine Dream) gave to Euronymous. Which he used as the opening track for the now legendary ‘Deathcrush’ EP from 1987\. Or the droning synth work of “Channeling the Powers of Souls into a New God” found on Burzum’s first demo from 1991\. The last example, and probably one of the biggest contributors of the subgenre that we now refer to as Dungeon Synth, is undoubtedly Mortiis. In 1993 he released the demo cassette 'The Song of a Long Forgotten Ghost' that started it all, and is seen by many as the elder of said offshoot.**
**For those who are still reading this somewhat lengthy justification for the relevance of Dungeon Synth on this here website, I now further want to acquaint you with the sounds and spells of *NORTFALKE*. A highly productive multi-instrumentalist hailing from the haunted shores and misty moors also known as The Netherlands. He first tested the waters by releasing a piece called "Verscholen dimensies" in 2017 through Bandcamp. Shortly after more releases followed rapidly in different formats and via different labels. Since May of 2021 he dropped two full-lengths: 'Seefonktjúenderee' (Dunkelheit Produktionen), 'Moonjeie' (Heidens Hart) and one EP 'Schijnsel' (Lafawijn Records). Bringing the total of close to a dozen releases within a five year period. If that wasn't enough, more is yet to come in the remainder of 2022\. Starting with a compilation initiated by Nortfalke called: 'Conspiracy in Blood and Wisdom' (Dark Dutch Synth Music Compendium) to be released on November 11th via Heidens Hart Records in digipack format. The front cover was created by none other than The Specter of Old Tower. Thus, enough reason to delve deeper into the musings and motivations of spellcaster *NORTFALKE*. Below you will find a report of our meeting.**
***To begin with, I’m curious to the meaning of Nortfalke and your story up until now. Can you shed some light on these matters?***
“It’s a combination of two words: Nort (North) and Falke (Falcon) and have territorial and symbolic value. The former is where I come from, which is the Northern part of the Netherlands. It's the culture and its history I connect with. Black Metal is about Winter, not about Summer, it can be Summer, but it's not quite the Carribbean here, you know? The latter is a bird of prey that, especially in the Middle Ages, had symbolic meaning like power, strength and superiority. As for when I came up with the name... Well, I had used Nortfalke for some old school Black Metal projects, like ten years ago or something. But then I thought: "It fits better with the music that I now make", which is Dungeon Synth, Dark Ambient and Berlin School (a style of electronic music that emerged in the 1970s in West-Berlin that was shaped by artists such as Tangerine Dream, Klaus Schulze, and Manuel Gottsching, Ed.). So I thought it was a good match, still do by the way. Besides, a lot of people in Black Metal do the same, using their old name for their solo projects. I did too, not knowing that this (Dungeon Synth) would become so important to me."
"As far as I can remember I have been doing synth music, I think since 1998 (a demo from the same year called "Uit een ver verleden", can be found here [YouTube](https://www.youtube.com/watch?v=DjRw4G22f3o&ref=blackmetalzine.com), Ed.) even earlier than that. I was taking piano lessons and already made songs in that period and recorded them for my first Dwaallicht-demo. But then I found out that Dwaallicht was already taken by some other band around the MySpace-era (2003 - 2008, Ed.), so I dropped the name. Which was a bit sad, because it was good enough for me. But I always made synth music between the "regular" Black Metal stuff. Early on I was interested in keyboards and synthesizers. Because I listened to Black Metal with synthesizers and created it myself. For me, the two went hand in hand. So the interest was there right from the beginning when I started to make music."
"But like, ten years ago I really started to feel the need to develop it more. It was another way of making music, you can use a lot of synthesizers and layer the sounds. Of course, you can do the same with guitars, but it's not the same. Altough the purists among us will deny this. There are so many different synthesizers and especially synthesizer engines. Each engine has its own unique sound. If you layer them, it will be a very original and big type of soundscape. Which you can't create with guitars. But the feeling between synthesizers and Black Metal isn't that far off. It has to be atmospheric, dark, epic, cosmic and folkish. I think the type of sounds and atmosphere are almost the same. Then again, there are loads of different types, but my creations all have the same spirit."
***Do you make much effort to keep your real name a mystery?***
"A little bit. Because it can affect the atmosphere I want to create. It's not a secret. But I've got a daytime job, a family. To mix those worlds would be unwise. Meaning: Black Metal is always about looking for the edge, always exploring the boundaries of the conventional. And society, in general can't understand what we are doing. If people from work, or clients will know what I'm doing, and some do… But I'd rather keep those two worlds separated. Otherwise I would have to explain it to everyone all the time, and I don't want that. Besides, I want to create a mystic atmosphere and a pseudonym helps with that."
***Is Nortfalke just a studio entity? Or do you also perform live?***
"We have played live on two occasions, both times with Mortiis. The second gig was with Old Tower, which I think is a great Dungeon Synth/Dark Ambient act. Also a friend of mine. I just got a gig confirmed for January 28th, 2023 in Landgraaf at Oefenbunker. I'm planning on doing more live shows for the near future. I just recorded a new album of old school Dungeon Synth, which will be easy to translate to a live setting. So yes, playing live will become more important."
***Is it just you? Or do you play with someone else, or with more people maybe?***
"I can play everything on my own. But normally I bring along a friend of mine, that plays the bass notes and some leads as well."
***You also use some percussion, right?***
"Yes, live I have used some real percussion, but now I've also programmed percussion within a sampler. The thing is, I really want to bring along a drummer or percussionist, but I also want it to stay a small group. Two would be maximum. Three would be nice, but then we also have to rehearse more and plan more etcetera... So two is enough. Like I said, I programmed bits of percussion and will still do some live myself."
***Dungeon Synth is a fairly new subgenre that is closely tied to Black Metal. Why do you think it has such an appeal to the underground?***
"It depends, I think most Black Metal nowadays sounds too modern, very smooth sounding albums with decent productions and what not. I guess people get bored with that kind of Black Metal sometimes. They need a side dish or something, you know? Something different, but with the same feeling. The same atmosphere. And a lot of intro's and intermezzo's already are Dungeon Synth-like. Just listen to Summoning for instance, it's all Dungeon Synth but with guitars. Which is also very popular within that scene. I think it was already there, but nowadays people are interested in making Dungeon Synth. Maybe because it's much easier and cheaper to use computers now than it was before, which I don't do myself. I am a hardware man. Recording with lots of different hardware synths and effects. But I don't know, people are all the time looking for something new and something different."
*The front cover of 'Conspiracy in Blood and Wisdom' (Dark Dutch Synth Music Compendium)*
*created by The Specter from Old Tower*
**Order at Heidens Hart Records** [***HERE***](https://heidenshart.bandcamp.com/album/conspiracy-in-blood-and-wisdom?ref=blackmetalzine.com)
***What about the compilation? I heard that you were closely involved and even made some paintings for the booklet?***
"That was my initiative to create a compilation with Dark Ambient and Dungeon Synth songs from artists from The Netherlands. It's a fairly new and original idea, I think. It comes from ‘The Absolute Supper’ compilation by Cold Meat Industry (a Swedish underground label now defunct, Ed.) from 1997, but that's more Noise/Dark Ambient. That's where I got the inspiration from. Like I said, it will contain Dutch artists only and off the top my head they are: Old Tower, Erschreinung, Orodruin, Blot, Vetus Sepulcrum from Mories, Nortfalke and my side project Dúnåtters, which is more like trollish kind of Dungeon Synth, and some lesser known projects. It's a mixture of old and new acts and it will be released on digipack by Heidens Hart Records in November."
"The artwork was made by The Specter from Old Tower. And yes, I've also contributed some art for the booklet. I'm really looking forward to it. I hope that Black Metal people are open-minded enough, I think they are, to explore the world of Berlin School, Dungeon Synth and Dark Ambient. If you think about it, they already like such music. Because Mortiis was a big name in the Black Metal scene of the Nineties, but after the Dungeon Synth albums he recorded more like gothic type of music. But now he's coming back to Dungeon Synth, because I think he also understands that it's gotten bigger and Dungeon Synth originated from Mortiis, so. It's nice that he's returning to it."
***You are quite productive when it comes to recording and releasing music, so in that light: apart from the three records you have released since last year, what more can we expect from Nortfalke in the foreseeable future?***
"I recorded three albums and one long epos with a duration of something like thirteen minutes. One is a Winter Synth album mixed by JB van der Wal and will be released by Heidens Hart Records. Plus one more Underground/Old School Dungeon Synth combined with some Ambient stuff, which will be released by New Era Productions this year. Also one album that will be remixed, because I wasn't satified with the end result. And as I mentioned before, I recorded a thirteen-minute intro or epos, for Bølzer from Switzerland. With vocals from Okoi and will be used for their upcoming tour with Tribulation, Abbath and Watain (this tour took place last September, Ed.). I have also been recording for a new project with JB van der Wal, which will be Synthesizer/Space Rock/Sludge kind of thing. So with real drums, bass guitar, synths and the vocals will probably be done by Okoi (Bølzer), if he has the time for it."
***How do you keep things interesting? Do you experiment with different instruments for example?***
"I'm planning to record new material with real instruments, like a harmonium, maybe with acoustic guitars, xylophone, woodblock... I really want to record a Dungeon Synth album without synths, haha. About experimenting: the latest Old School Dungeon Synth album is recorded with a sampler, it had no sounds at all. I had to record my own sounds within the sampler, a microSAMPLER. It was a new and fun thing to do, because I recorded my own voice, but also flutes. And I recorded percussion in a WW2 bunker, to get a big sounding hall reverb from it. I think the album sounds original because I created the sounds myself. So I'm far from done and you can expect a whole lot more from me. I have like twenty-five synthesizers and I also want to combine those. Each time I bought a new synthesizer, I had new inspiration because of the new sounds within it. I have still so many synthesizers that I haven't used yet on an album. On top of that, I've actually lost two (unmixed) albums, because my hard drive crashed. I'm still hoping I can fix it, as I really liked what I recorded. However, I'm afraid it's lost forever... But hey, I'll record something new again, fuck it!"
**NORTFALKE** on [Facebook](https://www.facebook.com/profile.php?id=100040874921527)
### Interview: Widertod (GER)
URL: https://blackmetalzine.com/interview-widertod-ger/
Last updated: 2025-12-17T09:09:23.000Z
Recently, I was [flabbergasted](https://blackmetalzine.com/widertod-widertod-ep/) by the debut EP from Widertod and had to write a short review for it. During my research on the band, I found next to no information about the band. Seeing I had to learn more about these guys (Alec & Marc) I reached out to them to see what’s what!
##### Greetings Alec & Marc, cheers for doing this short interview with us. Can you guys introduce yourselves and your band, Widertod**?**
Thank you very much for the kind words.
So far we are a two-man band called Widertod from Germany: Alec (guitar/bass) and Marc (vocals). We know each other for ages and have always made music together. We have a small studio with some friends where we work on all kinds of music. Since we both grew up with metal and have very similar tastes in music, more on the extreme end of the scale, we naturally had to create our own take on it.
##### My compliments on your debut EP, it blew me away! Can you tell us more about the EP and (first) reactions you guys are getting**?**
We are so overwhelmed by the feedback. Since this is a self-released EP, we couldn't have expected something like this. Without Black Metal promotion this would not have been possible.
The EP has been a dream of ours for a long time and we are so happy with the result. It's our very first release, which makes everything so exciting for us. We were very happy with the final result, but also very curious to see what other people would think about it. Based on the great feedback we've received so far, I'd say we've achieved what we wanted and were able to transport our spirit to people.
##### Have both of you played in other bands before Widertod?
We had a small death/metalcore band called "All Your Lies" about 15 years ago. That's about it. But we still kept writing music together all these years.
##### I always love it when bands use various styles within their music. You guys are one of those bands (I hear death, black and a tiny sprinkle of metalcore). What are some of the influences that fuels your songwriting**?**
One of our all-time favorite bands is The Black Dahlia Murder, who also combine many of our favorite metal genres.
Dissection, Dark Funeral, TRNA, Der Weg Einer Freiheit and many more have been in our playlists for many years.
But our love for heavy music is very open, so we couldn't help but create a mix of everything we love, just with a strong tendency towards the black side of metal.
##### While we are on the subject of songwriting, what does your writing and recording process look like? (as a two-man band)
The funny thing is that 70% of this EP is years old and many riffs have been lying around forever. At the end of last year we finally decided to take it seriously and give this child a name (Widertod). We sat down and worked on the structure and sound of the songs, so we had a very clear idea of what feeling we wanted each track to have. Then we came up with the topics and sat down to write the lyrics.
Morgenletzt is a very personal song about an intense period in our lives, so it needed to sound very emotional and powerful. It was the first one we finished and it just felt right.
Pater is a song about a father and his son who get lost in a snowstorm and eventually die. We tried to give the listener chills, as if you were in that icy hell with the two of them.
1890 is a tribute to one of our favorite authors, H.P. Lovecraft, and describes the process of a man slowly slipping into madness.
We recorded everything in our own studio, except for the drums, which have been recorded by a session drummer (who we would like to keep a secret).
The songs were then mixed and mastered by the great Nikita Kamprad of Der Weg Einer Freiheit. Since the first day of this band, we wanted to have him mix the songs, which also pushed us to do our best work. He did an incredible job and blew us away. It was exactly the package we were looking for.
##### You just planted your first flag in the ground with the debut EP. What’s next for you guys, what can we expect? :D
We definitely plan to make an album. We don't have a label behind us, so we'll see what and how we can manage it ourselves. Anyway, new material is in the works.
Also, we're working on some more WIDERTOD gimmicks right now. The tapes we're offering seem to be doing very well so far and apparently people want CDs too, so we' ll look into that.
##### Finally, do you have any final shout-outs?
First of all we would like to thank Black Metal Promotion for the great support!
Our friend Fabian (TAGMATA on Bandcamp ) for designing our band logo and the epic piano intro of 1890\. We would also like to thank Jens and Guido (KRATZWERK on Bandcamp) for supporting us on drums and releasing this EP and Jochen and Martin (both BERSTEN on Bandcamp) for helping us with our music video.
And of course a big thank you to everyone who already supports us!!!
### Review: Durbatuluk - Erzähle, Baba Jaga
URL: https://blackmetalzine.com/durbatuluk-erzahle-baba-jaga/
Last updated: 2026-07-16T17:16:32.000Z
## An Introduction
A dive in deeper waters...
*Is one of the most entertaining metal YouTubers capable of making great black metal?*
If you, like me, enjoy the entertaining and insightful videos of Farvann on YouTube, but never really checked out his solo black metal project, Durbatuluk, now is certainly a good time to do it.
Seemingly started back in 2012 with an unnamed demo that sounds much like what you expect from a one-man basement dwelling project, the output was sparse the first years. The next demo, *The Very First Dream of Darkness*, did not drop until 3 years later. Still rough around the edges, its main purpose is as a teaser of what the future would behold, as there clearly was put more emphasis on song structures and not just riffs.
