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# Review: CRIATURA - In the Silence of the Dawn (2026)
- URL: https://blackmetalzine.com/review-criatura-in-the-silence-of-the-dawn-2026/
- Published: 2026-11-09T14:03:00.000Z
- Updated: 2026-11-09T14:03:00.000Z
- Description: CRIATURA - In the Silence of the Dawn (8/10). Symphonic Black Metal from Indonesia. Spectacle with substance; the guitar work keeps it grounded.
- Author: Michael
- Tags: Reviews, 2026, Symphonic Black Metal, Indonesia, #rating-8

**Band:** CRIATURA  
**Album:** In the Silence of the Dawn  
**Genre:** Symphonic Black Metal  
**Country:** Indonesia  
**Label:** Pest Productions  
**Released:** September 26, 2026

![CRIATURA Logo](https://blackmetalzine.com/content/images/2026/10/1000034597.jpg) 

## Introduction

Hailing from Bogor, Indonesia, CRIATURA combine melodic black metal with symphonic arrangements and epic fantasy-inspired songwriting. Released through Pest Productions, In the Silence of the Dawn embraces the theatrical side of extreme metal while keeping its focus firmly on riffs and melody. Blending harsh vocals, operatic female singing, and orchestral keyboards, the album sets out to create something grand without losing the aggression that anchors the genre. 

## In the Silence of the Dawn

*Track List:* 

1. *In the Silence of the Dawn*
2. *Victory*
3. *Rise of an Empire*
4. *Empty*
5. *Shadow Before the Light*
6. *The Queen of Kings*
7. *Pendosa Yang Mulia*
8. *Aurora of the Fallen*
9. *Fury and Fire*
10. *The Theatre of Midnight (Where Legends Are Born)*

A dreamlike, dungeon synth-inspired introduction opens the album, gradually melting into a folk-tinged melody that establishes an atmospheric, fantastical mood. From there, CRIATURA waste little time getting down to business. Tremolo-picked riffs and growled vocals give the opening track an immediate sense of momentum before an operatic female vocal passage expands the arrangement. A tasteful guitar solo follows, establishing the impressive musicianship that runs throughout the album.

The subsequent tracks bring chunky, groove-laden riffs to the forefront, balanced by keyboards that lend the music a sense of majesty without overwhelming the guitars. Melodic tremolo picking keeps the black metal foundations intact, while a well-placed string section builds tension and adds depth to the arrangements. The interplay between harsh and operatic vocals is particularly effective, offering contrast without feeling forced.

"Empty" begins with a spoken-word introduction that sets up one of the album’s strongest moments, leading into a burst of melodic black metal where the orchestration and vocal interplay come together naturally. Another well-executed solo highlights the guitarist's technical ability, while the surrounding riffs maintain a strong melodic focus. Elsewhere, symphonic keys give way to catchy, driving guitar work that captures the appeal of the genre at its most accessible.

The guitar playing is a definite highlight, but the songwriting prevents the album from becoming a mere showcase of technical ability. The arrangements have room to breathe, moving between aggression, atmosphere, and theatrical passages with a clear sense of direction. Production also deserves credit: the instruments remain distinct and well-balanced, allowing the orchestral elements to enhance the music rather than bury its heavier components.

![](https://blackmetalzine.com/content/images/2026/10/1000034598.jpg)

## Conclusion

In the Silence of the Dawn is a confident release that understands the importance of balancing spectacle with substance. CRIATURA bring together memorable riffs, expressive vocals, and carefully arranged symphonic elements to create an album that feels cohesive rather than overstuffed. There is an unmistakable sense of epic fantasy running through the music, but the strong guitar work keeps it grounded in metal. Fans of the more melodic and theatrical side of black metal should find plenty to enjoy here.

BMZ Rating: 8/10

![](https://blackmetalzine.com/content/images/2025/11/image-46.png)

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