So, building up anticipation for a full length, it was surely right around the corner? Yeah, only 4 years later, the first full length, *Irrecoverably Lost*, is presented to the world. Consisting of 8 songs, blending English and German lyrics, this was a big step forward for the project. The subject of the lyrics is firmly rooted in the introverted, misanthropic dsbm territory combined with descriptions of nocturnal nature.
Soon after the debut album, an EP was unleashed upon this world. *Aus Anderen Augen* is three great tracks that perfectly showcases the improved songwriting skills, this serves as a great appetizer, building anticipation for the next full length.
## The Album – Erzähle, Baba Jaga
So onto the main course of this three course review, the latest album, *Erzähle, Baba Jaga*, now we're cooking with gas. Bringing in an actual drummer this time around, none other than the fabulous Hymir ([https://www.instagram.com/hymir\_drums/](https://www.instagram.com/hymir%5Fdrums/?ref=blackmetalzine.com)), it shows a real intent of making something that has the opportunity of standing out among the horde of underground one man black metal. Let's dissect it, shall we?
The cover art depicts what I can only imagine is the main character of this story, Baba Jaga, the old woman telling ancient tales of the supernatural, while we are gathered around the camp fire.
The fans seem to enjoy the full length, as evident by this quote taken from Bandcamp;
> “*After Die Hexe, it was hard to not get overly excited for this, but I can gladly announce: Erzähle, Baba Jaga is a fantastic second album. Less depressive than its predecessor, with a real drummer – and man, what an impact Hymir's drums cause! Farvann's vocals sound the best they ever have, and the riffs are of superb, chef kiss quality throughout. This man really loves the bass, and I'm all here for it. Very addictive black metal with radically improved songwriting quality.*“ – David Fischer.
>
> https://durbatuluk.bandcamp.com/album/erz-hle-baba-jaga
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#### A walkthrough, track by track:
##### 1\. Die Drohende Nacht
The first track, which title translates to *The Looming Night*, starts with a chilling sound of rain and a calm woman's voice, is this the Baba Jaga telling us stories? The lyrics would suggest so, and the main riff drives the song forward, captivating. At first Farvanns screaming felt a bit too dsbm-y but the more I listen to it the more I find it suits the music. A short but fitting opener to the album.
##### 2\. Seelenwanderung
The second track is *Seelenwanderung*, meaning something like a soul wandering, the transmigration of the soul from one plane to another. The song deals with, as far as my interpretation goes, chasing one's inner demons and ghosts and trying to tell the outside world of the experience. This is a great song, the drums really bring it together and lets the guitars and vocals shine. The intensity is kept throughout the song, and it leads neatly into the third chapter.
##### 3\. Hinab
*Hinab*, or *Down* in English, starts off in true dsbm fashion, with a mid-tempo beat, piercing, haunted vocals and a simple but effective guitar arrangement. A powerful, stomping mid-section lures us outside into the same rainy night that opened the album. Combined with the vocals in this part, it sets a chilling mood before it pummels you with its conclusion.
##### 4\. Die Kathedrale des Teufels
The fourth offering on the album, *Die Kathedrale des Teufels, The Devils Cathedral*, is in my opinion the strongest track on the album. With some angry parts to start off, shifting into some trashy tempos, the drumming on this song is truly epic. With the riffs being fast and energetic all the way through, this truly showcases the potential of this project. Towards the end it takes on a much more eerie mood, there is something haunting about the way repeatedly sings «und kinder und steine».
##### 5\. Сkвозь дремучий лес
The fifth track is all in[ Russian](https://blackmetalzine.com/playlists/country/russian-black-metal/). It's called *Сkвозь дремучий лес*, which translates to something like *Through the Woods*. It is all spoken word by the same woman as in the opening track, with the calming voice of guest vocalist Helga Keturka. It's a calming song, and it fits in nicely as a breather in the middle of the album.
##### 6\. Die Hexe
Now we are more than halfway through this epos, the sixth track, *Die Hexe, The Witch* in English, is another banger. It's by far the longest rack on the album and this gives it space to ebb and flow throughout as we are being told a story about this witch that seems to have evil intentions. A standout track in the way of its great songs structure, never a dull moment despite its 7 minutes running time.
##### 7\. Unsterbliche Mär
*Unsterbliche Mär, Immortal Fairy Tale*, is the last track with singing, as the final track is an instrumental. The desperation in Farvanns voice is still on full display, and it gives the lyrics a sense of urgency. It seems to bring the themes of the songs together, describing the art of storytelling, specially stories of ghost, witches and creatures, as something that is passed on through the generations.
##### 8\. Erzähle, Baba Jaga
The closer on the album is the epic instrumental with the same title as the album, *Erzähle, Baba Jaga, Tell Me Baba Jaga*. With the intensity of Farvanns vocals on the other tracks, except the fifth one, this instrumental is a fitting way to end this journey. It fades out as the Russian woman returns for a final message.
---
#### Conclusion:
Who would have thought that funnyman Farvann has a serious and depressive side to him? This album caught me surprised in a good way. The decision to hire the drumming talents of Hymir has really paid off, as he brings a lot of awesome dynamics and elite musicianship without loosing any of the precision a drum machine provides.
The vocals of Farvann are somewhat an acquired taste and I would like to have a track or two with some other style of vocals on a future full length, just to give the listener a break from the very DSBM influenced shrieks that goes on here. The one spoken word track and the closing instrumental gives you a bit of a breather, but involving someone with a more classic black metal vocal style on one of the other tracks would perhaps have given this album another dimension.
All in all, I enjoy the album and some tracks I would rate very high. The album as a whole will probably not be among my top albums at the end of this year, but I thoroughly recommend it if you are not familiar with Farvanns serious side from before.
**A good album by a great entertainer, I would not mind more stories from Baba Jaga.**
**BMZ Score:** 7,5 / 10
##### Tracklist:
1. Die drohende Nacht 03:29
2. Seelenwanderung 06:02
3. Hinab 04:53
4. Die Kathedrale des Teufels 04:37
5. Сквозь дремучий лес 04:14
6. Die Hexe 07:04
7. Unsterbliche Mär 04:43
8. Erzähle, Baba Jaga 04:58
---
##### Music and social links:
Bandcamp: [https://durbatuluk.bandcamp.com/album/erz-hle-baba-jaga](https://durbatuluk.bandcamp.com/album/erz-hle-baba-jaga?ref=blackmetalzine.com)
Spotify: [https://open.spotify.com/album/5HVm55xcIR6NmKaDS420d0?si=5mooesz9QoCawPFAGwUdJA](https://open.spotify.com/album/5HVm55xcIR6NmKaDS420d0?si=5mooesz9QoCawPFAGwUdJA&ref=blackmetalzine.com)
Farvanns youtube: [https://www.youtube.com/c/Farvann](https://www.youtube.com/c/Farvann?ref=blackmetalzine.com)
### Review: Widertod – Widertod
URL: https://blackmetalzine.com/widertod-widertod-ep/
Last updated: 2022-11-02T12:26:17.000Z
**Achtung… keep an eye on Widertod (Melodic Black Metal) from Germany. Out of nowhere (at least not on my radar) they released their trio track debut EP a little while ago. And oh my, do they have my interest now! Before diving in to the tracks, a quick shoutout to** [**Nikita Kamprad**](https://www.nikitakamprad.com/?ref=blackmetalzine.com) **for the outstanding sounding mix of this EP. Great stuff!**
##### Morgenletzt
The first track of the EP that got me hooked during the first seconds. This instantly started my online research to know more about this band (without much result, unfortunately). The song kicks off with a fantastic death metal sounding opening riff before kicking in blast fueled melodic black metal. Further on in the track we even get treated with some melodic lead guitars, crazy right? Who are these guys!
Let us take a moment to appreciate the banger of an opening riff, shall we? Done? Alright, NEXT!
##### Pater
Brrrr! This track has a more bleak/sad and ice-cold sounding first half (the song is almost 9 minutes long). Great atmosphere, I am starting to feel cold while listening to this song. Great contrast to the opening track!
Halfway in the song, we enter more in a trance of tremolo fueled riffs. Yep, it's one of those tracks where you forget time around you and are sucked into the atmosphere. A dreamy clean guitar riff leads us to the (fading) end of the track. On to the last one already…
##### 1890
Finally, 1890 opens with a piano playing ominous/almost spooky yet beautiful melodies preparing us for the blast fueled madness that ensues. A madness which quickly comes back to beautiful melodies again in the form of harmonized tremolo leads. Around two thirds into the track, we even dip our toes in Metalcore for a short while when it comes to the guitar playing before heading back to the melodic leads again.
**Conclusion:** I want more. More songs, more details about who Widertod is… just… More. This EP showcases a great combination of various metal styles with harsh melodic black metal as its common thread, a solid mix and great atmosphere. This is right up my alley and I will be keeping a close watch on these dudes.
BMZ Score: 8,5 / 10
---
##### Social Media
- Bandcamp:[ https://widertod.bandcamp.com](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbFJtUjVvMGVvUkV3cjU4MEg5Rl81RnhYem8yZ3xBQ3Jtc0tsbEdnRDUzakRySHI3TVprXzM0bDRQZmhPUlFGdU1saEF5VlVmV010b1FPRHluaGpBMUdaUThDWkFteHVOQ3VRVnJqN0hfdkhSTkVDdEg4XzhKd1B2NkdHdzc1eVd3NWc5ZjIydlZNVHFHbFB5MGpCUQ&q=https%3A%2F%2Fwidertod.bandcamp.com%2F&v=c5F-igZFI0w&ref=blackmetalzine.com)
- Instagram:[ https://www.instagram.com/widertod](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbjdjQ1JLRVJfSTMtbnZPbmV5YnhYMm9jQU94UXxBQ3Jtc0trZkZzV21DR1lLSFljeU0wNjlnLU5xT01fMEFJT2FoSnlLbEVkdHlPYUdsRHFWenlXeUE1S1I3bW10eXhpemcyYmJWX1BFWXIxdVFKYXhOanNaWldGN1UxTk5GMXpUeF90MHQ1UnZnTzctaFRpeXNpMA&q=https%3A%2F%2Fwww.instagram.com%2Fwidertod&v=c5F-igZFI0w&ref=blackmetalzine.com)
### Review: Asgrauw - Façade
URL: https://blackmetalzine.com/asgrauw-facade/
Last updated: 2022-11-01T07:40:10.000Z
**Recently, Dutch black metal band Asgrauw released their new album “Façade” via** [**Death Prayer Records**](https://www.metal-archives.com/labels/Death%5FPrayer%5FRecords/57005?ref=blackmetalzine.com#label%5Ftabs%5Falbums)**. As a fellow Dutch citizen myself, I had to claim this album for review, obviously! “Façade” explores the area between life and death. The unknown and inexplicable, sometimes things are not what they seem. From suspended animation caused by disease to the despair of being buried alive.**
Right out of the gate, this is a no-nonsense album. No intro, outro, or intermezzo's. The opening track “Versplinterd Hout '' instantly sets the tone for the entire album. 28 minutes of pure Dutch black metal! Said track was released as a single in July and I must say, what a great choice. A real banger!
When it comes to the sound, the vocals are definitely in the lead for setting the atmosphere and overall sound of the album. Vocalists ‘Kaos’ and ‘Vaal’ are a good combination of aggressive punk like shouting and ice-cold screams. As far as the mix goes, everything is well-balanced. All instruments have their spot in the mix and sound solid! Special shoutout to that aggressive machine gun sounding snare. A real beast in those blast beats!
##### Conclusion
Asgrauw - Façade is pure no-nonsense black metal from start to finish. Raw, aggressive, atmospheric and at times melodic. Records like these make me proud to see the [Dutch](https://blackmetalzine.com/playlists/country/dutch-black-metal/) black metal scene going strong as ever!
**Personal favorite(s):** “Versplinterd Hout”, “Getekend” and “Hernemen” are the winners of this album in my opinion. Great additions to my personal playlist.
BMZ Score: 8 / 10
---
##### Social Media:
- [Bandcamp](https://asgrauw.bandcamp.com/album/fa-ade?ref=blackmetalzine.com)
- [Facebook](https://www.facebook.com/Asgrauw/)
- [Instagram](https://www.instagram.com/asgrauw/?ref=blackmetalzine.com)
- [Youtube](https://www.youtube.com/channel/UCsa3pNm7mwHAGOdS2hQCeNA?ref=blackmetalzine.com)
- Asgrauw on [Death Prater Records](https://deathprayerrecords.bandcamp.com/album/fa-ade?ref=blackmetalzine.com)
### Immortal Announces 'War Against All' (2023)
URL: https://blackmetalzine.com/immortal-announce-new-album-war-against-all-2023/
Last updated: 2025-11-10T12:00:26.000Z
**IMMORTAL have completed work on their upcoming new studio album!**
**The record, War Against All, will be released via [Nuclear Blast](https://www.facebook.com/nuclearblastrecords?%5F%5Fcft%5F%5F[0]=AZXh3t1xwOQKacDFL644gA9FoDIYzHGRqqjGS8Ok9Y5rqdVNh%5FRO9YrYB5SBg5fVOwp-XJBrzUish0llOQV5%5FUBnQhDjD4SqmHORsbjHw1kFlSQ2xrPmnfL%5F85musFACWj0lkC3ApLb%5Fej9KT6G9BkZfUMBZJpN41VYIyd1fxb2NM6Bkfj7bwP6Oe-U0WlnA%5F0w&%5F%5Ftn%5F%5F=-]K-R). This is the band’s 10th studio album, and it will feature 8 new songs in “classic” IMMORTAL style.**
The band ́s founder Demonaz states:
> Immortal continues the style that was established and defined on our very first records. It ́s fast, furious, epic, and mighty Blashyrkh metal - the one and only way!
>
> Demonaz
Demonaz offers some more background on the process of making War Against All:
“Even though the studio work is necessary to get an ultimate recording, the writing process is obviously my favourite. I still write all the guitar riffs/music at home with the same old vibe, and the lyrics as well. The early days of black metal inspire me the most. Cold nights in the woods, on the mountains under the winter moon. That's what keeps the spirit alive, and the foundation to all our music"
The album was produced in Bergen, [Norway](https://blackmetalzine.com/playlists/country/norwegian-black-metal/), at Earshot & Conclave Studios.
"It's actually the same studio where I recorded the guitars and vocals for Northern Chaos Gods. They also did a fantastic job with the new album, and it was a pleasure to go back and work there again. I am especially pleased with the outcome on this one.
It´s got that cold biting guitar sound, yet powerful production.
Immortal has never compromised on the original vision, which is taking fans on a journey through Blashyrkh with our most grim and dark music, with every new release. These songs are no exception to this. I am proud of the final result, it's got a distinct expression, and I can't wait to let the fans hear it!”
Immortal Announce New Album, War Against All, 2023
The album’s cover artwork was done by the Swedish artist Mattias Frisk.
Tracklisting:
- War Against All
- Thunders Of Darkness
- Wargod
- No sun
- Return To Cold
- Norlandihr
- Immortal
- Blashyrkh My Throne
### New Album by Marduk + World Tour 2023
URL: https://blackmetalzine.com/new-album-by-marduk/
Last updated: 2025-11-10T12:00:26.000Z
The [Swedish](https://blackmetalzine.com/playlists/country/swedish-black-metal/) black metal band Marduk announced a new album. The album is titled “**Memento Mori**” and it will be released in 2023, followed by a World Tour.
We are excited to know that this release is the 15th studio album, and Marduk is making it happen four years after their previous album, Viktoria.
We are eagerly awaiting further details. More information [here](https://www.facebook.com/photo/?fbid=656990855783604&set=a.233891484760212).
### Review: WitcheR - Lélekharang
URL: https://blackmetalzine.com/the-lelekharang-rings-calling-us-home/
Last updated: 2026-07-16T17:16:33.000Z
Witcher – Ronald and Karola
The [Hungarian](https://blackmetalzine.com/playlists/country/hungarian-black-metal/) black metal band WitcheR (the name is based on the books by Andrzej Sapkowski, but the music itself is not) has released its 4th full album called Lélekharang, which translates to Soul Bell in Hungarian. It's been 3 years when their previous album “A gyertyák csonkig égnek” (The candles are burning low) was released. And I was eagerly awaiting the new album.
#### The Soul Bell
The album contains 6 tracks with a total runtime of 39 minutes. All the track titles are in Hungarian, but I've included the English translations as well.
**Tracklist:**
- Intro
- Hamvak – Ashes
- Lélekharang – Soul Bell
- Csendesen – Peacefully
- Hazatérés – Homecoming
- Moonlight Sonata, Op. 27\. No. 2\. I. Adagio sostenuto (Ludwig van Beethoven cover)
---
## Yearning for times long gone
The **Intro** of the album is a classical piece which sets a pleasant atmosphere. The piano/keyboard sounds are very soothing, and it set just the right mood for an [Atmospheric Black Metal](https://blackmetalzine.com/playlists/genre/atmospheric-black-metal/) album.
**Hamvak** or Ashes in English kicks off with some nice guitars and drums (programmed but done very well to my ears at least). But once the keyboards enter, I got an instant flashback to Summoning - Stronghold and for me, that's a very positive flashback. The vocals of Roland Neubauer makes the package complete.
**Lélekharang** or the Soul Bell is the longest track on the album with a playtime of 10:16 minutes. It starts off with a gentle piano piece and goes into a what I can only call a Summoning vibe. The entire album gave me a feeling of a journey to another time and an age long gone, and according to [Roland Neubauer](https://www.metal-archives.com/artists/Roland%5FNeubauer/197636?ref=blackmetalzine.com) that's the idea behind the album and its lyrics.
> “The lyrics on the new album could be described as a kind of cry for help for old-time values. We see very well that the world, as it is nowadays, is heading into desolation, annihilation, so it would be important to rediscover our ancestors’ knowledge and tutorials. Therefore, every new lyric is about the importance of our roots and the total opposition of modern world”
>
> *Roland Neubauer – Heavy Vibrations Interview*
The journey has been a pleasant one so far, but there is one thing that I disliked, and that's the high-pitched pling sound in this track. The sound reminds me of a high-pitched bell, but because the track is called Soul Bell in English, it does make sense why that sound is in the track. Furthermore, the track is a bit on the long side with almost 11 minutes, and it gets a bit repetitive for me at least. But overall, it's a very nice track and I love the atmosphere and feeling it evokes.
**Csendesen** or Peacefullyis the 4th track of the album, and it's a bit faster than the first 2 songs (not including the Intro). The drums are pleasant and fast and don't take the upper hand in the song. The keyboards are a bit more to the foreground, but it suits the track (and the album overall) very well.
[Karola Gere](https://www.metal-archives.com/artists/Karolina%5FGere/197642?ref=blackmetalzine.com) is the keyboard player in WitcheR, and she does an impressive job off it. As mentioned before, the album has strong Summoning influences, but also a tad of early Dimmu Borgir can be found (the keyboard interlude on Stormblast comes to mind).
**Hazatérés,** the 5th track on the album and means Homecoming in English. The song continues with a very nice setup of keyboards and a slow drum and feels a bit like the end of a journey, the longing of a place you belong. May that be a home, a concert, or the top of a mountain covered in snow, whatever it is for the reader, that is what most of us are looking for.
**Moonlight Sonata** by Beethoven is the last track of the album and for me, a fitting end to a great album.
## Conclusion
And after 39 minutes, my longing for the times of old are coming to an end, but the feeling the album gave me is a very pleasant one. Some minor complaints aside, I truly enjoyed the album. For fans of Summoning or Atmospheric Black Metal, I can only say give this album a spin, you won't regret it.
BMZ Score: 8 / 10
---
##### Witcher
[Website](https://witcherband.hu/?ref=blackmetalzine.com)
[Facebook](https://www.facebook.com/witcherband)
[Instagram](https://www.instagram.com/witcherbandofficial/?ref=blackmetalzine.com)
[Bandcamp](https://witcherband.bandcamp.com/?ref=blackmetalzine.com)
[YouTube](https://www.youtube.com/channel/UCEsJ0gvIp7gKv5SljsgJX4g?ref=blackmetalzine.com)
[Metal Archives](https://www.metal-archives.com/bands/Witcher/3540322941?ref=blackmetalzine.com)
##### Filosofem Records
[Facebook](https://www.facebook.com/filosofemrecords)
[Bandcamp](https://filosofemrecords.bandcamp.com/?ref=blackmetalzine.com)
[Instagram](https://www.instagram.com/filosofemrecords/?ref=blackmetalzine.com)
[Twitter](https://twitter.com/FilosofemRec?ref=blackmetalzine.com)
### Interview: Evilcult – Brazilian Black Metal
URL: https://blackmetalzine.com/interview-evilcult/
Last updated: 2025-12-17T08:51:59.000Z
Brazil is well known for being a cradle for pioneer bands in the First Wave of Black Metal scene such as Sepultura, Sarcófago, Holocausto, Vulcano, Mystifier, and many others. Hailing from the extreme South of Brazil, Evilcult is a band formed in 2016 that follows the path of their fellow countrymen.
The power trio formed by Lucas “From Hell” (vocals/guitar), Mateus “Blasphemer” Scussel (drums), and Renato “Speedwolf” (bass) is preparing to release its second full length in the upcoming months.
I had a three-hour conversation with Lucas on 31st of August 2022, who spoke about the band’s career, as well as thoughts on the Metal scene and future expectations. The interview (in Portuguese) was originally streamed by [GoatCast](https://open.spotify.com/show/3iK5N8SmfFT5n66kXl9po0?si=221ea50429b04195&ref=blackmetalzine.com) and is [available online on YouTube](https://www.youtube.com/watch?v=fHIsHT7%5Fcr4&ref=blackmetalzine.com).
#### **Hey Lucas, foremost, thanks for agreeing with this interview. I’d like to start talking about the times before Evilcult. You had another band with Mateus “Blasphemer” Scussel, named Metzger. Initially Evilcult started as your solo project. Why did you start a solo project** playing **more or less the same style as your previous band? It was always the idea to keep on playing Black/Speed metal? How did everything develop for Evilcult to become your main band?**
Metzger was a band that started in 2012\. It was a band created without much further plans. We were all acquaintances and had similar taste. I chose the name of the band \[which translates from German “butcher”\] as a reference to Destruction. Destruction is my favorite band, but in their classic era, the 80s.
I started to compose some riffs, but I didn’t know exactly what kind of music I wanted to play. I followed the classic bands that I liked, such as Destruction, Sodom, Slayer; as well as some new bands such as Nocturnal, Cruel Force and Deathhammer, that were in their peak back in the days. Not only that, but I wanted to merge the Old-School and also the new Black/Thrash wave when I started composing Metzger’s first songs. Having a band in the countryside of a peripheral state in Brazil was hard because there was nothing going on. We had no audience, and I was the one who had few connections in the scene, although I also didn’t leave my city that much.
My contacts were mostly active due to social media, where I always followed the other bands from a distance. We played only in small festivals in our area - which is far from the Brazilian center where this scene is more consolidated - to an audience of people that didn’t know much about the kind of music we were playing. Of course, they knew the classic bands that influenced us, but they weren’t much aware of our proposal. So we played only small festivals, with bands from different genres, many cover bands. It was somehow hard to develop as a band. Even before recording our first demo we had some line-up changes: our singer left the band, and we had to reformulate before releasing our first EP – a release we didn't even announce much because we hated the final result.
We didn’t know how to do things properly, had no clue on how to reach the right people, it was a time in which our reach was very limited to a local perspective. We used to promote these copies in CD-Rs, photocopied inserts and handed it manually, in self-produced batches of 20\. After this EP, we recorded a demo, again with a different line-up. Between 2012 and 2014 the line-up changed twice. At that time, Scussel was still not part of this band, he joined only after. He started catching up with us after that. We were from a different generation, so we only knew some guys who were older than us. And it is possible to say that the number of headbangers in our city was very limited, so everyone who seemed to be interested we would make contact, and that’s how I met Scussel.
#### **Evilcult was originally your solo project, when did you decide to invite Scussel to play with you?**
I was in Metzger for 3 years, full of new ideas and songs, but things were not moving forward. I wanted more, I wanted to play outside our state, but the other members weren’t much embracing the idea. Nothing personal, but every so often our rehearsals were canceled for no reason, the execution of the songs was at some point a bit under my expectations. They were also not caring much about the visual aesthetic of the band on stage – which is for me something essential. I was already painting my eyes black, wearing leather jackets and battle vests, while some of them showed up to play wearing sports pants or Bermudas. Then I looked like a clown dressed in the 80s style while they were dressed as a regular pop band ((laughs)).
#### **I found an interview with King Diamond from the 80s recently, in which he says one of the reasons for the end of Mercyful Fate back then was the lack of commitment with their stage clothing, that some members wanted to play wearing shorts.**
I saw that as well, and found it fascinating.
#### **Yeah, because it needs to be a unit: visual, thematic, sound…**
Definitely, and then everything started to wear out. There was no more disposition to rehearse and to play, a lack of commitment… I wrote songs, I booked concerts, I did all the promotion, I did our artwork. And then the others would eventually go to rehearse when they felt up for it. It was up to me to motivate everyone and make things work. I was disappointed, so I decided to make it my way. In 2015, tired of this situation, I created Evilcult as a way to be able to fully dedicate myself. In Metzger, there were also some discussions about the way we wanted to sound. Metzger’s drummer never liked Black Metal, so we would argue about how our tracks were supposed to sound. He was against the make-up usage and also disliked the Satanic approach of my lyrics. He wanted it to be about War and Death, something more Thrash/Death Metal-oriented. Even in the way we would describe ourselves, I always said we were a Black/Thrash band, while he said we were a Death/Thrash band ((laughs)).
Discussions that were definitely pointless, so I always had to adapt things in a way that would be good for both of us. I asked him to compose but he didn’t, so I always needed to control my creative process in order not to be a struggle for him. And that’s why I decided to start Evilcult as a solo project, so I could focus on my style the way I wanted it to sound. I mean, that’s not exactly how Evilcult is right now, I’m a flexible person, but I just wanted to play with people who shared more or less the same common goal, without having to argue about styles. It started like that. It started as a solo project, I had some riffs that I could have put to use in Metzger, but never happened due the lack of commitment of the other members to play the songs, some of which we never actually rehearsed.
In the beginning, Evilcult was just a project within my mind. I always say that Evilcult started in 2016, but it was already in my mind since the year before, in which I started to sketch something for the project. It was a transition that started simultaneously with my activity in the previous band. I planned everything I wanted Evilcult to be.
In 2015 Scussel was already playing with me in Metzger. There were some problems with our previous bass player, so he joined as a permanent member. We played maybe only three concerts with this line-up, and after I was already done with keeping up with this band… it was always stressful to make things work, so I spoke to Scussel, and he stated that he wanted to join Evilcult as well, since he also shared my perspective.
#### **And why did he join to play drums, rather than bass? Was it his idea, or yours?**
He had drums at home - his father is a drummer - and was already starting to build a small studio in his attic. He always had musical instruments at home. Furthermore, he started with the bass because he thought it was easier for him to learn. He was not a bass player, he learned what was necessary to join Metzger, and with Evilcult was no different when he started playing drums. We started together, he knew some tricks that he learned from his father.
We started rehearsing in his attic, playing cover versions of Bathory and Velho, as well as some basic riffs I had back then, mostly MetalPunk, with only a few chords, and he caught up well. That was in 2016, so we decided to focus mainly on Evilcult and left Metzger aside, although in theory the band still existed. Scussel was also very close to me on a personal level, so I started introducing him to some bands I wanted to sound alike, shaping some of his personal taste. He knew a lot about Metal, but not as much in detail about some specific sub-genres as I did, so when I presented him bands like Cruel Force and Nocturnal he started to feel the vibe of those bands by himself.
#### **You mentioned Cruel Force. In your first EP “Evil Forces Command” (2018) there’s even a cover version of Victim of Hellfire…**
Exactly. I wanted to pay a tribute to a band I like a lot. The first time I listened to it I went crazy and thought I wanted to have a band that sounded like that, since they didn’t sound like they were only imitating Celtic Frost or Slayer… they had a different approach in their riffs, sounding more Heavy Metal, as well as the vocals that sounded different. I thought that was an interesting mix because it wouldn’t sound like a copy of the 80s bands. Plenty of people say that they can hear a lot from Cruel Force in Evilcult’s music, although I also never wanted to sound like a copy. They’re a reference because of the approach that they have towards the classics, bringing some new elements. It was important to me to look at what the new bands were doing at the time.
#### **Talking about this sort of sound, I’d like to ask about this Old-School approach. You are from a generation after mine, and I am from a generation or two after the Extreme Metal pioneers. Your music then follows the formula of three or four generations before yours, evoking a lot of nostalgia. One of the things that I think a lot about in Metal nowadays is the way in which we can reach a younger audience, to form new generations interested in this kind of music. You see the big festivals in Brazil, such as Rock in Rio, there’s no public renovation, there are no line-up renovation. And I am also one to blame for that, but people from my generation are very closed-minded when it comes to accepting any modernity in Metal music. Although I like several contemporary bands that have this 80s approach, plenty of people from my generation think it is pointless to listen to someone sounding like Sodom and Bathory if they can listen directly to those bands that not only made it before but also better. So, I want to know your perspective of dealing with all these issues: not only generational, but also what kind of music you would like to play and which audience you would like to reach.**
Personally, I don’t like to label ourselves as an Old-School band. Some people label us “Old-School Thrash Metal” or “First Wave Black Metal”, but we’re just playing what Metal music is. This formula is for me timeless. We don’t think we play retro or even the 80s style… of course we love this music and have it as a reference, but also don’t want to emulate their way of sounding, framing ourselves within boundaries. I like to think we mix many influences. I love Venom, Bathory, Hellhammer and Celtic Frost, but wouldn’t like to play only that style of music. Many others did, and some still do nowadays, like Apokalyptic Raids, which still plays in the old style.
I am not convinced that, as a new band, I wanted Evilcult to be one more in that list. I think it is important to know, listen and worship the classics, but also be open to what’s happening now. There are many bands that sound like copies, but there are also many other bands bringing varied influences to that kind of music. Some might not even sound very original, but definitely not framed within a certain template. They might sound a bit like Slayer, Venom, but also with a new twist. That’s what we aim for. Since I work from home, I’m every day on the hunt for new music, and every time I listen to something I find interesting, I start looking for more bands that follow the same style. Bands that, despite bringing numerous influences, never stopped sounding classic.
The music of Evilcult is always in the process of development. From the EP to the full length there’s a difference: the first EP is rawer, totally focused on the Black/Thrash, there’s nothing different from what the cover art already shows you. Since the EP’s release, I always wanted to insert new elements in our sound, without running away from what we call True Metal. But you’ll notice something different going on when you first hear the EP and then the album. There are some Heavy Metal riffs, we also sound more melodic.
In the upcoming album that we just recorded, there are many more different influences as well. I guess we can still catch the attention of more narrow-minded fans that are only fond of the “old formula” bringing some elements of Accept, Running Wild and many obscure American Metal bands that sound great but don’t have much spotlight. We listen a lot to the old bands, as well as new bands that are also inspired by them. On the new recordings there are tracks that sound like Heavy Metal, but with Black Metal vocals and lyrics, melodic solos… there are plenty of ways to innovate and explore new approaches without losing the Metal essence. I am a bit closed regarding my perception of what’s “real Metal”, but I also don’t think it should be always the same, that Black/Thrash can’t have anything from Heavy Metal or the Old-School Power Metal as played by Blind Guardian and Helloween. I think there are countless ways to incorporate influences without sounding very modern. Likewise, I don’t like breakdowns, with very low tuning and very clean production…
#### **I’m against it! ((laughs))**
If by any chance you find me doing things like that, please make an intervention because something went wrong ((laughs)). Nothing against, I even have friends who like it… ((laughs)) But according to my musical perception, I never expect to play anything that sounds modern in Evilcult, but I think there are plenty of ways to incorporate different Metal sub-genres elements without abandoning its roots. I think it’s possible to contemplate the taste of different generations as long as they like the classics. I think it’s impossible that someone stays only focusing on the classics, since it is important to have new references to make something that sounds different. Otherwise, as you said, people will have no reason to listen to anything despite Sodom or Hellhammer.
There was a boom of Black/Thrash in the 90s, there was a new one in the early 2000s, so there’s no reason for us to play exactly like they did. Let’s listen to more things without losing our essence and falling into modern traps. We get inspiration from the bands that sound “vintage”, but aim to the future.
#### **You mentioned that you were listening a lot to contemporary bands such as Nocturnal and Deathhammer by the time of the release of your first EP “Evil Forces Command”, something we can notice not only from the way it sounds, but also due to a homage to Cruel Force in the end. Tell me more about the context of the era in which you released this EP, being from where you are. In Rio de Janeiro there was already a consolidated scene playing this kind of music: you already mentioned Apokalyptic Raids, but I could also mention Diabolic Force, The UnhaliGäst, Velho, and many others. On the other hand, this scene somehow seems a bit limited to Rio. You come from the South, where Death Metal was more prominent, not only because of bands such as Krisiun, Nephasth and Rebaelliun, but also some smaller ones like Bestial, Predator, among others. How was it for you to start playing something that was more associated with a different area, and in which way you found your niche there with the release of your first EP?**
That’s an excellent question because occasionally, it’s hard to explain how I get in contact with this sort of music. I am from Bento Gonçalves, a city where there wasn’t a scene. Of course, there were some Metalheads, but I didn’t get my musical influences from them. I started on my own, filtering the sort of music that I liked and wanted to play, but that was a personal journey, when I was searching for references and exchanging information with people from different areas. If I were to follow my local scene, I’d be more limited, probably playing Death Metal or 90s style Black Metal. There weren’t many people up to date with the kind of music I wanted to play. For me, that was one of the main reasons to create Evilcult because I didn’t know any band playing that kind of music here in Rio Grande do Sul. The festivals I attended back then were mostly Black Metal, Death Metal, and maybe a bit of Thrash Metal bands playing… but Black/Thrash was something nonexistent here.
#### **There was Nuctemeron in the late 80s, I’m uncertain if you know, from Agnaldo that plays in Serpent Rise and Arcanum XIII. They released some short demos, it was even** [**re-released here in Europe recently**](https://www.scareystore.com/product%5Finfo.php?products%5Fid=26543&ref=blackmetalzine.com)**. They were from Santa Maria and only released a couple of demos. Black/Grind, something that sounded like Impaled Nazarene and Beherit, but even before those bands.**
I need to check them out, I never heard about them. When I started going to festivals, there were no active bands in that style, so I knew I needed to create a band to represent that. Of course, I knew the bands from Rio, we even played a Velho cover on our early rehearsals with Evilcult. I liked Power From Hell, Whipstriker, but they seemed very distant. So, I wanted to have a band like that here in Rio Grande do Sul. And also because I’m younger, since all of these bands are from guys from a previous generation, and there weren’t many people my age playing that kind of music. That motivated me to create Evilcult. All my knowledge in that area came from different scenes because within my local scene, although people would like that kind of music, nobody played it.
#### **Before releasing your full length, you released two singles that were later included on the album, “Eternal Cult of Darkness” and “Necro Magic”. They were recorded before the recording of the album, right?**
Yes.
#### **Alright, so how important were those singles for promoting the first album, “At the Darkest Night?”. I have a list here: it was released in CD by Awakening Records in China; in Cassette by Sign of Evil in Poland, Black Legion in Peru, and Tapes of Terror in the Czech Republic; as well as vinyl by Diabolic Might here in Germany. You had many international contacts to release the album, how come these contacts were established? Was it because of the first EP, or did the singles help?**
From the beginning in 2016 to the release of the first EP, everything happened quickly. We wanted to have something to introduce the band, and there’s nothing else you can do to introduce your band rather than releasing music. The entire process took around 6 months from first rehearsals to the recordings. We recorded the drums and guitars live, and then I added some bass tracks and sang, but only because there was no one else to sing. In the end, we liked the result so much that we released it as an EP, rather than a demo – our original plan. It was rapid, but also very personal, since we were promoting it ourselves to the people we knew. We had to build a chain of contacts before being able to release this EP on CD, and that took some time. That’s the reason the EP was only released in 2018: we were playing live for 1 year before we had the chance to release it. In the meanwhile, we were composing new songs.
The EP came out in late 2018, and the single of “Eternal Cult of Darkness” came right after it in early 2019\. People were still starting to get to know us from the EP and there was already a new single out.
#### **And there’s already a change in the way you are sounding.**
Sure. And there’s a curiosity: “Eternal Cult of Darkness” is a song originally written for Metzger. It was a Black Metal song, with some blast beats, which was intended to be released before, and it never happened. Those were references I had but never put to practice, so after this single we reached plenty of people. Subsequently, the Chinese label Awakening Records contacted us, it was totally unexpected. The owner of the label wrote us on Facebook and said he was interested, asking if we had something done to release as an album. It’s not like we weren’t prepared for that, but we never expected it to happen so quickly.
To release the first EP it was a harder, longer process, especially because I didn’t know many people back then. This delay is attributed to the fact that we weren’t well-known. Out of a sudden there was a label interested in releasing something new that they found out on the internet.
Their original plan was exactly to aim in this peripheral market outside of Europe and North America, as they were already releasing bands from South America. They were just starting as a label, without focusing specifically in any sub-genre, but with a more classic/Old-School approach. Although they embrace many sub-genres, they are focused on a specific way of “vintage” sounding. I checked their releases and bands from their roster, I even bought some CDs they released to check the quality and it all looked and sounded very professional, so we decided to sign with them. Back then I didn’t have an album, but I told them I had... only after we started working on it ((laughs)). It was done very professionally, with a signed contract, so we ran to catch up with everything: songs, photos, lyrics. We had no demo or anything, they believed in our potential because of what they heard from us in the single and the EP.
#### **And what about all the other formats, was it because of the CD?**
Yes, first it was the CD, which was released in China. But even before the CD release, this German guy from Diabolic Might already contacted us. That was after the release of our second single, “Necro Magic”.
Since we signed with Awakening before, we recorded “Necro Magic” to give a proper response, showing a glimpse of what was coming next and how the album was going to sound. The recording of “Eternal Cult of Darkness” was something we did just to keep ourselves active, without spending a lot of resources, in a very simple way. It wasn’t the version we wanted to use in the new album, since we wanted a better production for it. For the recordings of “Necro Magic”, we only went to the studio when everything was mostly set up, and recorded it before we recorded the album itself. It was released on Halloween of 2019, we recorded using better equipment, and the feedback from the label was very good. We released it on YouTube, and that’s when Diabolic Might contacted us. He presented his work, which I think I had an idea about before.
#### **They released Bewitcher, Hellripper, and other bands that play in the same style as you…**
Yeah, I knew the bands but wasn’t aware of the label. I listened to many of their releases before without knowing about them. It never crossed my mind that even before releasing a full length someone would contact me from Germany to release it in vinyl. It totally blew my mind, especially because we weren’t well-known in Brazil yet, except for our region and some scattered areas, since our first EP was released in a collaboration with several different labels within the country. But still, it wasn’t a band well-known in Brazil. It took a lot of weight from our shoulders away, since even before releasing the album we already had two contracts: one for CD and one for vinyl, so I knew I wouldn’t need to run promoting the album like crazy, because that was already going to happen naturally on the labels' behalf. It was a worldwide distribution based on their chain of contacts. Awakening Records pressed 1.000 copies on CD, and we know that if it was only an unknown band from Brazil self-releasing it, these copies would be stuck here forever.
As a comparison, 500 copies of the first EP were pressed before, and it took a while to be sold. That happened mostly after the release of the album, so then people started buying the EP as well. The band only started really happening after the release of this album. We uploaded it to streaming services and became more well-known. Since we were not expecting it to happen that fast, we didn’t know how to properly promote an album, so we had no planning for it. It was all very organic, but then it started to reach people out. When the CDs from China arrived in Brazil, we sold a lot because people heard it online before, so we started doing merchandising that also sold quite well.
#### **I was intending to ask that later, but since you mentioned merch I can ask it right now. You’re also a graphic designer, and the entire visual concept of Evilcult was made by you. Not only your band, you also worked with some other bands in Brazil and more recently even with Arch Enemy. Tell me more about how it happened, and how you think you conceal your profession with your Metalhead side, how it translates the sound you play in a visual form, if you think there’s a connection.**
That all happened totally by chance. I joined the Graphic Design course in the University more or less at the same time as I started Metzger, in 2012, so I never knew that in the future I could work with anything related to Metal design. I never knew it was even possible for someone to only work with something like that.
In the beginning I wasn’t that good. I always knew how to draw, I have done that since I was a kid, but didn’t work as a designer before. It was a long process… a cover here, a logo there, but not in a professional way. Everything I did for my band before was very coarse, either handmade or using limited software such as PhotoScape. I did some posters here and there, but it was mainly to save some money, since we didn’t have resources to invest in our own visual identity. Since I knew a little bit about design, I started doing things for my own band.
When Evilcult was formed I was already better at it, I was already working in an agency, and then I started to use it to promote my band as well. In the end that worked well. We had a visual identity since the very beginning because of that. Our first posters caught attention because of this Old-School/retro aesthetics. We were very young, between 18 and 20 years old, but looking like the classic bands from the 80s in our posters and pictures, so it caught attention, because it wasn’t very common back in the days. Some people liked our visual identity even before liking our music. Every concert we were going to play I always made a very nice poster to promote and catch audience’s attention.
#### **It’s true, it really does. When I was a kid I only decided to listen to Iron Maiden’s “The Number of The Beast” because I was hypnotized by the cover art. “Invaders” was still playing when I went to find a cassette to record it. It totally changed my life ((laughs)).**
Totally, and I think this is critical, and often people don’t care much about it. How are you going to check an album if you don’t find the cover nice when you don’t know it? I didn’t grow up in the vinyl era, but back in the days it was hard to listen to the music of a CD in advance. I used to go to a store and buy a CD judging the cover. Sodom, for example, I wanted to listen to it because of the artwork. Occasionally, I’d read about a band in a Metal magazine, but wouldn’t be able to listen to their sound. Many times I stored the pages of some magazines to look for the CDs after, the visual aspect always caught my attention in times in which I still had no access to the internet. I tried concealing the visual identity, the music we play, and also the way we dress ourselves, creating a unity.
Although we had scarce resources, we managed to do something well aligned.
#### **And how did it reach Arch Enemy?**
That was a long step forward. If Evilcult wasn’t well-known, I was personally even less. When Evilcult gained some popularity, my work did also. I did the EP cover, the album cover, every band flyer, we started playing more… I did a lot of T-shirt design as well, and the shirts sold quite well and that reached a lot of people. Because of that I started working in collaboration with a T-shirt company called Utida Kingdom, one of the biggest brands - if not the biggest - of Metal merch in Brazil. Utida became aware of my work because of Evilcult, since I made the T-shirts from our first EP with them, and then he became interested in my style and asked me to do other designs for him. It all escalated from that.
This shirt company used to license a lot of Brazilian bands merch, but wasn’t that much connected to an international scene. In the last 2 years, especially during the pandemics, things evolved very quickly. Our album was also released amidst quarantine. My work as a designer became more well-known, I started to work with different bands - including a few international ones, and I was posting everything on social media. The algorithm made its part with all the reposts, and one day I had this message request on my Instagram inbox from Michael Amott. It totally blew my mind, I wasn’t even believing at the time. I did some work for Brazilian bands such as Crypta and Nervosa before, but to work with such a well-known band was a bit unbelievable.
He wrote that message himself, it wasn’t anyone from the management team or representatives. It was his personal profile saying that he liked my style and wanted to work with me in the future. Finally, it was nice seeing that despite being famous, the way in which things are done for bigger bands can be like any regular headbanger would do. After a while, he contacted me asking for a T-shirt design for an Arch Enemy tour in the USA, in this vintage style that I work with. It had to be done quickly, due to the logistic issues of having the art done, printing the shirts and packing for the tour. I did it within two weeks, and since he liked the result so much, I ended up doing 3 different artworks for them. Not only the design of the tour shirt, but also a remodeled version of their artwork of the album “Doomsday Machine”. After a while, I saw a [picture of the shirts on their Instagram](https://www.instagram.com/p/Cfjs7qwuO8f/?ref=blackmetalzine.com), and it was very rewarding on a personal level. I could barely believe that all of that was once gaining form in my personal laptop ((laughs)). That granted me plenty of different opportunities after. I really understood that you can reach countless people through the Internet nowadays. I also did a T-shirt artwork for Nocturnal, which is a band that influenced me a lot when I started playing, it was also something that I felt very honored.
#### **Changing totally the subject now, you mentioned that you grew up already in the times of CD. Even before the CD version of “At the Darkest Night” was released, you already had a contract to release it in vinyl, and as I said it was also released in cassette in several different labels. Reviving that generational subject: my generation totally grew up on tapes, the one before me still had everything in vinyl, and this nostalgia somehow goes well if the style of music you play. What is the role that nostalgia plays for you, and the way your music reaches its audience right now?**
I was born in 1993, so I am from a CD generation, but even more than that, I am from the MP3 generation. When I became more interested in Metal, CDs were something unreachable for me, since they were expensive and it was hard for me to have any money at the age of 12\. I used to download a lot of albums, especially because where I lived it was impossible to find anything from the bands I listened to back in the days. I could find the Iron Maiden CDs, but I had to dig way further in order to find anything more extreme. Many bands I knew by name, but it was difficult to find anything from them. So when I had access to software such as Kazaa, Ares and others, I started downloading what I wanted to listen to. Of course I would also save some money and buy some Sepultura CDs, but that was the exception and not the rule. I don’t have emotional memory with vinyl, because when I was younger it was impossible to find it, only collectors had it. I didn’t have access to any vinyl records back then. I didn’t have a physical collection when I was a teenager. With MP3 the focus was solely on the music, and even then I had to dig further to find the underground stuff I wanted to listen to.
###### **I used to dig a lot using mIRC, DC++ and AudioGalaxy before Soulseek came up.**
Exactly, a lot of my musical knowledge I owe to the MP3 hunt, otherwise I’d be only listening to the same few mainstream Metal bands. The first time I bought a Metal vinyl I was already older, back in the times of Metzger, in 2012\. I went on a trip organized by the university to Porto Alegre \[the capital city of the state of Rio Grande do Sul\] and there I found Destruction and Nuclear Assault’s records. I have never seen that before. I bought it and paid very cheap for it, around 10 Dollars for both, because no one cared about vinyl at that time. Both were in very good condition. By that time I was already working, so then I started building a collection. But that was still mostly when I used to go to the capital, because in my city it was quite hard to find anything. I never expected to one day have a vinyl from my own band, and after I started collecting I became really fond of seeing the big artwork, the insert with the lyrics, it’s a totally different experience. Even though it’s quite hard for someone to find the time to stop and listen to a record, especially compared with the facility of streaming platforms such as Spotify, I really think that having the physical copy is important, because it’s also part of the musical art in general. It doesn’t end only in the musical aspect.
The cassette revival is even more recent than the vinyl revival, as I remember it is something that happened only in the last 5 years, and then the price of everything increased because people started searching more for physical releases as well. On the other hand, thanks to this demand it is now possible to acquire some material I never thought before it was possible.
Anyway, to hold your own vinyl in your hands is something priceless for me, maybe an European tour would have the same importance, but that’s the peak for a musician from here. And it is incredible to see how this analogical revival somehow changed the importance people gave to tapes. It was something of lesser value, more attributed to demos, and nowadays the editions are very good, and with the limited editions it became a collectable item as well. Having it released in the three formats was very important to us.
**Evilcult's 2022 Line-up: Mateus "Blasphemer" Scussel, Lucas "From Hell", Renato "Speedwolf"*
#### **After the release of the first album, Renato “Speedwolf” from Jackdevil started playing with you, and now I guess he’s officially a member of the band since last year. We spoke briefly about the** [**Brazilian**](https://blackmetalzine.com/brazilian-black-metal/) **metal scene before, but I guess that even Brazilians don’t comprehend how big this country actually is. The distance between Bento Gonçalves to São Luís \[Renato’s hometown\] is basically the same distance between Portugal and** [**Russia**](https://blackmetalzine.com/playlists/country/russian-black-metal/)**, it’s a continental distance. I want to know how this contact was established, and who had the crazy idea to hire a member that lives 4,000 km’s away to play together, and how does it work for you? And also, who played bass live before he joined?**
In Brazil, most of the bands are formed with a complete line-up. Of course there are many one-man bands, but that’s a different dynamic, since most of them don’t even play live. We were inspired by bands like Whipstriker, which is only one guy, who’s got a complete line-up when playing live; Deathhammer from Norway had a line-up similar to ours, only two guys, with a third one invited to play live.
Since we didn’t have a third person to fit into our line-up, that’s how it was. First it was only me, then Scussel joined because he was also fond of the sort of music I wanted to play, but there wasn’t a third person. I didn’t want to compromise by adding someone just to fill the line-up. We followed the example of the bands I mentioned and made it that way. I recorded the bass tracks on the first EP and album. Even though we had a friend playing live with us, he wasn’t much into the sort of music we play, and wasn’t dressed like we were on stage… he was from a Doom/Death Metal band, a totally different vibe from ours.
#### **Who’s this guy?**
He’s called Lucas Carbonera, from Bento Gonçalves. He played in a band named Segregatorium, and now is with a new band named Ad Hominous. It was a friend we knew before, who also catched up with us and liked Metal, but a different kind from ours.
For me it wouldn’t make sense to have a third member who wasn’t totally aligned with our original concept, so we kept it like that. It was actually a positive thing, because a lot of people were curious about our dynamic and approached us to understand that. Until last year it was like that. Renato already knew our band since the first EP. He already liked the kind of music we made, and although I knew Jackdevil as a big Brazilian band, they were very far away from us. I never thought one day I would play with one of them. We weren’t friends back then. I was a fan of his band, knew who he was, but we never had contact.
One day, he sent me a message and asked me for a design for his band, an album that so far was never released. So, I made a design for them, I won’t even speak much about it because the album never came out, and then the band was put on hiatus. So, our first contact was that, then we developed a friendship because of that, and he told me he would like to play with Evilcult. At first, he would be a studio member, since he wanted to record with us, as we already had a lot of new stuff composed during the quarantine times for a new album. He’s from a more Heavy/Speed background, but also likes a Black/Thrash a lot, so he knew a lot about our influences, shared the same common goal, and now we aim for bigger things for the future of the band. After releasing our album on vinyl, cassette, and having contacts all around the world, we want something more. It was a perfect match despite the distance. The only problem we have is the fact that Brazil is massive, and we’re separated by a continental distance. The same way there are cyber relationships, there’s a cyber band as well ((laughs)). Anyway, he liked the same influences, also shared our visual stage aesthetics, and we were not playing live for a very long time because of the pandemics. We were then finally invited to play a gig in Porto Alegre, after not playing a single concert after the release of our full length. In this meanwhile, we announced him as a permanent member and started to rehearse some new tracks that we were composing. He came to the South to play in the classic Bar Opinião in Porto Alegre. For the standards of our city, playing there is the same as playing on Wacken. I never expected to play there, with a full line-up, after the peak of the pandemics, without playing such a big gig before, it was crazy. It brought us to a whole new level, and we developed a lot as a band since the release of the album. We already had fans, people wearing our merch… after this concert a switch turned, everything started to work very well for us. Renato traveled South for other concerts as well, recording the new album with us in the studio. At first, he came with his resources, but the idea now is going on tours, like a mini-tour we did in the states of São Paulo and Minas Gerais \[in South-East Brazil\]. Now we’re going for a tour in the states of São Paulo and Rio de Janeiro, both produced by the collective [Off the Rails](https://www.instagram.com/offtherailsprod/?ref=blackmetalzine.com), the same that booked our mini-tour before.
But that’s it, we need to live for the band right now, really need to go and make it work.
#### **And how was playing in Minas and São Paulo? What are the most remarkable moments, either good or bad?**
It was our first experience playing far away from our state. I didn’t have the experience of playing two gigs consecutively, so it was a learning process for me. To play in São Paulo was total chaos, especially because I didn’t have the notion of how big that city is and how distant it can be from spot A to B there. A route I thought would take 30 minutes actually took us two hours. On the very same night we were about to travel, our flight was canceled. We were having a photoshoot session at night and I got a message on my phone at 3AM informing me about it. Luckily, I wasn’t able to sleep that night, so I managed to book a new flight, but it also got canceled after. In the end they found another flight to a different airport, but it worked well despite all the stress. When we arrived in São Paulo, we managed to sleep only 1 hour before playing. The traffic there was also crazy. After playing, we had to hurry to be able to go to the bus station to travel to Minas. It was nice, but definitely not the best conditions in terms of time management, we couldn’t even talk to the audience after the concert. When we got to the bus station, they would rather not allow our boarding because we were carrying our instruments. It took us around half an hour to convince them to allow us to catch the bus. The entire logistical part of the tour was very rushed, but then we traveled overnight, managed to rest properly, and in Minas things were way more chilled.
For the next tour, we already planned to arrive earlier so as not to struggle with that. Those are the lessons the road teaches us: you live, you learn. Anyway, the concert in Minas was the best of our career. The one in São Paulo was great, the one in Porto Alegre as well, but playing in Minas was something special. We gave all our energy and the audience retributed with even more energy. The scene of Minas Gerais is well-known worldwide, Belo Horizonte is one of the Metal capitals in the world, so there’s something different going on there.
#### **Since you’re talking about Belo Horizonte, you recorded a new video-clip there for a song of the upcoming album. How was it? And what about the new album, when is it going to be released?**
We recorded it there because it needed to be there ((laughs)). Since now we live distant from one another, we gathered to play these two concerts and took advantage of our day off to film a new clip. We managed to get a very nice venue for it, and our contacts from Minas Gerais organized everything for us to do it. It was directed by a video-maker in Minas named Bruno Paraguay, who’s also the singer of the band Eminence. When we got there we only needed to shoot it, because it was all already set up. It helped us a lot. We had two different locations, one with the band playing, and another one which is like a narrative story in which my girlfriend participated, it was a teamwork. It wouldn’t be possible without the help of our contacts there, so that’s why it had to be there. And judging from the resources we had, we are very pleased with what we managed to do. I still haven’t seen the final result, but the preliminary raw material I saw already hyped me a lot.
Since we put a lot of energy in the new album and also in this clip, I think this can reach the band to the next level. We intend to release the video-clip before the new album, as it can help us promote the future release. The new album is already in the mixing process, but we don’t know exactly when it will be released. Since it took us more time than what we expected with all the processes, I’m not sure if it’s going to be released later this year, since we also depend on the availability of the record label. Because of that, I think that it might be released only in 2023\. The CD is going to be released by Awakening Records, and the vinyl by Diabolic Might, like our first album. I’ll then check with the tape labels to see if they’re interested as well, so we can release it the same way we did with “At the Darkest Night”. Talking about it, we want to re-release our debut here in Brazil, since it was only available internationally before.
Anyways, right now we’ve got to wait. And I know I’m very picky with the final result: it needs to sound exactly the way I planned it, a perfect merge of all my influences, either old and new. I want it to sound differently from the first album, even though I know the fans tend to expect something similar. I don’t want that. Of course we kept our roots, but as a musician I need to make something a bit different, like the old bands used to do.
For example, Destruction, that is my favorite band: Infernal Overkill is entirely different from Eternal Devastation. That’s what I like about the bands from the 80s, they were learning by doing, there wasn’t a formula to follow back then. It was way more experimental, so from one release to another the sound changed drastically. Today I feel that all the bands keep on recycling the same sound, you don’t even notice when one album ends and the other begins, especially when they keep the same producer. For my band, it doesn’t work. I want every album to sound like its own. You can check that it’s already like that from the EP to the singles. The singles are also not the same version we recorded in our full length. For the new album it will be the same, we didn’t use the same references. Of course, it will still sound like Evilcult because that’s the way we play it, but it will have another production style. Since we didn’t have a bass player before, people will notice a lot of improvement on the bass lines. I am not a bass player, I recorded it following the root notes of the guitar riffs. Currently, there’s an evolution in that sense. With a new member, there’s always something new going on, with new sound layers and new references. Presently, there are some excerpts with keyboards, acoustic guitars, things you wouldn't find in our first album. I guess that’s also the main reason why it’s taking a long time to finish the post-production part, since we were avoiding our comfort zone of just repeating what we’ve done before. I am not saying I want it to be the most original thing ever. I also don’t want it to sound like any particular band, but it needs to sound like what I had in mind. I hope the audience notices that. That’s the legacy I want to build with Evilcult: a band that doesn’t release the same album over and over again.
#### **It's the year of elections in Brazil. It’s a bit impossible not to talk about politics there right now. I don’t want you to tell me your opinion on that, especially because I know that most of the Metal bands have a very particular way of tackling the topic. I’m uncertain if you’re familiar with the Portuguese band Filii Nigrantium Infernalium, they’re pioneers of Extreme Metal there and sound more or less like you do. Their leader, Belathauzer, is someone who’s always stating that in his interviews in a very appealing way. He says that talking about Satan in a country as religious as Portugal is a revolutionary act by itself, and he also says that the tradition of what he considers to be Black Metal – the First Wave, specifically – follows that. Since you play following the First Wave tradition, I see some similarities in your thematic. That contrasts to the legacy of the Second Wave, which also embraced plenty of bands with political views that are opposed to that. Your lyrics talk about evil, blasphemy and Satan, and I want you to tell me if you think there’s a political connotation on that, and how do you see it, especially coming from a country in which the slogan of the current president is “God above all”.**
I really appreciate the way in which you pointed that out because that’s accurately how I think. I see Satanism in Metal, as well as in Evilcult, as a political subject. We do not follow any Satanic religion, but use it as a tool of opposition to Christian values. Since Brazil is a very religious country, nowadays even more than before, our generation was always confronted with that. In my view, which is the way Evilcult expresses it, playing Metal is already a political statement. Exploring the Satanic thematic is a way to position yourself against the stream. It is an opposition to the Christian patriarchal society in which religion is basically inherited by osmosis. People are born Christian, study in Christian schools. I studied on a Catholic school, so it’s also part of my background, but I never wanted it to be part of my life. For me, Metal performed a primordial role in distancing me from that. I am not a connoisseur of the Satanic tradition, but I like the aesthetic sense of it. As you mentioned before, the cover art of “The Number of the Beast”, for example, that’s already something confrontation in that sense. You don’t need to follow a Satanic religion to be able to oppose yourself to the Christian tradition. In the 80s, numerous people were accused to be Satanists, but the guys had absolutely nothing to do with it. It was all esthetical. Just imagine being a teenager in the 80s and hanging a poster on your wall with Venom’s artwork, it was enough to provoke controversy. Nowadays, it is not, but that was certainly different back then…
#### **Yes, all the Satanic Panic also developed a big role in that. In the 80s some Metal bands were accused of promoting or even to be responsible for human sacrifices and things like that…**
And that attracted a lot of attention from the Media. We can remember the example of Twisted Sister’s Dee Snider testifying in court. They just wanted to provoke the traditional Christian family, and we feel the same. Especially when we notice that our society didn’t develop at all regarding this aspect. Actually, with the current political state, things are receding even more. We don’t need to mention politics in our lyrics, but I believe this is already implicit. Our Satanic design is a way to confront these values, the way we dress as well, and for me, there’s no way to associate Metal with conservatism.
Metal was always the opposite of conservatism since Black Sabbath. Since the late 60s they were already provoking, talking about Satan and distancing themselves from that. And today some might think it is okay for people to be conservative and Metalheads… it’s not okay, this is not part of Metal, that’s a different world.
#### **That reflects a Christian view of the world, which is the opposite of the original Metal spirit.**
Conservatives were always against Metal, they always wanted to silence our voice… that’s why Sepultura and Sarcófago were so shocking in Belo Horizonte. It’s a very conservative society, with churches everywhere, and their way to rebel against that was making Black Metal in the mid-80s, even without following a Satanic religion or anything like that. They just wanted to confront those values.
Since bands like Venom, Bathory and Sarcófago are among our main references, we follow the same steps. I think that for playing Black Metal you don’t need to follow a Satanic religion, but being an anti-Christian is what’s all about. I think that some people confuse hatred towards Christianism with hate speech. The conservative values are closer to the Christian moral than to the Metal spirit. In that sense, politics were always a part of Metal. Politics in general affect the Metal scene directly, no matter how you try to distance yourself from that.
#### **I always say that I’m revolutionary in politics and conservative in Death Metal ((laughs)).**
Wearing micro-shorts is okay, but bermudas are definitely forbidden, otherwise it’s Nu Metal ((laughs)). In our promotion picture, Renato is wearing a cropped shirt. There’s nothing less conservative than Chronos, Quorthon or Euronymous wearing cropped-shirts ((laughs)).
#### **Talking about your promotional pictures, I can see you have a Destruction’s “Infernal Overkill” tattoo, Scussel has Motörhead’s Snaggletooth… tell me a bit about your favorite Metal albums without thinking much about it. How did they shape your personal Metal perception?**
As you can see, Destruction’s “Infernal Overkill” is my favorite album, the one that synthesizes Metal essence to me. When I first listened to it, even without knowing how to play, I wanted to make those riffs. It sounds very evil. I liked Thrash Metal before, but if you pay attention to that, it’s not necessarily Thrash Metal, it’s this mix of Black Metal, Speed Metal… for me Destruction and Sodom are bands that I consider to be from the First Wave of Black Metal. A lot of people find it weird if you associate Destruction to Black Metal, but for me that’s what they are. Sodom’s “In The Sign of Evil” is a Black Metal album. The German scene, as well as the Brazilian scene led by Sarcófago and Sepultura are Black Metal scenes to me. They were the real avant-garde.
Okay, next… I could also say Slayer’s “Show no Mercy”…
#### **Also from the Black Metal’s First Wave.**
Exactly! They merged Judas Priest and Venom, plus a lot of different elements and made something totally original.
Third one, to finish with three old albums, I need to say Exodus’ “Bonded by Blood”. For me that’s the first real Thrash Metal album. All killers, no fillers. Some people say the cover art is bad, but to me it’s perfect. It looks like it sounds. The tones, the way in which Paul Baloff was not able to properly sing. It’s all a unit. It sounded very different from “Show no Mercy”, or Metallica’s “Kill ‘em All”. It consolidated Thrash Metal. For not knowing how to sing, Baloff created a new singing style, and nowadays a lot of bands follow that influence, it’s a historical landmark. It's purely based on feeling.
I would like to mention two albums that are more recent, because I also like a lot of albums of my generation that I listened to by the time it was released, so it also influenced me a lot.
Fourth would be Nocturnal’s “Arrival of the Carnivore”. I listened to it right after it came out, when I was getting to know more about new bands. I saw their picture, or someone recommended it to me, I can’t remember right now. I listened to it and it blew my mind, because it sounded like Destruction but it was just freshly made. Back in the days they were still young, in their 20s… they were new guys playing in the old style, so it was a big influence on me and my style of playing. It was important to find influence in bands from my generation, rather than just looking for the classics. It influences me until nowadays, and their visual style was also like the 80s: battle jackets, leather, bullet belts, pictures taken on a graveyard. That also captivated me a lot.
I can’t say I prefer a new album over the classics from bands such as Running Wild, but since it was from a band of my generation it caused me a big impact. So the next one is also from a German band, one of Evilcult’s main influences, Cruel Force’s “The Rise of Satanic Might”. It came a bit after Nocturnal, and had more or less the same riff structures, the growling vocals that are more Death Metal oriented, it was a different vibe that had a big influence on my way of singing. I also didn’t know how to sing, I can’t do Thrash Metal vocals, so I decided to follow more or less the style of bands like Venom or Cruel Force.
These two albums are not that new, one is almost 20 years old, the other is 13… they influenced me a lot, especially in the beginning of Evilcult, so they deserve a place on the list.
#### **And about new bands, what are you listening to right now?**
I’m always looking for something new. One that I like a lot is Vulture from Germany. I liked that when they came out, they didn’t follow the tendencies of what was being made at the time, but brought some Speed Metal influence. It also reminds me a lot of Exodus. It’s the kind of music that wasn’t more in evidence. It came after the Thrash revival, so it’s something cyclical. They even played in Wacken this year.
###### **Not sure if you know, but their tour manager is also Brazilian, Daniel Duracell.**
Yes! We never met, but I always heard about him. I knew he was somehow involved with Violator.
#### **Yes, Capaça \[Violator's guitar player\] is now playing with him in his band, Incarceration.**
I hope to meet him someday there in Germany. Another contemporary band I like a lot is Devil Master from the USA. I think they’re even more recent than Evilcult. I like how they mix a lot of different styles, such as Black Metal and Japanese Punk Rock. Despite sounding Old-School, it is very original. It has this First Wave vibe like Venom, but with a better production. They have this vampiric aesthetic, which is not exactly corpse-paint, and also wear some cloaks and adorn their stage with spider webs. It’s another example of a band who cares a lot about their visual identity, and combining it with their sound, I think they created something great. That’s why they became quite popular not only in the USA, but worldwide.
Those are two bands that are new and very active, merging influences of the old and the new, and making something different that doesn’t sound like what came before.
Devil Master’s newest album is different from their first one, it has some Post-Punk influences, something you won’t expect from a Metal band that often, and I think it’s great.
I like a lot of the New Wave of Traditional Heavy Metal bands such as Enforcer, Skull Fist and Cauldron… I mean, I can’t say I like every band of the NWOTHM, some are very generic and cliché, and even though they are inspired by the classics, there are many bands that suck, I must say.
#### **Even in the original NWOBHM, the biggest part of the bands sucked as well.**
Definitely! But anyways, I also was very inspired by bands like Enforcer and Cauldron. They’re way bigger, almost like the Iron Maiden of our generation, but of course still within a niche. For me it’s a reference, they’re not much older than I am and are very popular, touring worldwide and releasing album after album, playing real Metal. So, we want to follow the steps of bands that are making something original, that are trying to reach the main labels, that are touring and releasing albums regularly. I think it’s easy to make music only at home, but we wish to play and make tours outside of Brazil as well. So I follow the steps of the recent bands that are managing to do that. I would love to play in European festivals, even on smaller stages.
**Just to finish, I would like to ask you about the Bento Gonçalves scene. The city is famous in Brazil because of the wine, and before Evilcult the only bands I knew from there I haven’t heard about in years, such as Abate Macabro, Lethal Sense and Rotten Penetration. I don’t even know what they are up to right now, but they seemed to never leave the local scene. Since you mentioned that your music formation was very much on your own, how are the things right now over there?**
These bands are not active anymore. It’s hard to say there’s no Metal scene in Bento Gonçalves. All the guys from the bands you mentioned are from a generation before mine, so I wasn’t much in contact with them when I started to listen to it. And after their generation, there wasn’t a new one in the scene, except for some friends in school that listened to mainstream bands, but that was it. When growing up, I never had friends who shared my passion for Extreme Metal here. My contacts were mostly done over the Internet, and I am still in contact with numerous people I met online; otherwise I would just know the bands from my region without knowing about the current tendencies.
Bands that played here before were more connected to the Brutal Death and Black Metal scene, or Grindcore, not exactly to the music of the path I followed. I met these guys after, I’m friends with many of them, but my formation as Metalhead was basically me alone in my generation. Only when I started Metzger did I met some new people who started listening to Metal at that time, like Scussel or the person who used to play bass live with us before. Currently, there are some other new bands, but for around 10 years I felt like a lone wolf there, wearing Old-School clothing, feeling like a clown wandering the streets ((laughs)). It took me a while for me to be inserted in any scene because since I was very young, I could also not travel to the state capital that often. My friendship with the local scene developed after I already had a band and a determined taste in music. Without the Internet, I wouldn’t be who I am today. I see that many people today show some contempt for it, but for those that grew outside the main cities like me, it was the only way I could insert myself there with the resources I had.
**Well, then that’s it. I think I asked everything. The space is yours now to tell anything you want, if you feel there’s something that wasn't covered here. Thank you so much for your time.**
Thank you very much for the space you have given me to talk about the story of my band, and also my personal story. There are many things I told here that was the first time I said in an interview, it was very fascinating to be able to tell in detail and run away from the cliché. It was a pleasure. Please follow us on social media, and if possible, go see us live someday. Cheers!
---
[**Instagram**](https://www.instagram.com/evilcult666/?ref=blackmetalzine.com)
[**Bandcamp**](https://evilcult.bandcamp.com/?ref=blackmetalzine.com)
[**Facebook**](https://www.facebook.com/Evilcultmetal/)
[**YouTube**](https://www.youtube.com/channel/UCxjG7BAo6yQ0vUnKfzsxt3g?ref=blackmetalzine.com)
### Review: Celestial Grave – Vitriolic Atonement
URL: https://blackmetalzine.com/celestial-grave-vitriolic-atonement/
Last updated: 2026-07-16T17:16:33.000Z
## An Introduction
For my review this time on the new Celestial Grave titled Vitriolic Atonement, we're headed to the land of thousand lakes, [Finland](https://blackmetalzine.com/playlists/country/finnish-black-metal/), or Suomi Finland Perkele as Impaled Nazarene let the blackened outside world know back in 1994\. But unlike Impaled Nazarene, our subject today cannot be considered veterans of the Finnish black metal scene.
Even so, the sound and quality of musicianship shown on their demo, Burial Ground Trace, in 2016 would lead you to believe these three guys have been grinding it out for some time. With their demo already being on par with or above what most bands are putting out, anticipation was building for their first EP. Pvtrefactio saw the light of day, or the dark of the tomb, in 2017, as the band kept true to their lo-fi values so apparent on their demo. The table was set for their debut album.
The first album, Secular Flesh, was released through Iron Bonehead Production, a well-respected name among the blackend underground horde. What separates their full-length debut from their earlier material is the more drawn out songs, allowing breathing space to incorporate a vaster palette of extreme metal. They're apparently letting themselves be influenced by the strong Finnish death doom scene, Hooded Menace in particular comes to mind. And when it's blended with our beloved black metal, it makes for a compelling listen.
---
## The Album – Vitriolic Atonement
Ok then, onto the difficult second album. They are now signed to The Sinister Flame, a Finnish label that deals mostly with black and death metal, a match forged in the pits of hell.
What initially grabs my attention is the stunning cover art. Abstract enough, so you have to make up your mind of what it depicts, it's in style with the album name Vitriolic Atonement, an oxymoron, a malignant reconciliation. Is this duality apparent in the music? According to their Bandcamp it is;
> “Vitriolic Atonement is a sonic and visual exploration of the dreadful yet beautiful aspects of life and death,” they say. “It was a comprehensive work for us, where not only the music and lyrics but also the artwork were really central from the start.”
>
> https://celestialgravefinland.bandcamp.com/album/vitriolic-atonement
---
**Let's find out ourselves, track by track:**
##### 1\. Eucharist
The sound of a guitar being turned on and shrieking through the amp lets you know this is about to go down, it makes me feel like I'm there at rehearsals with them. The drums kick in with open hi-hats washing over me, the rest of the band joins the party, and I'm in the front row with a beer in my hand, screaming at the top of my lungs. This song sets the tone well for what's to come, already showcasing galloping faster parts alongside more elongated doom riffs and stomping drums towards the end.
##### 2\. Cadaverous Solace
The title of the second track gives me associations back to the album art, the song itself opens with a whirlwind of riffs and drumming before settling into a nice crust era Darkthrone tempo. The cavernous death doom vocals is accompanied by a riff that lingers on top throughout the first minutes. We are then placed in the front cart of a rollercoaster ride consisting of swift tempo changes, obnoxious guitars and deranged vocals that never feels contrived but rather fitting of their sound.
##### 3\. Clemency
Acoustic guitar? Two acoustic guitars? Have they lost the plot? Hmm, this is rather soothing, I must admit. Oh wait, what's this? Great, mid-tempo black metal enters the room and demands my full attention, I'm now reminded of what keeps my callous heart beating. The different parts here blend well together and this being the longest track on the album, they all get their time to breathe. One of the less adventurous songs, but nonetheless one of my favorites.
##### 4\. The Abyss Exhales
Back to blast beats and the voices of two demons is fighting for my devote attention. This transitions into a post black metal vibe before it hits me with that sweet black trash flavored with some mighty tasty guitar work. The taste of licks to come.
##### 5\. Exaltation
A lengthy but interesting build up to set us up for singing? Make no mistake, this is still the voice of a possessed critter rather than a divine angel, but there is actual melody to the vocals. This makes for a very intriguing change, and even the following passage with female spoken vocals does not sound out of place. A nice guitar solo towards the end cements this as a standout track in terms of breaking their already abstract shaped mold.
##### 6\. Radiant Tides Below
The sixth track and closer; will they stick the landing? Opening with the most dissonant riffs on the album, they certainly are giving it their all. It quickly melts into blast beats and death doom vocals, alternated with more trashing parts and shouty singing. This has now become an amalgamation of all that keeps me coming back to black and extreme metal. As the final notes on the album escapes my speakers and take refuge deep within in my mind, I'm on my phone looking for flights to Finland, perkele…
## Conclusion:
Do you like black metal? And do you think Darkthrone can do no wrong? Do you find beauty in riffs and screams coming at you from deep within a cave? Do you hide during the day and come crawling out at night? If the answer is yes to any of these questions, give this a listen and let us know in the comments what you think. If you don't like it, just take it easy, a medical team is on its way.
All jokes aside, they say it best themselves:
> “Vitriolic Atonement goes through different sacraments and rites, inhale and take in the aspects of darkness, death, and the beyond that are in reach on this mortal plane.”
>
> https://celestialgravefinland.bandcamp.com/album/vitriolic-atonement
**I highly recommend you lend your ear to this band and this album in particular.**
BMZ Score: 8,5 / 10
##### Tracklist:
1\. Eucharist 05:57
2\. Cadaverous Solace 06:03
3\. Clemency 07:54
4\. The Abyss Exhales 03:33
5\. Exaltation 05:31
6\. Radiant Tides Below 05:02
---
##### Music and social links:
Bandcamp: [https://celestialgravefinland.bandcamp.com/album/vitriolic-atonement](https://celestialgravefinland.bandcamp.com/album/vitriolic-atonement?ref=blackmetalzine.com)
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### Review: Predatory Light – Death and the Twilight Hours
URL: https://blackmetalzine.com/predatory-light-new-album-review/
Last updated: 2022-09-23T19:20:40.000Z
40 years separate the current moment from the year Venom named their second album “**Black Metal**”. Since then, a genre named after that album consolidated its roots and saw scenes emerging all over the globe, changing the original heterogeneous, chaotic and punk-like energy towards something more defined.
##### The First Wave
What we call today “**First Wave of Black Metal**” is nothing but a conglomerate of bands that displayed some satanic/death worshiping thematic and extreme sounding according to a retrospective perspective, embracing bands that sound nothing alike: Venom playing Speed/NWOBHM; Sodom, Bathory and Hellhammer playing something between Speed, Thrash, and Punk; Mercyful Fate and Witchfynde playing Heavy Metal; Sarcófago and Vulcano playing Death/Thrash; and many other examples complementing the heterogeneous “Black Metal” umbrella.
##### Predatory Light
A group photo of Predatory Light
Hailing from the [United States](https://blackmetalzine.com/playlists/country/u-s-a-black-metal/), **Predatory Light** is a band that, although recent and labeled as “Black Metal”, doesn’t inherit much of the characteristics explored by the early 90s Norwegian Black Metal scene. Sharing similarities with the “Occult Extreme Metal” from the 80s, such as Mortuary Drape (Italy), Tormentor (Hungary) Master’s Hammer and Root (Czech Republic), the American band evidences in their sound the incipient characteristics from the Black Metal pioneers: a strong devotion to riffs, Punk tones, tempo that oftentimes flirt with Doom Metal, audible bass lines and strong Old-school Metal vibes.
“**Death and the Twilight Hours**” is the second full length of the band, released in 2022 by the cult label “**20 Buck Spin**”. And besides, Negative Plane’s “The Pact…” is a strong contestant to be one of the highlights of the year in the sub-genre. Without sounding like a “retro” band, Predatory Light plays in the old way, but also fits within their music elements of contemporary Black Metal, such as a strong atmosphere and a certain “lo-fi” production. The cover art, depicting a skeleton archer riding a pale horse over a burning village, evokes the historical portrait of “Death on the hunt”. In a macabre depiction of the apocalypse – something that permeates the entire music presented on the album.
With almost 40 minutes distributed in only 4 tracks, the songs are built almost as epic narratives. The lyrics evoke death, as the title of the album suggests, translated here in hopelessness – like bad omens to mankind’s future.
The opening track, “The Three Living and the Three Dead” channels all the band’s dark influences into a prelude of a journey where the destination is most certainly doom:
> *“Come from black fire in fearsome form*
>
> *He rides through brimstone sky*
>
> *Called from hell by celestial choir, the scorn of beasts*
>
> *The judging hour, of visions sight, draweth nigh”*
The third track – the one that gives name to the album – evidences the approach of the upcoming apocalypse:
> *“Come and see! Earth’s kingdom shattered.*
>
> *Come! The end is near.*
>
> *Come and see! Life’s glory sundered.*
>
> *Come! The end is here*”.
The guitar riffs and melodies are definitely what guide the entire album, making “Death and the Twilight Hours” the sort of record that requires more than one listen to flourish all its nuances. The bass lines are really worth checking out with attention, as well as some sparse organs that bring the entire atmosphere to a whole new level.
Death and the Twilight Hours is a strong successor to the band's self-titled debut released six years ago, with incipient elements that are now fully developed in the new release. And a grateful surprise for those that worship the old way of playing Extreme Metal.
**BMZ Score:** 8 / 10
**Track list:**
01\. The Three Living and the Three Dead
02\. Wracked by Sacred Fires
03\. Death and the Twilight Hours
04\. To Plead Like Angels
---
**PREDATORY LIGHT**
- [Bandcamp](https://predatorylight.bandcamp.com/?ref=blackmetalzine.com)
- [Metal Archives](https://www.metal-archives.com/bands/Predatory%5FLight/3540377395?ref=blackmetalzine.com)
**20 BUCK SPIN**
- [Website](https://www.20buckspin.com/?ref=blackmetalzine.com)
- [Bandcamp](https://20buckspin.bandcamp.com/album/death-and-the-twilight-hours?ref=blackmetalzine.com)
- [Instagram](https://www.instagram.com/p/Cc8KTHjrbEM/?ref=blackmetalzine.com)
### Review: ACOD - Fourth Reign over Opacities and Beyond
URL: https://blackmetalzine.com/acod-fourth-reign-over-opacities-and-beyond/
Last updated: 2026-07-16T17:16:34.000Z
## Introduction
**Recently** [**ACOD**](https://www.band.fm/acod-1?ref=blackmetalzine.com) **(FR) released their new full-length album titled ‘Fourth Reign over Opacities and Beyond’ released by** [**Les Acteurs de l'Ombre Productions**](https://lesacteursdelombre.net/?ref=blackmetalzine.com)**. After being teased with the video clip for their track ‘The Prophecy Of Agony’ released earlier this month, I was eagerly awaiting the full album. (video included within this review).**
First things first, the sound. The production is great, with a solid mix and a lot of body (compliments to [Fascination Street Studios](https://www.fascinationstreet.se/?ref=blackmetalzine.com)). All elements have their own respected place within the mix and are distinguishable from each other. Due to the solid mix, the band members can shine, especially vocalist Malzareth is audibly pissed off!
## The Album
During my first play through of the album, I had some mixed feelings. After the second spin, I might have found what got me those mixed feelings. So, let's start with the ‘bad’ and get it over with. The opening of the album did not click for me. I found the intro generic and too long (3+ minutes). The second track was also not fulfilling, nor did it set the atmosphere demonstrated later on the album. Luckily, ‘The Prophecy of Agony’ managed to keep me invested and remain focused (I was starting to drift off).
By now, I have listened to this track multiple times, and it's just a banger! Catchy riffs, good melody and a soothing outro.
Right after said soothing outro, you get smacked in the face by a great blast beat powered tsunami of a riff kicking of ‘Sulfur Winds Ritual’ (we are back in the game!). The rest of the song was less powerful, but still solid. ‘Nekyia Catharsis’ on the other hand is a very fascinating song with some great riffs, diversity and created a unique atmosphere.
And then comes ‘Artes Obscurae’ which caught me off guard. What a great track! Dark, heavy, diverse and bombastic. Funny when you are listening to an album and already know that you found your favorite track of the album before finishing the rest of it. How do you follow up a track like that? Simply by another Dark, heavy and solid song! ‘Fourth Reign Over Opacities And Beyond’ is another banger.
‘Through The Astral Door’ serves a nice segway to the final track of the album titled ‘Empty Graves / Katabasis’ which is an adventure on its own. Starting off with Empty graves, which has a very Metalcore sounding vibe/chord progression. A chord progression/mix which I have heard multiple times on the album (not bad by itself!). Halfway through the song we delve into the Katabasis-part via a soothing, atmospheric and at times almost progressive transition. A great and melodic way to end the album. The final tracks are always the gems that most people miss, unfortunately. Kudos!
Overall this album has some great bangers but unfortunately a bad start (the start of an album is key). Looking past the first two tracks, you have pure quality and an interesting adventure with various elements. Both ‘The Prophecy of Agony’ & ‘Artes Obscurae’ will remain in my playlists for a long while!
BMZ Rating: 7 / 10
#### ACOD
- [Website](https://www.band.fm/acod-1?ref=blackmetalzine.com)
- [Facebook](https://www.facebook.com/acodband)
- [Instagram](https://www.instagram.com/acodband?ref=blackmetalzine.com)
- [Bandcamp](https://acod.bandcamp.com/?ref=blackmetalzine.com)
- [Youtube](https://www.youtube.com/channel/UCbBfE%5FMASHGLUkC36h533AA?ref=blackmetalzine.com)
- [Metal Archives](https://www.metal-archives.com/bands/ACOD/3540282196?ref=blackmetalzine.com)
#### Les Acteurs de l'Ombre Productions
- [Website](https://lesacteursdelombre.net/?ref=blackmetalzine.com)
- [Facebook](https://www.facebook.com/LADLOproductions)
- [Instagram](https://www.instagram.com/ladlo%5Fprod%E2%80%8B?ref=blackmetalzine.com)
- [Bandcamp](https://ladlo.bandcamp.com/?ref=blackmetalzine.com)
- [YouTube](https://www.youtube.com/ladloprods?ref=blackmetalzine.com)
### Review: Ernte – Ernte
URL: https://blackmetalzine.com/through-cold-dark-nights-with-ernte/
Last updated: 2022-09-20T19:26:20.000Z
[**Swiss Black Metal**](https://blackmetalzine.com/playlists/country/swiss-black-metal/) **bands are pretty rare, but one that you should definitely note down is Ernte, who, after *Geist und Hexerei* at the beginning of the year, now follow up with a two-track EP.**
The female fronted band, who call their style True Helvetic Black Metal, embodies the spirit of misanthropic old-fashioned Black Metal in the style of early Norwegian bands. So, it's not surprising that they start with the mid-tempo song, *A Fen Fire*.
This consists of a rather melodic guitar line that repeats itself a couple of times, almost a bit monotonically hypnotic in a good sense to create atmosphere. Like already mentioned, it is more in the vein of old Norwegian bands like early Gorgoroth, Kampfar or Darkthrone. In the middle part the tempo increases with blast beats and double bass attacks which are still kept very melodic. The main guitar riff actually runs more or less through the whole song, creating a truly sublime misanthropic song for cold winter nights or lonely hours.
The second song, *Saturnine,* starts off rather fast but still has that hateful vibe and although there are fast parts in between, it also creates a cold vibe. At the half of the song there is an interesting twist with calm clean guitars that goes more in the [DSBM ](https://blackmetalzine.com/tag/sdbm/)direction with sad melodies on the guitar. As a reference, old Shinings from the times of Livets ändhållplats can be mentioned here. Especially in this song, you notice the great guitar work of V Noir.
The overall sound is well produced, the guitars have more highs than lows, and the vocals by frontwoman Witch N. sound hateful. The lyrics by her have a gloomy and grim vibe to them. Fen Fire is about a female who gets lost on her way and then drowns. Saturnine makes reference to the planet Saturn, which is said to be a gloomy and slow character. Moreover, the text deals with topics, such as dying and the transformation of the soul.
Summing up, after the strong album *Geist und Hexerei*, Ernte presents us yet another cold great work. Whoever likes cold, misanthropic Black Metal should really check out Ernte and get their EP.
BMZ Score: 8 / 10
---
##### Where to buy:
7" Vinyl & Digital Album available here:
[https://vendettarecords.bigcartel.com](https://vendettarecords.bigcartel.com/?ref=blackmetalzine.com)
[https://vendetta-records.bandcamp.com](https://vendetta-records.bandcamp.com/?ref=blackmetalzine.com)
[https://ernteblackmetal.bandcamp.com/](https://ernteblackmetal.bandcamp.com/?ref=blackmetalzine.com)
##### Social Media:
Facebook: https://www.facebook.com/ernteblackmetal
Instagram: https://www.instagram.com/ernte\_black...
Bandcamp: https://ernteblackmetal.bandcamp.com
Instagram: https://www.instagram.com/ernte\_black...
### Review: Toadeater – Bexadde
URL: https://blackmetalzine.com/toadeater-bexadde-review/
Last updated: 2026-07-16T17:16:35.000Z
## Introduction
Toadeater, a [German](https://blackmetalzine.com/playlists/country/german-black-metal/) post-black metal band, released their third full length «Bexadde» on September the 9th.
Do you like your black metal raw & traditional? Nothing wrong with that, so do I. But I also enjoy other genres of music, and every so often these sneak their way into our beloved black metal sphere. Toadeater is labeled as post-black metal, not my go-to genre, but this is something different, at least for me. This has the wall of wailing guitar noise accompanied by sweeping leads, blast beats & screeching vocals that I crave.
So, regardless of genre tags, is this a good album? Let's find out…
With only four songs, the shortest one clocking in at just under 8 minutes and 30 seconds, this is not an album for fun parties, but rather fitting for a solemn listening experience.
##### **Track list:**
1\. Asche 09:48
2\. Let The Darkness Swallow You 11:54
3\. Lowest Servant 08:29
4\. Molten Gold (down your throat) 13:43
##### Asche & Let the Darkness Swallow You
First track, Asche goes straight for the jugular and instantly sets the mood. The blackened hardcore part in the beginning demands your attention and set you up for the more melodic parts that follow. Great opener.
Let The Darkness Swallow You, the second track, does a damn good job of pulling you into its black void. There are so many great parts in this song, they're like waves washing up on the beach, slowly digging away the sand from under your feet until you're left floating like in a sensory deprivation tank. This is the essence of what I look for in music; to take my mind off every day, mundane terrestrial life.
##### Lowest Servant & Molten Gold
Third song Lowest Servant has a few slower parts with some beautiful guitar leads and almost feels like the calming before the storm, even though this song has its own blasting moments. By this point, they can do no wrong it seems, as I blindly follow them with every footstep on this journey into the unknown. My mind is at this point fully occupied with absorbing the music as my neighbors, in vain, are knocking on my door in a desperate effort to make it stop.
We arrive at the fourth and final track, [Molten Gold](https://youtu.be/sAy3aVxkXV4?ref=blackmetalzine.com); an apt title, as the songs moves along like how molted gold would pour out of a crucible, or lava run out of a volcano, sometimes slowly pouring, sometimes splashing and setting everything it touches on fire. Spanning almost 14 minutes, this is an epic track that leaves me exhausted but smiling at the end of it. A worthy closer to this encompassing journey.
What's this knocking and shouting at my door?
## Conclusion:
This is not traditional in the black metal sense of the word, but what this feels like is a continuation, a somewhat polished version of the raw emotions within black metal, DSBM specially. It ebbs and flows much like one would expect from a full band, rather than what we know from most single entity projects.
Just as I like my coffee, sometimes with milk and sugar, but most times dark roasted and pitch black, this album gives me all of that, and I highly recommend it for anyone who enjoys their music in solitude.
**BMZ Score:** 9 / 10
## Listen now:
---
##### Where to buy & listen:
Apple Music: [https://music.apple.com/us/album/bexadde/1632261427](https://music.apple.com/us/album/bexadde/1632261427?ref=blackmetalzine.com)
Tidal: [https://tidal.com/browse/album/235853826](https://tidal.com/browse/album/235853826?ref=blackmetalzine.com)
Bandcamp: [https://toadeater.bandcamp.com/album/bexadd](https://toadeater.bandcamp.com/album/bexadde?ref=blackmetalzine.com)e
Spotify: [https://open.spotify.com/album/1j0XvYmOA98lxcZi2AGs4D?si=f5anle7vSsuMe83LkBdFQA](https://open.spotify.com/album/1j0XvYmOA98lxcZi2AGs4D?si=f5anle7vSsuMe83LkBdFQA&ref=blackmetalzine.com)
##### Social media:
Facebook:
Instagram: [https://www.instagram.com/toadeaterofficial/](https://www.instagram.com/toadeaterofficial/?ref=blackmetalzine.com)
### Review: Blood Countess – Occulta Tenebris
URL: https://blackmetalzine.com/blood-countess-occulta-tenebris/
Last updated: 2026-07-16T17:16:35.000Z
Blood Countess, a [UK-based](https://blackmetalzine.com/playlists/country/uk-black-metal/) black metal band, released their first full album on the 1st of April (yes really). The band name itself is pretty explanatory about the subject of the band, but in case you are still wondering, it's about Elizabeth Báthory.
## A small lesson in history
Elizabeth Báthory
Elizabeth Báthory was born 1560 in the Kingdom of Hungary (which is now Hungary, Slovakia) and is known for the killing of ten to hundreds of girls and women between 1590 and 1610\. How many she killed is still a subject of debate. There are some theories that it was a witch hunt against Elizabeth because of her status, properties, and influence. But most historians will agree that there were many victims overall. Her servants (4 in total) were convicted for the murders. Elizabeth herself was imprisoned within her castle, named Castle of Csejte.
She died on the 21st of August 1614.
---
## Occulta Tenebris
The first album of the band is called Occulta Tenebris, which means Hidden in Darkness in Latin. It consists out of 8 tracks.
1. Storms Over Carpathia
2. Ad Altare Sanguinem
3. In Virgins Blood
4. Ululation of the Grief Stricken Peasants
5. Screams Over Carpathia
6. Orgasm Leading to Death
7. Ferenc Nádasdy
8. 21-08-1614'Ad Altare Sanguinem
The song titles read like a storybook about Elizabeth's life.
#### Storms Over Carpathia
It starts with the storm that is brewing and growing in strength. The song sets a nice atmosphere with a thunderstorm in the distant, and makes it a great start for a lesson in Hungarian history. The drums are vast and pummeling (which I prefer in black metal) and I like the vocals, it's raw and suits the subject of the album.
#### Ad Altare Sanguinem
The altar of blood (Ad Altare Sanguinem), describes her lust for blood and the murders she committed. She was obsessed with it, and she and her servants murdered many girls/women for their blood. The lyrics are very dark.
Ad altare sanguinem Share thy blood Cast my spell You will suffer Your blood is mine
#### In Virgins Blood & Ululation of the Grief Stricken Peasants
The tracks In Virgins Blood and Ululation of the Grief Stricken Peasants talk about the pleasures Elizabeth got from killing the Virgins and that she bathed in the blood of those that were killed. It makes for a good horror story, but in real life it is a legend and never confirmed. Ululation (a high-pitched howl) of the Grief Stricken Peasants tells about the torment and grip she had over the peasants in the area. Musically speaking, I really like the drums of this album. They are very fast and properly mixed. The screams and howls of The Cuntess *(yes, that is what she calls herself)* makes it a complete package.
#### Screams Over Carpathia
The only instrumental track on the album and one of the highlights of the album. The screams of torture really makes clear to the listener what happened in her castle, and you can just hear the agony of the victims.
#### Orgasm Leading to Death & Ferenc Nádasdy
Orgasm leading to Death is the 6th track of the album, and the lyrics (you can check them on metal-archives) talk about Báthory's perversions and her need to torture for sexual gratification.
*Once, twice, begging me to stop Reaching climax, I will carry on My torture methods used for sexual urge Just this last time, you will cum for me*
It might have something to do with her husband Ferenc Nádasdy. Her marriage was an arranged one for political purpose and after a few years Ferenc was often away from home. But as the lyrics say, she had urges and perversions, and she acted those out on the lower classes and the girls and women she killed.
#### 21-08-1614 (the day the Countess died)
21-08-1614 is the last track of the album and the date that Báthory died. As mentioned before, Elizabeth Báthory was confined to her Castle and couldn't leave it.
*Stripped bare of power Violence and desire Torture and violation Torment That was my fuel For that, I lived And now I shall die*
She knew she would die there, but like further lyrics suggest, she vowed to return (“I will rise again”) and in a way she did. Elizabeth Báthory is still very popular in fiction (books, movies and more) and I have a feeling that will stay that way until the end of time.
#### The End
This is the end of our small history lesson. Overall, I love this album. I love the lyrics, the music itself (the drums and vocals as the biggest highlights of the album) it's all skilfully put together, and I sincerely hope Blood Countess will release a second record in due time.
**BMZ Rating:** 8 / 10
---
##### Social Media and Where to Buy
Bandcamp: [https://bloodcountess.bandcamp.com/album/occulta-tenebris](https://bloodcountess.bandcamp.com/album/occulta-tenebris?ref=blackmetalzine.com)
Facebook:
### Review: Blackbraid – Blackbraid I
URL: https://blackmetalzine.com/review-on-the-groundbreaking-blackbraid-1/
Last updated: 2026-07-16T17:16:36.000Z
## Introduction
**After releasing their first single earlier this year,** [**BlackBraid**](https://blackmetalzine.com/blackbraid-interview/) **have finally released their eagerly awaited first album titled Blackbraid I.** **Is it really the album of the year, or is there just too much hype about the Native American black metal band?**
The album contains 6 tracks with a duration of 36 minutes and 14 seconds. The track titles read like a story, and it takes you on a journey:
1. The River of Time Flows Through Me
2. As The Creek Flows Softly By
3. Sacandaga
4. Barefoot Ghost Dance on Bloodsoaked Soil
5. Warm Wind Whispering Softly Through Hemlock at Dusk
6. Prying Open The Jaws of Eternity.
A brief rushing of the river and the first song *The River of Time Flows Through Me* rushes out of the speakers. Fast parts alternate with melodies, blast beats with double bass. Moreover, the vocals are rather aggressive but towards the end the song becomes calmer with beautiful dual guitar riffs which culminate in a hymnal ending that then includes fast as well as groovy parts.
Then *As The Creek Flows Softly By,* an atmospheric guitar flute interlude, introduces the next song, *Sacandaga.* This song is also very versatile and has both fast and slow groovy parts and also includes pan flute melodies. At the end, there are also some punk black metal vibes in the vein of old Darkthrone.
*Barefoot Ghost Dance on Blood soaked Soil* was also previously released and features a very catchy chorus:
I shall feel no pain Converge, consume, efface I shall feel no pain Converge, consume, efface
The drum work here is also very varied and always sets cool accents on the cymbals*.*
After the guitar intro, *Warm Wind Whispering Softly Through Hemlock at Dusk,* the last song and absolute highlight of the album, *Prying Open The Jaws of* *Eternity* starts. It is very different from the other songs and begins almost in a slow, doom style with death growls and a real headbanging part. Then there are groovy, intricate guitars reminiscent of the quieter numbers by Dissection. After a few minutes, the song picks up speed and contains one of the best melodic (black) metal guitar riffs of the last few years, which complements the vocals really well. It feels like an anthem and is very emotional. It makes you want to shout the lyrics out loud:
Born of dust and ash Reflected in the sky To walk a sacred path To bare the gift of sight
What also really stands out with BlackBraid is the good guitar work that has a lot of heart for melody and rhythm, and the well produced sound. Furthermore, the drumming by sound engineer Neil Schneider is perfectly implemented. All other Instruments were recorded by Sgah'gahsowáh on his own. Respect for that.
So, generally speaking, this is a really outstanding album that perfectly combines all styles of black metal and also deals with nature and the way we interact with it in the lyrics. All things considered, *Black Braid I* is one of my top 3 albums of the year, maybe even my favorite.
## Conclusion
To sum up, the album is so interesting and multilayered that it grows with each listen. You can always discover new aspects, be it melodic arcs or quiet moments, or you delve into the lyrics, which have a lot of depth and meaning to them.
This album is a must-have for fans of Dissection and Mgla. But give the album a listen (which you can do below) and decide for yourself.
**BMZ Score:** 9 / 10
---
##### **Order CD, Tape, Merch & Digital Album:**
[https://blackbraid.bandcamp.com/album...](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbmY5SFZBVW5uS2VtamFGUDEtY2E0TVlIaDk4Z3xBQ3Jtc0tseWxWLVpIYlpndmxuY0s0TENpX0hJMjhDYTY3eUlyVUJXa0phYWwzVjZKbFZ6bXdIZDlvdC0xdUswYVNpYnhOSVlycjlTbC1lbFU2WXl1WVlWcHpWWEhjeHhUUXRScjZmX0QxWGVPM201enI4dmZDTQ&q=https%3A%2F%2Fblackbraid.bandcamp.com%2Falbum%2Fblackbraid-i&v=QQNP1Z1%5FycQ&ref=blackmetalzine.com)
[http://www.neuroparecords.com](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbkQyWE1CYTVpcG1MODJLWk1UdGZkU212QU1KUXxBQ3Jtc0ttN294czA0Z2ZUR1FuTG1HdWZjNnN4MVV3dVFMMjZsWDM5TmVCeFczell3TkFKTFNLSTF2bjdDaXNTMi16eFROc1E4UlpDMm92YXc4aFhocDMtd3p1VWlkdTBDa1g3dTF0WXV1S2VrTk8xY2I1QzJaWQ&q=http%3A%2F%2Fwww.neuroparecords.com%2F&v=QQNP1Z1%5FycQ&ref=blackmetalzine.com)
[https://www.plastichead.com](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbGgtTkoxM01BUnJ4Sm5RM0wwNzNHMnZmLWlxd3xBQ3Jtc0ttYXo0VTRSTEFHTDdHWTMybkdXdGFtUFRNNGdFRWh4REVYcWRKbzh4bWhGWkZQRXBLNlJlbHV0VGxVMVZlZ2Y0cmlOZWlCQ09qanlSYkdaemFqYjNDNEkyZ0R1Z3g0aktUc1h0S1d0ajhZVWZzV3BSQQ&q=https%3A%2F%2Fwww.plastichead.com%2F&v=QQNP1Z1%5FycQ&ref=blackmetalzine.com)
##### **BlackBraid**:
Website: [https://blackbraid.us](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqa3g3UkJnYllvVEJFTjNqWXhfeVBqaW5ZNXVVUXxBQ3Jtc0tuRWVLM0dyblNRRUp5V2xqWFVScU5faExtamN3cTRzcjI4TE02VmpqemlxVU9LZkp6UTJFRnZMTEFDTWtvUW04cUJaWXY4NGNLWDhwRUUxY2F0ZnYtVUhYdGJaRHBDdnlQUXZmM3ZiZlBiYUlZVWN0Yw&q=https%3A%2F%2Fblackbraid.us%2F&v=QQNP1Z1%5FycQ&ref=blackmetalzine.com)
Instagram: [https://www.instagram.com/blackbraid\_...](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbWFrRkR0UU1BUzNERWhOTHRhMERJV2pwUDdpd3xBQ3Jtc0tuMXN2UG1NQkY1MGpiUXNGVXlCOVVyQzlCalhaSTA3WWNYNE10NXNidTdsQ2h0MWVNWEJTcElUdTc2dGJNVlFoNE1LZDcyRjFlWEhQQkMxWjBJWHZXRU5QbkM1WllQNlNjRVZwbERkNTlCZEw0VlBzMA&q=https%3A%2F%2Fwww.instagram.com%2Fblackbraid%5Fkvlt&v=QQNP1Z1%5FycQ&ref=blackmetalzine.com)
Bandcamp: [https://blackbraid.bandcamp.com](https://www.youtube.com/redirect?event=video%5Fdescription&redir%5Ftoken=QUFFLUhqbnE5MWRJUmdad1plOURteXg4b0k4azl4bmE4Z3xBQ3Jtc0ttcW1Fc2FwaGJmdGxEOEJQRVcySTZyRnBmQU1mN1B6TmhGTXFHczZMRzhoYlg2WkM3UkpLZExfMFN1eEJHbXFZTEJsMHRzcjBUS3N6R2JNNms3QTI3YXJwRnVXRFJtWm1GU2RHN3dlWW8wS0xGX2VNMA&q=https%3A%2F%2Fblackbraid.bandcamp.com%2F&v=QQNP1Z1%5FycQ&ref=blackmetalzine.com)
YouTube: [https://www.youtube.com/channel/UCavI...](https://www.youtube.com/channel/UCavI2SXL6R-ZTqPCmlVFxLQ?ref=blackmetalzine.com)
### Review: Wampyric Rites – The Wolves Howl to the Moon
URL: https://blackmetalzine.com/thewolveshowltothemoon-by-wampyric-rites/
Last updated: 2022-09-07T19:00:00.000Z
If one's conscience were to intertwine itself and submerge its essence into the Stygian void, to be not the voyager that observes but to surrender completely. Morphing into a conduit, becoming the tongue that creates from the pinnacle of chaos, I believe it would be discovered within 'The Wolves Howl to the Moon' by Wampyric Rites.
In summary, it becomes an entity that transcends hollow musical notes. Instead, the energies that are evoked fashions a world that feels ever-changing in its aura yet connected to the listener, as though it is an exposed nerve where you share in its Orphic flow of its unbridled force.
The beauty which graces this album can be discovered in its architecture, for the foundation that is composed of its primordial tones drinks forth from the roots that are embedded within the soil of Raw Black Metal.
However, Wampyric Rites doesn't just drape its atmosphere with the skin of the genre, instead it calls upon its serpentine spirit. To connote a ritual so engaging to the senses, it exudes the feeling as though you can trace the raw wounds upon opened flesh, delineating the depth of emotions from which the ichor runs forth.
##### The Tracks on Wampyric Rites
Tracks such as 'Rites under a full moon' and 'Captive in a desolate castle' exhibit a raw-like state to its musical soundscape. For the structure of the riffs and percussion dispels a feeling as though one is witnessing the incantation of a spell assume physical form with its serpentine motions.
The very juxtaposition between the extremities becomes the brick and mortar of this world, but the very breath of life that fills this body accentuating the dense energy around. It is due to the production of the instruments, culminating into an experience that imbues the listener with a sensation as though you can feel the tangibility of the note's resonance as it curls through the [atmosphere](https://blackmetalzine.com/playlists/genre/atmospheric-black-metal/).
However, if the musical construct represented the very motion in language that encompasses this album, the vocals would be the wraith that commands these forces to its very will. Like the hands that shape the stone and clay, to take that which is unrefined and impart onto it a fragment of its soul.
The voice that resonates upon 'The Wolves Howl to The Moon' brings forth an elemental aura, stripping away any human emotions. In other words, the delivery that the register adopts gives animation to a landscape stricken by blight and famine. For if the soil of the earth could echo its disgust and abhorrence, the voice on this album, the very one that ascends the atmosphere, would be the very speech of the earth.
##### Conclusion
'The Wolves Howl to the Moon' can be viewed from the perspective, whereas crude manner can be used to erect such a magnificent being. For it is like holding the dust of the earthen floor in your palm, and from naught comes forth a creation ineffable in appearance but fused with the most dark spirit. In other words, the stripped down approach to Wampyric Rites' musical candor works in its favor, for the very delivery of the instrumentals feels more potent yet organic. It is because of these ritualistic moments converging to craft an intimate listening experience is why I would recommend this album.
**BMZ Score:** 8 / 10
##### **Where to buy:**
[https://wampyricrites1.bandcamp.com ... The Wolves Howl to the Moon - Wampyric Rites](https://wampyricrites1.bandcamp.com/album/the-wolves-howl-to-the-moon?ref=blackmetalzine.com)
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